In December 1974, a front-page story in the New York Times revealed the explosive details of illegal domestic spying by the Central Intelligence Agency. This included political surveillance, eavesdropping, detention, and interrogation. The revelation of illegal activities over many years shocked the American public and led to investigations of the CIA by a presidential commission and committees in both houses of Congress, which found evidence of more abuse, even CIA plans for assassinations. Investigators and the public soon discovered that the CIA abuses were described in a top-secret document agency insiders dubbed the “Family Jewels.” That document became ground zero for a political firestorm that lasted more than a year. The “Family Jewels” debacle ultimately brought about greater congressional oversight of the CIA, but excesses such as those uncovered in the 1970s continue to come to light.

The Family Jewels probes the deepest secrets of the CIA and its attempts to avoid scrutiny. John Prados recounts the secret operations that constituted “Jewels” and investigators’ pursuit of the truth, plus the strenuous efforts—by the agency, the executive branch, and even presidents—to evade accountability. Prados reveals how Vice President Richard Cheney played a leading role in intelligence abuses and demonstrates that every type of “Jewel” has been replicated since, especially during the post-9/11 war on terror. The Family Jewels masterfully illuminates why these abuses are endemic to spying, shows that proper relationships are vital to control of intelligence, and advocates a system for handling “Family Jewels” crises in a democratic society.

With a new epilogue that discusses former CIA employee Edward Snowden’s revelation of massive covert surveillance by the NSA, this powerful accounting of intelligence abuses committed by the CIA from the Cold War through the war on terror reveals why such abuses and attempts to conceal them are endemic to spying and proposes how a democratic nation can rein in its spymasters.

In the wake of vast social and economic changes, the nuclear family has lost its dominance, both as an ideal and in practice. Some welcome this shift, while others see civilization itself in peril—but few move beyond ideology to develop a nuanced understanding of how families function in society. In this provocative book, Margaret F. Brinig draws on research from a variety of disciplines to offer a distinctive study of family dynamics and social policy.

Concentrating on legal reform, Brinig examines a range of subjects, including cohabitation, custody, grandparent visitation, and domestic violence. She concludes that conventional legal reforms and the social programs they engender ignore social capital: the trust and support given to families by a community. Traditional families generate much more social capital than nontraditional ones, Brinig concludes, which leads to clear rewards for the children. Firmly grounded in empirical research, Family, Law, and Community argues that family policy can only be effective if it is guided by an understanding of the importance of social capital and the advantages held by families that accrue it.

One of the law’s most important and far-reaching roles is to govern family life and family members. Family law decides who counts as kin, how family relationships are created and dissolved, and what legal rights and responsibilities come with marriage, parenthood, sibling ties, and other family bonds. Yet despite its significance, the field remains remarkably understudied and poorly understood both within and outside the legal community.

Family Law Reimagined is the first book to evaluate the canonical narratives, examples, and ideas that legal decisionmakers repeatedly invoke to explain family law and its governing principles. These stories contend that family law is exclusively local, that it repudiates market principles, that it has eradicated the imprint of common law doctrines which subordinated married women, that it is dominated by contract rules permitting individuals to structure their relationships as they choose, and that it consistently prioritizes children’s interests over parents’ rights. In this book, Jill Elaine Hasday reveals how family law’s canon misdescribes the reality of family law, misdirects attention away from the actual problems that family law confronts, and misshapes the policies that legal authorities pursue. She demonstrates how much of the “common sense” that decisionmakers expound about family law actually makes little sense.

Family Law Reimagined uncovers and critiques the family law canon and outlines a path to reform. Challenging conventional answers and asking questions that judges and lawmakers routinely overlook, it calls on us to reimagine family law.

Adoption is a hot topic--played out in the news and on TV talk shows, in advice columns and tell-all tales--but for the 25 million Americans who are members of the adoption triad of adoptees, adoptive parents, and birth parents, the true story of adoption has not been told until now. Family Matters cuts through the sealed records, changing policies, and conflicting agendas that have obscured the history of adoption in America and reveals how the practice and attitudes about it have evolved from colonial days to the present.

