The story of the American mining frontier can be traced through the ghost towns that dot the western landscape to this day, from the camps of California’s forty-niners to the twentieth-century ruins in the Nevada desert. These abandoned towns mark an epoch of high adventure, of quick wealth and quicker poverty, of gambling and gunslinging and hell-raising. Those who have seen the Old West movies sometimes think that the legends of the Wild West were invented by screenwriters. The ghost towns remain, and their battered ruins testify that the legends are true. Behind the tall tales is a history where a fortune could be made in a week and lost over the course of an evening.

With a historian’s attention to fact and a novelist’s gift for dramatic storytelling, celebrated science fiction author Robert Silverberg brings these adventures back to life in the rowdy splendor of their heyday in Ghost Towns of the American West. History and travelers’ tales are woven together with clarity and wit to create a lively account of a fascinating era in our history. Lorence Bjorklund’s illustrations, rich in detail, portray the ghost towns in their glory and in their dusty decline.

How is illness represented in today’s cultural texts? In Ghostbodies, Maia Dolphin-Krute argues that the illusive sick body is often made invisible—a ghost—because it does not always fit society’s definition of disability. In these pages, she reflectively engages in a philosophical discussion of the lived experience of illness alongside an examination of how language and cultural constructions influence and represent this experience in a variety of forms. The book provides a linguistic mirror through which the reader may see his or her own specific invalidity reflected, enabling an examination of what it is like to live within a ghostbody. In the end, Dolphin-Krute asks—if illness is not what it seems, what then is health?

In this exceptional book, Kucich reveals through his readings of literary and historical accounts that spiritualism helped shape the terms by which Native American, European, and African cultures interacted in America from the earliest days of contact through the present. Beginning his study with a provocative juxtaposition of the Pueblo Indian Revolt and the Salem Witchcraft trials of the seventeenth century, Kucich examin[e]s how both events forged “contact zones”— spaces of intense cultural conflict and negotiation—mediated by spiritualism. Kucich goes on to chronicle how a diverse group of writers used spiritualism to reshape a range of such contact zones. These include Rochester, New York, where Harriet Jacobs adapted the spirit rappings of the Fox Sisters and the abolitionist writings of Frederick Douglass as she crafted her own story of escape from slavery; mid-century periodicals from the Atlantic Monthly to the Cherokee Advocate to the Anglo-African Magazine; post-bellum representations of the afterlife by Elizabeth Stuart Phelps, Mark Twain and the Native Americans who developed the Ghost Dance; turn-of-the-century local color fiction by writers like Sarah Orne Jewett, Charles Chesnutt and Maria Cristina Mena; and the New England reformist circles traced in Henry James’s The Bostonians and Pauline Hopkins’s Of One Blood. Kucich’s conclusion looks briefly at New Age spiritualism, then considers the implications of a cross-cultural scholarship that draws on a variety of critical methodologies, from border and ethnic studies to feminism to post-colonialism and the public sphere. The implications of this study, which brings well-known, canonical writers and lesser-known writers into conversation with one another, are broadly relevant to the resurgent interest in religious studies and American cultural studies in general.

Through an examination of post-1997 Thai cinema and video art Arnika Fuhrmann shows how vernacular Buddhist tenets, stories, and images combine with sexual politics in figuring current struggles over notions of personhood, sexuality, and collective life. The drama, horror, heritage, and experimental art films she analyzes draw on Buddhist-informed conceptions of impermanence and prominently feature the motif of the female ghost. In these films the characters' eroticization in the spheres of loss and death represents an improvisation on the Buddhist disavowal of attachment and highlights under-recognized female and queer desire and persistence. Her feminist and queer readings reveal the entangled relationships between film, sexuality, Buddhist ideas, and the Thai state's regulation of heteronormative sexuality. Fuhrmann thereby provides insights into the configuration of contemporary Thailand while opening up new possibilities for thinking about queer personhood and femininity.

“In the top corner of the window a pale, milky-white wisp is rising almost to the top of our ten-foot ceiling…. I am startled but not afraid…. Mostly, I am engrossed; I have never seen anything like this before (or since) and it fascinates me.”

Dennis Waskul writes these lines—about his first-hand experience with the supernatural—in the introduction to his beguiling book Ghostly Encounters. Based on two years of fieldwork and interviews with 71 midwestern Americans, the Waskuls’ book is a reflexive ethnography that examines how people experience ghosts and hauntings in everyday life. The authors explore how uncanny happenings become ghosts, and the reasons people struggle with or against a will to believe. They present the variety and character of hauntings and ghostly encounters, outcomes of people telling haunted legends, and the nested consequences of ghostly experiences.

Through these stories, Ghostly Encounters seeks to understand the persistence of uncanny experiences and beliefs in ghosts in an age of reason, science, education, and technology—as well as how those beliefs and experiences both reflect and serve important social and cultural functions.

From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible.

Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.

Ghostly Fragments gathers the essays of the late Barbara C. Hodgdon, a renowned scholar of Shakespeare and performance studies. Her influential publications over thirty years reflected a remarkable intelligence, wit, and originality, as did her lectures and conference papers. Richard Abel and Peter Holland have selected essays that represent the wide sweep of Hodgdon’s scholarship, including unpublished pieces and those from hard-to-access sources. The essays reveal a thinker and writer who grows more self-reflective over time, with a distinctive, engaging, often wryly humorous voice that is accessible even to nonspecialist readers.
 
Following a general introduction by Peter Holland, the book’s five subsections (Teaching Shakespeare, Analyzing Stage Performances, Editing Shakespeare Texts, Analyzing Shakespeare Films, and “Shopping” in the Archives) are introduced in turn by scholars Miriam Gilbert, W.B. Worthen, Margaret Jane Kidnie, Richard Abel, and Pascale Aebischer. Collectively, the pieces confirm the originality and élan of Hodgdon’s thinking and writing over time, and reveal her as a natural essayist and stylist, with a distinctive engaging voice. The collection is unique in not only bringing together so much of Hodgdon's work in one place (with an extensive bibliography of her published work) but also in demonstrating how groundbreaking and influential that work has been in the field.

