A SCHOLARLY BOOK REPOSITORY
The best-selling script analysis book for thirty-five years
Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts.
Ball developed his method during his work as literary director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, conflict, theatricality, and the other crucial parts of the superstructure of a play. Also included are guides for discovering what the playwright considers a play’ s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.
Using Shakespeare’s Hamlet as illustration, Ball assures a familiar base for clarifying script-reading techniques as well as exemplifying the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards & Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
Told in lyric fragments, The Backwards Hand traces Matt Lee’s experience living in the United States for more than thirty years with a rare congenital defect. Weaving in historical research and pop culture references, Lee dissects how the disabled body has been conflated with impurity, worthlessness, and evil. His voice swirls amid those of artists, criminals, activists, and philosophers. With a particular focus on horror films, Lee juxtaposes portrayals of fictitious monsters with the real-life atrocities of the Nazi regime and the American eugenics movement. Through examining his struggles with physical and mental health, Lee confronts his own beliefs about monstrosity and searches for atonement as he awaits the birth of his son.
The Backwards Hand interrogates what it means to be a cripple in a predominantly ableist society, deconstructing how perceptions of disability are—and are not—reflected in art and media.
In 2003 Fred Delcomyn imagined his backyard of two and a half acres, farmed for corn and soybeans for generations, restored to tallgrass prairie. Over the next seventeen years, Delcomyn, with help from his friend James L. Ellis scored, seeded, monitored, reseeded, and burned these acres into prairie. In A Backyard Prairie, they document their journey and reveal the incredible potential of a backyard to travel back to a time before the wild prairie was put into plow rows. It has been said, “Anyone can love the mountains, but it takes a soul to love the prairie.” This book shows us how.
The first book to celebrate a smaller, more private restoration, A Backyard Prairie offers a vivid portrait of what makes a prairie. Delcomyn and Ellis describe selecting and planting seeds, recount the management of a prescribed fire, and capture the prairie’s seasonal parades of colorful flowers in concert with an ever-growing variety of animals, from the minute eastern tailed-blue butterfly to the imperious red-winged blackbird and the reclusive coyote.
This book offers a unique account of their work and their discovery of a real backyard, an inviting island of grass and flowers uncovered and revealed. We often travel miles and miles to find nature larger than ourselves. In this rich account of small prairie restoration, Delcomyn and Ellis encourage the revival of original prairie in our backyards and the patient, beauty-seeking soul sleeping within ourselves.
The much-lauded superiority of human intelligence has not prevented us from driving the planet into ecological disaster. For N. Katherine Hayles, the climate crisis demands that we rethink basic assumptions about human and nonhuman intelligences. In Bacteria to AI, Hayles develops a new theory of mind—what she calls an integrated cognitive framework (ICF)—that includes the meaning-making practices of lifeforms from bacteria to plants, animals, humans, and some forms of artificial intelligence. Through a sweeping survey of evolutionary biology, computer science, and contemporary literature, Hayles insists that another way of life, with ICF at its core, is not only possible but necessary to safeguard our planet’s future
“If through the Bactrian Empire European ideas were transmitted to the Far East, through that and similar channels Asiatic ideas found their way to Europe.”—Intellectual Development of Europe
Following the Macedonian invasion of Persian in the fourth century B.C., an independent Greek-ruled empire emerged over an area encompassing modern Afghanistan, eastern Iran, and northern Pakistan. This ancient empire, called Bactria, is recorded in texts, both Asian and European, as well as through coins, inscriptions, and architectural remnants. Bactria served as a contact point between Europe, South Asia, and the Far East for more than two hundred years before disappearing under the pressure of a resurgent Persia to the west and Indian states to the east. In Bactria: The History of a Forgotten Empire, historian Hugh G. Rawlinson begins with the early history of Bactria and its subjugation by Persia, and then describes the conquest of Iran by Alexander the Great and the establishment of an independent Bactria ruled by Greeks. The Bactrians adopted Buddhism early on and helped establish the religion throughout the area. The author then follows the history of the empire through its rulers, including Menander, until Greek rule was extinguished around 135 B.C. Finally, the author discusses the effects of Greek occupation on the region. Based on meticulous research in ancient texts from Greece, Persia, and India, and using material evidence of the time, this history, which won the Hare University Prize at Cambridge in 1909, remains relevant today, providing a fascinating portrait of a little-known connection between East and West.
"Bad Acts and Guilty Minds . . . revives the mind, it challenges superficial analyses, it reminds us that underlying the vast body of statutory and case law, there is a rationale founded in basic notions of fairness and reason. . . . It will help lawyers to better serve their clients and the society that permits attorneys to hang out their shingles."—Edward N. Costikyan, New York Times Book Review
Brought together by chance, the girls soon become partners in a struggle to find their way in a world where neither Esther’s brains nor Siri’s beauty is enough. Never having been forced to work hard at anything, Siri must rely on Esther to teach her to learn and attend class. But as Siri wakes from her dream world to discover the life of the mind, Esther begins shedding her rational bonds to explore the mysteries of the soul. For both, some of the most devastating lessons in the attainment of worldly knowledge come from love.
Deadpan funny and bittersweet, A Bad and Stupid Girl is above all else a moving portrait of two friends helping each other to uncover the potential splendor of their lives.
“Jean McGarry's novel is a lovely locket of a book, with the picture inside not at all faded. Focused in close-up, succinct and convincing, it's a story about friendship and maturation, and about how our studies, alone, do not define us.”
—Ann Beattie
“Jean McGarry’s A Bad and Stupid Girl is an uncommonly Good and Bright-Indeed Novel, sharply written from start to finish and entertaining as Hell.”
—John Barth
“Everything in life is arbitrary yet must be over-determined in literature. Jean McGarry knows how to tell a persuasive tale illuminating these truths.”
—Harold Bloom
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
In 1937, the Great Depression was still lingering, but at baseball parks across the country there was a sense of optimism. Major League attendance was on a sharp rise. Tickets to an Indians game at League Park on Lexington and East 66th were $1.60 for box seats, $1.35 for reserve seats, and $.55 for the bleachers. Cleveland fans were particularly upbeat—Bob Feller, the teenage phenomenon, was a farm boy with a blistering fast ball. Night games were an exciting development. Better days were ahead.
But there were mounting issues facing the Indians. For one thing, it was rumored that the team had illegally signed Feller. Baseball Commissioner Judge Kenesaw Mountain Landis was looking into that matter and one other. Issues with an alcoholic catcher, dugout fights, bats thrown into stands, injuries, and a player revolt kept things lively.
