Shem-Tov Falaquera (c. 1225–1295) was a student of the writings of Maimonides and a leading expositor of the medieval Islamic and Jewish philosophical traditions. His Epistle of the Debate (Iggeret ha-Vikkuah) is a delightful dialogue between two Jews, one learned in philosophy and the other not, about the permissibility and desirability of philosophical investigation by Jews.
It is perhaps the most important medieval text devoted to the theme of the relationship between reason and religion by a Jewish thinker, and it is an excellent introduction to Jewish philosophy. This volume contains the first critical edition of the Hebrew text of the Epistle of the Debate and an annotated English translation, the first into a modern language. The volume also includes essays on the sources of the Epistle and on Falaquera's position on the relation between reason and religion.
Contributors. Gregory S. Alexander, Margaret F. Brinig, F. H. Buckley, Robert Cooter, Steven J. Eagle, Robert C. Ellickson, Richard A. Epstein, William A. Fischel, Michael Klausner, Bruce H. Kobayashi, Geoffrey P. Miller, Timothy J. Muris, Robert H. Nelson, Eric A. Posner, Robert K. Rasmussen, Larry E. Ribstein, Roberta Romano, Paul H. Rubin, Alan Schwartz, Elizabeth S. Scott, Robert E. Scott, Michael J. Trebilcock
Jim Fisher, criminal justice professor and former FBI agent, reveals how he uncovered the framing of two boys in a pair of unrelated murders committed in 1956 and 1958.
In the first of the cases, eleven-year-old Charlie Zubryd confessed that at the age of eight, he had murdered his widowed mother by driving a hatchet into her skull. The crime was committed in the basement of the modest Zubryd home in a rural section of Sewickley Township in western Pennsylvania, an area not far from Pittsburgh. Following intense police questioning, young Zubryd confessed to the crime in March 1959, a full twenty-eight months after the bloody murder of his mother.
Too young to prosecute, Charlie Zubryd was adopted after his confession and a brief stay in a mental ward. A childless couple gave Zubryd a new name and identity. It would be twenty years before Charlie Zubryd—now going by the name Chuck Duffy—would have any contact with his biological family.
When Zubryd/Duffy made an effort to get his real family back, he was rejected because his relatives still believed he had murdered his mother. In fact, until Fisher began to investigate the case in 1989, Chuck Duffy himself was not sure he had not killed his mother during some kind of mental blackout.
The second murder occurred in 1958, two years after the Zubryd case. Thirteen-year-old Jerry Pacek endured forty-one hours of police grilling before he confessed to raping and killing fifty-year-old Lillian Steveck as she walked home one evening from a bus stop in Breckenridge, Pennsylvania. Pacek told the same Allegheny County homicide detective who had framed Charlie Zubryd that he had killed the woman with a variety of blunt objects, none of which were ever found. The thirteen-year-old boy was tried and convicted of the murder the following spring. He was sent to Camp Hill Prison, where he remained incarcerated for ten years.
Fisher’s investigation cleared the names of both the wrongfully accused boys. Because of his investigation, the Zubryd case was reopened, which led to the identification of a vicious killer. In 1991, Fisher’s investigative efforts convinced the governor of Pennsylvania to grant a full pardon to Jerry Pacek, who as a teenager had served ten years in an adult prison for a murder he had not committed.
Jim Fisher and the Zubryd and Pacek stories have been featured on a number of nationally broadcast television programs.
The Idylls of the King is one of the indisputably great long poems in the English language. Yet Tennyson's doom-laden prophecy of the fall of the West has been dismissed as a Victorian-Gothic fairy tale. John D. Rosenberg maintains that no poem of comparable magnitude has been so misread or so maligned in the twentieth century as Tennyson's symbolist masterpiece.
In The Fall of Camelot the author calls into question the modernist orthodoxy that rejects all of Victorian poetry as a Waste Land and ignores the overriding importance of Tennyson to the development of Yeats, T. S. Eliot,and the symbolists. Far from being an escapist medieval charade, the Idylls offers an apocalyptic prevision of the nightmare of modern history. Concealed under the exquisitely romantic surface of the verse is a world of obsessive sensuality and collapsing values that culminates in the "last dim weird battle the West." Perhaps the subtlest anatomy of the failure of ideality in our literature, the Idylls is not only about hazards of mistaking illusion for reality; it dramatically enacts those dangers, ensnaring the reader in the same delusions that maim and destroy the characters.
