"Today there is massive interest in how digital tools and popular culture are transforming learning out of school and lots of dismay at how digitally lost our schools are. Jabari Mahiri works his usual magic and here shows us how to cross this divide in a solidly grounded and beautifully written book."
---James Paul Gee, Fulton Presidential Professor of Literacy Studies, Arizona State University
"Digital Tools in Urban Schools is a profoundly sobering yet inspiring depiction of the potential for committed educators to change the lives of urban youth, with the assistance of a new set of technical capabilities."
---Mimi Ito, Professor in Residence and MacArthur Foundation Chair in Digital Media and Learning, Departments of Informatics and Anthropology, University of California, Irvine
"An uplifting book that addresses a critical gap in existing literature by providing rich and important insights into ways teachers, administrators, and members of the wider community can work together with students previously alienated---even excluded---from formal education to enhance classroom learning with appropriate digital tools and achieve inspiring results under challenging circumstances."
---Colin Lankshear, James Cook University, and Michele Knobel, Montclair State University
Digital Tools in Urban Schools demonstrates significant ways in which high school teachers in the complex educational setting of an urban public high school in northern California extended their own professional learning to revitalize learning in their classrooms. Through a novel research collaboration between a university and this public school, these teachers were supported and guided in developing the skills necessary to take greater advantage of new media and new information sources to increase student learning while making connections to their relevant experiences and interests. Jabari Mahiri draws on extensive qualitative data---including blogs, podcasts, and other digital media---to document, describe, and analyze how the learning of both students and teachers was dramatically transformed as they utilized digital media in their classrooms. Digital Tools in Urban Schools will interest instructional leaders and participants in teacher preparation and professional development programs, education and social science researchers and scholars, graduate and undergraduate programs and classes emphasizing literacy and learning, and those focused on urban education issues and conditions.
Digital Visual Culture presents the latest research into the relationship between theory and practice across digital media and technology in the visual arts and investigates the challenges of contemporary research and art curation, particularly in regard to new media artworks. The contributors to this volume discuss the impact of technological advances on visual art and the new art practices that are developing as a result. Many aspects of new interdisciplinary and collaborative practices are considered, such as net art and global locative environments, , and installations that are themselves performance, or games that often take place simultaneously online and in reality. Digital Visual Culture is an important addition to the ongoing discussion surrounding postmodern art practice in art and digital media.
Avatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle.
Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
Locates the deep history of digitality in the development of racial capitalism
Seb Franklin sets out a media theory of racial capitalism to examine digitality’s racial-capitalist foundations. The Digitally Disposed shows how the promises of boundless connection, flexibility, and prosperity that are often associated with digital technologies are grounded in racialized histories of dispossession and exploitation. Reading archival and published material from the cybernetic sciences alongside nineteenth-century accounts of intellectual labor, twentieth-century sociometric experiments, and a range of literary and visual works, The Digitally Disposed locates the deep history of digitality in the development of racial capitalism.
Franklin makes the groundbreaking argument that capital’s apparently spontaneous synthesis of so-called free individuals into productive circuits represents an “informatics of value.” On the one hand, understanding value as an informatic relation helps to explain why capital was able to graft so seamlessly with digitality at a moment in which it required more granular and distributed control over labor—the moment that is often glossed as the age of logistics. On the other hand, because the informatics of value sort populations into positions of higher and lower capacity, value, and status, understanding their relationship to digitality requires that we see the digital as racialized and gendered in pervasive ways.
Ultimately, The Digitally Disposed questions the universalizing assumptions that are maintained, remade, and intensified by today’s dominant digital technologies. Vital and far-reaching, The Digitally Disposed reshapes such fundamental concepts as cybernetics, informatics, and digitality.
Tracing the rise of digital computing in policing and punishment and its harmful impact on criminalized communities of color
The U.S. Bureau of Justice Statistics estimates that law enforcement agencies have access to more than 100 million names stored in criminal history databases. In some cities, 80 percent of the black male population is registered in these databases. Digitize and Punish explores the long history of digital computing and criminal justice, revealing how big tech, computer scientists, university researchers, and state actors have digitized carceral governance over the past forty years—with devastating impact on poor communities of color.
Providing a comprehensive study of the use of digital technology in American criminal justice, Brian Jefferson shows how the technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further entrenching the nation’s racialized policing and punishment. After examining how the criminal justice system conceptualized the benefits of computers to surveil criminalized populations, Jefferson focuses on New York City and Chicago to provide a grounded account of the deployment of digital computing in urban police departments.
By highlighting the intersection of policing and punishment with big data and web technology—resulting in the development of the criminal justice system’s latest tool, crime data centers—Digitize and Punish makes clear the extent to which digital technologies have transformed and intensified the nature of carceral power.
