This exciting volume uses closeup looks at nineteen Mormon dissenters to focus on the variety of religious sentiment within the Mormon church and to explore how it has encouraged divergent ideas from the early 1800s through modern times.
"An absolute necessity for anyone interested in the history/direction of the Latter Day Saint Movement." -- Gerald John Kloss, Latter Day Saint History
"Well done. . . . Respectful and professional." -- Lynn D. Wardle, BYU Studies
"Makes a valuable contribution to our improved understanding of the rich heritage and faith of Mormonism." -- Milan D. Smith Jr., Sunstone
"An important and thought-provoking book." -- Lola Van Wagenen, Utah Historical Quarterly
"A splendid collection. . . . Essential reading for anyone interested even slightly in the Restoration movement." -- Paul Shupe, The John Whitmer Historical Association Journal

We take reputations for granted. Believing in the bad and the good natures of our notorious or illustrious forebears is part of our shared national heritage. Yet we are largely ignorant of how such reputations came to be, who was instrumental in creating them, and why. Even less have we considered how villains, just as much as heroes, have helped our society define its values.
Presenting essays on America's most reviled traitor, its worst president, and its most controversial literary ingénue (Benedict Arnold, Warren G. Harding, and Lolita), among others, sociologist Gary Alan Fine analyzes negative, contested, and subcultural reputations. Difficult Reputations offers eight compelling historical case studies as well as a theoretical introduction situating the complex roles in culture and history that negative reputations play.

Arguing the need for understanding real conditions that lead to proposed interpretations, as well as how reputations are given meaning over time, this book marks an important contribution to the sociologies of culture and knowledge.

The forty-three lovingly crafted vignettes within The Difficulty of Being a Dog dig elegantly to the center of a long, mysterious, and often intense relationship: that between human beings and dogs. In doing so, Roger Grenier introduces us to dogs real and literary, famous and reviled—from Ulysses's Argos to Freud's Lün to the hundreds of dogs exiled from Constantinople in 1910 and deposited on a desert island—and gives us a sense of what makes our relationships with them so meaningful.

In a provocative reassessment of one of the quintessential figures of early modern science, Rose-Mary Sargent explores Robert Boyle's philosophy of experiment, a central aspect of his life and work that became a model for mid- to late seventeenth-century natural philosophers and for many who followed them.

Sargent examines the philosophical, legal, experimental, and religious traditions—among them English common law, alchemy, medicine, and Christianity—that played a part in shaping Boyle's experimental thought and practice. The roots of his philosophy in his early life and education, in his religious ideals, and in the work of his predecessors—particularly Bacon, Descartes, and Galileo—are fully explored, as are the possible influences of his social and intellectual circle. Drawing on the full range of Boyle's published works, as well as on his unpublished notebooks and manuscripts, Sargent shows how these diverse influences were transformed and incorporated into Boyle's views on and practice of experiment.

Among the epic romances of post–Barbarian Europe, such as Roland and El Cid, Digenis Akritas has been the least known in the West—outside Greece. It is the story of a half-breed prince who guarded the eastern border of the Roman Empire of Byzantium on the Euphrates in the tenth century. His name and cognomen, Basil, the Two–Blood Border Lord, sum up the curious richness of his heritage: Roman by politics, Arab and Cappadocian by birth, Greek in language, and orthodox by faith.

On an incursion into Byzantine territory, an Arab Emir captures a Christian woman. Her relatives, in raiding to rescue her, convert the Emir and his people to Christianity and bring them back to the empire. Basil is born of this union. A prodigy of valor, his miraculous strength in hunting and in battle win him an Arab bride and the loyalty of her family. He settles in a splendid garden palace by the Euphrates, pacifies the Border, fights dragons and bandits only to die young at the same instant as his wife.

The poem in English verse translation is full of humor, fairytale, and a moving religious devotion. It recaptures an urbane vanished civilization.

The translator has collated all the known texts and supports the translation with commentary, a bibliography, and a map.

From Epicurus to Sam Cooke, the Daily News to Roots, Digest draws from the present and the past to form an intellectual, American identity. In poems that forge their own styles and strategies, we experience dialogues between the written word and other art forms. Within this dialogue we hear Ben Jonson, we meet police K-9s, and we find children negotiating a sense of the world through a father’s eyes and through their own.

