front cover of God Talk
God Talk
Experimenting With the Religious Causes of Public Opinion
Paul Djupe
Temple University Press, 2013
Religion’s influence on public opinion, politics, and candidates has been widely discussed in political science for a generation. God Talk isthe first volume that uses experimental methodology to establish whether and how that influence works.
 
Paul Djupe and Brian Calfano provide an unprecedented look at how religious cues, values, and identity-driven appeals impact candidate selection, trust, interest group support, and U.S. public opinion about tolerance, the environment, foreign policy, and related issues.
 
By situating their disparate, randomly assigned interventions within the broader framework of elite-based influence, the authors apply their new methodology to three questions: How do clergy affect congregation members? How are religious elites and groups and their public arguments evaluated? With what effect do political elites use religion? The results of their research provide a compelling framework for understanding the links between religion and politics.

In the series The Social Logic of Politics, edited by Scott McClurg
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God
The Autobiography
Franco Ferrucci
University of Chicago Press, 1996
At the center of Franco Ferrucci's God: An Autobiography is one tender, troubled character: God. In the beginning is God's solitude, and because God is lonely he creates the world. He falls in love with Earth, plunges into the oceans, lives as plant and reptile and bird. His every thought and mood serve to populate the planet, with consequences that run away from him—sometimes delightfully, sometimes unfortunately. Witty, thought-provoking, and beautifully translated, this playful and irresistible Short will leave you wondering where philosophy ends and fiction begins, while it recounts thousands of years of religious thought—and reminds you that above all else, God knows how to tell a good story.

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God, the Flesh, and the Other
From Irenaeus to Duns Scotus
Emmanuel Falque Translated from the French by William Christian Hackett
Northwestern University Press, 2015

In God, the Flesh, and the Other, the philosopher Emmanuel Falque joins the ongoing debate about the role of theology in phenomenology. An important voice in the second generation of French philosophy’s “theological turn,” Falque examines philosophically the fathers of the Church and the medieval theologians on the nature of theology and the objects comprising it. Falque works phenomenology itself into the corpus of theology. Theological concepts thus translate into philosophical terms that phenomenology should legitimately question: concepts from contemporary phenomenology such as onto-theology, appearance, reduction, body/flesh, inter-corporeity, the genesis of community, intersubjectivity, and the singularity of the other find penetrating analogues in patristic and medieval thought forged through millennia of Christological and Trinitarian debate, mystical discourses, and speculative reflection. Through Falque’s wide-ranging interpretive path, phenomenology finds itself interrogated—and renewed.

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God the Problem
Gordon D. Kaufman
Harvard University Press, 1972

The most discussed and most significant issue on the religious scene today is whether it is possible, or even desirable, to believe in God. Mr. Kaufman's valuable study does not offer a doctrine of God, but instead explores why God is a problem for many moderns, the dimensions of that problem, and the inner logic of the notion of God as it has developed in Western culture.

His object is to determine the function or significance of talk about God: how the concept of God is generated in human experience; the special problems in turn generated by this concept (for example, the intelligibility of the idea of transcendence, the problem of theodicy) and how they are met; and under what circumstances the idea of God is credible or important or even indispensable. He does not try to prove God's existence or nonexistence, but elucidates what the concept of God means and the important human needs it fulfills.

Four of the eleven essays have been previously published, at least in part; seven are completely new.

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A God Torn to Pieces
The Nietzsche Case
Giuseppe Fornari
Michigan State University Press, 2013

Giuseppe Fornari’s groundbreaking inquiry shows that Friedrich Nietzsche’s neglected importance as a religious thinker and his “untimeliness” place him at the forefront of modern thought. Capable of exploiting his own failures as a cognitive tool to discover what other philosophers never wanted to see, Nietzsche ultimately drove himself to mental collapse. Fornari analyzes the tragic reports of Nietzsche’s madness and seeks out the cause of this self-destructive destiny, which, he argues, began earlier than his rivalry with the composer and polemicist Richard Wagner, dating back to the premature loss of Nietzsche’s father. Dramatic experience enabled Nietzsche to detect a more general tendency of European culture, leading to his archaeological and prophetic discovery of the death of God, which he understood as a primordial assassination from which all humankind took its origin. Fornari concludes that Nietzsche’s fatal rebellion against a Christian awareness, which he identified as the greatest threat to his plan, led him to become one and the same not only with Dionysus but also with the crucified Christ. His effort, Fornari argues, was a dramatic way to recognize the silent, inner meaning of Christ’s figure, and perhaps to be forgiven.

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God Went Like That
A Novel
Yxta Maya Murray
Northwestern University Press, 2023
An artful and gripping new novel that recounts the human and environmental damage caused by actual disasters in Simi Valley, California

In award-winning legal scholar and novelist Yxta Maya Murray’s new novel, federal agent Reyna Rodriguez reports on a real-life nuclear reactor meltdown and accidents that occurred in 1959, 1964, and 1968 at the Santa Susana Field Laboratory. An infamous research and development complex in California’s Simi Valley, the lab was eventually dismantled by the US government—but not before it created a toxic legacy of contamination and numerous cancer clusters. Toxins and nuclear residue may have been further released by the 2018 Woolsey Fire and 2019 floods in the area.

God Went Like That takes the form of an EPA report in which Reyna presents riveting interviews with individuals affected by the disasters. With imagination and artistry, Murray brings to life an actual 2011 Department of Energy dossier that detailed the catastrophes and the ensuing public health fallout and highlights the high costs of governmental malfeasance and environmental racism.
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The God Who Would Be Known
Revelations Of Divine Contemporary Science
John Marks Templeton
Templeton Press, 1998
Until recently, science’s ability to describe and define our universe threatened to make religion obsolete. But the well-received hardcover edition of this book demonstrated that, increasingly, God is being revealed through science.
Now available in paperback, this positive work is for all who ponder the mystery and wonder of our universe—and the God who plans and oversees it. Probing the philosophical and theological impact of scientific discoveries, the authors urge us to adopt an analytical and open posture toward both science and religion. In the spirit of Sir Francis Bacon, this fascinating exploration shows us how “the book of God’s works” (natural science) can tell us a great deal about “the book of God’s words” (Scripture).
“We began this book with the idea that the God who has made this awesome and wonderful universe is utterly beyond our capacity to measure and yet is also the God who would be known. He has placed remarkable signs in the heavens, on Earth, and in ourselves: signals of transcendence. We conclude that this universe is here by divine plan, and that science itself, for decades a bastion of unbelief, has once again become the source of humankind’s assurance of intimate divine concern in its affairs.”
from the authors

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God Without Being
Hors-Texte
Jean-Luc Marion
University of Chicago Press, 1991
Jean-Luc Marion advances a controversial argument for a God free of all categories of Being. Taking a characteristically postmodern stance, Marion challenges a fundamental premise of both metaphysics and neo-Thomist theology: that God, before all else, must be. Rather, he locates a "God without Being" in the realm of agape, of Christian charity or love.

This volume, the first translation into English of the work of this leading Catholic philosopher, offers a contemporary perspective on the nature of God.

"An immensely thoughtful book. . . . It promises a rich harvest. Marion's highly original treatment of the idol and the icon, the Eucharist, boredom and vanity, conversion and prayer takes theological and philosophical discussions to a new level."—Norman Wirzba, Christian Century
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God Without Being
Hors-Texte, Second Edition
Jean-Luc Marion
University of Chicago Press, 2012

 Jean-Luc Marion is one of the world’s foremost philosophers of religion as well as one of the leading Catholic thinkers of modern times. In God Without Being, Marion challenges a fundamental premise of traditional philosophy, theology, and metaphysics: that God, before all else, must be. Taking a characteristically postmodern stance and engaging in passionate dialogue with Heidegger, he locates a “God without Being” in the realm of agape, or Christian charity and love. If God is love, Marion contends, then God loves before he actually is.

First translated into English in 1991, God Without Being continues to be a key book for discussions of the nature of God. This second edition contains a new preface by Marion as well as his 2003 essay on Thomas Aquinas. Offering a controversial, contemporary perspective, God Without Being will remain essential reading for scholars and students of philosophy and religion.
 
“Daring and profound. . . . In matters most central to his thesis, [Marion]’s control is admirable, and his attunement to the nuances of other major postmodern thinkers is impressive.”—Theological Studies
 
“A truly remarkable work.”—First Things
 
“Very rewarding reading.”—Religious Studies Review
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Godard and the Essay Film
A Form That Thinks
Rick Warner
Northwestern University Press, 2018
Godard and the Essay Film offers a history and analysis of the essay film, one of the most significant forms of intellectual filmmaking since the end of World War II. Warner incisively reconsiders the defining traits and legacies of this still-evolving genre through a groundbreaking examination of the vast and formidable oeuvre of Jean-Luc Godard.

The essay film has often been understood by scholars as an eccentric development within documentary, but Warner shows how an essayistic process of thinking can materialize just as potently within narrative fiction films, through self-critical investigations into the aesthetic, political, and philosophical resources of the medium. Studying examples by Godard and other directors, such as Orson Welles, Chris Marker, Agnès Varda, and Harun Farocki, Warner elaborates a fresh account of essayistic reflection that turns on the imaginative, constructive role of the viewer.

Through fine-grained analyses, this book contributes the most nuanced description yet of the relational interface between viewer and screen in the context of the essay film. Shedding new light on Godard’s work, from the 1960s to the 2010s, in film, television, video, and digital stereoscopy, Warner distills an understanding of essayistic cinema as a shared exercise of critical rumination and perceptual discovery.
 
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The Goddess and the Nation
Mapping Mother India
Sumathi Ramaswamy
Duke University Press, 2010
Making the case for a new kind of visual history, The Goddess and the Nation charts the pictorial life and career of Bharat Mata, “Mother India,” the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country’s diverse communities. Soon after Mother India’s emergence in the late nineteenth century, artists, both famous and amateur, began to picture her in various media, incorporating the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Filled with illustrations, including 100 in color, The Goddess and the Nation draws on visual studies, gender studies, and the history of cartography to offer a rigorous analysis of Mother India’s appearance in painting, print, poster art, and pictures from the late nineteenth century to the present.

By exploring the mutual entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history; they actively make it. In The Goddess and the Nation, she teaches us about pictorial ways of learning the form of the nation, of how to live with it—and ultimately to die for it.

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The Goddess
Myths of the Great Mother
Christopher Fee and David Leeming
Reaktion Books, 2016
For as long as we have sought god, we have found the goddess. Ruling over the imaginations of humankind’s earliest agricultural civilizations, she played a critical spiritual role as a keeper of nature’s fertile powers and an assurance of the next sustaining harvest. In The Goddess, David Leeming and Christopher Fee take us all the way back into prehistory, tracing the goddess across vast spans of time to tell the epic story of the transformation of belief and what it says about who we are.
           
Leeming and Fee use the goddess to gaze into the lives and souls of the people who worshipped her. They chart the development of traditional Western gender roles through an understanding of the transformation of concepts of the Goddess from her earliest roots in India and Iran to her more familiar faces in Ireland and Iceland. They examine the subordination of the goddess to the god as human civilizations became mobile and began to look upon masculine deities for assurances of survival in movement and battle. And they show how, despite this history, the goddess has remained alive in our spiritual imaginations, in figures such as the Christian Virgin Mother and, in contemporary times, the new-age resurrection of figures such as Gaia. 
           
The Goddess explores this central aspect of ancient spiritual thought as a window into human history and the deepest roots of our beliefs. 
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Goddesses and Monsters
Women, Myth, Power, and Popular Culture
Jane Caputi
University of Wisconsin Press, 2004

The essays in Goddesses and Monsters recognize popular culture as a primary repository of ancient mythic energies, images, narratives, personalities, icons, and archetypes.  Together, they take on the patriarchal myth, where serial killers are heroes, where goddesses—in the form of great white sharks, femmes fatales, and aliens—are ritually slaughtered, and where pornography is the core story underlying militarism, environmental devastation, and racism.  They also point to an alternative imagination of female power that still can be found behind the cult devotion given to Princess Diana and animating all the goddesses disguised as popular monsters, queen bitches, mammies, vamps, cyborgs, and sex bombs.

