"David Oh’s Whitewashing the Movies proffers an incisive and captivating critique of the cinematic Whitewashing work that has stripped Asian American subjectivity since 2008. Oh provides a detailed and thoughtful dissection of the operations and elements in such Whitewashing. And the book does not stop there though; it reimagines what Asian American subjectivities would look like if no such cinematic Whitewashing took place. With this, Oh provides a reimagination of Asian American representational and real worlds (our own cinematic future)."
— Rona Tamiko Halualani, Professor of Intercultural Communication, San Jose State University
"David C. Oh’s Whitewashing the Movies: Asian Erasure and White Subjectivity in U.S. Film Culture makes a strong case that these are still relevant approaches for scholars and critics seeking to make sense of Hollywood’s continued displacement of Asian characters on-screen, even when box-office analysis confirms over and over that stories about nonwhite characters reap significant financial returns....[I]f Oh’s target is Hollywood, he strikes it with example after example, a repetitive bull’s-eye that shows no mercy for the liberal hypocrisy and creative stagnation of Hollywood’s 'colorblind' racism."
— Film Quarterly
"David Oh offers a compelling study into the ways that Whiteness has shaped films. His analysis sheds light on the ways how films are influenced, and frames how are they are consumed in a process he calls whitewashing. His brilliant and insightful study challenges how we understand Asian and Asian American media representation."
— Tom Nakayama, Editor of the Journal of International and Intercultural Communication