A SCHOLARLY BOOK REPOSITORY
Drawing together the humanistic and scientific significance of the wild landscapes he traverses, Michael uncovers relationships between people and places and meaning and substance, rendering this text part memoir—but also considerably more. On-the-rock encounters by hand and foot open up a dialogue between the heart of a philosopher and the mind of a geologist. Michael adds a literary softness to this hard landscape, blending excursions with exposition and literature with science. It is through his graceful representations that the geological becomes metaphorical, while the science turns mythological.
This high country, where in 1889 John Muir and Robert Underwood Johnson planned what would become Yosemite National Park, is significant for cultural as well as natural reasons. Discoursing on everything from Camus’s “Myths of Sisyphus” to the poems of Gary Snyder, Michael adds depth to an already splendorous landscape. Premier early geologists, such as François Matthes, shaped the language of Yosemite’s landscape. Even though Yosemite has changed over half a century, the rock has not. As Michael explores the beauty and grace of his familiar towering vistas, he demonstrates why, of the many aspects of the world to which one might get attached, the most secure is granite.
After an overview of Grant’s early Civil War career from his first battle through the early stages of the attacks on Vicksburg, Ballard describes in detail how Grant conducted the siege, examining his military decisions, placement of troops, strategy and tactics, engineering objectives, and relationships with other officers. Grant’s worried obsession with a perceived danger of a rear attack by Joseph Johnston’s Confederate army, Ballard shows, affected his decision making, and shows how threats of Confederate action occupied more of Grant’s time than did the siege itself.
In addition, Ballard soundly dispels a false story about Grant’s alleged drinking binge early in the siege that has been taken as truthful by many historians, examines how racism in Grant’s army impacted the lives of freed black people and slaves in the Vicksburg area, and explores Grant’s strained relationship with John McClernand, a politically appointed general from Illinois. The book concludes with the surrender of Vicksburg on July 4, 1863, the expulsion of Johnston and his army from the region, and demonstrates the impact of the siege on the outcome on the short and long-terms of Grant’s military career.
By analyzing Grant’s personality during the siege and how he dealt with myriad issues as both a general and an administrator, Grant at Vicksburg offers a revealing rendering of the legendary general.
In 1863, General Ulysses S. Grant appointed one of his regimental chaplains, John Eaton of Ohio, as general superintendent of contrabands for the Department of the Tennessee. As the American Civil War raged, the former chaplain’s approach to humanitarian aid and education for the newly freed people marked one of the first attempts to consider how an entire population of formerly enslaved people would be assimilated into and become citizens of the postwar Union. General superintendent Eaton chronicled these pioneering efforts in his 1907 memoir, Grant, Lincoln, and the Freedmen: Reminiscences of the Civil War, a work that for more than a century has been an invaluable primary source for historians of the Civil War era.
In this long-awaited scholarly edition, editors John David Smith and Micheal J. Larson provide a detailed introduction and chapter-by-chapter annotations to highlight the lasting significance of Eaton’s narrative. These robust supplements to the 1907 volume contextualize important events, unpack the complexities of inter-agency relationships during the war and postwar periods, and present Eaton’s view that the military should determine how best to assimilate the freed people into the reunited Union.
Grant, Lincoln, and the Freedmen presents a firsthand account of the challenges Grant, Lincoln, and Eaton himself faced in serving and organizing the integration of the newly freed people. This heavily annotated reprint reminds us just how important Eaton’s recollections remain to the historiography of the emancipation process and the Civil War era.
2014 Illinois State Historical Society Book of the Year
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Morey Berger, St. Joseph's Hosp. Lib., Tucson
Copyright 1994 Reed Business Information, Inc.
The stormy life of one of the most colorful and complex characters in early 19th-century medicine
In our current screen-saturated culture, we take in more information through visual means than at any point in history. The computers and smart phones that constantly flood us with images do more than simply convey information. They structure our relationship to information through graphical formats. Learning to interpret how visual forms not only present but produce knowledge, says Johanna Drucker, has become an essential contemporary skill.
Graphesis provides a descriptive critical language for the analysis of graphical knowledge. In an interdisciplinary study fusing digital humanities with media studies and graphic design history, Drucker outlines the principles by which visual formats organize meaningful content. Among the most significant of these formats is the graphical user interface (GUI)—the dominant feature of the screens of nearly all consumer electronic devices. Because so much of our personal and professional lives is mediated through visual interfaces, it is important to start thinking critically about how they shape knowledge, our behavior, and even our identity.
Information graphics bear tell-tale signs of the disciplines in which they originated: statistics, business, and the empirical sciences. Drucker makes the case for studying visuality from a humanistic perspective, exploring how graphic languages can serve fields where qualitative judgments take priority over quantitative statements of fact. Graphesis offers a new epistemology of the ways we process information, embracing the full potential of visual forms and formats of knowledge production.
From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today.
Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors’ exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.
Winner, Charles Hatfield Book Prize, Comic Studies Society, 2020
A CHOICE Outstanding Academic Title, 2019
The history of America’s civil rights movement is marked by narratives that we hear retold again and again. This has relegated many key figures and turning points to the margins, but graphic novels and graphic memoirs present an opportunity to push against the consensus and create a more complete history. Graphic Memories of the Civil Rights Movement showcases five vivid examples of this:
Ho Che Anderson's King (2005), which complicates the standard biography of Martin Luther King Jr.; Congressman John Lewis's three-volume memoir, March (2013–2016); Darkroom (2012), by Lila Quintero Weaver, in which the author recalls her Argentinian father’s participation in the movement and her childhood as an immigrant in the South; the bestseller The Silence of Our Friends, by Mark Long, Jim Demonakos, and Nate Powell (2012), set in Houston's Third Ward in 1967; and Howard Cruse's Stuck Rubber Baby (1995), whose protagonist is a closeted gay man involved in the movement.
In choosing these five works, Jorge Santos also explores how this medium allows readers to participate in collective memory making, and what the books reveal about the process by which history is (re)told, (re)produced, and (re)narrativized. Concluding the work is Santos’s interview with Ho Che Anderson.
In Graphic Migrations, Kavita Daiya provides a literary and cultural archive of refugee stories and experiences to respond to the question “What is created?” after decolonization and the 1947 Partition of India. She explores how stories of Partition migrations shape and influence the political and cultural imagination of secularism and contribute to gendered citizenship for South Asians in India and its diasporas.
Daiya analyzes modern literature, Bollywood films, Margaret Bourke-White’s photography, advertising, and print culture to show how they memorialize or erase refugee experiences. She also uses oral testimonies of Partition refugees from Hong Kong, South Asia, and North America to draw out the tensions of the nation-state, ethnic discrimination, and religious difference. Employing both Critical Refugee Studies and Feminist Postcolonial Studies frameworks, Daiya traces the cultural, affective, and political legacies of Partition migrations.
The precarity generated by modern migration and expressed through public culture prompts a rethinking of how dominant media represents gendered migrants and refugees. Graphic Migrations demands that we redraw the boundaries of how we tell the story of modern world history and the intricately interwoven, intimate production of statelessness and citizenship across the world’s communities.
calling.
The editors examine the current work and opinions of two dozen prominent cartoonists through profiles and essays about political and social issues. Four examples by each cartoonist illustrate this.
One contributor shows how the Spanish colonial powers and the traditional Maya nobility in the Yucatán struggled over alphabetic literacy and the continued use of hieroglyphics. Another contributor documents how the Natick speakers of Martha’s Vineyard adopted alphabetic literacy for their own purposes in the seventeenth and eighteenth centuries, incorporating writing as a tool of traditional governance. In another article, a Spanish translation is compared to the original Nahua text to show how the two versions provide very different views of the Spanish conquest of the city-state of Mexico-Tenochtitlán. Yet another contributor examines how competing language ideologies in the Andes were used to characterize khipus (Andean knotted strings) and alphabetic script.
Some of the most noteworthy graphic novels and comic books of recent years have been entirely autobiographical. In Graphic Subjects, Michael A. Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese.