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Godefridus Schalcken
A Dutch Painter in Late Seventeenth-Century London
Wayne Franits
Amsterdam University Press, 2018
In his own day, Godefridus Schalcken (1643—1706) was an internationally renowned Dutch painter, but little is known about the four years that he spent in London. Using newly discovered documents, this book provides the first comprehensive examination of Schalcken’s activities there. The author analyses Schalcken’s strategic appropriations of English styles, his attempts to exploit gapsin the art market, and his impact on tastes in London’s milieu. Five chapters survey his art during these years, concluding with acritical catalogue of all his London-period work.
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God-Fearing and Free
A Spiritual History of America's Cold War
Jason W. Stevens
Harvard University Press, 2010

Religion has been on the rise in America for decades—which strikes many as a shocking new development. To the contrary, Jason Stevens asserts, the rumors of the death of God were premature. Americans have always conducted their cultural life through religious symbols, never more so than during the Cold War. In God-Fearing and Free, Stevens discloses how the nation, on top of the world and torn between grandiose self-congratulation and doubt about the future, opened the way for a new master narrative. The book shows how the American public, powered by a national religious revival, was purposefully disillusioned regarding the country’s mythical innocence and fortified for an epochal struggle with totalitarianism.

Stevens reveals how the Augustinian doctrine of original sin was refurbished and then mobilized in a variety of cultural discourses that aimed to shore up democratic society against threats preying on the nation’s internal weaknesses. Suddenly, innocence no longer meant a clear conscience. Instead it became synonymous with totalitarian ideologies of the fascist right or the communist left, whose notions of perfectability were dangerously close to millenarian ideals at the heart of American Protestant tradition. As America became riddled with self-doubt, ruminations on the meaning of power and the future of the globe during the “American Century” renewed the impetus to religion.

Covering a wide selection of narrative and cultural forms, Stevens shows how writers, artists, and intellectuals, the devout as well as the nonreligious, disseminated the terms of this cultural dialogue, disputing, refining, and challenging it—effectively making the conservative case against modernity as liberals floundered.

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godhouse
Ruth Ellen Kocher
Omnidawn, 2023
Poems that consider the human body as a meeting place of the infinite and the mortal.
 
Starting with the idea that the human experience is the universe looking back at itself, godhouse takes the notion a few steps further by centering cosmology within a raced and gendered body. Ruth Ellen Kocher’s poems envision this body as a union of god and soul that, within our material world, encompasses love and hate, joy and despair. The body is a site of divine presence made mortal, electrified with the resonance of both the infinite and the human. In godhouse, we encounter the body as a site where the universe is made personal and celebratory, where the celestial endure the complications of flesh and friction forms between the glorious and the monstrous aspects of personhood.
 
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Godliness and Governance in Tudor Colchester
Laquita M. Higgs
University of Michigan Press, 1999
The Tudor period was a time of extremes, when King Henry VIII beheaded wives and Queen Mary executed her subjects by burning. As an early supporter of Henry's Protestant Reformation, the borough of Colchester took the full brunt of Catholic Mary's wrath, and at least thirteen Colchester Protestants were burned for their faith. When the Protestant Elizabeth came to the throne, Colchester leaders, influenced by returning refugees, determined to try to produce a godly society on the Genevan model. They hired their own preacher, but their efforts to reform sinful behavior through civil government met with strong resistance.
In Godliness and Governance in Tudor Colchester Laquita M. Higgs traces the governance and the religion of that town. Though traditional piety held sway early in the Tudor era, there was a strong undercurrent of hereticism, even among town leaders. Such sympathy helps explain Colchester's embrace of Henry VIII's religious reforms. Town governors also found it advantageous to cooperate with the local nobleman, the earl of Oxford, and with their own Thomas Audley, who helped the King shape the reformation. Queen Mary's attempts to root out Protestantism strengthened Colchester's commitment to reform. Under Elizabeth, reformers gradually took over governance of the borough.
Colchester provides one of the earliest illustrations of the workings and tensions of Puritan town governance. Higgs examines the connections between governance and religion with special emphasis on the Elizabethan period. The town's development toward religious radicalism is shown by a comparison of the aldermen of 1530, 1560, and 1590. Higgs explores the camaraderie of the reformers, the attempt of town leaders to correct immoral behavior, and the resultant tensions that produced deep divisions between moderate reformers and radical Puritans. An analysis of extant wills shows the extent to which Puritan governors achieved some degree of success.
Godliness and Governance in Tudor Colchester will be of interest to historians of the Tudor period, Catholicism, Lollardy, and the English Protestant Reformation.
Laquita M. Higgs is Adjunct Lecturer in History, University of Michigan, Dearborn.
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A Godly Humanism
Clarifying the Hope That Lies Within
Francis E. George
Catholic University of America Press, 2015
For Francis Cardinal George, the Catholic Church is not a movement, built around ideas, but a communion, built around relationships. In A Godly Humanism, he shares his understanding of the Church in lively, compelling prose, presenting a way to understand and appreciate the relationships of God to human beings and of human beings to one another. These loving relationships are continually made present to us in and through the Church, from the time of Jesus' first disciples down to our own day. We are introduced to how the spiritual and intellectual life of Christians, aided in every generation by the Holy Spirit working through the Apostles and their successors, resist the danger of splitting apart from one another. Though they take different outward forms at different times, both wisdom and holiness are made possible for every Christian of every station of life. Sign-posting his conversation by the milestones of his own spiritual and intellectual journey, Cardinal George invites us to view the Church and her history in ways that go beyond the categories of politics - through which we find merely human initiative, contrivance, and adjustment - and rather to see the initiative as God's first and foremost. God is the non-stop giver, we are non-stop recipients of his gifts, and the recent popes, no less than the Father of the Church, have made every effort to make us aware of the graces - that is, of the unearned benefits - that God confers on us as Catholics, as Christians, as believers, and simply as human persons. Pope Francis, he reminds us, contrasts human planning with God's providence, and this book is at once an exposition of that providence and a personal response of gratitude for the way it has operated in one man's life.
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The Godly Image
Christian Satisfaction in Aquinas
Romanus Cessario
Catholic University of America Press, 2020
Christian satisfaction stands at the center of the Church’s teaching about salvation. Satisfaction pertains to studies about Christ, redemption, the Sacraments, and pastoral practice. The topic also enters into questions about God and the creature as well as about the divine mercy and providence. Somewhat neglected in the period after Vatican II, satisfaction now appears to scholars as the forgotten key to entering deeply into the mystery of Christ and his work. Seminarians especially will benefit from studying the place satisfaction holds in Catholic life. Further, ecumenical work requires a proper understanding of the place that satisfaction holds in Christian theology. Various factors operative since the sixteenth century have worked to displace satisfaction almost entirely from reformed practice and theology. To address such concerns, The Godly Image, has, over the past several decades and more, done a great deal to put satisfaction within its proper context of image-restoration. That is, to interpret satisfaction within the context of the divine mercy and not the divine justice. This unique contribution to satisfaction studies owes a great deal to the achievement of Saint Thomas Aquinas. In this sense, the book enacts a retrieval of the theology of the high classical period. Like much of Aquinas’s refined teaching, a proper understanding requires appeal to the commentatorial tradition that follows him. Interested students will find in this study the touchstones for further studies of these authors. The Godly Image aims also to distinguish the theology of Aquinas from that of the medieval author with whom the notion of satisfaction remains mostly identified, that is, Anselm of Canterbury. Although not a developed focus of the book’s contents, the attentive reader will recognize that Aquinas treats Saint Anselm with a reverential reading, even as the Common Doctor moves significantly away from interpretations of satisfaction that suggest that an angry God exacts from his innocent Son a painful substitutional penalty for a fallen human race.
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Godly Love
A Rose Planted in the Desert of Our Hearts
Stephen G. Post
Templeton Press, 2008

In this uplifting new book, author Stephen G. Post explores the mysteries and the wonder of Godly love. This all-important love is personal, unconditional, unlimited, generative, and omnipresent. The title alludes to Isaiah 35, how Godly love is said to plant a rose in our hearts precisely when we feel like a desert with no more love to give.

Post draws on his life experiences and works at the Institute for Research on Unlimited Love as he intersperses personal anecdotes with spiritual truths and research on human happiness. In the process, he defines the concept of Godly love and illustrates how important it can be in our lives—not only emotionally and spiritually but physically as well. "Godly love," he writes, "is the only foundation in the universe that we can really lean on."

We all have deserts in life, so we all need Godly love. Without it, the downward slide to cynicism, hostility, and cool indifference can be too easy. These meditations on the subject will nurture our confidence in the power of a love greater than our own when we need it most.

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Godly Republicanism
Puritans, Pilgrims, and a City on a Hill
Michael P. Winship
Harvard University Press, 2012

Puritans did not find a life free from tyranny in the New World—they created it there. Massachusetts emerged a republic as they hammered out a vision of popular participation and limited government in church and state, spurred by Plymouth Pilgrims. Godly Republicanism underscores how pathbreaking yet rooted in puritanism’s history the project was.

Michael Winship takes us first to England, where he uncovers the roots of the puritans’ republican ideals in the aspirations and struggles of Elizabethan Presbyterians. Faced with the twin tyrannies of Catholicism and the crown, Presbyterians turned to the ancient New Testament churches for guidance. What they discovered there—whether it existed or not—was a republican structure that suggested better models for governing than monarchy.

The puritans took their ideals to Massachusetts, but they did not forge their godly republic alone. In this book, for the first time, the separatists’ contentious, creative interaction with the puritans is given its due. Winship looks at the emergence of separatism and puritanism from shared origins in Elizabethan England, considers their split, and narrates the story of their reunion in Massachusetts. Out of the encounter between the separatist Plymouth Pilgrims and the puritans of Massachusetts Bay arose Massachusetts Congregationalism.

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Godly Women
Fundamentalism and Female Power
Brasher, Brenda E
Rutgers University Press, 1997
One of Choice Magazine's Outstanding Academic Books of 1998

Fundamentalist women are often depicted as dedicated to furthering the goals and ideas of fundamentalist men and thus of ancillary importance to the movement as a whole. Godly Women, Brenda Brasher's groundbreaking ethnographic study, reveals the paradox that fundamentalist women can be powerful people in a religious cosmos generally understood to be organized around their disempowerment. Brasher spent six months as an active participant in two Christian fundamentalist congregations to study firsthand the power of fundamentalist women. In addition to the narrow set of religious beliefs that constitute each congregation, she discovered that gender functions as a sacred partition which literally divides the congregation in two, establishing parallel religious worlds. The first of these worlds is led by men and encompasses overall congregational life; the second is a world composed of and led solely by women. Brasher explores how and why women become involved in this highly gendered religious world by examining women's ministries, Bible study groups, and conversion narratives. She discovers that women-only activities create and sustain a parallel symbolic world within and among congregations, which improves women's ability to direct the course of their lives and empowers them in their relationships with others. The women develop intimate social networks that act as a resource for those in distress and provide the basis for political coalition when women wish to alter the patterns of congregational life. Brasher's study sheds new light on the ideas and faith experiences of fundamentalist women, revealing that the religiosity they develop is not as disempowering as one might think. Brenda Brasher is an assistant professor of religion at Mount Union College.
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Gods and Demons, Priests and Scholars
Critical Explorations in the History of Religions
Bruce Lincoln
University of Chicago Press, 2012

Bruce Lincoln is one of the most prominent advocates within religious studies for an uncompromisingly critical approach to the phenomenon of religion—historians of religions, he believes, should resist the preferred narratives and self-understanding of religions themselves, especially when their stories are endowed with sacred origins and authority. In Gods and Demons, Priests and Scholars, Lincoln assembles a collection of essays that both illustrates and reveals the benefits of his methodology, making a case for a critical religious studies that starts with skepticism but is neither cynical nor crude.

The book begins with Lincoln’s “Theses on Method” and ends with “The (Un)discipline of Religious Studies,” in which he unsparingly considers the failings of uncritical and nonhistorical approaches to the study of religions. In between, Lincoln presents new examinations of problems in ancient religions and relates these cases to larger comparative themes. While bringing to light important features of the formation of pantheons and the constructions of demons, chaos, and the dead, Lincoln demonstrates that historians of religions should take religious things—inspired scriptures, sacred centers, salvific rites, communities graced by divine favor—as the theories of interested humans that shape perception, community, and experiences. As he shows, it is for their terrestrial influence, and not their sacred origins, that religious phenomena merit consideration by the historian.
 
