First published in 1951, Genesis and Geology describes the background of social and theological ideas and the progress of scientific researches which, between them, produced the religious difficulties that afflicted the development of science in early industrial England. The book makes clear that the furor over On the Origin of Species was nothing new: earlier discoveries in science (particularly geology) had presented major challenges, not only to the literal interpretation of the Book of Genesis, but even more seriously to the traditional idea that Providence controls the order of nature with an eye to fulfilling divine purpose. A new Foreword by Nicolaas A. Rupke places this book in the context of the last forty-five years of scholarship in the social history of evolutionary thought.

First published in 1951, Genesis and Geology describes the background of social and theological ideas and the progress of scientific researches that, between them, produced the religious difficulties that afflicted the development of science in early industrial England. The book makes clear that the furor over On the Origin of Species was nothing new: earlier discoveries in science, particularly geology, had presented major challenges, not only to the literal interpretation of the Book of Genesis, but even more seriously to the traditional idea that Providence controls the order of nature with an eye to fulfilling divine purpose.

A new Foreword by Nicolaas Rupke places this book in the context of the last forty-five years of scholarship in the social history of evolutionary thought. Everyone interested in the history of modern science, in ideas, and in nineteenth-century England will want to read this book.

The biblical book of Genesis stands nearly without parallel in the shared history of Judaism, Christianity, and Islam. Because of its abiding importance to late antique theology and practical life across religious boundaries, it gave rise to a wide range of literary responses. The essays in this book study an array of Jewish and Christian responses to Genesis as they took shape in specific literary forms—the unique genres of late antique poetry. While late antique and early medieval Jews and Christians did not always agree in their interpretations of Genesis, they participated broadly in a shared culture of poetic production. Some of these poetic genres paralleled one another simply as distinct examples of metered speech, while others emerged in conversation and through mutual influence. Though late antique poems developed in a variety of languages and across religious boundaries, scholarly study of late antique poetry has tended to isolate the phenomenon according to language. As a corrective to this linguistic isolation, this book initiates a comparative conversation around the Jewish and Christian poetry that emerged in late antique Aramaic, Greek, Hebrew, Latin, and Syriac. Tending equally to exegetical content and literary form, the essays in this book sit at the intersection of a variety of scholarly conversations—around the history of biblical exegesis, the formation of late antique and early medieval literature and literary culture, and the comparative study of Judaism and Christianity.

Frank Kermode has long held a distinctive place among modern critics. He brings to the study of literature a fine and fresh critical intelligence that is always richly suggestive, never modish. He offers here an inquiry—elegant in conception and style—into the art of interpretation. His subject quite simply is meanings; how they are revealed and how they are concealed.

Drawing on the venerable tradition of biblical interpretation, Mr. Kermode examines some enigmatic passages and episodes in the gospels. From his reading come ideas about what makes interpretation possible—and often impossible. He considers ways in which narratives acquire opacity, and he asks whether there are methods of distinguishing all possible meaning from a central meaning which gives the story its structure. He raises questions concerning the interpretation of single texts in relation to their context in a writer’s work and a tradition; considers the special interpretative problems of historical narration; and tries to relate the activities of the interpreter to interpretation more broadly conceived as a means of living in the world.

While discussing the gospels, Mr. Kermode touches upon such literary works as Kafka’s parables, Joyce’s Ulysses, Henry James’s novels, and Pynchon’s Crying of Lot 49. By showing the relationships between religious interpretation and literary criticism, he has enhanced both fields.

Research powers innovation and technoscientific advance, but it is due for a rethink, one consistent with its deeply holistic nature, requiring deeply human nurturing.

Research is a deeply human endeavor that must be nurtured to achieve its full potential. As with tending a garden, care must be taken to organize, plant, feed, and weed—and the manner in which this nurturing is done must be consistent with the nature of what is being nurtured.

In The Genesis of Technoscientific Revolutions, Venkatesh Narayanamurti and Jeffrey Tsao propose a new and holistic system, a rethinking of the nature and nurturing of research. They share lessons from their vast research experience in the physical sciences and engineering, as well as from perspectives drawn from the history and philosophy of science and technology, research policy and management, and the evolutionary biological, complexity, physical, and economic sciences.