In the nineties, neoliberalism simultaneously provided the context for the Internet’s rapid uptake in the United States and discouraged public conversations about racial politics. At the same time many scholars lauded the widespread use of text-driven interfaces as a solution to the problem of racial intolerance. Today’s online world is witnessing text-driven interfaces such as e-mail and instant messaging giving way to far more visually intensive and commercially driven media forms that not only reveal but showcase people’s racial, ethnic, and gender identity.
Lisa Nakamura, a leading scholar in the examination of race in digital media, uses case studies of popular yet rarely examined uses of the Internet such as pregnancy Web sites, instant messaging, and online petitions and quizzes to look at the emergence of race-, ethnic-, and gender-identified visual cultures.
While popular media such as Hollywood cinema continue to depict nonwhite nonmales as passive audiences or consumers of digital media rather than as producers, Nakamura argues the contrary—with examples ranging from Jennifer Lopez music videos; films including the Matrix trilogy, Gattaca, and Minority Report; and online joke sites—that users of color and women use the Internet to vigorously articulate their own types of virtual community, avatar bodies, and racial politics.
Lisa Nakamura is associate professor of speech communication and Asian American studies at the University of Illinois, Urbana-Champaign. She is the author of Cybertypes: Race, Ethnicity, and Identity on the Internet and coeditor, with Beth Kolko and Gilbert Rodman, of Race in Cyberspace.
During the mid-twentieth century, Latin American countries witnessed unprecedented struggles over the terms of national sovereignty, civic participation, and social justice. Nowhere was this more visible than in Peronist Argentina (1946–1955), where Juan and Eva Perón led the region’s largest populist movement in pursuit of new political hopes and material desires. Eduardo Elena considers this transformative moment from a fresh perspective by exploring the intersection of populism and mass consumption. He argues that Peronist actors redefined national citizenship around expansive promises of a vida digna (dignified life), which encompassed not only the satisfaction of basic wants, but also the integration of working Argentines into a modern consumer society. From the mid-1940s onward, the state moved to boost purchasing power and impose discipline on the marketplace, all while broadcasting images of a contented populace.
Drawing on documents such as the correspondence between Peronist sympathizers and authorities, Elena sheds light on the contest over the dignified life. He shows how the consumer aspirations of citizens overlapped with Peronist paradigms of state-led development, but not without generating great friction among allies and opposition from diverse sectors of society. Consumer practices encouraged intense public scrutiny of class and gender comportment, and everyday objects became freighted with new cultural meaning. By providing important insights on why Peronism struck such a powerful chord, Dignifying Argentina situates Latin America within the broader history of citizenship and consumption at mid-century, and provides innovative ways to understand the politics of redistribution in the region today.
The starting point for Richard Jenkyns’ latest work is his contention that the Victorian age, which we think of as the great age of Gothic, was so shot through with the influence of the classical past that we should instead think of Victorian art and architecture as the continuing flow of two stylistic streams—the Gothic and the classical, side by side. In advancing his argument Jenkyns turns our accepted notions of the Victorians upside down, presenting Ruskin as an admirer of Greek statuary, the Houses of Parliament as a classical rather than a Gothic composition, and Thomas Woolner, the only sculptor among the original Pre–Raphaelite brotherhood, as a neo–Hellenic carver and poet.
Jenkyns moves effortlessly between the general and the particular and is refreshingly unafraid to make judgments. Here are some of the best descriptions of Victorian painting, sculpture, and architecture to have appeared in recent years. From the very gradual changes throughout the paintings of Leighton and Alma–Tadema, to the operettas of Gilber Pater, and even the advertisements for Beecham's pills, Jenkyns shows how what had been merely eclectic became a distinctive fin-de-siècle style and eventually began to point the way for Modernism.
These are the grand themes, presented by a masterly guide. Above all Jenkyns is entertaining: Dignity and Decadence is one of the most illuminating and enjoyable books about the Victorians yet to appear.
Dignity plays a central role in current thinking about law and human rights, but there is sharp disagreement about its meaning. Combining conceptual precision with a broad historical background, Michael Rosen puts these controversies in context and offers a novel, constructive proposal.
“Penetrating and sprightly…Rosen rightly emphasizes the centrality of Catholicism in the modern history of human dignity. His command of the history is impressive…Rosen is a wonderful guide to the recent German constitutional thinking about human dignity…[Rosen] is in general an urbane and witty companion, achieving his aim of accessibly written philosophy.”
—Samuel Moyn, The Nation
“[An] elegant, interesting and lucid exploration of the concept of dignity...Drawing on classical, liberal and Catholic traditions, Rosen hopes to rehabilitate dignity to its rightful place near the centre of moral thought...Rosen's admirable book deserves wide attention from political theorists, jurisprudes and political philosophers.”
