A SCHOLARLY BOOK REPOSITORY
Drawing on a rich trove of documents never before available to scholars, the author sketches the early pioneers, their daily lives, their beliefs, and their struggles to survive and prosper in this isolated mountain community, now within the confines of the Great Smoky Mountains National Park.
In moving detail this book brings to life an isolated mountain community, its struggle to survive, and the tragedy of its demise.
"Professor Dunn provides us with a model historical investigation of a southern mountain community. His findings on commercial farming, family, religion, and politics will challenge many standard interpretations of the Appalachian past."
--Gordon B. McKinney, Western Carolina University.
"This is a fine book. . . . It is mostly about community and interrelationships, and thus it refutes much of the literature that presents Southern Mountaineers as individualistic, irreligious, violent, and unlawful."
—Loyal Jones, Appalachian Heritage.
"Dunn . . . has written one of the best books ever produced about the Southern mountains."
—Virginia Quarterly Review.
"This study offers the first detailed analysis of a remote southern Appalachian community in the nineteenth century. It should lay to rest older images of the region as isolated and static, but it raises new questions about the nature of that premodern community."
—Ronald D Eller, American Historical Review
Not only is his book a worthy addition to the growing body of work recognizing the complexities of southern mountain society; it is also a lively testament to the value of local history and the variety of levels at which it can provide significant enlightenment."
—John C. Inscoe,LOCUS
The Etruscan city of Caere and eleven other Etruscan city-states were among the first urban centers in ancient Italy. Roman descriptions of Etruscan cities highlight their wealth, beauty, and formidable defenses. Although Caere left little written historical record outside of funerary inscriptions, its complex story can be deciphered by analyzing surviving material culture, including architecture, tomb paintings, temples, sanctuaries, and materials such as terracotta, bronze, gold, and amber found in Etruscan crafts. Studying Caere provides valuable insight not only into Etruscan history and culture but more broadly into urbanism and the development of urban centers across ancient Italy.
Comprehensive in scope, Caere is the first English-language book dedicated to the study of its eponymous city. Collecting the work of an international team of scholars, it features chapters on a wide range of topics, such as Caere’s formation and history, economy, foreign relations, trade networks, art, funerary traditions, built environment, religion, daily life, and rediscovery. Extensively illustrated throughout, Caere presents new perspectives on and analysis of not just Etruscan civilization but also the city’s role in the wider pan-Mediterranean basin.
Winner, AAP/PSP Award for Excellence, Classics and Ancient History, 2006
Anyone who has even a passing acquaintance with Latin knows "Gallia est omnis divisa in partes tres" ("All Gaul is divided into three parts"), the opening line of De Bello Gallico, Julius Caesar's famous commentary on his campaigns against the Gauls in the 50s BC. But what did Caesar intend to accomplish by writing and publishing his commentaries, how did he go about it, and what potentially unforeseen consequences did his writing have? These are the questions that Andrew Riggsby pursues in this fresh interpretation of one of the masterworks of Latin prose.
Riggsby uses contemporary literary methods to examine the historical impact that the commentaries had on the Roman reading public. In the first part of his study, Riggsby considers how Caesar defined Roman identity and its relationship to non-Roman others. He shows how Caesar opens up a possible vision of the political future in which the distinction between Roman and non-Roman becomes less important because of their joint submission to a Caesar-like leader. In the second part, Riggsby analyzes Caesar's political self-fashioning and the potential effects of his writing and publishing the Gallic War. He reveals how Caesar presents himself as a subtly new kind of Roman general who deserves credit not only for his own virtues, but for those of his soldiers as well. Riggsby uses case studies of key topics (spatial representation, ethnography, virtus and technology, genre, and the just war), augmented by more synthetic discussions that bring in evidence from other Roman and Greek texts, to offer a broad picture of the themes of national identity and Caesar's self-presentation.
In 1912 a young scholar published a slim volume investigating the social structure of the late Roman Republic, which was in due course to transform the study of Roman history. The author, Mattias Gelzer, went on to hold the Chair of Ancient History at Frankfurt and to become the greatest German-speaking historian of the Roman Republic since Mommsen. In 1921 he published his Caesar, which has by now gone through six editions in Germany and is still the standard account, in any language, of Caesar and his age. It amply fulfills the author’s intent “to give the educated public a lively picture of the complete political career of one of the great statesmen of the past.”
Based on a conscientious evaluation of the abundant source materials—primarily the writings of Caesar and his contemporaries—Professor Gelzer’s portrait renders Caesar in heroic proportions, destined and determined from the beginning to overthrow a corrupt aristocracy. The sixth edition (1960), brought up to date and provided with full annotations by the author, is the basis of this translation, which for the first time makes the work available in English.
With Professor Gelzer’s approval, some minor errors have been corrected, both in the text and in the chronological table and the map at the end of the book, and an analytical index of names has been added.
Over plates of chicken and noodles, fried bologna sandwiches, and sugar cream pie, folks are crafting community at the Main Street eatery. In Cafe Indiana, Hoosiers and out-of-staters alike are invited to pull out a chair and sit a spell.
Joanne Raetz Stuttgen’s cafe guides showcase popular regional diner traditions. In her companion book Cafe Indiana she introduces travelers to the state’s top mom-and-pop restaurants. Now, Cafe Indiana Cookbook allows you to whip up local cafe classics yourself. Breakfast dishes range from Swiss Mennonite eier datch (egg pancakes) to biscuits and gravy; entree highlights include chicken with noodles (or with dumplings) and the iconic Hoosier breaded pork tenderloin sandwich. For dessert, try such Indiana favorites as apple dapple cake or rhubarb, coconut cream, or sugar cream pie . All 130 recipes have been kitchen-tested by Jolene Ketzenberger, food writer for the Indianapolis Star.
Cafe Indiana Cookbook reveals the favorite recipes of Indiana’s Main Street eateries, including some rescued for publication before a diner’s sad closure, and documents old-fashioned delicacies now fading from the culinary landscape—like southern Indiana’s fried brain sandwiches.
Finalist, Cookbook, Midwest Book Awards
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society."
Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Featuring 133 cafes, with another 101 Next Best Bets alternatives, Cafe Wisconsin is every hungry traveler’s guide to real mashed potatoes, melt-in-your-mouth hot beef, from-scratch baked goods, and colorful coffee klatches. At the counter of aptly named cafes like the Coffee Cup, Main Street, and Chatterbox, you’ll laugh with owners, shake dice with customers, and find the authentic taste and flavor of Wisconsin.
Come on. Let’s go out to eat!
Stuttgen tracked down Wisconsin's best small town cafes, from Boscobel to Sturgeon Bay, chatted with owners and customers, took notes, and recorded the history, anecdotes, and recipes behind the food. Tested and fine-tuned by Wisconsin food writer and former chef Terese Allen, these favorite recipes will bring an authentic slice of Wisconsin into your home kitchen.
“It’s Magic Time!” That colorful promise began each performance at the Caffe Cino, the storied Greenwich Village coffeehouse that fostered the gay and alternative theatre movements of the 1960s and launched the careers of such stage mainstays as Sam Shepard, Lanford Wilson, Robert Heide, Harry Koutoukas, Robert Patrick, Robert Dahdah, Helen Hanft, Al Pacino, and Bernadette Peters. As Off-Off-Broadway productions enjoy a deserved resurgence, theatre historian and actor Wendell C. Stone reopens the Cino’s doors in this vibrant look at the earliest days of OOB.
Rife with insider interviews and rich with evocative photographs, Caffe Cino: The Birthplace of Off-Off-Broadway provides the first detailed account of Joe Cino’s iconic café theatre and its influence on American theatre. A hub of artistic innovation and haven for bohemians, beats, hippies, and gays, the café gave a much-sought outlet to voices otherwise shunned by mainstream entertainment. The Cino’s square stage measured only eight feet, but the dynamic ideas that emerged there spawned the numerous alternative theatre spaces that owe their origins to the risky enterprise on Cornelia Street.
