A SCHOLARLY BOOK REPOSITORY
More Than 1001 Days and Nights of Hong Kong Internment is the wartime journal of Sir Chaloner Grenville Alabaster, former attorney-general of Hong Kong and one of the three highest-ranking British officials during the Japanese occupation. He was imprisoned by the Japanese at the Stanley Internment Camp from 1941 to 1945. During his internment, he kept a diary of his life in the camp in small notebooks, hiding them until his release in 1945. He wrote his wartime journal on the basis of these notes. The journal records his day-to-day experiences of the fall of Hong Kong, his time at Stanley, and his eventual release. The book is an important primary source for understanding the daily operation of the Stanley Internment Camp and the period immediately after the fall of Hong Kong.
Despite the controversial reputation of Hizbullah in the West, and the significant role this powerful Islamist organization plays in Lebanese politics, there are few reliable, published English translations of the party’s primary documents. With this extensive work, Joseph Alagha seeks to remedy this problem and rectify the distortions and misrepresentations that have resulted from inaccurate translations.
Through privileged access to the party, Alagha was able to compile and meticulously translate a host of original primary documents, from the party’s 1985 Open Letter; through its eight clandestine conclaves from 1989 to 2009; to all of its election programs from 1992 to 2010, as well as all of the agreements, understandings, and pacts the party has ratified over the years; ending with the 2009 Political Manifesto. This firsthand portrait of Hizbullah’s metamorphosis, especially in the past decade, is complete with thorough footnotes, commentary, background information, chronology, and a detailed introductory chapter that maps the party’s transformation by analytically comparing the Open Letter with the 2009 Manifesto. This volume will be an invaluable companion for both scholars and policy makers.
As the recent war in Lebanon demonstrated, an understanding of the Lebanese Shi‘ite militant group Hizbullah remains an important component of any attempt to solve the problems of the Middle East. The Shifts in Hizbullah’s Ideology provides an in-depth analysis of the group’s motivations, tracking the changes it has undergone since Hizbullah’s founding by Lebanese Shi‘ite clergy in 1978. Joseph Alagha demonstrates that Hizbullah, driven at its founding chiefly by religious concerns, in the latter half of the 1980s became a full-fledged social movement, with a structure and ideology aimed at social change. Further changes in the 1990s led to Hizbullah’s becoming a mainstream political party—but without surrendering its militarism or willingness to use violence to advance its ends.
In tracking these changes, The Shifts in Hizbullah’s Ideology covers such disparate topics as Hizbullah’s views of jihad, suicide and martyrdom, integration, pan-Islamism, anti-Zionism, and the relationship with Israel and the United States. It will be necessary reading for both scholars and policymakers.
As the dominant political force in Lebanon and one of the most powerful post-Islamist organizations in the world, Hizbullah is a source of great controversy and uncertainty in the West. Despite the significant attention paid to this group by the media, the details of Hizbullah’s evolution have frequently confounded politicians—and even scholars. In this important study, Joseph Alagha, a scholar with unprecedented access to the organization, exhaustively and objectively analyzes Hizbullah’s historical evolution and offers a revolutionary new perspective on the political phenomenon of the organization.
Opening with the statement “The anthropocene is no time to set things straight,” Stacy Alaimo puts forth potent arguments for a material feminist posthumanism in the chapters that follow.
From trans-species art and queer animals to naked protesting and scientific accounts of fishy humans, Exposed argues for feminist posthumanism immersed in strange agencies and scale-shifting ethics. Including such divergent topics as landscape art, ocean ecologies, and plastic activism, Alaimo explores our environmental predicaments to better understand feminist occupations of transcorporeal subjectivity.
She puts scientists, activists, artists, writers, and theorists in conversation, revealing that the state of the planet in the twenty-first century has radically transformed ethics, politics, and what it means to be human. Ultimately, Exposed calls for an environmental stance in which, rather than operating from an externalized perspective, we think, feel, and act as the very stuff of the world.
Muzaffar Alam shows that the adoption of Arabo-Persian Islam in India changed the manner in which Islamic rule and governance were conducted. Islamic regulation and statecraft in a predominately Hindu country required strategic shifts from the original Islamic injunctions. Islamic principles could not regulate beliefs in a vast country without accepting cultural limitations and limits on the exercise of power. As a result of cultural adaptation, Islam was in the end forced to reinvent its principles for religious rule. Acculturation also forced key Islamic terms to change so fundamentally that Indian Islam could be said to have acquired a character substantially different from the Islam practiced outside of India.
These sporting achievements were not theirs alone, an entire cadre of supporters—families, friends, coaches, managers, promoters, sportswriters, and fans—rallied around them and celebrated their athletic success. The Mexican nation and community, at home or abroad, elevated Mexican athletes to sports hero status with a deep sense of cultural and national pride. Alamillo argues that Mexican-origin males and females in the United States used sports to empower themselves and their community by developing and sustaining transnational networks with Mexico. Ultimately, these athletes and their supporters created a “sporting Mexican diaspora” that overcame economic barriers, challenged racial and gender assumptions, forged sporting networks across borders, developed new hybrid identities and raised awareness about civil rights within and beyond the sporting world.
Out of the “lemons” handed to Mexican American workers in Corona, California--low pay, segregated schooling, inadequate housing, and racial discrimination--Mexican men and women made “lemonade” by transforming leisure spaces such as baseball games, parades, festivals, and churches into politicized spaces where workers voiced their grievances, debated strategies for advancement, and built solidarity. Using oral history interviews, extensive citrus company records, and his own experiences in Corona, José Alamillo argues that Mexican Americans helped lay the groundwork for civil rights struggles and electoral campaigns in the post-World War II era.
A product of the cathedral schools that played a foundational role in the so-called Twelfth-Century Renaissance, Alan of Lille was renowned for the vast learning which earned him the title of Doctor Universalis. His writings include many significant contributions to the development of systematic theology, but he was also the most important Latin poet of his time, the great age of Medieval Latin poetry. The works included in this volume aim to give imaginative expression to the main tenets of Alan’s theology, but the forms in which his vision is embodied are strikingly original and informed by a rich awareness of poetic tradition.