Amid recent controversies over sealed adoption records and open adoption, it is ever more apparent that secrecy and disclosure are the defining issues in American adoptions--and these are also the central concerns of E. Wayne Carp's book. Mining a vast range of sources (including for the first time confidential case records of a twentieth-century adoption agency), Carp makes a startling discovery: openness, not secrecy, has been the norm in adoption for most of our history; sealed records were a post-World War II aberration, resulting from the convergence of several unusual cultural, demographic, and social trends.

Pursuing this idea, Family Matters offers surprising insights into various notions that have affected the course of adoption, among them Americans' complex feelings about biological kinship versus socially constructed families; the stigma of adoption, used at times to promote both openness and secrecy; and, finally, suspect psychoanalytic concepts, such as "genealogical bewilderment," and bogus medical terms, such as "adopted child syndrome," that paint all parties to adoption as psychologically damaged.

With an unswerving gaze and incisive analysis, Carp brings clarity to a subject often muddled by extreme emotions and competing agendas. His book is essential reading for adoptees and their adoptive and biological families, and for the countless others who follow their fortunes.

The term “Abrahamic religions” has gained considerable currency in both scholarly and ecumenical circles as a way of referring to Judaism, Christianity, and Islam. In The Family of Abraham, Carol Bakhos steps back from this convention to ask a frequently overlooked question: What, in fact, is Abrahamic about these three faiths? Exploring diverse stories and interpretations relating to the portrayal of Abraham, she reveals how he is venerated in these different scriptural traditions and how scriptural narratives have been pressed into service for nonreligious purposes.

Grounding her study in a close examination of ancient Jewish textual practices, primarily midrash, as well as medieval Muslim Stories of the Prophets and the writings of the early Church Fathers, Bakhos demonstrates that ancient and early-medieval readers often embellished the image of Abraham and his family—Sarah, Hagar, Ishmael, and Isaac. Her analysis dismantles pernicious misrepresentations of Abraham’s firstborn son, Ishmael, and provocatively challenges contemporary references to Judaism and Islam as sibling religions.

As Bakhos points out, an uncritical adoption of the term “Abrahamic religions” not only blinds us to the diverse interpretations and traditions of Judaism, Christianity, and Islam but also artificially separates these faiths from their historical contexts. In correcting mistaken assumptions about the narrative and theological significance of Abraham, The Family of Abraham sheds new light on key figures of three world religions.

The silent rage that seizes a matriarch whose family is feting her eighty-ninth year.The tangle of emotions felt by a sophisticated young woman toward her elderly mother. An adolescent girl's obsessive fear of being looked at. The "giddying sense of compassion" that a blind man introduces into a young housewife's settled existence. Of such is made the world of Clarice Lispector, the Brazilian writer whose finest work is acknowledged to be her exquisitely crafted short stories. Here, in these thirteen of Lispector's most brilliantly conceived stories, mysterious and unexpected moments of crisis propel characters to self-discovery or keenly felt intuitions about the human condition. Her characters mirror states of mind. Alienated by their unsettling sense of life's absurdity, they seem at times absorbed in their interior lives and in the passions that dominate and usually defeat them.

Giovanni Pontiero's translation has been lauded by Gregory Rabassa as "magnificent."

Statistics on the American family are sobering. From 1975 to 2000, one-third of all children were born to single mothers, and one-half of all marriages ended in divorce. While children from broken homes are two to three times more likely to develop behavioral and learning difficulties, two-parent families are not immune to problems. The cost of raising children has increased dramatically, and married couples with children are now twice as likely as childless couples to file for bankruptcy. Clearly, the American family is in trouble. But how this trouble started, and what should be done about it, remain hotly contested.