Rosenberg shows that Tennyson has created a new genre whose true originality criticism has yet to perceive. By employing landscape as a symbolic extension of character, Tennyson obliterates the gap between self and scene and frees himself from bondage toconventional narration.
Throughout the Idylls charactercannot be extricated from setting orsymbol, and neither has substanceapart from the narrative in which it isenmeshed. In essence, the narrativeis a sequence of symbols protracted intime, the symbolism a kind ofcondensed narration.
"Timescape" in the Idylls, like landscape, serves to bind all eventsof the poem into a continuous present.Arthur is at once a Christ figure andSun-King whose career parallels that ofhis kingdom, waxing and waningwith the annual cycle. At the heart ofArthur's story lies the dual cycle of hispassing and promised return.Incorporating this cycle into itsstructure, the Idylls is itself a kind ofliterary second coming of Arthur, aresurrection in Victorian England of thelong sequence of Arthuriads extendingback before Malory and forwardthrough Spenser, Dryden, Scott, andTennyson.
In the most comprehensive account to date of Walter Benjamin’s philosophy of language, Alexander Stern explores the nature of meaning by putting Benjamin in dialogue with Wittgenstein.
Known largely for his essays on culture, aesthetics, and literature, Walter Benjamin also wrote on the philosophy of language. This early work is famously obscure and considered hopelessly mystical by some. But for Alexander Stern, it contains important insights and anticipates—in some respects surpasses—the later thought of a central figure in the philosophy of language, Ludwig Wittgenstein.
As described in The Fall of Language, Benjamin argues that “language as such” is not a means for communicating an extra-linguistic reality but an all-encompassing medium of expression in which everything shares. Borrowing from Johann Georg Hamann’s understanding of God’s creation as communication to humankind, Benjamin writes that all things express meanings, and that human language does not impose meaning on the objective world but translates meanings already extant in it. He describes the transformations that language as such undergoes while making its way into human language as the “fall of language.” This is a fall from “names”—language that responds mimetically to reality—to signs that designate reality arbitrarily.
While Benjamin’s approach initially seems alien to Wittgenstein’s, both reject a designative understanding of language; both are preoccupied with Russell’s paradox; and both try to treat what Wittgenstein calls “the bewitchment of our understanding by means of language.” Putting Wittgenstein’s work in dialogue with Benjamin’s sheds light on its historical provenance and on the turn in Wittgenstein’s thought. Although the two philosophies diverge in crucial ways, in their comparison Stern finds paths for understanding what language is and what it does.
Taking place during the first half of the sixteenth century, The Fall of the King tells the story of dreamy, slacking student Mikkel Thøgersen and the entanglements that ultimately bring him into service as a mercenary under King Christian II of Denmark. Moving from the Danish countryside to Stockholm during the execution of Swedish nobility and finally to the imprisonment of Mikkel and Christian, the narrative is a lyrical encapsulation of “the fall”—the fall of country, history, individuals, and nature.
Twice voted as the most important Danish novel of the twentieth century, The Fall of the King is both an epic depiction of real events and a complex psychological novel. Half pure narration, half prose poem, its scenes of brute realism mixed with rhapsodical passages make it a work of artistic genius.
Whither the US empire? Despite Washington's military supremacy, its economic foundations have been weakening since the Vietnam war – accelerated by the great recession and credit-rating downgrade – and its global authority dented by the quagmires in Iraq and Afghanistan.
In this accessible, punchy text, Vassilis K. Fouskas and Bülent Gökay intervene in the debates that surround the US's status as an Empire. They survey the arguments amongst Marxist and critical scholars, from Immanuel Wallerstein and others who argue that the US is in decline, to those who maintain that it remains a robust superpower. By explaining how America's neo-imperial system of governance has been working since WWII, Fouskas and Gökay link the US's domestic and foreign vulnerabilities.
The Fall of the US Empire argues that the time has come to understand the US empire not by its power but by its systemic vulnerabilities of financialisation, resource depletion and environmental degradation. Its informed and accessible style will have wide appeal to students looking for an introduction to these issues.
Chaos. Frustration. Compassion. Desperation. Hope. These are the five words that author Wendy Welch says best summarize the state of foster care in the coalfields of Appalachia. Her assessment is based on interviews with more than sixty social workers, parents, and children who have gone through “the system.” The riveting stories in Fall or Fly tell what foster care is like, from the inside out.
In depictions of foster care and adoption, stories tend to cluster at the dark or light ends of the spectrum, rather than telling the day-to-day successes and failures of families working to create themselves. Who raises other people’s children? Why? What’s money got to do with it when the love on offer feels so real? And how does the particular setting of Appalachia—itself so frequently oversimplified or stereotyped—influence the way these questions play out?