The “Sermon on the Intelligible Sphere” translates Platonist cosmology into the terms of a visionary psychology. In the Boethian dialogue of the De planctu Naturae the goddess Nature inveighs against sodomy and “unnatural” behavior generally. The Anticlaudianus, viewed as virtually a classic in its own day, is at once a summa of the scholastic achievement of the Twelfth-Century schools and an allegory of spiritual pilgrimage that anticipates the Divine Comedy.
The dream of the suburb is an old one in America. For more than a century, city dwellers have sought to escape the crowding and pollution of industrial centers for the quiet streets and green spaces on their fringes. In the 1930s, that dream inspired the largest migration of Americans in the twentieth century and led to the creation of Greendale, Wisconsin, one of three planned communities initially begun to resettle the rural poor hit hard by the Great Depression. This idea, though, quickly developed into a plan to revitalize cities and stabilize farming communities around the nation. The result was three “greenbelt towns” built from scratch, expressly for working-class families and within easy commuting distance of urban employment. Greendale, completed in 1938, was consciously designed as a midwestern town in both its physical character and social organization, where ordinary citizens could live in a safe, attractive, economical community that was in harmony with the surrounding farmland.
“Main Street Ready-Made” examines Greendale as an outgrowth of public policy, an experiment in social engineering, and an organic community that eventually evolved to embrace a huge shopping mall, condominiums, and expensive homes while still preserving much of the architecture and ambiance of the original village. A snapshot of 1930s idealism and ingenuity, “Main Street Ready-Made” makes a significant contribution to the history of cities, suburbs, and social planning in mid-century America.
From 1915 to 1971 the large U.S. Steel plant was a major part of Duluth’s landscape and life. Just as important was Morgan Park—an innovatively planned and close-knit community constructed for the plant’s employees and their families. In this new book Arnold R. Alanen brings to life Morgan Park, the formerly company-controlled town that now stands as a city neighborhood, and the U.S. Steel plant for which it was built.
Planned by renowned landscape architects, architects, and engineers, and provided with schools, churches, and recreational and medical services by U.S. Steel, Morgan Park is an iconic example—like Lowell, Massachusetts, and Pullman, Illinois—of a twentieth-century company town, as well as a window into northeastern Minnesota’s industrial roots.
Starting with the intense political debates that preceded U.S. Steel’s decision to build a plant in Duluth, Morgan Park follows the town and its residents through the boom years to the closing of the outmoded facility—an event that foreshadowed industrial shutdowns elsewhere in the United States—and up to today, as current residents work to preserve the community’s historic character.
Through compelling archival and contemporary photographs and vibrant stories of a community built of concrete and strong as steel, Alanen shows the impact both the plant and Morgan Park have had on life in Duluth.
Arnold R. Alanen is professor of landscape architecture at the University of Wisconsin–Madison. His previous books include Main Street Ready-Made: The New Deal Community of Greendale, Wisconsin and Preserving Cultural Landscapes in America.
Descartes's concept of the mind, as distinct from the body with which it forms a union, set the agenda for much of Western philosophy's subsequent reflection on human nature and thought. This is the first book to give an analysis of Descartes's pivotal concept that deals with all the functions of the mind, cognitive as well as volitional, theoretical as well as practical and moral. Focusing on Descartes's view of the mind as intimately united to and intermingled with the body, and exploring its implications for his philosophy of mind and moral psychology, Lilli Alanen argues that the epistemological and methodological consequences of this view have been largely misconstrued in the modern debate.
Informed by both the French tradition of Descartes scholarship and recent Anglo-American research, Alanen's book combines historical-contextual analysis with a philosophical problem-oriented approach. It seeks to relate Descartes's views on mind and intentionality both to contemporary debates and to the problems Descartes confronted in their historical context. By drawing out the historical antecedents and the intellectual evolution of Descartes's thinking about the mind, the book shows how his emphasis on the embodiment of the mind has implications far more complex and interesting than the usual dualist account suggests.
Resurrection: Comics in Post-Soviet Russia traces the “kopecks to rubles” journey of Russian comics at the turn of the century. As the follow-up to José Alaniz’s groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia’s comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
Natural disasters, the effects of climate change, and political upheavals and war have driven tens of millions of people from their homes and spurred intense debates about how governments and nongovernmental organizations (NGOs) should respond with long-term resettlement strategies. Many resettlement efforts have focused primarily on providing infrastructure and have done little to help displaced people and communities rebuild social structure, which has led to resettlement failures throughout the world. So what does it take to transform a resettlement into a successful community?
This book offers the first long-term comparative study of social outcomes through a case study of two Honduran resettlements built for survivors of Hurricane Mitch (1998) by two different NGOs. Although residents of each arrived from the same affected neighborhoods and have similar demographics, twelve years later one resettlement wrestles with high crime, low participation, and low social capital, while the other maintains low crime, a high degree of social cohesion, participation, and general social health. Using a multi-method approach of household surveys, interviews, ethnography, and analysis of NGO and community documents, Ryan Alaniz demonstrates that these divergent resettlement trajectories can be traced back to the type and quality of support provided by external organizations and the creation of a healthy, cohesive community culture. His findings offer important lessons and strategies that can be utilized in other places and in future resettlement policy to achieve the most effective and positive results.
In this new collection, Alarcón creates poetry with roots in Gypsy songs clapped out in the distinctively short rhythms of flamenco music. Each page lifts the heart and stirs the soul by delving deep into the struggle for self and sexual identity.
Canto hondo / Deep Song includes 106 poems divided into four sections that articulate struggle, otherness, and the meaning of the poetic landscape. Like Lorca, Alarcón seeks out the fault lines where the lyric and the political bleed productively and proactively into one another.
An important voice in Chicano and GLBT poetry, Alarcón writes with a complex, emotionally powerful style that is accessible to students and all lovers of poetry and poetic traditions.
One of Chicano literature's premier poets, Alarcón has brought his luminous images to the page in such acclaimed volumes as Sonnets to Madness and Other Misfortunes and Snake Poems. Now he has assembled the best of his work from fifteen years, along with fourteen new poems, in a book that distills his magical sense of reality into a cup brimming with passion.
