A SCHOLARLY BOOK REPOSITORY
Yip traces a distinctly Taiwanese sense of self vis-à-vis China, Japan, and the West through two of the island’s most important cultural movements: the hsiang-t’u (or “nativist”) literature of the 1960s and 1970s, and the Taiwanese New Cinema of the 1980s and 1990s. At the heart of the book are close readings of the work of the hsiang-t’u writer Hwang Chun-ming and the New Cinema filmmaker Hou Hsiao-hsien. Key figures in Taiwan’s assertion of a national identity separate and distinct from China, both artists portray in vibrant detail daily life on the island. Through Hwang’s and Hou’s work and their respective artistic movements, Yip explores “the imagining of a nation” on the local, national, and global levels. In the process, she exposes a perceptible shift away from traditional models of cultural authenticity toward a more fluid, postmodern hybridity—an evolution that reflects both Taiwan’s peculiar multicultural reality and broader trends in global culture.
Whether a Chinese vertical city plan from the first millennium B.C. or a bird's-eye view appended to a fifteenth-century edition of Ptolemy's Geography, the type of plan chosen and its focus reflected the aspects of a city that the map's creators wished to highlight. For instance, maps of seventeenth-century cities emphasized impregnable fortifications as a deterrent to potential attackers. And Daniel Burnham's famous 1909 Plan of Chicago used a distinct representational style to "sell" his version of the new Chicago.
Although city plans are among the oldest maps known, few books have been devoted to them. Historians of cartography and geography, architects, and urban planners will all enjoy this profusely illustrated volume.
Envisioning the Framework offers a visual opportunity for thought, discovery, and sense-making of the Framework and its concepts. Seventeen chapters packed with full-color illustrations and tables explore topics including:
- LibGuides creation through conceptual integration with the Framework
- fostering interdisciplinary transference
- the convergence of metaliteracy with the Framework
- teaching multimodalities and data visualization
- mapping a culturally responsive information literacy journal for international students
Twenty-first-century information literacy involves the metaliterate learner, reflects seismic changes in the duties and roles of teaching librarians, requires new partnerships with faculty and instructional designers, and emphasizes continuous assessment practices. Envisioning the Framework can help you use symbols and visuals for deeper understanding of the Framework, to map the Framework with teaching and learning objectives, and to tell a coherent story to students featuring the frames and the Framework.
Eothen has the freshness of the immediate and the new. Kinglake kept it free of the details of geography, history, science, politics, religion, and statistics; it is far less about the countries and the cities he passes through that it is about himself. This is what makes Eothen a modern travel book, possibly the first and certainly one of the greatest of its kind.
The Colorado Wickiup Project is documenting ephemeral wooden features such as wickiups, tree-platforms, and brush horse corrals that remain scattered throughout the mesas, canyons, and mountains of the state. They date from when European newcomers first arrived with a bounty of new things—horses, metal knives and axes, guns, and brightly colored glass beads—which were readily adopted by the Utes.
The Project is unique in using the techniques of metal detection, historic trade ware analysis, and tree-ring dating of metal ax–cut wickiup poles to distinguish the Ute sites from historic Euro–American ones. Through this analysis, researchers have demonstrated that not all Utes left Colorado for the reservations in Utah during the “final removal” in 1881, as has been generally believed. A significant number remained on their homelands well into the early decades of the twentieth century, building brush shelters and living much as they had for generations, but with new tools and weapons.
Appendix B Form: Aboriginal Wooden Feature Component Form
In this captivating collection of twelve essays, a testament to a lifetime’s fascination with the outdoors and its myriad wonders, naturalist Stephen Lyn Bales examines a variety of flora and fauna that in one way or another can be described as “ephemeral”—that is, fleeting, short-lived, or transient.
Focusing on his native East Tennessee, Bales introduces us to several oddities, including the ghost plant, a wispy vascular plant that resembles a rooster’s tail and grows mainly in areas devoid of sunlight; the Appalachian panda, an ancestor of today’s red panda that wandered the region millions of years ago and whose fossil remains have only recently been discovered; and the freshwater jellyfish, a tiny organism that is virtually invisible except for those hot summer days when clusters of them bloom into shimmering “medusae,” sometimes by the thousands. Other essays consider such topics as the plight of the monarch butterfly, a gorgeous insect whose populations have dropped by 90 percent in only the last two decades; the reintroduction of the lake sturgeon, one of nature’s most primitive and seldom-seen fish, into the waters of the Tennessee Valley; and the surprising emergence of coyote-wolf and coyote-dog hybrids in the eastern states.
Written with insight, humor, and heart, Ephemeral by Nature is as entertaining as it is instructive. Along with a wealth of biological details—and his own handsome pen-and-ink drawings—Bales fills the book with delightful anecdotes of field trips, species-protection efforts, and those thrilling occasions when some elusive member of the natural order shows itself to us, if only for a brief moment.
Stephen Lyn Bales, senior naturalist at Ijams Nature Center in Knoxville, is the author of Natural Histories: Stories from the Tennessee Valley and Ghost Birds: Jim Tanner and the Quest for the Ivory-billed Woodpecker, 1935–1941, both published by the University of Tennessee Press.
This volume brings together studies of Ephesos—a major city in the Greco-Roman period and a primary center for the spread of Christianity into the Western world—by an international array of scholars from the fields of classics, fine arts, history of religion, New Testament, ancient Christianity, and archaeology. The studies were presented at a spring 1994 Harvard Divinity School symposium on Ephesos, focusing on the results of one hundred years of archaeological work at Ephesos by members of the Austrian Archaeological Institute.
The contributors to this volume discuss some of the most interesting and controversial results of recent investigations: the Processional Way of Artemis, the Hadrianic Olympieion and the Church of Mary, the so-called Temple of Domitian, and the heroes Androkolos and Arsinoe.
Since very little about the Austrian excavations at Ephesos has been published in English, this volume should prove useful in introducing the archaeology of this metropolis to a wider readership.
Focusing especially on Hercules, Blum-Sorensen explores how Valerius’ characters—and, by extension, their Roman audience—misinterpret exemplars of past achievement, or apply them to sad effect in changed circumstances. By reading such models as normative guides to epic triumph, Valerius’ Argonauts find themselves enacting tragic outcomes: effectively, the characters impose their nostalgic longing for epic triumph on the events before them, even as Valerius and his audience anticipate the tragedy awaiting his heroes. Valerius thus questions Rome’s reliance on the past as a guide to the present, allowing for doubt about the empire’s success under the new Flavian regime. It is the literary tradition’s exchange between triumphant epic and tragedy that makes the Argo’s voyage a perfect vehicle for Valerius’ exploration: the tensions between genres both raise and prohibit resolution of anxieties about how the new age—mythological or real—will turn out.
The late fifth-century anonymous Epic Histories, formerly known as the History of Armenia attributed to another unknown P‘awstos (Faustos) Buzand, form the earliest historical work written in Armenian. They are the main source for our knowledge of social structure, beliefs and customs of early Christian Armenia, and especially of the profound and lasting influence of Zoroastrian Persia on the recently converted country. This influence is evident in the very composition of the work, which owes as much to the lost oral tradition of the Iranian epic as to more familiar Classical and early Christian models.