In Fall or Fly, Welch invites people bound by a code of silence to open up and to share their experiences. Less inspiration than a call to caring awareness, this pioneering work of storytelling journalism explores how love, compassion, money, and fear intermingle in what can only be described as a marketplace for our nation’s greatest asset.
The idea that “states’ rights” restrain national power is riding high in American judicial and popular opinion. Here, Sotirios A. Barber shows how arguments for states’ rights, from the days of John C. Calhoun to the present, have offended common sense, logic, and bedrock constitutional principles.
To begin with, states’ rights federalism cannot possibly win the debate with national federalism owing to the very forum in which the requisite argument must occur—a national one, thanks to the Civil War—and the ordinary rules of practical argumentation. Further, the political consequences of this self-defeating logic can only hasten the loss of American sovereignty to international economic forces. Both philosophical and practical reasons compel us to consider two historical alternatives to states’ rights federalism. In the federalism of John Marshall, the nation’s most renowned jurist, the national government’s duty to ensure security, prosperity, and other legitimate national ends must take precedence over all conflicting exercises of state power. In “process” federalism, the Constitution protects the states by securing their roles in national policy making and other national decisions. Barber opts for Marshall’s federalism, but the contest is close, and his analysis takes the debate into new, fertile territory.
Affirming the fundamental importance of the Preamble, Barber advocates a conception of the Constitution as a charter of positive benefits for the nation. It is not, in his view, a contract among weak separate sovereigns whose primary function is to protect people from the central government, when there are greater dangers to confront.
At first glance, campaign finance reform looks like a good idea. McCain-Feingold, for instance, regulates campaigns by prohibiting national political parties from accepting soft money contributions from corporations, labor unions, and wealthy individuals. But are such measures, or any of the numerous and similarly restrictive proposals that have circulated through Washington in recent years, really good for our democracy?
John Samples says no, and here he takes a penetrating look into the premises and consequences of the long crusade against big money in politics. How many Americans, he asks, know that there is little to no evidence that campaign contributions really influence members of Congress? Or that so-called negative political advertising actually improves the democratic process by increasing voter turnout and knowledge? Or that limits on campaign contributions make it harder to run for office, thereby protecting incumbent representatives from losing their seats of power?
Posing tough questions such as these, Samples uncovers numerous fallacies beneath proposals for campaign finance reform. He argues that our most common concerns about money in politics are misplaced because the ideals implicit in our notion of corruption are incoherent or indefensible. The chance to regulate money in politics allows representatives to serve their own interests at a cost to their constituents. And, ironically, this long crusade against the corruption caused by campaign contributions allows public officials to reduce their vulnerability by suppressing electoral competition.
Defying long-held ssumptions and conventional political wisdom, The Fallacy of Campaign Finance Reform is a provocative and decidedly nonpartisan work that will be essential for anyone concerned about the future of American government.
This book discusses the figure of the unchaste woman in a wide range of fiction written between 1835 and 1880; serious novels by Dickens, Mrs. Gaskell, Meredith, and George Eliot; popular novels that provided light reading for middle-class women (including books by Dinah Craik, Rhoda Broughton, and Ouida); sensational fiction; propaganda for social reform; and stories in cheap periodicals such as the Family Herald and the London Journal, which reached a different and far wider audience than either serious or popular novels.
The Angel-in-the-House is an ideal commonly used to define sexual standards of the Victorian Age. Although widely considered to be the cultural "norm," the Victorian Angel, revered for her morality, domestic virtue, and dedication to the family, is more frequently depicted in the literature of the time as an anomaly. In fact, a primary concern of Victorian literature appears to be the many exceptions to this unattainable ideal, which, according to the period's madonna-or-harlot polarity, casts these exceptions as fallen women. Deborah Anna Logan presents an unusual study of this image of fallenness in Victorian literature, focusing on the links among angelic ideology, sexuality, and, more important, social deviance.
Fallenness, according to Logan, does not refer simply to women who have sexually strayed from morality; besides prostitutes, the ranks of the fallen include unmarried mothers, needlewomen, alcoholics, the insane, the childless, the anorexic, slaves, and harem women. All of these women are presented as fallen because they fail to conform to sexual and social norms. In some cases, economic need was responsible for women's failure to uphold the ideals of domesticity and motherhood that were so revered in nineteenth- century society. But other examples illustrate the power of angelic ideology to construct deviancy even out of nonsexual behaviors.