Narayanamurti and Tsao argue that research is a recursive, reciprocal process at many levels: between science and technology; between questions and answer finding; and between the consolidation and challenging of conventional wisdom. These fundamental aspects of the nature of research should be reflected in how it is nurtured. To that end, Narayanamurti and Tsao propose aligning organization, funding, and governance with research; embracing a culture of holistic technoscientific exploration; and instructing people with care and accountability.

From the primordial soup to meteorite impact zones, the Manhattan Project to the latest research, this book is the first full history of the scientists who strive to explain the genesis of life.

How did life begin? Why are we here? These are some of the most profound questions we can ask.
 
For almost a century, a small band of eccentric scientists has struggled to answer these questions and explain one of the greatest mysteries of all: how and why life began on Earth. There are many different proposals, and each idea has attracted passionate believers who promote it with an almost religious fervor, as well as detractors who reject it with equal passion.
 
But the quest to unravel life’s genesis is not just a story of big ideas. It is also a compelling human story, rich in personalities, conflicts, and surprising twists and turns. Along the way, the journey takes in some of the greatest discoveries in modern biology, from evolution and cells to DNA and life’s family tree. It is also a search whose end may finally be in sight.
 
In The Genesis Quest, Michael Marshall shows how the quest to understand life’s beginning is also a journey to discover the true nature of life, and by extension our place in the universe.

Genethics is the most lucid and authoritative guide for general readers to modern genetic technology and the myriad ethical issues it raises.

In 1997, M. E. R. Mathivha, an elder of the black Jewish Lemba people of South Africa, announced to the Lemba Cultural Association that a recent DNA study substantiated their ancestral connections to Jews. Lemba people subsequently leveraged their genetic test results to seek recognition from the post-apartheid government as indigenous Africans with rights to traditional leadership and land, retheorizing genetic ancestry in the process. In Genetic Afterlives, Noah Tamarkin illustrates how Lemba people give their own meanings to the results of DNA tests and employ them to manage competing claims of Jewish ethnic and religious identity, African indigeneity, and South African citizenship. Tamarkin turns away from genetics researchers' results that defined a single story of Lemba peoples' “true” origins and toward Lemba understandings of their own genealogy as multivalent. Guided by Lemba people’s negotiations of their belonging as diasporic Jews, South African citizens, and indigenous Africans, Tamarkin considers new ways to think about belonging that can acknowledge the importance of historical and sacred ties to land without valorizing autochthony, borders, or other technologies of exclusion.

This book comprises ten invited expert contributions on the theory and applications of genetic algorithms in a variety of engineering systems. In addition to addressing the simple formulation of GAs, the chapters include original material on the design of evolutionary algorithms for particular engineering applications. Chosen for their experience in the field, the authors are drawn from both academia and industry worldwide, and provide extensive insight into their respective fields. The volume is suitable for researchers and postgraduates who need to be up-to-date with developments in this important subject, as well as practitioners in industry who are eager to find out how to solve their particular real-life problems.

Camille Naish has written the first formalist study of the provocative French writer Jean Genet. She treats his major texts, from the erotic homosexual elegy Le Condamne a mort (1942) to the highly controversial epic Les Parvents (1966), and links the characteristic structure of his later plays with his relatively obscure first poems and early novels. Dr. Naish’s study insightfully discusses previous critical responses to Genet, examines Genet’s relationship with Cocteau and the Surrealists, and finally takes an original look at humor and parody in this unusual writer.

Can genes determine which fifty-year-old will succumb to Alzheimer’s, which citizen will turn out on voting day, and which child will be marked for a life of crime? Yes, according to the Internet, a few scientific studies, and some in the biotechnology industry who should know better. Sheldon Krimsky and Jeremy Gruber gather a team of genetic experts to argue that treating genes as the holy grail of our physical being is a patently unscientific endeavor. Genetic Explanations urges us to replace our faith in genetic determinism with scientific knowledge about how DNA actually contributes to human development.

