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Gilbert and Gubar's The Madwoman in the Attic after Thirty Years
Edited by Annette R. Federico, Foreward by Sandra M. Gilbert
University of Missouri Press, 2009

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia.

These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.

The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers.
In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.
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Gilbert Austin's "Chironomia" Revisited
Sympathy, Science, and the Representation of Movement
Sara Newman and Sigrid Streit
Southern Illinois University Press, 2020
This first book-length study of Irish educator, clergyman, and author Gilbert Austin as an elocutionary rhetor investigates how his work informs contemporary scholarship on delivery, rhetorical history and theory, and embodied communication. Authors Sara Newman and Sigrid Streit study Austin’s theoretical system, outlined in his 1806 book Chironomia; or A Treatise on Rhetorical Delivery—an innovative study of gestures as a viable, independent language—and consider how Austin’s efforts to incorporate movement and integrate texts and images intersect with present-day interdisciplinary studies of embodiment.

Austin did not simply categorize gesture mechanically, separating delivery from rhetoric and the discipline’s overall goals, but instead he provided a theoretical framework of written descriptions and illustrations that positions delivery as central to effective rhetoric and civic interactions. Balancing the variable physical elements of human interactions as well as the demands of communication, Austin’s system fortuitously anticipated contemporary inquiries into embodied and nonverbal communication. Enlightenment rhetoricians, scientists, and physicians relied on sympathy and its attendant vivacious and lively ideas to convey feelings and facts to their varied audiences. During the seventeenth and eighteenth-centuries, as these disciplines formed increasingly distinct, specialized boundaries, they repurposed existing, shared communication conventions to new ends. While the emerging standards necessarily diverged, each was grounded in the subjective, embodied bedrock of the sympathetic, magical tradition.

 
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Gilded Youth
Privilege, Rebellion and the British Public School
James Brooke-Smith
Reaktion Books, 2019
The British public school is an iconic institution, a training ground for the ruling elite and a symbol of national identity and tradition. But beyond the elegant architecture and evergreen playing fields is a turbulent history of teenage rebellion, sexual dissidence, and political radicalism. James Brooke-Smith wades into the wilder shores of public-school life over the last three hundred years in Gilded Youth. He uncovers armed mutinies in the late eighteenth century, a Victorian craze for flagellation, dandy-aesthetes of the 1920s, quasi-scientific discourse on masturbation, Communist scares in the 1930s, and the salacious tabloid scandals of the present day.

Drawing on personal experience, extensive research, and public school representations in poetry, school slang, spy films, popular novels, and rock music, Brooke-Smith offers a fresh account of upper-class adolescence in Britain and the role of elite private education in shaping youth culture. He shows how this central British institution has inspired a counterculture of artists, intellectuals, and radicals—from Percy Shelley and George Orwell to Peter Gabriel and Richard Branson—who have rebelled against both the schools themselves and the wider society for which they stand. Written with verve and humor in the tradition of Owen Jones’s The Establishment: And How They Get Away With It, this highly original cultural history is an eye-opening leap over the hallowed iron gates of privilege—and perturbation.
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Gilgamesh Epic and Old Testament Parallels
Alexander Heidel
University of Chicago Press, 1963
Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.
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Gilles Deleuze
Frida Beckman
Reaktion Books, 2017
Although less of a public figure than many of his contemporaries, philosopher Gilles Deleuze was an important leader of twentieth-century thought. His life and philosophy were bound up in numerous friendships, collaborations, and disputes with several of the period’s most influential thinkers—not to mention writers, artists, and filmmakers. In this book, Frida Beckman traces Deleuze’s remarkable intellectual journey, mapping the many rich encounters from which his life and work emerged.

Beckman follows Deleuze from the salons of his early student years through his popularity as a young teacher to the extraordinarily productive phases of his philosophical work. She examines his life at the experimental University of Paris VIII and his friendships with people like Michel Foucault and Félix Guattari, and she considers how Deleuze’s philosophical developments resonate with historical, political, and philosophical events from World War II to the student uprisings in the 1960s to the Israeli/Palestinian conflict. Beckman ultimately highlights the ways that Deleuze’s legacy has influenced many branches of contemporary philosophy, offering a rich portrait of a contemporary philosopher who wrestled with some of philosophy’s most fundamental questions in fresh and necessary ways. 
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Gilles Deleuze
An Apprenticeship in Philosophy
Michael Hardt
University of Minnesota Press, 1993
The key to understanding Deleuze's complete body of work. "A coherent and systematic reading of a philosopher who has consistently courted the incoherent and systematic. What we must avoid are encounters with those who cultivate sad passions (the men of ressentiment in the Nietzschean formulation); and we must increase our power to compose new relationships with compatible bodies with whom we share a common notion. Hardt's exceptional book is one such joyful encounter." --Times Literary Supplement "An excellent book. The project of Gilles Deleuze is to situate Deleuze squarely in the camp of those who seek to deepen and transform our philsophical understanding and political situation. Hardt seems to me to be directly on target." --Substance "Both for its object and its method of study, here is a work that will mark the future of the field of Deleuzian studies." --Eric Alliez, Critique "Hardt's reading of Deleuze is complex and precise. He follows the intricacies of the argument and of the shifting positions with considerable skill, thus providing us with a study not only of the Deleuzian way of doing philosophy, but of Deleuzian reading-of the selectivity of its targets, of its agonistic approach to philosophy, through indirect attack on one main opponent. Reading Hardt reading Deleuze reading, we can understand, for instance, why Deleuze's exposition usually takes the form not of a dialectic but of a correlation, of a system of differences." --Radical Philosophy "How can we forget the dialectic? How an we affirm a constitutive ontology? Through its efforts to respond to these questions, Gilles Deleuze's philosophical apprenticeship presents the Bildungsroman of any contemporary philosophy that wants to break away from the destiny of modernity. Michael Hardt unravels the guiding thread of this philosophy of the future." --Antonio Negri "Hardt's interpretations are exceptionally well-grounded in the history of philosophical discourse, a discourse he exercises with discipline and rare insight. As the only major work on Deleuze in English, this book will undoubtedly set the standard for any future study of one of France's most important thinkers--and it is a very high standard, indeed." --Peggy Kamuf
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Gilles Deleuze and the Fabulation of Philosophy
Powers of the False, Volume 1
Gregory Flaxman
University of Minnesota Press, 2011

Although much has been written about Deleuze’s engagement with the arts, Gilles Deleuze and the Fabulation of Philosophy concerns the art of his philosophy. Gregory Flaxman suggests that Deleuze’s notorious rejection of representation gives rise to a singular task—to create new concepts and invent new means of philosophical expression. Tracing this task throughout Deleuze’s vast oeuvre, Flaxman argues that Deleuze’s ambition to think and write “otherwise” constitutes the fabulation of philosophy itself.

For Flaxman, Deleuze’s philosophy is organized around the notion of the friend (philos). This book dramatizes the practice of friendship in Deleuze’s intimate affairs with philosophers—including Plato, Aristotle, Spinoza, Kant, and Foucault—and close encounters with a range of writers, including Homer, More, Kafka, Woolf, and Borges. Flaxman traces Deleuze’s relationship with Nietzsche, the friend from whom he learned to write “in his own name,” to explain how apprenticeship becomes the initial condition of Deleuze’s philosophical method. Detailing the transformation of Nietzsche’s genealogy into “geophilosophy,” Flaxman goes on to show how Deleuze’s philosophy of the earth precipitates his return to ancient Greece and induces his resolution to overturn Platonism. In this spirit, the book demonstrates Deleuze’s evocation of the “powers of the false” by examining how, in his battle against representation, he makes fiction the basis for a minor philosophy. This first volume draws to a close with a timely elaboration of Deleuze’s avowed, if enigmatic, “style as politics” in an age when capitalism and communication challenge the claims of philosophy as never before.

A stunning and original contribution, Flaxman’s book restores the question of aesthetics to Deleuze’s thinking and writing. Gilles Deleuze and the Fabulation of Philosophy not only revitalizes our sense of the philosopher but revises the sense of his philosophy, provoking critical problems and novel possibilities with which readers will wrestle for years to come.

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Gilles Deleuze
Vitalism and Multiplicity
John Marks
Pluto Press, 1998
Gilles Deleuze is widely regarded as one of the major postwar proponents of Nietzschean thought in continental philosophy. Over a period of forty years, he presented what amounts to a philosophy of vitalism and multiplicity, bringing together concepts from thinkers as diverse as Nietzsche and Hume.

In the first comprehensive English-language introduction to Deleuze, John Marks offers a lucid reading of a complex, abstract and often perplexing body of work. Marks examines Deleuze’s philosophical writings – as well as the political and aesthetic preoccupations which underpinned his thinking – and provides a rigorous and illuminating reading of Deleuze’s early studies of Hume, Nietzsche, Kant, Bergson and Spinoza, his collaborations with Felix Guattari, and the development of a distinctively ‘Deleuzian’ conceptual framework. Marks focuses on the philosophical friendship that developed between Deleuze and Foucault and considers the full range of Deleuze’s fascinating writings on literature, art and cinema. This is a clear and concise guide to the work of one of the twentieth century’s most influential thinkers.
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Gilles Deleuze's Time Machine
D. N. Rodowick
Duke University Press, 1997
Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema—The Movement-Image and The Time-Image—in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference.
Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books—including his influential work with Félix Guattari—Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
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Gillioz "Theatre Beautiful"
Celebrating Springfield's Theatre History, 1926-2006
James Baumlin
Moon City Press, 2006
Recounting the many live vaudeville acts and films that graced the theatre’s stage and screen, The Gillioz “Theatre Beautiful” presents a social history of entertainment through the Roaring Twenties, the Great Depression, the Second World War, the Cold War, the Sixties and the Seventies. Of note is the Springfield theatre’s hosting of three movie world premieres—with future U. S. president Ronald Reagan appearing in each.
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Gin
A Global History
Lesley Jacobs Solmonson
Reaktion Books, 2012

Mother’s Milk, Mother’s Ruin, and Ladies’ Delight. Dutch Courage and Cuckold’s Comfort. These evocative nicknames for gin hint that it has a far livelier history than the simple and classic martini would lead you to believe. In this book, Lesley Jacobs Solmonson journeys into gin’s past, revealing that this spirit has played the role of both hero and villain throughout history.

Taking us back to gin’s origins as a medicine derived from the aromatic juniper berry, Solmonson describes how the Dutch recognized the berry’s alcoholic possibilities and distilled it into the whiskey-like genever. She then follows the drink to Britain, where cheap imitations laced with turpentine and other caustic fillers made it the drink of choice for poor eighteenth-century Londoners. Eventually replaced by the sweetened Old Tom style and later by London Dry gin, its popularity spread along with the British Empire. As people today once again embrace classic cocktails like the gimlet and the negroni, gin has reclaimed its place in the world of mixology. Featuring many enticing recipes, Gin is the perfect gift for cocktail aficionados and anyone who wants to know whether it should be shaken or stirred.
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Ginseng and Other Tales from Manila
Marianne Villanueva
Calyx, 1991
Please fill in Nominee Manila Critics Circle Award These beautiful and poignant stories evoke a complex and empathetic picture of the Philippines. They reveal characters trapped in the extremity of urban violence or the crushing poverty of the provinces. The reader comes away with new insight into human nature and the valor and courage of the Philippine people. copy
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Giordano Bruno and the Hermetic Tradition
Frances A. Yates
University of Chicago Press, 1990
Placing Bruno—both advanced philosopher and magician burned at the stake—in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay—and conflict—with magic and occult practices.

"Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians of ideas, of religion, and of science will study it. Some of them, after reading it, will have to think again. . . . For Miss Yates has put Bruno, for the first time, in his tradition, and has shown what that tradition was."—Hugh Trevor-Roper, New Statesman

"A decisive contribution to the understanding of Giordano Bruno, this book will probably remove a great number of misrepresentations that still plague the tormented figure of the Nolan prophet."—Giorgio de Santillana, American Historical Review

"Yates's book is an important addition to our knowledge of Giordano Bruno. But it is even more important, I think, as a step toward understanding the unity of the sixteenth century."—J. Bronowski, New York Review of Books
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Giordano Bruno
Philosopher / Heretic
Ingrid D. Rowland
University of Chicago Press, 2009

Giordano Bruno (1548–1600) is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland’s biography establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo—a thinker whose vision of the world prefigures ours.

Writing with great verve and erudition, Rowland traces Bruno’s wanderings through a sixteenth-century Europe where every certainty of religion and philosophy has been called into question, and reveals how he valiantly defended his ideas to the very end, when he was burned at the stake as a heretic on Rome’s Campo de’ Fiori.


