Cover
Table of Contents
List of Figures
Acknowledgments
Introduction by David Drozd and Tomáš Kačer
Editors’ Choices and Guidelines
I. Theatre in General
Otakar Zich: Principles of Theoretical Dramaturgy
Jan Mukařovský: On the Current State of the Theory of Theatre
Jiří Veltruský: Structuralism and Theatre
II. Sign – Object – Action
Petr Bogatyrev: A Contribution to the Study of Theatrical Signs
Petr Bogatyrev: Theatrical Signs
Karel Brušák: Signs in the Chinese Theatre
Jindřich Honzl: The Mobility of the Theatrical Sign
Jiří Veltruský: People and Things in the Theatre
Jindřich Honzl: The Hierarchy of Theatrical Devices
III. Figures and Play
Petr Bogatyrev: Playing and the Theatre
Petr Bogatyrev: Chaplin and The Kid
Petr Bogatyrev: Chaplin, the Fake Count
Jan Mukařovský: An Attempt at a Structural Analysis of an Actor’s Figure (Chaplin in City Lights)
Jindřich Honzl: The Dramatic Character
IV. From Page to Stage
Jan Mukařovský: On Stage Dialogue
Jan Mukařovský: Stage Speech in the Avant-garde Theatre
Jan Mukařovský: Dialogue and Monologue
Jiří Veltruský: Dramatic Text as a Component of Theatre
V. Layers of Space
Jan Mukařovský: A Note on the Aesthetics of Film
E. F. Burian: The New Theatre Space
Jindřich Honzl: Spatial Concerns in Theatre
Karel Brušák: Imaginary Action Space in Drama
Miroslav Kouřil: Theatre Space and a Visual Artist’s Participation in Theatre
VI. Towards Structures of Modern Acting
Jiří Frejka: The Concept of Convention
Jiří Frejka: Example in Acting and the Stage as the Superstructure of Life
Jindřich Honzl: Defining Mimicry
Jindřich Honzl: Mimetic Sign and Mimetic Signal
Jiří Veltruský: A Contribution to the Semiotics of Acting
VII. Ethnographic Encroachments
Petr Bogatyrev: Folk Song from a Functional Point of View
Petr Bogatyrev: Clothing as Sign (The Functional and Structural Concept in Ethnography)
Petr Bogatyrev: Folk Theatre
Jiří Veltruský: Broadside Ballads and Dramas
Petr Bogatyrev: The Extra-aesthetic Function of Folk Theatre
Jindřich Honzl: Ritual and Theatre
VIII. Art – Media – Society
E. F. Burian: The Function of Photography and Film in the Theatre
E. F. Burian: The Stage Metaphor
Jiří Veltruský: Theatre in the Corridor (E. F. Burian’s Production of Alladine and Palomides)
Jan Mukařovský: On the Artistic Situation of the Contemporary Czech Theatre
Prague School Theatre Theory and Its Contexts (Afterword) by Pavel Drábek (with Martin Bernátek, Andrea Jochmanová and Eva Šlaisová)
The Prague Linguistic Circle and Its Mission
The Prague School at the Heart of the Avant-garde
The New Multicultural State of Czechoslovakia
Controversies and Ideologies Surrounding the Modern Czech Language
The Functional-Structural Method
The Role of Theatre in Czechoslovak Life
Artistic Experiments of the Czech Avant-garde
The Prague School and the Cinema
The Prague School and the Puppet Theatre
The Prague School, Folklore and Modern Ethnography
The Prague School’s Ethnographic Theory and the Theatre
The Prague Linguistic Circle and Formalism(s)
The Prague School and Husserl’s Phenomenology
The Prague School and Ingarden’s Aesthetics
Karl Bühler’s Language Theory
Prague School Theatre Theory and Otakar Zich
Hegelian and Marxist Dialectics
Conclusion
Further Reading
Biographies of Authors Presented in the Reader
Index