From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes.  

Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King.

Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not. 

The Japanese have ambivalent attitudes toward death, deeply rooted in pre-Buddhist traditions. In this scholarly but accessible work, authors Iwasaka and Toelken show that everyday beliefs and customs--particularly death traditions--offer special insight into the living culture of Japan.

Ghosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.

Through this vivid study, Jean-Claude Schmitt examines medieval religious culture and the significance of the widespread belief in ghosts, revealing the ways in which the dead and the living related to each other during the middle ages. Schmitt also discusses Augustine's influence on medieval authors; the link between dreams and autobiographical narratives; and monastic visions and folklore. Including numerous color reproductions of ghosts and ghostly trappings, this book presents a unique and intriguing look at medieval culture.

"Valuable and highly readable. . . . [Ghosts in the Middle Ages] will be of interest to many students of medieval thought and culture, but especially to those seeking a general overview of this particularly conspicuous aspect of the medieval remembrance of the dead."—Hans Peter Broedel, Medieval Review

"A fascinating study of the growing prevalence of ghost imagery in ecclesiastical and popular writing from the fifth to the fifteenth century."—Choice

Germany, which brutalized its neighbors in Europe for centuries, has mostly escaped the ghosts of the past, while Japan remains haunted in Asia. The most common explanation for this difference is that Germany knows better how to apologize; Japan is viewed as “impenitent.” Walter F. Hatch rejects the conventional wisdom and argues that Germany has achieved reconciliation with neighbors by showing that it can be a trustworthy partner in regional institutions like the European Union and NATO; Japan has never been given that opportunity (by its dominant partner, the U.S.) to demonstrate such an ability to cooperate. This book rigorously defends the argument that political cooperation—not discourse or economic exchange—best explains Germany’s relative success and Japan’s relative failure in achieving reconciliation with neighbors brutalized by each regional power in the past. It uses paired case studies (Germany-France and Japan-South Korea; Germany-Poland and Japan-China) to gauge the effect of these competing variables on public opinion over time. With numerous charts, each of the four empirical chapters illustrates the powerful causal relationship between institution building and interstate reconciliation.

“Failing schools. Underprivileged schools. Just plain bad schools.”
 
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
 
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
 
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
 
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.

In the twenty years since its original publication, The Ghosts of Berlin has become a classic, an unparalleled guide to understanding the presence of history in our built environment, especially in a space as historically contested—and emotionally fraught—as Berlin. Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Returning to the city frequently, Ladd continues to survey the urban landscape, traversing its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.

In this compelling work, Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.

"Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal

"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic

"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books

 

Drift down the Colorado River through Glen Canyon and explore the people and places that encompass the history of this majestic canyon before it drowned in the rising waters of Lake Powell.
Author Gregory Crampton led the historical investigations of Glen and San Juan Canyons from 1957 to 1963 under contract with the National Park Service. The objective was to locate and record historical sites that would be lost to the rising waters of the reservoir. This book records that effort.

First published in 1986, this edition has been revised to include several new “ghosts” of Glen Canyon, including a never-before-published foreword by Edward Abbey. It also showcases stunning color photographs by Philip Hyde and includes hundreds of black-and-white photographs taken by the original salvage crews.

This informative guide to the historic treasures of Glen Canyon includes numbered maps keyed to each location. It is a book for both the armchair traveler and the lake enthusiast eager for a journey through the past to a place few had the privilege to know.

In Ghosts of Organizations Past, Dan Ryan asks, “Why are urban communities such hard places to implement community improvement programs?” Looking at New Haven, Connecticut, and a now-defunct program called Fighting Back, which was created to build community coalitions against the abuse of alcohol and other drugs, Ryan shows how the normal properties of organizations generate apparent pathologies. He shows how the “ghosts,” or artifacts, of past organizations, both inhibited and enhanced Fighting Back's chances of success.

Ryan draws on concepts from the study of organizations, social capital, and social networks to re-think questions such as “What kind of thing is a community?” and “Why is it so difficult to build community initiatives out of organizations?” He provides a social organizational explanation for problems familiar to anyone who has been involved in community programs, issues that are usually understood as personal incompetence, turf wars, greed, or corruption.

Ghosts of Organizations Past describes the challenges of using organizations to create change in places in dire need of it.

The question of what caused the Spanish Civil War (1936–39) is the central focus of modern Spanish historiography. In Ghosts of Passion, Brian D. Bunk argues that propaganda related to the revolution of October 1934 triggered the broader conflict by accentuating existing social tensions surrounding religion and gender. Through careful analysis of the images produced in books, newspapers, posters, rallies, and meetings, Bunk contends that Spain’s civil war was not inevitable. Commemorative imagery produced after October 1934 bridged the gap between rhetoric and action by dehumanizing opponents and encouraging violent action against them.

In commemorating the uprising, revolutionaries and conservatives used the same methods to promote radically different political agendas: they deployed religious imagery to characterize the political situation as a battle between good and evil, with the fate of the nation hanging in the balance, and exploited traditional gender stereotypes to portray themselves as the defenders of social order against chaos. The resulting atmosphere of polarization combined with increasing political violence to plunge the country into civil war.

The first monograph to investigate the poetics and politics of haunting in African diaspora literature, Ghosts of the African Diaspora: Re-Visioning History, Memory, and Identity examines literary works by five contemporary writers—Fred D’Aguiar, Gloria Naylor, Paule Marshall, Michelle Cliff, and Toni Morrison. Joanne Chassot argues that reading these texts through the lens of the ghost does cultural, theoretical, and political work crucial to the writers’ engagement with issues of identity, memory, and history. Drawing on memory and trauma studies, postcolonial studies, and queer theory, this truly interdisciplinary volume makes an important contribution to the fast-growing field of spectrality studies.