Hence, it is unmatched for the reconstruction of the ambivalent world of the Near East in Late Antiquity at the cross roads between Classical and Iranian civilizations. Since no scholarly translation of this work into any Western language has been attempted for more than a century, much of its contribution has remained beyond the reach of most scholars. The aim of the present publication is to fill this lacuna by complementing the translation of the original Armenian text with a Commentary and Appendices that are intended to serve not only Armenian scholars but Classicists and Iranians alike.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
With its generic fusion of tall tales, science, myth, politics, and the absurd, the work also announces the emergence of the genre of modern fantasy in Bengal. A detailed introduction, bibliography, and extensive annotation bring to life the context for these stories, highlighting key intertexts, political nuances, and important mythological references. This volume also contains the first translation of a rare biographical piece on the author, which includes long autobiographical parts written by Trailokyanath himself. Carefully translated and thoroughly researched, this volume will introduce a trenchant Indian voice to the English-language readership.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore, and a literary masterpiece.
The seventh volume completes Tulsidas’s grand epic. Ram reunites with his family in Ayodhya and assumes the throne, beginning his long, utopian reign. He also delivers ethical and spiritual teachings to his brothers and subjects. Then, a fascinating narrator—an immortal sage embodied in a lowly crow—reflects on Ram’s life story while recounting how he acquired wisdom, despite setbacks, on his own mystical and devotional quest across aeons.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore, and a literary masterpiece.
In the sixth volume, Ram and his devoted allies fight the army of Ravan in a climactic battle that ends with the death of the demon king. Ram reunites with Sita, and—after her fidelity is confirmed by the burning of an illusory double—they board a flying palace to return to the city of Ayodhya, where Bharat has been waiting anxiously as his brother Ram’s fourteen-year exile nears its end.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece.
Volume 5 encompasses the story’s three middle episodes—Ram’s meetings with forest sages, his battles with demons, the kidnapping of his wife, his alliance with a race of marvelous monkeys—and climaxes with the god Hanuman’s heroic journey to the island city of Lanka to locate and comfort Sita.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece.
The third volume details the turbulent events surrounding the scheming of Prince Ram’s stepmother, who thwarts his installation on the throne of Avadh. Ram calmly accepts fourteen years of forest exile and begins his journey through the wilderness accompanied by his wife, Sita, and younger brother Lakshman. As they walk the long road, their beauty and serenity bring joy to villagers and sages dwelling in the forest.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece.
The fourth volume turns to the story of Ram’s younger half-brother Bharat. Despite efforts to place him on the throne of Avadh, Bharat refuses, ashamed that Ram has been exiled. In Bharat’s poignant pilgrimage to the forest to beg the true heir to return, Tulsidas draws an unforgettable portrait of devotion and familial love.
This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece.
This volume presents Tulsidas’s grand introduction to the Ram story, replete with philosophical and theological meditations and tales of gods, sages, and royalty. Here, the stage is set for the advent and divine mission of Ram.
This new translation into free verse conveys the passion and momentum of its inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day.
The Epic of Ram presents a new translation of the Rāmcaritmānas of Tulsidas (1543–1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece.
In the second volume, prompted by the tyranny of the demon king Ravan, Ram decides to be born on earth. Tulsidas lovingly details Ram’s infancy, childhood, and youthful adventures, the winning of Princess Sita as his bride, and the celebration of their marriage.
This new translation into free verse conveys the passion and momentum of its inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.
As a poet and storyteller, Olaf Lagercrantz approaches the works of Swedish scientist-turned-seer with the eyes of an artist, exploring the complex philosophy of one of Sweden's most famous sons with curiosity and open wonder. Lagercrantz examines Swedenborg's life, his experiences in heaven and hell, and writings about faith, the nature of the universe, and human relationships as works of literature, casting a new light on Swedenborg's ideas that often differs from the usual theological interpretations.
In Epic of the Dispossessed, Robert D. Hamner offers an insightful, well-researched analysis of Omeros, the masterful epic poem by 1992 Nobel Laureate Derek Walcott. Rich and various, Omeros is an innovative extension of the epic tradition. Despite Walcott's insistence that he violates the formulaþhe notes his autobiographical presence in the poem and the absence of classical heroic figures and epic battlesþthe poem incorporates fragments of all the definitive characteristics of the genre. Hamner establishes that through its self-reflexive textuality, Omeros complements the time-honored tradition of the epic by giving voice to the marginalized peoples of the New World.
Hamner briefly explains his perception of the epic tradition and its viability in contemporary literature. He examines Walcott's writing career and traces his development of devices, themes, techniques, and a narrative style essential to epic poetry. Although Walcott could not have fully anticipated Omeros, a retrospective view of his writing reveals the consistent accumulation of the skills and broad scope required for such an undertaking. Hamner attempts also to show that Walcott has incorporated into his personal style not only the more obvious aspects of his formal education but also uniquely West Indian cultural material and forms of expression.
Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.
Walcott's vivid, lyrical verse is visually compelling and aurally appealing. He is, however, a richly complex, allusive writer dealing with a wide range of profound human problems. Given the exciting climate of postcolonial and postmodern criticism, Walcott offers students and scholars unparalleled opportunities for challenging, creatively interpretive insights. Epic of the Dispossessed will be a valuable companion to the work that may prove to be Walcott's crowning achievement. The fresh and original Omeros stands on its own merits; nevertheless, it deserves to be examined in light of both Western tradition and its Caribbean context.
Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution—figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov—Epic Revisionism tells the fascinating story of these individuals’ return to canonical status during the darkest days of the Stalin era.
An inherently interdisciplinary project, Epic Revisionism features pieces on literary and cultural history, film, opera, and theater. This volume pairs scholarly essays with selections drawn from Stalin-era primary sources—newspaper articles, unpublished archival documents, short stories—to provide students and specialists with the richest possible understanding of this understudied phenomenon in modern Russian history.“These scholars shed a great deal of light not only on Stalinist culture but on the politics of cultural production under the Soviet system.”—David L. Hoffmann, Slavic Review
"In this book, I relate the pleasures, as well as the virtues and difficulties of a perhaps simpler than average North American life." So begins ecological thinker and writer Stephanie Mills's Epicurean Simplicity, a thoughtful paean to living, like Thoreau, a deliberate life.
Mills's account of the simple life reaches deep into classical sources of pleasure -- good food, good health, good friends, and particularly the endless delights of the natural world. Her musings about the life she desires -- and the life she has created -- ultimately led her to the third century Greek philosopher Epicurus, whose philosophy was premised on the trustworthiness of the senses, a philosophy that Mills wholeheartedly embraces. While later centuries have come to associate Epicurus's name with hedonism, Mills discovered that he extolled simplicity and prudence as the surest means to pleasure, and his thinking offers an important philosophical touchstone for the book.