In Bad Boys, Bad Times: The Cleveland Indians and Baseball in the Prewar Years, 1937–1941—the follow-up to his No Money, No Beer, No Pennants: The Cleveland Indians and Baseball in the Great Depression—baseball historian Scott H. Longert writes about an exciting period for the team, with details and anecdotes that will please fans all over.
An obscure colonial trader, Walker wrote to his mother in England from Australia, the New Hebrides (now Vanuatu), and New Caledonia—and also from ships in between those places—during the 1870s and 1880s. Becke was a trader, too, but he was also a successful author of popular fiction that drew on his experiences in the Pacific. Written from Micronesia in the early 1880s, Becke’s letters are like Walker’s in that they report one setback after another. Both collections vividly evoke the day-to-day experiences of ordinary late-nineteenth-century colonists and open up new questions concerning the making and writing of selves on the colonial periphery.
Exposing insecurities in an epoch normally regarded as one of imperial triumph, Bad Colonists will appeal to students and scholars of anthropology, colonial history, cultural studies, and Pacific history and culture.
To this careful and sensitive English-language translation of The Bad Conscience, translator Andrew Kelley has added a substantial introduction situating the work in historical and intellectual context. Notes throughout indicate differences between this and earlier editions. A thought-provoking critique of standard conceptions of moral philosophy, The Bad Conscience restores this work by an important philosopher who has only recently begun to receive his due from the English-speaking world.
Traces a tradition of ironic and irreverent environmentalism, asking us to rethink the movement’s reputation for gloom and doom
Activists today strive to educate the public about climate change, but sociologists have found that the more we know about alarming issues, the less likely we are to act. Meanwhile, environmentalists have acquired a reputation as gloom-and-doom killjoys. Bad Environmentalism identifies contemporary texts that respond to these absurdities and ironies through absurdity and irony—as well as camp, frivolity, irreverence, perversity, and playfulness.
Nicole Seymour develops the concept of “bad environmentalism”: cultural thought that employs dissident affects and sensibilities to reflect critically on our current moment and on mainstream environmental activism. From the television show Wildboyz to the short film series Green Porno, Seymour shows that this tradition of thought is widespread—spanning animation, documentary, fiction film, performance art, poetry, prose fiction, social media, and stand-up comedy since at least 1975. Seymour argues that these texts reject self-righteousness and sentimentality, undercutting public negativity toward activism and questioning basic environmentalist assumptions: that love and reverence are required for ethical relationships with the nonhuman and that knowledge is key to addressing problems like climate change.
Funny and original, Bad Environmentalism champions the practice of alternative green politics. From drag performance to Indigenous comedy, Seymour expands our understanding of how environmental art and activism can be pleasurable, even in a time of undeniable crisis.
From the beginning to the end of his philosophizing, Sartre appears to have been concerned with "bad faith"—our "natural" disposition to flee from our freedom and to lie to ourselves. Virtually no aspect of his monumental system has generated more attention. Yet bad faith has been plagued by misinterpretation and misunderstanding. At the same time, Sartre's correlative concepts of "good faith" and "authenticity" have suffered neglect or insufficient attention, or been confused and wrongly identified by Sartre scholars, even by Sartre himself.
Ronald E. Santoni takes on the challenge of distinguishing these concepts, and of showing whether either or both existential "attitudes" afford deliverance from the hell of Sartre's bad faith. He offers the first fill-scale analysis, reconstruction, and differentiation of these ways of existing as they develop in Sartre's early works (1937-1947).
Although he attempts to redeem Sartre's slighted concept of good faith, Santoni warns that it must not be viewed interchangeably with authenticity. Further, in one of the earliest and most sustained studies of Sartre's Notebooks for an Ethics available in English, Santoni shows how Sartre's posthumously published notes for an "ethics of Salvation" confirm his differentiation and argument. The way out of Sartrean hell, Santoni insists, is authenticity—living "with fidelity" to our unjustifiable freedom and assuming responsibility for it.
A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
Bad Film Histories is a vital work that unsettles the authority of the archive. Katherine Groo daringly takes readers to the margins of the film record, addressing the undertheorization of film history and offering a rigorous corrective. Taking ethnographic cinema as a crucial case study, Groo challenges standard ways of thinking and writing about film history and questions widespread assumptions about what film artifacts are and what makes them meaningful. Rather than filling holes, Groo endeavors to understand the imprecisions and absences that define film history and its archives.
Bad Film Histories draws on numerous works of ethnographic cinema, from Edward S. Curtis’s In the Land of the Head Hunters, to a Citroën-sponsored “croisière” across Africa, to the extensive archives of the Maison Lumière and the Musée Albert-Kahn, to dozens of expedition films from the 1910s and 1920s. The project is deeply grounded in poststructural approaches to history, and throughout Groo draws on these frameworks to offer innovative and accessible readings that explain ethnographic cinema’s destabilizing energies.
As Groo describes, ethnographic works are mostly untitled, unauthored, seemingly infinite in number, and largely unrestored even in their digital afterlives. Her examination of ethnographic cinema provides necessary new thought for both film scholars and those who are thrilled by cinema’s boundless possibilities. In so doing, she boldly reexamines what early ethnographic cinema is and how these films produce meaning, challenging the foundations of film history and prevailing approaches to the archive.
Women’s transgressive behaviors and perspectives are challenging societal norms in the Arab world, giving rise to anxiety and public debate. Simultaneously, however, other Arab women are unwillingly finding themselves labeled “bad” as authority figures attempt to redirect scrutiny from serious social ills such as patriarchy and economic exploitation, or as they impose new restrictions on women’s behavior in response to uncertainty and change in society. Bad Girls of the Arab World elucidates how both intentional and unintentional transgressions make manifest the social and cultural constructs that define proper and improper behavior, as well as the social and political policing of gender, racial, and class divisions.
The works collected here address the experiences of women from a range of ages, classes, and educational backgrounds who live in the Arab world and beyond. They include short pieces in which the women themselves reflect on their experiences with transgression; academic articles about performance, representation, activism, history, and social conditions; an artistic intervention; and afterwords by the acclaimed novelists Laila al-Atrash and Miral al-Tahawy. The book demonstrates that women’s transgression is both an agent and a symptom of change, a site of both resistance and repression. Showing how transnational forces such as media discourses, mobility and confinement, globalization, and neoliberalism, as well as the legacy of colonialism, shape women’s badness, Bad Girls of the Arab World offers a rich portrait of women’s varied experiences at the boundaries of propriety in the twenty-first century.
Their play is filled with warnings. They invent chaos in order to show that everything is under control. They portray fear to prove that it can be conquered. No theme is too large or too small for their intense scrutiny. Fantasy play is their ever dependable pathway to knowledge and certainty.