Raised in Guadalajara and now living in the San Francisco Bay area, Alarcón sees that " 'Mexican' / is not / a noun / or an / adjective / 'Mexican' / is a life / long / low-paying / job." Participating in a poetic tradition that goes back to the mystic Spanish poets of the sixteenth century, he brings us sonnets infused with romance and tenderness—and shorter poems that are direct and hard-hitting commentaries on American society, as he cries out for "a more godlike god," one "who spends nights / in houses / of ill repute / and gets up late / on Saturdays."
Alarcón invokes both the mysteries of Mesoamerica and the "otherness" of his gay identity. "My skin is dark / as the night / in this country / of noontime," he writes, "but my soul / is even darker / from all the light / I carry inside." In lyrical poems open to wide interpretation, he transcends ethnic concerns to address social, sexual, and historical issues of concern to all Americans. The fourteen new poems in From the Other Side of Night offer startling new commentaries on life and love, sex and AIDS.
Shifting effortlessly between English and Spanish—and even Nahuatl—Alarcón demonstrates the gift of language that has earned him both a wide readership and the admiration of fellow poets. With this book, he invites new readers to meet him where the darkness is palpable and the soul burns bright.
Alarcón was a stalwart student, researcher, and specialist on the lost teachings of his Indigenous ancestors. He first found their wisdom in the words of his Mexica (Aztec) grandmother and then by culling through historical texts. During a Fulbright fellowship to Mexico, Alarcón uncovered the writings of zealously religious Mexican priest Hernando Ruiz de Alarcón (1587–1646), who collected (often using extreme measures), translated, and interpreted Nahuatl spells and invocations.
In Snake Poems Francisco Alarcón offered his own poetic responses, reclaiming the colonial manuscript and making it new. This special edition is a tender tribute to Alarcón, who passed away in 2016, and includes Nahuatl, Spanish, and English renditions of the 104 poems based on Nahuatl invocations and spells that have survived more than three centuries. The book opens with remembrances and testimonials about Alarcón’s impact as a writer, colleague, activist, and friend from former poet laureate Juan Felipe Herrera and poet and activist Odilia Galván Rodríguez, who writes, “This book is another one of those doors that [Francisco] opened and invited us to enter. Here we get to visit a snapshot in time of an ancient place of Nahuatl-speaking ancestors, and Francisco’s poetic response to what he saw through their eyes.”
Since then, more than three thousand original contributions by poets and artists from around the globe have been posted to the page. Poetry of Resistance offers a selection of these works, addressing a wide variety of themes, including racial profiling, xenophobia, cultural misunderstanding, violence against refugees, shared identity, and much more. Contributors include distinguished poets such as Francisco Aragón, Devreaux Baker, Sarah Browning, Lorna Dee Cervantes, Susan Deer Cloud, Sharon Dubiago, Martín Espada, Genny Lim, Pam Uschuk, and Alma Luz Villanueva.
Bringing together more than eighty writers, the anthology powerfully articulates the need for change and the primacy of basic human rights. Each poem shows the heartfelt dedication these writers and artists have to justice in a world that has become larger than borders. Poetry of Resistance is a poetic call for tolerance, reflection, reconciliation, and healing.
The book is the result of intense bibliographic research and of original documents aimed not just at the examination of Barton’s life and work, but also the examination of today’s perspectives and future work in the field of infectious and “neglected” diseases. The authors address current scientific information on the relevant bacteria Bartonella bacilliformis, besides current research and clinical status of the other Bartonellas, making it a useful and practical text for those studying infectious diseases.
This is not a new question—in fact, it was considered at length as far back as 1971, in Syed Hussein Alatas’s slim but devastating volume Thomas Stamford Raffles: Schemer or Reformer?. While the book failed to spark a wide debate on Raffles’s legacy in 1970s Singapore, nearly 50 years after its original publication this powerful work feels wholly fresh and relevant. This edition features a new introduction by Syed Farid Alatas assessing contemporary Singapore’s take on Raffles, and how far we have, or have not, come in thinking through Singapore’s colonial legacy.
This volume, based on the forty-third annual Georgetown University Round Table, covers a variety of topics ranging from the relationship of language and philosophy; through language policy; to discourse analysis.
The papers in this volume examine strategies for language acquisition and language teaching, focusing on applications of the strategic interaction method.
The essays in this volume explore communication across cultures using an interdisciplinary approach to language teaching and learning, mediated by the growing field of educational linguistics. Topics include the use of English as a medium of wider communication and the growth of national varieties of English throughout the world. An international array of distinguished contributors includes scholars from China, Great Britain, Hong Kong, India, Israel, Nigeria, Singapore, Taiwan, Ukraine, and the United States. This collection suggests that language diversity is a unifying force in a globally interdependent world.
This volume examines linguistics, language acquisition, and language variation, emphasizing their implications for teacher education and language education. A majority of the essays consider issues in second language acquisition, dealing specifically with learners and instructors, or concentrating on the larger social and societal context in which learning and acquisition occur.
Topics highlighted include the current and often controversial debate over bilingual education, language variation, and the past, present, and future role of linguistics in language pedagogy.
The 2000 Georgetown University Round Table on Languages and Linguistics brought together distinguished linguists from around the globe to discuss applications of linguistics to important and intriguing real-world issues within the professions. With topics as wide-ranging as coherence in operating room communication, involvement strategies in news analysis roundtable discussions, and jury understanding of witness deception, this resulting volume of selected papers provides both experts and novices with myriad insights into the excitement of cross-disciplinary language analysis. Readers will find—in the words of one contributor—that in such cross-pollination of ideas, "there's tremendous hope, there's tremendous power and the power to transform."
Marking the return — after a two-year hiatus — of this annual collection of essays on linguistics and language education, the 1999 volume speaks to the most pressing social issues of our time. More than thirty contributors from around the world take up longstanding debates about language diversity, language standardization, and language policy. They tackle such controversial issues as the Official English movement, bilingual education, and ideological struggles over African American Vernacular English.
The chapters examine the writing that English learners are producing because of the Common Core and the writing they are required to do once they reach the college or university, and then consider where the intersections exist—that is, what do educators think English learners ought to be writing across educational levels?