Since the second quarter of the nineteenth century, changing conditions have built and emptied small and large towns across the Colorado plain. At the time when Denver was little more than an overpopulated campsite along Cherry Creek there were numerous other settlements to the east and south, each with its own dreams of growth, gold or silver strikes, railroad connections, and rising influence over the surrounding territory. In Ghosts of the Colorado Plains, Eberhart traces some 150 of these ill-fated settlements, providing accounts of their birth, peak activity, and ultimate demise.

As early trapping, mining, cattle, farming, and transportation industries brought successive waves of “easterners” into the territory, they created some of the most colorful communities of their time. The trail towns Boston and Trail City were reputed to be two of the roughest towns in the entire west. Real estate schemers and promoters offered dreams of civilization and respectability in the “cow towns.” Elsewhere, the stage stations, side of the road settlements, and farm centers arose out of the basic necessities of commerce and from a simple desire of far-flung settlers, trappers, and others for a place to congregate, celebrate, trade, brawl, and receive news from the east. Though the personalities and events which animated these communities are all but forgotten, the towns themselves are the legacy of the competing forces that opened and developed the Colorado territory.

Readers of Guide to Colorado Ghost Towns and Mining Camps will welcome Ghosts of the Colorado Plains as an extension of Eberhart’s colorful blend of history and on-site information to a larger and much neglected area of the state. Through historical records, vignettes of personalities, and over 250 photos and 80 maps, Eberhart provides ready access to the towns and settlment sites of eastern Colorado’s past. For travelers, Ghosts of the Colorado Plains offers numerous pleasant excursions and investigations; for those less inclined to take to the field in search of artifacts and sites, the book offers fascinating glimpses of Colorado’s disappearing past.

The ancient Romans quite literally surrounded themselves with the dead: masks of the dead were in the atria of their houses, funerals paraded through their main marketplace, and tombs lined the roads leading into and out of the city. In Roman literature as well, the dead occupy a prominent place, indicating a close and complex relationship between literature and society. The evocation of the dead in the Latin authors of the first century BCE both responds and contributes to changing socio-political conditions during the transition from the Republic to the Empire.
 

To understand the literary life of the Roman dead, The Ghosts of the Past develops a new perspective on Latin literature’s interaction with Roman culture. Drawing on the insights of sociology, anthropology, and performance theory, Basil Dufallo argues that authors of the late Republic and early Principate engage strategically with Roman behaviors centered on the dead and their world in order to address urgent political and social concerns. Republican literature exploits this context for the ends of political competition among the clan-based Roman elite, while early imperial literature seeks to restage the republican practices for a reformed Augustan society.

Calling into question boundaries of genre and literary form, Dufallo’s study will revise current understandings of Latin literature as a cultural and performance practice. Works as diverse as Cicero’s speeches, Propertian elegy, Horace’s epodes and satires, and Vergil’s Aeneid appear in a new light as performed texts interacting with other kinds of cultural performance from which they might otherwise seem isolated.

The Creature from the Black Lagoon, the Tingler, the Mole People—they stalked and oozed into audiences’ minds during the era that followed Boris Karloff’s Frankenstein and preceded terrors like Freddy Krueger (A Nightmare on Elm Street) and Chucky (Child’s Play). Ghouls, Gimmicks, and Gold pulls off the masks and wipes away the slime to reveal how the monsters that frightened audiences in the 1950s and 1960s—and the movies they crawled and staggered through—reflected fundamental changes in the film industry. Providing the first economic history of the horror film, Kevin Heffernan shows how the production, distribution, and exhibition of horror movies changed as the studio era gave way to the conglomeration of New Hollywood.

Heffernan argues that major cultural and economic shifts in the production and reception of horror films began at the time of the 3-d film cycle of 1953–54 and ended with the 1968 adoption of the Motion Picture Association of America’s ratings system and the subsequent development of the adult horror movie—epitomized by Rosemary’s Baby. He describes how this period presented a number of daunting challenges for movie exhibitors: the high costs of technological upgrade, competition with television, declining movie attendance, and a diminishing number of annual releases from the major movie studios. He explains that the production and distribution branches of the movie industry responded to these trends by cultivating a youth audience, co-producing features with the film industries of Europe and Asia, selling films to television, and intensifying representations of sex and violence. Shining through Ghouls, Gimmicks, and Gold is the delight of the true horror movie buff, the fan thrilled to find The Brain that Wouldn’t Die on television at 3 am.

In her warm and witty new memoir, Stella Suberman charms readers with her personal perspective as she recalls the original 1940s GI Bill.  As she writes of the bill and the epic events that spawned it, she manages, in her crisp way, to personalize and humanizes them in order to entertain and to educate.  Although her story is in essence that of two Jewish families, it echoes the story of thousands of Americans of that period.

 

Her narrative begins with her Southern family and her future husband’s Northern one – she designates herself and her husband as “Depression kids” – as they struggle through the Great Depression.  In her characteristically lively style, she recounts the major happenings of the era:  the Bonus March of World War I veterans; the attack on Pearl Harbor; the  Roosevelt/New Deal years; the rise of Hitler’s Nazi party and the Holocaust; the second World War; and the post-war period when veterans returned home to a collapsed and jobless economy.  She then takes the reader to the moment when the GI Bill appeared, the glorious moment, as she writes, when returning veterans realized they had been given a future.

 

As her husband begins work on his Ph.D., she focuses on the GI men and their wives as college life consumed them.  It is the time also of Senator Joseph McCarthy and the “Red Scare,” of the creation of an Israeli state, of the Korean War, and of other important issues, and she discusses them forthrightly.  Throughout this section she writes of how the GI’s doggedly studied, engaged in critical thinking (perhaps for the first time), discovered their voices.  As she suggests, it was not the 1930’s anymore, and the GI Bill boys were poised to give America an authentic and robust middle class.