" It . . . takes a special teacher to value the young child's communications sufficiently, enter into a meaningful dialogue with the youngster, and thereby stimulate more productivity without overwhelming the child with her own ideas. Vivian Paley is such a teacher."—Maria W. Piers, in the American Journal of Education
"[Mrs. Paley's books] should be required reading wherever children are growing. Mrs. Paley does not presume to understand preschool children, or to theorize. Her strength lies equally in knowing that she does not know and in trying to learn. When she cannot help children—because she can neither anticipate nor follow their thinking—she strives not to hinder them. She avoids the arrogance of adult to small child; of teacher to student; or writer to reader."—Penelope Leach, author of Your Baby & Child in the New York Times Book Review
"[Paley's] stories and interpretation argue for a new type of early childhood education . . . a form of teaching that builds upon the considerable knowledge children already have and grapple with daily in fantasy play."—Alex Raskin, Los Angeles Times Book Review
"Through the 'intuitive language' of fantasy play, Paley believes, children express their deepest concerns. They act out different roles and invent imaginative scenarios to better understand the real world. Fantasy play helps them cope with uncomfortable feelings. . . . In fantasy, any device may be used to draw safe boundaries."—Ruth J. Moss, Psychology Today
At the core of this nuanced book is the question that ecocritics have been debating for decades: what is the relationship between aesthetics and activism, between art and community? By using a pastoral lens to examine ten fictional narratives that chronicle the dialogue between human culture and nonhuman nature on the Great Plains, Matthew Cella explores literary treatments of a succession of abrupt cultural transitions from the Euroamerican conquest of the “Indian wilderness” in the nineteenth century to the Buffalo Commons phenomenon in the twentieth. By charting the shifting meaning of land use and biocultural change in the region, he posits this bad land—the arid West—as a crucible for the development of the human imagination.
Each chapter deals closely with two novels that chronicle the same crisis within the Plains community. Cella highlights, for example, how Willa Cather reconciles her persistent romanticism with a growing disillusionment about the future of rural Nebraska, how Tillie Olsen and Frederick Manfred approach the tragedy of the Dust Bowl with strikingly similar visions, and how Annie Proulx and Thomas King use the return of the buffalo as the centerpiece of a revised mythology of the Plains as a palimpsest defined by layers of change and response. By illuminating these fictional quests for wholeness on the Great Plains, Cella leads us to understand the intricate interdependency of people and the places they inhabit.
Cella uses the term “pastoralism” in its broadest sense to mean a mode of thinking that probes the relationship between nature and culture: a discourse concerned with human engagement—material and nonmaterial—with the nonhuman community. In all ten novels discussed in this book, pastoral experience—the encounter with the Beautiful—leads to a renewed understanding of the integral connection between human and nonhuman communities. Propelling this tradition of bad land pastoralism are an underlying faith in the beauty of wholeness that comes from inhabiting a continuously changing biocultural landscape and a recognition of the inevitability of change. The power of story and language to shape the direction of that change gives literary pastoralism the potential to support an alternative series of ideals based not on escape but on stewardship: community, continuity, and commitment.
An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in.
Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies, and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers’ championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein’s analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability.
This book will engage readers with an interest in Mexican history, Latin American studies, cultural studies, and popular culture.
In Bad Mexican, Bad American, the minimalist, working-class aesthetic of a “disadvantaged Brown kid” takes wing in prose poems that recall and celebrate that form’s ties to Surrealism. With influences like Alberto Ríos and Ray Gonzalez on one hand, and James Tate and Charles Baudelaire on the other, the collection spectacularly combines “high” art and folk art in a way that collapses those distinctions, as in the poem “My Date with Frida Kahlo”: “Frida and I had Cuban coffee and then vegetarian tacos. We sipped on mescal and black tea. At the end of the night, following an awkward silence during a conversation on Cubism, we kissed for about thirty minutes beneath a protest mural by David Alfaro Siqueiros.”
Bad Mexican, Bad American demonstrates how having roots in more than one culture can be both unsettling and rich: van Gogh and Beethoven share the page with tattoos, graffiti, and rancheras; Quetzalcoatl shows up at Panda Express; a Mexican American child who has never had a Mexican American teacher may become that teacher; a parent’s “broken” English is beautiful and masterful. Blending reality with dream and humility with hope, Hernandez Diaz contributes a singing strand to the complex cultural weave that is twenty-first-century poetry.
Bad Modernisms thus builds on and extends the “new modernist studies,” recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a “bad” black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures—such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis—and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies.
Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz
Bad News for Refugees analyses the political, economic and environmental contexts of migration and looks specifically at how refugees and asylum seekers have been stigmatised in political rhetoric and in media coverage.
Through forensic research it shows how hysterical and inaccurate media accounts act to legitimise political action which can have terrible consequences both on the lives of refugees and also on established migrant communities.
Based on new research by the renowned Glasgow Media Group, Bad News for Refugees is essential reading for those concerned with the negative effects of media on public understanding and for the safety of vulnerable groups and communities in our society.
Uncovering vocal and nonvocal patterns in everyday conversations, clinics, and other organizations, Maynard shows practices by which people give and receive good or bad news, how they come to realize the news and their new world, how they suppress or express their emotions, and how they construct social relationships through the sharing of news. He also reveals the implications of his study for understanding public affairs in which transmitting news may influence society at large, and he provides recommendations for professionals and others on how to deliver bad or good tidings more effectively.
For anyone who wants to understand the interactional facets of news delivery and receipt and their social implications, Bad News, Good News offers a wealth of scholarly insights and practical advice.
This largely forgotten era in the development of American libel law provides crucial historical context for contemporary debates about the news media, public discourse, and the role of a free press. File argues that the legal thinking surrounding these cases laid the groundwork for the more friendly libel standards the press now enjoys and helped to establish today's regulations of press freedom amid the promise and peril of high-speed communication technology.
Schor’s question at the time was “Will a new feminist literary criticism arise that will take literariness seriously while maintaining its vital ideological edge?” The contributors take literariness—the “bad object” of this issue—seriously. They do not necessarily engage in debates about reading, theorize new formalisms, or thematize language; rather, they invigorate and unsettle the reading experience, investigating the relationship between language and meaning.
Contributors. Lee Edelman, Frances Ferguson, Peggy Kamuf, Ramsey McGlazer, Thangam Ravindranathan, Denise Riley, Ellen Rooney, Elizabeth Weed
Written in a distinctive personal and self-reflective mode, this collection offers new unpublished work and brings together for the first time some of Schor’s best-known and most influential essays. These engagements with Anglo-American feminist theory, Freud and psychoanalytic theory, French poststructuralists such as Barthes, Foucault, and Irigaray, and French fiction by or about women—especially of the nineteenth century—also address such issues as bilingual identity, professional controversies, female fetishism, and literature and gender. Schor then concludes with a provocative meditation on the future of feminism.