For over a hundred years, Venezuelans have referred to themselves as a café con leche (coffee with milk) people. This colorful expression well describes the racial composition of Venezuelan society, in which European, African, and Indian peoples have intermingled to produce a population in which almost everyone is of mixed blood. It also expresses a popular belief that within their blended society Venezuelans have achieved a racial democracy in which people of all races live free from prejudice and discrimination. Whether or not historical facts actually support this popular perception is the question Winthrop Wright explores in this study.
Wright's research suggests that, contrary to popular belief, blacks in Venezuela have not enjoyed the full benefits of racial democracy. He finds that their status, even after the abolition of slavery in 1854, remained low in the minds of Venezuelan elites, who idealized the European somatic type and viewed blacks as inferior. Indeed, in an effort to whiten the population, Venezuelan elites promoted European immigration and blocked the entry of blacks and Asians during the early twentieth century.
These attitudes remained in place until the 1940s, when the populist Acción Democrática party (AD) challenged the elites' whitening policies. Since that time, blacks have made significant strides and have gained considerable political power. But, as Wright reveals, other evidence suggests that most remain social outcasts and have not accumulated significant wealth. The popular perception of racial harmony in Venezuela hides the fact of ongoing discrimination.
Laura Wilmote is a television journalist living in Paris. Her life couldn’t be better—a stimulating job, a loving boyfriend, interesting friends—until her phone rings in the middle of one night. It is C., an old school friend whom Laura recently helped find a job at the same television station: “My phone rang. I knew right away it was you.”
Thus begins the story of C.’s unrelenting, obsessive, incurable love/hatred of Laura. She is convinced that Laura shares her love, but cannot—or will not—admit it. C. begins to dress as Laura, to make her friends and family her own, and even succeeds in working alongside Laura on the unique program that is Laura’s signature achievement. The obsession escalates, yet is artfully hidden. It is Laura who is perceived as the aggressor at work, Laura who appears unwell, Laura who is losing it. Even Laura’s adoring boyfriend begins to question her. Laura seeks the counsel of a psychiatrist who diagnoses C. with De Clérambault syndrome—she is convinced that Laura is in love with her. And worse, the syndrome can only end in one of two ways: the death of the patient, or that of the object of the obsession.
A Cage in Search of a Bird is the gripping story of two women caught in the vise of a terrible delusion. Florence Noiville brilliantly narrates this story of obsession and one woman’s attempts to escape the irrational love of another—an inescapable, never-ending love, a love that can only end badly.
In all arts — music, painting, dance, theatre — change has come with that startling moment of dissatisfaction when the artist upends complacency, shocks the old to its foundations, and emerges with clear vision. He has had the courage to rescue his art from dullness. Two of Japan’s “Great Four” of haiku, Basho (1644-94) and Shiki (1862-1902), were such revolutionaries, albeit two hundred years apart. Before Basho, haiku was but a pleasant occupation for the idle. He set about transforming it with such success that experts to this day agree that his were the first true haiku.
Shiki, who lived into the 20th century, was passionate in his attempt to salvage haiku from its past, sending out shock waves by dismissing virtually all earlier work, including most of Basho’s. He saw it as his mission to make a difference — to let nothing, not even the most revered, stand in the way. He proclaimed, “A poem has no meaning. It is feeling alone.” And he practiced what he preached.
Autumn wind:
gods, Buddha—
lies, lies, lies.
These modern Japanese poets, many of whom are translated here into English for the first time, learned as much from Basho as from Shiki, and from Buson (1715-83) and Issa (1763-1827), the “Great Four.” Yet in a sense they are followers of Shiki, in spite of the harshness of his views and the impossibly high standards he demanded. They were forced to reckon with him, became willing participants in a heated dialogue with him. They had to: his spirit dominated the age. Stryk captures that spirit here, in this Cage of Fireflies.
Cage of Lit Glass follows multiple individuals and points of view, all haunted by various states of unease and struggle that follow them like specters as they navigate their world. Kell’s poems form blurred narratives and playful experiments from our attempts to build lives from despair. A tense and insightful collection, these works will follow the reader long after the book is finished.
Cage of Lit Glass follows multiple individuals and points of view, all haunted by various states of unease and struggle that follow them like specters as they navigate their world. Kell’s poems form blurred narratives and playful experiments from our attempts to build lives from despair. A tense and insightful collection, these works will follow the reader long after the book is finished.
Whereas Weber contends that the administration of all modern nation-states would eventually converge in one form characterized by rationality and legal authority, Silberman argues that the process of bureaucratic rationalization took, in fact, two courses. One path is characterized by permeable organizational boundaries and the allocation of information by "professionals." The other features well-defined boundaries and the allocation of information by organizational rules. Through case studies of France, Japan, the United States, and Great Britain, Silberman demonstrates that this divergence stems from differences in leadership structure and in levels of uncertainty about leadership succession in the nineteenth century.
Silberman concludes that the rise of bureacratic rationality was primarily a response to political problems rather than social and economic concerns. Cages of Reason demonstrates how rationalization can have occurred over a wide range of cultures at various levels of economic development. It will be of considerable interest to readers in a number of disciplines: political science, sociology, history, and public administration.
"Silberman has produced an invaluable, densely packed work that those with deep knowledge of public administrative development will find extremely rewarding." —David H. Rosenbloom, American Political Science Review
"An erudite, incisive, and vibrant book, the product of intensive study and careful reflection. Given its innovative theoretical framework and the wealth of historical materials contained in it, this study will generate debate and stimulate research in sociology, political science, and organizational theory. It is undoubtedly the best book on the comparative evolution of the modern state published in the last decade."—Mauro F. Guillen, Contemporary Sociology
With a death rate of 5 percent, Alabama's Cahaba Federal Prison boasted a better survival rate than the notorious Confederate prisoner-of-war camps of Andersonville, Libby Prison, Elmira, Rock Island, Johnson's Island, and Camp Douglas. Yet it was a ghastly facility, a hastily converted agricultural warehouse so overcrowded that each man barely had space to lie down to sleep.
At the war's conclusion in 1865, however, in a harrowing reversal of the inmates' fates, captured Union soldiers were sent on a grueling overland march to the Mississippi River. Held there in camps at Vicksburg along with other prisoners of war, the soldiers embarked on the steamship Sultana for transportation north.
Traveling first to New Orleans and then heading north, the vessel held by some estimates six times more passengers than its safe limit, many of them ill, injured, or malnourished. The flow of the swollen Mississippi that April was wide, swift, and cold, and the Sultana struggled to make the journey. Then, on April 27, 1865, seven miles north of Memphis, a series of three boilers exploded within seconds of one another.
The lucky passengers were flung into the water as chunks of the Sultana blasted apart. The remaining wooden structure caught fire and the upper deck collapsed. Only an estimated one third of the passengers survived, hundreds of whom later died from their wounds.
First published in 1988, Bryant's account weaves together the many strands of the Cahaba story. Combining masterful storytelling and insightful analysis, he describes Civil War prisons, the history of the Cahaba Federal Prison and its construction, as well as the prison's commanders, prisoners, and local women who provided medical care and food to the prisoners. He tells of the violent struggles among Union inmates, a mutiny and flood that occurred during the final days of the camp, and the harrowing deaths of the liberated soldiers aboard the Sultana. Bryant's Cahaba Prison and the Sultana Disaster remains a vital part of any library of Civil War history.
Friederike Mayröcker has no time. Not for summary and memory, not for excessive reviewing and reasoning, and certainly not for storytelling. She doesn’t even have time for life itself—unless it’s writing. What counts, in her view, is only the poetry and “the echoic inventions” of a life that lasted for almost a century, which is preserved in her writings.