—Simon Blackburn, Times Higher Education
“Dignity deserves to be widely read, not only for its intrinsic interest, but also as a corrective to the habit of discussing such topics in abstraction from their social context. Whether or not one agrees with Rosen's arguments, there can be no doubt he has widened our horizons.”
—Rae Langton, Times Literary Supplement
Michèle Lamont takes us into the world inhabited by working-class men--the world as they understand it. Interviewing black and white working-class men who, because they are not college graduates, have limited access to high-paying jobs and other social benefits, she constructs a revealing portrait of how they see themselves and the rest of society.
Morality is at the center of these workers' worlds. They find their identity and self-worth in their ability to discipline themselves and conduct responsible but caring lives. These moral standards function as an alternative to economic definitions of success, offering them a way to maintain dignity in an out-of-reach American dreamland. But these standards also enable them to draw class boundaries toward the poor and, to a lesser extent, the upper half. Workers also draw rigid racial boundaries, with white workers placing emphasis on the "disciplined self" and blacks on the "caring self." Whites thereby often construe blacks as morally inferior because they are lazy, while blacks depict whites as domineering, uncaring, and overly disciplined.
This book also opens up a wider perspective by examining American workers in comparison with French workers, who take the poor as "part of us" and are far less critical of blacks than they are of upper-middle-class people and immigrants. By singling out different "moral offenders" in the two societies, workers reveal contrasting definitions of "cultural membership" that help us understand and challenge the forms of inequality found in both societies.
There are, always, more things in heaven and earth than are dreamt of in one’s philosophy—and in these essays Charles Taylor turns to those things not fully imagined or avenues not wholly explored in his epochal A Secular Age. Here Taylor talks in detail about thinkers who are his allies and interlocutors, such as Iris Murdoch, Alasdair MacIntyre, Robert Brandom, and Paul Celan. He offers major contributions to social theory, expanding on the issues of nationalism, democratic exclusionism, religious mobilizations, and modernity. And he delves even more deeply into themes taken up in A Secular Age: the continuity of religion from the past into the future; the nature of the secular; the folly of hoping to live by “reason alone”; and the perils of moralism. He also speculates on how irrationality emerges from the heart of rationality itself, and why violence breaks out again and again.
In A Secular Age, Taylor more evidently foregrounded his Catholic faith, and there are several essays here that further explore that faith. Overall, this is a hopeful book, showing how, while acknowledging the force of religion and the persistence of violence and folly, we nonetheless have the power to move forward once we have given up the brittle pretensions of a narrow rationalism.
In this moving and eloquent portrait, John Heilbron describes how the founder of quantum theory rose to the pinnacle of German science. With great understanding, he shows how Max Planck suffered morally and intellectually as his lifelong habit of service to his country and to physics was confronted by the realities of World War I and the brutalities of the Third Reich.
In an afterword written for this edition, Heilbron weighs the recurring questions among historians and scientists about the costs to others, and to Planck himself, of the painful choices he faced in attempting to build an “ark” to carry science and scientists through the storms of Nazism.
Be sexy but not sexual. Don't be a prude but don't be a slut. These are the cultural messages that barrage teenage girls. In movies and magazines, in music and advice columns, girls are portrayed as the object or the victim of someone else's desire--but virtually never as someone with acceptable sexual feelings of her own. What teenage girls make of these contradictory messages, and what they make of their awakening sexuality--so distant from and yet so susceptible to cultural stereotypes--emerges for the first time in frank and complex fashion in Deborah Tolman's Dilemmas of Desire.
A unique look into the world of adolescent sexuality, this book offers an intimate and often disturbing, sometimes inspiring, picture of how teenage girls experience, understand, and respond to their sexual feelings, and of how society mediates, shapes, and distorts this experience. In extensive interviews, we listen as actual adolescent girls--both urban and suburban--speak candidly of their curiosity and confusion, their pleasure and disappointment, their fears, defiance, or capitulation in the face of a seemingly imperishable double standard that smiles upon burgeoning sexuality in boys yet frowns, even panics, at its equivalent in girls.
As a vivid evocation of girls negotiating some of the most vexing issues of adolescence, and as a thoughtful, richly informed examination of the dilemmas these girls face, this readable and revealing book begins the critical work of understanding the sexuality of young women in all its personal, social, and emotional significance.
Fedor Chizhov built the first railroad owned entirely by Russian stockholders, created Moscow’s first bank and mutual credit society, and launched the first profitable steamship line based in Archangel. In this valuable book, Thomas Owen vividly illuminates the life and world of this seminal figure in early Russian capitalism.
Chizhov condemned European capitalism as detrimental to the ideal of community and the well-being of workers and peasants. In his strategy of economic nationalism, Chizhov sought to motivate merchants to undertake new forms of corporate enterprise without undermining ethnic Russian culture. He faced numerous obstacles, from the lack of domestic investment capital to the shortage of enlightened entrepreneurial talent. But he reserved his harshest criticism for the tsarist ministers, whose incompetence and prejudice against private entrepreneurship proved his greatest hindrance.