Tackling many questions central to religious study, Gods and Demons, Priests and Scholars will be a touchstone for the history of religions in the twenty-first century.
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Gods and Goddesses in the Garden
Greco-Roman Mythology and the Scientific Names of Plants
Bernhardt, Peter
Rutgers University Press, 2008
 Zeus, Medusa, Hercules, Aphrodite. Did you know that these and other dynamic deities, heroes, and monsters of Greek and Roman mythology live on in the names of trees and flowers? Some grow in your local woodlands or right in your own backyard garden.
 
In this delightful book, botanist Peter Bernhardt reveals the rich history and mythology that underlie the origins of many scientific plant names. Unlike other books about botanical taxonomy that take the form of heavy and intimidating lexicons, Bernhardt's account comes together in a series of interlocking stories. Each chapter opens with a short version of a classical myth, then links the tale to plant names, showing how each plant "resembles" its mythological counterpart with regard to its history, anatomy, life cycle, and conservation. You will learn, for example, that as our garden acanthus wears nasty spines along its leaf margins, it is named for the nymph who scratched the face of Apollo. The shape-shifting god, Proteus, gives his name to a whole family of shrubs and trees that produce colorful flowering branches in an astonishing number of sizes and shapes.
 
Amateur and professional gardeners, high school teachers and professors of biology, botanists and conservationists alike will appreciate this book's entertaining and informative entry to the otherwise daunting field of botanical names. Engaging, witty, and memorable, Gods and Goddesses in the Garden transcends the genre of natural history and makes taxonomy a topic equally at home in the classroom and at cocktail parties.
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Gods and Heroes of the Greeks
The "Library" of Apollodorus
Michael Simpson
University of Massachusetts Press, 1976
We are currently updating our website and have not yet posted complete information for this title. Many of our books are in the Google preview program, which allows readers to view up to 20% of the book. If this title is active in the program, you will find the Google Preview button in the sidebar below.
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Gods and Vampires
Return to Chipaya
Nathan Wachtel
University of Chicago Press, 1994
When Nathan Wachtel, the distinguished historical anthropologist, returned to the village of Chipaya, the site of his extensive fieldwork in the Bolivian Andes, he learned a group of Uru Indians was being incarcerated and tortured for no apparent reason. Even more strangely, no one—not even his closest informant and friend—would speak about it.

Wachtel discovered that a series of recent deaths and misfortunes in Chipaya had been attributed to the evil powers of the Urus, a group usually regarded with suspicion by the other ethnic groups. Those incarcerated were believed to be the chief sorcerers and vampires whose paganistic practices had brought death to Chipaya by upsetting the social order. Wachtel's investigation, told in Gods and Vampires: Back to Chipaya, reveals much about relations between the Urus and the region's dominant ethnic groups and confronts some of the most trenchant issues in contemporary anthropology. His analysis shows that the Urus had become victims of the same set of ideals the Spanish had used, centuries before, to establish their hegemony in the region.

Presented as a personal detective story, Gods and Vampires is Wachtel's latest work in a series studying the ongoing impact of the Spanish conquest on the Andean consciousness and social system. Its insight into Bolivian society and the legacy of hegemony confronts some of the most trenchant issues in contemporary anthropologyand will be of great interest to scholars of anthropology, Latin American studies, and Native American studies.
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God's Businessmen
Entrepreneurial Evangelicals in Depression and War
Sarah Ruth Hammond
University of Chicago Press, 2017
The evangelical embrace of conservatism is a familiar feature of the contemporary political landscape. What’s less well-known, however, is that the connection predates the Reagan revolution, going all the way back to the Depression and World War II. Evangelical businessmen at the time were quite active in opposing the New Deal—on both theological and economic grounds—and in doing so claimed a place alongside other conservatives in the public sphere. Like previous generations of devout laymen, they self-consciously merged their religious and business lives, financing and organizing evangelical causes with the kind of visionary pragmatism that they practiced in the boardroom.

In God’s Businessmen, Sarah Ruth Hammond explores not only these men’s personal trajectories but also those of the service clubs and other institutions that, like them, believed that businessmen were God’s instrument for the Christianization of the world. Hammond presents a capacious portrait of the relationship between the evangelical business community and the New Deal—and in doing so makes important contributions to American religious history, business history, and the history of the American state.
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God's Choice
The Total World of a Fundamentalist Christian School
Alan Peshkin
University of Chicago Press, 1986
Is Bethany Baptist Academy God's choice? Ask the fundamentalist Christians who teach there or whose children attend the academy, and their answer will be a yes as unequivocal as their claim that the Bible is God's inerrant, absolute word. Is this truth or arrogance?

In God's Choice, Alan Peshkin offers readers the opportunity to consider this question in depth. Given the outsider's rare chance to observe such a school firsthand, Peshkin spent eighteen months studying Bethany's high school—interviewing students, parents, and educators, living in the home of Bethany Baptist Church members, and participating fully in the church's activities. From this intimate research he has fashioned a rich account of Christian schooling and an informed analysis of a clear alternative to public education.
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God's Country or Devil's Playground
The Best Nature Writing from the Big Bend of Texas
Edited by Barney Nelson
University of Texas Press, 2002

The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there.

In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.

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God's Country, Uncle Sam's Land
Faith and Conflict in the American West
Todd M. Kerstetter
University of Illinois Press, 2005
While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government.

God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

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God's Creativity and Human Action
Christian and Muslim Perspectives
Lucinda Mosher
Georgetown University Press, 2019

A record of the 2015 Building Bridges Seminar for leading Christian and Muslim scholars, this collection of essays explores the nature of divine and human agency through themes of creation’s goal, humankind’s dignity and task, and notions of sovereignty. Part I sets the context for the book with “Human Action within Divine Creation: A Muslim Perspective” by Mohsen Kadivar of Duke University and “On the Possibility of Holy Living: A Christian Perspective” by Lucy Gardner of Oxford University. The rest of the book includes paired essays—one from a Muslim perspective, one from a Christian perspective—that introduce scriptural material with commentary to aid readers in conducting dialogical study. In her conclusion, coeditor Lucinda Mosher digests the illuminating small-group conversations that lie at the heart of the Building Bridges initiative, conversations that convey a vivid sense of the lively, penetrating but respectful dialogue for which the project is known. This unique volume will be a valuable resource to scholars, students, and professors of Christianity and Islam.

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Gods, Demons, and Others
R. K. Narayan llustrated by R. K. Laxman
University of Chicago Press, 1993
Following in the footsteps of the storytellers of his native India, R. K. Narayan has produced his own versions of tales taken from the Ramayana and the Mahabarata. Carefully selecting those stories which include the strongest characters, and omitting the theological or social commentary that would have drawn out the telling, Narayan informs these fascinating myths with his urbane humor and graceful style.

"Mr. Narayan gives vitality and an original viewpoint to the most ancient of legends, lacing them with his own blend of satire, pertinent explanation and thoughtful commentary."—Santha Rama Rau, New York Times

"Narayan's narrative style is swift, firm, graceful, and lucid . . . thoroughly knowledgeable, skillful, entertaining. One could hardly hope for more."—Rosanne Klass, Times Literary Supplement

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God's Economy
Faith-Based Initiatives and the Caring State
Lew Daly
University of Chicago Press, 2009

President Obama has signaled a sharp break from many Bush Administration policies, but he remains committed to federal support for religious social service providers. Like George W. Bush’s faith-based initiative, though, Obama’s version of the policy has generated loud criticism—from both sides of the aisle—even as the communities that stand to benefit suffer through an ailing economy. God’s Economy reveals that virtually all of the critics, as well as many supporters, have long misunderstood both the true implications of faith-based partnerships and their unique potential for advancing social justice.

Unearthing the intellectual history of the faith-based initiative, Lew Daly locates its roots in the pluralist tradition of Europe’s Christian democracies, in which the state shares sovereignty with social institutions. He argues that Catholic and Dutch Calvinist ideas played a crucial role in the evolution of this tradition, as churches across nineteenth-century Europe developed philosophical and legal defenses to protect their education and social programs against ascendant governments. Tracing the influence of this heritageon the past three decades of American social policy and church-state law, Daly finally untangles the radical beginnings of the faith-based initiative. In the process, he frees it from the narrow culture-war framework that has limited debate on the subject since Bush opened the White House Office for Faith-Based and Community Initiatives in 2001.

A major contribution from an important new voice at the intersection of religion and politics, God’s Economy points the way toward policymaking that combines strong social support with a new moral focus on the protection of families and communities.

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God's Empire
William Bell Riley and Midwestern Fundamentalism
William V., Jr. Trollinger
University of Wisconsin Press, 1991

More than any other individual, William Bell Riley, pastor of the First Baptist Church of Minneapolis, inspired the resurgence of Protestant fundamentalism in 1930s America.  Trollinger explores the development of Riley’s theology and social thought, examining in detail the rise of the Northwestern Bible and Missionary Training School and other similar institutions.  He sheds light upon the nature, successes, and failures of fundamentalist crusades and makes it clear that, to understand fundamentalist religion in America, one must focus upon its regional and local roots.

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God's Gift of the Universe
An Introduction to Creation Theology
Paul O'Callaghan
Catholic University of America Press, 2021
There are many ways of understanding the reality of the world we live in and experience. Science, philosophy, art all offer us ample descriptions, explanations and intuitions. But Christian believers go beyond all that, for they attempt to understand the origins of the universe in terms of the creation of the world by God. Revelation tells us what God had in mind when he made the world ex nihilo, without presuppositions of any kind. God’s Gift of the Universe attempts to present the principal elements and stages of creation theology. The doctrine is to be found fundamentally, of course, in Scripture, both Old and New Testament, which describes the world in the light of God’s word. Yet since God actually gave existence to the world, down to the last detail, our reflection on God’s word not only explains the reality of creation, how it works, its nature, as science does. It also explains how creation came into being in the mind and heart of the Triune God, and, ultimately, why God created the world. In God’s Gift of the Universe, a considerable effort has been spent throughout the book on the Christological and Trinitarian aspects of creation, particularly in the theology of Church Fathers. Creation is presented besides in a deeply eschatological key, for God created the world for purpose of making his glory eternally manifest. The book also considers the way God ‘intervenes’ in the life of the created world, through conservation in being and providence. The meaning of time, matter and spirit are considered. The need for ecological awareness is central. One aspect of the mystery of creation that receives special attention is the presence of evil in the world. This is of particular importance once we accept that God made the world, whole and entire, thus assuming responsibility for the world as it is. The origin of evil through the sin of spiritual creatures provides the ultimate though not the only explanation of the mystery of evil. Particular consideration is given to the reality of ‘original sin’.
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God's Horse and The Atheists' School
Wilhelm Dichter
Northwestern University Press, 2012
Wilhelm Dichter's autobiographical novels, God's Horse and The Atheists' School, have been translated into English for the first time and are presented here in a single volume. From the gradually maturing perspective of the narrator, a Polish Jewish youngster, they recount the harrowing tale of his family's struggle to survive the Holocaust and their privileged post-Holocaust lives as members of Poland's political elite. God's Horse depicts the sudden reversal of victim status that occurred when, in the postwar period, the hidden Jewish child became a little Red prince, thanks to his stepfather, a Jewish rising star in the communist regime. The Atheists' School, the sequel, follows the narrator through the years of high Stalinism into young adulthood and depicts the tensions between dedicated Jewish communists, some of whom join the elite, and Jews who are convinced that the Jews in Poland will inevitably be victimized again. 

In spare, precise prose, Dichter brings to life the tensions between ideologues and pragmatists, Polish patriots and their Soviet masters. These evocative novels also provide a psychologically persuasive and profoundly moving portrait of the narrator. The author's alter ego, supported by his stalwart and overly indulgent mother, possesses the tenacity to transform himself from an awkward, traumatized child survivor into an unsettled but eventually independent-minded young man.
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Gods in Dwellings
Temples and Divine Presence in the Ancient Near East
Michael B. Hundley
SBL Press, 2013

In this book devoted exclusively to temples and perceptions of the divine presences that inhabit them, Michael B. Hundley focuses on the official religions of the ancient Near East and explores the interface between the human and the divine within temple environs.

Hundley identifies common ancient Near Eastern temple systems and examines issues that include what temple structures communicate, how temples were understood to function, temple ideology, the installation of divine presence in a temple, the connection between presence and physical representation, and human service to the deity.