“A loving and thoughtful account of [Bruno’s] life and thought, satires and sonnets, dialogues and lesson plans, vagabond days and star-spangled nights. . . . Ingrid D. Rowland has her reasons for preferring Bruno to Copernicus, Tycho Brahe, Johannes Kepler, even Galileo and Leonardo, and they’re good ones.”—John Leonard, Harper’s

“Whatever else Bruno was, he was wild-minded and extreme, and Rowland communicates this, together with a sense of the excitement that his ideas gave him. . . . It’s that feeling for the explosiveness of the period, and [Rowland’s] admiration of Bruno for participating in it—indeed, dying for it—that is the central and most cherishable quality of the biography.”—Joan Acocella, New Yorker

“Rowland tells this great story in moving, vivid prose, concentrating as much on Bruno’s thought as on his life. . . . His restless mind, as she makes clear, not only explored but transformed the heavens.”—Anthony Grafton, New York Review of Books

“[Bruno] seems to have been an unclassifiable mixture of foul-mouthed Neapolitan mountebank, loquacious poet, religious reformer, scholastic philosopher, and slightly wacky astronomer.”—Anthony Gottlieb, New York Times Book Review

“A marvelous feat of scholarship. . . . This is intellectual biography at its best.”—Peter N. Miller, New Republic

“An excellent starting point for anyone who wants to rediscover the historical figure concealed beneath the cowl on Campo de’ Fiori.”—Paula Findlen, Nation

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Giorgione’s Ambiguity
Tom Nichols
Reaktion Books, 2021
The Venetian painter known as Giorgione or “big George” died at a young age in the dreadful plague of 1510, possibly having painted fewer than twenty-five works. But many of these are among the most mysterious and alluring in the history of art. Paintings such as The Three Philosophers and The Tempest remain compellingly elusive, seeming to deny the viewer the possibility of interpreting their meaning. Tom Nichols argues that this visual elusiveness was essential to Giorgione’s sensual approach and that ambiguity is the defining quality of his art. Through detailed discussions of all Giorgione’s works, Nichols shows that by abandoning the more intellectual tendencies of much Renaissance art, Giorgione made the world and its meanings appear always more inscrutable.
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Giorgione's Tempest
Interpreting the Hidden Subject
Salvatore Settis
University of Chicago Press, 1990
The Tempest is Giorgione's most enigmatic painting. It is a depiction of Giorgione's own family, of the "family of man" tale from Boccaccio, or of the myth of Apollo's birth? In this remarkable study, Salvatore Settis uses the mystery of the painting to shed light on the relationship between artist, patron, work, and critic. The result is a brilliant piece of detective work in the history and sociology of culture that stresses the function of Giorgione's art for the emerging, classically educated connoisseur elite of sixteenth-century Venice.
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Giotto and His Publics
Three Paradigms of Patronage
Julian Gardner
Harvard University Press, 2011

This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty.

Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.

These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.

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Giovanna d'Arco
Dramma lirico in Four Acts by Temistocle Solera
Giuseppe Verdi
University of Chicago Press, 2009
Giovanna d’Arco (Joan of Arc), Verdi’s seventh opera, premiered at La Scala in 1845 to great public success despite sub-par production standards, and modern performances have swept away both audiences and critical reservations when the work is executed with faithfulness to his score. At the heart of this large-scale opera, with its prominent choruses, is the difficult and beautiful part of Joan—simultaneously ethereal soprano and dynamic warrior. The libretto by Temistocle Solera, based in part on Schiller’s play Die Jungfrau von Orleans, omits Joan’s trial for heresy and burning at the stake, ending instead with an offstage battle in which she is mortally wounded leading the French to victory against the English.

This critical edition of Giovanna d’Arco, the first publication in full score, is based on the composer’s autograph score preserved in the archives of Verdi’s publisher, Casa Ricordi. It restores the opera’s original text, which had been heavily censored, and accurately reflects Verdi’s colorful and elaborate musical setting. Editor Alberto Rizzuti’s introduction discusses the opera’s origins, sources, and performance questions, while the critical commentary details editorial problems and solutions.
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Giovanna's 86 Circles
And Other Stories
Paola Corso
University of Wisconsin Press, 2007

    These ten magical stories are primarily set in Pittsburgh-area river towns, where Italian American women and girls draw from their culture and folklore to bring life and a sense of wonder to a seemingly barren region of the Rust Belt. Each story catapults the ordinary into something original and unpredictable.
    A skeptical journalist scopes out the bar where the town mayor, in seemingly perfect health, is drinking with his buddies and celebrating what he claims is the last day of his life. A woman donates her dead mother’s clothes to a thrift shop but learns that their destiny is not what she expected. A ten-year-old girl wrestles with the facts of life as she watches her neighbor struggle to get pregnant while her teenage sister finds it all too easy. A high school girl hallucinates in a steamy hospital laundry room and discovers she can see her coworkers’ futures. A developer’s wrecking ball is no match for the legend of Giovanna’s green thumb in the title story “Giovanna’s 86 Circles.”
    Quirky and profound, Corso’s magical leaps uncover the everyday poetry of these women’s lives.

Finalist for the John Gardner Fiction Book Award


Selected for “Best Short Stories of 2005” in Montserrat Review

Best Books for Regional Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Sons of Italy National Book Club Selection
 

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Giovanni Bellini
Oskar Bätschmann
Reaktion Books, 2008
Hailed as the “savior” of Venetian painting by Jacob Burckhardt and declared by Albrecht Dürer to be the foremost painter of the city, Giovanni Bellini is a pivotal figure in the development of Italian Renaissance art. With Giovanni Bellini, renowned art historian Oskar Bätschmann charts the fraught trajectory of Bellini’s career, highlighting the crucial works that established his far-reaching influence in the Renaissance.

The artist struggled to break out of the long shadow cast by his accomplished father Jacopo and father-in-law Andrea Mantegna, and Bätschmann chronicles Bellini’s development of distinct aesthetic and painting techniques that enabled him to set himself apart. Bellini also insisted on choosing his own subjects and themes, independent of the preferences of his patron Isabella d’Este, and thus set new standards for the role of the artist.

Anchoring the analysis are a wealth of vibrant color reproductions that include such famous works as The Feast of the Gods and Madonna and Child, as well as photographs of Bellini’s lauded altar-pieces at the churches of San Giobbe, Murano, and San Zaccania. Drawing on these masterpieces, Bätschmann argues that Bellini’s artistry and skillful blending of colors created a new aesthetic more akin to music than to previous approaches to painting. And by leading viewers to understand this subtle, refined sensibility, Bellini transformed them into knowledgeable admirers of art.

A lushly illustrated and expansive study, Giovanni Bellini is essential for all historians and admirers of Renaissance art.
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Giraffe
Edgar Williams
Reaktion Books, 2010

Their extraordinary long necks, distinctive camouflage, graceful movements, and friendly nature have made giraffes one of the most fascinating and beloved animals on the planet.  But while giraffes once roamed the Great Plains of Africa in huge herds, their numbers have greatly diminished, and they are now entirely dependent on humanity for their survival. In Giraffe, Edgar Williams explores not only the biology of the tallest animals on earth, but also their impact on human history—including in ancient Egypt, where giraffes were kept as exotic pets; the Middle Ages, when giraffes were considered mythical beasts as improbable and mysterious as the dragon; and the Victorian era, in which giraffe hunting was considered an exhilarating sport.

            Giraffe is the first book to provide a comprehensive, twenty-first-century view of the giraffe in art, literature, film, and popular culture, as well as its natural history from prehistory to modern times. With new insights into the giraffe’s genetics and evolution, this book will appeal to those interested in the giraffe’s unique biology and to anyone who admires the majestic giraffe.

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Giraffe on Fire
Juan Felipe Herrera
University of Arizona Press, 2001
First Place co-winner, Best Poetry, Latino Literary Hall of Fame

A poetic collage of voices, genres, and time-spaces. A display of power over language and rhythm. A postmodern performance of naked figures hanging in the nebulae of a militarized universe. A new millennium cubist manifesto against decrepit political machines. A mystic song in search of birth and love. In this new collection of poems, Juan Felipe Herrera's natural talent for capturing the raw dimensions of reality merges with his wild imagination and technical prowess.

Things, names, places, histories, herstories, desires, wills, minds, and their effects and progeny are re-mixed, re-mastered, and re-cast into a new narrative theater. Characters in a constant and stubborn rush, appearance, disappearance, and flow—with, against, and for each other—create the fire and give birth to the hallucinatory spotted and leaf-eating, long-necked child. Exciting and original, cutting-edge and risk-taking, Giraffe on Fire is a breathtaking addition to a respected body of work by a poet not afraid to speak out about how poetry reflects the raw beauty and truth of life.
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Girl Imagined by Chance
Lance Olsen
University of Alabama Press, 2002
Girl Imagined by Chance is a critifictional novel about a couple who find themselves having created a make-believe daughter (and soon a make-believe life to accompany her) in order to appease their friends, family, and the culture of reproduction. Structured around twelve photographs from a single roll of film, the book explores the nature of photography and the questions that nature raises about the notions of the simulated and the real, the media-ization of consciouness, originality, self construction, and the way we all continually fashion our faces into masks for the next shot. At its heart, Girl Imagined by Chance investigates the mystery of self-knowledge. The prevailing metaphor and structural device of photograpy examines the way images, in their magical ability to mimic memory, ultimately mock and eradicate it. The seemigly stable and fixed individual past turns out to be as protean and unknowable as the future. The body becomes strangely dispensable, perpetually adrift in a cybernetic world of hyperlinks and interfaces.
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"The Girl in the Window" and Other True Tales
An Anthology with Tips for Finding, Reporting, and Writing Nonfiction Narratives
Lane DeGregory
University of Chicago Press, 2023
Part anthology and part craft guide, this collection of pieces from the Pulitzer Prize–winning journalist offers something for readers and writers alike.
 
Lane DeGregory loves true stories, intimate details, and big ideas. In her three-decade career as a journalist, she has published more than 3,000 stories and won the Pulitzer Prize for feature writing. Her acclaimed work in the Tampa Bay Times often takes her to the edges of society, where she paints empathetic portraits of real-life characters like a 99-year-old man who still works cleaning a seafood warehouse, a young couple on a bus escaping winter, and a child in the midst of adoption. In “The Girl in the Window” and Other True Tales, DeGregory not only offers up the first collection of her most unforgettable newspaper features—she pulls back the curtain on how to write narrative nonfiction.
 
This book—part anthology, part craft guide—provides a forensic reading of twenty-four of DeGregory’s singular stories, illustrating her tips for writers alongside pieces that put those elements under the microscope. Each of the pieces gathered here—including the Pulitzer Prize–winning title story—is accompanied by notes on how she built the story, plus tips on how nonfiction writers at all levels can do the same. Featuring a foreword by Beth Macy, author of the acclaimed Dopesick, this book is sure to delight fans of DeGregory’s writing, as well as introduce her to readers and writers who have not yet discovered her inspiring body of work.
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The Girl in the Yellow Poncho
A Memoir
Kristal Brent Zook
Duke University Press, 2023
At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father’s abandonment, which left her feeling unworthy of a man’s love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge.

The Girl in the Yellow Poncho is Zook’s coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness while also facing childhood sexual assault, economic insecurity, and multigenerational alcoholism and substance abuse on both the Black and white sides of her family. Her story is one of strong Black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly defined their lives.

Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one’s authentic identity, this book tells a story of a daughter’s lifelong yearning, a mother’s rediscovery of lost love, and the profound power of atonement and faith to heal a broken family.
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Girl of New Zealand
Colonial Optics in Aotearoa
Michelle Erai
University of Arizona Press, 2020
Girl of New Zealand presents a nuanced insight into the way violence and colonial attitudes shaped the representation of Māori women and girls. Michelle Erai examines more than thirty images of Māori women alongside the records of early missionaries and settlers in Aotearoa, as well as comments by archivists and librarians, to shed light on how race, gender, and sexuality have been ascribed to particular bodies.

Viewed through Māori, feminist, queer, and film theories, Erai shows how images such as Girl of New Zealand (1793) and later images, cartoons, and travel advertising created and deployed a colonial optic. Girl of New Zealand reveals how the phantasm of the Māori woman has shown up in historical images, how such images shape our imagination, and how impossible it has become to maintain the delusion of the “innocent eye.” Erai argues that the process of ascribing race, gender, sexuality, and class to imagined bodies can itself be a kind of violence.