Richly documented from Chizhov’s detailed diary, this work offers an insightful exploration of the institutional impediments to capitalism and the rule of law that plagued the tsarist empire and continue to bedevil post-Soviet Russia.
This illuminating work examines the social, cultural, political, and economic dimensions of the Communist takeover of China. Instead of dwelling on elite politics and policy-making processes, Dilemmas of Victory seeks to understand how the 1949-1953 period was experienced by various groups, including industrialists, filmmakers, ethnic minorities, educators, rural midwives, philanthropists, stand-up comics, and scientists.
A stellar group of authors that includes Frederic Wakeman, Elizabeth Perry, Sherman Cochran, Perry Link, Joseph Esherick, and Chen Jian shows that the Communists sometimes achieved a remarkably smooth takeover, yet at other times appeared shockingly incompetent. Shanghai and Beijing experienced it in ways that differed dramatically from Xinjiang, Tibet, and Dalian. Out of necessity, the new regime often showed restraint and flexibility, courting the influential and educated. Furthermore, many policies of the old Nationalist regime were quietly embraced by the new Communist rulers.
Based on previously unseen archival documents as well as oral histories, these lively, readable essays provide the fullest picture to date of the early years of the People's Republic, which were far more pluralistic, diverse, and hopeful than the Maoist decades that followed.
This book includes a chronological listing of issues of the Dime Novel Roundup, which was published for over fifty years. It also features an index to the contents of the Dime Novel Roundup.
The scientific study of forgiveness is a new approach to an age-old problem. For thousands of years, people have practiced forgiveness within religious systems. Now, the field of scholarly research of forgiveness reveals the beneficial aspects of the process.
p>Contributors include Elliot Dorff and Martin Marty discussing religious interpretations, followed by social implications explained by Kenneth Pargament and Mark Rye. Roy Baumeister, Julie Exline, and Kristin Sommer present the victim's point of view. Other contributors focusing on the forgiveness research are: Everett Worthington, Robert Enright, Catherine Coyle, Carl Thoresen, Frederic Luskin, and Alex Harris. An annotated bibliography by Michael McCullough, Julie Exline, and Roy Baumeister, covers the empirical literature on the subject. Lewis Smedes concludes with the four steps necessary for forgiveness: moving from estrangement to forgiveness to reconciliation to hope.
The scientific study of forgiveness is a new approach to an age-old problem. For thousands of years, people have practiced forgiveness within religious systems. Now, the field of scholarly research of forgiveness reveals the beneficial aspects of the process.
p>Contributors include Elliot Dorff and Martin Marty discussing religious interpretations, followed by social implications explained by Kenneth Pargament and Mark Rye. Roy Baumeister, Julie Exline, and Kristin Sommer present the victim's point of view. Other contributors focusing on the forgiveness research are: Everett Worthington, Robert Enright, Catherine Coyle, Carl Thoresen, Frederic Luskin, and Alex Harris. An annotated bibliography by Michael McCullough, Julie Exline, and Roy Baumeister, covers the empirical literature on the subject. Lewis Smedes concludes with the four steps necessary for forgiveness: moving from estrangement to forgiveness to reconciliation to hope.
This is the fifth volume in the Oratory of Classical Greece. This series presents all of the surviving speeches from the late fifth and fourth centuries B.C. in new translations prepared by classical scholars who are at the forefront of the discipline. These translations are especially designed for the needs and interests of today's undergraduates, Greekless scholars in other disciplines, and the general public.
Classical oratory is an invaluable resource for the study of ancient Greek life and culture. The speeches offer evidence on Greek moral views, social and economic conditions, political and social ideology, law and legal procedure, and other aspects of Athenian culture that have been largely ignored: women and family life, slavery, and religion, to name just a few.
This volume combines the surviving speeches of three orators who stand at the end of the classical period. Dinarchus was not an Athenian, but he was called on to write speeches in connection with a corruption scandal (the Harpalus affair) that put an end to the career of Demosthenes. His speeches thus raise many of the vital issues surrounding the Macedonian conquest of Athens and the final years of Athenian democracy. Hyperides was an important public figure who was involved in many of the events described by Dinarchus and Lycurgus. His speeches open a window into many interesting facets of Athenian life. Lycurgus was one of the leading politicians in Athens during the reign of Alexander the Great and put Athenian public finances on a more secure footing. He was also a deeply religious man, who tried to revive Athenian patriotism after the crushing defeat at Chaeronea.
Ding Ling is China’s foremost woman writer, and one of the great survivors in modern Chinese literary history. Iconoclast, feminist, and political activist, Ding Ling began her writing in the late 1920s as a member of the May Fourth generation and continued to write after the Communist Party had established control over all literary activities. She has survived to practice her art through the physical dangers of war, imprisonment, and persecution by two governments.