The Grasinski Girls were working-class Americans of Polish descent, born in the 1920s and 1930s, who created lives typical of women in their day. They went to high school, married, and had children. For the most part, they stayed home to raise their children. And they were happy doing that. They took care of their appearance and their husbands, who took care of them. Like most women of their generation, they did not join the women’s movement, and today they either reject or shy away from feminism.
Basing her account on interviews with her mother and aunts, Mary Erdmans explores the private lives of these white, Christian women in the post-World War II generation. She compares them, at times, to her own postfeminist generation. Situating these women within the religious routines that shaped their lives, Professor Erdmans explores how gender, class, ethnicity, and religion shaped the choices the Grasinski sisters were given as well as the choices they made. These women are both acted upon and actors; they are privileged and disadvantaged; they resist and surrender; they petition the Lord and accept His will.
The Grasinski Girls examines the complexity of ordinary lives, exposing privileges taken for granted as well as nuances of oppression often overlooked. Erdmans brings rigorous scholarship and familial insight to bear on the realities of twentieth-century working-class white women in America.
In this detailed study of one of the most controversial Supreme Court cases in modern times, Ilya Somin argues that Kelo was a grave error. Economic development and “blight” condemnations are unconstitutional under both originalist and most “living constitution” theories of legal interpretation. They also victimize the poor and the politically weak for the benefit of powerful interest groups and often destroy more economic value than they create. Kelo itself exemplifies these patterns. The residents targeted for condemnation lacked the influence needed to combat the formidable government and corporate interests arrayed against them. Moreover, the city’s poorly conceived development plan ultimately failed: the condemned land lies empty to this day, occupied only by feral cats. The Supreme Court’s unpopular ruling triggered an unprecedented political reaction, with forty-five states passing new laws intended to limit the use of eminent domain. But many of the new laws impose few or no genuine constraints on takings. The Kelo backlash led to significant progress, but not nearly as much as it may have seemed.
Despite its outcome, the closely divided 5-4 ruling shattered what many believed to be a consensus that virtually any condemnation qualifies as a public use under the Fifth Amendment. It also showed that there is widespread public opposition to eminent domain abuse. With controversy over takings sure to continue, The Grasping Hand offers the first book-length analysis of Kelo by a legal scholar, alongside a broader history of the dispute over public use and eminent domain and an evaluation of options for reform.
In this detailed study of one of the most controversial Supreme Court cases in modern times, Ilya Somin argues that Kelo was a grave error. Economic development and “blight” condemnations are unconstitutional under both originalist and most “living constitution” theories of legal interpretation. They also victimize the poor and the politically weak for the benefit of powerful interest groups and often destroy more economic value than they create. Kelo itself exemplifies these patterns. The residents targeted for condemnation lacked the influence needed to combat the formidable government and corporate interests arrayed against them. Moreover, the city’s poorly conceived development plan ultimately failed: the condemned land lies empty to this day, occupied only by feral cats. The Supreme Court’s unpopular ruling triggered an unprecedented political reaction, with forty-five states passing new laws intended to limit the use of eminent domain. But many of the new laws impose few or no genuine constraints on takings. The Kelo backlash led to significant progress, but not nearly as much as it may have seemed.
Despite its outcome, the closely divided 5-4 ruling shattered what many believed to be a consensus that virtually any condemnation qualifies as a public use under the Fifth Amendment. It also showed that there is widespread public opposition to eminent domain abuse. With controversy over takings sure to continue, The Grasping Hand offers the first book-length analysis of Kelo by a legal scholar, alongside a broader history of the dispute over public use and eminent domain and an evaluation of options for reform.
Grass Productivity is a prodigiously documented textbook of scientific information concerning every aspect of management "where the cow and grass meet." Andre Voisin's "rational grazing" method maximizes productivity in both grass and cattle operations.
To understand how we got here and how the legal cannabis industry might become more environmentally sustainable, Grass Roots looks at the history of marijuana growing in the American West, from early Mexican American growers on sugar beet farms to today’s sophisticated greenhouse gardens. Over the past eighty years, federal marijuana prohibition has had a multitude of consequences, but one of the most important is also one of the most overlooked—environmental degradation. Grass Roots argues that the most environmentally negligent farming practices—such as indoor growing—were borne out of prohibition. Now those same practices are continuing under legalization.
Grass Roots uses the history of cannabis as a crop to make sense of its regulation in the present, highlighting current efforts to make the marijuana industry more sustainable. In exploring the agricultural history of cannabis, There are many social and political histories of cannabis, but in considering cannabis as a plant rather than as a drug, Grass Roots offers the only agriculturally focused history to date.
An engaging account of one woman’s overcoming the Depression and small town mores.
Viola Goode Liddell’s short memoir tells the story of her return to Alabama in search of a husband and a new life. Thirty years old and recently divorced, Liddell comes back to her home state—with her young son—determined to survive, during the depths of the Depression. Liddell narrates the obstacles she faces as a single mother in the 1930s Deep South with self-deprecating humor and a confessional tone that reveal both her intelligence and her unapologetic ambitions.
Unable to earn, borrow, or beg enough money to support herself and her child, Liddell uses her family connections to secure a teaching position in Camden, Alabama. Even though an older sister’s status within the community helps her land the job, Liddell is warned that she must be very careful as she navigates the tricky social terrain of small town life, particularly when it comes to men. A commentary on the plight of women of the time is woven into the narrative as Liddell recounts her experience of being refused a loan at the local bank by her own brother-in-law.
Despite all the restrictions on her behavior and the crushing reality that she has become "the biggest nuisance in the family" because of her past, Liddell cheerfully and successfully builds a new life of respectability and hope.
Combining biology, sociology, and cultural history, Grasses explores how these staple crops bear the mark of human influence more visibly than any other plant and how we, in turn, are motivated to protect green space such as public parks. Harris describes this symbiotic connection against the background of climate change, contending that humans must find a way to balance their need for grass as food, as living space, and potentially even as fuel. Providing an impressive exploration of the profound impact these plants have on our survival and our pleasure, this well-illustrated book is a must have for gardeners, foodies, and environmentalists.
Since the publication of the first edition of Grasses: Bromus to Paspalumin 1972, twenty-two additional taxa of grasses have been discovered in Illinois that are properly placed in this volume. In addition, numerous nomenclatural changes have occurred for plants previously discovered, and many distributional records have been added. New keys have been prepared for each genus where additional species from Illinois are known. For new species, full-page illustrations are provided. This second edition updates the status of Illinois grasses. The book features 263 figures from the first edition plus 21 new figures for this edition by Paul W. Nelson.
Genera of grasses included in this work are Aegilops, Agropyron, Agrostis, Aira, Alopecurus, Anthoxanthum, Avena, Beckmannia, Briza, Bromus, Calamagrostis, Cinna, Dactylis, Deschampsia, Elyhordeum, Elymus, Elytrigia, Festuca, Hierochloe, Holcus, Hordeum, Koeleria, Lolium, Milium, Paspalum, Pennisetum, Phalaris, Phleum, Poa, Puccinellia, Sclerochloa, Secale, Sphenopholis, Torreyochloa, Triticum, and Vulpia.
The authors have organized species into groups by their most easily noted field characteristics. Are the flowering heads branched or unbranched? Are the branches dense, narrow, or fingerlike? For each species, its native or exotic status is followed by the months of flowering, abundance, general habitat, height, diagnostic features, geographic range, and, if relevant, threatened or endangered status.
Even amateur naturalists can identify big and little bluestem and prairie dropseed in the field, but both professional and amateur naturalists find certain grasses harder to identify, especially the less common or rare species such as cluster fescue and sand reedgrass. The photographs and descriptions in Grasses in Your Pocket will be an invaluable reference for outdoor expeditions in midwestern grasslands.
Colorado's elevation range of more than 11,000 feet creates a wide variety of habitats that supports a spectacular diversity of grasses. With 335 known species, Colorado has one of the most diverse and extensive grass floras in the United States.
Comprehensive coverage, useful keys, and detailed species descriptions in Grasses of Colorado will make this volume the standard reference for years to come. Robert B. Shaw provides overviews of Colorado's physiography and ecoregions and introduces the grass plant in plain, enjoyable text. He includes a checklist of Colorado grasses, a bibliography, and a glossary of terms that may be unfamiliar to nonspecialists. Line drawings, state distribution maps, and habitat notes for each species enable accurate plant identification, familiarity with regional ecogeography, and increased understanding of plant ecology of the Rocky Mountains.