Widely considered one of the most important European poets of the twentieth and twenty-first centuries, Mayröcker passed away in 2021 at the age of ninety-six. On the outside, her life may be subject to the impertinence of the finitude of all human existence. But on the inside, and in its transformation into the eternal moment, life only becomes richer and richer in forms of experience. In radically concentrated language and compellingly beautiful images, Mayröcker presents in this cahier a life that follows only one maxim: “Not just what is written, but existence, too, must be poetic.”
Cahiers du Cinéma, one of the most influential film journals ever published, has been a pioneer in the formation and transformation of contemporary film theory. This new volume presents the major writings published in Cahiers from 1969 to 1972, the period of its intensive elaboration of a materialist account of the history, theory, and criticism of cinema. In the context of the radically charged social and intellectual movements of post-1968 France, the character of the journal and its contributors changed. The artists and filmmakers who had dominated Cahiers in its earlier years were succeeded by a generation of theorists, who drew upon structuralism, psychoanalysis, semiotics, literary study, and Marxism to construct an ideological critique of film’s relation to society.
Their writings had an enormous impact on film theory in Britain and the United States, but the primary documents for the most part have not been available in English. By bringing together the major articles from this decisive period and putting them in their historical context, the present volume provides materials for understanding the evolution of film theory in the 1970s and after. This anthology—sponsored and translated by the British Film Institute—will be an essential reference work for students and teachers of film, communications, critical theory, and cultural studies.
In the turbulent sixties, the provocative French film journal Cahiers du Cinéma was at its most influential and controversial. The first successes of the New Wave by major Cahiers contributors such as Jean-Luc Godard, François Truffaut, Jacques Rivette, Eric Rohmer, and Claude Chabrol focused international attention on the revitalization of French cinema and its relation to film criticism; and in the early 1960s the journal’s laudatory critiques of popular American movies were attaining the greatest notoriety.
As the lively articles, interviews, and polemical discussions in this volume reveal, the 1960s saw the beginnings of significant new directions in filmmaking and film criticism changes in which the New Wave itself was a major factor. The auteur theory that the journal had championed in the 1950s began to be rethought and revalued. At the same time, along with a reassessment of American film, Cahiers began to embrace new, often oppositional forms of cinema and criticism, culminating in the political and aesthetic radicalism of the ensuing decade.
The selections, translated under the supervision of the British Film Institute, are annotated by Jim Hillier, and context is provided in his general introduction and part introductions. For an understanding of the important changes that took place in cinema and film criticism in the 1960s and beyond, this book is essential reading.
Cahiers du Cinéma is the most prestigious and influential film journal ever published. An anthology devoted entirely to its writings, in English translation, is long overdue.
The selections in this volume are drawn from the colorful first decade of Cahiers, 1951–1959, when a group of young iconoclasts rocked the world of film criticism with their provocative views on international cinema—American, Italian, and French in particular. They challenged long-established Anglo-Saxon attitudes by championing American popular movies, addressing genres such as the Western and the thriller and the aesthetics of technological developments like CinemaScope, emphasizing mise en scène as much as thematic content, and assessing the work of individual filmmakers such as Hawks, Hitchcock, and Nicholas Ray in terms of a new theory of the director as author, auteur, a revolutionary concept at the time. Italian film, especially the work of Rossellini, prompted sharp debates about realism that helped shift the focus of critical discussion from content toward style. The critiques of French cinema have special interest because many of the journal’s major contributors and theorists—Godard, Truffaut, Rohmer, Rivette, Chabrol—were to become some of France’s most important film directors and leaders of the New Wave.
Translated under the supervision of the British Film Institute, the selections have for the most part never appeared in English until now. Jim Hillier has organized them into topical groupings and has provided introductions to the parts as well as the whole. Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film.
Examines the authority a ruling elite exercised over the surrounding countryside through a complex of social, political, and religious symbolism
This study uses the theoretical concepts of agency, power, and ideology to explore the development of cultural complexity within the hierarchically organized Cahokia Middle Mississippian society of the American Bottom from the 11th to the 13th centuries. By scrutinizing the available archaeological settlement and symbolic evidence, Emerson demonstrates that many sites previously identified as farmsteads were actually nodal centers with specialized political, religious, and economic functions integrated into a centralized administrative organization. These centers consolidated the symbolism of such 'artifacts of power' as figurines, ritual vessels, and sacred plants into a rural cult that marked the expropriation of the cosmos as part of the increasing power of the Cahokian rulers.
During the height of Cahokian centralized power, it is argued, the elites had convinced their subjects that they ruled both the physical and the spiritual worlds. Emerson concludes that Cahokian complexity differs significantly in degree and form from previously studied Eastern Woodlands chiefdoms and opens new discussion about the role of rural support for the Cahokian ceremonial center.
Chappell seeks to answer fundamental questions about this unique, yet still relatively unknown space, which was designated a UNESCO World Heritage Site in 1982. How did this swampy land become so amenable to human life? Who were the remarkable people who lived here before the Europeans came? Why did the whole civilization disappear so rapidly? What became of the land in the centuries after the Mississippians abandoned it? And finally, what can we learn about ourselves as we look into the changing meaning of Cahokia through the ages?
To explore these questions, Chappell probes a wide range of sources, including the work of astronomers, geographers, geologists, anthropologists, and archaeologists. Archival photographs and newspaper accounts, as well as interviews with those who work at the site and Native Americans on their annual pilgrimage to the site, bring the story up to the present.
Tying together these many threads, Chappell weaves a rich tale of how different people conferred their values on the same piece of land and how the transformed landscape, in turn, inspired different values in them-cultural, spiritual, agricultural, economic, and humanistic.
A Dan Josselyn Memorial Publication
Provides a comprehensive collection of Moorehead's investigations of the nation's largest prehistoric mound center
Covering almost fourteen square kilometers in Illinois, Cahokia Mounds State Historic Site is the largest prehistoric mound center in North America and has been designated a World Heritage Site by the United Nations. Built between A.D. 1050 and 1350, Cahokia originally contained the remains of over 100 earthen mounds that were used as places for Native American rituals, homes of chiefs, or elite tombs. Earlier scientists debated whether the mounds were part of the natural landscape, and many were destroyed by urban and industrial development
This book is a report of archaeological investigations conducted at Cahokia from 1921 to 1927 by Warren K. Moorehead, who confirmed that the mounds were built by indigenous peoples and who worked to assure preservation of the site. The volume includes Moorehead's final 1929 report along with portions of two preliminary reports, covering both Cahokia and several surrounding mound groups.
John Kelly's introduction to the book sets Moorehead's investigations in the context of other work conducted at Cahokia prior to the 1920s and afterwards. Kelly reviews Moorehead's work, which employed 19th-century excavation techniques combined with contemporary analytical methods, and explains how Moorehead contended with local social and political pressures.
Moorehead's work represented important excavations at a time when little other similar work was being done in the Midwest. The reissue of his findings gives us a glimpse into an important archaeological effort and helps us better appreciate the prehistoric legacy that he helped preserve.
The reasons for the rise and fall of early cities and ceremonial centers around the world have been sought for centuries. In the United States, Cahokia has been the focus of intense archaeological work to explain its mysteries. Cahokia was the first and exponentially the largest of the Mississippian centers that appeared across the Midwest and Southeast after AD 1000. Located near present-day East St. Louis, Illinois, the central complex of Cahokia spanned more than 12 square kilometers and encompassed more than 120 earthen mounds.
As one of the foremost experts on Cahokia, Susan M. Alt addresses long-standing considerations of eastern Woodlands archaeology—the beginnings, character, and ending of Mississippian culture (AD 1050–1600)—from a novel theoretical and empirical vantage point. Through this case study on farmers’ immigration and resettling, Alt’s narrative reanalyzes the relationship between administration and diversity, incorporating critical new discoveries and archaeological patterns from outside of Cahokia.
Alt examines the cultural landscape of the Cahokia flood plain and the layout of one extraordinary upland site, Grossman, as an administrative settlement where local farmers might have seen or participated in Cahokian rituals and ceremonies involving a web of ancestors, powers, and places. Alt argues that a farming district outside the center provides definitive evidences of the attempted centralized administration of a rural hinterland.