Yi-tsi Mei Feuerwerker examines Ding Ling’s writings from the startling early stories about young women undergoing crises of love, sex, and identity to her novel on land reform, The Sun Shines on the Sanggan River, which won the 1951 Stalin prize for literature. The unique interest of Ding Ling’s writing lies in the response and resistance to political pressure that is revealed in the sequence of the works. The formal aspects of her fiction, as it undergoes distinctive phases of development, exemplify in precise ways the effects of ideological change on narrative practice. As much as the momentous events of her life, the literary works she produced dramatize the succession of creative dilemmas confronting the modern Chinese writer.
The examination of Ding Ling’s life and works raises pressing questions about the writer’s role and the validity of literature and its hopes for survival in a world of radical political change.
The place is Skull Valley in central Arizona, the time the 1930s. Taking food as his theme, Weston paints an instructive and often hilarious portrait of growing up, of rural family life under difficult circumstances, and of a remote Arizona community trying to hold body and soul together during tough times. His book recalls life in a lineman's shack, interlaced with "disquisitions on swamp life, rotting water, and the complex experience of finding enough to eat during the Great Depression."
Central to Weston's account is his mother Eloine, a valiant woman rearing a large brood in poverty with little help from her husband. Eloine cooks remarkably well—master of a small repertory from which she coaxes ideas surprising even to herself—and feeds her family on next to nothing. She is a woman whose first instinct is to cry out "Lord, what am I going to feed them" whenever visitors show up close to mealtime. Recalls Weston, "Her strength lay in a practical- and poverty-born sense that there must be more edible food in the world than most people realized," and he swears that six out of seven meals were from parts of four or five previous meals coming round again, like the buckets on a Ferris wheel.
Although Weston evokes a fond remembrance of a bygone era that moves from Depression-era Skull Valley to wartime Prescott, rest assured: food—its acquisition, its preparation, its wholehearted enjoyment—is the foundation of this book. "I did not have a deprived childhood, despite its slim pickings," writes Weston. "If I recall a boiling pig's head now and then, it is not to be read as some Jungian blip from Lord of the Flies but simply a recurring flicker of food-memory." Whether remembering his father's occasional deer poaching or his community's annual Goat Picnic, Weston laces his stories with actual recipes—even augmenting his instructions for roasted wild venison with tips for preparing jerky.
Dining at the Lineman's Shack teems with sparkling allusions, both literary and culinary, informed by Weston's lifetime of travels. Even his nagging memory of desperate boyhood efforts to trade his daily peanut-butter sandwich for bacon-and-egg, baloney, jelly, or most anything else is tempered by his acquaintance with "the insidious sa-teh sauce in Keo Sananikone's hole-in-the-wall restaurant on Kapahulu Street"—a peanut-butter-based delicacy for which he obligingly provides the ingredients (and which he promises will keep, refrigerated in a jar, for several weeks before baroque things begin to grow on it).
Through this tantalizing smorgasbord of memories, stories, and recipes, John Weston has fashioned a wholly captivating commentary on American culture, both in an earlier time and in our own. Dining at the Lineman's Shack is a book that will satisfy any reader's hunger for the unusual—and a book to savor, in every sense of the word.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
An innovative collection of comedic stories by the original “Renaissance man.”
Leon Battista Alberti (1404–1472) was among the most famous figures of the Italian Renaissance. His extraordinary range of abilities as a writer, architect, art theorist, and scientist made him the original model for the many-sided “Renaissance man.”
A collection of stories meant to be read while dining and drinking, the Dinner Pieces, or Intercenales, are one of Alberti’s most innovative and experimental works, mixing literary genres and styles of prose composition adapted from both Greek and Latin models. They cover a wide range of topics, from moral philosophy, politics, and religion to the arts, money-making, love and friendship, and the study of the humanities. The Dinner Pieces offer satiric commentary on the cultural illusions and moral myths of Alberti’s day. They cut through the absurdity of human existence with the blade of wit and laughter and constitute an important monument in the history of comic writing.
This English translation by David Marsh is based on the authoritative Latin text of Roberto Cardini, accompanied by ample notes.
Who cooks dinner in American homes? It's no surprise that “Mom” remains the overwhelming answer. Cooking and all it entails, from grocery shopping to chopping vegetables to clearing the table, is to this day primarily a woman's responsibility. How this relationship between women and food developed through the twentieth century and why it has endured are the questions Sherrie Inness seeks to answer in Dinner Roles: American Women and Culinary Culture.
By exploring a wide range of popular media from the first half of the twentieth century, including cookbooks, women's magazines, and advertisements, Dinner Roles sheds light on the network of sources that helped perpetuate the notion that cooking is women's work. Cookbooks and advertisements provided valuable information about the ideals that American society upheld. A woman who could prepare the perfect Jell-O mold, whip up a cake with her new electric mixer, and still maintain a spotless kitchen and a sunny disposition was the envy of other housewives across the nation.