Logan's study is distinguished by its exclusive focus on women writers, including Charlotte Brontë, George Eliot, Elizabeth Gaskell, Harriet Martineau, Elizabeth Barrett Browning, Florence Nightingale, Sarah Grand, and Mary Prince. Logan utilizes primary texts from these Victorian writers as well as contemporary critics such as Catherine Gallagher and Elaine Showalter to provide the background on social factors that contributed to the construction of fallen-woman discourse. Examining novels, short stories, poetry, and travel journals, Logan successfully demonstrates the rich links between these writers and their fallen characters--links in which, for women, even the act of writing becomes a type of fallenness.
Fallenness in Victorian Women's Writing is a significant and original contribution to the study of literature. Logan's thoroughly researched and attractively presented book will be of special interest to students of Victorian and women's studies, as well as to the general reader.
The 10th anniversary edition
A Guardian Best Book about Deforestation
A New Scientist Best Book of the Year
A Taipei Times Best Book of the Year
“A perfectly grounded account of what it is like to live an indigenous life in communion with one’s personal spirits. We are losing worlds upon worlds.”
—Louise Erdrich, New York Times Book Review
“The Yanomami of the Amazon, like all the indigenous peoples of the Americas and Australia, have experienced the end of what was once their world. Yet they have survived and somehow succeeded in making sense of a wounded existence. They have a lot to teach us.”
—Amitav Ghosh, The Guardian
“A literary treasure…a must for anyone who wants to understand more of the diverse beauty and wonder of existence.”
—New Scientist
A now classic account of the life and thought of Davi Kopenawa, shaman and spokesman for the Yanomami, The Falling Sky paints an unforgettable picture of an indigenous culture living in harmony with the Amazon forest and its creatures, and its devastating encounter with the global mining industry. In richly evocative language, Kopenawa recounts his initiation as a shaman and first experience of outsiders: missionaries, cattle ranchers, government officials, and gold prospectors seeking to extract the riches of the Amazon.
A coming-of-age story entwined with a rare first-person articulation of shamanic philosophy, this impassioned plea to respect indigenous peoples’ rights is a powerful rebuke to the accelerating depredation of the Amazon and other natural treasures threatened by climate change and development.
The Falling Sky is a remarkable first-person account of the life story and cosmo-ecological thought of Davi Kopenawa, shaman and spokesman for the Yanomami of the Brazilian Amazon. Representing a people whose very existence is in jeopardy, Davi Kopenawa paints an unforgettable picture of Yanomami culture, past and present, in the heart of the rainforest--a world where ancient indigenous knowledge and shamanic traditions cope with the global geopolitics of an insatiable natural resources extraction industry.
In richly evocative language, Kopenawa recounts his initiation and experience as a shaman, as well as his first encounters with outsiders: government officials, missionaries, road workers, cattle ranchers, and gold prospectors. He vividly describes the ensuing cultural repression, environmental devastation, and deaths resulting from epidemics and violence. To counter these threats, Davi Kopenawa became a global ambassador for his endangered people. The Falling Sky follows him from his native village in the Northern Amazon to Brazilian cities and finally on transatlantic flights bound for European and American capitals. These travels constitute a shamanic critique of Western industrial society, whose endless material greed, mass violence, and ecological blindness contrast sharply with Yanomami cultural values.
Bruce Albert, a close friend since the 1970s, superbly captures Kopenawa's intense, poetic voice. This collaborative work provides a unique reading experience that is at the same time a coming-of-age story, a historical account, and a shamanic philosophy, but most of all an impassioned plea to respect native rights and preserve the Amazon rainforest.
Black civil rights leaders have long supported ethnic identity politics and prioritized the integration of political institutions, and seldom has that strategy been questioned. In False Black Power?, Jason L. Riley takes an honest, factual look at why increased black political power has not paid off in the ways that civil rights leadership has promised.
Recent decades have witnessed a proliferation of black elected officials, culminating in the historic presidency of Barack Obama. However, racial gaps in employment, income, homeownership, academic achievement, and other measures not only continue but in some cases have even widened. While other racial and ethnic groups in America have made economic advancement a priority, the focus on political capital for blacks has been a disadvantage, blocking them from the fiscal capital that helped power upward mobility among other groups.
Riley explains why the political strategy of civil rights leaders has left so many blacks behind. The key to black economic advancement today is overcoming cultural handicaps, not attaining more political power. The book closes with thoughtful responses from key thought leaders Glenn Loury and John McWhorter.