A Digest of the Krasnyi Arkhiv—Red Archives—Volumes 31–106 furnishes a description, in English, of the archival documents (official and private) published from 1928 through 1941 by the Central Archive Department of the USSR in the Russian journal Krasnyi Arkhiv. This historical journal, whose contents illuminate the social, scientific, political, economic, and cultural development of Russia from the seventeenth century to the present time, exists, in whole or in part, in only seventeen libraries in the United States. The Digest will, therefore, serve not only as a guide to the journal, which is its prime purpose, but will in itself be a source of information to students of Russian history and Russian culture, to government workers, and to librarians. The present book contains a full index to Volumes 31–106 and supplies in the Appendix a list of the articles described in the Digest for Volumes 1–30, which was published by the Cleveland Public Library in 1947.

Malfunction in the digestive tract can arise from a variety of causes, and it requires the sciences of immunology, physiology, biochemistry, microbiology, and nutrition to fully explain the basis of the dysfunction as well as effective treatment options. Now Dr. Janice Vickerstaff Joneja has written the first book that:

• Applies current research data in all of the relevant sciences into a practical resource for the management of gastrointestinal disease, in particular irritable bowel syndrome (IBS).
• Supplies complete scientific references for the research scientist, the clinician, and the student.
• Provides specific dietary management strategies for IBS and related dysfunction in the gastrointestinal tract, based on scientific data.
• Includes meal plans, recipes, and dietary advice for balanced nutrition, while avoiding the foods most likely to trigger or exacerbate IBS.

These unique qualities make Digestion, Diet, and Disease the ideal choice for practitioners, educators, and researchers in the field of nutritional medicine, as well as nurses, alternative medicine professionals, and the educated general public suffering from IBS.

Editor William K. Macdonald presents several essays on contract archaeology, or archaeological work done by companies or agencies on sites that typically are about to be destroyed by construction. Thomas J. Riley reports on contract archaeology and the academic world; James E. Fitting writes from the perspective of a state archaeologist; Macdonald and Alex H. Townsend report on problems in corporate archaeology; Townsend writes about how contracts are acquired; and Steven A. LeBlanc reports on the need for regions to have an overall research design and to follow best practices in hiring, technological improvements, and storage.

Positioned along the legendary Southwest Trail, the town of Washington in Hempstead County in southwest Arkansas was a thriving center of commerce, business, and county government in the nineteenth century. Historical figures such as Davy Crockett and Sam Houston passed through, and during the Civil War, when the Federal troops occupied Little Rock, the Hempstead County Courthouse in Washington served as the seat of state government. A prosperous town fully involved in the events and society of the territorial, antebellum, Civil War, and Reconstruction eras, Washington became in a way frozen in time by a series of events including two fires, a tornado, and being bypassed by the railroad in 1874. Now an Arkansas State Park and National Historic Landmark, Washington has been studied by the Arkansas Archeological Survey over the past twenty-five years. Digging for History at Old Washington joins the historical record with archaeological findings such as uncovered construction details, evidence of lost buildings, and remnants of everyday objects. Of particular interest are the homes of Abraham Block, a Jewish merchant originally from New Orleans, and Simon Sanders from North Carolina, who became the town’s county clerk. The public and private lives of the Block and Sanders families provide a fascinating look at an antebellum town at the height of its prosperity.

This volume presents archeological studies in conjunction with cultural anthropological studies as a means to enhance popular culture studies. Scholar Malcolm K. Shuman points out that the study of archeology must be careful to chart the total human content of an artifact, because archeology “is a profoundly human (and humanizing) endeavor that cannot be divorced from the matrix of human life.” The other ten essays cover aspects of archeology and cultural anthropology, and the authors are meticulous in studying their subject in context.

A groundbreaking critique of the digital world that analyzes its universal technological foundations

 

Whence that nagging sense that something in the digital is amiss—that, as wonderful as our devices are, time spent on smartphones and computers leaves us sour, enervated, alienated? The Digital and Its Discontents uniquely explains that worry and points us toward a more satisfying relationship between our digital lives and our nondigital selves, one that requires a radical change in the way we incorporate technology into our lives.