Drawing on architectural and spatial theory, ritual theory, theories of language, art history, archaeology, sociocultural anthropology, and comparative studies, Hundley offers a single interpretive lens through which to view temple worship.

Features:

  • A close examination of temples in Egypt, Mesopotamia, Hittite Anatolia, and Syria-Palestine
  • An interdisciplinary treatment of architecture, language, ritual, and art
  • A dual focus on how a deity's divine presence connects to space and art and how human service to the deity maintains the deity's active presence
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Gods in the Bazaar
The Economies of Indian Calendar Art
Kajri Jain
Duke University Press, 2007
Gods in the Bazaar is a fascinating account of the printed images known in India as “calendar art” or “bazaar art,” the color-saturated, mass-produced pictures often used on calendars and in advertisements, featuring deities and other religious themes as well as nationalist leaders, alluring women, movie stars, chubby babies, and landscapes. Calendar art appears in all manner of contexts in India: in chic elite living rooms, middle-class kitchens, urban slums, village huts; hung on walls, stuck on scooters and computers, propped up on machines, affixed to dashboards, tucked into wallets and lockets. In this beautifully illustrated book, Kajri Jain examines the power that calendar art wields in Indian mass culture, arguing that its meanings derive as much from the production and circulation of the images as from their visual features.

Jain draws on interviews with artists, printers, publishers, and consumers as well as analyses of the prints themselves to trace the economies—of art, commerce, religion, and desire—within which calendar images and ideas about them are formulated. For Jain, an analysis of the bazaar, or vernacular commercial arena, is crucial to understanding not only the calendar art that circulates within the bazaar but also India’s postcolonial modernity and the ways that its mass culture has developed in close connection with a religiously inflected nationalism. The bazaar is characterized by the coexistence of seemingly incompatible elements: bourgeois-liberal and neoliberal modernism on the one hand, and vernacular discourses and practices on the other. Jain argues that from the colonial era to the present, capitalist expansion has depended on the maintenance of these multiple coexisting realms: the sacred, the commercial, and the artistic; the official and the vernacular.

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Gods in the Time of Democracy
Kajri Jain
Duke University Press, 2021
In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the “infrastructures of the sensible.”
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God's Knowledge of the World
Medieval Theories of Divine Ideas from Bonaventure to Ockham
Carl A. Vater
Catholic University of America Press, 2022
A theory of divine ideas was the standard Scholastic response to the question how does God know and produce the world? A theory was deemed to be successful only if it simultaneously upheld that God has perfect knowledge and that he is supremely simple and one. In articulating a theory of divine ideas, Carl Vater answers two sorts of questions. First, what is an idea? Does God have ideas? Are there many divine ideas? What sort of existence does an idea enjoy? Second, he answers questions about the scope of divine ideas: does God have ideas of individuals, species, genera, accidents, matter, evil, etc.? How many divine ideas are there? These questions cause the Scholastic authors to articulate clearly, among other things, their positions on the nature of knowledge, relation, exemplar causality, participation, infinity, and possibility. An author’s theory of divine ideas, then, is the locus for him to test the coherence of his metaphysical, epistemological, and logical principles. Many of the debates over divine ideas have their roots in disagreements over whether a given theory adequately articulates one of the underlying positions or the overall coherence of those positions. Peter John Olivi, for example, argues that his predecessors’ theories of knowledge and theories of relations are at odds, and this critique results in a major shift in theories of divine ideas. God's Knowledge of the World examines theories of divine ideas from approximately 1250–1325 AD (St. Bonaventure through Ockham). It will be the only work dedicated to categorizing and comparing the major theories of divine ideas in the Scholastic period.
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God’s Law and Order
The Politics of Punishment in Evangelical America
Aaron Griffith
Harvard University Press, 2020

Winner of a Christianity Today Book Award

An incisive look at how evangelical Christians shaped—and were shaped by—the American criminal justice system.

America incarcerates on a massive scale. Despite recent reforms, the United States locks up large numbers of people—disproportionately poor and nonwhite—for long periods and offers little opportunity for restoration. Aaron Griffith reveals a key component in the origins of American mass incarceration: evangelical Christianity.

Evangelicals in the postwar era made crime concern a major religious issue and found new platforms for shaping public life through punitive politics. Religious leaders like Billy Graham and David Wilkerson mobilized fears of lawbreaking and concern for offenders to sharpen appeals for Christian conversion, setting the stage for evangelicals who began advocating tough-on-crime politics in the 1960s. Building on religious campaigns for public safety earlier in the twentieth century, some preachers and politicians pushed for “law and order,” urging support for harsh sentences and expanded policing. Other evangelicals saw crime as a missionary opportunity, launching innovative ministries that reshaped the practice of religion in prisons. From the 1980s on, evangelicals were instrumental in popularizing criminal justice reform, making it a central cause in the compassionate conservative movement. At every stage in their work, evangelicals framed their efforts as colorblind, which only masked racial inequality in incarceration and delayed real change.

Today evangelicals play an ambiguous role in reform, pressing for reduced imprisonment while backing law-and-order politicians. God’s Law and Order shows that we cannot understand the criminal justice system without accounting for evangelicalism’s impact on its historical development.

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God's Love through the Spirit
Kenneth M. Loyer
Catholic University of America Press, 2014
Although the doctrine of the Holy Spirit has often been a neglected subject in theology, it remains vital for understanding both the Christian confession of God as Trinity and the nature of the Christian life. In view of those two topics, God's Love through the Spirit examines the relationship between love and the person and work of the Holy Spirit in Thomas Aquinas and John Wesley - two very different figures whose teachings on the Spirit and the Christian life are found to be, on the whole, surprisingly compatible. An investigation into Aquinas's amor-based pneumatology, including a groundbreaking analysis of his recently discovered Pentecost sermon, and a fresh assessment of the doctrine of sanctification in Wesley show that in distinctive yet largely complementary ways, Aquinas and Wesley provide resources that can be used to reclaim a richer pneumatology, specifically in relation to the theological virtue of love.
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The Gods of Revolution
Christopher Dawson
Catholic University of America Press, 2015
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Gods of the Blood
The Pagan Revival and White Separatism
Mattias Gardell
Duke University Press, 2003
Racist paganism is a thriving but understudied element of the American religious and cultural landscape. Gods of the Blood is the first in-depth survey of the people, ideologies, and practices that make up this fragmented yet increasingly radical and militant milieu. Over a five-year period during the 1990s Mattias Gardell observed and participated in pagan ceremonies and interviewed pagan activists across the United States. His unprecedented entree into this previously obscure realm is the basis for this firsthand account of the proliferating web of organizations and belief systems combining pre-Christian pagan mythologies with Aryan separatism. Gardell outlines the historical development of the different strands of racist paganism—including Wotanism, Odinism and Darkside Asatrú—and situates them on the spectrum of pagan belief ranging from Wicca and goddess worship to Satanism.

Gods of the Blood details the trends that have converged to fuel militant paganism in the United States: anti-government sentiments inflamed by such events as Ruby Ridge and Waco, the rise of the white power music industry (including whitenoise, dark ambient, and hatecore), the extraordinary reach of modern communications technologies, and feelings of economic and cultural marginalization in the face of globalization and increasing racial and ethnic diversity of the American population. Gardell elucidates how racist pagan beliefs are formed out of various combinations of conspiracy theories, anti-Semitism, warrior ideology, populism, beliefs in racial separatism, Klandom, skinhead culture, and tenets of national socialism. He shows how these convictions are further animated by an array of thought selectively derived from thinkers including Nietzche, historian Oswald Spengler, Carl Jung, and racist mystics. Scrupulously attentive to the complexities of racist paganism as it is lived and practiced, Gods of the Blood is a fascinating, disturbing, and important portrait of the virulent undercurrents of certain kinds of violence in America today.

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The Gods of the Greeks
Erika Simon, Translated by Jakob Zeyl, Edited by Alan Shapiro
University of Wisconsin Press, 2021
Originally published in Germany fifty years ago, The Gods of the Greeks has remained an enduring work. Influential scholar Erika Simon was one of the first to emphasize the importance of analyzing visual culture alongside literature to better understand how ancient Greeks perceived their gods. Giving due consideration to cult ritual and the phenomenon of genealogical relationships between mortals and immortals, this pioneering volume remains one of the few to approach the Greek gods from an archaeological perspective. From Zeus to Hermes, each of the major deities is considered in turn, with Simon’s insights on their nature and attributes guiding the reader to a fuller understanding of how their followers perceived and worshipped them in the ancient world.

This careful and fluid translation finally makes Simon’s landmark edition accessible to English-language readers. With an abundance of beautiful illustrations, the book examines portrayals of the thirteen major gods in art over the course of two millennia. Scholars who study the lives and practices of those living in ancient Greece will value this newest contribution.
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God's Own Scientists
Creationists in a Secular World
Toumey, Christopher P.
Rutgers University Press, 1994
Toumey focuses the tools of his discipline on a group whose distance from the twentieth-century American mainstream is measured not in decades or miles but rather in existential understandings about reality. Toumey studies both the national scientific creationism movement and the operation of a local creationist study group in his state's Research Triangle in the mid-1980s, seeking to understand the underlying beliefs--about morality, the Bible, science itself--that modern scientific creationism embodies, as well as the reasons this "system of cultural meanings" helps many conservative Christians "make sense of the realities, anxieties, changes, and uncertainties of life in the United States in the late twentieth century." A perceptive and respectful analysis by a nonbeliever
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God's Plagiarist
Being an Account of the Fabulous Industry and Irregular Commerce of the Abbe Migne
R. Howard Bloch
University of Chicago Press, 1994
God's Plagiarist is an entertaining account of the abbe Jacques-Paul Migne, one of the great entrepreneurs of the nineteenth century. A priest in Orleans from 1824 to 1833, Migne then moved to Paris, where, in the space of a decade, he built one of the most extensive publishing ventures of all time.

How did he do it?

Migne harnessed a deep well of personal energy and a will of iron to the latest innovations in print technology, advertising, and merchandising. His assembly-line production and innovative marketing of the massive editions of the Church Fathers placed him at the forefront of France's new commerce. Characterized by the police as one of the great "schemers" of the century, this priest-entrepreneur put the most questionable of business practices in the service of his devotion to Catholicism.

Part detective novel, part morality tale, Bloch's narrative not only will interest scholars of nineteenth-century French intellectual history but will appeal also to general readers interested in the history of publishing or just a good historical yarn.

"An unforgettable, Daumier-like portrait, sharp and satirical, of this enterprising, austere and somewhat crazed merchandiser of sacred learning. . . . Bloch deserves great credit for the wit and style of his effort to explore the Pedantic Park of nineteenth-century learning, that island of monsters which scholars have found, as yet, no escape."—Anthony Grafton, New Republic

"Bloch is an exhilarating guide to the methods which made Migne the Napoleon of the Prospectus, a publicist of genius, Buffalo Bill and P.T. Barnum rolled into one."—David Coward, Times Literary Supplement

"Mercifully, Bloch's sense of humour has none of that condescending mock-bewilderment commonly applied to the foreign or ancient. . . . It enables Bloch to promote Migne as a forerunner of the department store and to place him on a continuum running from St. Paul to the Tupperware party: the quality of the merchandise is increasingly irrelevant, still more the nature of its contents."—Graham Robb, London Review of Books
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God’s Planet
Owen Gingerich
Harvard University Press, 2014

With exoplanets being discovered daily, Earth is still the only planet we know of that is home to creatures who seek a coherent explanation for the structure, origins, and fate of the universe, and of humanity’s place within it. Today, science and religion are the two major cultural entities on our planet that share this goal of coherent understanding, though their interpretation of evidence differs dramatically. Many scientists look at the known universe and conclude we are here by chance. The renowned astronomer and historian of science Owen Gingerich looks at the same evidence—along with the fact that the universe is comprehensible to our minds—and sees it as proof for the planning and intentions of a Creator-God. He believes that the idea of a universe without God is an oxymoron, a self-contradiction. God’s Planet exposes the fallacy in thinking that science and religion can be kept apart.

Gingerich frames his argument around three questions: Was Copernicus right, in dethroning Earth from its place at the center of the universe? Was Darwin right, in placing humans securely in an evolving animal kingdom? And was Hoyle right, in identifying physical constants in nature that seem singularly tuned to allow the existence of intelligent life on planet Earth? Using these episodes from the history of science, Gingerich demonstrates that cultural attitudes, including religious or antireligious beliefs, play a significant role in what passes as scientific understanding. The more rigorous science becomes over time, the more clearly God’s handiwork can be comprehended.