Inness begins her exploration not with women but with men-those individuals often missing from the kitchen who were taught their own set of culinary values. She continues with the study of juvenile cookbooks, which provided children with their first cooking lessons. Chapters on the rise of electronic appliances, ethnic foods, and the 1950s housewife all add to our greater understanding of women's evolving roles in American culinary culture.
A time-traveling field guide to the ancient version of Big Bend National Park.
The sheer beauty of Big Bend National Park, along the shores of the Rio Grande in west Texas, never fails to astonish. Yet what lies beneath this natural treasure may be even more extraordinary than what meets the eye. Hidden in the rocks of Big Bend are the remains of giants: toothy sea lizards, enormous flying reptiles, and dinosaurs.
Dinosaurs and Other Ancient Animals of Big Bend is a field guide to what once was. Inspired by the latest research, Cindi Sirois Collins and Asher Elbein imagine what it was like to walk among the plants and animals whose fossil remains tell the story of evolution and geological transformation in this singular landscape. We glimpse the drama of Big Bend’s rugged landscape in creation—the desert’s emergence from retreating oceans and volcanic eruptions. Immersive vignettes introduce dinosaurs, giant fish, and saber-toothed cats. And the history of discovery in the park proves a gripping tale, as paleontologists sifted major scientific insights from the soils, rocks, and riverbeds. Complete with vivid illustrations, this is a wholly original sensory and narrative experience that will deepen any reader’s knowledge and sense of wonder.
Beginning in the 1990s, fossils unearthed in Australia and New Zealand began to reshape the debates around some of paleontology's most hotly contested questions: how dinosaurs and birds are related, whether dinosaurs were warm-blooded, and when and how the mammals began their rise.
In this first comprehensive account of Mesozoic vertebrates from New Zealand and Australia, John Long shows that, while the fossil record from the region can be sparse and fragmentary, finds from such sites as Dinosaur Cove, Coober Pedy, Lightning Ridge, and the fossil trackways at Broome offer new and occasionally startling evidence that has the potential to challenge current views. Long's up-to-date coverage includes the discovery in late 1996 of a new shrew-like mammal, Ausktribosphenos nyktos.
Entries on individual fauna begin with a brief introduction, written to be accessible to the armchair paleontologist, that describes the prevailing climate and habitat during the relevant geological time period, followed by more technical information aimed at specialists, including type characteristics, location and other details about the specimen's discovery. Dinosaurs of Australia and New Zealand is profusely illustrated with photographs of the fossils, maps, and newly commissioned life restorations by some of the leading dinosaur illustrators from Australia and the United States: Peter Schouten, Tony Windberg, Bill Stout, and Mike Skrepnick.
Diné identity in the twenty-first century is distinctive and personal. It is a mixture of traditions, customs, values, behaviors, technologies, worldviews, languages, and lifeways. It is a holistic experience. Diné identity is analogous to Diné weaving: like weaving, Diné identity intertwines all of life’s elements together.
In this important new book, Lloyd L. Lee, a citizen of the Navajo Nation and an associate professor of Native American studies, takes up and provides insight on the most essential of human questions: who are we? Finding value and meaning in the Diné way of life has always been a hallmark of Diné studies. Lee’s Diné-centric approach to identity gives the reader a deep appreciation for the Diné way of life. Lee incorporates Diné baa hane’ (Navajo history), Sa’ą́h Naagháí Bik’eh Hózhǫ́ǫ́n (harmony), Diné Bizaad (language), K’é (relations), K’éí (clanship), and Níhi Kéyah (land) to address the melding of past, present, and future that are the hallmarks of the Diné way of life.
This study, informed by personal experience, offers an inclusive view of identity that is encompassing of cultural and historical diversity. To illustrate this, Lee shares a spectrum of Diné insights on what it means to be human. Diné Identity in a Twenty-First-Century World opens a productive conversation on the complexity of understanding and the richness of current Diné identities.
Historian Robert McPherson discusses basic Navajo concepts such as divination, good and evil, prophecy, and metaphorical thought, as well as these topics' relevance in daily life, making these far-ranging ideas accessible to the contemporary reader. He also considers the toll of cultural loss on modern Navajo culture as many traditional values and institutions are confronted by those of dominant society. Using both historical and modern examples, he shows how cultural change has shifted established views and practices and illustrates the challenge younger generations face in maintaining the beliefs and customs their parents and grandparents have shared over generations.
This intimate look at Navajo values and customs will appeal not only to students and scholars of Native American studies, ethnic studies, and anthropology but to any reader interested in Navajo culture or changing traditional lifeways.