Ever since its scientific discovery, the great Nasca site of Cahuachi on the south coast of the Central Andes has captured the attention of archaeologists, art historians, and the general public. Until Helaine Silverman's fieldwork, however, ancient Nasca culture was seen as an archaeological construct devoid of societal context. Silverman's long-term, multistage research as published in this volume reconstructs Nasca society and contextualizes the traces of this brilliant civilization (ca. 200 B.C.-A.D. 600).
Silverman shows that Cahuachi was much larger and more complex than portrayed in the current literature but that, surprisingly, it was not a densely populated city. Rather, Cahuachi was a grand ceremonial center whose population, size, density, and composition changed to accommodate a ritual and political calendar. Silverman meticulously presents and interprets an abundance of current data on the physical complexities, burials, and artifacts of this prominent site; in addition, she synthesizes the history of previous fieldwork at Cahuachi and introduces a corrected map and a new chronological chart for the Rio Grande de Nazca drainage system.
On the basis of empirical field data, ethnographic analogy, and settlement pattern analysis, Silverman constructs an Andean model of Nasca culture that is crucial to understanding the development of complex society in the Central Andes. Written in a clear and concise style and generously illustrated, this first synthesis of the published data about the ancient Nasca world will appeal to all archaeologists, art historians, urban anthropologists, and historians of ancient civilizations.
Cahuilla Nation Activism and the Tribal Casino Movement tells the bigger story of how the Cahuilla nations—including the Cabazon—have used self-reliance and determination to maintain their culture and independence against threats past and present. From California’s first governor’s “war of extermination” against native peoples through today’s legal and political challenges, Gordon shows that successful responses have depended on the Cahuilla’s ability to challenge non-natives’ assumptions and misconceptions.
Gaze toward the Nile from the desert hills of Mukattam, and the vast city of Cairo unfolds before you, with its monumental architecture, teeming populace, and thousands of years of rich history. The extraordinary tapestry of Cairo's past and present comes vividly to life in this magisterial study by André Raymond, arguably the premier social historian of the Arab world. The most deeply observed and historically nuanced account ever given of the greatest Arab city of northern Africa, this book shows us Cairo from the glimmer of its beginnings in the Arab conquest of Egypt in 640 through its transformation into the modern center of Middle Eastern life today.Here are the Fatimids, the Mamluks, and the Ottomans, the invasions, dynastic changes, and religious conflicts that one after another altered and shaped Cairo's destiny. And here, alongside rulers and religious leaders, are the merchants and artisans who have given Cairene life its distinctive character over time. Raymond depicts life in Cairo through the centuries, chronicling the coming of European influence, the vagaries of social evolution, and the development of economic structure and urban design. His work reflects all facets of Cairo's historical and social reality, weaving commerce, politics, religion, and culture into a finely worked portrait of the foremost Arab city on the continent of Africa.
With its splendid illustrations and maps and its meticulous attention to the topography and archaeology of the city, this book will prove as valuable to the serious traveler as to observers of Middle Eastern history and society. It stands as the definitive work on Cairo, unparalleled in scope, depth, and detail.
Cairo steps inside the interactions between Cairenes, examining the roles of family, tradition and bureaucracy in everyday life. The book explores Cairo's relationship with its "others", from the French and British occupations to modern influences like tourism and consumerism. Cairo also discusses characteristic styles of communication, and linguistic mêmes, including slang, grandiloquence, curses and jokes.
Cairo exists by virtue of these interactions, synergies of necessity, creativity and the presence or absence of power. Cairo: City of Sand reveals a peerless balancing act, and transmits the city's overriding message: the breadth of the human capacity for loss, astonishment and delight.
From its earliest days as a royal settlement fronting the pyramids of Giza to its current manifestation as the largest metropolis in Africa, Cairo has forever captured the urban pulse of the Middle East. In Cairo: Histories of a City, Nezar AlSayyad narrates the many Cairos that have existed throughout time, offering a panoramic view of the city’s history unmatched in temporal and geographic scope, through an in-depth examination of its architecture and urban form.
In twelve vignettes, accompanied by drawings, photographs, and maps, AlSayyad details the shifts in Cairo’s built environment through stories of important figures who marked the cityscape with their personal ambitions and their political ideologies. The city is visually reconstructed and brought to life not only as a physical fabric but also as a social and political order—a city built within, upon, and over, resulting in a present-day richly layered urban environment. Each chapter attempts to capture a defining moment in the life trajectory of a city loved for all of its evocations and contradictions. Throughout, AlSayyad illuminates not only the spaces that make up Cairo but also the figures that shaped them, including its chroniclers, from Herodotus to Mahfouz, who recorded the deeds of great and ordinary Cairenes alike. He pays particular attention to how the imperatives of Egypt's various rulers and regimes—from the pharaohs to Sadat and beyond—have inscribed themselves in the city that residents navigate today.
Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.
Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and ’60s and even into the ’70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the ‘ud—the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.
In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya—and its role in the lives of a nation’s youth.
The Caitanya Caritamrta is an early-seventeenth-century Bengali and Sanskrit biography of the great saint and Vaisnava leader Caitanya (1486–1533 CE) by the poet and scholar Krsnadasa, who has been given by Bengali tradition the title Kaviraja—“Prince of Poets.”
The text is of interest to theologians—Caitanya was, in Krsnadasa’s view, an androgyne of Krsna and Radha; philosophers—his theory was that aesthetic and religious experience are much the same in kind; historians of religion—the movement that Caitanya inspired has encompassed the great part of the eastern Indian subcontinent, and Krsnadasa has some interesting observations on his own times; and appreciators of literature—in Krsnadasa’s very long poem are embedded some lyric gems.
Cajun Women and Mardi Gras is the first book to explore the importance of women’s contributions to the country Cajun Mardi Gras tradition, or Mardi Gras “run.” Most Mardi Gras runs--masked begging processions through the countryside, led by unmasked capitaines--have customarily excluded women. Male organizers explain that this rule protects not only the tradition’s integrity but also women themselves from the event’s rowdy, often drunken, play.
Throughout the past twentieth century, and especially in the past fifty years, women in some prairie communities have insisted on taking more active and public roles in the festivities. Carolyn E. Ware traces the history of women’s participation as it has expanded from supportive roles as cooks and costume makers to increasingly public performances as Mardi Gras clowns and (in at least one community) capitaines. Drawing on more than a decade of fieldwork interviews and observation in Mardi Gras communities, Ware focuses on the festive actions in Tee Mamou and Basile to reveal how women are reshaping the celebration as creative artists and innovative performers.
Be it a birthday or a wedding—let them eat cake. Encased in icing, crowned with candles, emblazoned with congratulatory words—cake is the ultimate food of celebration in many cultures around the world. But how did cake come to be the essential food marker of a significant occasion? In Cake: A Global History, Nicola Humble explores the meanings, legends, rituals, and symbolism attached to cake through the ages.
Humble describes the many national differences in cake-making techniques, customs, and regional histories—from the French gâteau Paris-Brest, named for a cycle race and designed to imitate the form of a bicycle wheel, to the American Lady Baltimore cake, likely named for a fictional cake in a 1906 novel by Owen Wister. She also details the role of cake in literature, art, and film—including Miss Havisham’s imperishable wedding cake in Great Expectations and Marcel Proust’s madeleine of memory—as well as the art and architecture of cake making itself.
Featuring a large selection of mouthwatering images, as well as many examples and recipes for some particularly unusual cakes, Cake will provide many sweet reasons for celebration.