In the wake of the Me Too movement and other feminist projects, Erai’s timely analysis speaks to the historical foundations of negative attitudes toward Indigenous Māori women in the eyes of colonial “others”—outsiders from elsewhere who reflected their own desires and fears in their representations of the Indigenous inhabitants of Aotearoa, New Zealand. Erai resurrects Māori women from objectification and locates them firmly within Māori whānau and communities.
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The Girl with the Brown Crayon
Vivian Gussin Paley
Harvard University Press, 1998

Once again Vivian Paley takes us into the inquiring minds and the dramatic worlds of young children learning in the kindergarten classroom.

As she enters her final year of teaching, Paley tells in this book a story of farewell and a story of self-discovery—through the thoughts and blossoming spirit of Reeny, a little girl with a fondness for the color brown and an astonishing sense of herself. "This brown girl dancing is me," Reeny announces, as her crayoned figures flit across the classroom walls. Soon enough we are drawn into Reeny's remarkable dance of self-revelation and celebration, and into the literary turn it takes when Reeny discovers a kindred spirit in Leo Lionni—a writer of books and a teller of tales. Led by Reeny, Paley takes us on a tour through the landscape of characters created by Lionni. These characters come to dominate a whole year of discussion and debate, as the children argue the virtues and weaknesses of Lionni's creations and his themes of self-definition and an individual's place in the community.

The Girl with the Brown Crayon tells a simple personal story of a teacher and a child, interweaving the themes of race, identity, gender, and the essential human needs to create and to belong. With characteristic charm and wonder, Paley discovers how the unexplored territory unfolding before her and Reeny comes to mark the very essence of school, a common core of reference, something to ponder deeply and expand on extravagantly.

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Girl Zoo
Aimee Parkison and Carol Guess
University of Alabama Press, 2019
A dark yet playful collection of short stories that pushes boundaries and blurs the lines between the real and surreal
 
Girl Zoo is an enthralling and sometimes unsettling collection of short stories that examines how women in society are confined by the limitations and expectations of pop culture, politics, advertising, fashion, myth, and romance. In each story, a woman or girl is literally confined or held captive, and we can only watch as they are transformed into objects of terror and desire, plotting their escape from their cultural cages.
 
Taken as a whole, this experimental speculative fiction invites parallels to social justice movements focused on sexuality and gender, as well as cautionary tales for our precarious political movement. Parkison and Guess offer no solutions to their characters’ captivity. Instead, they challenge their audience to read against the grain of conventional feminist dystopian narratives by inviting them inside the “Girl Zoo” itself.
 
Take a step inside the zoo and see for yourself. We dare you. Behind the bars, a world of wonder awaits.
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Girlhood
A Global History
Helgren, Jennifer
Rutgers University Press, 2010
Girlhood, interdisciplinary and global in source, scope, and methodology, examines the centrality of girlhood in shaping women's lives. Scholars study how age and gender, along with a multitude of other identities, work together to influence the historical experience.

Spanning a broad time frame from 1750 to the present, essays illuminate the various continuities and differences in girls' lives across culture and region--girls on all continents except Antarctica are represented. Case studies and essays are arranged thematically to encourage comparisons between girls' experiences in diverse locales, and to assess how girls were affected by historical developments such as colonialism, political repression, war, modernization, shifts in labor markets, migrations, and the rise of consumer culture.
[more]

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Girlhood and the Plastic Image
Heather Warren-Crow
Dartmouth College Press, 2014
You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women’s studies.
[more]

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The Girls and Boys of Belchertown
A Social History of the Belchertown State School for the Feeble-Minded
Robert Hornick
University of Massachusetts Press, 2012
During much of the twentieth century, people labeled "feeble-minded," "mentally deficient," and "mentally retarded" were often confined in large, publicly funded, residential institutions located on the edges of small towns and villages some distance from major population centers. At the peak of their development in the late 1960s, these institutions—frequently called "schools" or "homes"—housed 190,000 men, women, and children in the United States.

The Girls and Boys of Belchertown offers the first detailed history of an American public institution for intellectually disabled persons. Robert Hornick recounts the story of the Belchertown State School in Belchertown, Massachusetts, from its beginnings in the 1920s to its closure in the 1990s following a scandalous exposé and unprecedented court case that put the institution under direct supervision of a federal judge. He draws on personal interviews, private letters, and other unpublished sources as well as local newspapers, long out-of-print materials, and government reports to re-create what it was like to live and work at the school. More broadly, he gauges the impact of changing social attitudes toward intellectual disability and examines the relationship that developed over time between the school and the town where it was located.

What emerges is a candid and complex portrait of the Belchertown State School that neither vilifies those in charge nor excuses the injustices perpetrated on its residents, but makes clear that despite the court-ordered reforms of its final decades, the institution needed to be closed.
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Girls at a Vocational High
Henry Joseph Meyer
Russell Sage Foundation, 1965
Teachers, social workers, psychologists, and sociologists carried out an ambitious, six-year experiment in individual casework and group therapy with potential problem girls in a New York City vocational high school. Conducted in collaboration with Youth Consultation Service, this provocative study provides valuable data on adolescent girls—and raises compelling questions on the extent to which casework can be effective in interrupting deviant careers.
[more]

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Girls! Girls! Girls! In Contemporary Art
Edited by Catherine Grant and Lori Waxman
Intellect Books, 2011
 
Since the 1990s, female artists have led the contemporary art world in the creation of art depicting female adolescence, producing challenging, critically debated, and avidly collected artworks that are driving the current and momentous shift in the perception of women in art. Girls! Girls! Girls! presents essays from established and up-and-coming scholars who address a variety of themes, including narcissism, nostalgia, postfeminism, and fantasy with the goal of approaching the overarching question of why female artists are turning in such numbers to the subject of girls—and what these artistic explorations signify. Artists discussed include Anna Gaskell, Marlene McCarty, Sue de Beer, Miwa Yanagi, Eija-Liisa Ahtila, Collier Schorr, and more.
            Contributors include Lucy Soutter, Harriet Riches, Maud Lavin, Taru Elfving, Kate Random Love, and Carol Mavor.
[more]

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Girl's Guide to Leaving
Laura Villareal
University of Wisconsin Press, 2022

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The Girls' History and Culture Reader
The Nineteenth Century
Edited by Miriam Forman-Brunell and Leslie Paris
University of Illinois Press, 2011
The Girls' History and Culture Reader: The Nineteenth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society.
 
Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Nineteenth Century addresses topics ranging from diary writing and toys to prostitution and slavery. Covering girlhood and the relationships between girls and women, this pioneering volume tackles pivotal themes such as education, work, play, sexuality, consumption, and the body. The reader also illuminates broader nineteenth-century developments—including urbanization, industrialization, and immigration--through the often-overlooked vantage point of girls. As these essays collectively suggest, nineteenth-century girls wielded relatively little political or social power but carved out other spaces of self-expression.
 
Contributors are Carol Devens, Miriam Forman-Brunell, Jane H. Hunter, Anya Jabour, Anne Scott MacLeod, Susan McCully, Mary Niall Mitchell, Leslie Paris, Barbara Sicherman, Carroll Smith-Rosenberg, Christine Stansell, Nancy M. Theriot, and Deborah Gray White.
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The Girls' History and Culture Reader
The Twentieth Century
Edited by Miriam Forman-Brunell and Leslie Paris
University of Illinois Press, 2011
The Girls' History and Culture Reader: The Twentieth Century provides scholars, instructors, and students with the most influential essays that have defined the field of American girls' history and culture. A relatively new and energetic field of inquiry, girl-centered research is critical for a fuller understanding of women and gender, a deeper consideration of childhood and adolescence, and a greater acknowledgment of the significance of generation as a historical force in American culture and society.
 
Bringing together work from top scholars of women and youth, The Girls' History and Culture Reader: The Twentieth Century illustrates girls' centrality to major twentieth-century forces such as immigration, labor, feminism, and consumerism. Themes in this pioneering volume include girls' use of fashion and music, their roles as workers, their friendships, and new ideas about girls' bodies. While girls in the twentieth century found new avenues for personal ambition and self-expression, especially at school and in the realm of leisure and popular culture, they continued to wrestle with traditional ideas about feminine identity, socialization, and sexuality.
 
Contributors are Joan Jacobs Brumberg, Rachel Devlin, Susan J. Douglas, Miriam Forman-Brunell, Kyra D. Gaunt, Mary Celeste Kearney, Ilana Nash, Mary Odem, Leslie Paris, Kathy Peiss, Vicki L. Ruiz, Kelly Schrum, and Judy Yung.
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Girls in Trouble with the Law
Schaffner, Laurie
Rutgers University Press, 2006
In Girls in Trouble with the Law, sociologist Laurie Schaffner takes us inside juvenile detention centers and explores the worlds of the young women incarcerated within. Across the nation, girls of color are disproportionately represented in detention facilities, and many report having experienced physical harm and sexual assaults. For girls, the meaning of these and other factors such as the violence they experience remain undertheorized and below the radar of mainstream sociolegal scholarship. When gender is considered as an analytic category, Schaffner shows how gender is often seen through an outmoded lens.

Offering a critical assessment of what she describes as a gender-insensitive juvenile legal system, Schaffner makes a compelling argument that current policies do not go far enough to empower disadvantaged girls so that communities can assist them in overcoming the social limitations and gender, sexual, and racial/ethnic discrimination that continue to plague young women growing up in contemporary United States.
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The Girls Next Door
Bringing the Home Front to the Front Lines
Kara Dixon Vuic
Harvard University Press, 2019

The story of the intrepid young women who volunteered to help and entertain American servicemen fighting overseas, from World War I through the wars in Afghanistan and Iraq.

The emotional toll of war can be as debilitating to soldiers as hunger, disease, and injury. Beginning in World War I, in an effort to boost soldiers’ morale and remind them of the stakes of victory, the American military formalized a recreation program that sent respectable young women and famous entertainers overseas.

Kara Dixon Vuic builds her narrative around the young women from across the United States, many of whom had never traveled far from home, who volunteered to serve in one of the nation’s most brutal work environments. From the “Lassies” in France and mini-skirted coeds in Vietnam to Marlene Dietrich and Marilyn Monroe, Vuic provides a fascinating glimpse into wartime gender roles and the tensions that continue to complicate American women’s involvement in the military arena. The recreation-program volunteers heightened the passions of troops but also domesticated everyday life on the bases. Their presence mobilized support for the war back home, while exporting American culture abroad. Carefully recruited and selected as symbols of conventional femininity, these adventurous young women saw in the theater of war a bridge between public service and private ambition.

This story of the women who talked and listened, danced and sang, adds an intimate chapter to the history of war and its ties to life in peacetime.

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Girls of Liberty
The Struggle for Suffrage in Mandatory Palestine
Margalit Shilo
Brandeis University Press, 2016
Following the Balfour Declaration and the British conquest of Palestine (1917–1918), the small Jewish community that lived there wanted to establish an elected assembly as its representative body. The issue that hindered this aim was whether women would be part of it. A group of feminist Zionist women from all over the country created a political party that participated in the elections, even before women’s suffrage was enacted. This unique phenomenon in Mandatory Palestine resulted in the declaration of women’s equal rights in all aspects of life by the newly founded Assembly of Representatives. Margalit Shilo examines the story of these activists to elaborate on a wide range of issues, including the Zionist roots of feminism and nationalism; the ultra-Orthodox Jewish sector’s negation of women’s equality; how traditional Jewish concepts of women fashioned rabbinical attitudes on the question of women’s suffrage; and how the fight for women’s suffrage spread throughout the country. Using current gender theories, Shilo compares the Zionist suffrage struggle to contemporaneous struggles across the globe, and connects this nearly forgotten episode, absent from Israeli historiography, with the present situation of Israeli women. This rich analysis of women’s right to vote within this specific setting will appeal to scholars and students of Israel studies, and to feminist and social historians interested in how contexts change the ways in which activism is perceived and occurs.
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Girls Who Went Wrong
Prostitutes in American Fiction, 1885–1917
Laura Hapke
University of Wisconsin Press, 1989

The period 1885 to 1917 saw thousands of American crusaders working hard to “save the fallen women,” but little on the part of American social protest writers. In this first work on the subject, Laura Hapke examines how writers attempted to turn an outcast into a heroine in a literature otherwise known for its puritanical attitude toward the fallen woman. She focuses on how these authors (all male) expressed late-Victorian conflicts about female sexuality. If, as they all maintained, women have an innate preference for chastity, how could they account for the prostitute? Was she a sinner, suggesting the potential waywardness of all women? Or, if she was a victim, what of her “depravity”?
 