As the author explains, one of the primary motivations for her pursuit of simplicity is her concern about the impacts of a consumerist lifestyle on the natural world. Mills touches on broad range of topics relating to that issue -- social justice, biological extinctions, the global economy, and also more personal aspects such as friendship, the process of country living, the joys of physical exertion, the challenges of a writer's life, and the natural history and seasonal delights of a life lived close to nature. An overarching theme is the destructiveness of consumerism, and how even a simple life affects a wide range of organisms and adds strain to the earth's systems. The author uses her own experience as an entry point to the discussion with a self-effacing humor and lyrical prose that bring big topics to a personal level.
Epicurean Simplicity is beautifully crafted, fluid, inspiring, and enlightening, examining topics of critical importance that affect us all. It celebrates the pleasures, beauty, and fulfillment of a simple life, a goal being sought by Americans from all walks of life, from harried single parents to corporate CEOs. For fans of natural history or personal narrative, for those concerned about social justice and the environment, and for those who have come to know and love Stephanie Mills through her speaking and writing, Epicurean Simplicity is a rare treasure.
Epicurus and His Philosophy was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this volume, the first comprehensive book in English about Epicurus, existing data on the life of the ancient philosopher is related to the development of his doctrine. The result is a fascinating account that challenges traditional theories and interpretations of Epicurean philosophy. Professor DeWitt demonstrates the fallacy of centuries of abuse of Epicurus and the resulting distortion of most discussions of Epicureanism that appear in standard philosophical works. Of major significance to students of philosophy and theology are the findings that show the importance of Epicureanism as a source of numerous Christian beliefs.
Speeches of praise and blame constituted a form of oratory put to brilliant and creative use in the classical Greek period (fifth to fourth century BC) and the Roman imperial period (first to fourth century AD), and they have influenced public speakers through all the succeeding ages. Yet unlike the other classical genres of rhetoric, epideictic rhetoric remains something of a mystery. It was the least important genre at the start of Greek oratory, but its role grew exponentially in subsequent periods, even though epideictic orations were not meant to elicit any action on the part of the listener, as judicial and deliberative speeches attempted to do. So why did the ancients value the oratory of praise so highly?
In Epideictic Rhetoric, Laurent Pernot offers an authoritative overview of the genre that surveys its history in ancient Greece and Rome, its technical aspects, and its social function. He begins by defining epideictic rhetoric and tracing its evolution from its first realizations in classical Greece to its eloquent triumph in the Greco-Roman world. No longer were speeches limited to tribunals, assemblies, and courts—they now involved ceremonies as well, which changed the political and social implications of public speaking. Pernot analyzes the techniques of praise, both as stipulated by theoreticians and as practiced by orators. He describes how epideictic rhetoric functioned to give shape to the representations and common beliefs of a group, render explicit and justify accepted values, and offer lessons on new values. Finally, Pernot incorporates current research about rhetoric into the analysis of praise.
The pandemic presented religion as a paradox: faith is often crucial for helping people weather life’s troubles and make difficult decisions, but how can religion continue to deliver these benefits and provide societal structure without social contact? The topical volume, An Epidemic among My People explains how the COVID-19 pandemic stress tested American religious communities and created a new politics of religion centered on public health.
The editors and contributorsconsider how the virus and government policy affected religion in America. Chapters examine the link between the prosperity gospel and conspiracy theories, the increased purchase of firearms by evangelicals, the politics of challenging public health orders as religious freedom claims, and the reactions of Christian nationalists, racial groups, and female clergy to the pandemic (and pandemic politics). As sharp lines were drawn between people and their governments during this uncertain time, An Epidemic among My People provides a comprehensive portrait of religion in American public life.
Five deadly epidemics, chiefly typhus and smallpox, struck Mexico City in the years between 1761 and 1813, claiming a minimum of fifty thousand lives. Mexico City was at that time the major metropolis of the New World and the capital of New Spain—by far the richest and most sophisticated city in that vast empire. It had the best medicines, the best doctors, and the best hospitals of the New World. What caused these devastating epidemics?
Donald B. Cooper here makes a thorough study of the problem. Based almost entirely on unpublished manuscript materials from the national archives of Mexico and the municipal archives of Mexico City, his work represents the first detailed study of the impact of epidemic disease on the history of New Spain, primarily of its capital. The course of each epidemic, its inclusive dates, the mortality it caused, and its effect upon the community are fully described.
At the time a major epidemic was in progress, the author says, all levels of government, national and local, secular and ecclesiastical, became involved in varying degrees in providing resources and leadership. The Church, wealthy corporations, and private citizens contributed the main funds. During the actual time of crisis, an outbreak could be prosecuted with remarkable success and cooperation.
Once an epidemic was over, however, little was done to prevent another. No single person or agency in Mexico City was sufficiently cognizant of the diverse problems involved to cope with them within a national or regional range—not even the viceroy. Such vital public works as aqueducts, waterlines, roads, and canals were inadequately maintained. Such essential municipal services as cleaning streets and canals, collecting garbage and refuse, and caring for the muddy, shallow cemeteries were poor if not nonexistent. Government officials, as well as the populace, were insufficiently concerned with the relation between sanitation and disease.
The practice of medicine in eighteenth-century Mexico had few scientific or professional aspects. The close relation of medicine and theology tended to inhibit experimentation that might have effectively broadened the frontiers of medical knowledge. Traditionalism acted as a barrier to the adoption of innovations. In the epidemic of 1779, for instance, inoculation—which could have saved innumerable lives—was totally rejected; in the outbreak of 1797 it was accepted only by the small upper class; when vaccination came to Mexico in 1803 it met the same militant opposition. The wonder, then, is not that so many died of disease, but that so many lived.
Terrorism is a cancer, an infection, an epidemic, a plague. For more than a century, this metaphor has figured insurgent violence as contagion in order to contain its political energies. In Epidemic Empire, Anjuli Fatima Raza Kolb shows that this trope began in responses to the Indian Mutiny of 1857 and tracks its tenacious hold through 9/11 and beyond. The result is the first book-length study to approach the global War on Terror from a postcolonial literary perspective.
Raza Kolb assembles a diverse archive from colonial India, imperial Britain, French and independent Algeria, the postcolonial Islamic diaspora, and the neoimperial United States. Anchoring her book are studies of four major writers in the colonial-postcolonial canon: Rudyard Kipling, Bram Stoker, Albert Camus, and Salman Rushdie. Across these sources, she reveals the tendency to imagine anticolonial rebellion, and Muslim insurgency specifically, as a virulent form of social contagion. Exposing the long history of this broken but persistent narrative, Epidemic Empire is a major contribution to the rhetorical history of our present moment.
In the early fall of 1897, yellow fever shuttered businesses, paralyzed trade, and caused tens of thousand of people living in the southern United States to abandon their homes and flee for their lives. Originating in Cuba, the deadly plague inspired disease-control measures that not only protected U.S. trade interests but also justified the political and economic domination of the island nation from which the pestilence came. By focusing on yellow fever, Epidemic Invasions uncovers for the first time how the devastating power of this virus profoundly shaped the relationship between the two countries.