A monumental accomplishment certain to become the standard work on the subject, Grasses of Colorado synthesizes existing literature and incorporates recent scientific findings to offer a complete, current reference.
Missouri's diverse landscapes, geology, and climate have endowed the state with a rich and varied grass flora. From tallgrass prairies to forested Ozarks to Mississippi lowlands, the state offers an array of grasses that can be classified into six subfamilies of the Poaceae, eighteen tribes, and eighty-seven genera.
Significant changes have been made in grass classification since the first edition of The Grasses of Missouri was published in 1961, resulting in an increased emphasis on phyletic criteria. Recognizing the recent advances in classification and changes in nomenclature, as well as new additions to the flora, this newly revised edition serves as a compilation of the native and naturalized species and subspecific taxa found in Missouri.
Formerly divided into two subfamilies, the Festucoideae and Panicoideae, the state's grass flora is now represented by six subfamilies. While the Panicoideae have remained intact, the traditional Festucoideae are now separated into smaller, more cohesive groupings. Further revisions have resulted in eighteen tribes compared to the twelve identified in the first edition.
Covering more than 275 species and subspecific entities, The Grasses of Missouri is an essential research tool for identifying grasses, complete with working keys, descriptions, line drawings, distributions, a glossary, and a bibliography. The professional and lay person alike will benefit from this indispensable manual.
The geographic scope of the work extends from the Canadian border south through Long Island and west to the Hudson River. But given the considerable overlap with the grass flora to the adjacent north, south, and west, the book will also be useful beyond New England and the bordering New York counties.
The volume includes an illustrated glossary of essential terms and concepts and a "how to use this manual" section. A CD-ROM with a multiple-entry identification guide, and hundreds of accompanying photographic images of individual species, is provided in a sleeve inside the back cover of the book.
Since the publication of the first edition of Grasses: Panicum to Danthonia in 1973, twenty additional taxa of grasses have been discovered in Illinois that are properly placed in this volume. In addition, numerous nomenclatural changes have occurred for plants already known from the state, and many distributional records have been added. This second edition updates the status of grasses in Illinois. Paul W. Nelson has provided illustrations for all of the additions.
Because the nature of grass structures is generally so different from that of other flowering plants, a special terminology is applied to them. In his introduction, Robert H. Mohlenbrock cites these terms, with descriptions that make the identification of unknown specimens possible. Mohlenbrock’s division of the grass family into subfamilies and tribes is a major departure from the sequence usually found in most floristic works in North America.
Synonyms that have been applied to species in the northeastern United States are given under each species. A description based primarily on Illinois material covers the more important features of the species. The common names—Paflic Grass, Billion Dollar Grass or Japanese Millett, Thread Love Grass, and Goose Grass—are the ones used locally in the state. The habitat designation and dot maps showing county distribution of each grass are provided only for grasses in Illinois, but the overall range for each species is also given.
Purple three-awn.
Tree of heaven.
Alamo vine.
Narrowleaf cattail.
These exotic and fanciful names conjure up visions of lush foliage, colorful grasses, and dense plant life. They are, in fact, names of native and naturalized Texas plants—grasses, pods, vines, and weeds. Lovely and all-too-often overlooked in nature, they become ornamental delights when used imaginatively and decoratively.
Grasses, Pods, Vines, Weeds introduces 44 of Texas' most common and important naturals. Quentin Steitz shows how to recognize them and discover their aesthetic wealth. By taking the reader through all of the steps involved in utilizing naturals—from harvest to design—her book becomes an important tool for floral and landscape designers, decorators, horticulturalists, home gardeners, botanists: all those people who enjoy hands-on experience with Texas' vast array of native and naturalized plants.
The book presents clear and concise descriptions of many Texas naturals, accompanied by approximately 150 full-color photographs showing each in one or more stages of growth and also in a design. The reader can see the plant as it looks not only in the wild but also in an arrangement. The author offers techniques on how the species can be prepared for display, discussing drying and arranging. And a chapter on cultivation and conservation suggests to outdoor enthusiasts species they can grow for decorative natural materials as well as conserve and appreciate in the wild.
Grasses, Pods, Vines,Weeds is enhanced by flora selected, collected, prepared, and dried by the author. These hand-culled materials have been used in designs contributed by some nineteen notable floral designers as well as the author. The text and designs combine to reveal the fresh, creative applications of Texas' decorative naturals and to increase our pleasure in the wonders of natural Texas.
Written for general readers—and for the White Mountain Apache, on whose land Grasshopper Pueblo is located and who have participated in the excavations there—the book conveys the simple joys and typical problems of an ancient way of life as inferred from its material remains. Reid and Whittlesey's account reveals much about the human capacity for living under what must strike modern readers as adverse conditions. They describe the environment with which the people had to cope; hunting, gathering, and farming methods; uses of tools, pottery, baskets, and textiles; types of rooms and households; and the functioning of social groups. They also reconstruct the sacred world of Grasshopper as interpreted through mortuary ritual and sacred objects and discuss the relationship of Grasshopper residents with neighbors and with those who preceded and followed them.
Grasshopper Pueblo not only thoroughly reconstructs this past life at a mountain village, it also offers readers an appreciation of life at the field school and an understanding of how excavations have proceeded there through the years. For anyone enchanted by mysteries of the past, it reveals significant features of human culture and spirit and the ultimate value of archaeology to contemporary society.
Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the grass-pinks and companions he includes information on 16 species, 2 additional varieties, and 7 hybrids.
Grass-pinks, with their showy pink to white flowers, are some of the most conspicuous wild orchids encountered in the prairies, bogs, and open wetlands of eastern North America. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answering three simple questions—when, where, and how does it grow?—and comparing the living plant with the striking photos in the backpack-friendly laminated guide should enable both professional and amateur naturalists to achieve the satisfaction of identifying a specific orchid.
What is the nature of grassroots activism? How and why do individuals get involved or attempt to make change for themselves, others, or their own communities? What motivates activists to maintain momentum when their efforts to redress injustices or paths toward change seem difficult or personally risky to navigate? These questions and more are addressed in Grassroots Activisms: Public Rhetorics in Localized Contexts. Featuring a diverse array of both local activist profiles and original scholarly essays, the collection amplifies and analyzes the tactics of grassroots activists working locally to intervene in a variety of social injustices—from copwatching and policy reform to Indigenous resistance against land colonization to #RageAgainstRape.
Attuned to the demanding—and often underappreciated—work of grassroots activism, this book interrogates how such efforts unfold within and against existing historical, cultural, social, and political realities of local communities; are informed by the potentials and constraints of coalition-building; and ultimately shape different facets of society at the local level. This collection acknowledges and celebrates the complexity of grassroots activist work, showing how these less-recognized efforts often effect change where institutions have failed.
"This is a theoretically sophisticated and thoroughly documented historical case study of the movements for African American liberation in St. Louis. Through detailed analysis of black working class mobilization from the depression years to the advent of Black Power, award-winning historian Clarence Lang describes how the advances made in earlier decades were undermined by a black middle class agenda that focused on the narrow aims of black capitalists and politicians. The book is a major contribution to our understanding of the black working class insurgency that underpinned the civil rights and Black Power campaigns of the twentieth century."
---V. P. Franklin, University of California, Riverside
"A major work of scholarship that will transform historical understanding of the pivotal role that class politics played in both civil rights and Black Power activism in the United States. Clarence Lang's insightful, engagingly written, and well-researched study will prove indispensable to scholars and students of postwar American history."