2007 — A Choice Magazine Outstanding Academic Book
Sicilian historian Diodorus Siculus (ca. 100-30 BCE) is our only surviving source for a continuous narrative of Greek history from Xerxes' invasion to the Wars of the Successors following the death of Alexander the Great. Yet this important historian has been consistently denigrated as a mere copyist who slavishly reproduced the works of earlier historians without understanding what he was writing. By contrast, in this iconoclastic work Peter Green builds a convincing case for Diodorus' merits as a historian. Through a fresh English translation of a key portion of his multi-volume history (the so-called Bibliotheke, or "Library") and a commentary and notes that refute earlier assessments of Diodorus, Green offers a fairer, better balanced estimate of this much-maligned historian.
The portion of Diodorus' history translated here covers the period 480-431 BCE, from the Persian invasion of Greece to the outbreak of the Peloponnesian War. This half-century, known as the Pentekontaetia, was the Golden Age of Periclean Athens, a time of unprecedented achievement in drama, architecture, philosophy, historiography, and the visual arts. Green's accompanying notes and commentary revisit longstanding debates about historical inconsistencies in Diodorus' work and offer thought-provoking new interpretations and conclusions. In his masterful introductory essay, Green demolishes the traditional view of Diodorus and argues for a thorough critical reappraisal of this synthesizing historian, who attempted nothing less than a "universal history" that begins with the gods of mythology and continues down to the eve of Julius Caesar's Gallic campaigns.
Only one surviving source provides a continuous narrative of Greek history from Xerxes' invasion to the Wars of the Successors following the death of Alexander the Great—the Bibliotheke, or "Library," produced by Sicilian historian Diodorus Siculus (ca. 90–30 BCE). Yet generations of scholars have disdained Diodorus as a spectacularly unintelligent copyist who only reproduced, and often mangled, the works of earlier historians. Arguing for a thorough critical reappraisal of Diodorus as a minor but far from idiotic historian himself, Peter Green published Diodorus Siculus, Books 11-12.37.1, a fresh translation, with extensive commentary, of the portion of Diodorus's history dealing with the period 480–431 BCE, the so-called "Golden Age" of Athens.
This is the only recent modern English translation of the Bibliotheke in existence. In the present volume—the first of two covering Diodorus's text up to the death of Alexander—Green expands his translation of Diodorus up to Athens' defeat after the Peloponnesian War. In contrast to the full scholarly apparatus in his earlier volume (the translation of which is incorporated) the present volume's purpose is to give students, teachers, and general readers an accessible version of Diodorus's history. Its introduction and notes are especially designed for this audience and provide an up-to-date overview of fifth-century Greece during the years that saw the unparalleled flowering of drama, architecture, philosophy, historiography, and the visual arts for which Greece still remains famous.
Epic revels.
Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The Dionysiaca, in forty-eight books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative that begins with chaos in heaven and ends with the apotheosis of Ariadne’s crown. The wild ecstasy inspired by the god is certainly reflected in the poet’s style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the Dionysiaca, a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.
The Loeb Classical Library edition of the Dionysiaca is in three volumes.
Epic revels.
Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The Dionysiaca, in forty-eight books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative that begins with chaos in heaven and ends with the apotheosis of Ariadne’s crown. The wild ecstasy inspired by the god is certainly reflected in the poet’s style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the Dionysiaca, a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.
The Loeb Classical Library edition of the Dionysiaca is in three volumes.
Epic revels.
Nonnos of Panopolis in Egypt, who lived in the fifth century of our era, composed the last great epic poem of antiquity. The Dionysiaca, in forty-eight books, has for its chief theme the expedition of Dionysus against the Indians; but the poet contrives to include all the adventures of the god (as well as much other mythological lore) in a narrative that begins with chaos in heaven and ends with the apotheosis of Ariadne’s crown. The wild ecstasy inspired by the god is certainly reflected in the poet’s style, which is baroque, extravagant, and unrestrained. It seems that Nonnos was in later years converted to Christianity, for in marked contrast to the Dionysiaca, a poem dealing unreservedly with classical myths and redolent of a pagan outlook, there is extant and ascribed to him a hexameter paraphrase of the Gospel of John.
The Loeb Classical Library edition of the Dionysiaca is in three volumes.
In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.
For 1,600 years Dioscorides (ca. AD 40–80) was regarded as the foremost authority on drugs. He knew mild laxatives and strong purgatives, analgesics for headaches, antiseptics for wounds, emetics to rid one of ingested poisons, chemotherapy agents for cancer treatments, and even oral contraceptives. Why, then, have his works remained obscure in recent centuries? Because of one small oversight (Dioscorides himself thought it was self-evident): he failed to describe his method for organizing drugs by their affinities. This omission led medical authorities to use his materials as a guide to pharmacy while overlooking Dioscorides' most valuable contribution—his empirically derived method for observing and classifying drugs by clinical testing.
