Contents
Acknowledgments
Introduction: Alternative Approaches and Representations of Latinx(s) Subjectivities in Cultural Production | José I. Lara
Part 1: Cinema About and By Latinx Communities
1. How We Became Latinx: The Role of Data on Identity in the Twenty-first Century | Jennifer Vilchez
2. Latinx Cyborgs: Analyzing Cyborg Identities Through a Cultural Lens | Reyes Caballo-Márquez
3. Resistance, Subversion, and the Racialization of Food in The Blue Diner | Mónica Rodríguez
4. Screening Diasporic Memories and Race in Diana Peralta’s De lo mío | Manuel Medina
5. Underscoring Indigenous Latinx Identities Through Cinema | Argelia González Hurtado
Part 2: Latinx Peoples in Visual and Textual Cultural Expressions
6. “Darker Shade of White”: Intersections of Black, Latinx, and Salvadoran in an Everyday Poetics of the Washington, D.C. Metropolitan Area | Ana Patricia Rodríguez
7. Closing the Media Gap? Latinx Languaging at Race and Queer Intersections | Julio Torres
8. Casting Spells with Melody: The Ascension of Yma Sumac to the Throne of Exotica in the 1950s | Luis F. Paredes
9. Constructing U.S. Central American Identities in The Wandering Song: Central American Writing in the United States | Adrian Kane
10. Intersectional Identities and Care Work as Agency in Recent Latina Fiction | Belkis González
Afterword: On the Future of Representation and Scholarship | Irene Mata
About the Contributors