---Peniel Joseph, Brandeis University
Breaking new ground in the field of Black Freedom Studies, Grassroots at the Gateway reveals how urban black working-class communities, cultures, and institutions propelled the major African American social movements in the period between the Great Depression and the end of the Great Society. Using the city of St. Louis in the border state of Missouri as a case study, author Clarence Lang undermines the notion that a unified "black community" engaged in the push for equality, justice, and respect. Instead, black social movements of the working class were distinct from---and at times in conflict with---those of the middle class. This richly researched book delves into African American oral histories, records of activist individuals and organizations, archives of the black advocacy press, and even the records of the St. Louis' economic power brokers whom local black freedom fighters challenged. Grassroots at the Gateway charts the development of this race-class divide, offering an uncommon reading of not only the civil rights movement but also the emergence and consolidation of a black working class.
Clarence Lang is Assistant Professor in African American Studies and History at the University of Illinois at Urbana-Champaign.
Photo courtesy Western Historical Manuscript Collection, University of Missouri, St. Louis
Grassroots Economies interrogates the effects of the economic crisis on the livelihood of working people, providing insight into their anxieties. Drawing on a rich seam of ethnographic material, it is a distinctive comparative analysis that explores the contradictions of their coping mechanisms and support structures.
With a focus on gender, the book explores values and ideologies, including dispossession and accumulation. Ultimately it demonstrates that everyday interactions on the local scale provide a significant sense of the global.
This highly readable study addresses a range of fundamental questions about the interaction of politics and economics, from a grassroots perspective in post-transition Argentina. Nancy R. Powers looks at the lives and political views of Argentines of little to modest means to examine systematically how their political interests, and their evaluations of democracy, are formed. Based on the author’s fieldwork in Argentina, the analysis extends to countries of Latin America and Eastern Europe facing similarly difficult political and economic changes.
Powers uses in-depth interviews to examine how (not simply what) ordinary people think about their standard of living, their government, and the democratic regime. She explains why they sometimes do, but more often do not, see their material conditions as political problems, arguing that the type of hardship and the possibilities for coping with it are more politically significant than the degree of hardship. She analyzes alternative ways in which people define democracy and judge its legitimacy.
Not only does Powers demonstrate contradictions and gaps in the existing scholarship on economic voting, social movements, and populism, she also shows how those literatures are addressing similar questions but are failing to “talk” to one another. Powers goes on to build a more comprehensive theory of how people at the grassroots form their political interests. To analyze why people perceive only some of their material hardships as political problems, she brings into the study of politics ideas drawn from Amartya Sen and other scholars of poverty.
Observers often note the glaring contrast between China's stunning economic progress and stalled political reforms. Although sustained growth in GNP has not brought democratization at the national level, this does not mean that the Chinese political system has remained unchanged. At the grassroots level, a number of important reforms have been implemented in the last two decades.
This volume, written by scholars who have undertaken substantial fieldwork in China, explores a range of grassroots efforts--initiated by the state and society alike--intended to restrain arbitrary and corrupt official behavior and enhance the accountability of local authorities. Topics include village and township elections, fiscal reforms, legal aid, media supervision, informal associations, and popular protests. While the authors offer varying assessments of the larger significance of these developments, their case studies point to a more dynamic Chinese political system than is often acknowledged. When placed in historical context--as in the Introduction--we see that reforms in local governance are hardly a new feature of Chinese political statecraft and that the future of these experiments is anything but certain.
With a comparative, empirical approach, Horton also analyzes dominant practices linked to sustainable development - neoliberal reforms, project interventions, and environmental protection. She reveals how these practices support or undermine economic, cultural, and political opportunities for the rural and indigenous poor and impact these communities' advancement of their own visions of sustainability. Finally, the author explores processes of empowerment that enable communities to articulate and put into practice local visions of sustainability, which contribute toward broader social and structural transformations.
Grassroots Struggles for Sustainability in Central America will interest sociologists, anthropologists, and others who study the theory and practice of sustainable development.
Robert Gard’s timeless book is a moving account of one man’s struggle to bring his dream of community-building through creative theater to citizens around the country. He traveled across America—from New York’s Finger Lakes to the prairies of Alberta, Canada, to the backwoods of northern Wisconsin—discovering and nurturing the folklore, legends, history, and drama of the region. He talked to ballad singers, painters, the tellers of tall tales, and farm women, whose poetry and painting reflected the elemental violence of nature and quiet joys of neighborliness. Grassroots Theater reminds us that an individual’s creative vision transcends technology, current events, and changing demographics.
This reprint of Grassroots Theater was generously funded by the Robert E. Gard Wisconsin Idea Foundation, an affiliate of the Wisconsin Academy of Sciences, Arts & Letters.
Gerould surveys more than a hundred grateful dead stories, tracing their lineages, describing their common traits, and unraveling their variations. Through a close study of secular as well as religious stories, Gerould demonstrates the remarkable durability and adaptability of the grateful dead.
With this book, Gerould established methods that laid the foundations for modern folklore scholarship. Norm Cohen's introduction places Gerould and his legacy in this historical context.
"Overheard in a coffee shop the other day, one young woman severely admonishing another about the dangers of amateur séances: 'Just one wrong move, and Poof! Suddenly every dead rock star and TV evangelist is knocking at your door and forcing you to bake ten thousand apple pies. You can’t trust these ghosts. They have a mind of their own.'"
—from the book
Just because this is a collection of essays about psychics, murderers, strange disappearances, and occult phenomena doesn’t mean it isn’t funny. With wit, wry curiosity, and redemptive irony John P. O’Grady peels back the surface of the seemingly normal to reveal the dubious, the inexplicable, the outlandish.
Consider Leo LaHappe, a.k.a. "The Bugman." During a 1970s-era dormitory bull session Leo reveals a strange obsession with Virginia Dare, the first child born of English parents in the New World. His obsession becomes the catalyst for a campus-wide witch hunt at the University of Maine.
Or, what about the beekeeper who knocks on O’Grady’s door. Dressed in his professional gear—boots, coveralls, and dark veil—the man seeks permission to search the author’s woods for his hive. Turns out he hadn’t told the bees about his mother’s death and, sensitive creatures that they are, the bees had run away. "I have to tell them I’m sorry," the beekeeper explains. "I just hope they forgive me and come home."
Grave Goods includes ghost stories, macabre modern legends, and metaphysical investigations, all informed by the natural sciences, history, philosophy, literature, and mythology. From laugh-out-loud funny to eerily thoughtful, these essays reveal the natural world as a place of unnatural surprises and strange beauty. A place where Rip Van Winkle, O’Grady’s college buddies, and ragtag psychics rub shoulders with Buddha, Socrates, and Stephen King—and it all makes perfect sense.
The optimism that arrived at the end of the cold war and marked the turn of the Millennium was shattered by September 11. In the aftermath of that event it is not unwarranted pessimism that lines the pages of Grave New World, it is unavoidable reality. Terrorism is but one aspect of many other wider concerns for national and international security, and the contributors to this volume not only warn us, but reward us as well with the clarity of their views into—and possible solutions for—a difficult, complicated future. They speak convincingly of the numerous military and non-military challenges that create security problems—whether those are interstate, intrastate, or transnational—many of which are being dangerously overlooked in public policy debates.
The challenges and complexities might seem insurmountable but the first step in solving problems is recognizing that they exist. Grave New World provides an eye-opening assessment of the prospects for peace and security in the 21st century.
Michael E. Brown frames these issues in his Introduction, "Security Challenges in the 21st Century;" and in his summation, "Security Problems and Security Policy in a Grave New World."
Gravel and Hawk dwells on the physical and cultural landscapes of the Texarkana border region, an area of stark natural beauty and even starker manifestations of its human habitation: oil derricks and pump jacks, logging trucks, chicken houses, come-to-Jesus billboards, and greasy catfish joints, a patchwork of dying farm towns and ragtag municipalities laced together by county roads, state highways, and that treacherous, rust-hued slurry known as the Red River. Gravel and Hawk charts the emotional landscape of a single extended family, its history of loss and gain, and, especially, its encounters with violent death. It is an eminently readable collection, rooted in a distinctly American place and united by a poetic voice that is honest, sophisticated, and persuasive.
“The sound of parenthood is the sigh.” So begins Gravity Hill, written from the perspective of a new father seeking hope, beauty, and meaning in an uncertain world. Many memoirs recount the author’s experiences of growing up and struggling with demons; Werner’s shows how old demons sometimes return on the heels of something as beautiful as children. Werner’s memoir is about growing up, getting older, looking back, and wondering what lies ahead—a process that becomes all the more complicated and intense when parenting is involved. Moving backward and forward between past, present, and future, Gravity Hill does not delineate time so much as collapse it.