Yellow fever in Cuba, Mariola Espinosa demonstrates, motivated the United States to declare war against Spain in 1898, and, after the war was won and the disease eradicated, the United States demanded that Cuba pledge in its new constitution to maintain the sanitation standards established during the occupation. By situating the history of the fight against yellow fever within its political, military, and economic context, Espinosa reveals that the U.S. program of sanitation and disease control in Cuba was not a charitable endeavor. Instead, she shows that it was an exercise in colonial public health that served to eliminate threats to the continued expansion of U.S. influence in the world.
Folklore studies brings important and useful perspectives to understanding cultural responses to the outbreak of disease. Through this etiological study Lee shows the similarities between the narratives of the SARS outbreak and the narratives of other contemporary disease outbreaks like AIDS and the H1N1 virus. His analysis suggests that these disease narratives do not spring up with new outbreaks or diseases but are in continuous circulation and are recycled opportunistically. Lee also explores whether this predictability of vernacular disease narratives presents the opportunity to create counter-narratives released systematically from the government or medical science to stymie the negative effects of the fearful rumors that so often inflame humanity.
With potential for practical application to public health and health policy, An Epidemic of Rumors will be of interest to students and scholars of health, medicine, and folklore.
An Epidemic of Uncertainty advances a new framework for studying social life by emphasizing something social scientists routinely omit from their theories, models, and measures–what people know they don’t know. Taking Malawi’s ongoing AIDS epidemic as an entry point, Jenny Trinitapoli shows that despite admirable declines in new HIV infections and AIDS-related mortality, an epidemic of uncertainty persists; at any given point in time, fully half of Malawian young adults don’t know their HIV status. Reckoning with the impact of this uncertainty within the bustling trading town of Balaka, Trinitapoli argues that HIV-related uncertainty is measurable, pervasive, and impervious to biomedical solutions, with consequences that expand into multiple domains of life, including relationship stability, fertility, and health. Over the duration of a groundbreaking decade-long longitudinal study, rich survey data and poignant ethnographic vignettes vividly depict how individual lives and population patterns unfold against the backdrop of an ever-evolving epidemic. Even as HIV is transformed from a progressive, fatal disease to a chronic and manageable condition, the accompanying epidemic of uncertainty remains fundamental to understanding social life in this part of the world.
Insisting that known unknowns can and should be integrated into social-scientific models of human behavior, An Epidemic of Uncertainty treats uncertainty as an enduring aspect, a central feature, and a powerful force in everyday life.
Epidemic Subjects—Radical Ontology brings together a renowned team of contributors, including Levi Bryant, Angela Melitopoulos, and Susan Stryker, who together forge a radically inclusive definition of subjectivity. Drawing on Gilles Deleuze and Félix Guattari’s concept of the “girl” as a heuristic device for examining modern society and its foundations, they tie together recent trends in philosophy and offer a concrete way forward from the conception of the “thing” or “object” privileged by new materialism, speculative realism, and other theories of subjectivity.
The colonial state in Quebec aimed to emulate British precedent and develop similar institutions that allowed authorities to prevent cholera by imposing quarantines and controlling the disease through comprehensive change to the urban environment and sanitary improvements. In Madras, however, the provincial government sought to exploit the colony for profit and was reluctant to commit its resources to measures against cholera that would alienate the city’s inhabitants. It was only in 1857, after concern rose in Britain over the health of its troops in India, that a civilizing mission of sanitary improvement was begun. As Zeheter shows, complex political and economic factors came to bear on the reshaping of each colony's environment and the urgency placed on disease control.
This is the first history of epidemics in South Africa, lethal episodes that significantly shaped this society over three centuries. Focusing on five devastating diseases between 1713 and today—smallpox, bubonic plague, “Spanish influenza,” polio, and HIV/AIDS—the book probes their origins, their catastrophic courses, and their consequences in both the short and long terms. The impacts of these epidemics ranged from the demographic—the “Spanish flu,” for instance, claimed the lives of six percent of the country’s population in six weeks—to the political, the social, the economic, the spiritual, the psychological, and the cultural. Moreover, as each of these epidemics occurred at crucial moments in the country’s history—such as during the South African War and World War I—the book also examines how these processes affected and were affected by the five epidemics. To those who read this book, history will not look the same again.
Epidemiological Change and Chronic Disease in Sub-Saharan Africa offers new and critical perspectives on the causes and consequences of recent epidemiological changes in sub-Saharan Africa, with a special focus on the increasing incidence of “non-communicable” and chronic conditions. In this book, historians, social anthropologists, public health experts, and social epidemiologists present important insights into epidemiological change in Africa beyond theories of “transition.” The volume covers a broad thematic range, including the trajectory of maternal mortality in East Africa, the smoking epidemic, the history of sugar consumption in South Africa, the causality between infectious and non-communicable diseases in Ghana and Belize, the complex relationships between adult hypertension and pediatric HIV in Botswana, and stories of cancer patients and their families in Kenya. In all, the volume provides insights drawn from historical perspectives and from the African social and clinical experience that are of value to students and researchers in global health, medical anthropology, public health, and African studies.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, “On the Spectacles.” Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist’s twelve subsequent books capture the spirit of Roman life—both public and private—in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee’s banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome’s worst-reputed emperors.
D. R. Shackleton Bailey’s translation of Martial’s often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Epilepsy and the Family: A New Guide updates Richard Lechtenberg’s classic handbook for people with seizure disorders and those closest to them. It offers coping strategies for the wide range of practical and emotional challenges that epilepsy can introduce into the family: marital and sexual difficulties, concerns about pregnancy and inheritance, drug compliance and abuse among teenagers, personality changes and suicide. This new guide addresses the personal questions that adults with epilepsy may be reluctant to ask their physician, and it offers chapters tailored to the special stresses of spouses, parents, and siblings who, like the patient, must live with a seizure disorder.
As many as two and a half million Americans have epilepsy. Thirty percent of them are children under the age of 18. And there are 125,000 newly diagnosed cases each year. A practicing neurologist with decades of clinical experience, Lechtenberg clearly and concisely explains the biology behind this complex and relatively widespread class of diseases. He discusses the various medical conditions that can cause seizures in children and adults and points out that the cause of many seizure disorders is never discovered. Patients and those who care about them will find authoritative but accessible advice on various medications and surgical approaches and the information they need to ask informed questions of their doctors. For the medical professional, this book offers important information on how to better treat the patient with epilepsy by recognizing the needs of the entire family.
This revised edition addresses:
— New drugs and surgical techniques that have been developed in the past 15 years
— Pharmaceutical and non-pharmaceutical treatment strategies
— New clinical data on drug combinations and side effects
— Up-to-date statistics for mortality, reproduction, violent behavior, divorce, and suicide
Whether fulfilling subsistence needs or featured in stories of grand adventure, hunting loomed large in the material and the imagined landscape of the nineteenth-century West. Epiphany in the Wilderness explores the social, political, economic, and environmental dynamics of hunting on the frontier in three “acts,” using performance as a trail guide and focusing on the production of a “cultural ecology of the chase” in literature, art, photography, and taxidermy.