The False Dawn was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
As the author explains, the false dawn that greeted and disappointed the visitors in E. M. Forster's A Passage to India is a literary image that might serve as a value judgment of modern overseas empire in general. Commenting that the term "empire" is now badly tarnished, Professor Betts points out that no bright dawn of understanding has yet appeared on the academic horizon. With this perceptive viewpoint, he traces the course of European imperialism beginning with the Treaty of Paris in 1763 and ending with a final glance toward the Western Front in August, 1914.
Reviewing the book in the Historian, Lawrence J. Baack calls it "a clear and concise essay on the nature of European imperialism." In its review Choice says: "Undergraduates and graduate students alike will welcome this book as a readable general introduction to more technical works."
A provocative new perspective on presidential power.
Border walls, school bathrooms, student loans, gun control, diversity, abortion, climate change—today, nothing seems out of reach for the president's pen. But after all the press releases, ceremonies, and speeches, shockingly little gets done. The American presidency promises to solve America's problems, but presidents' unilateral solutions are often weak, even empty.
Kenneth Lowande argues this is no accident. The US political system is not set up to allow presidents to solve major policy problems, yet it lays these problems at their doorstep, and there is no other elected official better positioned to attract attention by appearing to govern. Like any politician, presidents are strategic actors who seek symbolic wins. They pursue executive actions, even when they know that these will fail, because doing so allows them to put on a compelling show for key constituencies. But these empty presidential actions are not without their costs: they divert energy from effective government—and, over time, undermine public trust. Drawing on thousands of executive actions, news coverage, interviews, and presidential archives, False Front shows that the real root of presidential power is in what presidents can get away with not doing.
Finalist of the 2023 SHARP History of the Book Prize
Between 1932 and 1958, thousands of children read volumes in the book series Childhood of Famous Americans. With colorful cover art and compelling—and often highly fictionalized—narrative storylines, these biographies celebrated the national virtues and achievements of famous women like Betsy Ross, Louisa May Alcott, and Amelia Earhart. Employing deep archival research, Gregory M. Pfitzer examines the editorial and production choices of the publisher and considers the influence of the series on readers and American culture more broadly.
In telling the story of how female subjects were chosen and what went into writing these histories for young female readers of the time, Pfitzer illustrates how these books shaped children’s thinking and historical imaginations around girlhood using tales from the past. Utilizing documented conversations and disagreements among authors, editors, readers, reviewers, and sales agents at Bobbs-Merrill, “Fame Is Not Just for the Fellas” places the series in the context of national debates around fame, gender, historical memory, and portrayals of children and childhood for a young reading public—charged debates that continue to this day.
Familial Forms is the first full-length study to examine how literary writers engaged the politics of genealogy that helped define the “century of revolution.” By demonstrating how conflicts over the family-state analogy intersected with the period’s battles over succession, including: the ascent of James I, the execution of Charles I, disputes over the terms of the Interregnum government, the Restoration of Charles II, the Exclusion Crisis, the deposition of James II, the ascent of William and Mary, and Anne’s failure to produce a surviving heir, this study provides a new map of the seventeenth-century politics of family in England. Beginning with a reconsideration of Jacobean patriarchalism, Familial Forms focuses on the work of John Milton, Lucy Hutchinson, John Dryden, and Mary Astell. From their contrasting political and gendered positions, these authors contemplated and contested the relevance of marriage and kinship to government. Their writing illuminates two crucial elements of England’s conflicts. First, the formal qualities of poems and prose tracts reveal that not only was there a competition among different versions of the family-state analogy, but also a competition over its very status as an analogy. Second, through their negotiations of linear and nonlinear forms, Milton, Hutchinson, Dryden, and Astell demonstrate the centrality of temporality to the period’s political battles.
Through close textual analysis of poetry, political tracts, parliamentary records, and nonliterary genealogies, Familial Forms offers a fresh understanding of the seventeenth-century politics of genealogy. It also provides new answers to long-standing critical questions about the poetic form of canonical works, such as Paradise Lost and Absalom and Achitophel, and illuminates the political significance of newly-canonical works by women writers, including Aemilia Lanyer’s Salve Deus Rex Judaeoreum, Hutchinson’s Order and Disorder, and Astell’s A Serious Proposal to the Ladies.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.In 1775, renowned pioneer Daniel Boone was commissioned to blaze a road through the Appalachian and Cumberland Plateau regions as a fledgling American nation steadily pushed westward. What would come to be known as the Wilderness Road was the first major route into the West, and it allowed settlers to migrate northwest into Kentucky and later settle parts of Ohio, Indiana, and Illinois. In 2012, Jim Dahlman stopped to stretch his legs on a brief hike into the Cumberland Gap and stumbled upon an adventure. After months of preparation, Dahlman grabbed a pack and set out to hike as accurately as possible Daniel Boone’s original trace.