Each chapter describes the educational setting where the researchers were engaged, examines specific issues related to transitions, and offers—where relevant—recommendations for classroom practices, teaching strategies, and instructional materials that may be useful for practicing teachers and all others professionally engaged in educating writers across K–16.
Muslim Cosmopolitanism in the Age of Empire recovers the stories of five Indian Muslim scholars who, in the aftermath of the uprising of 1857, were hunted by British authorities, fled their homes in India for such destinations as Cairo, Mecca, and Istanbul, and became active participants in a flourishing pan-Islamic intellectual network at the cusp of the British and Ottoman empires. Seema Alavi traces this network, born in the age of empire, which became the basis of a global Muslim sensibility—a form of political and cultural affiliation that competes with ideas of nationhood today as it did in the previous century.
By demonstrating that these Muslim networks depended on European empires and that their sensibility was shaped by the West in many subtle ways, Alavi challenges the idea that all pan-Islamic configurations are anti-Western or pro-Caliphate. Indeed, Western imperial hegemony empowered the very inter-Asian Muslim connections that went on to outlive European empires. Diverging from the medieval idea of the umma, this new cosmopolitan community stressed consensus in matters of belief, ritual, and devotion and found inspiration in the liberal reforms then gaining traction in the Ottoman world. Alavi breaks new ground in the writing of nineteenth-century history by engaging equally with the South Asian and Ottoman worlds, and by telling a non-Eurocentric story of global modernity without overlooking the importance of the British Empire.
Richard Alba argues that the social cleavages that separate Americans into distinct, unequal ethno-racial groups could narrow dramatically in the coming decades. During the mid-twentieth century, the dominant position of the United States in the postwar world economy led to a rapid expansion of education and labor opportunities. As a result of their newfound access to training and jobs, many ethnic and religious outsiders, among them Jews and Italians, finally gained full acceptance as members of the mainstream. Alba proposes that this large-scale assimilation of white ethnics was a result of “non-zero-sum mobility,” which he defines as the social ascent of members of disadvantaged groups that can take place without affecting the life chances of those who are already members of the established majority.
Alba shows that non-zero-sum mobility could play out positively in the future as the baby-boom generation retires, opening up the higher rungs of the labor market. Because of the changing demography of the country, many fewer whites will be coming of age than will be retiring. Hence, the opportunity exists for members of other groups to move up. However, Alba cautions, this demographic shift will only benefit disadvantaged American minorities if they are provided with access to education and training. In Blurring the Color Line, Alba explores a future in which socially mobile minorities could blur stark boundaries and gain much more control over the social expression of racial differences.
In this age of multicultural democracy, the idea of assimilation--that the social distance separating immigrants and their children from the mainstream of American society closes over time--seems outdated and, in some forms, even offensive. But as Richard Alba and Victor Nee show in the first systematic treatment of assimilation since the mid-1960s, it continues to shape the immigrant experience, even though the geography of immigration has shifted from Europe to Asia, Africa, and Latin America. Institutional changes, from civil rights legislation to immigration law, have provided a more favorable environment for nonwhite immigrants and their children than in the past.
Assimilation is still driven, in claim, by the decisions of immigrants and the second generation to improve their social and material circumstances in America. But they also show that immigrants, historically and today, have profoundly changed our mainstream society and culture in the process of becoming Americans.
Surveying a variety of domains--language, socioeconomic attachments, residential patterns, and intermarriage--they demonstrate the continuing importance of assimilation in American life. And they predict that it will blur the boundaries among the major, racially defined populations, as nonwhites and Hispanics are increasingly incorporated into the mainstream.
Key Features
- Readers will learn the theoretical context that defines the genre of letters of recommendation.
- The book highlights the similarities and differences between the three different types of letters of recommendation: letters written for graduate admission, letters written in support of fellowship applications, and letters written to support obtaining a faculty position.
- Chapters on different aspects of linguistic and rhetorical features discuss presenting the applicants' credentials, highlighting the strengths of their character, accentuating and downplaying certain traits, as well as the pros and cons of boilerplate language and the use of customary frames for opening and closing.
- Readers will see real-world examples of actual letters of recommendation to see how seasoned faculty build the case for the applicant.
In The Banquet, Ken Albala covers the transitional period between the heavily spiced and colored cuisine of the Middle Ages and classical French haute cuisine. This development involved increasing use of dairy products, a move toward lighter meats such as veal and chicken, increasing identification of national food customs, more sweetness and aromatics, and a refined aesthetic sense, surprisingly in line with the late-Renaissance styles found in other arts.
A lighthearted manifesto for the new age of aspics, The Great Gelatin Revival rattles our very understanding of what food can be.
Albala considers what the traditions we have needlessly lost have to offer us today: a serious appreciation for the generative power of the earth, the great pleasures of cooking food, and the joy of sharing food with family, friends, and even strangers. In Albala’s compelling book, obscure seventeenth-century Italian farmer-nobles, Roman statesmen, and quirky cheesemakers from the fifteenth and sixteenth centuries all offer lessons about our relationship with the food we eat.
A rare form of historical activism, Grow Food, Cook Food, Share Food is written for anyone who likes to eat, loves to cook, and knows how to throw a great dinner party.
An OSU Press Horning Visiting Scholars Publication.
This primer offers the recipes and techniques for mastering quick-slurper staples and luxurious from-scratch feasts. Albala made a different noodle soup every day for two years. His obsession yielded all you need to know about making stock bases, using dried or fresh noodles, and choosing from a huge variety of garnishes, flavorings, and accompaniments. He lays out innovative techniques for mixing and matching bases and noodles with grains, vegetables, and other ingredients drawn from an international array of cuisines. In addition to recipes both cutting edge and classic, Albala describes new soup discoveries he created along the way. There's advice on utensils, cooking tools, and the oft-overlooked necessity of matching a soup to the proper bowl. Finally, he sprinkles in charming historical details that cover everything from ancient Chinese millet noodles to that off-brand Malaysian ramen at the back of the ethnic grocery store.
Filled with more than seventy color photos and dozens of recipes, Noodle Soup is an indispensable guide for cooking, eating, and loving a universal favorite.