 

Stella Suberman is the author of two popular and well-reviewed titles: The Jew Store and When It Was Our War.  In its starred review, Booklist called The Jew Store “an absolute pleasure,” and The Atlanta Journal-Constitution wrote that it was “valuable history as well as a moving story.” When It Was Our War received a starred review from Publishers Weekly, and in another starred review, Kirkus Reviews described it as “Engaging . . . A remarkable story that resonates with intelligence and insight.”  Mrs. Suberman lives with her husband, Jack, in Chapel Hill, North Carolina.

This is the first complete translation in English of Giambattista Marino’s Adone, a poem of 20 cantos written in Italian and first published in 1623 in Paris. Although Marino’s work has been characterized as a mythological poem with the tragic tale of Venus and Adonis at its core and woven through with retellings of many Greek and Roman myths, it is clear that Marino strove to write more than an Italian version of Ovid’s Metamorphoses. The highly wrought descriptive passages that permeate the poem, the allusions to contemporary political figures and events, and the rich scientific, philosophical, and theological language of many passages reflect Marino’s particular poetic style, his broad interests, and his engagement with the political and intellectual scene of early seventeenth-century Europe. One of the goals of this translation is to provide a highly accessible version of the whole poem and to expand its readership to include not only students and scholars of the romance epic and the early modern period but also curious general readers. It is hoped that this modern, annotated translation will spur new research on Marino’s poem and bear new assessments of the poem’s relation to its sources, of its influence on later literature, and of its vital connection with key issues of Marino’s time, such as scientific advancement, discovery and exploration, and the power and influence of the Catholic Church.

Translated, with introduction and notes by Thomas E. Mussio.

Marilyn Ann Moss’s Giant examines the life of one of the most influential directors to work in Hollywood from the 1930s to the 1960s. George Stevens directed such popular and significant films as Shane, Giant, A Place in the Sun, and The Diary of Anne Frank. He was the first to pair Katharine Hepburn and Spencer Tracy on film in Woman of the Year. Through the study of Stevens’s life and his production history, Moss also presents a glimpse of the workings of the classic Hollywood studio system in its glory days.
            Moss documents Stevens’s role as a powerful director who often had to battle the heads of major studios to get his films made his way. She traces the four decades Stevens was a major Hollywood player and icon, from his earliest days at the Hal Roach Studios—where he learned to be a cameraman, writer, and director for Laurel and Hardy features—up to when his films made millions at the box office and were graced by actors such as Elizabeth Taylor, James Dean, Alan Ladd, and Montgomery Clift.

The giant panda is threatened with extinction. Only about a thousand survive in the wild in China, about half of them protected in reserves. In an effort to save this remarkable species, the government of China and the World Wildlife Fund began cooperative research in 1980. The Giant Pandas of Wolong is not only the first report of this joint venture but also the first detailed account of the panda's natural history. It describes the environment, distribution, life cycle, and daily and seasonal activities of pandas in the wild.

Although giant pandas have few natural enemies, the periodic die-off of bamboo, their main food, threatens their survival. In order to understand the panda's vital link to bamboo, the research team has explored many aspects of the animal's life, collecting information on both wild and captive pandas. Though a herbivore, the panda retains the simple digestive tract of a carnivore. Unable to digest cellulose in plants, it receives relatively little nutrition from the bamboo it eats. As a result, it must eat many kilograms of bamboo each day, foraging for fourteen hours or more throughout a day and night.

Known to the Chinese for several thousand years as daxiongmao, "large bear-cat," the giant panda has defied easy classification. The authors review anatomical, biochemical, behavioral, and paleontological evidence, concluding that the animal is neither bear nor raccoon but belongs in a separate family, perhaps with the small red panda.

The giant panda has captured the imagination of the public more than any other animal. By presenting their groundbreaking and crucial research to the public, the authors of The Giant Pandas of Wolong hope to spur further research and action that will help this precious animal survive.

As the Ice Age came to an end, North America lost a stunning variety of animals. Mammoths, mastodon, llamas, ground-dwelling sloths the size of elephants, beavers the size of bears, pronghorn antelope the size of poodles, and carnivores to chase them—sabertooth cats, dire wolves, American lions and cheetahs; these and many more were gone by 10,000 years ago. Giant Sloths and Sabertooth Cats surveys all these animals, with a particular focus on the Great Basin. The book also explores the major attempts to explain the extinctions. Because some believe that they were due to the activities of human hunters, the author also reviews the archaeological evidence left by the earliest known human occupants of the Great Basin, showing that people were here at the same time and in the same places as many of the extinct animals. 

 
Were these animals abundant in the Great Basin? A detailed analysis of the distinctive assemblages of plants that now live in this region leads to a surprising, and perhaps controversial, conclusion about those abundances. 
 
If you are interested in Ice Age mammals or in the Ice Age archaeology of North America, if you are interested in the natural history of the Great Basin or the ways in which the plants of today’s landscapes might be used to understand the deeper past, you will be fascinated by this book.  

The Giant's Rival is an authoritative survey of Soviet relations with Latin America. Blasier provides a concise account of Soviet diplomatic, economic, and political-military involvement in the region, focusing on the post-1970 period.

This revised edition includes chapters analyzing developments since 1983. Blasier views the origins of the Sandinista revolution, and its relation to international Communism, and how the Nicaraguan government has grown dependent on Soviet oil, arms, and economic and political assistance.  He also describes the growing relations between the New Jewel Movement in Grenada and Moscow before it was toppled by the U.S. invasion. Blasier explains how U.S. policies have affected Soviet outcomes and makes proposals for protecting and advancing U.S. interests.

Gibbons v. Ogden, Law, and Society in the Early Republic examines a landmark decision in American jurisprudence, the first Supreme Court case to deal with the thorny legal issue of interstate commerce.