In A Familiar Wilderness, Dahlman illustrates that the Wilderness Road is more than an old track through Appalachia. Many of the towns grew up along Boone’s original footpath, and people in these areas can draw direct connections to Boone himself or to other early settlers who traversed this trans-Appalachian route. Dahlman uses these and other encounters to uncover the history of the Wilderness Road and show how we are all a product of our past.
The hospitality of strangers becomes especially instrumental in making Dahlman’s hike come alive. Robert, one such stranger, offers to personally guide Dahlman over Powell Mountain. As they make their ascent, Robert provides a splendid view of the mountain, blending careful observation of their surroundings with deep knowledge of the place. A finale to Dahlman’s almost 300-mile hike occurs on Hackberry Ridge overlooking Fort Boonesborough State Park—a fitting tribute to Boone’s own arrival on the ridge famously overlooking a herd of buffalo.
A Familiar Wilderness takes readers on a winding path where geography, history, and local memory intersect with daily life, and Dahlman’s lively writing, sensitive to every detail, will bring readers into thrilling touch with a past that still shapes and challenges the present.
No other book in the field so fully combines vivid clinical examples, specific details of technique, and mature perspectives on both effectively functioning families and those seeking therapy. The views and strategies of a master clinician are presented here in such clear and precise form that readers can proceed directly from the book with comparisons and modifications to suit their own styles and working situations.
Salvador Minuchin presents six chapter-length transcripts of actual family sessions—two devoted to ordinary families who are meeting their problems with relative success; four concerned with families seeking help. Accompanying each transcript is the author’s running interpretation of what is taking place, laying particular stress on the therapist’s tactics and maneuvers.
These lively sessions are interpreted in a brilliant theoretical analysis of why families develop problems and what it takes to set them right. The author constructs a model of an effectively functioning family and defines the boundaries around its different subsystems, whether parental, spouse, or sibling. He discusses ways in which families adapt to stress from within and without, as they seek to survive and grow.
Dr. Minuchin describes methods of diagnosing or “mapping” problems of the troubled family and determining appropriate therapeutic goals and strategies. Different situations, such as the extended family, the family with a parental child, and the family in transition through death or divorce, are examined. Finally, the author explores the dynamics of change, examining the variety of restructuring operations that can be employed to challenge a family and to change its basic patterns.
In a developing nation like the Philippines, many mothers provide for their families by traveling to a foreign country to care for someone else’s. Families Apart focuses on Filipino overseas workers in Canada to reveal what such arrangements mean for families on both sides of the global divide.
The outcome of Geraldine Pratt’s collaboration with the Philippine Women Centre of British Columbia, this study documents the difficulties of family separation and the problems that children have when they reunite with their mothers in Vancouver. Aimed at those who have lived this experience, those who directly benefit from it, and those who simply stand by and watch, Families Apart shows how Filipino migrant domestic workers—often mothers themselves—are caught between competing neoliberal policies of sending and receiving countries and how, rather than paying rich returns, their ambitions as migrants often result in social and economic exclusion for themselves and for their children. This argument takes shape as an open-ended series of encounters, moving between a singular academic voice and the “we” of various research collaborations, between Vancouver and the Philippines, and between genres of “evidence-based” social scientific research, personal testimony, theatrical performance, and nonfictional narrative writing.
Through these experiments with different modes of storytelling, Pratt seeks to transform frameworks of perception, to create and collect sympathetic witnesses—in short, to promote a wide-ranging public discussion and debate about a massive worldwide shift in family (and nonfamily) relations of intimacy and care.
Too many American families—unstable, broken, often poor—are in serious peril, and both the reality of the situation and the myths obscuring that reality call for attention and swift action. In this most incisive analysis of the parlous state of the family today, Marian Wright Edelman, President of the Children’s Defense Fund, charts what is happening, exposes myths, and sets a bold agenda to strengthen families and protect children. In brilliant strokes and with abundant detail, Edelman describes family conditions over a generation—the rising curve of teenage pregnancy, the overwhelming joblessness of young blacks, the trend toward single-parent households, the increase in hungry and neglected children.