Using the metaphor of the theater, Jones argues that the West was a crucial stage that framed the performance of the American character as an independent, resourceful, resilient, and rugged individual. The leading actor was the all-conquering masculine hunter hero, the sharpshooting man of the wilderness who tamed and claimed the West with each provident step. Women were also a significant part of the story, treading the game trails as plucky adventurers and resilient homesteaders and acting out their exploits in autobiographical accounts and stage shows.
Epiphany in the Wilderness informs various academic debates surrounding the frontier period, including the construction of nature as a site of personal challenge, gun culture, gender adaptations and the crafting of the masculine wilderness hero figure, wildlife management and consumption, memorializing and trophy-taking, and the juxtaposition of a closing frontier with an emerging conservation movement.
The University Press of Colorado gratefully acknowledges the generous support of the Charles Redd Center for Western Studies at Brigham Young University toward the publication of this book.
Ancient metricians saw Greek verse in essentially paradigmatic terms, as a mosaic of discrete feet or phrases, each with its own name and each conforming, within a permitted range of variation, to some fixed model. The syntagmatic alternative to this view offered here represents the first attempt since the early nineteenth century to make a decisive break with inherited metrical categories and assumptions. It argues that feet and phrases, to the extent that they exist at all in Greek lyric verse, tend to be present at the level of parole rather than langue—constituting one of a number of possible ways of articulating some larger rhythmical continuum. These larger rhythmical structures, comparable to the movements of a piece of Classical Western music but allowing for a more fluid bar structure, a greater variety of basic time signatures, and more frequent modulation, are the minimal independent utterances in lyric discourse.
Recognition of their existence and character allows a reduction of the bewildering multiplicity of rhythmical nomenclature to something much more simple and manageable, as well as a clearer view both of the architectonics of the Greek stanza and of the main lines of its development during the three centuries (700–400 B.C.) when rhythmical innovation and experimentation were at their height. The organization of the book is partially by genres, partially historical; its use in the study of individual passages is facilitated by a full index locorum.
These studies, by a group of outstanding American theologians, canonists, and church historians, provide a great deal of evidence for the historical basis and continuing importance of bishops' conferences in the life of the church.
This first detailed study of the bishops of Florence tells the story of a dynamic Italian lordship during the most prosperous period of the Middle Ages. Drawing upon a rich base of primary sources, George Dameron demonstrates that the nature of the Florentine episcopal lordship results from the tension between seigneurial pressure and peasant resistance. Implicit throughout is the assumption that episcopal lordship relied upon both the bishop’s jurisdictional power and his spiritual or sacramental power.
The story of the Florentine bishops illuminates important moments in Italian history. The development of the Florentine elite, for example, is closely tied to the political and economic privileges they derived from their access to ecclesiastical property. A study of the bishopric’s vast holdings in the major river valleys surrounding Florence also provides valuable insight into the nature of the interrelation between city and countryside. Comparisons with lordships in other Italian cities contrast with and define the nature of medieval lordship.
This economic, social, and political history addresses issues of concern to a wide audience of historians: the emergence of the commune, the social development of the nobility, the nature of economic change before the Black Death, and the transition from feudalism to capitalism.
How does science create knowledge? Epistemic cultures, shaped by affinity, necessity, and historical coincidence, determine how we know what we know. In this book, Karin Knorr Cetina compares two of the most important and intriguing epistemic cultures of our day, those in high energy physics and molecular biology. Her work highlights the diversity of these cultures of knowing and, in its depiction of their differences--in the meaning of the empirical, the enactment of object relations, and the fashioning of social relations--challenges the accepted view of a unified science.
By many accounts, contemporary Western societies are becoming "knowledge societies"--which run on expert processes and expert systems epitomized by science and structured into all areas of social life. By looking at epistemic cultures in two sample cases, this book addresses pressing questions about how such expert systems and processes work, what principles inform their cognitive and procedural orientations, and whether their organization, structures, and operations can be extended to other forms of social order.
The first ethnographic study to systematically compare two different scientific laboratory cultures, this book sharpens our focus on epistemic cultures as the basis of the knowledge society.
Epistemic logic is the branch of philosophical thought that seeks to formalize the discourse about knowledge. Its object is to articulate and clarify the general principles of reasoning about claims to and attributions of knowledge. This comprehensive survey of the topic offers the first systematic account of the subject as it has developed in the journal literature over recent decades.
Rescher gives an overview of the discipline by setting out the general principles for reasoning about such matters as propositional knowledge and interrogative knowledge. Aimed at graduate students and specialists, Epistemic Logic elucidates both Rescher's pragmatic view of knowledge and the field in general.
Arguing for an oral theory of Reader Response Criticism, Steven B. Katz conducts a philosophical investigation into the possibility and desirability of teaching reading and writing as rhetorical music.
In the course of this investigation, Katz deals with New Physics, the sophists, Cicero, orality, epistemology, voice, writing, temporality, and sound. He demonstrates that Reader Response Criticism—as part of a new sophistic that has entered the mainstream of pedagogy and practice in our culture—parallels the philosophy of science engendered by the Copenhagen school of New Physics, which theoretically holds that knowledge of subatomic phenomena is probable, relative, contingent, and uncertain, thus requiring more nonformalistic, nonrationalistic methods in understanding and reconstructing it; Katz shows how the same methods are required in the study of affect in reading and writing. Katz also demonstrates that, like New Physics, Reader Response Criticism, in its commitment to interpretation as the primary function and goal of writing about literature, must remain somewhat committed to the formalistic, rationalistic epistemology it seeks to redress.
Basing his oral theory of Reader Response Criticism on notions of language as physical, sensuous, and musical and understanding reception as participatory performance rather that interpretation, Katz suggests a way to reconceptualize Reader Response Criticism. He accounts for "voice," "felt sense," "dissonance," and aesthetic response generally as it is created by the temporal, musical patterns of language, noting that the physical, musical dimension of language has been relatively neglected in contemporary movements in rhetoric, composition, and literature.
Thus, set against the relationship between literature and science, especially between Reader Response Criticism and the philosophy of science engendered by New Physics, Katz examines the sophistic and Ciceronian conceptions of rhetoric. He reinterprets Cicero’s rhetorical theory in light of recent revisionist scholarship on the sophists and reevaluates his assigned position in rhetorical history as neo-Aristotelian by focusing on his oral notions of style as epistemic music. In so doing, Katz offers a new interpretation of Cicero within the sophistic tradition.
Discussing the relationship between sophistic and Ciceronian conceptions of style as an oral, physical, nonrational, indirect form of knowledge and viewing philosophical conceptions of language as sensuous, temporal gestalten or "shapes" in consciousness, Katz suggests that response to and performance of the epistemic music of language can supplement analysis and interpretation in the teaching of reading and writing and can provide less formalistic, less rationalistic foundation for a reader response criticism as a new sophistic.