Tracking these fruits and seeds through cultivation, harvesting, processing, and consumption—or non-consumption, in the case of those with nut allergies—award-winning food writer Ken Albala provides a fascinating account on how they have been cooked, prepared, and exploited. He reveals the social and cultural meaning of nuts during various periods in history, while also immersing us in their modern uses. Packing scrumptious recipes, surprising facts, and fascinating nuggets inside its hardcover shell, this entertaining and informative book will delight lovers of almonds, hazelnuts, chestnuts, and more.
Foodie-scholar extraordinaire Ken Albala offers adventurous cooks a treasury of innovative recipes to transform noshing
Pancake traverses over centuries and civilizations to examine the culinary and cultural importance of pancakes in human history. From the Russian blini to the Ethiopian injera, Albala reveals how pancakes have been a perennial source of sustenance from Greek and Roman eras to the Middle Ages through to the present day. He explores how the pancake has gained symbolic currency in diverse societies as a comfort food, a portable victual for travelers, a celebratory dish, and a breakfast meal. The book also features a number of historic and modern recipes—tracing the first official pancake recipe to a sixteenth-century Dutch cook—and is accompanied by a rich selection of illustrations.
Pancake is a witty and erudite history of a well-known favorite and will ensure that the pancake will never be flattened under the shadow of better known foods.
The pursuit of happiness weaves disparate strands of Anglo-American religious history together. In The Delight Makers, Catherine L. Albanese unravels a theology of desire tying Jonathan Edwards to Ralph Waldo Emerson to the religiously unaffiliated today. As others emphasize redemptive suffering, this tradition stresses the “metaphysical” connection between natural beauty and spiritual fulfillment. In the earth’s abundance, these thinkers see an expansive God intent on fulfilling human desire through prosperity, health, and sexual freedom. Through careful readings of Cotton Mather, Andrew Jackson Davis, William James, Esther Hicks, and more, Albanese reveals how a theology of delight evolved alongside political overtures to natural law and individual liberty in the United States.
Albanese reads the inaugurators of the scientific revolution against the canonical authors of early modern literature, discussing Galileo’s Dialogue on the Two Chief World Systems and Bacon’s New Atlantis as well as Milton’s Paradise Lost and Shakespeare’s The Tempest. She examines how the newness or “novelty” of investigating nature is expressed through representations of the New World, including the native, the feminine, the body, and the heavens. “New” is therefore shown to be a double sign, referring both to the excitement associated with a knowledge oriented away from past practices, and to the oppression and domination typical of the colonialist enterprise. Exploring the connections between the New World and the New Science, and the simultaneously emerging patterns of thought and forms of writing characteristic of modernity, Albanese insists that science is at its inception a form of power-knowledge, and that the modern and postmodern division of “Two Cultures,” the literary and the scientific, has its antecedents in the early modern world.
New Science, New World makes an important contribution to feminist, new historicist, and cultural materialist debates about the extent to which the culture of seventeenth-century England is proto-modern. It will offer scholars and students from a wide range of fields a new critical model for historical practice.
Explores the intrinsic relation of life to air, and breathing, through contemporary art
In Out of Breath, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings.
Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, Out of Breath shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Based on 260 surveys and 47 in-depth interviews, this study combines quantitative and qualitative research to explore the level and characteristics of immigrant incorporation in Beardstown and Monmouth. It assesses the advancement of immigrants in the immigration/ residency/citizenship process, the immigrants’ level of cultural integration (via language, their connectedness with other members of society, and their relationships with neighbors), the degree and characteristics of discrimination against immigrants in these two towns, and the extent to which immigrants participate in different social and political activities and trust government institutions.
Immigrants in new destinations are likely to be poorer, to be less educated, and to have weaker English-language skills than immigrants in traditional destinations. Studying how this population negotiates the obstacles to and opportunities for incorporation is crucial.
In this volume, an international group of contributors presents new perspectives on narrative. Using David Herman’s 1999 definition of "postclassical narratology" from Narratologies: New Perspectives on Narrative Analysis (OSUP) as their launching point, these eleven essayists explore the various ways in which new approaches overlap and interrelate to form new ways of understanding narrative texts.
Postclassical narratology has reached a new phase of consolidation but also continued diversification. This collection therefore discriminates between what one could call a critical but frame-abiding and a more radical frame-transcending or frame-shattering handling of the structuralist paradigm. Postclassical Narratology: Approaches and Analyses discusses a large variety of different aspects of narrative, such as extensions of classical narratology, new generic applications (autobiography, oral narratives, poetry, painting, and film), the history of narratology, the issue of fictionality, the role of cognition, and questions of authorship and authority, as well as thematic matters related to ethics, gender, and queering. Additionally, it uses a wide spectrum of critical approaches, including feminism, psychoanalysis, media studies, the rhetorical theory of narrative, unnatural narratology, and cognitive studies. In this manner the essays manage to produce new insights into many key issues in narratology.The contributors also demonstrate that narratologists nowadays see the object of their research as more variegated than was the case twenty years ago: they resort to a number of different methods in combination when approaching a problem, and they tend to ground their analyses in a rich contextual framework.
A Poetics of Unnatural Narrative offers a collection of foundational essays introducing the reader to the full scope of unnatural narrative theory: its meaning, its goals, its extent, its paradoxes. This volume brings together a distinguished group of international critics, scholars, and historians that includes several of the world’s leading narrative theorists. Together, they survey many basic areas of narrative studies from an unnatural perspective: story, time, space, voice, minds, narrative levels, “realism,” nonfiction, hyperfiction, and narrative poetry. Rarely have these fundamental concepts been subjected to such an original and thoroughgoing reconceptualization. Much of the book is directed toward an investigation of experimental and antirealist work. Each essay focuses on texts and episodes that narrative theory has tended to neglect, and each provides theoretical formulations that are commensurate with such exceptional, albeit neglected, works. A Poetics of Unnatural Narrative articulates and delineates the newest and most radical movement in narrative studies. This anthology will be of great interest to students and scholars of narrative studies and of the history and theory of modern fiction.