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Girls Who Wore Black
Women Writing the Beat Generation
Johnson, Ronna C
Rutgers University Press, 2002
What do we know about the women who played an important role in creating the literature of the Beat Generation? Until recently, very little. Studies of the movement have effaced or excluded women writers, such as Elise Cowen, Joyce Johnson, Joanne Kyger, Hettie Jones, and Diane Di Prima, each one a significant figure of the postwar Beat communities. Equally free-thinking and innovative as the founding generation of men, women writers, fluent in Beat, hippie, and women's movement idioms, partook of and bridged two important countercultures of the American mid-century. Persistently foregrounding female experiences in the cold war 1950s and in the counterculture 1960s and in every decade up to the millennium, women writing Beat have brought nonconformity, skepticism, and gender dissent to postmodern culture and literary production in the United States and beyond.
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Girls Will Be Boys
Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934
Horak, Laura
Rutgers University Press, 2016
2016 Choice Outstanding Academic Title
Finalist for 2016 Richard Wall Memorial Award from the Theatre Library Association
Long-listed for the 2017 Best Photography Book Award from the Kraszna-Krausz Foundation​


Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men.
 
Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity.
 
Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.   
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Girly Man
Charles Bernstein
University of Chicago Press, 2006

After 9/11, postmodernism and irony were declared dead. Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking.

Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. 

A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

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Girolamo Frescobaldi
Frederick Hammond
Harvard University Press, 1983

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GIT ALONG LITTLE DOGIES
SONGS AND SONGMAKERS OF THE AMERICAN WEST
John I. White
University of Illinois Press, 1975
A former singing cowboy himself, John I. White spent decades compiling information on cowboy and western songs and the artists, songwriters, and others attached to them. He also sought out and corresponded with a who's who of the genre, people like Badger Clark, Curley Fletcher, D. J. O'Malley, Romaine Lowdermilk, Will Barnes, Joseph Mills Hanson, and Owen Wister.
 
In Git Along, Little Dogies, White draws on old friendships and his exhaustive files to bring readers the untold story of cowboy and western song. Wonderful anecdotes stand beside White's trademark attention to detail as he painstakingly establishes the time, place, and circumstance behind each song's origin and places the music within the evolution of popular song. He also looks at how radio and recording affected the genre and shows how the music crisscrossed with pop music but also with folk and the traditional Anglo-Irish tradition.
 
From "Whoopee Ti Yi Yo" to "Ten Thousand Cattle Straying," Git Along, Little Dogies ventures from cow camps to saloons to big-city radio studios as it lassos a vivid piece of American music history. 
 
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Giuseppe Pagano
Design for Social Change in Fascist Italy
Flavia Marcello
Intellect Books, 2019
Giuseppe Pagano-Pogatschnig (1896–1945) was a twentieth-century polymath operating at the intersection between architecture, media, design, and the arts. He was an exhibition and furniture designer, curator, photographer, editor, writer, and architect. A dedicated Fascist turned Resistance fighter, he was active in Italy’s most dramatic social and political era.

Giuseppe Pagano provides a comprehensive overview of the influential architect and his contribution to the development of modern architecture. It follows a central biographical line with in-depth, mini chapter contributions on aspects of Pagano’s cultural production, concluding with writings by Pagano himself and a critical bibliography to aid scholars in further study.
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Give a Man a Fish
Reflections on the New Politics of Distribution
James Ferguson
Duke University Press, 2015
In Give a Man a Fish James Ferguson examines the rise of social welfare programs in southern Africa, in which states make cash payments to their low income citizens. More than thirty percent of South Africa's population receive such payments, even as pundits elsewhere proclaim the neoliberal death of the welfare state. These programs' successes at reducing poverty under conditions of mass unemployment, Ferguson argues, provide an opportunity for rethinking contemporary capitalism and for developing new forms of political mobilization. Interested in an emerging "politics of distribution," Ferguson shows how new demands for direct income payments (including so-called "basic income") require us to reexamine the relation between production and distribution, and to ask new questions about markets, livelihoods, labor, and the future of progressive politics.
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Give and Take
Poverty and the Status Order in Early Modern Japan
Maren A. Ehlers
Harvard University Press, 2018

Give and Take offers a new history of government in Tokugawa Japan (1600–1868), one that focuses on ordinary subjects: merchants, artisans, villagers, and people at the margins of society such as outcastes and itinerant entertainers. Most of these individuals are now forgotten and do not feature in general histories except as bystanders, protestors, or subjects of exploitation. Yet despite their subordinate status, they actively participated in the Tokugawa polity because the state was built on the principle of reciprocity between privilege-granting rulers and duty-performing status groups. All subjects were part of these local, self-governing associations whose members shared the same occupation. Tokugawa rulers imposed duties on each group and invested them with privileges, ranging from occupational monopolies and tax exemptions to external status markers. Such reciprocal exchanges created permanent ties between rulers and specific groups of subjects that could serve as conduits for future interactions.

This book is the first to explore how high and low people negotiated and collaborated with each other in the context of these relationships. It takes up the case of one domain—Ōno in central Japan—to investigate the interactions between the collective bodies in domain society as they addressed the problem of poverty.

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Give and Take
Poverty and the Status Order in Early Modern Japan
Maren A. Ehlers
Harvard University Press

Give and Take offers a new history of government in Tokugawa Japan (1600–1868), one that focuses on ordinary subjects: merchants, artisans, villagers, and people at the margins of society such as outcastes and itinerant entertainers. Most of these individuals are now forgotten and do not feature in general histories except as bystanders, protesters, or subjects of exploitation. Yet despite their subordinate status, they actively participated in the Tokugawa polity because the state was built on the principle of reciprocity between privilege-granting rulers and duty-performing status groups. All subjects were part of these local, self-governing associations whose members shared the same occupation. Tokugawa rulers imposed duties on each group and invested them with privileges, ranging from occupational monopolies and tax exemptions to external status markers. Such reciprocal exchanges created permanent ties between rulers and specific groups of subjects that could serve as conduits for future interactions.

This book is the first to explore how high and low people negotiated and collaborated with each other in the context of these relationships. It takes up the case of one domain—Ōno in central Japan—to investigate the interactions between the collective bodies in domain society as they addressed the problem of poverty.

[more]

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Give 'Em Soul, Richard!
Race, Radio, and Rhythm and Blues in Chicago
Richard E. Stamz with Patrick A. Roberts, Foreword by Robert Pruter
University of Illinois Press, 2010

As either observer or participant, radio deejay and political activist Richard E. Stamz witnessed every significant period in the history of blues and jazz in the last century. From performing first-hand as a minstrel in the 1920s to broadcasting Negro League baseball games in a converted 1934 Chrysler to breaking into Chicago radio and activist politics and hosting his own television variety show, the remarkable story of his life also is a window into milestones of African American history throughout the twentieth century.

Dominating the airwaves with his radio show "Open the Door, Richard" on WGES in Chicago, Stamz cultivated friendships with countless music legends, including Willie Dixon, Sonny Boy Williamson, Little Walter, Howlin' Wolf, Memphis Slim, and Leonard Chess. The pioneering Chicago broadcaster and activist known as "The Crown Prince of Soul" died in 2007 at the age of 101, but not before he related the details of his life and career to college professor Patrick A. Roberts. Give 'Em Soul, Richard! surrounds Stamz's memories of race records, juke joints, and political action in Chicago's Englewood neighborhood with insights on the larger historical trends that were unfolding around him in radio and American history.

Narrated by Stamz, this entertaining and insightful chronicle includes commentary by Roberts as well as reflections on the unlikely friendship and collaboration between a black radio legend and a white academic that resulted in one of the few existing first-hand accounts of Chicago's post-war radio scene.

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Give Me This Mountain
LIFE HISTORY AND SELECTED SERMONS
Reverend C. L. Franklin
University of Illinois Press, 1989
"C.L. Franklin, the most imitated soul preacher in history, was a combination of soul and science and substance and sweetness."--Reverend Jesse L. Jackson, from the Foreword
Few black preachers have been better known that the Reverend C. L. Franklin; none has been considered a better preacher. This collection of twenty of Franklin's best sermons shows the development of his style. A learned man, Franklin had attended both seminary and college, yet in his sermons used the old-fashioned, extemporaneous style of preaching, "whooping" or chanting, combining oratory and intoned poetry to reach both head and heart.
Dozens of Franklin's sermons were released on record albums, and he went on preaching tours with gospel groups that included his daughter, Aretha Franklin, reaching virtually every corner of the United States.
This volume begins with Franklin's life history, told in his own words.
In an afterword, Jeff Titon reviews the African-American sermon tradition
and Franklin's place in it.
 
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Given
Liza Katz Duncan
Autumn House Press, 2023
A tender poetry collection considering home, family, and personal and ecological loss.
 
Liza Katz Duncan’s debut collection is a poignant exploration of the unpredictable shifts that shape our lives. Given considers the notions of home and family and how to survive the changes and losses associated with both. Duncan conjures her home, the New Jersey Shore, in clear and unsentimental lines: “Call of the grackle, / whine of the turkey vulture. Blighted clams, // raw and red in their half-shells.” Duncan’s poems also explore the devastation brought to this place and its community by Superstorm Sandy and the continued impacts of climate change.
 
Interwoven into this thread is the narrator’s miscarriage; the parallels between the desecrated landscape and the personal catastrophe further contribute to the layers of tenderness in this collection, as Duncan urges us to remember and to witness. Despite tragedy and loss, Given is imbued with persistent, dogged hope, showing how survival persists amongst the wreckage, and from this debris is a path towards healing our grief.

Given was the winner of 2022 Autumn House Rising Writer Prize in Poetry.
 
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The Given and the Made
Strategies of Poetic Redefinition
Helen Vendler
Harvard University Press, 1995

Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course.

How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery.

Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate.

Compelling for its insights into the work of four notable poets, this book by a leading critic of poetry is also invaluable for what it has to tell us about the poetic process--about how art copes with the obdurate givens of life, and about the conflict in art between the whim of fate and the artist's will to choose.

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Given Ground
Ann Pancake
University Press of New England, 2008
Departing from Appalachia's 150-year-old literary legacy of formula and caricature, West Virginia native Ann Pancake uses the texture of language, an intense attention to place, and complexity of characterization to recreate the region -- its tragic history and fragile culture, the interior landscapes of its people, and their deep rootedness in a threatened land. Her characters, already marginalized economically and socially, confront what many perceive as an invading outside culture, enduring and at times transcending the loss of their "place," both literally and figuratively. Their stories undermine the assumption that just because people don't articulate what happens inside them, nothing much is happening at all.
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Given Time
I. Counterfeit Money
Jacques Derrida
University of Chicago Press, 1994
Is giving possible? Is it possible to give without immediately entering into a circle of exchange that turns the gift into a debt to be returned? This question leads Jacques Derrida to make out an irresolvable paradox at what seems the most fundamental level of the gift's meaning: for the gift to be received as a gift, it must not appear as such, since its mere appearance as gift puts it in the cycle of repayment and debt.

Derrida reads the relation of time to gift through a number of texts: Heidegger's Time and Being, Mauss's The Gift, as well as essays by Benveniste and Levi-Strauss that assume Mauss's legacy. It is, however, a short tale by Baudelaire, "Counterfeit Money," that guides Derrida's analyses throughout. At stake in his reading of the tale, to which the second half of this book is devoted, are the conditions of gift and forgiveness as essentially bound up with the movement of dissemination, a concept that Derrida has been working out for many years.

For both readers of Baudelaire and students of literary theory, this work will prove indispensable.
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Given Time
I. Counterfeit Money
Jacques Derrida
University of Chicago Press, 1992
Is giving possible? Is it possible to give without immediately entering into a circle of exchange that turns the gift into a debt to be returned? This question leads Jacques Derrida to make out an irresolvable paradox at what seems the most fundamental level of the gift's meaning: for the gift to be received as a gift, it must not appear as such, since its mere appearance as gift puts it in the cycle of repayment and debt.

Derrida reads the relation of time to gift through a number of texts: Heidegger's Time and Being, Mauss's The Gift, as well as essays by Benveniste and Levi-Strauss that assume Mauss's legacy. It is, however, a short tale by Baudelaire, "Counterfeit Money," that guides Derrida's analyses throughout. At stake in his reading of the tale, to which the second half of this book is devoted, are the conditions of gift and forgiveness as essentially bound up with the movement of dissemination, a concept that Derrida has been working out for many years.