Dispelling common assumptions about these bleak phenomena, she shows that the birth rate for black unmarried women is stabilizing while that for unmarried whites continues to rise, that Aid to Dependent Children does not cause teenage pregnancy or births, and that the child poverty rate has increased two-thirds for whites in recent years, as opposed to one-sixth for black children. Overall, whites are losing ground faster than blacks. Speaking for a growing number of social commentators, she finds the key to explain the rising proportion of births to single black mothers: a lost generation of fathers—young black males unable to marry and support a family, jobless from lack of education and training.
What can be done? Edelman links the family and child poverty crisis to the fragile and ephemeral commitment of government to assist the needy. She suggests establishing a partnership between government, the private sector, and the black community to ensure children food, clothing, housing, medical care, and education. “Preventive investment strategies”—providing health, nutrition, and child care, raising the minimum wage, preventing teenage pregnancies, and opening up educational and employment opportunities for heads of families—will benefit us all. A passionate call to act now, to give real meaning to traditional American instincts for decency, this book is essential reading for everyone committed to preserving the nation’s future.
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
Some fundamental questions about the individual and the family in communal life are raised in this first collection of essays in English by Israeli sociologist Yonina Talmon. The author, who hitherto has been known to students of revolutionary and collectivist societies mainly through her journal articles, was engaged in an extensive study of the kibbutz at the time of her death in 1966. The decade of research conducted in representative kibbutzim, in cooperation with the Federation of Kevutzot and Kibbutzim, included interviews with kibbutz members as well as observation of kibbutz life. The author gives here a general report on the findings, followed by the results of seven specific investigations that shed light on major problems of many societies: social structure and family size; children’s sleeping and family eating arrangements; occupational placement of the second generation; mate selection; aging; social differentiation; and secular asceticism.
“This collection of essays,” writes S. N. Eisenstadt in his Introduction, “represents a landmark in the development of the sociological study of the kibbutz movement.” Yonina Talmon’s “work not only opened up the kibbutz to sociological research, but put the research on kibbutz life in the forefront or sociological thinking and analysis.”
Now available in paperback, Kevin O’Neill’s highly praised study of rural Ireland in the years leading up to the "Great Hunger" of the 1840s explicates the social, economic, and demographic conditions of the era. He argues that overpopulation and deprivation were inextricably linked to a third variable—the rapid economic development of rural Ireland that was shaped by British interests.
Family and Frontier in Colonial Brazil was originally published by the University of California Press in 1992. Alida Metcalf has written a new preface for this first paperback edition.
"Swimming and sex seemed a lot alike to me when I was growing up. You took off most of your clothes to do them and you only did them with people who were the same color as you. As your daddy got richer, you got to do them in fancier places." Starting with her father, who never met a whitetail buck he couldn't shoot, a whiskey bottle he couldn't empty, or a woman he couldn't charm, and her mother, who "invented road rage before 1960," Melissa Delbridge introduces us to the people in her own family bible. Readers will find elements of Southern Gothic and familiar vernacular characters, but Delbridge endows each with her startling and original interpretation. In this disarmingly unguarded and unapologetic memoir, she shows us what really happened in the "stew of religion and sex" that was 1960s Tuscaloosa.
This history of three powerful family firms located in different European countries takes place over a period of more than two hundred years. The interplay and the changing social and legal arrangements of the families shaped the development of a European capitalism quite different from the Anglo-American variety.
Qualifying claims by Alfred Chandler and David Landes that family firms tend to be dysfunctional, Harold James shows how and why these steel and engineering firms were successful over long periods of time. Indeed, he sees the family enterprise as particularly conducive to managing risk during periods of upheaval and uncertainty when both states and markets are disturbed. He also identifies the key roles played by women executives during such times.
In Family Capitalism, James tells how "iron masters" of a classical industrial cast were succeeded by new generations who wanted to shift to information-age systems technologies, and how families and firms wrestled with social and economic changes that occasionally tore them apart. Finally, the author shows how the trajectories of the firms were influenced by political, military, economic, and social events and how these firms illuminate a European model of "relationship capitalism."
How can ordinary Christians find moral guidance for the mundane dilemmas they confront in their daily lives? To answer this question, Julie Hanlon Rubio brings together a rich Catholic theology of marriage and a strong commitment to social justice to focus on the place where the ethics of ordinary life are played out: the family.