Decided in 1824, Gibbons v. Ogden arose out of litigation between owners of rival steamboat lines over passenger and freight routes between the neighboring states of New York and New Jersey. But what began as a local dispute over the right to ferry the paying public from the New Jersey shore to New York City soon found its way into John Marshall’s court and constitutional history. The case is consistently ranked as one of the twenty most significant Supreme Court decisions and is still taught in constitutional law courses, cited in state and federal cases, and quoted in articles on constitutional, business, and technological history.

Gibbons v. Ogden initially attracted enormous public attention because it involved the development of a new and sensational form of technology. To early Americans, steamboats were floating symbols of progress—cheaper and quicker transportation that could bring goods to market and refinement to the backcountry. A product of the rough-and-tumble world of nascent capitalism and legal innovation, the case became a landmark decision that established the supremacy of federal regulation of interstate trade, curtailed states’ rights, and promoted a national market economy. The case has been invoked by prohibitionists, New Dealers, civil rights activists, and social conservatives alike in debates over federal regulation of issues ranging from labor standards to gun control. This lively study fills in the social and political context in which the case was decided—the colorful and fascinating personalities, the entrepreneurial spirit of the early republic, and the technological breakthroughs that brought modernity to the masses.

 

During star-pitcher Bob Gibson’s most brilliant season, the turbulent summer of 1968, he started thirty-four games and pitched every inning in twenty-eight of them, shutting out the opponents in almost half of those complete games. After their record-breaking season, Gibson and his teammates were stunned to lose the 1968 World Series to the Detroit Tigers. For the next six years, as Bob Gibson struggled to maintain his pitching excellence at the end of his career, changes in American culture ultimately changed the St. Louis Cardinals and the business and pastime of baseball itself.

Set against the backdrop of American history and popular culture, from the protests of the Vietnam War to the breakup of the Beatles, the story of the Cardinals takes on new meaning as another aspect of the changes happening at that time. In the late 1960s, exorbitant salaries and free agency was threatening to change America’s game forever and negatively impact the smaller-market teams in Major League Baseball. As the Cardinals’ owner August A. Busch Jr. and manager Albert “Red” Schoendienst attempted to reinvent the team, restore its cohesiveness, and bring new blood in to propel the team back to contention for the pennant, Gibson remained the one constant on the team.

In looking back on his career, Gibson mourned the end of the Golden Era of baseball and believed that the changes in the game would be partially blamed on him, as his pitching success caused team owners to believe that cash-paying customers only wanted base hits and home runs. Yet, he contended, the shrinking of the strike zone, the lowering of the mound, and the softening of the traditional rancor between the hitter and pitcher forever changed the role of the pitcher in the game and created a more politically correct version of the sport.

Throughout Gibson’s Last Stand, Doug Feldmann captivates readers with the action of the game, both on and off the field, and interjects interesting and detailed tidbits on players’ backgrounds that often tie them to famous players of the past, current stars, and well-known contemporary places. Feldmann also entwines the teams history with Missouri history: President Truman and the funeral procession for President Eisenhower through St. Louis; Missouri sports legends Dizzy Dean, Mark McGwire, and Stan “the Man” Musial; and legendary announcers Harry Caray and Jack Buck. Additionally, a helpful appendix provides National League East standings from 1969 to 1975.

Bob Gibson remains one of the most unique, complex, and beloved players in Cardinals history. In this story of one of the least examined parts of his career—his final years on the team—Feldmann takes readers into the heart of his complexity and the changes that swirled around him.

In Gideon Lincecum's lifetime the United States expanded from fifteen to thirty-eight states—and Lincecum moved always with or ahead of that expansion. Possessed of a driving intellectual curiosity undeterred by lack of formal education, Lincecum examined all he confronted. He learned from Indians, he read widely, and he corresponded with the great minds of his day. In the process he became many things: physician, musician, botanist, entomologist, ornithologist, and translator of Indian dialects. His collection of information and specimens in the field of natural science was used by leading authorities. From his voluminous letters, Mrs. Burkhalter has constructed a picture of a "remarkable and delightful American who deserves a place in the history of this country."

This moving fictional memoir begins as a woman heads home after a meeting regarding her inheritance. Rebeling against the legalese uttered by the attorney, her mind drifts back to her childhood and she sees her life with sudden clarity. On the train, she jots down a few notes, which prompt the poetic outpouring of memory and emotion that make up this delicate novel.

The narrator’s mother looms large in her psyche. Labeled “eccen­tric” or “Italian,” her mother in fact suffered from what was later found to be manic depression. Without understanding the disease, the fam­ily treated the unpredictable ups and downs of her condition as they struck. During periods of paralyzing depression she was hospitalized, and the family felt abandoned. During periods of manic productivity and overdrive, she was a dedicated pharmacist, an exemplary home­maker, and an unusually knowledgeable gardener. 

This sparse novel draws the portrait of a grand and unforgettable lady, loving and unable to love at once. Her bequest is as much a ma­terial one as it is an emotional one, and, the author surmises as she glances at her own daughters, a genetic one.

Scan down a list of essential works in any introduction to anthropology course and you are likely to see Marcel Mauss’ masterpiece, The Gift. With this new translation, Mauss’ classic essay is returned to its original context, published alongside the works that framed its first publication in the 1923–24 issue of L’Année Sociologique. With a critical foreword by Bill Maurer and a new introduction by translator Jane Guyer, this expanded edition is certain to become the standard English version of the essay—a gift that keeps on giving.

Included alongside the “Essay on the Gift” are Mauss’ memorial accounts of the work of Émile Durkheim and his colleagues who were lost during World War I, as well as his scholarly reviews of influential contemporaries such as Franz Boas, J. G. Frazer, Bronislaw Malinowski, and others. Read in the context of these additional pieces, the “Essay on the Gift” is revealed as a complementary whole, a gesture of both personal and political generosity: Mauss’ honor for his fallen colleagues; his aspiration for modern society’s recuperation of the gift as a mode of repair; and his own careful, yet critical, reading of his intellectual milieu. The result sets the scene for a whole new generation of readers to study this essay alongside pieces that exhibit the erudition, political commitment, and generous collegial exchange that first nourished the essay into life.