"Beautiful but harrowing chronicles of three exiles that probe the moral and personal risks of their encounters with totalitarianism. . . . Piercing and timely."—Kirkus Reviews, starred review
"Weschler . . . combines a novelist's gift for drama with the objectivity and research skills of a journalist. . . . The result is three gripping profiles of very human but also extraordinary men."—Publishers Weekly
"[Weschler's] thorough accounting of the men's covert operations, assumed identities and strained relationships with fathers, wives, and colleagues creates a disturbing triptych of the perils of totalitarianism."—Lance Gould, New York Times Book Review
"Weschler tells these three tragic tales with an admirable combination of psychological penetration, intellectual thrust, concision and compassion."—Francis King, Spectator
"Endlessly absorbing. . . . Breathtaking."—Jeri Laber, Los Angeles Times Book Review
Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works.
What are the implications of how we talk about apocalypse?
A new philosophical field has emerged. “Existential risk” studies any real or hypothetical human extinction event in the near or distant future. This movement examines catastrophes ranging from runaway global warming to nuclear warfare to malevolent artificial intelligence, deploying a curious mix of utilitarian ethics, statistical risk analysis, and, controversially, a transhuman advocacy that would aim to supersede almost all extinction scenarios. The proponents of existential risk thinking, led by Oxford philosopher Nick Bostrom, have seen their work gain immense popularity, attracting endorsement from Bill Gates and Elon Musk, millions of dollars, and millions of views.
Calamity Theory is the first book to examine the rise of this thinking and its failures to acknowledge the ways some communities and lifeways are more at risk than others and what it implies about human extinction.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
California’s Calaveras County—made famous by Mark Twain and his celebrated Jumping Frog—is the focus of this comprehensive study of Mother Lode mining. Most histories of the California Mother Lode have focused on the mines around the American and Yuba Rivers. However, the “Southern Mines”—those centered around Calaveras County in the central Sierra—were also important in the development of California’s mineral wealth. Calaveras Gold offers a detailed and meticulously researched history of mining and its economic impact in this region from the first discoveries in the 1840s until the present. Mining in Calaveras County covered the full spectrum of technology from the earliest placer efforts through drift and hydraulic mining to advanced hard-rock industrial mining. Subsidiary industries such as agriculture, transportation, lumbering, and water supply, as well as a complex social and political structure, developed around the mines. The authors examine the roles of race, gender, and class in this frontier society; the generation and distribution of capital; and the impact of the mines on the development of political and cultural institutions. They also look at the impact of mining on the Native American population, the realities of day-to-day life in the mining camps, the development of agriculture and commerce, the occurrence of crime and violence, and the cosmopolitan nature of the population. Calaveras County mining continued well into the twentieth century, and the authors examine the ways that mining practices changed as the ores were depleted and how the communities evolved from mining camps into permanent towns with new economic foundations and directions. Mining is no longer the basis of Calaveras’s economy, but memories of the great days of the Mother Lode still attract tourists who bring a new form of wealth to the region.
Modern political culture features a deep-seated faith in the power of numbers to find answers, settle disputes, and explain how the world works. Whether evaluating economic trends, measuring the success of institutions, or divining public opinion, we are told that numbers don’t lie. But numbers have not always been so revered. Calculated Values traces how numbers first gained widespread public authority in one nation, Great Britain.
Into the seventeenth century, numerical reasoning bore no special weight in political life. Complex calculations were often regarded with suspicion, seen as the narrow province of navigators, bookkeepers, and astrologers, not gentlemen. This changed in the decades following the Glorious Revolution of 1688. Though Britons’ new quantitative enthusiasm coincided with major advances in natural science, financial capitalism, and the power of the British state, it was no automatic consequence of those developments, William Deringer argues. Rather, it was a product of politics—ugly, antagonistic, partisan politics. From parliamentary debates to cheap pamphlets, disputes over taxes, trade, and national debt were increasingly conducted through calculations. Some of the era’s most pivotal political moments, like the 1707 Union of England and Scotland and the 1720 South Sea Bubble, turned upon calculative conflicts.
As Britons learned to fight by the numbers, they came to believe, as one calculator wrote in 1727, that “facts and figures are the most stubborn evidences.” Yet the authority of numbers arose not from efforts to find objective truths that transcended politics, but from the turmoil of politics itself.
Near the structure known today as the Great Ball Court and within the interior of the Lower Temple of the Jaguar, a mural depicts a female Mayan astronomer called K'uk'ul Ek' Tuyilaj. Weaving together archaeology, mathematics, history, and astronomy, Calculating Brilliance brings to light the discovery by this Mayan astronomer, which is recorded in the Venus Table of the Dresden Codex. As the book demonstrates, this brilliant discovery reverberated throughout Mayan science. But it has remained obscured to modern eyes.
Jumping from the vital contributions of K'uk'ul Ek' Tuyilaj, Gerardo Aldana y Villalobos critically reframes science in the pre-Columbian world. He reexamines the historiography of the Dresden Codex and contextualizes the Venus Table relative to other Indigenous literature. From a perspective anchored to Indigenous cosmologies and religions, Aldana y Villalobos delves into how we may understand Indigenous science and discovery—both its parallels and divergences from modern globalized perspectives of science.
Calculating Brilliance brings different intellectual threads together across time and space, from the Classic to the Postclassic, the colonial period to the twenty-first century to offer a new vision for understanding Mayan astronomy.
When first published posthumously in 1963, this bookpresented a radically different approach to the teaching of calculus. In sharp contrast to the methods of his time, Otto Toeplitz did not teach calculus as a static system of techniques and facts to be memorized. Instead, he drew on his knowledge of the history of mathematics and presented calculus as an organic evolution of ideas beginning with the discoveries of Greek scholars, such as Archimedes, Pythagoras, and Euclid, and developing through the centuries in the work of Kepler, Galileo, Fermat, Newton, and Leibniz. Through this unique approach, Toeplitz summarized and elucidated the major mathematical advances that contributed to modern calculus.
Reissued for the first time since 1981 and updated with a new foreword, this classic text in the field of mathematics is experiencing a resurgence of interest among students and educators of calculus today.
Winner of the Jefferson Davis Award
Winner of the Johns Family Book Award
Winner of the Army Historical Foundation Distinguished Writing Award
“A work of deep intellectual seriousness, sweeping and yet also delicately measured, this book promises to resolve longstanding debates about the nature of the Civil War.”
—Gregory P. Downs, author of After Appomattox
Shiloh, Chancellorsville, Gettysburg—tens of thousands of soldiers died on these iconic Civil War battlefields, and throughout the South civilians suffered terrible cruelty. At least three-quarters of a million lives were lost during the American Civil War. Given its seemingly indiscriminate mass destruction, this conflict is often thought of as the first “total war.” But Aaron Sheehan-Dean argues for another interpretation.
The Calculus of Violence demonstrates that this notoriously bloody war could have been much worse. Military forces on both sides sought to contain casualties inflicted on soldiers and civilians. In Congress, in church pews, and in letters home, Americans debated the conditions under which lethal violence was legitimate, and their arguments differentiated carefully among victims—women and men, black and white, enslaved and free. Sometimes, as Sheehan-Dean shows, these well-meaning restraints led to more carnage by implicitly justifying the killing of people who were not protected by the laws of war. As the Civil War raged on, the Union’s confrontations with guerrillas and the Confederacy’s confrontations with black soldiers forced a new reckoning with traditional categories of lawful combatants and raised legal disputes that still hang over military operations around the world today.
In examining the agonizing debates about the meaning of a just war in the Civil War era, Sheehan-Dean discards conventional abstractions—total, soft, limited—as too tidy to contain what actually happened on the ground.
graduation traveling the country, hoping to make it
all the way to San Francisco before returning home
to Illinois. However, a broken motorcycle leaves him
stuck in Idaho, where he surprises himself by falling
in love with the mountains and the local culture.
He converts to Mormonism and marries Charlene
Simmons—a perfect Mormon girl deeply dedicated
to her church.
After a fifteen-year hiatus in Arizona, Kail moves
his family back to Idaho to solve some unresolved
issues between his wife and God. What he and Charlene
find are shocking surprises beneath the surface
of every beautiful thing, from the Idaho mountains to
Charlene’s deceptively devout family.