Cinema Beyond Film elaborates on the theoretical uses of two key terms—dispositif and episteme—in order to examine their relationship as well as their larger connections to film, technology, and modernity. Although both terms originate in the work of Foucault, dispositif (“device”) intrinsically links itself to the mechanics of movement and speed behind cinematics, while more generally referring to the mechanisms and structures that hold power in place. Episteme(“to know”), on the other hand, refers to the conditions and possibilities of knowledge and reception, more than to technological innovation. Each term is explored here in relation to the other, allowing this edited collection to assess the wide array of potential materialities that arise from the mechanics behind cinema and the changing face of its technology.
Both bleak and bewildering, Millennial Teeth, the visceral new collection by poet Dan Albergotti, maps a contradictory journey filled with longing and dread, cynicism and hope. A heady mix of traditional forms and more experimental verse, Albergotti’s volume lures readers inexorably into the poet’s obsessions with mystery, doubt, ephemerality, and silence.
The poetry in Millennial Teeth will feel both refreshingly new and strangely familiar to Albergotti’s audience. Some poems pay direct tribute to such literary luminaries as Wallace Stevens and Philip Larkin, while others give nods to icons of pop culture, from Radiohead to Roman Polanski. The narrator muses on the resurrection of Christina the Astonishing, the works of Coleridge, and the mindless duties of minor players in Shakespeare’s Hamlet.
Yet these familiar faces are not our friends; they are juxtaposed with the heartbreaking apocalypses, both natural and man-made, that have plagued the world since the first plane flew into the World Trade Center. A reluctant witness to such events, the narrator of these poems attempts to navigate his own personal crises, including the mental illness and dementia of loved ones and the inability to connect with others, from the darkness of a personal orbit far from the sun. As he vehemently rejects the notions of religious succor, immortality, and the passive acceptance of fate, he simultaneously yearns to be proven wrong. Yet despite his trials, Albergotti’s narrator maintains a gallows humor and wry insight that balance his despair.
A riveting exploration of the all-too-human struggle between faith and doubt, skepticism and obsession, Millennial Teeth has both heart and bite in plenty.
Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.
The overall movement of the treatise follows the order of God’s wisdom. Albert begins by discussing the Eucharist as a gift flowing from the goodness of the Trinity. He touches on its relation to redemption and the Church, including a rigorous Aristotelian analysis of Eucharistic change and presence before ending with a discussion of Mass rubrics. The most significant theological emphasis is on the Eucharist as food given to feed the people of God.
The style varies to suit the content: certain sections are terse; others are devotional, allowing the reader to enter the saint’s own prayer. Perhaps most characteristically Albertine is an extended meditation that compares the process of digestion to the incorporation of the Christian into the Body of Christ. The mixed style allows this work to integrate rigorous aspects of scholastic thought with a fervent love for God, making On the Body of the Lord one of Albert’s most human as well as one of his most beautiful works.
On the Body of the Lord was well received, particularly in areas that came to be influenced by the devotio moderna. By 1484, three separate Latin editions had been printed, two of which were the inaugural works on new presses. In the following century the Protestant Reformation brought an end to its popularity. On the Body of the Lord is here translated into English for the first time.
After Physics presents ambitious new essays about some of the deepest questions at the foundations of physics, by the physicist and philosopher David Albert. The book’s title alludes to the close connections between physics and metaphysics, much in evidence throughout these essays. It also alludes to the work of imagining what it would be like for the project of physical science—considered as an investigation into the fundamental laws of nature—to be complete.
Albert argues that the difference between the past and the future—traditionally regarded as a matter for metaphysical or conceptual or linguistic or phenomenological analysis—can be understood as a mechanical phenomenon of nature. In another essay he contends that all versions of quantum mechanics that are compatible with the special theory of relativity make it impossible, even in principle, to present the entirety of what can be said about the world as a narrative sequence of “befores” and “afters.” Any sensible and realistic way of solving the quantum-mechanical measurement problem, Albert claims in yet another essay, is ultimately going to force us to think of particles and fields, and even the very space of the standard scientific conception of the world, as approximate and emergent. Novel discussions of the problem of deriving principled limits on what can be known, measured, or communicated from our fundamental physical theories, along with a sweeping critique of the main attempts at making sense of probabilities in many-worlds interpretations of quantum mechanics, round out the collection.
From the celebrated author of Quantum Mechanics and Experience comes an original and exhilarating attempt at making sense of the strange laws of quantum mechanics.
A century ago, a brilliant circle of physicists around Niels Bohr argued that the search for an objective, realistic, and mechanical picture of the inner workings of the atom—the kind of picture that had previously been an ideal of classical physics—was doomed to fail. Today, there is widespread agreement among philosophers and physicists that those arguments were wrong. However, the question of what that picture might look like, and how it might fit into a comprehensive picture of physical reality, remains unsettled.
In A Guess at the Riddle, philosopher David Z Albert argues that the distinctively strange features of quantum mechanics begin to make sense once we conceive of the wave function, vibrating and evolving in high-dimensional space, as the concrete, fundamental physical “stuff” of the universe. Starting with simple mechanical models, Albert methodically constructs the defining features of quantum mechanics from scratch. He shows how the entire history of our familiar, three-dimensional universe can be discerned in the wave function’s intricate pattern of ripples and whorls. A major new work in the foundations of physics, A Guess at the Riddle is poised to transform our understanding of the basic architecture of the universe.
The more science tells us about the world, the stranger it looks. Ever since physics first penetrated the atom, early in this century, what it found there has stood as a radical and unanswered challenge to many of our most cherished conceptions of nature. It has literally been called into question since then whether or not there are always objective matters of fact about the whereabouts of subatomic particles, or about the locations of tables and chairs, or even about the very contents of our thoughts. A new kind of uncertainty has become a principle of science.
This book is an original and provocative investigation of that challenge, as well as a novel attempt at writing about science in a style that is simultaneously elementary and deep. It is a lucid and self-contained introduction to the foundations of quantum mechanics, accessible to anyone with a high school mathematics education, and at the same time a rigorous discussion of the most important recent advances in our understanding of that subject, some of which are due to the author himself.