In a multifaceted analysis of the current state of a complex institution, Family Transformed brings together outstanding scholars from the fields of anthropology, demography, ethics, history, law, philosophy, primatology, psychology, sociology, and theology. Demonstrating that the family is both distinctive in its own right and deeply interwoven with other institutions, the authors examine the roles of education, work, leisure, consumption, legal regulation, public administration, and biology in shaping the ways we court and marry, bear and raise children, and make and break family bonds.

International in approach, this wide-ranging volume situates current American debates over sex, marriage, and family within a global framework. Weighing mounting social science evidence that supports a continued need for the nuclear family while assessing the challenges posed by new advocacy for same-sex marriage, and delegalized coupling, the authors argue that only by reintegrating the family into a just moral order of the larger community and society can we genuinely strengthen it. This means not simply upholding traditional family values but truly grasping the family's growing diversity, sustaining its coherence, and protecting its fragility for our own sake and for the common good of society.

The quest for roots has been an enduring American preoccupation. Over the centuries, generations have sketched coats of arms, embroidered family trees, established local genealogical societies, and carefully filled in the blanks in their bibles, all in pursuit of self-knowledge and status through kinship ties. This long and varied history of Americans’ search for identity illuminates the story of America itself, according to François Weil, as fixations with social standing, racial purity, and national belonging gave way in the twentieth century to an embrace of diverse ethnicity and heritage.

Seeking out one’s ancestors was a genteel pursuit in the colonial era, when an aristocratic pedigree secured a place in the British Atlantic empire. Genealogy developed into a middle-class diversion in the young republic. But over the next century, knowledge of one’s family background came to represent a quasi-scientific defense of elite “Anglo-Saxons” in a nation transformed by immigration and the emancipation of slaves. By the mid-twentieth century, when a new enthusiasm for cultural diversity took hold, the practice of tracing one’s family tree had become thoroughly democratized and commercialized.

Today, Ancestry.com attracts over two million members with census records and ship manifests, while popular television shows depict celebrities exploring archives and submitting to DNA testing to learn the stories of their forebears. Further advances in genetics promise new insights as Americans continue their restless pursuit of past and place in an ever-changing world.

This library exhibition catalogue is a survey of current knowledge about the Ukrainian Famine of 1932-1933. Intended to be a ready source of information and documentation as well as a guide for further research, this publication consists of a concise, well-illustrated historical narrative, a brief summary of scholarly research on the subject, excerpts from a wide range of sources, and an extensive bibliography.

The following aspects of the Famine and its historical context are presented: the Ukrainian Revolution 1917-1921; the development of Bolshevik policy toward the nationalities and the peasantry; the Ukrainian Socialist Soviet Republic arid the policy of Ukrainization; the Ukrainian cultural renaissance of the 1920s; Stalin's seizure of power--purges, collectivization, and industrialization; the Famine in the contemporary western press; the Famine in memoirs and published eyewitness accounts; the Famine in literature; and commemoration of the fiftieth anniversary of the Famine.

Famine Relief in Warlord China is a reexamination of disaster responses during the greatest ecological crisis of the pre-Nationalist Chinese republic. In 1920–1921, drought and ensuing famine devastated more than 300 counties in five northern provinces, leading to some 500,000 deaths. Long credited to international intervention, the relief effort, Pierre Fuller shows, actually began from within Chinese social circles. Indigenous action from the household to the national level, modeled after Qing-era relief protocol, sustained the lives of millions of the destitute in Beijing, in the surrounding districts of Zhili (Hebei) Province, and along the migrant and refugee trail in Manchuria, all before joint foreign-Chinese international relief groups became a force of any significance.

Using district gazetteers, stele inscriptions, and the era’s vibrant Chinese press, Fuller reveals how a hybrid civic sphere of military authorities working with the public mobilized aid and coordinated migrant movement within stricken communities and across military domains. Ultimately, the book’s spotlight on disaster governance in northern China in 1920 offers new insights into the social landscape just before the region’s descent, over the next decade, into incessant warfare, political struggle, and finally the normalization of disaster itself.