 

Aden Evens analyzes universal technological principles—in particular, the binary logic—to show that they encourage certain ways of thinking while making others more challenging or impossible. What is out of reach for any digital machine is contingency, the ontological principle that refuses every rule. As humans engage ourselves and our world ever more through digital machines, we are losing touch with contingency and so banishing from our lives the accidental and unexpected that fuel our most creative and novel possibilities for living.

 

Taking cues from philosophy rather than cultural or media theory, Evens argues that the consequences of this erosion of contingency are significant yet often overlooked because the same values that make the digital seem so desirable also make contingency seem unimportant—without contingency the digital is confined to what has already been thought, and yet the digital’s ubiquity has allowed it to disguise this inherent sterility. Responsive only to desires that meet the demands of its narrow logic, the digital requires its users to practice those same ideological dictates, instituting a hegemony of thought and value sustained by the pervasive presence of digital mechanisms. Interweaving technical and philosophical concepts, The Digital and Its Discontents advances a powerful and urgent argument about the digital and its impact on our lives.

 

 

Retail e-book files for this title are screen-reader friendly.

In 1638, the first printing press was imported to the Massachusetts Bay Colony and a group of local religious leaders—including, it is thought, Richard Mather, John Cotton, and Richard Eliot—set about to create “a plain and familiar translation of the psalms and words of David into English metre” for use in the colony’s church meetings. Earlier psalteries had been brought to the New World by colonists, but in Puritan thought they had strayed too far from the original Hebrew text. In 1640, The Whole Booke of Psalmes Faithfully Translated into English Metre was published in Cambridge; it was the first book published in the American Colonies. The Bay Psalm Book, as it has come to be known, consists of a substantial introduction summarizing the creators’ philosophy and intentions, followed by translations of the Psalms rendered into meter, enabling them to be sung to well-known tunes of the day. The psaltery was soon in widespread use on both sides of the Atlantic. It went through multiple printings and editions before being succeeded by newer texts in later decades.

Generations of theologians and scholars have turned to The Bay Psalm Book, considering it from a variety of perspectives. Besides its significance as a religious treatise, spiritual guide, and historical document, The Bay Psalm Book is also recognized as an important milestone in the evolution of the American musical tradition. In recent years, a new generation of scholars has returned to the book, seeing it from fresh perspectives—as a social document, for example, and as a physical artifact of early American life in the Massachusetts Bay area.

The Digital Bay Psalm Book gives scholars, researchers, and enthusiasts alike a rich and intimate experience of the book as it was known by its earliest readers.

As an electronic-only publication offered as a downloadable PDF, The Digital Bay Psalm Book takes advantage of digital technology to offer meticulously rendered photographs of the 7.25 x 4 inch book, one of several once owned by Thomas Prince, scholar and minister of Boston’s Old South Church from 1718 to 1758. In this format, users are able to zoom in to examine each individual page, the quality of the paper and printing, marginalia, notes, and other marks accrued over the centuries, yielding insights into the owner’s use and understanding of the text as well as the very life of the book itself. In addition, Christie-Miller provides four supplements that shed light on the technology and craft that went into the creation of America’s first English-language book.

Exploring the intersections of digital humanities and African diaspora studies  

How can scholars use digital tools to better understand the African diaspora across time, space, and disciplines? And how can African diaspora studies inform the practices of digital humanities? These questions are at the heart of this timely collection of essays about the relationship between digital humanities and Black Atlantic studies, offering critical insights into race, migration, media, and scholarly knowledge production.

The Digital Black Atlantic spans the African diaspora’s range—from Africa to North America, Europe, and the Caribbean—while its essayists span academic fields—from history and literary studies to musicology, game studies, and library and information studies. This transnational and interdisciplinary breadth is complemented by essays that focus on specific sites and digital humanities projects throughout the Black Atlantic. Covering key debates, The Digital Black Atlantic asks theoretical and practical questions about the ways that researchers and teachers of the African diaspora negotiate digital methods to explore a broad range of cultural forms including social media, open access libraries, digital music production, and video games. The volume further highlights contributions of African diaspora studies to digital humanities, such as politics and representation, power and authorship, the ephemerality of memory, and the vestiges of colonialist ideologies. 

Grounded in contemporary theory and praxis, The Digital Black Atlantic puts the digital humanities into conversation with African diaspora studies in crucial ways that advance both. 