Werner narrates his struggle growing up in suburban Utah as anon-Mormon and what it took for him, his siblings, and his friends to feel like they belonged. Bonding in separation, they indulged in each other, in natural and urban landscapes, and sometimes in the destructive behaviors that are the native resort of outsidersincluding promiscuous and occasionally violent sexual behavior—and for some, paths to death and suicide. Gravity Hill is the story of the author’s descent into and eventual emergence from his dysfunction and into a newfound life. Infused with humor, honesty, and reflection, this literary memoir will resonate with readers young and old.
A sweeping account of the century of experimentation that confirmed Einstein’s general theory of relativity, bringing to life the science and scientists at the origins of relativity, the development of radio telescopes, the discovery of black holes and quasars, and the still unresolved place of gravity in quantum theory.
Albert Einstein did nothing of note on May 29, 1919, yet that is when he became immortal. On that day, astronomer Arthur Eddington and his team observed a solar eclipse and found something extraordinary: gravity bends light, just as Einstein predicted. The finding confirmed the theory of general relativity, fundamentally changing our understanding of space and time.
A century later, another group of astronomers is performing a similar experiment on a much larger scale. The Event Horizon Telescope, a globe-spanning array of radio dishes, is examining space surrounding Sagittarius A*, the supermassive black hole at the center of the Milky Way. As Ron Cowen recounts, the foremost goal of the experiment is to determine whether Einstein was right on the details. Gravity lies at the heart of what we don’t know about quantum mechanics, but tantalizing possibilities for deeper insight are offered by black holes. By observing starlight wrapping around Sagittarius A*, the telescope will not only provide the first direct view of an event horizon—a black hole’s point of no return—but will also enable scientists to test Einstein’s theory under the most extreme conditions.
Gravity’s Century shows how we got from the pivotal observations of the 1919 eclipse to the Event Horizon Telescope, and what is at stake today. Breaking down the physics in clear and approachable language, Cowen makes vivid how the quest to understand gravity is really the quest to comprehend the universe.
In theory, at least, gravitational waves do exist. We are constantly bathed in gravitational radiation, which is generated when stars explode or collide and a portion of their mass becomes energy that ripples out like a disturbance on the surface of a serene pond. But unfortunately no gravitational wave has ever been directly detected even though the search has lasted more than forty years.
As the leading chronicler of the search for gravitational waves, Harry Collins has been right there with the scientists since the start. The result of his unprecedented access to the front lines of physical science is Gravity’s Ghost, a thrilling chronicle of high-stakes research and cutting-edge discovery. Here, Collins reveals that scientific discovery and nondiscovery can turn on scientific traditions and rivalries, that ideal statistical analysis rests on impossible procedures and unattainable knowledge, and that fact in one place is baseless assumption in another. He also argues that sciences like gravitational wave detection, in exemplifying how the intractable is to be handled, can offer scientific leadership a moral beacon for the twenty-first century. In the end, Gravity’s Ghost shows that discoveries are the denouements of dramatic scientific mysteries.
Gravitational wave detection involves recording the collisions, explosions, and trembling of stars and black holes by evaluating the smallest changes ever measured. Because gravitational waves are so faint, their detection will come not in an exuberant moment of discovery but through a chain of inference; for forty years, scientists have debated whether there is anything to detect and whether it has yet been detected. Sociologist Harry Collins has been tracking the progress of this research since 1972, interviewing key scientists and delineating the social process of the science of gravitational waves.
Engagingly written and authoritatively comprehensive, Gravity's Shadow explores the people, institutions, and government organizations involved in the detection of gravitational waves. This sociological history will prove essential not only to sociologists and historians of science but to scientists themselves.
Around a campfire in the woods through long hours of night, men used to gather to listen to the music of hounds' voices as they chased an elusive and seemingly preternatural fox. To the highly trained ears of these backwoods hunters, the hounds told the story of the pursuit like operatic voices chanting a great epic. Although the hunt almost always ended in the escape of the fox—as the hunters hoped it would—the thrill of the chase made the men feel "that they [were] close to something lost and never to be found, just as one can feel something in a great poem or a dream."
Gray Ghosts and Red Rangers offers a colorful account of this vanishing American folkway—back-country fox hunting known as "hilltopping," "moonlighting," "fox racing," or "one-gallus fox hunting." Practiced neither for blood sport nor to put food on the table, hilltopping was worlds removed from elite fox hunting where red- and black-coated horsemen thundered across green fields in daylight. Hilltopping was a nocturnal, even mystical pursuit, uniting men across social and racial lines as they gathered to listen to dogs chasing foxes over miles of ground until the sun rose. Engaged in by thousands of rural and small-town Americans from the 1860s to the 1980s, hilltopping encouraged a quasi-spiritual identification of man with animal that bound its devotees into a "brotherhood of blood and cause" and made them seem almost crazy to outsiders.
While the histories of gold, silver, and copper mining and smelting are well studied, lead has not received much scholarly attention despite a long history of both Native American and European desire for the ore. Over time, native peoples made lead ornaments in molds; French and American settlers used lead to form musket balls; red lead became an important production element for flint and crystal production; and white lead was used in making paint until the mid-twentieth century.
Gray Gold aims to broaden understandings of early colonial and Native American history by turning attention to the ways that mining—and its scientific, technological, economic, cultural, and environmental features—shaped intercultural interactions and developments in the New World. Backed by remarkable original sources such as firsthand mining accounts, letters, and surveys, Mark Chambers’s study demonstrates how early mining techniques affected the culture clash between Native Americans and Europeans all the while tracking the impact increased mining had on the environment of what would become the states of Illinois and Missouri. Chambers traces the evolution of lead mining and smelting technology through pre-contact America, to the amalgamation of aboriginal processes with French colonial development, through Spain’s short occupation to the Louisiana Purchase and ultimately the technology transfer from Europe to an efficient and year-round standard of practice after American assumption. Additionally, while slavery in early American industry has been touched on in iron manufacturing and coal mining scholarship, the lead mining context sheds new light on the history of that grievous institution.
Gray Gold adds significantly to the understanding of lead mining and the economic and industrial history of the United States. Chambers makes important contributions to the fields of United States history, Native American and frontier history, mining and environmental history, and the history of science and technology.
Finalist for the 2021 American Book Fest Best Book Awards
Aging is one of the most compelling issues today, with record numbers of seniors over sixty-five worldwide. Gray Matters: Finding Meaning in the Stories of Later Life examines a diverse array of cultural works including films, literature, and even art that represent this time of life, often made by people who are seniors themselves. These works, focusing on important topics such as housing, memory loss, and intimacy, are analyzed in dialogue with recent research to explore how “stories” illuminate the dynamics of growing old by blending fact with imagination. Gray Matters also incorporates the life experiences of seniors gathered from over two hundred in-depth surveys with a range of questions on growing old, not often included in other age studies works. Combining cultural texts, gerontology research, and observations from older adults will give all readers a fuller picture of the struggles and pleasures of aging and avoids over-simplified representations of the process as all negative or positive.
In Gray to Green Communities, green affordable housing expert Dana Bourland argues that we need to move away from a gray housing model to a green model, which considers the health and well-being of residents, their communities, and the planet. She demonstrates that we do not have to choose between protecting our planet and providing housing affordable to all.
Bourland draws from her experience leading the Green Communities Program at Enterprise Community Partners, a national community development intermediary. Her work resulted in the first standard for green affordable housing which was designed to deliver measurable health, economic, and environmental benefits.
The book opens with the potential of green affordable housing, followed by the problems that it is helping to solve, challenges in the approach that need to be overcome, and recommendations for the future of green affordable housing. Gray to Green Communities brings together the stories of those who benefit from living in green affordable housing and examples of Green Communities’ developments from across the country. Bourland posits that over the next decade we can deliver on the human right to housing while reaching a level of carbon emissions reductions agreed upon by scientists and demanded by youth.