As they read Bad Objects, Anglo-American theoreticians who have been mainly preoccupied with French feminism will find themselves drawn into French literary and cultural history, while French literary critics and historians will be placed in contact with feminist debate.
Against the backdrop of West Berlin in 1987, meet Soja—a skilled typesetter, a refugee from East Germany, and a temporary florist with a generous heart. Her life takes an unexpected turn when she crosses paths with Harry—a tall, free-spirited individual with a quietly determined demeanor, haunted by a complex past and an uncertain future. Their encounter sets in motion a fateful connection that leaves a lasting mark on Soja’s life.
The remnants of their story are encapsulated in a school notebook, containing precisely eighty-nine undated entries where Harry chronicled his thoughts during their time together. However, conspicuous by its absence in the narrative is Soja herself. Years later, driven by the need to tell their tale and fill the void left by Harry, she embarks on a poignant journey of remembrance.
As Soja revisits the man who both impressed her with determination and disconcerted her with a mysterious gift, she finds herself captivated by his childlike essence. Despite Harry’s troubled history—ten years in prison, probation violations due to discontinued drug therapy, and the looming threat of immediate imprisonment—Soja remains resolute in her passion for him.
Katja Lange-Müller, an acclaimed storyteller, skillfully draws readers into the heart of this novel. With sensitivity, humor, and melancholy, she unfolds the narrative of an unhappy love story that transforms into the greatest happiness in life. Along the way, Lange-Müller paints an atmospherically dense portrait of the divided and stagnant Berlin of the 1980s, creating a captivating and emotionally charged reading experience.
Winner of the Agha Shahid Ali Poetry Prize
Bad Summon explores the relationship between the majesty of nature and the quiet violence humans inflict upon themselves and others. The poems are dipped in loss, traveling between death and mountains, romance and rivers. They are addicted to the truth of experience and the energy behind regret. Bad Summon conjures its own ghost. According to David Baker, the judge who selected the winning manuscript, this is a “surprising, coherent, original collection of lyric poems. I felt peril, heartbreak, catastrophe, sorrow, genuine soulfulness. It’s also funny, yet its humor is not comic but possesses a terrible gravity.” This is a volume every poetry lover will want to explore.
[In this one we aren’t exactly drowning]
but we are falling through water.
Quieter than we expect. Churning
is how we’ll later describe it.
Our arms dig out two wet Cs,
a heart if you want to look at it
that way. Though the body is always
in between—that unoriginal arrow.
Born in 1921 to a Jewish mother, Ilse Aichinger (1921–2016) survived World War II in Vienna, while her twin sister Helga escaped with one of the last Kindertransporte to England in 1938. Many of their relatives were deported and murdered. Those losses make themselves felt throughout Aichinger’s writing, which since her first and only novel, The Greater Hope, in 1948, has highlighted displacement, estrangement, and a sharp skepticism toward language. By 1976, when she published Bad Words in German, her writing had become powerfully poetic, dense, and experimental. This volume presents the whole of the original Bad Words in English for the first time, along with a selection of Aichinger’s other short stories of the period; together, they demonstrate her courageous effort to create and deploy a language unmarred by misleading certainties, preconceived rules, or implicit ideologies.
Badass Feminist Politics includes a diverse range of engaging feminist political projects to not only analyze the work being done on the ground but provide an overview for action that can be taken on by those seeking to engage in feminist activism in their own communities. Contributors included here are working for equality and equity and resisting violent, racist, homophobic, transphobic, xenophobic, and sexist language and action during this tension-filled political moment. Collectively, the book explores what it means to live and communicate feminist politics in everyday choices and actions, and how we can facilitate learning by analyzing these examples. Taking up current issues and new theoretical perspectives, the authors offer novel perspectives into what it means to live feminist politics. This book is a testament to resilience, resistance, communication, and forward thinking about what these themes all mean for new feminist agendas. Learning how to resist oppressive structures through words and actions is particularly important for students. Badass Feminist Politics features scholars from non-dominant groups taking up issues of marginalization and oppression, which can help people accomplish their social justice goals of inclusivity on the ground and in the classroom.
Baden, Kostolac, Vucedol and Vinkovci uses archaeology and genetics to create a novel cultural and historical interpretation of the Carpathian Basin during the Late Eneolithic period. The author traces the linear development of indigenous cultures from the Baden Culture through the Kostolac Culture to the Vucedol Culture, before positing that certain qualitative and quantitative shifts were driven by the entry of foreign populations—the Pit Grave Culture and the Bell Beaker Culture—into the Carpathian Basin.
The book also analyzes the emergence of the Early Bronze Age, establishing an absolute chronology, and examines the Vucedol Culture’s influence on geographically distant Bronze Age groups. An appendix also includes a discussion of findings that, while outside the Carpathian Basin, are part of its cultural sphere.
From the iconic European badger and its North American kin to the African honey badger and Southeast Asian hog badger, Justice considers the badger’s evolution and widespread distribution alongside its current, often-imperiled status throughout the world. He travels from natural history and life in the wild to the folklore, legends, and spiritual beliefs that badgers continue to inspire, while also exploring their representation and exploitation in industry, religion, and the arts. Tracing the complex and contradictory ways in which this fascinating animal endures, Badger will appeal to anyone interested in a deeper understanding of these much-maligned creatures.
Alain Badiou and Slavoj Žižek together have emerged as two of Europe’s most significant living philosophers. In a shared spirit of resistance to global capitalism, both are committed to bringing philosophical reflection to bear upon present-day political circumstances. These thinkers are especially interested in asking what consequences the supposed twentieth-century demise of communism entails for leftist political theory in the early twenty-first century.
Badiou, Žižek, and Political Transformations examines Badiouian and Žižekian depictions of change, particularly as deployed at the intersection of philosophy and politics. The book details the origins of Badiou’s concept of the event and Žižek’s concept of the act as related theoretical visions of revolutionary happenings, delineating a number of difficulties arising from these similar concepts. Johnston finds that Badiou and Žižek tend to favor models of transformation that risk discouraging in advance precisely the efforts at changing the world of today that these uncompromising leftists so ardently desire. Badiou, Žižek, and Political Transformations will surely join Johnston’s Žižek’s Ontology as an instant classic in its field.