Contributors: Alexandrina Agloro, Arizona State U; Abdul Alkalimat; Suzan Alteri, U of Florida; Paul Barrett, U of Guelph; Sayan Bhattacharyya, Singapore U of Technology and Design; Agata Błoch, Institute of History of Polish Academy of Sciences; Michał Bojanowski, Kozminski U; Sonya Donaldson, New Jersey City U; Anne Donlon; Laurent Dubois, Duke U; Amy E. Earhart, Texas A&M U; Schuyler Esprit, U of the West Indies; Demival Vasques Filho, U of Auckland, New Zealand; David Kirkland Garner; Alex Gil, Columbia U; Kaiama L. Glover, Barnard College, Columbia U; D. Fox Harrell, MIT; Hélène Huet, U of Florida; Mary Caton Lingold, Virginia Commonwealth U; Angel David Nieves, San Diego State U; Danielle Olson, MIT; Tunde Opeibi (Ope-Davies), U of Lagos, Nigeria; Jamila Moore Pewu, California State U, Fullerton; Anne Rice, Lehman College, CUNY; Sercan Şengün, Northeastern U; Janneken Smucker, West Chester U; Laurie N.Taylor, U of Florida; Toniesha L. Taylor, Texas Southern U.

Provocative yet sober, Digital Critical Editions examines how transitioning from print to a digital milieu deeply affects how scholars deal with the work of editing critical texts. On one hand, forces like changing technology and evolving reader expectations lead to the development of specific editorial products, while on the other hand, they threaten traditional forms of knowledge and methods of textual scholarship.

Using the experiences of philologists, text critics, text encoders, scientific editors, and media analysts, Digital Critical Editions ranges from philology in ancient Alexandria to the vision of user-supported online critical editing, from peer-directed texts distributed to a few to community-edited products shaped by the many. The authors discuss the production and accessibility of documents, the emergence of tools used in scholarly work, new editing regimes, and how the readers' expectations evolve as they navigate digital texts. The goal: exploring questions such as, What kind of text is produced? Why is it produced in this particular way?

Digital Critical Editions provides digital editors, researchers, readers, and technological actors with insights for addressing disruptions that arise from the clash of traditional and digital cultures, while also offering a practical roadmap for processing traditional texts and collections with today's state-of-the-art editing and research techniques thus addressing readers' new emerging reading habits.

We’re all familiar by now with the ways that Donald Trump uses digital media to communicate, from the ridiculous to the terrifying. This book digs deeper into the use of those tools in politics to show how they have facilitated the rise of authoritarianism, nationalism, and right-wing ideologies around the world. Christian Fuchs here applies an updated Marxist frame, along with insights drawn from the Frankfurt School, to show the pernicious role of social media in the hands of nationalist politicians, and the ways in which it has been used to spread right-wing ideology far and wide, and make it seem like an ordinary part of contemporary political discourse. Fuchs diagnoses this problem in stark terms, but he doesn’t stop there: he also lays out ways to fight it, and analyzes the prospects for pushing past capitalism and renewing the left.

An embracive, multi-perspective tour through and beyond Nordic artistic experiments, conceptual reconfigurations and new modes of artistic agency.

Offering an in-depth exploration of art’s contingent evolution with technology and digital culture, this book goes far beyond familiar depictions of Nordic aesthetics in art. It explores art’s role and inquiries in response to changing sociopolitical realities in the welfare state and in the wider world. First-hand perspectives of pioneering and pivotal artists form the basis of chapters penned by leading scholars and curators of Nordic art. Digital Dynamics in Nordic Contemporary Art recasts the Nordic art context in an expanding digital condition and reveals horizontal ways to write its histories.

Over the past few decades, the Nordic region has witnessed large shifts in its political, social and international outlook. Meanwhile, its art, commonly described as introverted, contemplative and wild, is also undergoing changes. As technology embeds itself further into the contemporary art scene, there is a renewed need to examine the role of art in society and everyday life, and to consider how the digitalization of art has tackled socio-political realities, locally and in the wider world. Digital Dynamics in Nordic Contemporary Art includes a collection of testimonials from 78 artists, connected to Nordic art, who employ concepts and/or tools relating to the digital in their practice. Their statements form the basis of the essays in Part 2, penned by leading scholars affiliated with the Nordic art context, which inquire into the digital influences on contemporary art, with particular attention paid to the national and international Nordic socio-political context. Landscapes, nature, minimalism, melancholia--this book examines how these traditional Nordic tropes hold up in the growing field of digital contemporary art, and asks: to what extent have digital dynamics been adopted into the imaginaries and practices of Nordic artists?
 