This book is an attempt to get to the bottom of an acute and perennial tension between our best scientific pictures of the fundamental physical structure of the world and our everyday empirical experience of it. The trouble is about the direction of time. The situation (very briefly) is that it is a consequence of almost every one of those fundamental scientific pictures--and that it is at the same time radically at odds with our common sense--that whatever can happen can just as naturally happen backwards.
Albert provides an unprecedentedly clear, lively, and systematic new account--in the context of a Newtonian-Mechanical picture of the world--of the ultimate origins of the statistical regularities we see around us, of the temporal irreversibility of the Second Law of Thermodynamics, of the asymmetries in our epistemic access to the past and the future, and of our conviction that by acting now we can affect the future but not the past. Then, in the final section of the book, he generalizes the Newtonian picture to the quantum-mechanical case and (most interestingly) suggests a very deep potential connection between the problem of the direction of time and the quantum-mechanical measurement problem.
The book aims to be both an original contribution to the present scientific and philosophical understanding of these matters at the most advanced level, and something in the nature of an elementary textbook on the subject accessible to interested high-school students.
Borne of the Wind describes the environmental factors necessary for dune creation in an easy-to-understand format, introducing readers to the rich ecology of Michigan's dunes. Each of the distinct types of dunes encountered along the Great Lakes shoreline is explained and illustrated with color photographs and line drawings, while color photographs of the plants and animals found in duneland areas complement the story of these fragile, ever-changing landscapes.
For scholars and enthusiasts alike, Borne of the Wind provides a comprehensive and colorful introduction to one of our finest yet least-understood natural features.
From a decidedly multidisciplinary perspective, the articles in Transnational Political Spaces address the notion that political space is no longer fully congruent with national borders. Instead there are areas called transnational political spaces—caused by factors such as migration and social transformation—where policy occurs oblivious to national pressure. Organized into three sections—transnational actors, transnational spaces, and critical encounters—this volume explains how these spaces are formed and defined and how they can be traced and conceptualized.
From Eudora Welty's memoir of childhood to May Sarton's reflections on her seventieth year, writers' journals offer an irresistible opportunity to join a creative thinker in musing on the events—whether in daily life or on a global scale—that shape our lives. In An Extraordinary Year of Ordinary Days, best-selling mystery novelist Susan Wittig Albert invites us to revisit one of the most tumultuous years in recent memory, 2008, through the lens of 365 ordinary days in which her reading, writing, and thinking about issues in the wider world—from wars and economic recession to climate change—caused her to reconsider and reshape daily practices in her personal life.
Albert's journal provides an engaging account of how the business of being a successful working writer blends with her rural life in the Texas Hill Country and the Sangre de Cristo Mountains of New Mexico. As her eclectic daily reading ranges across topics from economics, food production, and oil and energy policy to poetry, place, and the writing life, Albert becomes increasingly concerned about the natural world and the threats facing it, especially climate change and resource depletion. Asking herself, "What does it mean? And what ought I do about it?", she determines practical steps to take, such as growing more food in her garden, and also helps us as readers make sense of these issues and consider what our own responses might be.
What does it mean to belong to a place, to be truly rooted and grounded in the place you call home? How do you commit to a marriage, to a full partnership with another person, and still maintain your own separate identity? These questions have been central to Susan Wittig Albert's life, and in this beautifully written memoir, she movingly describes how she has experienced place, marriage, and aloneness while creating a home in the Texas Hill Country with her husband and writing partner, Bill Albert.
Together, Alone opens in 1985, as Albert leaves a successful, if rootless, career as a university administrator and begins a new life as a freelance writer, wife, and homesteader on a patch of rural land northwest of Austin. She vividly describes the work of creating a home at Meadow Knoll, a place in which she and Bill raised their own food and animals, while working together and separately on writing projects. Once her sense of home and partnership was firmly established, Albert recalls how she had to find its counterbalance—a place where she could be alone and explore those parts of the self that only emerge in solitude. For her, this place was Lebh Shomea, a silent monastic retreat. In writing about her time at Lebh Shomea, Albert reveals the deep satisfaction she finds in belonging to a community of people who have chosen to be apart and experience silence and solitude.
Women who were sixty or older at the turn of the twenty-first century have lived through some of recent history's most momentous moments—and yet these women often believe that their personal lives and stories are insignificant, not worthy of being recorded for future generations. To change that perception and capture some of these life stories before they are lost, the Story Circle Network, a national organization dedicated to helping women write about their lives, developed the Older Women's Legacy (OWL) Circle Memoir Workshops. During the first two years of the project (1998-2000), nearly 500 older women participated in workshops that offered them the opportunity and encouragement to reflect on and create written records of their lives.
With Courage and Common Sense presents an extensive selection of memoirs from the OWL Circle project. Organized thematically, they describe women's experiences of identity, place, work, family life, love and marriage, loss and healing, adventures great and small, major historical events, and legacies to keep and pass along. Taken as a whole, the memoirs chronicle far-reaching changes in the ways that women participated in the world during the twentieth century. They show how women learned to surmount obstacles, to courageously make the most of the opportunities that came their way, and to move quietly and wisely beyond the limits that were imposed upon them.
Winner, WILLA Literary Award for Creative Nonfiction, 2008
How do women experience the vast, arid, rugged land of the American Southwest? The Story Circle Network, a national organization dedicated to helping women write about their lives, posed this question, and nearly three hundred women responded with original pieces of writing that told true and meaningful stories of their personal experiences of the land. From this deep reservoir of writing—as well as from previously published work by writers including Joy Harjo, Denise Chávez, Diane Ackerman, Naomi Shihab Nye, Leslie Marmon Silko, Gloria Anzaldua, Terry Tempest Williams, and Barbara Kingsolver—the editors of this book have drawn nearly a hundred pieces that witness both to the ever-changing, ever-mysterious life of the natural world and to the vivid, creative, evolving lives of women interacting with it.