For both readers of Baudelaire and students of literary theory, this work will prove indispensable.
[more]

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Given to the Goddess
South Indian Devadasis and the Sexuality of Religion
Lucinda Ramberg
Duke University Press, 2014
Who and what are marriage and sex for? Whose practices and which ways of talking to god can count as religion? Lucinda Ramberg considers these questions based upon two years of ethnographic research on an ongoing South Indian practice of dedication in which girls, and sometimes boys, are married to a goddess. Called devadasis, or jogatis, those dedicated become female and male women who conduct the rites of the goddess outside the walls of her main temple and transact in sex outside the bounds of conjugal matrimony. Marriage to the goddess, as well as the rites that the dedication ceremony authorizes jogatis to perform, have long been seen as illegitimate and criminalized. Kinship with the goddess is productive for the families who dedicate their children, Ramberg argues, and yet it cannot conform to modern conceptions of gender, family, or religion. This nonconformity, she suggests, speaks to the limitations of modern categories, as well as to the possibilities of relations—between and among humans and deities—that exceed such categories.
[more]

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Given Up for You
A Memoir of Love, Belonging, and Belief
Erin O. White
University of Wisconsin Press, 2018
In this candid and revelatory memoir, Erin O. White shares her hunger for both romantic and divine love, and how these desires transformed her life. In the late 1990s, she spent Saturday nights with her girlfriend and Sunday mornings in Catholic confirmation classes. But when the Church closed its doors to her, she was faced with a question: What does a lesbian believer do with her longing for God? Given Up for You explores these yearnings with bittersweet conviction, plumbing the depths of heart and soul.
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Giving Academic Presentations
Susan M. Reinhart
University of Michigan Press, 2002
Giving Academic Presentations provides guidance on academic-style presentations for ESL students and native speakers. One goal of this text is to make presenters aware that giving an effective presentation requires mastery of a broad range of skills. Students will learn how to choose an appropriate topic, create effective visuals, and design a speech opening.

 This textbook provides:
*helpful analyses of speeches
*examination of major speech types, accompanying organizational strategies, and related language use
*tips for improving nonverbal behavior
*suggestions for speaker-listener interaction
*an analysis of ways to qualify claims and strategies for improving them
*opportunities for evaluating one's work and the work of others.
 
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Giving Academic Presentations, Second Edition
Susan M. Reinhart
University of Michigan Press, 2013

Giving Academic Presentations provides guidance on academic-style presentations for university students. A goal of the text is to make presenters aware that giving an effective academic presentation requires mastery of a broad range of skills.

The presentation genres addressed in the book are: making introductions, describing and comparing objects, explaining a process, defining a concept, and giving a problem-solution speech. Among the many academic skills and concepts addressed in the book are:

  • Examination of major speech types and the accompanying organizational strategies
  • Discussion of speech overviews and suggestions for designing them and creating visuals to accompany them
  • Suggestions for speaker-listener interaction including checking for understanding, soliciting questions from the audience, preparing for and responding to questions, and interrupting the speaker to ask questions or request clarification
  • Discussion of the importance of using evidence in academic speaking and the advantages of using certain types of evidence
  • Suggestions of ways to qualify claims and strategies for making weaker or stronger claims
  • Strategies and practice to improve pausing, stress, and intonation
  • Practical advice about preparing and practicing speeches
  • Opportunities for presenters to evaluate their own and others’ work

 The Second Edition includes many new tasks and additional speeches; more attention to working with and using visuals; information about computer projection and using PowerPoint; and new sections on presenting biographical information, referring to handouts, and giving research presentations.
 

[more]

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Giving Back
Filipino America and the Politics of Diaspora Giving
L. Joyce Zapanta Mariano
Temple University Press, 2021

Many Filipino Americans feel obligated to give charitably to their families, their communities, or social development projects and organizations back home. Their contributions provide relief to poor or vulnerable Filipinos, and address the forces that maintain poverty, vulnerability, and exploitative relationships in the Philippines. This philanthropy is a result of both economic globalization and the migration of Filipino professionals to the United States. But it is also central to the moral economies of Filipino migration, immigration, and diasporic return. Giving-related practices and concerns—and the bonds maintained through giving—infuse what it means to be Filipino in America.

Giving Back shows how integral this system is for understanding Filipino diaspora formation. Joyce Mariano “follows the money” to investigate the cultural, social, economic, and political conditions of diaspora giving. She takes an interdisciplinary approach to reveal how power operates through this charity and the ways the global economic and cultural dimensions of this practice reinforce racial subordination and neocolonialism. Giving Back explores how this charity can stabilize overlapping systems of inequality as well as the contradictions of corporate social responsibility programs in diaspora.

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Giving Back
Research and Reciprocity in Indigenous Settings
R. D. K. Herman
Oregon State University Press, 2018

How can scholars best give back to the communities in which they conduct their research? This critical question arises from a long history of colonial scholarship that exploited study subjects by taking knowledge without giving anything in return. It is a problem faced by all field researchers, even those working in their own communities.

Over the past several decades—and especially since the evolution of feminist methodologies, participatory research, and the postcolonial turn in the 1990s—there have been calls for research to be less exploitative, but also for researchers and for the research itself to give something back. Giving Back: Research and Reciprocity in Indigenous Settings addresses the need for reciprocity in the research process, especially (though not exclusively) in regard to indigenous communities.

The twelve case studies in this volume demonstrate that giving back can happen through the research itself—through the careful framing of questions, co-production of knowledge, and dissemination of results—but also through the day-to-day actions and attitudes of researchers that inevitably occur in the field. It can range from everyday give-and-take to the sharing of research materials to larger and longer-term engagements.

As practitioners of community-based research gain greater awareness of these issues, scholars and institutions need guidance and strategies for ensuring reciprocity in the research process. This volume presents a variety of situations from a wide range of research contexts, discusses what has and hasn’t worked, and explores what issues remain.

CONTRIBUTORS:

Jennifer Carter
Julia Christensen
Claire Colyer
David Crew
Erica A. D’Elia
Maria Fadiman
R.D.K. Herman
Richard Howitt
Stephanie Hull
Gwyneira Isaac 
Chris Jacobson
Meredith Luze
Catrina A. MacKenzie
Lea S. McChesney
Kendra McSweeney
Janice Monk
Roxanne T. Ornelas
Tristan Pearce
Matthew Reeves
Chie Sakakibara
Wendy S. Shaw
Sarah Turner
John R. Welch

[more]

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Giving Birth in Eighteenth-Century England
Sarah Fox
University of London Press, 2022
A history of childbirth in the eighteenth century as told by women.
 
This fascinating new book radically rewrites all that we know about eighteenth-century childbirth by placing women’s voices at the center of the story. Examining childbirth from the perspective of the birthing woman, this research offers new perspectives on the history of the family, the social history of medicine, community and neighborhood studies, and the study of women’s lives in eighteenth-century England. 

From “quickening” through to “confinement,” “giving caudle,” delivery, and “lying-in,” birth was once a complex ritual that involved entire communities. Drawing on an extensive and under-researched body of materials, such as letters, diaries, and recipe books, this book offers critical new perspectives on the history of the family, community, and the lives of women in the coming age of modern medicine. It unpacks the rituals of contemporary childbirth—from foods traditionally eaten before and after birth, birthing clothing, and how a woman’s relationship with her family, husband, friends, and neighbors changed during and after pregnancy. In this important and deeply moving study, we are invited onto a detailed and emotional journey through motherhood in an age of immense socio-cultural and intellectual change.
[more]

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Giving Glory To God Appalachia
Worship Practices Six Baptist Subdenominations
Howard Dorgan
University of Tennessee Press, 1987
In Giving Glory to God in Appalachia, Howard Dorgan explores the worship practices of Primitive, Regular, Old Regular, Union, Missionary, and Free Will Baptists. The worship practices of the denominations under consideration are varied and often exuberant, and Dorgan's writing is highly evocative, conveying in rich detail the joy and pathos of worship in these mountain churches.

As Dorgan states in the introduction, he is less concerned with academic theorizing and more concerned with presenting a vivid, first-hand account of all that he has seen and heard. And in the nearly fifteen years he spent researching his book, Dorgan saw quite a lot: spirited, vociferous sermons, creek baptisms, foot washings, home comings, dinners on the ground, and evangelistic radio broadcasts. Dorgan's prose is at its most enchaining when he presents tableaus of these phenomena: a foot washing precipitates the erasure of interpersonal turmoil between two women; a preacher uses his lively mode of sermonic delivery to orchestrate the rapturous shouts and "hollers" of a group of women; a radio evangelist exhorts a recent widower to except salvation. The wonderful pictures interspersed throughout the book and the transcription of sermons help to further reify the worship scenes that Dorgan describes.

At times, Dorgan's prose is intensely personal. Dorgan is always aware that he is writing about sets of shared values and worship practices that mean a great deal to the congregations he is studying, and Dorgan treats his subjects and their beliefs with tremendous sensitivity and respect. Ultimately, Dorgan is writing about people and the ways in which they invest their lives with meaning and purpose. This gives Giving Glory to God in Appalachia a universal appeal: even readers who find the religious settings in the book completely alien will be able to sympathize with the congregations' search for meaning.

To sum up: Dorgan has written a beautiful, enthralling book. Don't think--just buy. And while you're at it, you might want to consider Airwaves Of Zion: Radio Religion In Appalachia
(ISBN-10: 0870497979), also by Dorgan.
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Giving It All Away
The Story of William W. Cook and His Michigan Law Quadrangle
Margaret A. Leary
University of Michigan Press, 2011

“Margaret Leary's carefully researched book illuminates a complex man who marked his university in a truly enduring way."
---Francis X. Blouin Jr., Director, Bentley Historical Library, and Professor, School of Information and Department of History, University of Michigan

“Generations of Michigan Law grads have passed on myths about their generous but eccentric benefactor. . . . Now Margaret Leary has given us the real story, and it reads like a gripping whodunit."
---Theodore J. St. Antoine, James E. and Sarah A. Degan Professor Emeritus of Law and Past Dean, University of Michigan Law School

“In an absorbing book, Margaret Leary unstintingly investigates unpublished, archival material to unravel enigmas surrounding William Wilson Cook. She brings to life Cook's brilliant interactions with powerful moguls of the early twentieth century as she traces his lofty, philanthropic mission to elevate the legal profession."
---Ilene H. Forsyth, Arthur F. Thurnau Professor of the History of Art, emerita, University of Michigan

William W. Cook, born in 1858 and a graduate of the University of Michigan and of its law school, made his fortune by investing in the burgeoning telegraph and communications industry, as well as in representing the Mackay Company in their frequent tumultuous battles with Western Union and the U.S. government. Though Cook entered New York society and never returned to Michigan after receiving his law degree, he decided not just to give his alma mater the finest physical facility of any existing law school, but to donate permanent resources that would permit the law school to engage in groundbreaking legal research. However, his generosity proved controversial and eventually very litigious. Margaret A. Leary places Cook's story in the rich social and cultural context of his time and paints a fascinating portrait of a complex figure whose legacy continues to shape the University of Michigan.

Cover photographs: (left) Gregory Fox Photography; (right) Ann B. Cook collection, photo by Russell R. Serbay

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Giving Life, Giving Death
Psychoanalysis, Anthropology, Philosophy
Lucien Scubla
Michigan State University Press, 2016
Although women alone have the ability to bring children into the world, modern Western thought tends to discount this female prerogative. In Giving Life, Giving Death, Lucien Scubla argues that structural anthropology sees women as objects of exchange that facilitate alliance-building rather than as vectors of continuity between generations. Examining the work of Lévi-Strauss, Freud, and Girard, as well as ethnographic and clinical data, Giving Life, Giving Death seeks to explain why, in constructing their master theories, our greatest thinkers have consistently marginalized the cultural and biological fact of maternity. In the spirit of Freud’s Totem and Taboo, Scubla constructs an anthropology that posits a common source for family and religion. His wide-ranging study explores how rituals unite violence and the sacred and intertwine the giving of death and the giving of life.
 
[more]

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Giving Offense
Essays on Censorship
J. M. Coetzee
University of Chicago Press, 1996
Winner of the 2003 Nobel Prize in Literature.

J. M. Coetzee presents a coherent, unorthodox analysis of censorship from the perspective of one who has lived and worked under its shadow. The essays collected here attempt to understand the passion that plays itself out in acts of silencing and censoring. He argues that a destructive dynamic of belligerence and escalation tends to overtake the rivals in any field ruled by censorship.

From Osip Mandelstam commanded to compose an ode in praise of Stalin, to Breyten Breytenbach writing poems under and for the eyes of his prison guards, to Aleksander Solzhenitsyn engaging in a trial of wits with the organs of the Soviet state, Giving Offense focuses on the ways authors have historically responded to censorship. It also analyzes the arguments of Catharine MacKinnon for the suppression of pornography and traces the operations of the old South African censorship system.