In Epistemologies of Aesthetics, Dieter Mersch deconstructs and displaces the terminology that typically accompanies the question of the relationship between art and scientific truth. Identifying artistic practices as modes of thought that do not make use of language in a way that can easily be translated into scientific discourse, Mersch advocate for an aesthetic mode of thought beyond the “linguistic turn,” a way of thinking that cannot be substituted by any other disciplinary system. A sophisticated reflection on the epistemological status of the aesthetic by one of Germany’s leading philosophers, Epistemologies of Aesthetics will be of great interest within this growing field of study.
Whatever the target of our effort to know—whether we probe the origin of the cosmos, the fabric of man-made symbols and culture, or simply the layout of our immediate environment—all knowledge is grounded in natural cognitive capacities. Philosophers of knowledge must therefore make use of the science of cognition. So argues a leading epistemologist in this work of fundamental importance to philosophical thinking.
Against the traditional view, Alvin Goldman argues that logic, probability theory, and linguistic analysis cannot by themselves delineate principles of rationality or justified belief. The mind’s operations must be taken into account. Part I of his book lays the foundations of this view by addressing the major topics of epistemology: skepticism, knowledge, justification, and truth. Drawing parallels with ethical theory, it provides criteria for evaluating belief formation, problem solving, and probability judgment. Part II examines what cognitive scientists have learned about the basic processes of the mind-brain: perception, memory, representational constraints, internal codes, and so on. Looking at reliability, power, and speed, Goldman lays the groundwork for a balanced appraisal of the strengths and weaknesses of human mental processes.
In establishing a theoretical framework for the link between epistemology and cognitive science, Alvin Goldman does nothing less than redirect the entire field of study.
Epistemology and Inference was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Henry Kyburg has developed an original and important perspective on probabilistic and statistical inference. Unlike much contemporary writing by philosophers on these topics, Kyburg's work is informed by issues that have arisen in statistical theory and practice as well as issues familiar to professional philosophers. In two major books and many articles, Kyberg has elaborated his technical proposals and explained their ramifications for epistemology, decision-making, and scientific inquiry. In this collection of published and unpublished essays, Kyburg presents his novel ideas and their applications in a manner that makes them accessible to philosophers and provides specialists in probability and induction with a concise exposition of his system.
Dentière's Very Useful Epistle (1539) is the first explicit statement of reformed theology by a woman to appear in French. Addressed to Queen Marguerite of Navarre, sister of the French king Francis I, the Epistle asks the queen to help those persecuted for their religious beliefs. Dentière offers a stirring defense of women and asserts their right to teach the word of God in public. She defends John Calvin against his enemies and attacks the hierarchy of the Roman Catholic Church. Her Preface (1561) to one of Calvin's sermons criticizes immodesty and extravagance in clothing and warns the faithful to be vigilant. Undaunted in the face of suppression and ridicule, this outspoken woman persisted as an active voice in the Reformation.
Meditative missives.
Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle.
We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost.
The 124 epistles are collected in Volumes IV–VI of the Loeb Classical Library’s ten-volume edition of Seneca.
Meditative missives.
Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle.
We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost.
The 124 epistles are collected in Volumes IV–VI of the Loeb Classical Library’s ten-volume edition of Seneca.
Meditative missives.
Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle.
We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost.
The 124 epistles are collected in Volumes IV–VI of the Loeb Classical Library’s ten-volume edition of Seneca.
Epistolary Responses explores the transformative nature of epistolary fiction and criticism in letter form from a largely feminist perspective. While most scholarly work to date has focused on 17th- and 18th-century manifestations of this genre, Bower's study concentrates on epistolary fiction by contemporary American writers published between 1912 and 1988. The novels discussed, all featuring women letter writers, include: Lee Smith's Fair and Tender Ladies, John Barth's LETTERS, Alice Walker's The Color Purple, John Updike's S., Jean Webster's Daddy-Long-Legs, Upton Sinclair's Another Pamela, and Ana Castillo's The Mixquiahuala Letters.
Bower explores the influence letters have on the act of writing and writing as act, their encoded desire for reply, their incompleteness as units of narrative information, their play on ideas of absence and presence, their apparently personal and private nature, and their foregrounding of the writer's agency and authority, all of which make letters a most useful genre both for novelists and for scholars. Several of the book's "fiction" chapters include a letter from the author of the text (sometimes a critic) that complements and supplements Bower's analysis. The final part of the book explores how seven scholars--men and women--have applied letters to their own critical writing, finding that this formal move allows them to question issues of public and private discourse, the authority of signature, and the "feminine" location.
In 1941 Thelonious Monk and Kenny Clarke copyrighted “Epistrophy,” one of the best-known compositions of the bebop era. The song’s title refers to a literary device—the repetition of a word or phrase at the end of successive clauses—that is echoed in the construction of the melody. Written two decades later, Amiri Baraka’s poem “Epistrophe” alludes slyly to Monk’s tune. Whether it is composers finding formal inspiration in verse or a poet invoking the sound of music, hearing across media is the source of innovation in black art.
Epistrophies explores this fertile interface through case studies in jazz literature—both writings informed by music and the surprisingly large body of writing by jazz musicians themselves. From James Weldon Johnson’s vernacular transcriptions to Sun Ra’s liner note poems, from Henry Threadgill’s arresting song titles to Nathaniel Mackey’s “Song of the Andoumboulou,” there is an unending back-and-forth between music that hovers at the edge of language and writing that strives for the propulsive energy and melodic contours of music.
At times this results in art that gravitates into multiple media. In Duke Ellington’s “social significance” suites, or in the striking parallels between Louis Armstrong’s inventiveness as a singer and trumpeter on the one hand and his idiosyncratic creativity as a letter writer and collagist on the other, one encounters an aesthetic that takes up both literature and music as components of a unique—and uniquely African American—sphere of art-making and performance.
“An ‘epoch-making’ autobiography.”—Arnold Ages, Jewish Tribune
Epitaphs brings together more than 250 epitaphs from cemeteries, churchyards, monuments, and historical records. Some announce the cause of death with a surprisingly macabre sense of humor: “Here lies John Ross. Kicked by a hoss.” Others wryly remind readers of their own impending mortality, such as a tombstone whose rhyming inscription reads “As I am now you will surely be. / Prepare thyself to follow me.” In death as in life, many of the most famous writers were not at a loss for words. Emily Dickinson’s concise wit is evident in her headstone’s inscription “Called Back.” Yeats encouraged the horsemen of the apocalypse to “pass by.” Shakespeare’s funerary monument at Stratford-upon-Avon carries the warning “Curst be he that moves my bones,” an inscription many believe the Bard himself wrote to prevent his corpse from being exhumed in the name of research, a common practice at the time.
As tribute to a form of expression that is very much alive, Epitaphs collects some of the most intriguing examples, many of which perfectly encapsulate the person buried beneath them.