Chapters by Tanya Toft Ag, Jamie Allen, Laura Beloff, Budhaditya Chattopadhyay, Jonatan Habib Engqvist, Bernhard Garnicnig, Elizabeth Jochum, Ulla Angkjær Jørgensen, Jens Tang Kristensen, Mads Dejbjerg Lind, Björn Norberg, Margrét Elísabet Ólafsdóttir, Jøran Rudi, Lorella Scacco, Morten Søndergaard, Mette-Marie Zacher Sørensen, and Stahl Stenslie.

Tanya Toft Ag (editor) is a curator and scholar specializing in media and digital art and its urban implications.Affected by technology and globalization, the Nordic region is experiencing large shifts in its socio-political conditions and international outlook today.  As digital dynamics affect life worlds, contemporary artists are making new inquiries in response to the changing Nordic context. As a result of these ever-evolving circumstances, conditions and motivations for making art change as well. As technology and digital culture become more deeply embedded in the contemporary art scene, there is a renewed need to examine the role of art in society and everyday life, and to consider how the digital inspires artists to evolve and tackle socio-political realities, locally and in the wider world.

Exploring the connections between energy and media—and what those connections mean for our current moment

Energy and media are the entangled middles of social life—and also of each other. This volume traces the contours of both a media analytic of energy and an energy analytic of media across the cultural, environmental, and economic relations they undergird. Digital Energetics argues that media and energy require joint theorization—not only in their potential to universalize but also in the many contingent and intermeshed relations that they bind together across contemporary informational and fossil regimes. Focusing specifically on digital operations, the coauthors analyze how data and energy have jointly modulated the character of the materiality and labor of digital systems in a warming world.

Anne Pasek provides a brief energy history of the bit, tracing how the electrification and digitization of American computing propelled a turn toward efficiency as both a solution and instigator of parallel crises in the workforce and the climate. Zane Griffin Talley Cooper traces these concerns within cryptographic proof-of-work systems and the heat they necessarily produce and seek to manage. Following heat through the twinned histories of thermodynamics and information theory, he argues that such systems are best approached as a paradigmatic, rather than exceptional, example of computing infrastructures. Cindy Kaiying Lin focuses on the practical and political frictions created as database and management designs move from the Global North to South, illustrating how the energy constraints and software cultures of Indonesia open new spaces of autonomy within environmental governance. Finally, Jordan B. Kinder offers a theorization of “platform energetics,” demonstrating how public energy discourses and settler land claims are entangled in the digital infrastructures of data colonialism in Canada.

Although the dot-com bubble burst long ago, the interactive media industry is still flush with fresh talent, new ideas, and financial success. Digital Experience Design chronicles the diverse histories and perspectives of people working in the dot-com world alongside an account of the current issues facing the industry. From the perspective of older disciplines such as education, fine art, and cinema, this volume investigates how dot-com practitioners balance the science of usability with abstract factors such as the emotional response that design can provoke. Including in-depth discussion of screen-based design and e-learning, this volume is essential for industry professionals and students alike.

In the contemporary city, the physical infrastructure and sensorial experiences of two millennia are now interwoven within an invisible digital matrix. This matrix alters human perceptions of the city, informs our behavior, and increasingly influences the urban designs we ultimately inhabit. Digital Futures and the City of Today cuts through these issues to analyze the work of architects, designers, media specialists, and a growing number of community activists, laying out a multifaceted view of the complex integrated phenomenon of the contemporary city. Split into three relevant sections, the book interrogates the concept of the “smart” city, examines innovative digital projects from around the world, documents experimental visions for the future, and describes projects that engage local communities in the design process.

How popular debates about the so-called digital generation mediate anxieties about labor and life in twenty-first-century America
 

“The children are our future” goes the adage, a proclamation that simultaneously declares both anxiety as well as hope about youth as the next generation. In The Digital Is Kid Stuff, Josef Nguyen interrogates this ambivalence within discussions about today’s “digital generation” and the future of creativity, an ambivalence that toggles between the techno-pessimism that warns against the harm to children of too much screen time  and a techno-utopianism that foresees these “digital natives” leading the way to innovation, economic growth, increased democratization, and national prosperity.  