Acclaimed author Jack Harrell creates a world
of complex and troubled characters, each seeking
happiness from a God simultaneously familiar and
mysterious, each wrestling with the doubts and eternal
optimism integral to their faith.
The poisoning of the painter Hieronymus Bosch; anchorman Dan Rather’s mysterious mugging on Park Avenue as he strolls home alone one October evening; a series of postcard meditations on the idea of travel from a young American journalist visiting Burma; a husband-and-wife team of fundamentalist Christian suicide bombers; the myth of Iphigenia from Agamemnon’s daughter’s point of view—these and other stories form a mosaic, connected through a pattern of musical motifs, transposed scenes, and recurring characters. It is a narrative about narrativity itself, the human obsession with telling ourselves and our worlds over and over again in an attempt to stabilize a truth that, as Nabokov once said, should only exist within quotation marks.
A “sleepy crossroads that exists at a global flashpoint,” Calexico serves as the reference point for veteran journalist Peter Laufer’s chronicle of day-to-day life on the border. This wide-ranging, interview-driven book finds Laufer and travel companion/photographer on a weeklong road trip through the Imperial Valley and other border locales, engaging in earnest and revealing conversations with the people they meet along the way. Laufer talks to secretaries and politicians, restaurateurs and salsa dancers, poets and real estate agents about the issues that matter to them the most.
What draws them to border towns? How do they feel about border security and the fences that may someday run through their backyards? Is “English-only” a realistic policy? Why have some towns flourished and others declined? What does it mean to be Mexican or American in such a place? Waitress Bonnie Peterson banters with customers in Spanish and English. Mayor Lewis Pacheco laments the role that globalization has played in his city’s labor market. Some of their anecdotes are humorous, others grim. Moreover, not everyone agrees. But this very diversity is part of the fabric of the borderlands, and these stories demand to be heard.
Although John C. Calhoun (1782-1850) remains one of the major figures in American political thought, many of his critics have tried to discredit him as merely a Southern partisan whose ideas were obsolete even during his lifetime. In Calhoun and Popular Rule, H. Lee Cheek, Jr., attempts to correct such misconceptions by presenting Calhoun as an original political thinker who devoted his life to the recovery of a "proper mode of popular rule." He argues that Calhoun had a coherent, systematic view of human nature and society and made a lasting contribution to the theory of constitutionalism and democracy.
Cheek suggests that Calhoun was not a political or philosophical aberration, but an authentic exponent of American constitutionalism. He contends that Calhoun's view of democracy forms part of a philosophy of humankind and politics that has relevance beyond the American experience. Although his idea of popular rule was original, it was also related to earlier attempts in America and elsewhere to limit the power of the majority and protect minority interests. According to Cheek, Calhoun stood in the American political tradition and attempted to rearticulate some of its central elements. He explains Calhoun's idea of the concurrent majority and examines how it has been presented by Calhoun's critics, as well as his followers.
As the first combined evaluation of Calhoun's most important treatises, The Disquisition and The Discourse, this work merges Calhoun's theoretical position with his endeavors to restore the need for popular rule. It also compares Calhoun's ideas with those of other great political thinkers such as Thomas Jefferson and James Madison--while explaining what is truly unique about Calhoun's political thought.
Calhoun's philosophy—his understanding of the need for ethical and political restraint and for institutional means for obtaining concurrence—is still relevant today, especially given the current growing ethnic and cultural conflict of the Western world. Scholars of government, American history, and political thought, as well as those interested in understanding "popular rule" and its theoretical and practical impact on modern American government, will find this groundbreaking work to be of great value.
Roberto Fernández Retamar--poet, essayist, and professor of philology at the University of Havana--has long served as the Cuban Revolution’s primary cultural and literary voice. An erudite and widely respected hispanist, Retamar is known for his meticulous efforts to dismantle Eurocentric colonial and neocolonial thought. Since its publication in Cuba in 1971, “Caliban"--the first and longest of the five essays in this book--has become a kind of manifesto for Latin American and Caribbean writers; its central figure, the rude savage of Shakespeare’s Tempest, becomes in Retamar’s hands a powerful metaphor of their cultural situation--both its marginality and its revolutionary potential.
Retamar finds the literary and historic origins of Caliban in Columbus’s Navigation Log Books, where the Carib Indian becomes a cannibal, a bestial human being situated on the margins of civilization. The concept traveled from Montaigne to Shakespeare, on down to Ernest Renan and, in the twentieth century, to Aimé Césaire and other writers who consciously worked with or against the vivid symbolic figures of Prospero, Calivan, and Ariel. Retamar draws especially upon the life and work of José Marti, who died in 1895 in Cuba’s revolutionary struggle against Spain; Marti’s Calibanesque vision of “our America” and its distinctive mestizo culture-Indian, African, and European-is an animating force in this essay and throughout the book.
Caliban's Curse draws upon a range of theories--postcolonial, Marxist, and feminist--to contextualize the black diaspora of the modern Caribbean through one of its primary anglophone novelists. Putting George Lamming in conversation with such contemporaries as C.L.R. James, Derek Walcott, and Wilson Harris, Nair argues that Lamming's works expand the protest of Shakespeare's Caliban to articulate a reinvention of Caribbean cultures. Both cursed by and cursing the weight of colonial history, Lamming works against the paralysis induced by such an encounter; his work serves to rewrite canonical icons and to reimagine popular cultures.
"Supriya Nair writes about the problems of history and social revolution with passion and clarity and an amazing range of critical and cultural reference. . . . She brings to existing studies of Lamming a wide and sustained knowledge of the forces that have shaped the West Indian novel, and the wider postcolonial debates in which these novels are read and discussed." --Simon Gikandi, University of Michigan
Supriya Nair is Associate Professor of English, Tulane University.
Launched in 1975, the Califia Community organized activist educational camps and other programs in southern California until its dissolution in 1987. An alternative to mainstream academia’s attempts to tie feminism to university courses, Califia blended aspects of feminism that spanned the labels “second wave” and “radical,” attracting women from a range of gender expressions, sexual orientations, class backgrounds, and races or ethnicities. Califia Women captures the history of the organization through oral history interviews, archives, and other forms of primary research. The result is a lens for re-reading trends in feminist and social justice activism of the time period, contextualized against a growing conservative backlash.
Throughout each chapter, readers learn about the triumphs and frictions feminists encountered as they attempted to build on the achievements of the postwar Civil Rights movement. With its backdrop of southern California, the book emphasizes a region that has often been overlooked in studies of East Coast or San Francisco Bay–area activism. Califia Women also counters the notions that radical and lesbian feminists were unwilling to address intersectional identities generally and that they withdrew from political activism after 1975. Instead, the Califia Community shows evidence that these and other feminists intentionally created an educational forum that embraced oppositional consciousness and sought to serve a variety of women, including radical Christian reformers, Wiccans, scholars of color, and GLBT activists.
In this collection of essays on the region, Stephen J. Pyne colorfully explores the ways the region has approached fire management and what sets it apart from other parts of the country. Pyne writes that what makes California’s fire scene unique is how its dramatically distinctive biomes have been yoked to a common system, ultimately committed to suppression, and how its fires burn with a character and on a scale commensurate with the state’s size and political power. California has not only a ferocity of flame but a cultural intensity that few places can match. California’s fires are instantly and hugely broadcast. They shape national institutions, and they have repeatedly defined the discourse of fire’s history. No other place has so sculpted the American way of fire.
California is part of the multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover Florida, the Northern Rockies, the Great Plains, the Southwest, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s fifty-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”
Despite frequent depiction as a bird of California and the desert southwest, North America’s largest avian scavenger once graced the skies of the Pacific Northwest, from northern California to British Columbia. This important volume documents the condor’s history in the region, from prehistoric times to the early twentieth century, and explores the challenges of reintroduction.
Jesse D’Elia and Susan Haig investigate the paleontological and observational record as well as the cultural relationships between Native American tribes and condors, providing the most complete assessment to date of the condor’s occurrence in the Pacific Northwest. They evaluate the probable causes of regional extinction and the likelihood that condors once bred in the region, and they assess factors that must be considered in determining whether they could once again thrive in Northwest skies.