Alonzo opens his provocative study with a fresh look at the adventure stories of Stephen Crane and the silent Western movies of D. W. Griffith. He also investigates the conflation of the greaser, the bandit, and the Mexican revolutionary into one villainous figure in early Western movies and, more broadly, traces the development of the badman in Westerns. He newly interrogates the writings of Américo Paredes regarding the makeup of Mexican masculinity, and productively trains his analytic eye on the recent films of Jim Mendiola and the contemporary poetry of Evangelina Vigil.
Throughout Badmen, Bandits, and Folk Heroes, Alonzo convincingly demonstrates how fiction and films that formerly appeared one-dimensional in their treatment of Mexicans and Mexican Americans actually offer surprisingly multifarious and ambivalent representations. At the same time, his valuation of indeterminacy, contingency, and hybridity in contemporary cultural production creates new possibilities for understanding identity formation.
Baetica, the present-day region of Andalusia in southern Spain, was the wealthiest province of the Roman Empire. Its society was dynamic and marked by upward social and economic mobility, as the imperial peace allowed the emergence of a substantial middle social and economic stratum. Indeed, so mutually beneficial was the imposition of Roman rule on the local population of Baetica that it demands a new understanding of the relationship between Imperial Rome and its provinces.
Baetica Felix builds a new model of Roman-provincial relations through a socio-economic history of the province from Julius Caesar to the end of the second century A.D. Describing and analyzing the impact of Roman rule on a core province, Evan Haley addresses two broad questions: what effect did Roman rule have on patterns of settlement and production in Baetica, and how did it contribute to wealth generation and social mobility? His findings conclusively demonstrate that meeting the multiple demands of the Roman state created a substantial freeborn and ex-slave "middle stratum" of the population that outnumbered both the super-rich elite and the destitute poor.
This landmark collection gathers thirty-five years of his writings, from his first volume in Arabic, Memory of Embers, to his latest collection, written originally in French, For You I Dream. It offers English-language readers their first substantial overview of Al Hamdani’s work, fired by the fight against injustice and shot through with longing for the home to which he can never return.
---Joe Sacco, author of Safe Area Gorazde
"Baghdad Bulletin takes us where mainstream news accounts do not go. Disrupting the easy clichés that dominate U.S. journalism, Enders blows away the media fog of war. The result is a book that challenges Americans to see through double speak and reconsider the warfare being conducted in their names."
---Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death
"Journalism at its finest and on a shoestring to boot. David Enders shows that courage and honesty can outshine big-budget mainstream media. Wry but self-critical, Baghdad Bulletin tells a story that a few of us experienced but every journalist, nay every citizen, should read."
---Pratap Chatterjee, Managing Editor and Project Director, CorpWatch
"Young and tenacious, Dave Enders went, saw, and wrote it down. Here it is-a well-informed and detailed tale of Iraq's decline under American rule. Baghdad Bulletin offers tragic politics, wacky people, and keen insights about what really matters on the ground in Iraq."
---Christian Parenti
"I wrote my first piece for Baghdad Bulletin after visiting the mass graves at Al-Hilla in 2003. The Baghdad Bulletin was essential reading in the first few months after the end of the war. I handed that particular copy to Prime Minister Tony Blair. I am only sorry that I cannot read it anymore. David Enders and his team were brave, enterprising, and idealistic."
---Rt. Hon. Ann Clwyd, member of the British Parliament
Baghdad Bulletin is a street-level account of the war and turbulent postwar period as seen through the eyes of the young independent journalist David Enders. The book recounts Enders's story of his decision to go to Iraq, where he opened the only English-language newspaper completely written, printed, and distributed there during the war.
Young, courageous, and anti-authoritarian, Enders is the first reporter to cover the war as experienced by ordinary Iraqis. Deprived of the press credentials that gave his embedded colleagues access to press conferences and officially sanitized information, Enders tells the story of a different war, outside the Green Zone. It is a story in which the struggle of everyday life is interspersed with moments of sheer terror and bizarre absurdity: wired American troops train their guns on terrified civilians; Iraqi musicians prepare a recital for Coalition officials who never show; traveling clowns wreak havoc in a Baghdad police station.
Orphans and intellectuals, activists and insurgents: Baghdad Bulletin depicts the unseen complexity of Iraqi society and gives us a powerful glimpse of a new kind of warfare, one that coexists with-and sometimes tragically veers into-the everyday rhythms of life.
Baghdad: The City in Verse captures the essence of life lived in one of the world’s great enduring metropolises. In this unusual anthology, Reuven Snir offers original translations of more than 170 Arabic poems—most of them appearing for the first time in English—which represent a cross-section of genres and styles from the time of Baghdad’s founding in the eighth century to the present day. The diversity of the fabled city is reflected in the Bedouin, Muslim, Christian, Kurdish, and Jewish poets featured here, including writers of great renown and others whose work has survived but whose names are lost to history.
Through the prism of these poems, readers glimpse many different Baghdads: the city built on ancient Sumerian ruins, the epicenter of Arab culture and Islam’s Golden Age under the enlightened rule of Harun al-Rashid, the bombed-out capital of Saddam Hussein’s fallen regime, the American occupation, and life in a new but unstable Iraq. With poets as our guides, we visit bazaars, gardens, wine parties, love scenes (worldly and mystical), brothels, prisons, and palaces. Startling contrasts emerge as the day-to-day cacophony of urban life is juxtaposed with eternal cycles of the Tigris, and hellish winds, mosquitoes, rain, floods, snow, and earthquakes are accompanied by somber reflections on invasions and other catastrophes.
Documenting the city’s 1,250-year history, Baghdad: The City in Verse shows why poetry has been aptly called the public register of the Arabs.
Bagpipe Brothers tells the unforgettable story of four firefighters in the band, who struggled to bring peace to their families and themselves while searching for the dead, coping with the endless round of funerals, and rethinking the meaning of faith. Their experiences illustrate the grief and recovery of the nation in the aftermath of the terrorist attacks.
Kerry Sheridan has written the first book to cover the ordeal of the massive number of funerals, the importance of recovering bodies in Irish American culture, and the bagpiping ritual, both traditional and modern.
His sense of humor was legendary. His tenacity in pursuit of goals was unwavering. His grasp of past, present, and future opportunities was profound. Bags to Riches shows the personal side of an 'outsider' who became an 'insider' through congeniality, good humor, and integrity.
In fact, Baha’i draws on a diverse heritage that encompasses both East and West. Reflecting their Islamic roots, they observe daily prayers and the reading of sacred texts; a month of fast; pilgrimage to Haifa, Israel, where the religion’s relics are preserved; and abstinence from alcohol. They face toward their prophet Baha’u'llah’s resting place when praying, which is reminiscent of Muslims facing Mecca to pray.