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God's Poems
The Beauty of Poetry and the Christian Imagination
John Poch
St. Augustine's Press, 2021
Poetry is exciting, but elusive to most. This is troublesome for Christians because the Bible, John Poch reminds us, is largely composed of poetical verse. In God’s Poems, Poch re-introduces sacred text as purposefully poetic, and explains what that means and invites the reader to with this insight live more thoughtfully and beautifully. 

But that is not all. Poch as a well-established and regarded poet, turns his eye to contemporary poetry and vindicates its function in a “created and creative world.” Today many have abandoned the genre as a wasteland of misguided voice that really has nothing to say. The poet is a truth-teller, and Poch as devoted writer, teacher, and believer sends out a renewed call to turn to verse as a means of seeing oneself as God’s poeima, or poem (Letter to Ephesians). The depth of self-knowing relates directly to an aptitude to engage the category of poetry at some level. A tragic void is filled with Poch’s effort to exhort the reader to patiently reconnect with poetry even though it has been hijacked by persons who want to be heard more than speak well. (This book is essential, therefore, for aspiring poets.)

For faithful readers or those seeking to return, Poch is a place to begin to understand contemporary writers worth knowing and which poets of the past must remain with us. In Virgilian fashion, he can see the panorama behind him and that which lies immediately ahead and instills a recovered love of an eternal medium that will be restored to a state of coherency and enlightened perspective. If Poch has faith in poetry it is because poetry is indeed a source of faith. If Justin Martyr claimed that everything that is true belongs to Christians, Poch shows us that everyone who speaks truth is to some degree a poet. Even God with his revealed wisdom chooses poetry as medium par excellence. It is essential to know how poetry works. “Great poems that we consider literature give us what we never expected. They go beyond the usefulness of conveying a feeling and unveiling beauty; and they tell us who we are.” 
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God's Providence and Randomness in Nature
Scientific and Theological Perspectives
Robert John Russell
Templeton Press, 2019

In October 2014, a group of mathematicians, physicists, ecologists, philosophers, and theologians gathered at a special conference in Berkeley, California, to present the results of a two-year research program dubbed “Project SATURN.” This program explored many rich avenues of thought at the intersection of modern science and Christian theology. Chief among them is the possibility that specific processes might be so complex that they do not have sufficient physical causes. Known as “ontological indeterminism,” this idea has profound implications for theology. Specifically, it allows God to be thought of as acting providentially within nature without violating the laws and processes of nature.

Such a momentous insight could influence how we understand free will, natural evil, suffering in nature, and the relation between divine providence and human evolution. The essays collected here discussed these topics and were initially presented at the 2014 conference. Part I establishes the scientific basis for conceptualizing specific processes in the universe as inherently random and possibly indeterministic. Part II discusses the philosophical and theological issues that spring from this understanding. Together they represent the cutting edge of thought in the increasingly productive dialogue between science and theology.

Short for the “Scientific and Theological Understandings of Randomness in Nature,” Project SATURN was created by the Center for Theology and the Natural Sciences, a Program of the Graduate Theological Union, Berkeley. It was funded with a grant administered by Calvin College and provided by the John Templeton Foundation.

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God's Rainbow
Jaroslav Durych
Karolinum Press, 2016
This is a book about collective guilt, individual fate, and repentance, a tale that explores how we can come to be responsible for crimes we neither directly commit nor have the power to prevent. Set in the Czechoslovakian borderland shortly after WWII amid the sometimes violent expulsion of the region’s German population, Jaroslav Durych’s poetic, deeply symbolic novel is a literary touchstone for coming to terms with the Czech Republic’s difficult and taboo past of state-sanctioned violence.

A leading Catholic intellectual of the early twentieth century, Durych became a literary and political throwback to the prewar Czechoslovak Republic and faced censorship under the Stalinist regime of the 1950s. As such, he was a man not unfamiliar with the ramifications of a changing society in which the minority becomes the rule-making political authority, only to end up condemned as criminals. Though Durych finished writing God’s Rainbow in 1955, he could not have hoped to see it published in his lifetime. Released in a still-censored form in 1969, God’s Rainbow is available here in full for the first time in English.
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God's Rascal
J. Frank Norris and the Beginnings of Southern Fundamentalism
Barry Hankins
University of Tennessee Press, 2022

Loathed by mainstream Southern Baptists, J. Frank Norris (1877–1952) was in many ways the Southern Baptist Convention’s first fundamentalist. Twenty-five years after its first publication, this second edition of Barry Hankins’s field-defining work God’s Rascal: J. Frank Norris and the Beginnings of Southern Fundamentalism engages new scholar- ship on American fundamentalism to reassess one of the most controversial figures in the history of American Christianity. In this completely revised edition, Hankins pens an entirely new chapter on J. Frank Norris’s murder trial, examines newly uncovered details regarding his recurrent sexual improprieties, and reconsiders his views on race in order to place J. Frank Norris, a man both despicable and captivating, among the most significant Southern fundamentalists of the twentieth century.

Norris merged a southern populist tradition with militant fundamentalism, carving out a distinctly take-no-prisoners political niche within the Baptist church that often offended his allies as much as his enemies. Indeed, Norris was about as bad as a fundamentalist could be. He resided in a world of swirling conspiracies of leftists who, he argued, intended to subvert both evangelical religion and American culture. There are times when Norris’s ego looms so large in his story that he seemed less interested in the threat these alleged conspiracies posed than in their power to keep him in the limelight. Finally, his tactics foreshadowed those employed in the fundamentalists’ tenacious takeover of the Southern Baptist Convention that would occur more than twenty years after Norris’s death.

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God's Rule
The Politics of World Religions
Jacob Neusner, Editor
Georgetown University Press, 2003

Resisting the tendency to separate the study of religion and politics, editor Jacob Neusner pulls together a collection of ten essays in which various authors explain and explore the relationship between the world's major religions and political power. As William Scott Green writes in the introduction, "Because religion is so comprehensive, it is fundamentally about power; it therefore cannot avoid politics."

Beginning with the classical sources and texts of Judaism, Christianity, Buddhism, Islam, Confucianism and Hinduism, God's Rule begins to explore the complex nature of how each religion shapes political power, and how religion shapes itself in relation to that power. The corresponding attention to differing theories of politics and views towards non-believers are important not only to studies in comparative religion, but to foreign policy, history and governance as well. From early Christianity's relationship to the Roman Empire to Hinduism's relationship to Gandhi and the caste system, God's Rule provides a basis of understanding from which undergraduates, seminarians and others can begin asking questions of relationships "both unavoidable and systematically uneasy."

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God's Schools
Wagner, Melinda Bollar
Rutgers University Press, 1990

Many of us assume that Christian day schools foster a strict and conservative environment that is very different from the rest of the United States. Christian educators themselves foster this view when they say that following biblical strictures requires that they not always conform to this world. Melinda Wagner goes beyond this stereotype to portray the way these schools foster American popular culture and "professional education culture" as well as "Christian culture." In her participant observation study of a variety of Christian schools (sponsored by fundamentalist, evangelical, new charismatic, Holiness, and Pentecostal Christians), Wagner describes and interprets how such compromises are made.

In American culture, children are taught to meet challenges, to compete, and are rewarded for individual achievement. Conservative Christians label this individualism as "secular humanism," and find it antithetical to their view of the self. Instead, these Christians seek a culture of love, compassion, orderliness, non-competitiveness, and separation from the material trappings of this world.

But in reality, Wager finds that the schools mix Christian values with the values of American culture. She discovers that even in Christian schools students compete fiercely and are recognized for individual achievements. Christian schools incorporate norms and strategies from mainstream American education. Alternative Christian schools are not as alternative as they could be; they are walking the Christian walk the American way.

The Christian schools serve as a case study of the process of culture building. Conservative Christians are trying to revitalize their culture. Yet all along the way, they quite consciously compromise.

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God's Schools
Choice and Compromise in American Society
Wagner, Melinda Bollar
Rutgers University Press, 1990

Many of us assume that Christian day schools foster a strict and conservative environment that is very different from the rest of the United States. Christian educators themselves foster this view when they say that following biblical strictures requires that they not always conform to this world. Melinda Wagner goes beyond this stereotype to portray the way these schools foster American popular culture and "professional education culture" as well as "Christian culture." In her participant observation study of a variety of Christian schools (sponsored by fundamentalist, evangelical, new charismatic, Holiness, and Pentecostal Christians), Wagner describes and interprets how such compromises are made.

In American culture, children are taught to meet challenges, to compete, and are rewarded for individual achievement. Conservative Christians label this individualism as "secular humanism," and find it antithetical to their view of the self. Instead, these Christians seek a culture of love, compassion, orderliness, non-competitiveness, and separation from the material trappings of this world.

But in reality, Wager finds that the schools mix Christian values with the values of American culture. She discovers that even in Christian schools students compete fiercely and are recognized for individual achievements. Christian schools incorporate norms and strategies from mainstream American education. Alternative Christian schools are not as alternative as they could be; they are walking the Christian walk the American way.

The Christian schools serve as a case study of the process of culture building. Conservative Christians are trying to revitalize their culture. Yet all along the way, they quite consciously compromise.

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God's Scribe
The Historiographical Art of Galbert of Bruges
Jeff Rider
Catholic University of America Press, 2001
Intended as a companion volume to the De multro, the book provides an outline of the Flemish crisis of 1127-28 and summarizes what is known about Galbert. It traces the elaboration of the De multro from a set of wax notes to a nearly completed chronicle.
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God's Scrivener
The Madness and Meaning of Jones Very
Clark Davis
University of Chicago Press, 2023
A biography of a long-forgotten but vital American Transcendentalist poet.
 
In September of 1838, a few months after Ralph Waldo Emerson delivered his controversial Divinity School address, a twenty-five-year-old tutor and divinity student at Harvard named Jones Very stood before his beginning Greek class and proclaimed himself “the second coming.” Over the next twenty months, despite a brief confinement in a mental hospital, he would write more than three hundred sonnets, many of them in the voice of a prophet such as John the Baptist or even of Christ himself—all, he was quick to claim, dictated to him by the Holy Spirit.
 
Befriended by the major figures of the Transcendentalist movement, Very strove to convert, among others, Elizabeth and Sophia Peabody, Bronson Alcott, Nathaniel Hawthorne, and most significantly, Emerson himself. Though shocking to some, his message was simple: by renouncing the individual will, anyone can become a “son of God” and thereby usher in a millennialist heaven on earth. Clark Davis’s masterful biography shows how Very came to embody both the full radicalism of Emersonian ideals and the trap of isolation and emptiness that lay in wait for those who sought complete transcendence.
 
God’s Scrivener tells the story of Very’s life, work, and influence in depth, recovering the startling story of a forgotten American prophet, a “brave saint” whose life and work are central to the development of poetry and spirituality in America.
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God’s Universe
Owen Gingerich
Harvard University Press, 2006

We live in a universe with a very long history, a vast cosmos where things are being worked out over unimaginably long ages. Stars and galaxies have formed, and elements come forth from great stellar cauldrons. The necessary elements are present, the environment is fit for life, and slowly life forms have populated the earth. Are the creative forces purposeful, and in fact divine?

Owen Gingerich believes in a universe of intention and purpose. We can at least conjecture that we are part of that purpose and have just enough freedom that conscience and responsibility may be part of the mix. They may even be the reason that pain and suffering are present in the world. The universe might actually be comprehensible.

Taking Johannes Kepler as his guide, Gingerich argues that an individual can be both a creative scientist and a believer in divine design—that indeed the very motivation for scientific research can derive from a desire to trace God’s handiwork. The scientist with theistic metaphysics will approach laboratory problems much the same as does his atheistic colleague across the hall. Both are likely to view the astonishing adaptations in nature with a sense of surprise, wonder, and mystery.

In God’s Universe Gingerich carves out “a theistic space” from which it is possible to contemplate a universe where God plays an interactive role, unnoticed yet not excluded by science.