After the composition of the Decameron, and under the influence of Petrarch’s humanism, Giovanni Boccaccio (1313–1375) devoted the last decades of his life to compiling encyclopedic works in Latin. Among them is Famous Women, the first collection of biographies in Western literature devoted exclusively to women.

The 106 women whose life stories make up this volume range from the exemplary to the notorious, from historical and mythological figures to Renaissance contemporaries. In the hands of a master storyteller, these brief biographies afford a fascinating glimpse of a moment in history when medieval attitudes toward women were beginning to give way to more modern views of their potential.

Famous Women, which Boccaccio continued to revise and expand until the end of his life, became one of the most popular works in the last age of the manuscript book, and had a signal influence on many literary works, including Chaucer’s Canterbury Tales and Castiglione’s Courtier. This edition presents the first English translation based on the autograph manuscript of the Latin.

In the troubled years leading up to the Civil War, newspapers in the North and South presented the arguments for and against slavery, debated the right to secede, and in general denounced opposing viewpoints with imagination and vigor. At the same time, new technologies like railroads and the telegraph lent the debates an immediacy that both enflamed emotions and brought the slavery issue into every home. 

Lorman A. Ratner and Dwight L. Teeter Jr. look at the power of America's fast-growing media to influence perception and the course of events prior to the Civil War. Drawing on newspaper accounts from across the United States, the authors look at how the media covered—and the public reacted to—major events like the Dred Scott decision, John Brown's raid on Harper's Ferry, and the election of 1860. They find not only North-South disputes about the institution of slavery but differing visions of the republic itself—and which region was the true heir to the legacy of the American Revolution.

Fandom, Now in Color gathers together seemingly contradictory narratives that intersect at the (in)visibility of race/ism in fandom and fan studies. This collection engages the problem by undertaking the different tactics of decolonization—diversifying methodologies, destabilizing canons of “must-read” scholarship by engaging with multiple disciplines, making whiteness visible but not the default against which all other kinds of racialization must compete, and decentering white fans even in those fandoms where they are the assumed majority. These new narratives concern themselves with a broad swath of media, from cosplay and comics to tabletop roleplay and video games, and fandoms from Jane the Virgin to Japan’s K-pop scene. Fandom, Now in Color asserts that no one answer or approach can sufficiently come to grips with the shifting categories of race, racism, and racial identity.

Contributors: McKenna Boeckner, Angie Fazekas, Monica Flegel, Elizabeth Hornsby, Katherine Anderson Howell, Carina Lapointe, Miranda Ruth Larsen, Judith Leggatt, Jenni Lehtinen, joan miller, Swati Moitra, Samira Nadkarni, Indira Neill Hoch, Sam Pack, Rukmini Pande, Deepa Sivarajan, Al Valentín

"To be a fan is to scream alone together." This is the discovery Hannah Ewens makes in Fangirls: how music fandom is at once a journey of self-definition and a conduit for connection and camaraderie; how it is both complicated and empowering; and how now, more than ever, fandoms composed of girls and young queer people create cultures that shape and change an entire industry.

This book is about what it means to be a fangirl.

Speaking to hundreds of fans from the UK, US, Europe, and Japan, Ewens tells the story of music fandom using its own voices, recounting previously untold or glossed-over scenes from modern pop and rock music history. In doing so, she uncovers the importance of fan devotion: how Ariana Grande represents both tragedy and resilience to her followers, or what it means to meet an artist like Lady Gaga in person. From One Directioners, to members of the Beyhive, to the author's own fandom experiences, this book reclaims the "fangirl" label for its young members, celebrating their purpose, their power, and, most of all, their passion for the music they love.

In this new biography, Beth Abelson Macleod reintroduces a figure long, and unjustly, overlooked by music history. Trained in Vienna, Bloomfield-Zeisler significantly advanced the development of classical music in the United States. Her powerful and sensitive performances, both in recital and with major orchestras, won her followers across the United States and Europe and often provided her American audiences with their first exposure to the pieces she played. The European-style salon in her Chicago home welcomed musicians, scientists, authors, artists, and politicians, while her marriage to attorney Sigmund Zeisler placed her at the center of a historical moment when Sigmund defended the anarchists in the 1886 Haymarket trial.

