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Eric Rohmer's Film Theory (1948-1953): From 'école Scherer' to 'politique des auteurs'
by Marco Grosoli
Amsterdam University Press, 2018
Cloth: 978-94-6298-580-3 | eISBN: 978-90-485-3703-7
Library of Congress Classification PN1998.3 R64G+ 2018

ABOUT THIS BOOK | AUTHOR BIOGRAPHY | TOC
ABOUT THIS BOOK
In the 1950s, a group of critics writing for Cahiers du Cinéma launched one of the most successful and influential trends in the history of film criticism: auteur theory. Though these days it is frequently usually viewed as limited and a bit old-fashioned, a closer inspection of the hundreds of little-read articles by these critics reveals that the movement rested upon a much more layered and intriguing aesthetics of cinema. This book is a first step toward a serious reassessment of the mostly unspoken theoretical and aesthetic premises underlying auteur theory, built around a reconstruction of Eric Rohmer's early but decisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism.
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