Nguyen engages cultural histories of childhood, youth, and creativity through chapters that are each anchored to a particular digital media object or practice. Nguyen narrates the developmental arc of a future creative laborer: from a young kid playing the island fictions of Minecraft, to an older child learning do-it-yourself skills while reading Make magazine, to a teenager posting selfies on Instagram, to a young adult creative laborer imagining technological innovations using design fiction. 

Focusing on the constructions and valorizations of creativity, entrepreneurialism, and technological savvy, Nguyen argues that contemporary culture operates to assuage profound anxieties about—and to defuse valid critiques of—both emerging digital technologies and the precarity of employment for “creative laborers” in twenty-first-century neoliberal America. 

The internet is where trans people have come to become. Creating an identity in digital space can be important for how trans people learn about themselves, their communities, and the possibilities available to them. While the internet and digital space is not the only way of coming to understand oneself in a community, it is a space of liberatory possibility and creativity. There is room to invent what may not yet exist for gender on the edges of what many consider to be “real.” For many, digital life can be the site of play, joy, and connection –even while the internet is not a harm-free space nor universally available. This book seeks to understand the complexities at play in the digital realm and the implications that have for gender, digital life, and higher education.

This special issue of the Journal of Chinese Literature and Culture offers groundbreaking research taking place at the intersection of digital humanities and classical Chinese literary studies. Contributors put forth bold conclusions about the history of traditional Chinese literary culture, showing how the digital humanities can extend philology’s and literary studies’ traditional concerns to reexamine classic literary texts within the contexts of their production, reception, and circulation. Contributors use the tools and metrics of social-network analysis to study literary culture, map the geography of poetry production, and use sophisticated programs to trace patterns of rhetoric and allusion. Rather than purely focusing on theory or methodology, the contributors provide concrete case studies that offer new insights driven by digital tools and databases. The issue envisions a future in which computational technologies are an essential component of any humanistic study.

Contributors. Jing Chen, Timothy Clifford, Yi-long Huang, Chao-lin Liu, Thomas Mazanec, Evan Nicoll-Johnson, Qiao Junjun, Donald Sturgeon, Jeffrey Tharsen, Wang Zhaopeng, Bingyu Zheng, Mariana Zorkina

Surf the web. Ride the information highway. Log on to the future. Corporate ad campaigns like these have become pervasive in the 1990s. You're either online, or you're falling behind the times-at least, that's what the media tells us.

Ever since the 1990s, when the Internet gained widespread popularity, it has been heralded as one of the best things ever to happen to technology and communications. Commentators expected it to revolutionize how we communicate, do business, and educate our children. Conversely, other pundits have vehemently attacked this technology. Naysayers of "cyberlife" emerged with their warnings of how the Net provides an uncensored, round-the-clock venue for pornography, for inaccurate, simplified information, and is rife with opportunities to violate our right to privacy. In Digital Mythologies, Thomas Valovic hopes to raise the level of discussion by giving a full and balanced picture of how the Net affects our lives.

Digital Mythologies, a collection of Valovic's essays, asks hard questions about where computer and communications technology is taking us. Through anecdotes drawn from his experiences as former editor-in-chief of Telecommunications magazine, the author gives readers an insider's peek behind the scenes of the Internet industry. He explores the underlying social and political implications of the Internet and its associated technologies, based on his contention that the cyberspace experience is far more complex than is commonly assumed. Valovic explores these hidden complexities, and points to fascinating connections between the Internet and our contemporary culture.

Today’s researchers have access to more information than ever before. Yet the new material is both overwhelming in quantity and variable in quality. How can scholars survive these twin problems and produce groundbreaking research using the physical and electronic resources available in the modern university research library? In Digital Paper, Andrew Abbott provides some much-needed answers to that question.