In its re-creation of a musical and social milieu, Fannie Bloomfield-Zeisler paints a vivid portrait of a dynamic artistic life.

Henry James called Fanny Kemble’s autobiography “one of the most animated autobiographies in the language.” Born into the first family of the British stage, Fanny Kemble was one of the most famous woman writers of the English-speaking world, a best-selling author on both sides of the Atlantic. In addition to her essays, poetry, plays, and a novel, Kemble published six works of memoir, eleven volumes in all, covering her life, which began in the first decade of the nineteenth century and ended in the last. Her autobiographical writings are compelling evidence of Kemble’s wit and talent, and they also offer a dazzling overview of her transatlantic world.

Kemble kept up a running commentary in letters and diaries on the great issues of her day. The selections here provide a narrative thread tracing her intellectual development—especially her views on women and slavery. She is famous for her identification with abolitionism, and many excerpts reveal her passionate views on the subject. The selections show a life full of personal tragedy as well as professional achievements. An elegant introduction provides a context for appreciating Kemble’s remarkable life and achievements, and the excerpts from her journals allow her, once again, to speak for herself.

With the flowering of postcolonialism, we return to Frantz Fanon, a leading theorist of the struggle against colonialism. In this thorough reinterpretation of Fanon’s texts, Ato Sekyi-Otu ensures that we return to him fully aware of the unsuspected formal complexity and substantive richness of his work. A Caribbean psychiatrist trained in France after World War II and an eloquent observer of the effects of French colonialism on its subjects from Algeria to Indochina, Fanon was a controversial figure—advocating national liberation and resistance to colonial power in his bestsellers, Black Skin, White Masks and The Wretched of the Earth.

But the controversies attending his life—and death, which some ascribed to the CIA—are small in comparison to those surrounding his work. Where admirers and detractors alike have seen his ideas as an incoherent mixture of Existentialism, Marxism, and psychoanalysis, Sekyi-Otu restores order to Fanon’s oeuvre by reading it as one dramatic dialectical narrative. Fanon’s Dialectic of Experience invites us to see Fanon as a dramatist enacting a movement of experience—the drama of social agents in the colonial context and its aftermath—in a manner idiosyncratically patterned on the narrative structure of Hegel’s Phenomenology of Spirit. By recognizing the centrality of experience to Fanon’s work, Sekyi-Otu allows us to comprehend this much misunderstood figure within the tradition of political philosophy from Aristotle to Arendt.

Whether you judge by box office receipts, industry awards, or critical accolades, science fiction films are the most popular movies now being produced and distributed around the world. Nor is this phenomenon new. Sci-fi filmmakers and audiences have been exploring fantastic planets, forbidden zones, and lost continents ever since George Méliès’ 1902 film A Trip to the Moon. In this highly entertaining and knowledgeable book, film historian and pop culture expert Douglas Brode picks the one hundred greatest sci-fi films of all time.

Brode’s list ranges from today’s blockbusters to forgotten gems, with surprises for even the most informed fans and scholars. He presents the movies in chronological order, which effectively makes this book a concise history of the sci-fi film genre. A striking (and in many cases rare) photograph accompanies each entry, for which Brode provides a numerical rating, key credits and cast members, brief plot summary, background on the film’s creation, elements of the moviemaking process, analysis of the major theme(s), and trivia. He also includes fun outtakes, including his top ten lists of Fifties sci-fi movies, cult sci-fi, least necessary movie remakes, and “so bad they’re great” classics—as well as the ten worst sci-fi movies (“those highly ambitious films that promised much and delivered nil”). So climb aboard spaceship Brode and journey to strange new worlds from Metropolis (1927) to Guardians of the Galaxy (2014).