Incorporating the newest research and findings and more than eighty detailed historical accounts of human encounters with these birds of prey, California Condors in the Pacific Northwest sets a new standard for examining the historical record of a species prior to undertaking a reintroduction effort. It is a vital reference for academics, agency decision makers, conservation biologists, and readers interested in Northwest natural history. The volume is beautifully illustrated by Ram Papish and includes a number of previously unpublished photographs.
In the spring of 1871, Ralph Waldo Emerson boarded a train in Concord, Massachusetts, bound for a month-and-a-half-long tour of California—an interlude that became one of the highlights of his life. On their journey across the American West, he and his companions would take in breathtaking vistas in the Rockies and along the Pacific Coast, speak with a young John Muir in the Yosemite Valley, stop off in Salt Lake City for a meeting with Brigham Young, and encounter a diversity of communities and cultures that would challenge their Yankee prejudices.
Based on original research employing newly discovered documents, The California Days of Ralph Waldo Emerson maps the public story of this group’s travels onto the private story of Emerson’s final years, as aphasia set in and increasingly robbed him of his words. Engaging and compelling, this travelogue makes it clear that Emerson was still capable of wonder, surprise, and friendship, debunking the presumed darkness of his last decade.
California Dreaming: Boosterism, Memory, and Rural Suburbs in the Golden State analyzes the growth, promotion, and agricultural colonization that fed this dream during the early 1900s. Through this analysis, Paul J. P. Sandul introduces a newly identified rural-suburban type: the agriburb, a rural suburb deliberately planned, developed, and promoted for profit. Sandul reconceptualizes California’s growth during this time period, establishing the agriburb as a suburban phenomenon that occurred long before the booms of the 1920s and 1950s.
Sandul’s analysis contributes to a new suburban history that includes diverse constituencies and geographies and focuses on the production and construction of place and memory. Boosters purposefully “harvested” suburbs with an eye toward direct profit and metropolitan growth. State boosters boasted of unsurpassable idyllic communities while local boosters bragged of communities that represented the best of the best, both using narratives of place, class, race, lifestyle, and profit to avow images of the rural and suburban ideal.
This suburban dream attracted people who desired a family home, nature, health, culture, refinement, and rural virtue. In the agriburb, a family could live on a small home grove while enjoying the perks of a progressive city. A home located within the landscape of natural California with access to urban amenities provided a good place to live and a way to gain revenue through farming.
To uncover and dissect the agriburb, Sandul focuses on local histories from California’s Central Valley and the Inland Empire of Southern California, including Ontario near Los Angeles and Orangevale and Fair Oaks outside Sacramento. His analysis closely operates between the intersections of history, anthropology, geography, sociology, and the rural and urban, while examining a metanarrative that exposes much about the nature and lasting influence of cultural memory and public history upon agriburban communities.
In the early twentieth century, an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians and influenced their interactions with the Asian Other. Several decades later, tensions between the Los Angeles Police Department and the African American community made the thriving jazz and blues nightclub scene of 1940s Central Avenue a target for the LAPD's anti-vice crusade. The musical scores for Hollywood's noir films confirmed reactionary notions of the threat to white female sexuality in the face of black culture and urban corruption while Mexican Americans faced a conflicted assimilation into the white American mainstream. Finally, Korean Americans in the twenty-first century turned to hip-hop to express their cultural and national identities.
A compelling journey into the origins of musical identity, California Polyphony explores the intersection of musicology, cultural history, and politics to define Californian.
“California’s Ancient Past is an excellent introduction and overview of the archaeology and ancient peoples of this diverse and dynamic part of North America. Written in a concise and approachable format, the book provides an excellent foundation for students, the general public, and scholars working in other regions around the world. This book will be an important source of information on California’s ancient past for years to come.”
—Torben C. Rick, Smithsonian Institution
"California's Ancient Past is a well written, highly informative, and thought-provoking book; it will make a significant contribution to California archaeology. It is highly readable—the text and materials covered are suitable for both scholars and interested lay people. The book is well organized...with discussions about the culture history and theoretical perspectives of California archaeology and . . . the latest and most relevant references."
—Kent Lightfoot, University of California, Berkeley
“With California’s Ancient Past, Arnold and Walsh [offer] a well-written, interesting, and succinct archaeological summary of California from the terminal Pleistocene to historic contact.”
—David S. Whitley, Journal of Anthropological Research
This interdisciplinary study draws on performance studies, theatre historiography, and New Western History to identify how the unique power relations of historical California were constituted and perpetuated through public performances—not only traditional theatrical productions but also social events such as elite weddings and community dances—and historical events like the U.S. seizure of the city of Monterey, the feting of Commodore Stockton in San Francisco, and the Bear Flag Revolt.
A political theorist teases out the century-old ideological transformation at the heart of contemporary discourse in Muslim nations undergoing political change.
The Arab Spring precipitated a crisis in political Islam. In Egypt Islamists have been crushed. In Turkey they have descended into authoritarianism. In Tunisia they govern but without the label of “political Islam.” Andrew March explores how, before this crisis, Islamists developed a unique theory of popular sovereignty, one that promised to determine the future of democracy in the Middle East.
This began with the claim of divine sovereignty, the demand to restore the sharīʿa in modern societies. But prominent theorists of political Islam also advanced another principle, the Quranic notion that God’s authority on earth rests not with sultans or with scholars’ interpretation of written law but with the entirety of the Muslim people, the umma. Drawing on this argument, utopian theorists such as Abū’l-Aʿlā Mawdūdī and Sayyid Quṭb released into the intellectual bloodstream the doctrine of the caliphate of man: while God is sovereign, He has appointed the multitude of believers as His vicegerent. The Caliphate of Man argues that the doctrine of the universal human caliphate underpins a specific democratic theory, a kind of Islamic republic of virtue in which the people have authority over the government and religious leaders. But is this an ideal regime destined to survive only as theory?
In Call Her by Her Name, the poet and performance artist Bianca Lynne Spriggs creates a twenty-first-century feminist manifesto suffused with metaphoric depth. This collection is a call-and-response of women—divine and domestic, legend and literal—who shape-shift and traverse generations. Through these narratives and cinematic poems, a chorus emerges of stories and lives rarely told.
Call Her by Her Name seeks to give voice to the voiceless, including lynched black women, the biblical "Potiphar’s wife," and women who tread the rims of phenomenal worlds—the goddess, the bird-woman, the oracle. While these poems reflect an array of women and women’s experiences, each piece could be considered a hue of the same woman, whether home-wrecker, Madonna, or midwife. The woman who sees dragons was perhaps once the roller-skating girl-child. The aging geisha may also be the roots woman next door. The woman who did not speak for ten years could have ended up sinking to the ocean floor. Spriggs gives each one life and limb, breath and voice, in a collection that adds up unequivocally to a poetic celebration of women.
In Call Him Mac, Gary L. Stuart renders a nuanced portrait of a young, ambitious, restless, and smiling man on the verge of becoming a political force headed for the highest levels of governance in Arizona and America. Stuart reveals how Mac became an expert on water law and a visionary in Arizona’s agricultural future. Using interviews with friends and family and extensive primary source research, Stuart spotlights Mac’s unerring focus as a loving husband, father, and grandfather, even in times of great personal tragedy. Mac’s commitments to his family mirrored his sense of fiduciary duty in public life. His enormous political successes were answers to how he dealt with threats to his own life in 1919, the loss of his first wife and three children in the 1930s, and a political loss in 1952 that no one saw coming.
Stuart writes the little-known story of how Arizona’s culture and citizens shaped this energetic, determined, likable lawyer. The fame Mac created was not for himself but for those he served in Arizona and beyond. Mac’s unparalleled political success was fermented during his early Arizona years, the bridge that brought him to his future as an approachable and likable elder statesman of Arizona politics.