A condensed Roman history of non-Roman civilizations.
To Justin (Marcus Junian(i)us Justinus), otherwise unknown, is attributed our abbreviated version of the lost Philippic History by (Gnaeus?) Pompeius Trogus, a massive account, in forty-four books, of the non-Roman world and its civilizations, from mythic beginnings through Alexander the Great, the Hellenistic kingdoms, and Parthia. Trogus’ work thus complemented the monumental history of Rome by his Augustan contemporary, Livy, and in high style traced similar moral themes: rulers and states that lack such virtues as moderation, justice, and piety bring harm or ruin on themselves, and often on their realms as well.
Justin, working at some time in the late second to the late fourth century AD, did not produce a strict epitome or summary but what he calls “a brief anthology”: not unlike Florus (LCL 231), who used Livy’s history as the primary source for a brief but original military history of Rome, Justin freely selected what suited his own purposes, favoring “what makes pleasurable reading or serves to provide a moral,” with an eye to the kind of emotive anecdotes that might be useful to orators. He also blends Trogus’ language with borrowings from literature of subsequent generations. Justin’s anthology became one of the most widely read and influential books in the Middle Ages and Renaissance, indeed the main authority on world history other than Roman, surviving in more than 200 manuscripts.
Also included in this edition are the “Prologues,” summaries of Trogus by some other compiler, which preserve many details that Justin omits or reports differently.
A condensed Roman history of non-Roman civilizations.
To Justin (Marcus Junian(i)us Justinus), otherwise unknown, is attributed our abbreviated version of the lost Philippic History by (Gnaeus?) Pompeius Trogus, a massive account, in forty-four books, of the non-Roman world and its civilizations, from mythic beginnings through Alexander the Great, the Hellenistic kingdoms, and Parthia. Trogus’ work thus complemented the monumental history of Rome by his Augustan contemporary, Livy, and in high style traced similar moral themes: rulers and states that lack such virtues as moderation, justice, and piety bring harm or ruin on themselves, and often on their realms as well.
Justin, working at some time in the late second to the late fourth century AD, did not produce a strict epitome or summary but what he calls “a brief anthology”: not unlike Florus (LCL 231), who used Livy’s history as the primary source for a brief but original military history of Rome, Justin freely selected what suited his own purposes, favoring “what makes pleasurable reading or serves to provide a moral,” with an eye to the kind of emotive anecdotes that might be useful to orators. He also blends Trogus’ language with borrowings from literature of subsequent generations. Justin’s anthology became one of the most widely read and influential books in the Middle Ages and Renaissance, indeed the main authority on world history other than Roman, surviving in more than 200 manuscripts.
Also included in this edition are the “Prologues,” summaries of Trogus by some other compiler, which preserve many details that Justin omits or reports differently.
A very short introduction to Roman history.
Florus, born apparently in Africa, lived in Spain and in Rome during Hadrian’s time. He wrote, in succinct rhetorical style, a summary of Roman history (especially wars) in two books in order to show the early greatness and subsequent decline of Roman morals. It is based chiefly on Livy. Florus’ Epitome was perhaps planned to reach his own times, but the extant work ends with Augustus’ reign. Florus provides a useful rapid sketch of Roman military history.
Poetry by Florus is also available in the Loeb Classical Library, in Volume II of Minor Latin Poets (LCL 434).
“Mr. Allan Burns, I am here to tell you an example, the example of the Hunchbacks.” So said Paulino Yamá, traditionalist and storyteller, to Allan Burns, anthropologist and linguist, as he began one story that found its way into this book.
Paulino Yamá was just one of several master storytellers from the Yucatán Peninsula of Mexico from whom Burns learned not only the Mayan language but also the style and performance of myths, stories, riddles, prayers, and other forms of speech of their people. The result is An Epoch of Miracles, a wonderfully readable yet thoroughly scholarly set of translations from the oral literature of the Yucatec Maya, an important New World tradition never before systematically described.
An Epoch of Miracles brings us over thirty-five long narratives of things large, small, strange, and “regular” and as many delightful short pieces, such as bird lore, riddles, and definitions of anteaters, rainbows, and other commonplaces of the Mayan world. Here are profound narratives of the Feathered Serpent, the mighty Rain God Chac and his helpers, and the mysterious cult of the Speaking Cross. But because these are modern, “Petroleum Age” Maya, here too are a discussion with Cuba’s Fidel Castro and a greeting to former president Richard Nixon.
All pieces are translated ethnopoetically; examples of several genres are presented bilingually. An especially valuable feature is the indication of performance style, such as pauses and voice quality, given with each piece.
In seven epochs, Buffon reveals the main features of an evolving Earth, from its hard rock substrate to the sedimentary layers on top, from the minerals and fossils found within these layers to volcanoes, earthquakes, and rises and falls in sea level—and he even touches on age-old mysteries like why the sun shines. In one of many moments of striking scientific prescience, Buffon details evidence for species extinction a generation before Cuvier’s more famous assertion of the phenomenon. His seventh and final epoch does nothing less than offer the first geological glimpse of the idea that humans are altering the very foundations of the Earth—an idea of remarkable resonance as we debate the designation of another epoch: the Anthropocene. Also featuring Buffon’s extensive “Notes Justificatives,” in which he offers further evidence to support his assertions (and discusses vanished monstrous North American beasts—what we know as mastodons—as well as the potential existence of human giants), plus an enlightening introduction by editor and translator Jan Zalasiewicz and historians of science Sverker Sörlin, Libby Robin, and Jacques Grinevald, this extraordinary new translation revives Buffon’s quite literally groundbreaking work for a new age.
This book is also available as an open access ebook through the WAC Clearinghouse.
The court’s decision in Varnum v. Brien made Iowa only the third state in the nation to permit same-sex couples to wed—moderate, midwestern Iowa, years before such left-leaning coastal states as California and New York. And unlike the earlier decisions in Massachusetts and Connecticut, Varnum v. Brien was unanimous and unequivocal. It catalyzed the unprecedented and rapid shift in law and public opinion that continues today.
Equal Before the Law tells the stories behind this critical battle in the fight for marriage equality and traces the decision’s impact. The struggle began in 1998 with the easy passage of Iowa’s Defense of Marriage Act and took a turn, surprising to many, in 2005, when six ordinary Iowa couples signed on to Lambda Legal’s suit against the law. Their triumph in 2009 sparked a conservative backlash against the supreme court justices, three of whom faced tough retention elections that fall.
Longtime, award-winning reporters Tom Witosky and Marc Hansen talked with and researched dozens of key figures, including opponent Bob Vander Plaats, proponents Janelle Rettig and Sharon Malheiro, attorneys Roger Kuhle, Dennis Johnson, and Camilla Taylor, and politicians Matt McCoy, Mary Lundby, and Tom Vilsack, who had to weigh their careers against their convictions. Justice Mark Cady, who wrote the decision, explains why the court had to rule in favor of the plaintiffs. At the center of the story are the six couples who sacrificed their privacy to demand public respect for their families.