Sex, money, eating, spirituality, and service. According to Rubio, all are areas for practical application of an ethics of the family. In each area, intentional practices can function as acts of resistance to a cultural and middle-class conformity that promotes materialism over relationships. These practices forge deep connections within the family and help families live out their calling to be in solidarity with others and participate in social change from below. It is through these everyday moral choices that most Christians can live out their faith—and contribute to progress in the world.
Family forms are changing rapidly in Western society, and with them, the microenvironments within which men, women, and children live together. Stuart Aitken argues that, whether environment is taken as physical space or as a metaphor for the social, economic, and psychological basis of families, there remains a tendency to keep defining the meaning of families and communities in terms of older, traditional, "imagined," and idealized structures of politics, gender, and geography.
Using the stories of several families in San Diego, Aitken describes geographies of everyday life that contest definitions of cities and communities as mosaics reflecting patterns of social relations. He begins inside the family circle, looking at patriarchal power and the subordination of women, men, and children. Moving beyond the household, he then stresses the importance of place in defining the social and political character of communities and families' interplay within them--whether "communities" are viewed as neighborhoods, towns, or organizations that provide space for fellowship and common purpose. In turn, he shows that as the individual child reaches beyond family life to find a place in these communities, political cultures are reproduced through the child.
Aitken suggests ways in which individual and family identities are complexly intertwined with the cultural politics of communities, cities, and regions. He concludes that family and community spaces reproduce and reconstruct themselves daily according to divisions of race, class, gender, and differential access to housing, work, and child-care.
From its beginnings in the 1880s as a thrifty New England family enterprise, Norton Company has played an important role in the business and technological history of the United States. It came on the scene with a new product vital to the rapidly industrializing economy, man-made abrasive materials, and by World War I was among the nation's 400 largest industrial enterprises. The firm had become multinational by 1910, and by 1980 it employed over 25,000 people in 120 plants in 28 countries. This 100-year-old billion-dollar enterprise provides us with many insights into the character of the select group of five hundred or a thousand large, integrated, often multinational companies that have shaped and dominated the core industries of the American economy in the last century.
Yet Norton is intriguing as a case study because of its obvious differences from other firms during much of its existence. By World War I, most modern multinationals were publicly owned and professionally managed, but only in the last two decades, amid the challenges of diversification and decentralization, did the company evolve from a family-owned enterprise to public ownership and professional managers. Norton's history, so carefully detailed here from company records and interviews, illustrates both the continuity and change important in the evolution of large-scale business enterprise in the United States.
Family photographs--snapshots and portraits, affixed to the refrigerator or displayed in gilded frames, crammed into shoeboxes or cataloged in albums--preserve ancestral history and perpetuate memories. Indeed, photography has become the family's primary means of self-representation. In Family Frames Marianne Hirsch uncovers both the deception and the power behind this visual record.
Hirsch provocatively explores the photographic conventions for constructing family relationships and discusses artistic strategies for challenging those constructions. When we capture our family photographically, we are often responding to an idealized image. Contemporary artists and writers, Hirsch shows, have exposed the gap between lived reality and a perceived ideal to witness contradictions that shape visual representations of parents and children, siblings, lovers, or extended families. Exploring fiction, "imagetexts," and photographic essays, she elucidates their subversive devices, giving particular attention to literal and metaphorical masks. While permitting false impressions and misreadings, family photos have also proved a powerful means for shaping personal and cultural memory. Hirsch highlights a striking example: the wide variety of family pictures surviving the Holocaust and the wrenching displacements of late-twentieth-century history. Whether personal treasures, artistic constructions, or museum installations, these images link private memory to collective history.
The family, Cynthia Patterson demonstrates, played a key role in the political changes that mark the history of ancient Greece. From the archaic society portrayed in Homer and Hesiod to the Hellenistic age, the private world of the family and household was integral with and essential to the civic realm.
Early Greek society was rooted not in clans but in individual households, and a man's or woman's place in the larger community was determined by relationships within those households. The development of the city-state did not result in loss of the family's power and authority, Patterson argues; rather, the protection of household relationships was an important element of early public law. The interaction of civic and family concerns in classical Athens is neatly articulated by the examples of marriage and adultery laws. In law courts and in theater performances, violation of marital relationships was presented as a public danger, the adulterer as a sexual thief. This is an understanding that fits the Athenian concept of the city as the highest form of family. The suppression of the cities with the ascendancy of Alexander's empire led to a new resolution of the relationship between public and private authority: the concept of a community of households, which is clearly exemplified in Menander's plays. Undercutting common interpretations of Greek experience as evolving from clan to patriarchal state, Patterson's insightful analysis sheds new light on the role of men and women in Greek culture.
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