In other ways, the Baha’i religion has dissociated itself from orthodox Shi’ism. Adherents avoid communal prayer, reject the idea of a professional clergy, promote gender equality, and devote a great deal of attention to education, health care, and environmental issues. They work actively through the United Nations system to promote their view of a new world order of peace and harmony that they feel will one day unify humankind across all nations, races, and religions.
The Bahá’í Faith is one of the fastest growing, but least studied, of the world’s religions. Adherents view themselves as united by a universal belief that transcends national boundaries. Michael McMullen examines how the Bahá’í develop and maintain this global identity. Taking the Bahá’í community in Atlanta, Georgia, as a case in point, his book is the first to comprehensively examine the tenets of this little-understood faith.
McMullen notes that, to the Bahá’í, Buddha, Moses, Jesus, and Mohammed are all divinely sent teachers of ‘the Truth’, whose messages conform to the needs of their individual cultures and historical periods. But religion—which draws from the teaching of Bahá’u’lláh, a nineteenth-century Persian—encourages its members to think of themselves as global citizens. It also seeks to establish unity among its members through adherence to a Bahá’í worldview.
By examining the Atlanta Bahá’í community, McMullen shows how this global identity is interpreted locally. He discusses such topics as: the organizational structure and authority relations in the Bahá’í “Administrative Order”; Bahá’í evangelicalism; and the social boundaries between Bahá’ís and the wider culture.
Bai Ganyo has been translated into most European languages, but now Victor Friedman and his fellow translators have finally brought this Balkan masterpiece to English-speaking readers, accompanied by a helpful introduction, glossary, and notes.
Open this book and you are in Door County, Wisconsin, strolling down Coot Lake Road—a one-lane, dead-end gravel track just a few miles from Baileys Harbor and the Lake Michigan shore. Along the way you meet George and Helen O’Malley, who are growing old gracefully. Russell, their brave and empathetic golden retriever, wags hello and offers you a paw to shake.
The Olsons and the Berges live just down the road. Bump Olson is the local septic tank pumper and birdwatcher extraordinaire, and Hans Berge, MD, PhD, was at one time the only Norwegian psychiatrist in Chicago—or so he says. In a cottage out by the highway, you may spot Lloyd Barnes, ex–Tennessee state trooper, hound fancier, and local man of mystery. Uncle Petter Sorenson, visiting from Grand Forks, takes the polar bear plunge at Jacksonport. Around the neighborhood you’ll meet Deputy Doug, the flirtatious cellist Debbie Dombrowski, and Italian import Rosa Zamboni.
Dave Crehore’s sketches of life on the Door peninsula also expound on:
• the delights of codfish pizza
• how to insult Canadians
• what to expect at your fiftieth high school reunion
• how to lose a school board election
• the prevention of creeping old-fogyism
• Marilyn, a buxom eight-pound smallmouth bass
• and what goes on in the winter, when no one is there.
With gorgeous photographs of the architecture and religious art, and supported by a concise history that outlines the peninsula’s exploration and colonization by Roman Catholic priests, Baja California Missions excels as a book of photography and history. It promises adventure for readers at home, as well as for travelers ready to explore the churches in person.
The eight Spanish colonial stone churches of Baja California endure as the only intact originals of 34 missions built by the padres during the peninsula’s colonization. Due to structural renovations and restorations of the artwork undertaken over the last 30 years, the renowned mission churches have become sources of pride to the citizens of Baja California. Travelers are invited to visit at any time, especially during patron saint day celebrations.
As a guide, Baja California Missions is fully up to date, with directions for navigating Baja’s paved highways and desert and mountain roads. The mission sites are pinpointed on a topographic roadmap of the peninsula. A church floor plan is provided to accompany a walk-through tour for each church interior. The lovely eighteenth-century oil paintings and wooden statues that grace the church altars are also identified and described.
Johnson reveals a geologic history that is outside the temporal framework of a human lifetime and scored by violent storms. We see how hurricanes have shaped coastal landscapes all along the peninsula’s inner coast, a fascinating story only possible by disassembling the rocks that on first appraisal seem incomprehensible.
Looking closely, Johnson shows us how geology not only helps us look backward but also forward toward an uncertain future. The landscape Johnson describes may be apart from the rest of Mexico, but his expert eye reveals how it is influenced by the unfolding drama of Planet Earth’s global warming.
As counsel for Pennzoil's successful effort to recover billions of dollars in damages from Texaco over the acquisition of Getty Oil Company, the Baker & Botts law firm of Houston, Texas, achieved wide public recognition in the 1980s. But among its peers in the legal and corporate worlds, Baker & Botts has for more than a century held a preeminent position, handling the legal affairs of such blue-chip clients as the Southern Pacific Railroad, Houston Lighting & Power Company, Rice University, Texas Commerce Bank, and Tenneco. In this study, Kenneth J. Lipartito and Joseph A. Pratt chronicle the history of Baker & Botts, placing particular emphasis on the firm's role in Houston's economic development.
Founded in 1840, Baker & Botts literally grew up with Houston. The authors chart its evolution from a nineteenth-century regional firm that represented eastern-based corporations moving into Texas to a twentieth-century national firm with clients throughout the world. They honestly discuss the criticisms that Baker & Botts has faced as an advocate of big business. But they also identify the important impact that corporate law firms of this type have on business reorganization and government regulation. As the authors demonstrate in this case study, law firms throughout the twentieth century have helped to shape public policy in these critical areas.
Always prominent in the community, and with prominent connections (former Secretary of State James A. Baker III is the great-grandson of the original Baker), the Baker & Botts law firm belongs in any history of the development of Houston and the Southwest.
On August 4, 1578, in an ill-conceived attempt to wrest Morocco back from the hands of the infidel Moors, King Sebastian of Portugal led his troops to slaughter and was himself slain. Sixteen years later, King Sebastian rose again. In one of the most famous of European impostures, Gabriel de Espinosa, an ex-soldier and baker by trade—and most likely under the guidance of a distinguished Portuguese friar—appeared in a Spanish convent town passing himself off as the lost monarch. The principals, along with a large cast of nuns, monks, and servants, were confined and questioned for nearly a year as a crew of judges tried to unravel the story, but the culprits went to their deaths with many questions left unanswered.
Despite the overpowering salience of bread in public and private life, Kaplan’s is the first inquiry into the ways bread exercised its vast and significant empire. Bread framed dreams as well as nightmares. It was the staff of life, the medium of communion, a topic of common discourse, and a mark of tradition as well as transcendence. In his exploration of bread’s materiality and cultural meaning, Kaplan looks at bread’s fashioning of identity and examines the conditions of supply and demand in the marketplace. He also sets forth a complete history of the bakers and their guild, and unmasks the methods used by the authorities in their efforts to regulate trade.