The concept of the gene has been steadily revised since Watson and Crick discovered the structure of the DNA molecule in 1953. No longer viewed by scientists as the cell’s fixed set of master molecules, genes and DNA are seen as a dynamic script that is ad-libbed at each stage of development. Rather than an autonomous predictor of disease, the DNA we inherit interacts continuously with the environment and functions differently as we age. What our parents hand down to us is just the beginning. Emphasizing relatively new understandings of genetic plasticity and epigenetic inheritance, the authors put into a broad developmental context the role genes are known to play in disease, behavior, evolution, and cognition.

Rather than dismissing genetic reductionism out of hand, Krimsky and Gruber ask why it persists despite opposing scientific evidence, how it influences attitudes about human behavior, and how it figures in the politics of research funding.

They mastermind our lives, shaping our features, our health, and our behavior, even in the sacrosanct realms of love and sex, religion, aging, and death. Yet we are the ones who house, perpetuate, and give the promise of immortality to these biological agents, our genetic gods. The link between genes and gods is hardly arbitrary, as the distinguished evolutionary geneticist John Avise reveals in this compelling book. In clear, straightforward terms, Avise reviews recent discoveries in molecular biology, evolutionary genetics, and human genetic engineering, and discusses the relevance of these findings to issues of ultimate concern traditionally reserved for mythology, theology, and religious faith.

The book explains how the genetic gods figure in our development--not just our metabolism and physiology, but even our emotional disposition, personality, ethical leanings, and, indeed, religiosity. Yet genes are physical rather than metaphysical entities. Having arisen via an amoral evolutionary process--natural selection--genes have no consciousness, no sentient code of conduct, no reflective concern about the consequences of their actions. It is Avise's contention that current genetic knowledge can inform our attempts to answer typically religious questions--about origins, fate, and meaning. The Genetic Gods challenges us to make the necessary connection between what we know, what we believe, and what we embody.

Outrages committed during violent conflict and as part of the 'war on terror' are not only an affront to human dignity -- they also violate the Geneva Conventions.

This book examines recent high-profile cases of repeated and open abuse of the Conventions. The contributors explore why these and related violations of international humanitarian law cannot be viewed as anomalies, but must be regarded as part of a pattern which is set to undermine the Geneva Conventions as a whole.

The contributors argue that an international system in which there is diminishing legal restraint on the use of force means that the world will become less secure and more volatile, even for those in the most powerful countries. Individuals everywhere face the prospect of a horrifying vulnerability.

This is the first scholarly yet accessible work to consider the meanings of outrages such as the normalisation of torture, as well as the worrying new normative, technical and tactical developments that challenge the purpose and standing of the Geneva Conventions.

Genevra Sforza (ca. 1441–1507) lived her long life near the apex of Italian Renaissance society as wife of two successive de facto rulers of Bologna: Sante then Giovanni II Bentivoglio. Placed twice there without a dowry by Duke Francesco Sforza as part of a larger Milanese plan, Genevra served her family by fulfilling the gendered role demanded of her by society, most notably by contributing eighteen children, accepting many illegitimates born to Giovanni II, and helping arrange their future alliances for the success of the family at large. Based on contemporary archival research conducted across Italy, this biography presents Genevra as the object of academic study for the first time. The book explores how Genevra’s life-story, filled with a multitude of successes appropriate for an elite fifteenth-century female, was transformed into a concordant body of misogynistic legends about how she destroyed the Bentivoglio and the city of Bologna.

A diverse and cacophonous poetry collection tackling subjects from identity to current events.
 
At once comic and cantankerous, tender and discomfiting, piercing and irreverent, Genghis Chan on Drums is a shape-shifting book of percussive poems dealing with aging, identity, PC culture, and stereotypes about being Chinese. Employing various forms, John Yau’s poems traverse a range of subjects, including the 1930s Hollywood actress Carole Lombard, the Latin poet Catullus, the fantastical Renaissance painter Piero di Cosimo’s imaginary sister, and a nameless gumshoe. Yau moves effortlessly from using the rhyme scheme of a sixteenth-century Edmund Spenser sonnet to riffing on a well-known poem-rant by the English poet Sean Bonney, and to immersing himself in the words of condolence sent by a former president to the survivors of a school massacre. Yau’s poems are conduits through which many different, conflicting, and unsavory voices strive to be heard.
 