Gift Giving brings together 21 scholars from a variety of disciplines—including consumer behavior, communications, and sociology—who are dedicated to the understanding of what motivates gift selection, presentation, and incorporation of a gift into a person's life.

Must a gift be given freely? How can we tell a gift from a bribe? Are gifts always a part of human relations—or do they lose their power and importance once the market takes hold and puts a price on every exchange? These questions are central to our sense of social relations past and present, and they are at the heart of this book by one of our most interesting and renowned historians.
In a wide-ranging look at gift giving in early modern France, Natalie Zemon Davis reveals the ways that gift exchange is crucial to understanding alliance and conflict in family life, economic relations, politics, and religion. Moving from the king’s bounty to the beggar’s alms, her book explores the modes and meanings of gift giving in every corner of sixteenth-century French society. In doing so, it arrives at a new way of considering gifts—what Davis calls "the gift register"—as a permanent feature of social relations over time. Gift giving, with its own justifications and forms in different periods, can create amity or lead to quarrels and trouble. It mixes the voluntary and the obligatory, with interested bribery at one extreme and inspired gratuitousness at the other.
Examining gifts both ethnographically (through archives, letters, and other texts) and culturally (through literary, ethical, and religious sources), Davis shows how coercive features in family life and politics, rather than competition from the market, disrupted the gift system. This intriguing book suggests that examining the significance of gifts can not only help us to understand social relations in the past, but teach us to deal graciously with each other in the present.

It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless.

Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the mission’s graceful baroque art and architecture have drawn visitors from all over the world.

Now Bernard Fontana—the leading expert on San Xavier—and award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as we’ve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier.

From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.

Amanda Wilcox offers an innovative approach to two major collections of Roman letters—Cicero’s Ad Familiares and Seneca’s Moral Epistles—informed by modern cross-cultural theories of gift-giving.
    By viewing letters and the practice of correspondence as a species of gift exchange, Wilcox provides a nuanced analysis of neglected and misunderstood aspects of Roman epistolary rhetoric and the social dynamics of friendship in Cicero’s correspondence. Turning to Seneca, she shows that he both inherited and reacted against Cicero’s euphemistic rhetoric and social practices, and she analyzes how Seneca transformed the rhetoric of his own letters from an instrument of social negotiation into an idiom for ethical philosophy and self-reflection. Though Cicero and Seneca are often viewed as a study in contrasts, Wilcox extensively compares their letters, underscoring Cicero’s significant influence on Seneca as a prose stylist, philosopher, and public figure.

In The Gift of Death, Jacques Derrida's most sustained consideration of religion to date, he continues to explore questions introduced in Given Time about the limits of the rational and responsible that one reaches in granting or accepting death, whether by sacrifice, murder, execution, or suicide. Derrida analyzes Patocka's Heretical Essays on the History of Philosophy and develops and compares his ideas to the works of Heidegger, Levinas, and Kierkegaard.

A major work, The Gift of Death resonates with much of Derrida's earlier writing and will be of interest to scholars in anthropology, philosophy, and literary criticism, along with scholars of ethics and religion.

"The Gift of Death is Derrida's long-awaited deconstruction of the foundations of the project of a philosophical ethics, and it will long be regarded as one of the most significant of his many writings."—Choice

"An important contribution to the critical study of ethics that commends itself to philosophers, social scientists, scholars of relgion . . . [and those] made curious by the controversy that so often attends Derrida."—Booklist

"Derrida stares death in the face in this dense but rewarding inquiry. . . . Provocative."—Publishers Weekly

In The Gift of Freedom, Mimi Thi Nguyen develops a new understanding of contemporary United States empire and its self-interested claims to provide for others the advantage of human freedom. Bringing together critiques of liberalism with postcolonial approaches to the modern cartography of progress, Nguyen proposes "the gift of freedom" as the name for those forces that avow to reverence aliveness and beauty, and to govern an enlightened humanity, while producing new subjects and actions—such as a grateful refugee, or enduring war—in an age of liberal empire. From the Cold War to the global war on terror, the United States simultaneously promises the gift of freedom through war and violence and administers the debt that follows. Focusing here on the figure of the Vietnamese refugee as the twice-over target of the gift of freedom—first through war, second through refuge—Nguyen suggests that the imposition of debt precludes the subjects of freedom from escaping those colonial histories that deemed them "unfree." To receive the gift of freedom then is to be indebted to empire, perhaps without end.

Near the end of the third decade of the sixteenth century, a five-volume set of madrigal and motet partbooks was assembled in Florence and sent as a gift—or "musical embassy"—to the English court of Henry VIII. The manuscript set—minus the missing altus part—has been owned since 1935 by the Newberry Library in Chicago; but until H. Colin Slim's exhaustive efforts, no thorough study of the history or contents of the partbooks had been undertaken.

At first encounter, these partbooks yield no clues concerning their provenance, their composers' names, or the reasons for their dispatch to England. In his search for this information, Professor Slim used the musicologists' customary tools, namely, biobibliography, concordances, and textual and musical analysis. But he also used bibliographers' tools not always employed by musicologists: watermarks, bindings, script, orthography, and illuminations.

As a result of his efforts, the author was able to identify nearly all the works' composers and the manuscripts' expert illuminator. He also presents a detailed description of the binding process and the probably background of the scribe, places the political and social references in the works, and determines the route the volumes may have taken after they left Henry's library.