Through prose, poetry, creative nonfiction, and memoir, the women in this anthology explore both the outer landscape of the Southwest and their own inner landscapes as women living on the land—the congruence of where they are and who they are. The editors have grouped the writings around eight evocative themes:
- The way we live on the land
- Our journeys through the land
- Nature in cities
- Nature at risk
- Nature that sustains us
- Our memories of the land
- Our kinship with the animal world
- What we leave on the land when we are gone
From the Gulf Coast of Texas to the Pacific Coast of California, and from the southern borderlands to the Great Plains and the Rocky Mountains, these intimate portraits of women's lives on the land powerfully demonstrate that nature writing is no longer the exclusive domain of men, that women bring unique and transformative perspectives to this genre.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
A fresh English translation of five Alberti works that illuminate new aspects of the literary aims and development of the first “Renaissance man.”
Leon Battista Alberti (1404–1472) was one of the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and even athlete earned him the controversial title of the first “Renaissance man.”
The works collected in Biographical and Autobiographical Writings reflect Alberti’s lived experiences and his interests in the genre. This volume includes On the Advantages and Disadvantages of Literature, which partly reflects his experiences as a student in Bologna; The Life of St. Potitus, the biography of a Christian martyr, which also contains autobiographical projections and was to have been the first in a series of lives of saints; My Dog, a mock funeral oration for his dead dog; My Life, one of the first autobiographies of the early modern period and the main source for Jacob Burckhardt’s portrait of Alberti; and a comic encomium, The Fly. In particular, the last three works—My Dog, My Life, and The Fly—constitute a kind of trilogy, as the humanist finds one of his main themes, the portrait of the ideal life, with a strong emphasis on humor.
This edition presents the first collected English translations of these works alongside an authoritative Latin text.
Science museums have paradoxes at their core. They must be accessible and fun while representing increasingly complex science. They must be both historic and contemporary. Their exhibits attract millions, but most of their objects remain in deep storage, seldom seen. This book delves into these conflicts, revealing the secret lives of science curators; where science objects come from and who uses them; and, ultimately, what science museums are for. With an insider’s eye, Samuel J. M. M. Alberti exposes the idiosyncratic past and intriguing current practices of these institutions—and sets out a map for their future.
The story begins in the early spring of 1781, when an ambitious young Philadelphia lawyer named Hugh Henry Brackenridge crossed the Alleghenies to seek his opportunity in Pittsburgh. “My object,”?he wrote, “was to advance the country [Western Pennsylvania] and thereby myself.” He founded Pittsburgh Academy, later to be the Western University of Pennsylvania and then the University of Pittsburgh, and lived to see the school grow along with the city.
Author Robert C. Alberts, mines the University archives and describes many issues for the first time. Among them is the role played by the Board of Trustees in the conflicts of the administration of Chancellor John Gabbert Bowman, including the firing of a controversial history professor, Ralph Turner; the resignation of the legendary football coach, Jock Sutherland; and a Board investigation into Bowman’s handling of faculty and staff. We see Pitt’s decade of progress under Edward Litchfield (1956–165), who gambled that the millions of dollars he spent . . . would be forthcoming form somewhere or someone; but who, as it turned out was mistaken.”
Pitt became a state-related university in August 1966, but financial stability was achieved gradually during the administration of Chancellor Wesley W. Posvar. The ensuing crisis of the 1960s and early 1970, caused by the Vietnam War, and the student protests that accompanied it, are described in rich detail. The history then follows Pitt’s emergence as a force in international higher education; the institution’s role in fostering a cooperative relationship with business; and its entry into the postindustrial age of high technology.
The story of Pitt reflects all the struggles and the hopes of the region. As Alberts writes in his preface, “There was drama; there was tragedy; there was indeed controversy and politics. There were, unexpectedly, rich veins of humor, occasionally of comedy.”
This volume of Osiris turns the analytical lens of translation onto medical knowledge and practices across the premodern world. Understandings of the human body, and of diseases and their cures, were influenced by a range of religious, cultural, environmental, and intellectual factors. As a result, complex systems of translation emerged as people crossed linguistic and territorial boundaries to share not only theories and concepts, but also materials, such as drugs, amulets, and surgical tools. The studies here reveal how instances of translation helped to shape and, in some cases, reimagine these ideas and objects to fit within local frameworks of medical belief.
Translating Medicine across Premodern Worlds features case studies located in geographically and temporally diverse contexts, including ninth-century Baghdad, sixteenth-century Seville, seventeenth-century Cartagena, and nineteenth-century Bengal. Throughout, the contributors explore common themes and divergent experiences associated with a variety of historical endeavors to “translate” knowledge about health and the body across languages, practices, and media. By deconstructing traditional narratives and de-emphasizing well-worn dichotomies, this volume ultimately offers a fresh and innovative approach to histories of knowledge.
Hend is a young Saudi Arabian woman struggling to challenge her conservative society, which is represented by various soldiers, real and metaphorical, in her life. After a failed arranged marriage to an army officer, she is determined to establish herself as a writer and make her own choices in love. Her mother, a firm supporter of their society’s traditional norms, works to block her efforts. As Hend engages with her mother, stories of her past and those of other female relatives reveal the extent of the suffering previous generations of women have endured while living in such a patriarchal society. Hend also comes to understand how such traditions have adversely affected the men in her family, including one brother who flees to the West and another who finds comradeship among the members of al-Qaeda.
Badriah Albeshr represents a growing number of women writers from the Arabian Peninsula who refuse to shy away from the taboo topics of religion and sexuality, which makes Hend and the Soldiers a valuable read for those seeking insights into the complexities surrounding these issues.
Trump’s promises to restore rural industrial jobs simply cannot be fulfilled because his policies do not address the base cause for this job loss—technological change, the most significant factor being the machine replacement of human labor in the production process. Bringing a personal understanding of the effects on rural communities and residents, Albrecht focuses each chapter on a community that has traditionally been economically dependent on a single industry—manufacturing, coal mining, agriculture, logging, oil and gas production, and tourism—and the consequences of losing that industry. He also lays out a plan for rebuilding America’s rural areas and creating an economically vibrant country with a more sustainable future.
The rural economy cannot return to the past as it was structured and instead must look to a new future. Building a Resilient Twenty-First-Century Economy for Rural America describes the source of economic concerns in rural America and offers real ways to address them. It will be vital to students, scholars, practitioners, community leaders, politicians, and policy makers concerned with rural community development.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press