"The most impressive feature of Coetzee's essays, besides his ear for language, is his coolheadedness. He can dissect repugnant notions and analyze volatile emotions with enviable poise."—Kenneth Baker, San Francisco Chronicle Book Review

"Those looking for simple, ringing denunciations of censorship's evils will be disappointed. Coetzee explicitly rejects such noble tritenesses. Instead . . . he pursues censorship's deeper, more fickle meanings and unmeanings."—Kirkus Reviews

"These erudite essays form a powerful, bracing criticism of censorship in its many guises."—Publishers Weekly

"Giving Offense gets its incisive message across clearly, even when Coetzee is dealing with such murky theorists as Bakhtin, Lacan, Foucault, and René; Girard. Coetzee has a light, wry sense of humor."—Bill Marx, Hungry Mind Review

"An extraordinary collection of essays."—Martha Bayles, New York Times Book Review

"A disturbing and illuminating moral expedition."—Richard Eder, Los Angeles Times Book Review
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Giving Their Word
Conversations with Contemporary Poets
Steven Ratiner
University of Massachusetts Press, 2004
Based on a three-year series of interviews conducted by Steven Ratiner for the Christian Science Monitor, this book offers extended conversations with twelve of the most influential poets writing today. Their comments are wonderfully detailed, refreshingly honest, and provide the sort of intimate introduction to both poet and text that readers are rarely privileged to enjoy. Included are conversations with William Stafford, Mary Oliver, John Montague, Charles Simic, Seamus Heaney, Donald Hall, Maxine Kumin, Carolyn Forché, Martín Espada, Marge Piercy, Rita Dove, and Bei Dao. In the book's closing interview, Steven Ratiner makes a return visit to Donald Hall's New Hampshire farm shortly before the publication of Hall's collection Without, which focused on the death of his wife, poet Jane Kenyon.

Giving their word is what poets do; it is their stock-in-trade, their daily bread. In the hands of the most accomplished, a poet's words are transformed into a kind of window: looking inward toward the territory of memory, dream, personal mythology and opening out onto the landscape of the shared world where life and work are rooted. For each poet there is an intricate relationship between these two realms and poetry's third domain, the language that bridges both experiences and becomes the body of the poem. Giving Their Word shows us that the poet's fidelity to that relationship sustains his or her development over time, urges the writing toward new levels of discovery, and bestows on readers that most prized of commodities: a feeling of the authentic.

For poets, students of poetry, and that far-flung community of readers for whom the contemporary poem still provides a journey worth taking, this book will present a host of pleasures. Giving Their Word enlarges the frame through which we view the poet's text and yields significant insights into the craft and character of each of these writers.
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Giving Voice to Stones
Place and Identity in Palestinian Literature
By Barbara McKean Parmenter
University of Texas Press, 1994

"A struggle between two memories" is how Palestinian poet Mahmud Darwish describes the conflict between Palestinians and Israelis. Within this struggle, the meanings of land and home have been challenged and questioned, so that even heaps of stones become points of contention. Are they proof of ancient Hebrew settlement, or rubble from a bulldozed Palestinian village? The memory of these stones, and of the land itself, is nurtured and maintained in Palestinian writing and other modes of expression, which are used to confront and counter Israeli images and rhetoric. This struggle provides a rich vein of thought about the nature of human experience of place and the political uses to which these experiences are put.

In this book, Barbara McKean Parmenter explores the roots of Western and Zionist images of Palestine, then draws upon the work of Darwish, Ghassan Kanafani, and other writers to trace how Palestinians have represented their experience of home and exile since the First World War. This unique blending of cultural geography and literary analysis opens an unusual window on the struggle between these two peoples over a land that both divides them and brings them together.

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Giving Voters a Voice
The Origins of the Initiative and Referendum in America
Steven L. Piott
University of Missouri Press, 2003
Giving Voters a Voice studies the origins of direct legislation, one of the most important political reforms enacted during the Progressive Era. Steven L. Piott begins with the source of the idea in the United States and proceeds to the earliest efforts aimed at generating a national movement to expand the parameters of popular democracy in the 1890s. He then broadens his examination to include the unique ways in which twenty-two states came to enact legislation allowing for the statewide initiative and referendum between 1898 and 1918. The book’s appendix offers the only comprehensive listing of all the ballot propositions and vote totals for the period.
Most historians of the Progressive Era have concluded that narrow self-interest prevented labor, farmers, and the middle class from working together to achieve important reforms. Giving Voters a Voice demonstrates that middle-class reformers, trade unionists, and farm organizers formed loose political coalitions and directed grass-roots campaigns to gain passage of initiative and referendum statutes because direct legislation offered the best means to correct political, economic, and social abuses. But there was more than just a shared sense of common interest that brought these seemingly oppositional groups together. What really made them willing to speak, lobby, and work together was quite simply the frustration felt by voters who sensed that they had become economically dependent and politically powerless.
Each state in which proponents conducted an active campaign to win adoption of direct legislation is studied in detail. The book analyzes the crucial roles played by individuals who led the movement to empower voters by enabling them to enact or veto legislation directly, and reveals the arguments, the stumbling blocks, and political compromises that are often slighted in generalized overviews. Each state possessed its own political dynamic. Giving Voters a Voice offers the reader a richness of detail and a completeness of coverage not found elsewhere.
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Giza and the Pyramids
The Definitive History
Mark Lehner and Zahi Hawass
University of Chicago Press, 2017
The pyramids of Giza have stood for more than four thousand years, fascinating generations around the world. We think of the pyramids as mysteries, but the stones, hieroglyphs, landscape, and even layers of sand and debris around them hold stories. In Giza and the Pyramids: The Definitive History, two of the world’s most eminent Egyptologists, Mark Lehner and Zahi Hawass, provide their unique insights based on more than four decades of excavating and studying the site.

The celebrated Great Pyramid of Khufu, or Cheops, is the only one of the seven wonders of the ancient world still standing, but there is much more to Giza. Though we imagine the pyramids of Khufu, Khafre, and Menkaure and the Sphinx rising from the desert, isolated and enigmatic, they were once surrounded by temples, noble tombs, vast cemeteries, and even harbors and teeming towns. This unparalleled account describes that past life in vibrant detail, along with the history of exploration, the religious and social function of the pyramids, how the pyramids were built, and the story of Giza before and after the Old Kingdom. Hundreds of illustrations, including vivid photographs of the monuments, excavations, and objects, as well as plans, reconstructions, and images from remote-controlled cameras and laser scans, help bring these monuments to life.

Through the ages, Giza and the pyramids have inspired extraordinary speculations and wild theories, but here, in this definitive account, is the in-depth story as told by the evidence on the ground and by the leading authorities on the site.
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Glacier National Park
A Culmination of Giants
George Bristol
University of Nevada Press, 2017
Bristol takes readers on a journey through the history of Glacier National Park, beginning over a billion years ago from the formation of the Belt Sea, to the present day climate-changing extinction of the very glaciers that sculpted most of the wonders of its landscapes. He delves into the ways in which this area of Montana seemed to have been preparing itself for the coming of humankind through a series of landmass adjustments like the Lewis Overthrust and the ice ages that came and went.
 
First there were tribes of Native Americans whose deep regard for nature left the landscape intact. They were followed by Euro-American explorers and settlers who may have been awed by the new lands, but began to move wildlife to near extinction. Fortunately for the area that would become Glacier, some began to recognize that laying siege to nature and its bounties would lead to wastelands.
 
Bristol recounts how a renewed conservation ethic fostered by such leaders as Emerson, Thoreau, Olmstead, Muir, and Teddy Roosevelt took hold. Their disciples were Grinnell, Hill, Mather, Albright, and Franklin Roosevelt, and they would not only take up the call but rally for the cause. These giants would create and preserve a park landscape to accommodate visitors and wilderness alike.
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Glacier
Nature and Culture
Peter G. Knight
Reaktion Books, 2019
As major actors in the unfolding drama of climate change, glaciers feature prominently in Earth’s past and its future. Wherever on the planet we live, glaciers affect each of us directly. They control the atmospheric and ocean circulations that drive the weather; they supply drinking and irrigation water to millions of people; and they protect us from catastrophic sea-level rise. The very existence of glaciers affects our view of the planet and of ourselves, but it is less than two hundred years since we first realized that ice ages come and go and that glaciers once covered much more of the planet’s surface than they do now.

An inspiration to artists and a challenge for engineers, glaciers mean different things to different people. Crossing the boundaries between art, environment, science, nature, and culture, this book considers glaciers from myriad perspectives, revealing their complexity, majesty, and importance—but also their fragility.
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The Glacier Park Reader
David Stanley
University of Utah Press, 2017
The first and only anthology of key writings about Glacier National Park, this comprehensive collection ranges from Native American myths to early exploration narratives to contemporary journeys, from investigations of the park’s geology and biology to hair-raising encounters with wild animals, fires, and mountain peaks.
 
Soon after the park was established in 1910, visitors began to arrive, often with pen in hand. They included such well-known authors as mystery writer Mary Roberts Rinehart, historian Agnes C. Laut, fiction writer Dorothy Johnson, humorist Irvin S. Cobb, poet Vachel Lindsay, and artist Maynard Dixon—all featured in the book. Readers will encounter colorful characters who lived in and around the park in its early days, including railroad magnate and conservationist Louis Hill, renegade ranger and poacher Joe Cosley, bootlegger Josephine Doody, and old-time cowboy guide Jim Whilt. Blackfeet and Kalispel myths, politically charged descriptions by early explorers such as John Muir and George Bird Grinnell, and full-color reproductions of the illustrated letters of cowboy artist and Glacier resident Charles M. Russell are also included. 

Copublished with the Glacier National Park Conservancy.
The Glacier National Park Conservancy preserves the Park for generations to come. Learn more about our work at www.glacier.org

Part of the National Park Reader series, edited by Lance Newman and David Stanley
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Glaciology
Jeffrey Skinner
Southern Illinois University Press, 2013
“Once I walked a thin rail through a glacier” begins “Shattered Bio,” the first poem in Glaciology, Jeffrey Skinner’s latest collection of poetry. Filled with images that slide into one another in a dreamlike way, from the “squeak of pine trees in a forest” to “pinwheel, the baby’s hand,” the poem provides a precise way of seeing how layers of tenderness and danger melt into one another, inhabiting the same world.

At the center of the book, the eighteen-part title poem “Glaciology” takes readers to the core of misunderstandings as it juxtaposes the work of a glaciologist with fractured language, misread cues, and a literalness that defies conventional explanation. The lives of the glaciers are reported with a careful, scientific language that keeps readers emotionally at bay from the effects of their demise, and the speaker comments, “I consider language / mistreated these days, asked to explain itself / to justify at the same time it bears / meaning, to own up / to creation at the moment of use / only, and only that meaning.”

The third section of the book further explores the tensions of life and death in ways both whimsical—by focusing on a fly, a vintage clock, rabbits, and Poland, among other subjects—and deeply serious. In the long poem “Event Horizon,” Skinner takes readers into an accident and its aftermath, which brushes too close to death. By the end of the book, however, a new focus comes into view with the birth of a grandchild in “All Things Move toward Disorder Except the Newly Created.”
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Gladius
The World of the Roman Soldier
Guy de la Bédoyère
University of Chicago Press, 2020
Gladius delivers a stunning ground-level recreation of what it was like to be a soldier in the fighting force that made the Roman Empire.
Empire. 


The Roman army was the greatest fighting machine in the ancient world. More than that, it was the single largest organization in Western antiquity, taking in members from all classes, from  senators to freed slaves. The Roman Empire depended on its army not just to win its wars, defend its frontiers, and control the seas, but to act as the very engine of the state.

In Gladius, Guy de la Bédoyère takes us straight to the heart of what it meant to be a part of the Roman army. Rather than a history of the army itself, or a guide to military organization and fighting methods, this book is a ground-level recreation of what it was like to be a soldier in the army that made the empire. Surveying numerous aspects of life in the Roman army between 264 BCE and 337 CE, Gladius—the Latin word for sword—draws not only on the words of famed Roman historians, but also those of the soldiers  themselves, as recorded in their religious dedications, tombstones, and even private letters and graffiti. Gladius reveals the everyday life  of these soldiers and their families, whether stationed in a bleak frontier garrison in Britain or North Africa, tasked with guarding the emperor in Rome, fighting on foreign battlefields, mutinying over pay, marching in triumph, throwing their weight around on city streets, or enjoying esteem in honorable retirement.

By illuminating the history of one organization that reflected all corners of the Roman world, Gladius gives us a portrait of an ancient society that is unprecedented in both its broad sweep and gritty intimacy.
[more]

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Glamorous Sorcery
Magic and Literacy in the High Middle Ages
David Rollo
University of Minnesota Press, 2000

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Glamour in a Golden Age
Movie Stars of the 1930s
McLean, Adrienne L
Rutgers University Press, 2010
Shirley Temple, Clark Gable, Errol Flynn and Olivia de Havilland, Fred Astaire and Ginger Rogers, Bette Davis, Joan Crawford and Norma Shearer, Marlene Dietrich and Greta Garbo, William Powell and Myrna Loy, Jean Harlow, and Gary Cooper-Glamour in a Golden Age presents original essays from eminent film scholars that analyze movie stars of the 1930s against the background of contemporary American cultural history.