Gray to Green Communities will empower and inspire anyone interested in the future of housing and our planet.
Winner, 2022 Outstanding Academic Title, CHOICE Awards
Health practitioners working in gray zones, or between official and unofficial medicines, played a fundamental role in shaping Latin America from the colonial period onward. The Gray Zones of Medicine offers a human, relatable, complex examination of the history of health and healing in Latin America across five centuries. Contributors uncover how biographical narratives of individual actors—outside those of hegemonic biomedical knowledge, careers of successful doctors, public health initiatives, and research and medical institutions—can provide a unique window into larger social, cultural, political, and economic historical changes and continuities in the region. They reveal the power of such stories to illuminate intricacies and resilient features of the history of health and disease, and they demonstrate the importance of escaping analytical constraints posed by binary frameworks of legality/illegality, learned/popular, and orthodoxy/heterodoxy when writing about the past. Through an accessible and story-like format, this book unlocks the potential of historical narratives of healings to understand and give nuance to processes too frequently articulated through intellectual medical histories or the lenses of empires, nation-states, and their institutions.
Featuring nontechnical language, user-friendly indexes, and more than 150 new entries, the second edition covers new topics such as acupuncture, wheelchairs, adjusting to bifocals, preparing for traveling, improving communication with physicians, and avoiding eye strain in computer use. Among other updates are more detailed coverage of health problems including arthritis, diabetes, osteoporosis, and various kinds of cancer, as well as advice on reducing the stress of caring for a family member with Alzheimer's disease. In addition to discussing hundreds of common ailments and conditions, Kausler and Kausler provide constructive guidance on regular physical activity, mental stimulation, and other behaviors that promote "successful aging."
In its first modern translation, a novel-cum-memoir of a Frenchman’s erotic awakening in Italy by a preeminent writer of the Romantic period
In 1812 Alphonse de Lamartine, a young man of means, traveled through southern Italy, where, during a sojourn in Naples, he fell in love with a young woman who worked in a cigar factory—and whose death after he returned to France would haunt him throughout his writing life. Graziella, Lamartine called this lost girl in his poetry and memoirs—and also in Graziella, a novel that closely follows the story of his own romance.
“When I was eighteen,” the narrator begins, as if penning his memoir, “my family entrusted me to the care of a relative whose business affairs called her to Tuscany.” The tale that unfolds, of the young man’s amorous experiences amid the natural grandeur and subtle splendors of the Italian countryside, is one of the finest works of fiction in the French Romantic tradition, a bildungsroman that is also a melancholy portrait of the artist as a young man discovering the muse who would both inspire and elude him.
Remarkable for its contemplative prose, its dreamy passions and seductive drawing of the Italian landscape, and its place in the Romantic canon, Graziella is a timeless portrait of love, chronicling the remorse and the misguided ideals of youth that find their expression, if not their amends, in art.
Greasepaint Puritan aims to find out and reclaim his story. Descended from Mayflower Pilgrims, Ropes rebelled against the “Proper Bostonian” life, in a career that touched upon the Jazz Age, American vaudeville, and theater censorship. We follow Ropes’s successful career as both a performer and the author of the trilogy of backstage novels: 42nd Street, Stage Mother, and Go Into Your Dance. Populated by scheming stage mothers, precocious stage children, grandiose bit players, and tart-tongued chorines, these novels centered on the lives and relationships of gay men on Broadway during the Jazz Age and Prohibition era. Rigorously researched, Greasepaint Puritan chronicles Ropes’s career as a successful screenwriter in 1930s and ’40s Hollywood, where he continued to be a part of a dynamic gay subculture within the movie industry before returning to obscurity in the 1950s. His legacy lives on in the Hollywood and Broadway incarnations of 42nd Street—but Greasepaint Puritan restores the “forgotten melody” of the man who first envisioned its colorful characters.
The Earth has entered a new age—the Anthropocene—in which humans are the most powerful influence on global ecology. Since the mid-twentieth century, the accelerating pace of energy use, greenhouse gas emissions, and population growth has thrust the planet into a massive uncontrolled experiment. The Great Acceleration explains its causes and consequences, highlighting the role of energy systems, as well as trends in climate change, urbanization, and environmentalism.
More than any other factor, human dependence on fossil fuels inaugurated the Anthropocene. Before 1700, people used little in the way of fossil fuels, but over the next two hundred years coal became the most important energy source. When oil entered the picture, coal and oil soon accounted for seventy-five percent of human energy use. This allowed far more economic activity and produced a higher standard of living than people had ever known—but it created far more ecological disruption.
We are now living in the Anthropocene. The period from 1945 to the present represents the most anomalous period in the history of humanity’s relationship with the biosphere. Three-quarters of the carbon dioxide humans have contributed to the atmosphere has accumulated since World War II ended, and the number of people on Earth has nearly tripled. So far, humans have dramatically altered the planet’s biogeochemical systems without consciously managing them. If we try to control these systems through geoengineering, we will inaugurate another stage of the Anthropocene. Where it might lead, no one can say for sure.
Historian and MacArthur Fellow Stephen J. Pyne identifies three great ages of discovery in his fascinating new book. The first age of discovery ranged from the early 15th to the early 18th century, sketched out the contours of the globe, aligned with the Renaissance, and had for its grandest expression the circumnavigation of the world ocean. The second age launched in the latter half of the 18th century, spanning into the early 20th century, carrying the Enlightenment along with it, pairing especially with settler societies, and had as its prize achievement the crossing of a continent. The third age began after World War II, and, pivoting from Antarctica, pushed into the deep oceans and interplanetary space. Its grand gesture is Voyager’s passage across the solar system. Each age had in common a galvanic rivalry: Spain and Portugal in the first age, Britain and France—followed by others—in the second, and the USSR and USA in the third.
With a deep and passionate knowledge of the history of Western exploration, Pyne takes us on a journey across hundreds of years of geographic trekking. The Great Ages of Discovery is an interpretive companion to what became Western civilization’s quest narrative, with the triumphs and tragedies that grand journey brought, the legacies of which are still very much with us.
Based on one of the most ambitious studies in the history of social science, Robert J. Sampson’s Great American City presents the fruits of over a decade’s research to support an argument that we all feel and experience every day: life is decisively shaped by your neighborhood.
Engaging with the streets and neighborhoods of Chicago, Sampson, in this new edition, reflects on local and national changes that have transpired since his book’s initial publication, including a surge in gun violence and novel forms of segregation despite an increase in diversity. New research, much of it a continuation of the influential discoveries in Great American City, has followed, and here, Sampson reflects on its meaning and future directions. Sampson invites readers to see the status of the research initiative that serves as the foundation of the first edition—the Project on Human Development in Chicago Neighborhoods (PHDCN)—and outlines the various ways other scholars have continued his work. Both accessible and incisively thorough, Great American City is a must-read for anyone interested in cutting-edge urban sociology and the study of crime.
In her arresting and inimitable style, Svoboda’s delicate handling of the complex dynamics of family and self seeps into every sentence of these first-rate short stories about what we do to the world around us—and what it can do to us.
The definitive account of the housing bubble that caused the Great Recession—and earned Wall Street fantastic profits.
The American housing bubble of the 2000s caused the worst global financial crisis since the Great Depression. In this definitive account, Adam Levitin and Susan Wachter pinpoint its source: the shift in mortgage financing from securitization by Fannie Mae and Freddie Mac to “private-label securitization” by Wall Street banks. This change set off a race to the bottom in mortgage underwriting standards, as banks competed in laxity to gain market share.
The Great American Housing Bubble tells the story of the transformation of mortgage lending from a dysfunctional, local affair, featuring short-term, interest-only “bullet” loans, to a robust, national market based around the thirty-year fixed-rate mortgage, a uniquely American innovation that served as the foundation for the middle class.
Levitin and Wachter show how Fannie and Freddie’s market power kept risk in check until 2003, when mortgage financing shifted sharply to private-label securitization, as lenders looked for a way to sustain lending volume following an unprecedented refinancing wave. Private-label securitization brought a return of bullet loans, which had lower initial payments—enabling borrowers to borrow more—but much greater back-loaded risks. These loans produced a vast oversupply of underpriced mortgage finance that drove up home prices unsustainably. When the bubble burst, it set off a destructive downward spiral of home prices and foreclosures.