From literature to landscape architecture, an expansive, contemplative exploration of the significance of place.
 
For ancient Romans, genius loci was literally “the genius of the place,” the presiding divinity who inhabited a site and gave it meaning. While we are less attuned to divinity today, we still sense that a place has significance. In this book, eminent garden historian John Dixon Hunt explores genius loci in many settings, including contemporary land art, the paintings of Paul and John Nash, travel writers such as Henry James, Paul Theroux, and Lawrence Durrell on Provence, Mexico, and Cyprus, and landscape architects who invent new meanings for a site. This book is a nuanced, thoughtful exploration of how places become more significant to us through the myriad ways we see, talk about, and remember them.

The twentieth century has been called, not inaccurately, a century of genocide. And the beginning of the twenty-first century has seen little change, with genocidal violence in Darfur, Congo, Sri Lanka, and Syria. Why is genocide so widespread, and so difficult to stop, across societies that differ so much culturally, technologically, and politically?That's the question that this collection addresses, gathering a stellar roster of contributors to offer a range of perspectives from different disciplines to attempt to understand the pervasiveness of genocidal violence. Challenging outdated beliefs and conventions that continue to influence our understanding, Genocide constitutes a major contribution to the scholarship on mass violence.

In Genomics with Care Mike Fortun presents an experimental ethnography of contemporary genomics, analyzing science as a complex amalgam of cognition and affect, formal logics and tacit knowledge, statistics, and ethics. Fortun examines genomics in terms of care—a dense composite of affective and cognitive forces that drive scientists and the relations they form with their objects of research, data, knowledge, and community. Reading genomics with care shows how each resists definition yet is so entangled as to become indistinguishable. Fortun analyzes four patterns of genomic care—curation, scrupulousness, solicitude, and friendship—seen in the conceptual, technological, social, and methodological changes that transpired as the genetics of the 1980s became the genomics of the 1990s, and then the “post-genomics” of the 2000s. By tracing the dense patterns made where care binds to science, Fortun shows how these patterns mark where scientists are driven to encounter structural double binds that are impossible to resolve, and yet are where scientific change and creativity occur.

Under the Athenian democracy, litigants were expected to speak for themselves, though they could memorize a speech written for them. The texts of about one hundred judicial speeches of the genos dikanikon (the forensic genre) have survived, all attributed to Demosthenes or another of the ten writers of canonical status. These professionals wrote either for themselves or members of a small elite. Victor Bers argues that men too poor to afford a professionally written speech frequently spoke before judicial bodies in procedures crucial to their status, wealth, or even their lives, and that these amateur performances often manifested an unmanly yielding to emotions of anger or fear; professional speech, Bers seeks to demonstrate, was to a large degree crafted in reaction to amateur stumbling.

A fruitful reading strategy that reveals expansive meaning in Proverbs

Interpreters often characterize Proverbs 10:1–22:16 as a dead-end of cold, disengaged dogma closed off from the realities of the world. In Genre and Openness in Proverbs 10:1–22:16, Suzanna R. Millar takes a different view, arguing that the didactic proverbs in these chapters are not dull and dry but are filled with poetic complexities open to many possible interpretations and uses. By incorporating paremiology, the technical study of the proverb genre, Millar sheds light on important debates such as character development, kingship, the connection between act and consequence, and the acquisition of wisdom.