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God's Waiting Room
Racial Reckoning at Life's End
Casey Golomski
Rutgers University Press, 2025
Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life’s lessons, God’s Waiting Room: Racial Reckoning at Life’s End considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski’s years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, are narrated as a one-day, room-by-room tour. Told in breathtakingly intimate and witty conversations with the home’s residents and nurses, including the untold story of Nelson Mandela’s Robben Island prison nurse, readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.

For copyright reasons, this edition is not available in the South African Development Community and Kenya.
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God’s War
A New History of the Crusades
Christopher Tyerman
Harvard University Press

God's War offers a sweeping new vision of one of history's most astounding events: the Crusades.

From 1096 to 1500, European Christians fought to recreate the Middle East, Muslim Spain, and the pagan Baltic in the image of their God. The Crusades are perhaps both the most familiar and most misunderstood phenomena of the medieval world, and here Christopher Tyerman seeks to recreate, from the ground up, the centuries of violence committed as an act of religious devotion.

The result is a stunning reinterpretation of the Crusades, revealed as both bloody political acts and a manifestation of a growing Christian communal identity. Tyerman uncovers a system of belief bound by aggression, paranoia, and wishful thinking, and a culture founded on war as an expression of worship, social discipline, and Christian charity.

This astonishing historical narrative is imbued with figures that have become legends--Saladin, Richard the Lionheart, Philip Augustus. But Tyerman also delves beyond these leaders to examine the thousands and thousands of Christian men--from Knights Templars to mercenaries to peasants--who, in the name of their Savior, abandoned their homes to conquer distant and alien lands, as well as the countless people who defended their soil and eventually turned these invaders back. With bold analysis, Tyerman explicates the contradictory mix of genuine piety, military ferocity, and plain greed that motivated generations of Crusaders. He also offers unique insight into the maturation of a militant Christianity that defined Europe's identity and that has forever influenced the cyclical antagonisms between the Christian and Muslim worlds.

Drawing on all of the most recent scholarship, and told with great verve and authority, God's War is the definitive account of a fascinating and horrifying story that continues to haunt our contemporary world.

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The Gods We Worship Live Next Door
Realuyo, Bino A
University of Utah Press, 2006
The Agha Shahid Ali Prize in Poetry was inaugurated in 2003 to honor the late poet, a nationally recognized writer and a former professor at the University of Utah, and is sponsored by the University of Utah Press and the University of Utah Department of English.

The Gods We Worship Live Next Door is the 2005 prizewinning volume selected by this year's judge, Grace Schulman, distinguished professor of English at Baruch College, City University of New York.
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A Godsend to His People
The Essential Writings and Speeches of Marshall Keeble
Robinson, Edward J.
University of Tennessee Press, 2008
Marshall Keeble (1878-1968) stands as one of the Church of Christ's most influential and celebrated African American evangelists.  His impact was felt throughout the South and well beyond as he helped establish over two hundred churches and baptized approximately forty thousand individuals during his nearly seventy years of ministry.  His charismatic and dynamic speaking style earned him a devoted following.

Despite his impact on the religious culture of the South, there has been scant information available about this extraordinary individual-until now.  With the his new book, A Godsend to His People, Edward J. Robinson brings to light over forty years of Keeble's writings.

This collection shows the human side of Keeble, revealing his concern for the souls of his faithful followers and the pragmatic way in which he ran his ministry.  The sermons and other writings give great insight into the struggles of a prominent African American trying to navigate his way through the challenges of conducting his ministry in the segregated world of the Jim Crow South.

Robinson draws on a variety of sources in which Keeble was published, including the Gospel Advocate and the Christian Echo, as well as lectures Keeble gave to students at Abilene Christian College.    Through these pages, the reader will learn more about this articulate, passionate, and intelligent man.

A Godsend to His People is the first scholarly treatment of this evangelist and will appeal to those interested in the history of the Church of Christ and religious studies.

Edward J. Robinson is assistant professor of history and biblical studies at Abilene Christian University. He is the editor of To Lift Up My Race: The Essential Writings of Samuel Robert Cassius and author of To Save My Race from Abuse: The Life of Samuel Robert Cassius.
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Godzilla and Godzilla Raids Again
Shigeru Kayama
University of Minnesota Press, 2023

The first English translations of the original novellas about the iconic kaijū Godzilla

Godzilla emerged from the sea to devastate Tokyo in the now-classic 1954 film, produced by Tōhō Studios and directed by Ishirō Honda, creating a global sensation and launching one of the world’s most successful movie and media franchises. Awakened and transformed by nuclear weapons testing, Godzilla serves as a terrifying metaphor for humanity’s shortsighted destructiveness: this was the intent of Shigeru Kayama, the science fiction writer who drafted the 1954 original film and its first sequel and, in 1955, published these novellas. 

 

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. The novellas reveal valuable insights into Kayama’s vision for the Godzilla story, feature plots that differ from the films, and clearly display the author’s strong antinuclear, proenvironmental convictions.

 

Kayama’s fiction depicts Godzilla as engaging in guerrilla-style warfare against humanity, which has allowed the destruction of the natural world through its irresponsible, immoral perversion of science. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

 

 

Retail e-book files for this title are screen-reader friendly.

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Goethe
Peter Boerner
Haus Publishing, 2013
Johann Wolfgang von Goethe (1749–1832) was one of the greatest thinkers of the modern age: a world-famous writer, scientist, and statesman, his influence was already far-reaching during his lifetime, and his literary and intellectual legacy continues to reverberate throughout contemporary culture. In this book, newly updated, Peter Boerner, a highly respected authority on Goethe, presents the definitive short biography of this extraordinary figure.

An exceptionally prolific and versatile writer, Goethe produced important works covering a range of genres. As a young man, he composed pastoral plays in the style of the waning Rococco, was an early proponent of the avant-garde Sturm und Drang movement, and became a literary superstar with The Sorrows of Young Werther, in which a young man’s unrequited love culminates in tragedy. In his classic play Faust, which evolved over a sixty-year period, he created one of the best-known versions of the legend and introduced the prototype of the romantic hero. A scientist active in various fields, including botany and the theory of colors, Goethe also pondered issues of evolution well before Darwin. In Boerner’s illustrated biography, Goethe’s impressive oeuvre comes to vibrant life.

A major contribution to the English-language literature on Goethe, this is a beautiful and accessible introduction to one of history’s foremost geniuses.
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Goethe
A Critical Introduction
Henry Caraway Hatfield
Harvard University Press, 1964

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Goethe and His Publishers
Siegfried Unseld
University of Chicago Press, 1996
Goethe's ranging literary genius, nimble yet luminous, resists simple classification. Poet and natural philosopher, critic and raconteur, Goethe was the most commanding literary presence of his time.

Goethe and His Publishers organizes for the first time the myriad details of Goethe's career in print. Director of the German publishing company Suhrkamp Verlag, Siegfried Unseld brings a singular perspective to this biography, focusing our attention on an essential component of Goethe's literary endeavors: his relationship to his publishers. Carefully examining each work, Unseld covers the range of Goethe's oeuvre, from first anonymous publications to eventual monumental editions brought out by Johann Friedrich Cotta, the most renowned publisher of his day.

Unseld sifts through the rich correspondence between Goethe and his publishers, as well as letters to and from friends, colleagues, and contemporaries. Analyzing publishing contracts, draft contracts, and historical documents, Unseld reveals the tremendous energy Goethe exerted on behalf of his manuscripts. During negotiations he was sometimes circumspect and reserved, other times demanding and assertive. These exchanges not only shed new light on Goethe's complex character but also show how he changed the author's role in the publishing process. Thus, this work offers a penetrating study on the intricate and many-tiered relations between author and publisher, then and today.

Goethe and His Publishers celebrates Goethe's works, his life, and his times, from the viewpoint of a publisher today. Written by an individual who has devoted much of his life to the study of the poet whom he reveres, such a personal approach not only forms an excellent introduction to Goethe's work but helps restore Goethe to his rightful place in the world of letters.

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Goethe and Judaism
The Troubled Inheritance of Modern Literature
Karin Schutjer
Northwestern University Press, 2015
 In Goethe and Judaism, Schutjer aims to provide a broad, though by no means exhaustive, literary study that is neither apologetic nor reductive, that attends to the complexity and irony of Goethe’s literary work but takes his representations of Judaism seriously as an integral part of his thought and writing. She is thus concerned not simply with accusing or acquitting Goethe of prejudice but rather with discerning the function and logic of his relationship to Judaism, as seen within his work. Her premise is that Goethe’s conception of modernity—his anxieties as well as his most affirmative vision concerning the trajectory of his age—are deeply entwined with his conception of Judaism. Schutjer argues that behind his very mixed representations of Jews and Judaism stand crucial tensions within his own thinking and a distinct anxiety of influence. Indeed, Goethe, she contends, paradoxically wrestles against precisely those impulses in Judaism for which he feels the greatest affinity, which most approach his own vision of modernity. The discourse of wandering in Goethe’s work serves as a key site where Judaism and modernity meet.
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Goethe and the Ginkgo
A Tree and a Poem
Siegfried Unseld
University of Chicago Press, 2003
In 1815, Goethe gave symbolic expression to his intense relationship with Marianne Willemer, a recently married woman thirty-five years his junior. He gave her a leaf from the ginkgo tree, explaining that, like its deeply cleft yet still whole leaf, he was "single yet twofold." Although it is not known if their relationship was ever consummated, they did exchange love poetry, and Goethe published several of Marianne's poems in his West-East Divan without crediting her authorship.

In this beautiful little book, renowned Goethe scholar Siegfried Unseld considers what this episode means to our estimation of a writer many consider nearly godlike in stature. Unseld begins by exploring the botanical and medical lore of the ginkgo, including the use of its nut as an aphrodisiac and anti-aging serum. He then delves into Goethe's writings for the light they shed on his relationship with Marianne. Unseld reveals Goethe as a great yet human being, subject, as any other man, to the vagaries of passion.
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Goethe Dies
Thomas Bernhard
Seagull Books, 2019
This collection of four stories by the writer George Steiner called “one of the masters of European fiction” is, as longtime fans of Thomas Bernhard would expect, bleakly comic and inspiringly rancorous. The subject of his stories vary: in one, Goethe summons Wittgenstein to discuss the Tractatus Logico-Philosophicus; “Montaigne: A Story (in 22 Installments)” tells of a young man sealing himself in a tower to read; “Reunion,” meanwhile, satirizes that very impulse to escape; and the final story rounds out the collection by making Bernhard himself a victim, persecuted by his greatest enemy—his very homeland of Austria. Underpinning all these variously comic, tragic, and bitingly satirical excursions is Bernhard’s abiding interest in, and deep knowledge of, the philosophy of doubt.

Bernhard’s work can seem off-putting on first acquaintance, as he suffers no fools and offers no hand to assist the unwary reader. But those who make the effort to engage with Bernhard on his own uncompromising terms will discover a writer with powerful comic gifts, penetrating insight into the failings and delusions of modern life, and an unstinting desire to tell the whole, unvarnished, unwelcome truth. Start here, readers; the rewards are great.
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Goethe
Journeys of the Mind
Gabrielle Bersier, Nancy Boerner, and Peter Boerner
Haus Publishing, 2018
The German polymath Johann Wolfgang von Goethe is often seen as the quintessential eighteenth-century tourist, though with the exception of a trip to Italy he hardly left his homeland. Compared to several of his peripatetic contemporaries, he took few actual journeys, and the list of European cities in which he never set foot is quite long. He never saw Vienna, Paris, or London, for example, and he only once visited Berlin. During the last thirty years of his life he was essentially a homebound writer, but his intensive mental journeys countered this sedentary lifestyle, and the misconception of Goethe as a traveler springs from the uniquely international influence of his writing.

While Goethe’s Italian Journey is a classic piece of travel writing, it was the product of his only extended physical journey. The majority, rather, were of the mind, taken amid the pages of books by others. In his reading, Goethe was the prototypical eighteenth-century armchair traveler, developing knowledge of places both near and far through the words and eyewitness accounts of others. In Goethe: Journeys of the Mind, Nancy Boerner and Gabrielle Bersier explore what it was that made the great writer distinct from his peers and offer insight into the ways that Goethe was able to explore the cultures and environments of places he never saw with his own eyes.
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Gogo Breeze
Zambia’s Radio Elder and the Voices of Free Speech
Harri Englund
University of Chicago Press, 2018
When Breeze FM, a radio station in the provincial Zambian town of Chipata, hired an elderly retired schoolteacher in 2003, no one anticipated the skyrocketing success that would follow. A self-styled grandfather on air, Gogo Breeze seeks intimacy over the airwaves and dispenses advice on a wide variety of grievances and transgressions. Multiple voices are broadcast and juxtaposed through call-ins and dialogue, but free speech finds its ally in the radio elder who, by allowing people to be heard and supporting their claims, reminds authorities of their obligations toward the disaffected.
 