Stardom is approached as an effect of, and influence on, the particular historical and industrial contexts that enabled these actors and actresses to be discovered, featured in films, publicized, and to become recognized and admired-sometimes even notorious-parts of the cultural landscape. Using archival and popular material, including fan and mass market magazines, other promotional and publicity material, and of course films themselves, contributors also discuss other artists who were incredibly popular at the time, among them Ann Harding, Ruth Chatterton, Nancy Carroll, Kay Francis, and Constance Bennett.
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A Glance Beyond Doubt
Narration, Representation, Subjectivity
Shlomith Rimmon-Kenan
The Ohio State University Press, 1900

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The Glance of Countess Hahn-Hahn (down the Danube)
Peter Esterhazy
Northwestern University Press, 1999
Winner of the 2004 German Publishers and Booksellers Association Peace Prize

In The Glance of Countess Hahn-Hahn (down the Danube), Péter Esterházy tells the story of a professional traveler, commissioned--like Marco Polo by Kublai Khan--to undertake a voyage of discovery and prepare a travelogue. Communicating the details of his journey through terse and surreal telegrams, the Traveller weaves a rich tapestry of narratives, evoking the ethereal past and the precarious present of a disappearing world.
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The Glance of the Medusa
The Physiognomy of Mysticism
László F. Földényi
Seagull Books, 2018
In The Glance of the Medusa, Lászó F. Földényi offers a mesmerizing examination of the rich history of European culture through the lens of mythology and philosophy. Embracing the best traditions of essay writing, this volume invites readers on a spiritual and intellectual adventure. The seven essays bear testimony to Földényi’s encyclopedic knowledge and ask whether it is possible to overcome our fear of passing away. In doing so, they illuminate moments of mystical experience viewed in a historical perspective while inviting readers to engage with such moments in the present by immersing themselves into the process of reading and thinking.
 
Rather than providing firm answers to burning questions, The Glance of the Medusa highlights the limits of definition, conjuring up situations in which Man partakes of unutterable experiences—such as passion, pleasure, fear, poetry, or disgust—suggesting that moments of ecstasy cannot be pinned down or captured, only drawn a little closer.
 
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Glancing Visions
Surface and Depth in Nineteenth-Century American Literature
Zachary Tavlin
University of Alabama Press, 2023
How the “glance” rather than the “gaze” in nineteenth-century literature and art anticipates the turn to modernism
 
The sweeping vantages that typify American landscape painting from the nineteenth century by Thomas Cole and other members of the Hudson River School are often interpreted for their geopolitical connotations, as visual attempts to tame the wild, alleviating fears of a savage frontier through views that subdue the landscape to the eye. But many literary figures of the era display a purposeful disdain for the “possessive gaze,” signaling a preference for subtle glances, often informed by early photography, Impressionism, new techniques in portraiture, and, soon after, the dawn of cinema. The visual subjectivities and contingencies introduced by these media made room for a visual counternarrative, one informed by a mode of seeing that moves fast and lightly across the surface of things.

Tavlin probes Nathaniel Hawthorne’s theory of the imagination at a turning point in the history of photography, when momentary glances take on new narrative potentials. The poetry of Frances Ellen Watkins Harper toggles between gazes and glances, unsettling two competing forms of racialized seeing as they pertain to nineteenth-century Black life and racial hierarchies—the sentimental gaze and the slave trader’s glance—highlighting the life-and-death stakes of looking and looking away. Emily Dickinson’s syntactical oddities and her lifelong process of stitching and unstitching the poems that constitute her corpus all derive from a commitment to immanence associated with animal perception. Tavlin investigates, as well, Henry James’s vexed relationship to painterly Impressionism and William Carlos Williams’s imagist poetics as a response to early cinema’s use of the cut as the basis for a new visual grammar.

Each of these literary artists—via their own distinctive sensibilities and the artistic or technological counterparts that informed them—refuse the authoritative, all-possessive gaze in favor of the glance, a mode of seeing, thinking, and being that made way for the twentieth century’s twist on modernity. Glancing Visions will be of interest to scholars and teachers of American literature and literary history, visual culture, visual theory, aesthetic philosophy, and phenomenology.
 
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Glanz und Abglanz
Two Centuries of German Studies in the University of London
Edited by John L. Flood and Anne Simon
University of London Press, 2017
In 1943, in the midst of a London still reeling from the Blitz, initial plans were laid for an Institute devoted to rebuilding relations between English and German scholars and academics once hostilities had ceased. Established in 1950, the Institute served for more than half a century as a research centre and focal point for researchers the world over. However, German Studies in London have a much older tradition which goes back almost two centuries. Glanz und Abglanz tells the fascinating tale of German Studies in London from its beginnings at the ‘godless institution of Gower Street’, and the remarkable personalities whose energy and commitment ensured that the discipline flourished. The story is told through two essays: ‘Taught by Giants’ outlining the history of the subject in London from 1826, and ‘“Sehr schön, Piglet?” “Ja, Pooh.”’ following the development of the Institute of Germanic Languages and Literatures and showcasing its remarkable library. The volume is rounded off with an account of the magnificent collection of rare books assembled by two of the personalities, Robert Priebsch (1866–1935) and August Closs (1898–1990). John L. Flood has been associated with the University of London for more than fifty years, having taught German at King’s College from 1965 until 1979, when he was appointed Deputy Director of the Institute of Germanic Studies. Since his retirement in 2002, Professor Flood has been an Honorary Fellow of the Institute. Anne Simon took her PhD at the University of London, then became Lecturer in Medieval German at the University of Bristol from 1992 to 2011. She held a temporary Lectureship at the Institute of Germanic & Romance Studies, London, in 2012–13, and is now an Associate Fellow of the Institute of Modern Languages Research.
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Glaphyra on the Pentateuch, Volume 1
Nicholas P. St. Cyril of Alexandria
Catholic University of America Press, 2019
Cyril of Alexandria (ca. 376–444) is best known for his defense of orthodoxy at the time of the Nestorian controversy over the nature of Christ. However, by far the larger part of Cyril’s literary output consisted of commentaries on books of both Old and New Testaments, written before the Christological debate was sparked off in 428. One of these works, of major proportions, was the so-called Glaphyra (“elegant comments”) on the Pentateuch. This comprises a total of thirteen separate “books,” or volumes: seven on Genesis, three on Exodus, and one each on Leviticus, Numbers and Deuteronomy. The comments primarily concern the narrative portions of the Pentateuch, hence the greater space given to Genesis, though a number of the legal prescriptions are also treated. This present volume, containing all seven books on Genesis, is the first of a projected two-volume set which will offer a translation of the whole Glaphyra for the first time in English. Cyril’s aims within the commentary are both theological and pastoral. His chosen method begins with a consideration of the historia. Here the Alexandrian patriarch deals with the text at the literal level. At this stage he explains any historical, cultural, and at times even linguistic and textual issues presented within the passage, which is then followed by some theological instruction or lessons of a more practical nature based upon the literal interpretation. The exposition then moves on to the theoria. This is Cyril’s preferred term for the contemplation of the spiritual sense, that is to say, the mystery of Christ which he firmly held lay hidden beneath the surface of the Old Testament text. With great adeptness and consistency Cyril identifies elements within the ancient narratives as figures, or “types and shadows,” of the Lord Jesus Christ, the Church, and the teachings of the gospel.
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Glaphyra on the Pentateuch, Volume 2
St. Cyril of Alexandria
Catholic University of America Press, 2019
The translation of the commentary of Cyril of Alexandria (ca. 376-444) on the Pentateuch, known as the Glaphyra, or “elegant comments,” is now completed by this second volume. Volume 1 contained the whole of his remarks on Genesis, and now Volume 2 presents his comments on Exodus, Leviticus, Numbers, and Deuteronomy, along with indices for the entire work. At this early stage in his patriarchate Cyril was an avid expositor of Scripture, on books of both Testaments, possibly undertaking this work as a model and guide for the clergy under his direction. While Cyril’s other large-scale commentaries on Old Testament books, such as Isaiah and the Minor Prophets (the latter commentary also published in translation by CUA Press), followed a verse-by-verse approach, the Glaphyra is more thematic. As Cyril works through the narrative passages of the Pentateuch, he pauses to explain those elements within the text that present possible difficulties or admit alternative interpretations, and invariably concludes each section by bringing out spiritual lessons of benefit to the congregation. Many of these latter relate to Christ, since, for Cyril, a Christological reading of the Old Testament was unavoidable. While in the Glaphyra it was not Cyril’s purpose to tackle the legal passages within the Pentateuch, a task that he wished to reserve for a separate work of an entirely different character (De adoratione et cultu in spiritu et veritate, “Concerning Worship and Service in Spirit and in Truth”), he does nevertheless here depart from his own remit on occasion and deal with some of the more prominent ceremonial passages. Cyril gives considerable space, for example, to the sacrifice of the Passover lamb and the levitical ritual for the cleansing of the leper, among others. As with Volume 1, Cyril’s treatment of these books is published here for the first time in English translation.
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The Glasgow Sugar Aristocracy
Scotland and Caribbean Slavery, 1775–1838
Stephen Mullen
University of London Press, 2020
The first book to outline Scotland’s colonial past and Glasgow’s direct links with the slave trade through sugar plantations.

This important book assesses the size and nature of Caribbean slavery’s economic impact on British society. The Glasgow Sugar Aristocracy, a grouping of West India merchants and planters, became active before the emancipation of chattel slavery in the British West Indies in 1834. Many acquired nationally significant fortunes, and their investments percolated into the Scottish economy and wider society. At its core, the book traces the development of merchant capital and poses several interrelated questions during an era of rapid transformation, namely, what impact the private investments of West India merchants and colonial adventurers had on metropolitan society and the economy, as well as the wider effects of such commerce on industrial and agricultural development.
 
The book also examines the fortunes of temporary Scottish economic migrants who traveled to some of the wealthiest of the Caribbean islands, presenting the first large-scale survey of repatriated slavery fortunes via case studies of Scots in Jamaica, Grenada, and Trinidad before emancipation in 1834. It, therefore, takes a new approach to illuminate the world of individuals who acquired West Indian fortunes and ultimately explores, in an Atlantic frame, the interconnections between the colonies and metropole in the late eighteenth and early nineteenth centuries.
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Glasnost—Soviet Cinema Responds
By Nicholas Galichenko
University of Texas Press, 1991

With the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost—Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films.

The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals.

The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.

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Glass
A World History
Alan Macfarlane and Gerry Martin
University of Chicago Press, 2002
Picture, if you can, a world without glass. There would be no microscopes or telescopes, no sciences of microbiology or astronomy. People with poor vision would grope in the shadows, and planes, cars, and even electricity probably wouldn't exist. Artists would draw without the benefit of three-dimensional perspective, and ships would still be steered by what stars navigators could see through the naked eye.

In Glass: A World History, Alan Macfarlane and Gerry Martin tell the fascinating story of how glass has revolutionized the way we see ourselves and the world around us. Starting ten thousand years ago with its invention in the Near East, Macfarlane and Martin trace the history of glass and its uses from the ancient civilizations of India, China, and Rome through western Europe during the Renaissance, Enlightenment, and Industrial Revolution, and finally up to the present day. The authors argue that glass played a key role not just in transforming humanity's relationship with the natural world, but also in the divergent courses of Eastern and Western civilizations. While all the societies that used glass first focused on its beauty in jewelry and other ornaments, and some later made it into bottles and other containers, only western Europeans further developed the use of glass for precise optics, mirrors, and windows. These technological innovations in glass, in turn, provided the foundations for European domination of the world in the several centuries following the Scientific Revolution.