Features

• A clarification of the genre of the sayings in light of modern genre theory
• A linguistic analysis of how openness is generated in biblical proverbs
• An examination of the didactic use of proverbs to train the hearer’s mind

In Genres of Listening Xochitl Marsilli-Vargas explores a unique culture of listening and communicating in Buenos Aires. She traces how psychoanalytic listening circulates beyond the clinical setting to become a central element of social interaction and cultural production in the city that has the highest number of practicing psychologists and psychoanalysts in the world. Marsilli-Vargas develops the concept of genres of listening to demonstrate that hearers listen differently, depending on where, how, and to whom they are listening. In particular, she focuses on psychoanalytic listening as a specific genre. Porteños (citizens of Buenos Aires) have developed a “psychoanalytic ear” that emerges during conversational encounters in everyday interactions in which participants offer different interpretations of the hidden meaning the words carry. Marsilli-Vargas does not analyze these interpretations as impositions or interruptions but as productive exchanges. By outlining how psychoanalytic listening operates as a genre, Marsilli-Vargas opens up ways to imagine other modes of listening and forms of social interaction.

In his books The Great Plains, The Great Frontier, and The Texas Rangers, historian Walter Prescott Webb created an enduring image of fearless, white, Anglo male settlers and lawmen bringing civilization to an American Southwest plagued with "savage" Indians and Mexicans. So popular was Webb's vision that it influenced generations of historians and artists in all media and effectively silenced the counter-narratives that Mexican American writers and historians were concurrently producing to claim their standing as "gente decente," people of worth.

These counter-narratives form the subject of Leticia M. Garza-Falcón's study. She explores how prominent writers of Mexican descent-such as Jovita González, Américo Paredes, María Cristina Mena, Fermina Guerra, Beatriz de la Garza, and Helena María Viramontes -have used literature to respond to the dominative history of the United States, which offered retrospective justification for expansionist policies in the Southwest and South Texas. Garza-Falcón shows how these counter-narratives capture a body of knowledge and experience excluded from "official" histories, whose "facts" often emerged more from literary techniques than from objective analysis of historical data.

“Gentefication” nuances Latinidad as not just an immigration question, but an academic one. It deals with Latinx death not as the literal passing
of bodies, but as first tied with language. It asks, what are the hauntings of a tongue that is repeatedly told, ‘one must learn English in order to succeed in this country’? What is the psychological trauma deployed not by right-wing bigots, but of white liberal institutions that give scholarships to Latinx students, but nevertheless prop up white supremacy by viewing their payments as charity? How do Latinx students become complicit in this tokenizing? “Gentefication” wrestles with this ‘survivor’s guilt’ of higher education, of feeling as if you’re the only one among your homies that ‘made it.’ And in an American moment dealing with scandals across multiple universities this work is a timely intervention that advocates for first-generation audiences, for readers of color, and for all those vested in the protracted struggle for our fair shot.

This study of the technique of Agatha Christie’s detective fiction—sixty-seven novels and over one hundred short stories—is the first extensive analysis of her accomplishment as a writer. Earl F. Bargannier demonstrates that Christie thoroughly understood the conventions of her genre and, with seemingly inexhaustible ingenuity, was able to develop for more than fifty years surprising variations within those conventions.