Harri Englund provides a masterfully detailed study of this popular radio personality that addresses broad questions of free speech in Zambia and beyond. By drawing on ethnographic insights into political communication, Englund presents multivocal morality as an alternative to dominant Euro-American perspectives, displacing the simplistic notion of voice as individual personal property—an idea common in both policy and activist rhetoric. Instead, Englund focuses on the creativity and polyphony of Zambian radio while raising important questions about hierarchy, elderhood, and ethics in the public sphere.
 
A lively, engaging portrait of an extraordinary personality, Gogo Breeze will interest Africanists, scholars of radio and mass media, and anyone interested in the history and future of free speech.
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Go-Go Live
The Musical Life and Death of a Chocolate City
Natalie Hopkinson
Duke University Press, 2012
Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks.

Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.

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Gogol
V. V. Gippius
Duke University Press, 1989

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Gogol
Plays and Selected Writings
Nikolai Gogol
Northwestern University Press, 1994
The theatrical genius of Gogol has gone largely unappreciated by English-speaking audiences because literal translations have left his plays virtually impossible to perform. These fresh translations restore the vitality of Gogol's language and humor, allowing his dramatic art to speak to readers, directors, actors, and theater-goers.
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Gogol's Afterlife
The Evolution of a Classic in Imperial and Soviet Russia
Caryl Emerson
Northwestern University Press, 2002
Gogol's claim to the title of national literary classic is incontestable. An exemplar of popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller-Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.

Part I charts the historical and cultural currents that shaped Gogol's reputation, devoting particular attention to the models of authorship Gogol himself devised in response to his changing audience and developing authorial mission. Part II takes a panoramic view of the social milieu in which Gogol's status evolved. Finally, Part III examines the place of the classics in Soviet culture, with a focus on Gogol's role in the cultural revolution and his peculiar relationship with state power under Stalinism.
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Gogol's Artistry
Andrei Bely, translated by Christopher Colbath
Northwestern University Press, 2009

When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.

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Goin' Railroading
Two Generations of Colorado Stories
Margaret Coel
University Press of Colorado, 1998
As America, carried along by the expanding rail system, moved westward in the nineteenth century, few occupations seemed more exciting or romantic than that of railroad engineer. And in the mountains and plains of the West, long hours, backbreaking labor, bitter temperatures, and faulty brakes were the crucible in which the best of the early railroaders were formed: only the most dedicated and skilled men passed the tests the narrow-gauge lines of Colorado meted out.

Goin' Railroading is the story of two generations of such men, four members of the Speas family who, from the open cabs of narrow-gauge steam engines, watched Colorado grow.

Sam Speas tells the story of his father, Sam Speas Sr., who left Missouri in 1883 to become an engineer in Colorado, and recounts his own experiences and those of his brothers and fellow railroaders on the Colorado and Southern Railway, from the golden era of the narrow-gauge lines in South Park to the final days of steam power on the Front Range and the coming of the diesel engine.

His stories are a profound document of a vanished way of life, a testament to the courage and tenacity of the early citizens of Colorado, and a tribute to the rough-hewn, often gallant men who took the trains through incredible, almost unbelievable, hazards. Funny, tragic, bittersweet, and poignant, Goin' Railroading is a remarkable book that brings a portion of the history and people of an earlier Colorado to vibrant life.

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Goin' to Kansas City
Nathan W. Pearson, Jr.
University of Illinois Press, 1987
Kansas City jazz thrived on the anything-goes vibe of a town on the make and the talents of a generation of visionary artists. From titans like Charlie Parker and Count Basie to classic bands like the Blue Devils and the Clouds of Joy, the Paris of the Plains was home to a potent style of jazz music that bridged big bands and bebop in the 1920s and 1930s. Nathan W. Pearson Jr. threads eyewitness stories from musicians of the era into a narrative history of Kansas City's distinct jazz--and the corruption, organized crime, and vice that helped its players pay the bills. Throughout, Pearson reveals how the great bands of the era drew on many styles to create a distinctive music that was among the finest expressions of swing and laid the groundwork for modern jazz. A portrait of a community of artists and a jazz history that's both intimate and expansive, Goin' to Kansas City tells the story of how music remade a city into a mecca for performers and fans alike.
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The Goindval Pothis
The Earliest Extant Source of the Sikh Canon
Gurinder S. Mann
Harvard University Press, 1996

This volume explores the earliest available version of the Sikh canon. The book contains the first critical description and partial edition of the Goindval Pothis, a set of proto-scriptural manuscripts prepared in the 1570s. The manuscripts also contain a number of hymns by non-Sikh saints, some of them not found elsewhere.

Through a meticulous analysis of the contents of these rare manuscripts, Gurinder Singh Mann establishes their place and importance in the history of Sikh canon formation.

The book will be of great interest to scholars of comparative canon studies and of medieval Indian literature.

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GOING
Kevin Oderman
West Virginia University Press, 2006

In Granada, a boy in a dress begs in the white alleys of the old town. A vulnerable runaway, he turns to an American painter who is living in the city for protection, Madeleine James. The boy also meets Madeleine's new friend, poet Cy Jacobs. Although the two adults mean to help the boy, they unwittingly expose him to more peril. Soon, all the characters in the story have been scraped on the touchstone of hard realities and made to show their mettle, be it base or gold. This novel, at times somber and at times flaring with intensity, calls up indelibly the difficulties of making a good life—or a good death—in a world in which we are all, in one way or another, going.

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Going All City
Struggle and Survival in LA's Graffiti Subculture
Stefano Bloch
University of Chicago Press, 2019
We could have been called a lot of things: brazen vandals, scared kids, threats to social order, self-obsessed egomaniacs, marginalized youth, outsider artists, trend setters, and thrill seekers. But, to me, we were just regular kids growing up hard in America and making the city our own. Being ‘writers’ gave us something to live for and ‘going all city’ gave us something to strive for; and for some of my friends it was something to die for.”
 
In the age of commissioned wall murals and trendy street art, it’s easy to forget graffiti’s complicated and often violent past in the United States. Though graffiti has become one of the most influential art forms of the twenty-first century, cities across the United States waged a war against it from the late 1970s to the early 2000s, complete with brutal police task forces. Who were the vilified taggers they targeted? Teenagers, usually, from low-income neighborhoods with little to their names except a few spray cans and a desperate need to be seen—to mark their presence on city walls and buildings even as their cities turned a blind eye to them.
 
Going All City is the mesmerizing and painful story of these young graffiti writers, told by one of their own. Prolific LA writer Stefano Bloch came of age in the late 1990s amid constant violence, poverty, and vulnerability. He recounts vicious interactions with police; debating whether to take friends with gunshot wounds to the hospital; coping with his mother’s heroin addiction; instability and homelessness; and his dread that his stepfather would get out of jail and tip his unstable life into full-blown chaos. But he also recalls moments of peace and exhilaration: marking a fresh tag; the thrill of running with his crew at night; exploring the secret landscape of LA; the dream and success of going all city.
 
Bloch holds nothing back in this fierce, poignant memoir. Going All City is an unflinching portrait of a deeply maligned subculture and an unforgettable account of what writing on city walls means to the most vulnerable people living within them.
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Going Away to Think
Engagement, Retreat, and Ecocritical Responsibility
Scott Slovic
University of Nevada Press, 2008
Scott Slovic has spent his life as a teacher, writer, environmental activist, and leader in the field of ecocritical literary studies. In Going Away to Think, he reflects on the twin motivations of his life—the commitment to do some good in the world and the impulse to enjoy life and participate fully in its most intense moments—and he examines the tension created by his efforts to balance these two poles of his responsibility. These essays reveal the complex inner life of one of this generation’s most important environmental critics and literary activists. They range from profound discussions of the role and responsibilities of scholarship to deeply personal ruminations on the impact of family crises and the influence of his wide-ranging travels.
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Going Back to Bisbee
Richard Shelton
University of Arizona Press, 1992
One of America's most distinguished poets now shares his fascination with a distinctive corner of our country. Richard Shelton first came to southeastern Arizona in the 1950s as a soldier stationed at Fort Huachuca. He soon fell in love with the region and upon his discharge found a job as a schoolteacher in nearby Bisbee. Now a university professor and respected poet living in Tucson, still in love with the Southwestern deserts, Shelton sets off for Bisbee on a not-uncommon day trip. Along the way, he reflects on the history of the area, on the beauty of the landscape, and on his own life.

Couched within the narrative of his journey are passages revealing Shelton's deep familiarity with the region's natural and human history. Whether conveying the mystique of tarantulas or describing the mountain-studded topography, he brings a poet's eye to this seemingly desolate country. His observations on human habitation touch on Tombstone, "the town too tough to die," on ghost towns that perhaps weren't as tough, and on Bisbee itself, a once prosperous mining town now an outpost for the arts and a destination for tourists. What he finds there is both a broad view of his past and a glimpse of that city's possible future.

Going Back to Bisbee explores a part of America with which many readers may not be familiar. A rich store of information embedded in splendid prose, it shows that there are more than miles on the road to Bisbee.
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Going Beyond Google Again
Strategies for Using and Teaching the Invisible Web
Jane Devine
American Library Association, 2014

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Going Beyond Google
The Invisible Web in Learning and Teaching
Jane Devine
American Library Association, 2009

front cover of Going Down To The Barrio
Going Down To The Barrio
Homeboys and Homegirls in Change
Joan W. Moore
Temple University Press, 1991

In this illuminating look at two Chicano gangs in East Los Angeles, Joan W. Moore examines the changes and continuities among three generations of barrio gangs. As a sequel to the author's award-winning study, Homeboys (Temple, 1979), this book returns to the same neighborhoods to chart the development of gang behavior, especially in terms of violence and drug use, and to compare experiences of male and female gang members.

In a remarkable research collaborative effort, Moore and gang members worked together to develop an understanding of both male and female gangs and an internal vision of gang members' lives. By using excerpts from individual interviews, the author depicts more about the gangs than simply their life together as a unit; she gives them a voice. Gang members discuss their personal reaction to violence, drug using and selling, family relations and intra-gang dating; they share intimacies that reveal varying levels of loyalty to and dependency on their affiliations, which often become a family substitute.

After maintaining neighborhood ties for 17 years, Moore's research group has established a relationship with these communities that gives her a rare perspective. This is a fascinating and informative book for anyone interested in sociology, criminology, youth behavior and deviance, and ethnic studies.

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Going for Gold
The History of Newmont Mining Corporation
Jack H. Morris
University of Alabama Press, 2016
Details how Newmont Mining revolutionized the gold mining industry and remains the second largest gold miner in the world

Jack H. Morris asserts that Newmont is the link between early gold mining and today’s technology-driven industry. We learn how the company’s founder and several early leaders grew up in gold camps and how, in 1917, the company helped finance South Africa’s largest gold company and later owned famous gold mines in California and Colorado. In the 1960s the company developed the process to capture “invisible gold” from small distributions of the metal in large quantities of rock, thereby opening up the rich gold field at Carlin, Nevada.
 
Modern gold mining has all the excitement and historic significance of the metal’s colorful past. Instead of panning for ready nuggets, today’s corporate miners must face heavy odds by extracting value from ores containing as little as one-hundredth of an ounce per ton. In often-remote locations, where the capital cost of a new mine can top $2 billion, 250-ton trucks crawl from half mile deep pits and ascend, beetle-like, loaded with ore for extraction of the minute quantities of gold locked inside.
 
Morris had unique access to company records and the cooperation of more than 80 executives and employees of the firm, but the company exercised no control over content. The author tells a story of discovery and scientific breakthrough; strong-willed, flamboyant leaders like founder Boyce Thompson; corporate raiders such as T. Boone Pickens and Jimmy Goldsmith; shakedowns by the Indonesian government and monumental battles with the French over the richest mine in Peru; and learning to operate in the present environmental regulatory climate. This is a fascinating story of the metal that has ignited passions for centuries and now sells for over $1,000 an ounce.
 