By placing the date of the partbooks' arrival in England around 1528, Professor Slim suggests that the musical culture of the early Tudor court was less French than has hitherto been thought. Indeed, the presence of the partbooks in Henry's library makes them the earliest evidence of the Italian madrigal in England. The author also provides new and significant data on the artistic and historical position of Philippe Verdelot, the partbooks' most extensively represented composer.

Volume I of this set contains two parts. The first, dealing with the manuscript itself, contains the history of the partbooks, information on their origin, composers, texts, and their importance as a gift to Henry VIII. Part II, dealing with the music, discusses general musical traits, the motets, the madrigals, the results of collation, and the appearance of some of the Newberry motets and madrigals in other sources.

Near the end of the third decade of the sixteenth century, a five-volume set of madrigal and motet partbooks was assembled in Florence and sent as a gift—or "musical embassy"—to the English court of Henry VIII. The manuscript set—minus the missing altus part—has been owned since 1935 by the Newberry Library in Chicago; but until H. Colin Slim's exhaustive efforts, no thorough study of the history or contents of the partbooks had been undertaken.

At first encounter, these partbooks yield no clues concerning their provenance, their composers' names, or the reasons for their dispatch to England. In his search for this information, Professor Slim used the musicologists' customary tools, namely, biobibliography, concordances, and textual and musical analysis. But he also used bibliographers' tools not always employed by musicologists: watermarks, bindings, script, orthography, and illuminations.

As a result of his efforts, the author was able to identify nearly all the works' composers and the manuscripts' expert illuminator. He also presents a detailed description of the binding process and the probably background of the scribe, places the political and social references in the works, and determines the route the volumes may have taken after they left Henry's library.

By placing the date of the partbooks' arrival in England around 1528, Professor Slim suggests that the musical culture of the early Tudor court was less French than has hitherto been thought. Indeed, the presence of the partbooks in Henry's library makes them the earliest evidence of the Italian madrigal in England. The author also provides new and significant data on the artistic and historical position of Philippe Verdelot, the partbooks' most extensively represented composer.
In Volume II, Professor Slim has transcribed the music of the thirty motets and thirty madrigals for modern performance. The parts are cantus, tenor, bassus, and quintus et VI; the altus partbook is missing. Concordant sources provide the altus parts for all but four of the motets and six of the madrigals. These ten have been composed by Professor Slim. Notes at the end of each selection provide variant readings for both music and text. The Latin texts of the motets, the Italian of the madrigals, and an English translation of each appear at the end of the volume.

Because of the peculiar momentary nature of journalism, not every column can stand the test of time. But many—even those about events nearly gone from the public consciousness--contain lasting truths. A Gift of Meaning is a collection of those lasting truths from Bill Tammeus, a columnist for the Kansas City Star.

Each piece reveals Tammeus's attempt to wrestle eternal meaning from the events and experiences that sweep us along day by day.

I stopped by a homeless shelter the other day to see someone I know. As I waited, I felt rather conspicuous in my suit and tie. In fact, the friendly man at the information desk asked me if I was a pastor. I chuckled.

But as I sat in the lobby waiting to see the man I came to check on, I was struck again by what may be the most difficult of all human tasks: empathy. That is, the challenge of really putting ourselves in the shoes of others.

In the end, A Gift of Meaning is not just a presentation of found meaning, but also a call to readers to stop and think for themselves. This book is an invitation to breathe deeply and seek out the meaning of what the world heaves at us each day. It is an offering of insights that will provide fresh ways of comprehending things readers thought they already understood.

The ability to write well is difficult to gain. To write beyond the ordinary—beyond the clear and effective paragraph or book—needs craft, patience, and practice. And it has always required something more: genius, magic, a supreme gift. Professor Hunt in The Gift of the Unicorn binds the two—the craft and the gift—under a unifying light, showing both writer and reader the how and why and perhaps of good writing and of the writing that has gained, in Hunt’s words, “the friendship of time” and is called literature.
Essays include: “Beginning,” “The Web of Writing,” “The Telling,” “Spontaneity,” “Disciplined Writing,” “The Story,” “The People in the Book,” “Of Rules, Again,” and “Ending.”

Winner of the 2009 Autumn House Poetry Contest, selected by Alicia Ostriker. In Berger's third collection, she combines the philosophical with the everyday in order to examine a broken world.

Published in cooperation with the Quinault Indian Nation

Gifted Earth features traditional Native American plant knowledge, detailing the use of plants for food, medicines, and materials. It presents a rich and living tradition of plant use within the Quinault Indian Nation in a volume collaboratively developed and endorsed by that tribe.

The Quinault Reservation on the Olympic Peninsula of Washington state is a diverse tribal community, embodying the traditional knowledge of tribes along the entire Pacific Northwest coast. Its membership consists of descendants of many tribes—from the northwestern Olympic Peninsula to the northern Oregon coast—including the Quinault, but also many others who were relocated to the reservation in the nineteenth and early twentieth centuries. Individuals descended from these tribal communities, including Chinook, Chehalis, Hoh, Quileute, Queets, Cowlitz, Tillamook, Clatsop, and others, have contributed to Gifted Earth, giving it remarkable breadth and representation.

A celebration of enduring Native American knowledge, this book will help non-specialists as they discover the potential of the region’s wild plants, learning how to identify, gather, and use many of the plants that they encounter in the Northwestern landscape. Part ethnobotanical guide and part “how-to” manual, Gifted Earth also prepares plant users for the minor hazards and pitfalls that accompany their quest—from how to avoid accidentally eating a bug hidden within a salal berry to how to prevent blisters when peeling the tender stalks of cow parsnip.

As beautiful as it is informative, Gifted Earth sets the standard for a new generation of ethnobotanical guides informed by the values, vision, and voice of Native American communities eager to promote a sustainable, balanced relationship between plant users and the rich plant communities of traditional tribal lands.

A free black woman in antebellum America, Rebecca Cox Jackson (1795-1871) was an independent itinerant preacher and religious visionary who founded a Shaker community in Philadelphia that survived her death by twenty-five years. Gifts of powers containers her complete extant writings, covering the period 1830 to 1864.