Abbott tells what every senior researcher knows: that research is not a mechanical, linear process, but a thoughtful and adventurous journey through a nonlinear world. He breaks library research down into seven basic and simultaneous tasks: design, search, scanning/browsing, reading, analyzing, filing, and writing. He moves the reader through the phases of research, from confusion to organization, from vague idea to polished result. He teaches how to evaluate data and prior research; how to follow a trail to elusive treasures; how to organize a project; when to start over; when to ask for help. He shows how an understanding of scholarly values, a commitment to hard work, and the flexibility to change direction combine to enable the researcher to turn a daunting mass of found material into an effective paper or thesis.

More than a mere  how-to manual, Abbott’s guidebook helps teach good habits for acquiring knowledge, the foundation of knowledge worth knowing. Those looking for ten easy steps to a perfect paper may want to look elsewhere. But serious scholars, who want their work to stand the test of time, will appreciate Abbott’s unique, forthright approach and relish every page of Digital Paper.

From the Pirate Parties in Northern Europe to Podemos in Spain and the 5-Star Movement in Italy, from the movements behind Bernie Sanders in the United States and Jeremy Corbyn in the United Kingdom, to Jean-Luc Melenchon's presidential bid in France, the last decade has witnessed the rise of a new blueprint for political organization: the digital party.

These new political formations tap into the potential of social media to gain consensus, and use online participatory platforms to include the rank-and-file. Paolo Gerbaudo looks at the restructuring of political parties and campaigns in the time of Facebook, Twitter, Instagram, and big data. Drawing on interviews with key political leaders and digital organizers, he argues that the digital party is very different from the class-based “mass party” of the industrial era, and offers promising new solutions to social polarization and the failures of liberal democracy today.
 

In Digital Poetics, Loss Pequeño Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier’s work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium.
 
Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avant-garde poetics and its relationship to the on-line age, the relationship between web “pages” and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate “space of poesis.”
 
Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the potential of electronic media for imaginative expression.
 

This is a study of the material life of information and its devices; of electronic waste in its physical and electronic incarnations; a cultural and material mapping of the spaces where electronics in the form of both hardware and information accumulate, break down, or are stowed away. Electronic waste occurs not just in the form of discarded computers but also as a scatter of information devices, software, and systems that are rendered obsolete and fail. Where other studies have addressed "digital" technology through a focus on its immateriality or virtual qualities, Gabrys traces the material, spatial, cultural, and political infrastructures that enable the emergence and dissolution of these technologies. In the course of her book, she explores five interrelated "spaces" where electronics fall apart: from Silicon Valley to Nasdaq, from containers bound for China to museums and archives that preserve obsolete electronics as cultural artifacts, to the landfill as material repository. All together, these sites stack up into a sedimentary record that forms the "natural history" of this study.

Digital Rubbish: A Natural History of Electronics describes the materiality of electronics from a unique perspective, examining the multiple forms of waste that electronics create as evidence of the resources, labor, and imaginaries that are bundled into these machines. By drawing on the material analysis developed by Walter Benjamin, this natural history method allows for an inquiry into electronics that focuses neither on technological progression nor on great inventors but rather considers the ways in which electronic technologies fail and decay. Ranging across studies of media and technology, as well as environments, geography, and design, Jennifer Gabrys pulls together the far-reaching material and cultural processes that enable the making and breaking of these technologies.

Jennifer Gabrys is Senior Lecturer in Design and Convener of the Masters in Design and Environment in the Department of Design, Goldsmiths, University of London.

Jacket image: Computer dump ©iStockphoto/Lya_Cattel.

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities. Drawing on multiple disciplines—including rhetoric and composition, performance studies, anthropology, history, and information science—the contributors to Digital Sound Studies bring digital humanities and sound studies into productive conversation while probing the assumptions behind the use of digital tools and technologies in academic life. In so doing, they explore how sonic experience might transform our scholarly networks, writing processes, research methodologies, pedagogies, and knowledges of the archive. As they demonstrate, incorporating sound into scholarship is thus not only feasible but urgently necessary.

Contributors. Myron M. Beasley, Regina N. Bradley, Steph Ceraso, Tanya Clement, Rebecca Dowd Geoffroy-Schwinden, W. F. Umi Hsu, Michael J. Kramer, Mary Caton Lingold, Darren Mueller, Richard Cullen Rath, Liana M. Silva, Jonathan Sterne, Jennifer Stoever, Jonathan W. Stone, Joanna Swafford, Aaron Trammell, Whitney Trettien