Levitin and Wachter propose a rebuild of the housing finance system that ensures the widespread availability of the thirty-year fixed-rate mortgage, while preventing underwriting competition and shifting risk away from the public to private investors.
Take an unforgettable road trip down one of America’s most fascinating highways, U.S.
On what highway can you find the headquarters of the FBI, Dow Jones Interactive, and the National Enquirer? What road is home to the Bronx Zoo, the Okefenokee Swamp, and Flipper? On the side of what freeway can you find the Super Duper Weenie Wagon, Larry’s Redneck Bar, and the Big Chicken Barn? Peter Genovese found them all, along with about a million other fascinating and bizarre attractions, on U.S. 1, ‘the best damn highway in America,” as he calls it. Join him for the road trip of a lifetime The Great American Road Trip: A Journey Down U.S. 1.
U.S. 1 may not be America’s scenic highway, but it’s certainly the most colorful. It runs through Boston, New York, Baltimore, Washington, D.C., and Miami, in addition to Caribou, Maine, Quonochontaug, Rhode Island, and Alma, Georgia. It zig-zags along the wild and beautiful Maine coast and soars over the Atlantic Ocean as the Overseas Highway, one of the most spectacular stretches of road anywhere. The Star-Spangled Banner is on U.S. 1. Madonna lived on U.S. 1 (until she sold her house to Rosie O'Donnell). U.S. 1 is Main Street and the Miracle Mile, two-lane blacktop and six-lane expressway, straight as an arrow in some places and twistier than a Philadelphia soft pretzel in others.
Genovese spent two years on U.S. 1, talking to everyone from doughnut makers, dolphin trainers, and swamp guides to real Miami vice cops and the keeper of the national parasite collection. His resulting book is the most complete portrait of an American highway ever written. With his unerring eye for detail, sense of humor, and understanding of human nature, Genovese takes readers on a sometimes funny, sometimes sad, always illuminating 2,450-mile journey from Fort Kent, Maine to Key West, Florida.
Ride along with Genovese and grab a drink at the Last Resort Bar or the Last Chance Saloon, then pick up a paperback at the Banned Bookstore. Visit Oscar, the biggest gator in the Okefenokee Swamp, have dinner at Hog Heaven, and take in a Portland Seadogs baseball game. Tour a Budweiser brewery and go into the pit at a NASCAR race. Looking for someplace to stay? How about the world’s only underwater hotel, the Jules’ Undersea Lodge, or in a cabin made entirely from one pine tree at the Maine Idyll Motor Court? If it’s culture you seek, the highway boasts dozens of museums. While you may have heard of the Museum of Natural History and the National Museum of American Art, how about the Blacks in Wax Museum, Tragedy in the United States Museum, and the Mushroom Museum? There’s something for everyone on U.S. 1, and Genovese has written about it all in The Great American Road Trip.
Beginning with the early American settlers and the two contrasting visions they set out—one competitive, the other cooperative—Fender traces the development of the latter through a series of dramatic addresses. He examines the inaugural speeches of early presidents such as John Adams and Thomas Jefferson, moving to Abraham Lincoln’s arguments—at once logical and passionate—for maintaining the Union, and then on to the twentieth century’s great orators, such as John F. Kennedy and Martin Luther King Jr. He also looks at the notion of the “great American speech” in popular culture, exploring both the usual places—such as movie courtroom scenes—where it pops up, as well as its unexpected ubiquity in adventure films, thrillers, or any story where equality and justice come under threat.
Through his exploration of great speeches, Fender paints the picture of two simultaneous and free-standing visions of American identity, offering a sophisticated look at American ideological history.
Many a scholar and policy analyst has lamented American dependence on cars and the corresponding lack of federal investment in public transportation throughout the latter decades of the twentieth century. But as Nicholas Dagen Bloom shows in The Great American Transit Disaster, our transit networks are so bad for a very simple reason: we wanted it this way.
Focusing on Baltimore, Atlanta, Chicago, Detroit, Boston, and San Francisco, Bloom provides overwhelming evidence that transit disinvestment was a choice rather than destiny. He pinpoints three major factors that led to the decline of public transit in the United States: municipal austerity policies that denied most transit agencies the funding to sustain high-quality service; the encouragement of auto-centric planning; and white flight from dense city centers to far-flung suburbs. As Bloom makes clear, these local public policy decisions were not the product of a nefarious auto industry or any other grand conspiracy—all were widely supported by voters, who effectively shut out options for transit-friendly futures. With this book, Bloom seeks not only to dispel our accepted transit myths but hopefully to lay new tracks for today’s conversations about public transportation funding.
A potent re-examination of America’s history of public disinvestment in mass transit.
Many a scholar and policy analyst has lamented American dependence on cars and the corresponding lack of federal investment in public transportation throughout the latter decades of the twentieth century. But as Nicholas Dagen Bloom shows in The Great American Transit Disaster, our transit networks are so bad for a very simple reason: we wanted it this way.
Focusing on Baltimore, Atlanta, Chicago, Detroit, Boston, and San Francisco, Bloom provides overwhelming evidence that transit disinvestment was a choice rather than destiny. He pinpoints three major factors that led to the decline of public transit in the United States: municipal austerity policies that denied most transit agencies the funding to sustain high-quality service; the encouragement of auto-centric planning; and white flight from dense city centers to far-flung suburbs. As Bloom makes clear, these local public policy decisions were not the product of a nefarious auto industry or any other grand conspiracy—all were widely supported by voters, who effectively shut out options for transit-friendly futures. With this book, Bloom seeks not only to dispel our accepted transit myths but hopefully to lay new tracks for today’s conversations about public transportation funding.
London in the eighteenth century was a new city, risen from the ashes of the Great Fire of 1666 that had destroyed half its homes and great public buildings. The century that followed was an era of vigorous expansion and large-scale projects, of rapidly changing culture and commerce, as huge numbers of people arrived in the shining city, drawn by its immense wealth and power and its many diversions. Borrowing a phrase from Daniel Defoe, Jerry White calls London “this great and monstrous thing,” the grandeur of its new buildings and the glitter of its high life shadowed by poverty and squalor.
A Great and Monstrous Thing offers a street-level view of the city: its public gardens and prisons, its banks and brothels, its workshops and warehouses—and its bustling, jostling crowds. White introduces us to shopkeepers and prostitutes, men and women of fashion and genius, street-robbers and thief-takers, as they play out the astonishing drama of life in eighteenth-century London. What emerges is a picture of a society fractured by geography, politics, religion, history—and especially by class, for the divide between rich and poor in London was never greater or more destructive in the modern era than in these years.
Despite this gulf, Jerry White shows us Londoners going about their business as bankers or beggars, reveling in an enlarging world of public pleasures, indulging in crimes both great and small—amidst the tightening sinews of power and regulation, and the hesitant beginnings of London democracy.
Conventional wisdom holds that, until the Spanish-American War of 1898, the United States was a feeble player on the world stage, with an international presence rooted in commerce rather than military might. Michael A. Verney’s A Great and Rising Nation flips this notion on its head, arguing that early US naval expeditions, often characterized as merely scientific, were in fact deeply imperialist. Circling the globe from the Mediterranean to South America and the Arctic, these voyages reflected the diverse imperial aspirations of the new republic, including commercial dominance in the Pacific World, religious empire in the Holy Land, proslavery expansion in South America, and diplomatic prestige in Europe. As Verney makes clear, the United States had global imperial aspirations far earlier than is commonly thought.
Like many inhabitants of booming metropolises, Machiavelli alternated between love and hate for his native city. He often wrote scathing remarks about Florentine political myopia, corruption, and servitude, but also wrote about Florence with pride, patriotism, and confident hope of better times. Despite the alternating tones of sarcasm and despair he used to describe Florentine affairs, Machiavelli provided a stubbornly persistent sense that his city had all the materials and potential necessary for a wholesale, triumphant, and epochal political renewal. As he memorably put it, Florence was "truly a great and wretched city."
