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BUY FROM PUBLISHER	Antipodean Early Modern: European Art in Australian Collections, c. 1200-1600 edited by Anne Dunlop Amsterdam University Press, 2018 Paper: 978-94-6298-520-9 \| eISBN: 978-90-485-3623-8 ABOUT THIS BOOK \| AUTHOR BIOGRAPHY \| REVIEWS ABOUT THIS BOOK A Rothschild prayer book; an Italian bronze casket by Antico; a lavishly illustrated Carnival chronicle from sixteenth-century Germany; an altarpiece by the famous Flemish painter Pieter Brueghel the Younger—much of the artwork in this book, held by Australian collections, is essentially unknown beyond the continent, and so this collection of essays will surprise even specialists. The authors showcase these extraordinary objects to their full potential, revealing a wide range of contemporary art and historical research. AUTHOR BIOGRAPHY Anne Dunlop is Herald Chair of Fine Art at the University of Melbourne. REVIEWS “Antipodean Early Modern focuses on underpublished works of art, as well as celebrated ones, giving them greater exposure to scholars and museum-goers. The variety of methodologies, aims and results points to the richness of interpretation inspired by the collections under consideration.” — Elizabeth J. Moodey, Vanderbilt University “The innovation here is two-fold: bringing together a range of important manuscripts and artworks in Australian collections to an international audience to invite more scholarly attention and providing a wealth of current scholarly insights on these works. A timely, illuminating collection of essays, which combines readability and rigour for scholarly audiences as well as students." — Erin Griffey, University of Auckland See other books on: Art \| History \| Medieval See other titles from Amsterdam University Press

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REVIEWS

“Antipodean Early Modern focuses on underpublished works of art, as well as celebrated ones, giving them greater exposure to scholars and museum-goers. The variety of methodologies, aims and results points to the richness of interpretation inspired by the collections under consideration.”

— Elizabeth J. Moodey, Vanderbilt University

“The innovation here is two-fold: bringing together a range of important manuscripts and artworks in Australian collections to an international audience to invite more scholarly attention and providing a wealth of current scholarly insights on these works. A timely, illuminating collection of essays, which combines readability and rigour for scholarly audiences as well as students."

— Erin Griffey, University of Auckland