Lorraine López (author of Soy la Avon Lady and Other Stories) has created a vivid picture of barrio life, filled with honesty, insight, and humor for young adults. She paints a balanced and detailed landscape of Enrique's world. Although Enrique is confused and angered by his mother's refusal to stand up for him against the abuse of his stepfather, he also draws strength from the supportive and loving family of his friend Francisco. While some of his teachers are uncaring or inept, others provide help and encouragement at critical moments in his life.
When Enrique witnesses his friend Horacio gunned down in a drive-by shooting and is seen by the assailants, gang members set out to kill him. As the novel reaches its climax, Enrique must make some agonizing decisions.
Although specifically about barrio life, this novel is universal in its themes—the drive for success, the desire for love and family support, and the need for true friendship. López's fully delineated characters provide a rich and credible mural of our human comedy.
Born in St. Louis, Eagleton began his public career in 1956 as St. Louis Circuit Attorney. At 27, he was the youngest person in the history of the state to hold that position, and he duplicated the feat in his next two elected positions, attorney general in 1960 and lieutenant governor in 1964. In 1968, he was elected to the U.S. Senate, where he served until 1987. He was thrown into the national spotlight in 1972 when revelations regarding his mental health, particularly the shock treatments he received for depression, forced his resignation as a vice presidential nominee of the Democratic Party. All of that would overshadow his significant contributions as senator, especially on environmental and social legislation, as well as his defense of Congressional authority on war making and his role in the U. S. military disengagement from Southeast Asia in 1973.
Respected biographer James N. Giglio provides readers with an encompassing and nuanced portrait of Eagleton by placing the man and his career in the context of his times. Giglio allows readers to see his rumpled suits, smell the smoke of his Pall Mall cigarettes, hear his gravelly voice, and relish his sense of humor. At the same time, Giglio does not shy away from the personal torments that Eagleton had to overcome. A definitive examination of the senator’s career also reveals his unique ability to work with Republican counterparts, especially prior to the 1980s when bipartisanship was more possible.
Measuring the effect his mental illness had on his career, Giglio determines that the removal of aspirations for higher office in 1972 made Eagleton a better senator. He consistently took principled stands, with the ultimate goal of preserving and modernizing the agenda of Franklin D. Roosevelt, his favorite president.
Thoroughly researched using the Eagleton Papers and interviews with more than eighty-five people close to Eagleton, including family, friends, colleagues, subordinates, and former classmates, Call Me Tom offers an engaging and in-depth portrayal of a man who remained a devoted public servant throughout his life.
Between 1890 and 1915, a predominately African American state convict crew built Clemson University on John C. Calhoun’s Fort Hill Plantation in upstate South Carolina. Calhoun’s plantation house still sits in the middle of campus. From the establishment of the plantation in 1825 through the integration of Clemson in 1963, African Americans have played a pivotal role in sustaining the land and the university. Yet their stories and contributions are largely omitted from Clemson’s public history.
This book traces “Call My Name: African Americans in Early Clemson University History,” a Clemson English professor’s public history project that helped convince the university to reexamine and reconceptualize the institution’s complete and complex story from the origins of its land as Cherokee territory to its transformation into an increasingly diverse higher-education institution in the twenty-first century. Threading together scenes of communal history and conversation, student protests, white supremacist terrorism, and personal and institutional reckoning with Clemson’s past, this story helps us better understand the inextricable link between the history and legacies of slavery and the development of higher education institutions in America.
Paul Theobald chronicles the history of the one-room country schools that were spread throughout the rural Midwest during the nineteenth and early twentieth centuries.
Focusing on the region’s educational history in light of the religious, economic, and political atmosphere, Theobald explores the tight connection between educational preferences and religious views, between the economics of the countryside and the educational experiences of children, and between the politics of local power and the educational prospects of the powerless.
Basing his study on extensive archival research, including findings from eight midwestern states, Theobald neither condemns nor lauds the one-room school experience. Providing an objective evaluation, he examines rural school records, correspondence of early school officers, contemporary texts, and diaries and letters of rural students and teachers.
As he weaves together a contextualized account of the circumstances surrounding and within the one-room country schools of the Midwest, Theobald stresses that religion was of primary importance in nineteenth-century American life. Yet he also looks carefully at the shifting economic environment at work in the countryside, particularly in regard to the development of widespread farm tenancy and the consolidation of agricultural and related industries. He challenges readers to analyze how a national move from an agrarian to an industrial view caused conflict and confusion, thereby introducing irrevocable change into rural American life.
Theobald’s study illuminates the history of education on the plains and sheds light on the social foundations of the period.
The seventh book from award-winning Chamoru author Craig Santos Perez, Call This Mutiny brings together poems that were originally published in journals and anthologies from 2008 to 2023. Throughout these selected poems, Perez offers critical explorations of native cultures, decolonial politics, colonial histories, and the entangled ecologies of his homeland of Guam, his current home of Hawaiʻi, and the larger Pacific region in relation to the Global South and the Indigenous Fourth World. Perez’s poetry draws on the power of storytelling to share Indigenous history and culture and to offer healing from the trauma of colonialism and injustice. As he writes, “If we can write the ocean, we will never be silenced.”
A Call to Conscience offers the first comprehensive history of the anti–Contra War campaign and its Nicaragua connections. Roger Peace places this eight-year campaign in the context of previous American interventions in Latin America, the Cold War, and other grassroots oppositional movements. Based on interviews with American and Nicaraguan citizens and leaders, archival records of activist organizations, and official government documents, this book reveals activist motivations, analyzes the organizational dynamics of the anti–Contra War campaign, and contrasts perceptions of the campaign in Managua and Washington.
Peace shows how a variety of civic groups and networks—religious, leftist, peace, veteran, labor, women's rights—worked together in a decentralized campaign that involved extensive transnational cooperation.
A Call to Fidelity seeks to thoughtfully examine and critically evaluate the contributions that Charles E. Curran has made to the field of Catholic moral theology over the past forty years. It also seeks to assess the development of specific topics in contemporary moral theology to which Curran has made his unique mark, particularly in fundamental ethics, sexual and medical ethics, social and political ethics, and topics related to dialogue with other traditions and approaches to Catholic ethics.
Reviewing the many years of his influential writings, thought, and scholarship, fourteen distinguished scholars examine his contributions and the current state of the topics under discussion-which are as far ranging as academic freedom, birth control, gay and lesbian relationships, and feminism. Each contributor also provides a critical evaluation of Curran's work and outlines how these areas will hold or undergo transformation as the church looks toward its relationship with society and culture in the coming decades.
Inca constructions, designed to conform to a state aesthetic, reveal the worldview of these masters of social and architectural engineering. In her meticulous analysis of Callachaca—the fifteenth-century estate of the royal Amaro Topa Inca and his retainers near the ancient capital of Cuzco—Susan Niles shows us that the physical order seen in this planned community reflects the Inca vision of an appropriate social order.
Callachaca: Style and Status in an Inca Community will be valuable reading for archaeologists, art historians, geographers, architects with an interest in pre-Columbian cultures, landscape architects, anthropologists, folklorists, and historians with a special interest in the Andes. Since she focuses on all the varied architectural remains at one site in the Inca heartland, Niles provides a unique model for examining royal Inca architecture and society.
Khan combines ethnographic research she conducted in Trinidad over the course of a decade with extensive archival research to explore how Hindu and Muslim Indo-Trinidadians interpret authority, generational tensions, and the transformations of Indian culture in the Caribbean through metaphors of mixing. She demonstrates how ambivalence about the desirability of a callaloo nation—a multicultural society—is manifest around practices and issues, including rituals, labor, intermarriage, and class mobility. Khan maintains that metaphors of mixing are pervasive and worth paying attention to: the assumptions and concerns they communicate are key to unraveling who Indo-Trinidadians imagine themselves to be and how identities such as race and religion shape and are shaped by the politics of multiculturalism.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press