What do we think about when we think about Greek food? For many, it is the meze and the traditional plates of a Greek island taverna at the height of summer. In Gifts of the Gods, Andrew and Rachel Dalby take us into and beyond the taverna in our minds to offer us a unique and comprehensive history of the foods of Greece.

Greek food is brimming with thousands of years of history, lore, and culture. The country has one of the most varied landscapes of Europe, where steep mountains, low-lying plains, rocky islands, and crystal-blue seas jostle one another and produce food and wine of immense quality and distinctive taste. The book discusses how the land was settled, what was grown in different regions, and how certain fruits, herbs, and vegetables became a part of local cuisines. Moving through history—from classical to modern—the book explores the country’s regional food identities as well as the export of Greek food to communities all over the world. The book culminates with a look at one of the most distinctive features of Greece’s food tradition—the country’s world renown hospitality. Illustrated throughout and featuring traditional recipes that blend historical and modern flavors, Gifts of the Gods is a mouth-watering account of a rich and ancient cuisine.

The Gila Monster spends 99% of its life underground, making encounters with this lizard extremely rare. Sightings are infrequent even for the biologists who study them. When one does stumble upon a Gila Monster, however, this slow-moving lizard is not easily forgotten. Advertised by orange-and-black coloration and followed by stories of venomous power, the Gila Monster carries a mystique like that of few other animals.

In this volume, authors David Brown and Neil Carmony dig out the tall tales, dispel the myths, and reveal the lizard’s true character. Through a collection of biological and historical facts mixed with entertaining stories, they have created an illuminating account of America’s largest and only poisonous lizard. Written in an engaging style, The Gila Monster is a fun and educational read for all who are intrigued by the Southwest and its most mysterious denizen.
 

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia.

These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.

This first book-length study of Irish educator, clergyman, and author Gilbert Austin as an elocutionary rhetor investigates how his work informs contemporary scholarship on delivery, rhetorical history and theory, and embodied communication. Authors Sara Newman and Sigrid Streit study Austin’s theoretical system, outlined in his 1806 book Chironomia; or A Treatise on Rhetorical Delivery—an innovative study of gestures as a viable, independent language—and consider how Austin’s efforts to incorporate movement and integrate texts and images intersect with present-day interdisciplinary studies of embodiment.

Austin did not simply categorize gesture mechanically, separating delivery from rhetoric and the discipline’s overall goals, but instead he provided a theoretical framework of written descriptions and illustrations that positions delivery as central to effective rhetoric and civic interactions. Balancing the variable physical elements of human interactions as well as the demands of communication, Austin’s system fortuitously anticipated contemporary inquiries into embodied and nonverbal communication. Enlightenment rhetoricians, scientists, and physicians relied on sympathy and its attendant vivacious and lively ideas to convey feelings and facts to their varied audiences. During the seventeenth and eighteenth-centuries, as these disciplines formed increasingly distinct, specialized boundaries, they repurposed existing, shared communication conventions to new ends. While the emerging standards necessarily diverged, each was grounded in the subjective, embodied bedrock of the sympathetic, magical tradition.

 

The British public school is an iconic institution, a training ground for the ruling elite and a symbol of national identity and tradition. But beyond the elegant architecture and evergreen playing fields is a turbulent history of teenage rebellion, sexual dissidence, and political radicalism. James Brooke-Smith wades into the wilder shores of public-school life over the last three hundred years in Gilded Youth. He uncovers armed mutinies in the late eighteenth century, a Victorian craze for flagellation, dandy-aesthetes of the 1920s, quasi-scientific discourse on masturbation, Communist scares in the 1930s, and the salacious tabloid scandals of the present day.

Drawing on personal experience, extensive research, and public school representations in poetry, school slang, spy films, popular novels, and rock music, Brooke-Smith offers a fresh account of upper-class adolescence in Britain and the role of elite private education in shaping youth culture. He shows how this central British institution has inspired a counterculture of artists, intellectuals, and radicals—from Percy Shelley and George Orwell to Peter Gabriel and Richard Branson—who have rebelled against both the schools themselves and the wider society for which they stand. Written with verve and humor in the tradition of Owen Jones’s The Establishment: And How They Get Away With It, this highly original cultural history is an eye-opening leap over the hallowed iron gates of privilege—and perturbation.

Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.

Although less of a public figure than many of his contemporaries, philosopher Gilles Deleuze was an important leader of twentieth-century thought. His life and philosophy were bound up in numerous friendships, collaborations, and disputes with several of the period’s most influential thinkers—not to mention writers, artists, and filmmakers. In this book, Frida Beckman traces Deleuze’s remarkable intellectual journey, mapping the many rich encounters from which his life and work emerged.

Beckman follows Deleuze from the salons of his early student years through his popularity as a young teacher to the extraordinarily productive phases of his philosophical work. She examines his life at the experimental University of Paris VIII and his friendships with people like Michel Foucault and Félix Guattari, and she considers how Deleuze’s philosophical developments resonate with historical, political, and philosophical events from World War II to the student uprisings in the 1960s to the Israeli/Palestinian conflict. Beckman ultimately highlights the ways that Deleuze’s legacy has influenced many branches of contemporary philosophy, offering a rich portrait of a contemporary philosopher who wrestled with some of philosophy’s most fundamental questions in fresh and necessary ways. 

Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema—The Movement-Image and The Time-Image—in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference.
Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books—including his influential work with Félix Guattari—Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.

Recounting the many live vaudeville acts and films that graced the theatre’s stage and screen, The Gillioz “Theatre Beautiful” presents a social history of entertainment through the Roaring Twenties, the Great Depression, the Second World War, the Cold War, the Sixties and the Seventies. Of note is the Springfield theatre’s hosting of three movie world premieres—with future U. S. president Ronald Reagan appearing in each.