Mark Jurdjevic focuses on the Florentine dimension of Machiavelli's political thought, revealing new aspects of his republican convictions. Through The Prince, Discourses, correspondence, and, most substantially, Florentine Histories, Jurdjevic examines Machiavelli's political career and relationships to the republic and the Medici. He shows that significant and as yet unrecognized aspects of Machiavelli's political thought were distinctly Florentine in inspiration, content, and purpose. From a new perspective and armed with new arguments, A Great and Wretched City reengages the venerable debate about Machiavelli's relationship to Renaissance republicanism. Dispelling the myth that Florentine politics offered Machiavelli only negative lessons, Jurdjevic argues that his contempt for the city's shortcomings was a direct function of his considerable estimation of its unrealized political potential.
In 1904, New York nuns brought forty Irish orphans to a remote Arizona mining camp, to be placed with Catholic families. The Catholic families were Mexican, as was the majority of the population. Soon the town's Anglos, furious at this "interracial" transgression, formed a vigilante squad that kidnapped the children and nearly lynched the nuns and the local priest. The Catholic Church sued to get its wards back, but all the courts, including the U.S. Supreme Court, ruled in favor of the vigilantes.
The Great Arizona Orphan Abduction tells this disturbing and dramatic tale to illuminate the creation of racial boundaries along the Mexican border. Clifton/Morenci, Arizona, was a "wild West" boomtown, where the mines and smelters pulled in thousands of Mexican immigrant workers. Racial walls hardened as the mines became big business and whiteness became a marker of superiority. These already volatile race and class relations produced passions that erupted in the "orphan incident." To the Anglos of Clifton/Morenci, placing a white child with a Mexican family was tantamount to child abuse, and they saw their kidnapping as a rescue.
Women initiated both sides of this confrontation. Mexican women agreed to take in these orphans, both serving their church and asserting a maternal prerogative; Anglo women believed they had to "save" the orphans, and they organized a vigilante squad to do it. In retelling this nearly forgotten piece of American history, Linda Gordon brilliantly recreates and dissects the tangled intersection of family and racial values, in a gripping story that resonates with today's conflicts over the "best interests of the child."
Great Basin Indians is an essential resource for any reader interested in the Native peoples of the American West and in western history in general.
A classic in Mormon studies and western history, Great Basin Kingdom offers insights into the ‘underdeveloped' American economy, a comprehensive treatment of one of the few native American religious movements, and detailed, exciting stories from little-known phases of Mormon and American history.
This edition includes thirty new photographs and an introduction by Ronald W. Walker that provides a brief biography of Arrington, as well as the history of the work, its place in Mormon and western historiography, and its lasting impact.
The Nevada of lesser-known cities, towns, and outposts deserve their separate chronicles, and here Hulse fills a wide gap. He contributes in a text rich with memories tramping through rural Nevada as a child, then as a journalist seeking news and gossip, then later as an academic historian and a parent trying to share the wonders of the high desert with his family. Nobody is more qualified to write about the cultural nuances of rural Nevada than Hulse, who retired after 35 years as a professor of history at University of Nevada, Reno.
Robert Laxalt wrote an article in National Geographic in 1974 entitled “The Other Nevada” in which he referred to “the Nevada that has been eclipsed by the tinsel trimmings of Las Vegas, the round-the-clock casinos, the ski slopes of the Sierra. It is a Nevada that few tourists see.” With this book Hulse reflects on Laxalt’s insights and shows changes—often slow-moving and incremental—that have occurred since then. Much of the terrain of rural Nevada has not changed at all, while others have adapted to technological revolutions of recent times. Hulse states that there is no single “other” Nevada, but several subcultures with distinct features. He offers a tour of sorts to what John Muir called the “bewildering abundance” of the Nevada landscape.
Great Basin National Park is in large part a high-alpine park, but it sits in one of America’s driest, least populated, and most isolated deserts. That contrast is one facet of the diversity that characterizes this region. Within and outside the park are phenomenal landscape features, biotic wonders, unique environments, varied historic sites, and the local colors of isolated towns and ranches. Vast Snake and Spring Valleys, bracketing the national park, are also subjects of one of the West's most divisive environment contests, over what on the surface seems most absent but underground is abundant enough for sprawling Las Vegas to covet it—water.
Established by the USDA Forest Service in 1993, the Great Basin Ecosystem Management Project for Restoring and Maintaining Sustainable Riparian Ecosystems is a large-scale research study that uses an interdisciplinary approach to examine the effects of climate change and human disturbance on riparian areas. Structured as a collaborative effort between management and research, the project focuses on understanding the geomorphic, hydrologic, and biotic processes that underlie riparian structure and function and the interrelated responses of those processes to disturbances, both natural and anthropogenic.
Great Basin Riparian Ecosystems, edited by Jeanne C. Chambers and Jerry R. Miller, presents the approach used by the researchers to study and understand riparian areas in the Great Basin region. It summarizes the current state of knowledge about those areas and provides insights into the use of the information generated by the project for the restor-ation and management of riparian ecosystems. Because semi-arid ecosystems like the Great Basin are highly sensitive to climate change, the study considered how key processes are affected by past and present climate. Great Basin Riparian Ecosystems also examines the processes over a continuum of temporal and spatial scales.
Great Basin Riparian Ecosystems addresses restoration over a variety of scales and integrates work from multiple disciplines, including riparian ecology, paleoecology, geomorphology, and hydrology. While the focus is on the Great Basin, the general approach is widely applicable, as it describes a promising new strategy for developing restoration and management plans, one based on sound principles derived from attention to natural systems.
Rock art is one of humankind’s most ancient forms of artistic expression, and one of its most enigmatic. For centuries, scholars and other observers have struggled to interpret the meaning of the mysterious figures incised or painted on natural rocks and to understand their role in the lives of their long-vanished creators. The Great Basin of the American West is especially rich in rock art, but until recently North American archaeologists have largely ignored these most visible monuments left by early Native Americans and have given little attention to the terrain surrounding them. In Great Basin Rock Art, twelve respected rock art researchers examine a number of significant sites from the dual perspectives of settlement archaeology and contemporary Native American interpretations of the role of rock art in their cultural past. The authors demonstrate how modern archaeological methodology and interpretations are providing a rich physical and cultural context for these ancient and hitherto puzzling artifacts. They offer exciting new insights into the lives of North America’s first inhabitants. This is essential reading for anyone interested in the petroglyphs of the American West and in the history of the Great Basin and its original peoples.
Written for a nontechnical audience, this book interprets the rock record left by more than 500 million years of oceanic activity, when mud and sand accumulated and solidified to produce today’s Great Basin across parts of modern Utah, Nevada, and California. DeCourten deciphers clues within exposed slopes and canyons to reconstruct the vanished seafloor and its volcanic events and examines fossils to reveal once-thriving ancient marine communities. Supplemental material is available online to serve as a field guide for readers wishing to explore this ancient ocean themselves as they travel through the region.
While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting.
It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond:Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot.
The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
"The Great Bird of Love brims with a life so intense that it
must be told quietly. The pages are quirky, full of surprise, variety,
humor, and the sustaining reliable voice of a worthy guide to experience.
These poems come from perception informed by sympathy, and the language
is alive with verbal adventure."
-- William Stafford
A book in the National Poetry Series
Luckily Halton, with scalpel-sharp wit in one hand and the balm of wisdom in the other, is here to operate on the declining body politic. His initial diagnosis is bleak: fast food and too much time spent sitting, whether in our cars or on our couches, are ruining our bodies, while our minds are weakened by the proliferation of electronic devices—TVs, computers, cell phones, iPods, video games—and their alienating effects. If we are losing the battle between autonomy and automation, he asks, how can our culture regain self-sufficiency? Halton finds the answer in the inspiring visions—deeply rooted in American culture—of an organic and more spontaneous life at the heart of the work of master craftsman Wharton Esherick, legendary blues singer Muddy Waters, urban critic Lewis Mumford, and artist Maya Lin, among others.
A scathing and original jeremiad against modern materialism, The Great Brain Suck is also a series of epiphanies of a simpler but more profound life.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press