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Going for Jazz
Musical Practices and American Ideology
Nicholas Gebhardt
University of Chicago Press, 2001
Jazz is one of the most influential American art forms of our times. It shapes our ideas about musical virtuosity, human action and new forms of social expression. In Going for Jazz, Nicholas Gebhardt shows how the study of jazz can offer profound insights into American historical consciousness. Focusing on the lives of three major saxophonists—Sidney Bechet, Charlie Parker, and Ornette Coleman—Gebhardt demonstrates how changing forms of state power and ideology framed and directed their work.

Weaving together a range of seemingly disparate topics, from Frederick Jackson Turner's frontier thesis to the invention of bebop, from Jean Baudrillard's Seduction to the Cold War atomic regime, Gebhardt addresses the meaning and value of jazz in the political economy of American society. In Going for Jazz, jazz musicians assume dynamic and dramatic social positions that demand a more conspicuous place for music in our understanding of the social world.
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Going for Wisconsin Gold
Stories of Our State Olympians
Jessie Garcia
Wisconsin Historical Society Press, 2016

U-S-A , U-S-A is a familiar refrain heard in every Olympics, but truly it could be Wis-con-sin! Since pioneering hurdler Alvin Kraenzlein got his start here in the 1890s, the Badger State has nurtured, trained, or schooled more than 400 Olympic athletes in a vast array of sports. Wisconsin’s varied landscape and climate accommodate serious athletes whether they compete on ice, on snow, in the water, or on terra firma. We tend to bring a Midwestern work ethic to our endeavors, and our Olympians have often been hailed in the press and in public as being among the most humble and down-to-earth people around. Our state boasts a thriving youth sports culture where many homegrown athletes get their start; others are drawn here by our world-class universities, athletic facilities, and coaching talent. No matter how an athlete comes to Wisconsin, the state becomes part of his or her Olympic story. In Going for Wisconsin Gold, author Jessie Garcia provides insights into the lives of athletes who grew up or spent time in Wisconsin on their journey to the Olympic Games. She shares some of our competitors most captivating tales—from those that have become legend, like Dan Jansen’s heartbreaking falls and subsequent magical gold, to unlikely brushes with glory (do you know which Green Bay Packer was almost an Olympic high jumper?). Featuring the athletes’ personal stories, many of them told here in detail for the first time, plus pictures from their private collections, Going for Wisconsin Gold provides a new and deeper understanding of the sacrifices, joy, pain, heartbreak, and complete dedication it takes to reach the world’s grandest sporting competition.

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Going Global
Culture, Gender, and Authority in the Japanese Subsidiary of an American Corporation
Ellen V. Fuller
Temple University Press, 2009

In this intriguing ethnography, Ellen Fuller investigates how issues of gender and identity as they relate to authority are addressed in a globalizing corporate culture. Going Global goes behind the office politics, turf wars and day-to-day workings of a transnational American company in Japan in the late 1990s as employees try to establish a comfortable place within the company.

Fuller looks at how relationships among Asians and between Asians and Americans are tested as individuals are promoted to positions of power and authority. Is there pressure for the Japanese to be more “American” to get ahead in business? Do female employees have to subscribe to certain stereotypes to be promoted or respected? How these American and Japanese workers assess one another raises important questions about international business management and human resources.

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front cover of Going Home
Going Home
Black Representatives and Their Constituents
Richard F. Fenno
University of Chicago Press, 2003
Thirty years ago there were nine African Americans in the U.S. House of Representatives. Today there are four times that number. In Going Home, the dean of congressional studies, Richard F. Fenno, explores what representation has meant—and means today—to black voters and to the politicians they have elected to office.

Fenno follows the careers of four black representatives—Louis Stokes, Barbara Jordan, Chaka Fattah, and Stephanie Tubbs Jones—from their home districts to the halls of the Capitol. He finds that while these politicians had different visions of how they should represent their districts (in part based on their individual preferences, and in part based on the history of black politics in America), they shared crucial organizational and symbolic connections to their constituents. These connections, which draw on a sense of "linked fates," are ones that only black representatives can provide to black constituents.

His detailed portraits and incisive analyses will be important for anyone interested in the workings of Congress or in black politics.
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Going Indian
James Hamill
University of Illinois Press, 2006

Going Indian explores Indian (as opposed to tribal) ethnic identity among Native American people in Oklahoma through their telling, in their own words, of how they became Indian and what being Indian means to them today. Divided into four parts, the book features Oklahoma Indians' constructions of their histories and their view of today's native populations, their experiences with forced removals and Indian educational institutions, the meaning they place on blood quantum and ancestry in relation to Indian identity, and their practice of religion in Native churches.

James Hamill makes extensive use of the Indian Pioneer and Doris Duke material at the University of Oklahoma's Western History Library to assemble these narratives, using interviews collected between 1937-38 and 1967-70, as well as interviews he conducted from 2000 to 2001. While most books on Native American people in Oklahoma focus on tribes and their histories, Hamill instead explores the use of Indian symbolism across a wide field of experience to reveal what they thought and what they think about these various issues, and how these have influenced and affected their self-perceptions over time. 

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Going It Alone
Ramblings and Reflections from the Trail
Tim Hauserman
University of Nevada Press, 2022
Join author Tim Hauserman on his solo journeys through the Sierra Nevada and the forests of Minnesota. Hauserman shares his experiences hiking by himself through some of the most spectacular landscapes in the United States. Along the way, he confronts his conflicting desires to be alone in the wilderness, then facing profound loneliness and fear once he is there. In a single instant, he goes from enjoying a shimmering mountain lake to being petrified by the sound of a bear crunching through sticks right next to his tent.

Hauserman hikes the John Muir Trail through rainstorms and challenging climbs, explores the Tahoe Rim Trail on a fourteen-day excursion, and travels to Minnesota to conquer the Superior Hiking Trail, where he is inundated with bugs, faces drought, and is eerily alone on the trail with not a single other hiker in sight for days. Going It Alone combines his self-deprecating humor, what he identifies as “Stupid Tim Tricks,” and delightful descriptions of the natural surroundings.

Some might describe the wilderness as the middle of nowhere or as nothingness, but for Hauserman, it is everything. While his love for nature remains undaunted through these experiences, he also discovers that he has overly high expectations for his capabilities and that he cannot just wish his loneliness away. He eventually discovers that his long walks in the woods are less about hiking and more about learning how he wants to live his life.

 
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front cover of Going It Alone
Going It Alone
Ramblings and Reflections from the Trail
Tim Hauserman
University of Nevada Press, 2022
Join author Tim Hauserman on his solo journeys through the Sierra Nevada and the forests of Minnesota. Hauserman shares his experiences hiking by himself through some of the most spectacular landscapes in the United States. Along the way, he confronts his conflicting desires to be alone in the wilderness, then facing profound loneliness and fear once he is there. In a single instant, he goes from enjoying a shimmering mountain lake to being petrified by the sound of a bear crunching through sticks right next to his tent.

Hauserman hikes the John Muir Trail through rainstorms and challenging climbs, explores the Tahoe Rim Trail on a fourteen-day excursion, and travels to Minnesota to conquer the Superior Hiking Trail, where he is inundated with bugs, faces drought, and is eerily alone on the trail with not a single other hiker in sight for days. Going It Alone combines his self-deprecating humor, what he identifies as “Stupid Tim Tricks,” and delightful descriptions of the natural surroundings.

Some might describe the wilderness as the middle of nowhere or as nothingness, but for Hauserman, it is everything. While his love for nature remains undaunted through these experiences, he also discovers that he has overly high expectations for his capabilities and that he cannot just wish his loneliness away. He eventually discovers that his long walks in the woods are less about hiking and more about learning how he wants to live his life.

 
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Going Mobile
Developing Apps for Your Library Using Basic HTML Programming
Scott American Library Association
American Library Association, 2012

front cover of Going North Thinking West
Going North Thinking West
The Intersections of Social Class, Critical Thinking, and Politicized Writing Instruction
Irvin Peckham
Utah State University Press, 2010
A long-time writing program administrator and well-respected iconoclast, Irvin Peckham is strongly identified with progressive ideologies in education. However, in Going North Thinking West, Peckham mounts a serious critique of what is called critical pedagogy—primarily a project of the academic left—in spite of his own sympathies there.
            College composition is fundamentally a middle-class enterprise, and is conducted by middle-class professionals, while student demographics show increasing presence of the working class. In spite of best intentions to ameliorate inequitable social class relationships, says Peckham, critical pedagogies can actually contribute to reproducing those relationships in traditional forms—not only perpetuating social inequities, but pushing working class students toward self-alienation, as well.
            Peckham argues for more clarity on the history of critical thinking, social class structures and teacher identity (especially as these are theorized by Pierre Bourdieu), while he undertakes a critical inquiry of the teaching practices with which even he identifies.
            Going North Thinking West focuses especially on writing teachers who claim a necessary linkage between critical thinking and writing skills; these would include both teachers who promote the fairly a-political position that argumentation is the obvious and necessary form of academic discourse, and more controversial teachers who advocate turning a classroom into a productive site of social transformation.
            Ultimately, Peckham argues for a rereading of Freire (an icon of transformational pedagogy), and for a collaborative investigation of students’ worlds as the first step in a successful writing pedagogy. It is an argument for a pedagogy based on service to students rather than on transforming them.
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front cover of Going Out
Going Out
The Rise and Fall of Public Amusements
David Nasaw
Harvard University Press, 1999

David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls.

The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among "whites," and creating a common national culture.

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Going Public
A Guide for Social Scientists
Arlene Stein and Jessie Daniels
University of Chicago Press, 2017
At a time when policy discussions are dominated by “I feel” instead of “I know,” it is more important than ever for social scientists to make themselves heard. When those who possess in-depth training and expertise are excluded from public debates about pressing social issues—such as climate change, the prison system, or healthcare—vested interests can sway public opinion in uninformed ways. Yet few graduate students, researchers, or faculty know how to do this kind of work—or feel empowered to do it.

 While there has been an increasing call for social scientists to engage more broadly with the public, concrete advice for starting the conversation has been in short supply. Arlene Stein and Jessie Daniels seek to change this with Going Public, the first guide that truly explains how to be a public scholar. They offer guidance on writing beyond the academy, including how to get started with op-eds and articles and later how to write books that appeal to general audiences. They then turn to the digital realm with strategies for successfully building an online presence, cultivating an audience, and navigating the unique challenges of digital world. They also address some of the challenges facing those who go public, including the pervasive view that anything less than scholarly writing isn’t serious and the stigma that one’s work might be dubbed “journalistic.”

Going Public shows that by connecting with experts, policymakers, journalists, and laypeople, social scientists can actually make their own work stronger. And by learning to effectively add their voices to the conversation, researchers can help make sure that their knowledge is truly heard above the digital din.
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Going Public
Civic and Community Engagement
Hiram E. Fitzgerald
Michigan State University Press, 2013

The terms “civic engagement” and “community engagement” have various definitions, but they are united by the sense that individuals who are civically engaged not only are concerned about the quality of life in their communities but also take action to improve conditions for the common good. In the United States, to be civically engaged means to actively participate in a civil democratic society. Going Public examines programs related to civic engagement and the ways in which faculty and students participate in communities in order to improve them. Engagement scholarship is a scholarship of action, a scholarship of practice that takes place both in and with the community. Within the framework of this new scholarship, the mission of the academy does not begin and end with intellectual discovery and fact-finding. Rather, the academy joins forces with the community, and together they use their knowledge and resources to address pressing social, civic, economic, and moral problems. Each chapter in this book tells a unique story of community engagement and the scholarship of practice in a diverse range of settings, documenting successes and failures, the unintended consequences, and the questions yet to be answered.

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Going Public
Creating Visibility in the Field of Art
Edited by Sigrid Adorf, Sønke Gau, and Basil Rogger
Diaphanes, 2022
A call-to-arms for creatives to make their work widely accessible as a political and communal act.

There are many ways to go public in art. There’s exhibiting, publishing, or reviewing. It is only through making artworks public that they become accessible to audiences—a performative act that also involves a marketplace of money and attention. Yet reception is an essential aspect of production.

This book looks at why such reception should not be limited to the art public, positing that going public as an aesthetic and political strategy necessitates an emancipatory practice of public communication that allows, and aspires to, uncertainties, questions, and complexities.
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