Clear, compelling, and quite provocative, Glass is an amazing biography of an equally amazing subject, a subject that has been central to every aspect of human history, from art and science to technology and medicine.
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The Glass Anvil
Andrew Hudgins
University of Michigan Press, 1997
In this highly accessible volume, poet Andrew Hudgins puts himself under the eye of scrutiny, spanning his career from a beginning writer seriously committed to his art to a mature author ready to reflect upon his role as a poet. The transition from one to the other comprises a rich lode of personal experiences, which Hudgins honestly and humorously details in essays ranging from his fascination with imagined worlds created by books to his appreciation of the works of nineteenth-century poet Frederick Goddard Tuckerman and contemporary poet Galway Kinnell.
Finally coming to rest on an examination of his own autobiography, The Glass Hammer, Hudgins reveals some of the ways he lied in that book--and some of the reasons for doing so. In a lighthearted manner, he manages to throw both light--and shadow--on the autobiography as a literary form. Amid charming anecdotes of his Southern upbringing, The Glass Anvil vividly records the depth of Hudgins's fascination with language, particularly as it mingles with the important issues of his life--religion, racism, Southern literature, and narrative poetry. This fascination is further documented in a free-wheeling interview which closes the book.
Engaging and amusing reading, The Glass Anvil will appeal to readers interested in contemporary poetry and Southern literature.
Andrew Hudgins's books include The Never Ending, After the Lost War: A Narrative, Saints and Strangers, and most recently The Glass Hammer. He is Professor of English, University of Cincinnati.
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Glass Bikini
Kristin Bock
Tupelo Press, 2021
Part creation myth, part prophesy, Kristin Bock’s Glass Bikini stitches together the fabrics of our dystopian present, reminding us of our culpability and power in this grand, human experiment. These often darkly humorous poems guide readers into dreamscapes and under-worlds that are ominously contemporary. From a looking-glass planet, we peer back at our own homes and see the news as a horror movie. There is the sickening feeling that something has gone terribly wrong. Monsters prowl here inspired as much by Sarah Kane as Mary Shelley. We hold a tiny prehistoric horse in our paws. We are masochistic voodoo dolls traipsing hand in hand through grisliness and the sublime. If there is any hope in this nightmarish proliferation of cyborgs and militia, it lies within the liberating powers of the feminine. Glass Bikini is both mirror and warning, asking us to see our own strange and terrifying shapes, the monsters we have helped create, and the ones we have become.
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The Glass Church
Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry
Mark T. Mulder
Rutgers University Press, 2020

Robert H. Schuller’s ministry—including the architectural wonder of the Crystal Cathedral and the polished television broadcast of Hour of Power—cast a broad shadow over American Christianity. Pastors flocked to Southern California to learn Schuller’s techniques. The President of United States invited him sit prominently next to the First Lady at the State of the Union Address. Muhammad Ali asked for the pastor’s autograph. It seemed as if Schuller may have started a second Reformation. And then it all went away. As Schuller’s ministry wrestled with internal turmoil and bankruptcy, his emulators—including Rick Warren, Bill Hybels, and Joel Osteen— nurtured megachurches that seemed to sweep away the Crystal Cathedral as a relic of the twentieth century. How did it come to this?

Certainly, all churches depend on a mix of constituents, charisma, and capital, yet the size and ambition of large churches like Schuller’s Crystal Cathedral exert enormous organizational pressures to continue the flow of people committed to the congregation, to reinforce the spark of charismatic excitement generated by high-profile pastors, and to develop fresh flows of capital funding for maintenance of old projects and launching new initiatives. The constant attention to expand constituencies, boost charisma, and stimulate capital among megachurches produces an especially burdensome strain on their leaders. By orienting an approach to the collapse of the Crystal Cathedral on these three core elements—constituency, charisma, and capital—The Glass Church demonstrates how congregational fragility is greatly accentuated in larger churches, a notion we label megachurch strain, such that the threat of implosion is significantly accentuated by any failures to properly calibrate the inter-relationship among these elements.

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The Glass City
Toledo and The Industry That Built It
Barbara L. Floyd
University of Michigan Press, 2014
 The headline, “Where Glass is King,” emblazoned Toledo newspapers in early 1888, before factories in the Ohio city had even produced their first piece of glass. After years of struggling to find an industrial base, Toledo had attracted Edward Drummond Libbey and his struggling New England Glass Company to the shores of the Maumee River, and many felt Toledo’s potential as “The Future Great City of the World” would at last be realized.

The move was successful—though not on the level some boosters envisioned—and since 1888, Toledo glass factories have employed thousands of workers who created the city’s middle class and developed technical innovations that impacted the glass industry worldwide. But as has occurred in other cities dominated by single industries—from Detroit to Pittsburgh to Youngstown—changes to the industry it built have had a devastating impact on Toledo. Today, 45 percent of all glass is manufactured in China.

Well-researched yet accessible, this new book explores how the economic, cultural, and social development of the Glass City intertwined with its namesake industry and examines Toledo’s efforts to reinvent itself amidst the Midwest’s declining manufacturing sector.
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Glass Harvest
Amie Whittemore
Autumn House Press, 2016
Amie Whittemore's debut poetry collection, Glass Harvest, focuses on our intimate connection to the natural world and how it shapes us. The book explores the struggle of relationships changing (or ending) and how we come to understand and accept our past. Anyone prone to nostalgia and anyone who celebrates the smallest aspects of our everyday world will love Whittemore's work.
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The Glass House Boys of Pittsburgh
James L. Flannery
University of Pittsburgh Press, 2009
At the end of the nineteenth century, Pittsburgh was leading the nation in glass production, and glass bottle plants in particular relied heavily on adolescent (and younger) males for their manufacturing process. These “glass house boys” worked both day and night, as plants ran around the clock to meet production demands and remain price competitive with their newly-automated rivals. Boys performed menial tasks, received low wages, and had little to say on their own behalf.

By the turn of the century, most states had enacted laws banning children from working at night, and coupled with compulsory education requirements, had greatly reduced the use of children in industry. In western Pennsylvania, however, child labor was deeply entrenched, and Pennsylvania lawmakers lagged far behind the rest of the nation. In The Glass House Boys of Pittsburgh, James L. Flannery presents an original and compelling examination of legislative clashes over the singular issue of the glass house boys. He reveals the many societal, economic, and political factors at work that allowed for the perpetuation of child labor in this industry and region.

Through extensive research in Pennsylvania state legislature archives, National Child Labor Committee reports, and union and industry journals, Flannery uncovers a complex web of collusion between union representatives, industrialists, and legislators that kept child labor reform at bay. Despite national pressure, a concerted effort by reformers, and changes to education laws, the slow defeat of the “glass house exception” in 1915 came about primarily because of technological advances in the glass bottle industry that limited the need for child labor.
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The Glass House
The Life of Theodore Roethke
Allan Seager
University of Michigan Press, 1991
This exquisitely written biography of major American poet Theodore Roethke by his close friend and fellow writer Allan Seager was greeted with great enthusiasm in the literary community when it originally appeared in 1968. Kirkus Reviews found The Glass House “finely wrought, compassionate, intimate, and bound to be of inestimable value to all future Roethke scholars” in its exploration of Roethke’s life and its relationship to his art; critic Hugh Kenner called it “simply the best American biography.”
 
Biographer Allan Seager interviewed a number of Roethke’s friends and fellow writers, and he had access to the voluminous notes the poet left behind. Seager reveals the Theodore Roethke who existed behind the public persona – a complex, self-contradictory, gentle, often disturbed mysterious, and ruthlessly honest man. One of the book’s most moving passages is the defense of the poet’s role within the university, written by a colleague when Roethke was faced with the threat of dismissal. A committed teacher himself, Seager succeeds in doing justice to an often neglected aspect of Roethke’s achievement, his remarkable power as a teacher, and his unusual and committed teaching style.
 
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Glass, Light, and Electricity
Essays
Shena McAuliffe
University of Alaska Press, 2020
Fleet-footed and capricious, the essays in Glass, Light & Electricity wander through landscapes both familiar and unfamiliar, finding them equal parts magical and toxic. They explore and merge public and private history through lyric meditations that use research, association, and metaphor to examine subjects as diverse as neon signs, scalping, heartbreak, and seizures. The winner of the 2019 Permafrost Prize in nonfiction, Shena McAuliffe expands the creative possibilities of form.
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Glass! Love!! Perpetual Motion!!!
A Paul Scheerbart Reader
Paul Scheerbart
University of Chicago Press, 2014
German writer, critic, and theorist Paul Scheerbart (1863–1915) died nearly a century ago, but his influence is still being felt today. Considered by some a mad eccentric and by others a visionary political thinker in his own time, he is now experiencing a revival thanks to a new generation of scholars who are rightfully situating him in the modernist pantheon.

Glass! Love!! Perpetual Motion!!! is the first collection of Scheerbart’s multifarious writings to be published in English. In addition to a selection of his fantastical short stories, it includes the influential architectural manifesto Glass Architecture and his literary tour-de-force Perpetual Motion: The Story of an Invention. The latter, written in the guise of a scientific work (complete with technical diagrams), was taken as such when first published but in reality is a fiction—albeit one with an important message. Glass! Love!! Perpetual Motion!!! is richly illustrated with period material, much of it never before reproduced, including a selection of artwork by Paul Scheerbart himself. Accompanying this original material is a selection of essays by scholars, novelists, and filmmakers commissioned for this publication to illuminate Scheerbart’s importance, then and now, in the worlds of art, architecture, and culture.
 
Coedited by artist Josiah McElheny and Christine Burgin, with new artwork created for this publication by McElheny, Glass! Love!! Perpetual Motion!!! is a long-overdue monument to a modern master.
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The Glass Slipper
Women and Love Stories
Susan Ostrov Weisser
Rutgers University Press, 2013

Why is the story of romance in books, magazines, and films still aimed at women rather than at men? Even after decades of feminism, traditional ideas and messages about romantic love still hold sway and, in our “postfeminist” age, are more popular than ever. Increasingly, we have become a culture of romance: stories of all kinds shape the terms of love. Women, in particular, love a love story.

The Glass Slipper is about the persistence of a familiar Anglo-American love story into the digital age. Comparing influential classics to their current counterparts, Susan Ostrov Weisser relates in highly amusing prose how these stories are shaped and defined by and for women, the main consumers of romantic texts. Following a trajectory that begins with Jane Austen and concludes with Internet dating sites, Weisser shows the many ways in which nineteenth-century views of women’s nature and the Victorian idea of romance have survived the feminist critique of the 1970s and continue in new and more ambiguous forms in today’s media, with profound implications for women.

More than a book about romance in fiction and media, The Glass Slipper illustrates how traditional stories about women’s sexuality, femininity, and romantic love have survived as seemingly protective elements in a more modern, feminist, sexually open society, confusing the picture for women themselves. Weisser compares diverse narratives—historical and contemporary from high literature and “low” genres—discussing novels by Jane Austen and Charlotte Brontë, Victorian women’s magazines, and D. H. Lawrence’s Lady Chatterley’s Lover; Disney movies; popular Harlequin romance novels; masochistic love in films; pornography and its relationship to romance; and reality TV and Internet ads as romantic stories.

Ultimately, Weisser shows that the narrative versions of the Glass Slipper should be taken as seriously as the Glass Ceiling as we see how these representations of romantic love are meant to inform women’s beliefs and goals. In this book, Weisser’s goal is not to shatter the Glass Slipper, but to see through it.

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The Glassworkers of Carmaux
French Craftsmen and Political Action in a Nineteenth-Century City
Joan W. Scott
Harvard University Press, 1974
This award-winning study analyzes in close detail the experiences of glassworkers as mechanization transformed their trade from a highly skilled art to a semiskilled occupation. Arguing that changes in the organization of work altered the lifestyle and political outlook of the glassworker, Joan Scott uses local archival materials and demographic records to reconstruct the experience of ordinary workingmen.
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Glassworks
The Art of Frederick Birkhill
Samantha De Tillio
The Artist Book Foundation, 2020
Glass as an art form has an ancient tradition; the archaeological record suggests that artisans in Egypt and Mesopotamia were fabricating glass vessels and ornaments during the fourth millennium BCE. Its durable nature, range of colors, malleability, and most of all, its optical transparency are qualities that have made glass a premiere art medium. Over a lifetime, Frederick Birkhill (1951–2023) has explored the unique qualities of glass and the numerous techniques and intricacies of working with it. The result of these decades of study is a body of work that is extraordinary in scope, technical expertise, and sheer virtuosity. The Artist Book Foundation is delighted to present a new monograph honoring this gifted artist: Glassworks: The Art of Frederick Birkhill. From his time in England at Burleighfield House, the studio of stained-glass artist Patrick Reyntiens, to his unprecedented visit to Lauscha, the village in the former East Germany famous for both its art and scientific glass production, and his subsequent career as an explorer, teacher, and master of the glass arts, Birkhill has devoted himself to furthering the appreciation of the medium and sharing his vast experience with colleagues, collectors, and students. His works appear in numerous museum collections, including those of The Corning Museum of Glass, the Museum of Arts and Design, the Mint Museum, the Detroit Institute of Arts, and the Smithsonian. Complementing the scholarly contributions by authors with significant backgrounds in the glass arts, the book features in its extensive plate section the lavish photography of Henry Leutwyler, which offers readers an opportunity to examine the complex details and artistic mastery of Birkhill’s oeuvre. In addition, the monograph offers a glossary of glass-art terms, a detailed chronology of the artist’s life, his extensive exhibition history, and a list of the numerous awards he has received. For those who are passionate about the glass arts, this monograph is a feast for the eyes.
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