Because the bakers and their bread were central to Parisian daily life, Kaplan’s study is also a comprehensive meditation on an entire society, its government, and its capacity to endure. Long-awaited by French history scholars, The Bakers of Paris and the Bread Question, 1700–1775 is a landmark in eighteenth-century historiography, a book that deeply contextualizes, and thus enriches our understanding of one of the most important eras in European history.
These essays provide an overview of Bakhtin's attitude toward religion in general and Russian Orthodoxy in particular, addressing topics ranging from how Bakhtin's religious ideas informed his linguistic and aesthetic theories to the idea of love in his secular and religious thought and to the religious component of Bakhtin's theory of laughter.
The authors, eminent classicists and distinguished critics of Bakhtin, put Bakhtin into dialogue with the classics--and classicists into dialogue with Bakhtin. Each essay offers a critical account of an important aspect of Bakhtin's thought and examines the value of his approach in the context of literary or cultural history. Beginning with an overview of Bakhtin's notion of carnival laughter, perhaps his central critical concept, the volume explores Bakhtin's thought and writing in relation to Homer's epic verse. Catullus's lyric poetry, ancient Roman novels, and Greek philosophy from Aristotle's theory of narrative to the work of Antiphon the Sophist. The results are of interest and importance to Bakhtinians, theorists, and classicists.
Exploring both the dynamism of Bakhtin versus “Bakhtin” and the dynamics of “possible Bakhtins,” the contributors tackle this theorist’s range of shifting shapes, from the carnival-messianistic and the chronotopic, through the philosophic and the ideologic, to the “applied Bakhtin” of the social sciences. Bakhtin’s texts are examined in the context of work by such disparate figures as Ernst Cassirer and Rudolph Rocker, while various aspects of the academic “Bakhtin industry” are examined, including the “will to mythology by anthology” and the inequities of a world market in ideas exemplified by the resource gap between Russian and Western scholarship. The “state of the archive” is assessed by both UK Bakhtin Centre Director David Shepherd and Russian Bakhtin Archivist Nikolai Pan’kov. Throughout the issue, which is framed by Peter Hitchcock’s introductory polemics and Michael Holquist’s afterword, author and archive are continually deconstructed and reconstructed.
Contributors. Robert Barsky, Rachel Falconer, Maroussia Hadjukowski-Ahmed, Ken Hirschkop, Peter Hitchcock, Michael Holquist, Vitaly Makhlin, Nikolai Pan’kov, Brian Poole, David Shepherd, Galin Tihanov, Anthony Wall
This is the first book to bring together this significant new research on the Circle, setting it within a historical and intellectual context and emphasising the importance of the work of the Circle as a whole. Craig Brandist offers a new look at the significance of Bakhtin's legacy, and brings into clearer focus the contribution of others in the circle--including Voloshinov, Medvedev, Pumpianskii and Kagan--whose work has so often been obscured, assessing the fundamental role they played in shaping Bakhtinian thought.
Whether it's a slice of warm bread and butter, a Thanksgiving pumpkin pie, or a piece of cake, baked goods have been among America's favorite comfort foods ever since the Pilgrims arrived. From the days of hand mixing and baking on the hearth to today's use of food processors and electric ranges, American cooks have created an amazing variety of breads and baked goods that are as distinctive as the cultures from which we came.
Spanning colonial times to the present and every region of the United States, this book is a comprehensive guide to baking in America. Certified master baker Arthur L. Meyer brings together some 700 kitchen-tested recipes for America's favorite breads, pies, cakes, and cookies. Compiled from almost 300 regional cookbooks dating from the 1890s to the 1980s, these are the authentic recipes for the traditional baked goods of every part of our country. In these pages, you'll find regional specialties such as Appalachian Buttermilk Cracklin' Bread and Hawaiian Pineapple-Macadamia Bread, as well as old family recipes.
In addition to the recipes, Meyer offers a fascinating overview of the history of baking in America, complete with descriptions of early breads, pies, cakes, and cookies. Whether you're a home or professional baker, a food historian, or someone who just enjoys reading cookbooks, you're sure to find lots of tasty treats here. Let Baking across America become your basic source for all the baked goodies Americans love to eat.
Understanding and explaining societal rules surrounding food and foodways have been the foci of anthropological studies since the early days of the discipline. Baking, Bourbon, and Black Drink: Foodways Archaeology in the American Southeast, however, is the first collection devoted exclusively to southeastern foodways analyzed through archaeological perspectives. These essays examine which foods were eaten and move the discussion of foodstuffs into the sociocultural realm of why, how, and when they were eaten.
Editors Tanya M. Peres and Aaron Deter-Wolf present a volume that moves beyond basic understandings, applying new methods or focusing on subjects not widely discussed in the Southeast to date. Chapters are arranged using the dominant research themes of feasting, social and political status, food security and persistent places, and foodways histories. Contributors provide in-depth examination of specific food topics such as bone marrow, turkey, Black Drink, bourbon, earth ovens, and hominy.
Contributors bring a broad range of expertise to the collection, resulting in an expansive look at all of the steps taken from field to table, including procurement, production, cooking, and consumption, all of which have embedded cultural meanings and traditions. The scope of the volume includes the diversity of research specialties brought to bear on the topic of foodways as well as the temporal and regional breadth and depth, the integration of multiple lines of evidence, and, in some cases, the reinvestigation of well-known sites with new questions and new data.
The Emily Dickinson manuscripts are a cherished part of Houghton Library’s collections and—while it is her poems and letters that are most often celebrated—the poet’s lesser known lines: “2 Butter. / 19 eggs. / 5 pounds Raisins” are also cause to celebrate.
Dickinson’s manuscript recipe for black cake, from which these lines come, was sent along with a bouquet of flowers to Nellie Sweetser in the summer of 1883. Black cake is a traditional Christmas specialty closely related to the English fruitcake, “blackened” with the addition of burnt sugar syrup or molasses. It was generously spiced with nutmeg, cinnamon, mace, and clove before being wrapped in brandy- or rum-soaked cloth and often aged at least a month. The recipe, though somewhat shocking to a modern reader (19 eggs!), turns out to be remarkably orthodox in its ratios, if not its scale. Fully assembled, the recipe produces batter weighing in excess of twenty pounds.
Delve into the history of this majestic cake and explore the story of each ingredient, in the context of Emily Dickinson’s nineteenth-century Amherst home, with librarians of Houghton. Each ingredient is accompanied with watercolors by Robin Harney evoking Dickinson’s moment in time and moments in the kitchen.