Dioscorides' De materia medica, a five-volume work, was written in the first century. Here revealed for the first time is the thesis that Dioscorides wrote more than a lengthy guide book. He wrote a great work of science. He had said that he discovered the natural order and would demonstrate it by his arrangement of drugs from plants, minerals, and animals. Until John M. Riddle's pathfinding study, no one saw the genius of his system. Botanists from the eighteenth century often attempted to find his unexplained method by identifying the sequences of his plants according to the Linnean system but, while there are certain patterns, there remained inexplicable incoherencies. However, Dioscorides' natural order as set down in De materia medica was determined by drug affinities as detected by his acute, clinical ability to observe drug reactions in and on the body. So remarkable was his ability to see relationships that, in some cases, he saw what we know to be common chemicals shared by plants of the same and related species and other natural product drugs from animal and mineral sources.
Western European and Islamic medicine considered Dioscorides the foremost authority on drugs, just as Hippocrates is regarded as the Father of Medicine. They saw him point the way but only described the end of his finger, despite the fact that in the sixteenth century alone there were over one hundred books published on him. If he had explained what he thought to be self-evident, then science, especially chemistry and medicine, would almost certainly have developed differently. In this culmination of over twenty years of research, Riddle employs modern science and anthropological studies innovatively and cautiously to demonstrate the substance to Dioscorides' authority in medicine.
This is the first study of Mendoza, the importance of whose position as Ambassador to France from 1584 to 1591--crucial in the liaison between Philip II and the French Catholic League--was long recognized but not explored. A religious zealot and military crusader who carried his uncompromising attitude into his diplomatic career, Mendoza made the connections between his master Philip and the French Catholic League much more intimate and functional than was previously suspected. In the spring of 1588, for instance, Mendozamanipulated the League and the Duke of Guise into a position of open rebellion against the King of France, thus ensuring that the Armada could sail for England without the danger of French harassment along the channel coast, and also that there would be no threat of French occupation of the Spanish Netherlands when Parma's troops should embark for the invasion of England.
Throughout the book, Spanish policies and techniques and their influence on international affairs are exemplified as they were not before. Showing how Continental diplomacy was dominated by religious zeal in the late sixteenth century, and how the fanaticism of the French religious wars formed a prelude to a reaction toward political absolutism, Jensen draws on a fund of untapped manuscript and printed sources, including Mendoza's coded letters, some of which he was the first to decipher.
Three scenarios for future approaches to peace and conflict diplomacy, explored through the lens of regional perspectives and security threats
Diplomacy in pursuit of peace and security faces severe challenges not seen in decades. The reemergence of strong states, discord in the UN Security Council, destabilizing transnational nonstate actors, closing space for civil society within states, and the weakening of the international liberal order all present new obstacles to diplomacy.
In Diplomacy and the Future of World Order, an international group of experts confronts these challenges to peace and conflict diplomacy—defined as the effort to manage others’ conflicts, cope with great power competition, and deal with threats to the state system itself. In doing so, they consider three potential scenarios for world order where key states decide to go it alone, return to a liberal order, or collaborate on a case-by-case basis to address common threats and problems.
These three scenarios are then evaluated through the prism of regional perspectives from around the world and for their potential ramifications for major security threats including peacekeeping, nuclear nonproliferation, cyber competition, and terrorism. Editors Chester A. Crocker, Fen Osler Hampson, and Pamela Aall conclude the volume by identifying emerging types of diplomacy that may form the foundation for global peacemaking and conflict management in an uncertain future.
Like its predecessor, this important new work is focused on the connection between trade and investment on the one hand and U.S. foreign policy on the other. David Pletcher describes the trade of the United States with the Far East, the islands of the Pacific, and the northwest coast of North America from 1784 (the year of the first American trading expedition to China) to 1844 (the year of the first trade treaty with China, followed immediately by the U.S. acquisition of Oregon and California). He then traces the growth of trade and investment in Alaska, Hawaii, and the South Pacific from 1844 to 1890 and proceeds to do the same for China, Japan, and Korea. In the ensuing chapters, Pletcher covers the 1890s, including the annexation of Hawaii, the Sino-Japanese War, the acquisition of the Philippines, and the Open Door policy in China.
He concludes that the American expansion across the Pacific and into the Far East was not a deliberate, consistent drive for economic hegemony but a halting, experimental, improvised movement, carried out against determined opposition and indifference and dotted with setbacks and failures. Providing his own judgments about the wisdom and effectiveness of America's new endeavors, Pletcher summarizes the problems and handicaps involved, demonstrating that errors of the twentieth century were at least partly the result of poor preparation in the 1880s and 1890s.
Touching on every place where Americans undertook significant economic activity, The Diplomacy of Involvement will be an important aid for seasoned scholars, as well as an excellent introduction for the novice.
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