Through these voices, Witosky and Hansen show that no one should have been surprised by the 2009 decision. Iowans have a long history of leadership on civil rights. Just a year after Iowa became a state, its citizens adopted as their motto the phrase, “Our liberties we prize and our rights we will maintain.” And they still do today.
Johnson researched more than two dozen nunneries in northern France from the eleventh century through the thirteenth century, balancing a qualitative reading of medieval monastic documents with a quantitative analysis of a lengthy thirteenth-century visitation record which allows an important comparison of nuns and monks. A fascinating look at the world of medieval spirituality, this work enriches our understanding of women's role in premodern Europe and in church history.
A philosophical and legal argument for equal access to good lawyers and other legal resources.
Should your risk of wrongful conviction depend on your wealth? We wouldn’t dream of passing a law to that effect, but our legal system, which permits the rich to buy the best lawyers, enables wealth to affect legal outcomes. Clearly justice depends not only on the substance of laws but also on the system that administers them.
In Equal Justice, Frederick Wilmot-Smith offers an account of a topic neglected in theory and undermined in practice: justice in legal institutions. He argues that the benefits and burdens of legal systems should be shared equally and that divergences from equality must issue from a fair procedure. He also considers how the ideal of equal justice might be made a reality. Least controversially, legal resources must sometimes be granted to those who cannot afford them. More radically, we may need to rethink the centrality of the market to legal systems. Markets in legal resources entrench pre-existing inequalities, allocate injustice to those without means, and enable the rich to escape the law’s demands. None of this can be justified. Many people think that markets in health care are unjust; it may be time to think of legal services in the same way.
-Michael Ratner, President, Center for Constitutional Rights, from the foreword
"A compelling and sophisticated critique of the U.S. government's post-9/11 actions. Mack and Kelly set the stage with the historical perspective on America's response to terrorism and the assessment of terrorist threats, before launching into a comprehensive analysis of the USA Patriot Act. Their hard-hitting approach and easy-to-read style makes for a fascinating treatment of the government's legislative and executive response to the attacks."
-Michael P. Scharf, Case Western Reserve University School of Law
With its sweeping critique of the USA Patriot Act and the Bush administration's maneuvers in pursuit of terrorists, Equal Justice in the Balance is a sobering and exacting look at American legal responses to terrorism, both before and after 9/11.
The authors detail wide-ranging and persuasive evidence that American antiterrorism legislation has led to serious infringements of our civil rights. They show us how deviations from our fundamental principles of fairness and justice in times of heightened national anxiety-whether the Red Scare, World War II, or the War on Terrorism-have resulted in overreaction and excess, later requiring apologies and reparations to those victimized by a paranoia-driven justice system.
While terrorist attacks-especially on a large scale and on American soil-damage our national pride and sense of security, the authors offer powerful arguments for why we must allow our judicial infrastructure, imperfect as it is, to respond without undue interference from the politics of anger and vengeance.
Despite laws and policy measures being developed at the European, national, and local levels, job-seeking immigrants and ethnic minorities still suffer unequal access and ethnic discrimination. This important volume—divided into sections on discrimination, gender, equity policies, and diversity management—compares several European labor markets, recommends methods for conducting further research, and evaluates the actual effects of discrimination-combating policies.
This reader addresses issues in sports before Title IX and the backlash that has resulted from the policy being instituted. The editors have collected the best scholarly writing on the landmark events of the last four decades and couple these with new original essays, primary documents from court cases, administrative regulations, and relevant supporting sources. The result is the most comprehensive single-volume work on the subject.
Equal Play includes essays by many well-known sports journalists who discuss how government actions have shaped, supported, and hindered the goal of gender equality in school athletics. They discuss the history of women in sports, analyze the meaning of "equal opportunity" for female athletes, and examine shifts in arguments for and against Title IX. Equal Play will interest anyone who is concerned with gender issues in American athletics and the growth of college sports.
Contributors include: Susan Cahn, Donna de Varona, Julie Foudy, Jessica Gavora, Bil Gilbert, Christine Grant, Mariah Burton Nelson, Gary R. Roberts, Don Sabo, Larry Schwartz, Michael Sokolove, Welch Suggs, Nancy Williamson, and the editors.
An Equal Share of Freedom sheds new light on several important and interrelated dimensions of American, Jewish, and world history in the World War I era. Paying close attention to the Balfour Declaration as a hub around which to explore the period’s unfolding and turbulent social, cultural, and political developments, this collection of essays covers a diverse range of topics including Jewish doughboys, Zionist women authors, and political elites such as Golda Meir and Woodrow Wilson. The volume demonstrates the complex nature of Jewish ethnonational consciousness in the American setting and the impact of Zionism on US wartime and postwar activity.
The essays in this volume overturn timeworn assumptions that have long shaped the fields of American history and modern Jewish history. Taken as a whole, they demonstrate the war’s profound impact on American Jewish life and the transformation of American Jewry’s relationship with wider American society. These essays also illustrate the centrality of Zionism to the American Jewish experience and the extent to which American Jewry’s national consciousness and the future direction of the Zionist project were forged in the crucible of the Great War. An Equal Share of Freedom is the first volume in the Jacob Rader Marcus Series on the American Jewish Experience. In this series, Raider, Segev, and Zola highlight the myriad possibilities for expanding and deepening scholarly understanding of American Jews and the shared history of American society and the Jewish people in the twentieth century, starting with a look at World War I.
Bennion provides in-depth portraits of nineteenth-century women editors of the West and their diverse publications. The book's title takes its name from an 1898 editorial in the Wasatch Wave which described Piute Pioneer editor Candace Alice De Witt as a "maiden fair, fully equal to the occasion."Equal to the Occasion delves into the lives, publications, and historical contexts in which approximately thirty-five female editors of newspapers and other periodicals worked in the nineteenth-century West. The book covers the period from 1854, when the West's first woman editor began her work, through the turn of the century; it includes research gathered from thirteen western states. With its in-depth portraits of pioneering women editors and its appendix listing more than two hundred women and the major repositories where their extant publications are kept, Equal to the Occasion rescues from obscurity a whole panoply of nineteenth-century western women.
Engaging in sex, becoming parents, raising children: these are among the most personal decisions we make, and for people with mental retardation, these decisions are consistently challenged, regulated, and outlawed. This book is a comprehensive study of the American legal doctrines and social policies, past and present, that have governed procreation and parenting by persons with mental retardation. It argues persuasively that people with retardation should have legal authority to make their own decisions.
Despite the progress of the normalization movement, which has moved so many people with mental retardation into the mainstream since the 1960s, negative myths about reproduction and child rearing among this population persist. Martha Field and Valerie Sanchez trace these prejudices to the eugenics movement of the late nineteenth and early twentieth centuries. They show how misperceptions have led to inconsistent and discriminatory outcomes when third parties seek to make birth control or parenting decisions for people with mental retardation. They also explore the effect of these decisions on those they purport to protect. Detailed, thorough, and just, their book is a sustained argument for reform of the legal practices and social policies it describes.
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