Ecologists describing phenomena on larger scales often use terms like "stability," "balance of nature," and "fragility," and Pimm begins by considering the various specific meanings of these terms. He addresses five kinds of ecological stability—stability in the strict sense, resilience, variability, persistence, and resistance—and shows how they provide ways of comparing natural populations and communities as well as theories about them. Each type of stability depends on characteristics of the species studied and also on the structure of the food web in which the species is embedded and the physical features of the environment.
The Balance of Nature? provides theoretical ecology with a rich array of questions—questions that also underpin pressing problems in practical conservation biology. Pimm calls for nothing less than new approaches to ecology and a new alliance between theoretical and empirical studies.
Two decades of financial crises have dramatically expanded central banks’ powers. In 2008, and then again in 2020, unelected banking officials found themselves suddenly responsible for the public welfare—not just because it was necessary but based on an idea that their independence from political systems would insulate them from the whims of populism. Now, as international crises continue and the scope of monetary interventions grows in response, these bankers have become increasingly powerful.
In Balance of Power, economist and historian Éric Monnet charts the rise of central banks as the nominally independent—but unavoidably political—superpowers of modern societies. This trajectory, Monnet argues, is neither inevitable nor unstoppable. By embracing the political natures of today’s central banks, we can construct systems of accountability for how they interact with states and societies. Monnet shows that this effort will do more than guard against unjust power; it will put the banks to work for greater, more democratic ends.
With existential challenges looming and the work of the Federal Reserve and European Central Bank more important than ever, Balance of Power offers a trenchant case for what this century’s central banks can—and must—become.
Medicine's changing economics have already fundamentally, permanently altered the relationship between physician and patient, E. Haavi Morreim argues. Physicians must weigh a patient's interests against the legitimate, competing claims of other patients, of payers, of society as a whole, and sometimes even of the physician himself.
Focusing on actual situations in the clinical setting, Morreim explores the complex moral problems that current economic realities pose for the practicing physician. She redefines the moral obligations of both physicians and patients, traces the specific effects of these redefined obligations on clinical practice, and explores the implications for patients as individuals and for national health policy. Although the book focuses on health care in the United States, physicians everywhere are likely to face many of the same basic issues of clinical ethics, because every system of health care financing and distribution today is constrained by finite resources.
Increasing numbers of Americans are fleeing cities and suburbs for the small towns and open spaces that surround national and state parks, wildlife refuges, historic sites, and other public lands. With their scenic beauty and high quality of life, these "gateway communities" have become a magnet for those looking to escape the congestion and fast tempo of contemporary American society.
Yet without savvy planning, gateway communities could easily meet the same fate as the suburban communities that were the promised land of an earlier generation. This volume can help prevent that from happening.
The authors offer practical and proven lessons on how residents of gateway communities can protect their community's identity while stimulating a healthy economy and safeguarding nearby natural and historic resources. They describe economic development strategies, land-use planning processes, and conservation tools that communities from all over the country have found effective. Each strategy or process is explained with specific examples, and numerous profiles and case studies clearly demonstrate how different communities have coped with the challenges of growth and development. Among the cities profiled are Boulder, Colorado; Townsend and Pittman Center Tennessee; Gettysburg, Pennsylvania; Tyrrell County, North Carolina; Jackson Hole, Wyoming; Sanibel Island, Florida; Calvert County, Maryland; Tuscon, Arizona; and Mount Desert Island, Maine.
Balancing Nature and Commerce in Gateway Communities provides important lessons in how to preserve the character and integrity of communities and landscapes without sacrificing local economic well-being. It is an important resource for planners, developers, local officials, and concerned citizens working to retain the high quality of life and natural beauty of these cities and towns.
Balancing on the Brink of Extinction presents a comprehensive overview of the Endangered Species Act -- its conception, history, and potential for protecting the remaining endangered species.
Teofilo Folengo (1491–1544) was born in Mantua and joined the Benedictine order, but became a runaway monk and a satirist of monasticism. In 1517 he published, under the pseudonym Merlin Cocaio, the first version of his macaronic narrative poem Baldo, later enlarged and elaborated. It blended Latin with various Italian dialects in hexameter verse, inventing a deliberately droll language whose humor depends on the mixture of high and low tonalities. An important example of the mock-heroic epic, the work was a model for Rabelais and was frequently reprinted.
Baldo, the hero of these picaresque adventures, is a descendant of French royalty who starts out as something of a juvenile delinquent. The poem narrates episodes that include imprisonment; battles with local authorities, pirates, shepherds, witches, and demons; and a journey to the underworld. Throughout Baldo is accompanied by various companions, among them a giant, a centaur, a magician, and his best friend Cingar, a wickedly inventive trickster (“practicus ad beffas”). This edition provides the first English translation of this hilarious send-up of ancient epic and Renaissance chivalric romance.
Teofilo Folengo (1491-1544) was born in Mantua and joined the Benedictine order, but became a runaway monk and a satirist of monasticism. In 1517 he published, under the pseudonym Merlin Cocaio, the first version of his macaronic narrative poem Baldo, later enlarged and elaborated. It blended Latin with various Italian dialects in hexameter verse, inventing a deliberately droll language whose humor depends on the mixture of high and low tonalities. An important example of the mock-heroic epic, the work was a model for Rabelais and was frequently reprinted.
Baldo, the hero of these picaresque adventures, is a descendant of French royalty who starts out as something of a juvenile delinquent. The poem narrates episodes which include imprisonment; battles with local authorities, pirates, shepherds, witches, and demons; and a journey to the underworld. Throughout Baldo is accompanied by various companions, among them a giant, a centaur, a magician, and his best friend Cingar, a wickedly inventive trickster ("practicus ad beffas"). This edition provides the first English translation of this hilarious send-up of ancient epic and Renaissance chivalric romance.
This is the infamous Balfour Declaration, which began one hundred years of conflict with the Palestinian people. Penned in 1917 by British Foreign Secretary Arthur James Balfour, these words had an immense impact on history that still emanates a century later. In the controversial, fast-paced Balfour’s Shadow, David Cronin traces the story of the rhetorical and practical assistance that Britain has given to the Zionist movement and the state of Israel since that day. Skillfully and engagingly written, Balfour’s Shadow uses previously unreleased sources and archives to reveal a new side to an old story. Cronin focuses on important historical events such as the Arab Revolt, the Nakba and establishment of the state, the ‘56 and ‘67 wars, the Cold War, and controversial public figures like Tony Blair. Marking the 100th anniversary of the Balfour Declaration, Cronin provides a fascinating take on this oft-maligned, important history.
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