Gentleman in the Shadows is a biography of Benjamin C. Evans Jr., a Central Intelligence Agency executive who operated at the top levels of the U.S. intelligence community during the darkest days of the Cold War. After serving as a covert case officer in revolutionary Havana, Cuba, and then managing The Asia Foundation, a sprawling CIA front organization, Evans was promoted to the CIA headquarters’ seventh floor, where the executive directorate team managed world-changing intelligence missions. A socially adept administrator, Evans was the CIA Executive Secretary for seven Directors of Central Intelligence under four presidential administrations. Evans was part of the tumultuous period that included America’s crusade to democratize Occupied Japan, the Korean War, nuclear standoffs with the Soviet Union, the anti-Castro counterrevolutionary movement that climaxed in the Bay of Pigs invasion, the Vietnam War, Watergate, and the Family Jewels furor after the CIA’s dirty secrets were revealed. Through his marriage, Evans was a member of America’s elite, which figured so prominently in the U.S. intelligence services. Born and raised in a prosperous family in Crawfordsville, Indiana, Evans was imbued with conservative Hoosier values that celebrated servant-leadership. Following his graduation from the U.S. Military Academy at West Point, Evans’s social savvy and encultured mores stood him in good stead in Occupied Japan, where he served as aide-de-camp to General Eugene Harrison, a decorated World War II intelligence officer and Occupation administrator. It was in Occupied Japan that Evans and the general’s stepdaughter, Jan King, fell in love, and later married. When President Harry Truman recognized he needed a foreign intelligence service, General Harrison was on the commission that established what came to be the CIA. Not too many years later, Harrison and his cohorts insured that his son-in-law Evans, by then a respected military intelligence officer, was offered a position in the agency.CIA families not uncommonly led double lives of sequestered thoughts, unasked questions, and intimate deception. An empathetic family man, Evans paid a psychological price for his emotionally isolated life in the clandestine service.Gentleman in the Shadows is a biography of Benjamin C. Evans Jr., a Central Intelligence Agency executive who operated at the top levels of the U.S. intelligence community during the darkest days of the Cold War. After serving as a covert case officer in revolutionary Havana, Cuba, and then managing The Asia Foundation, a sprawling CIA front organization, Evans was promoted to the CIA headquarters’ seventh floor, where the executive directorate team managed world-changing intelligence missions. A socially adept administrator, Evans was the CIA Executive Secretary for seven Directors of Central Intelligence under four presidential administrations. Evans was part of the tumultuous period that included America’s crusade to democratize Occupied Japan, the Korean War, nuclear standoffs with the Soviet Union, the anti-Castro counterrevolutionary movement that climaxed in the Bay of Pigs invasion, the Vietnam War, Watergate, and the Family Jewels furor after the CIA’s dirty secrets were revealed. Through his marriage, Evans was a member of America’s elite, which figured so prominently in the U.S. intelligence services. Born and raised in a prosperous family in Crawfordsville, Indiana, Evans was imbued with conservative Hoosier values that celebrated servant-leadership. Following his graduation from the U.S. Military Academy at West Point, Evans’s social savvy and encultured mores stood him in good stead in Occupied Japan, where he served as aide-de-camp to General Eugene Harrison, a decorated World War II intelligence officer and Occupation administrator. It was in Occupied Japan that Evans and the general’s stepdaughter, Jan King, fell in love, and later married. When President Harry Truman recognized he needed a foreign intelligence service, General Harrison was on the commission that established what came to be the CIA. Not too many years later, Harrison and his cohorts insured that his son-in-law Evans, by then a respected military intelligence officer, was offered a position in the agency.CIA families not uncommonly led double lives of sequestered thoughts, unasked questions, and intimate deception. An empathetic family man, Evans paid a psychological price for his emotionally isolated life in the clandestine service.

Gentlemen Bankers investigates the social and economic circles of one of America’s most renowned and influential financiers to uncover how the Morgan family’s power and prestige stemmed from its unique position within a network of local and international relationships.

At the turn of the twentieth century, private banking was a personal enterprise in which business relationships were a statement of identity and reputation. In an era when ethnic and religious differences were pronounced and anti-Semitism was prevalent, Anglo-American and German-Jewish elite bankers lived in their respective cordoned communities, seldom interacting with one another outside the business realm. Ironically, the tacit agreement to maintain separate social spheres made it easier to cooperate in purely financial matters on Wall Street. But as Susie Pak demonstrates, the Morgans’ exceptional relationship with the German-Jewish investment bank Kuhn, Loeb & Co., their strongest competitor and also an important collaborator, was entangled in ways that went far beyond the pursuit of mutual profitability.

Delving into the archives of many Morgan partners and legacies, Gentlemen Bankers draws on never-before published letters and testimony to tell a closely focused story of how economic and political interests intersected with personal rivalries and friendships among the Wall Street aristocracy during the first half of the twentieth century.

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An in-depth guide to a plant group prized for its vivid blue hue.
 
Renowned for its stunning blue flowers, agapanthus—sometimes known as the blue lily or lily of the Nile—is a group of rhizomatous plants native to southern Africa. First cultivated in the Netherlands in the late seventeenth century, it rose to prominence as a conservatory plant in England during the eighteenth and nineteenth centuries after certain varieties were found to be hardy enough to withstand the colder climate of the British Isles. Graham Duncan’s The Genus Agapanthus provides both a revised classification of this plant group and a superbly illustrated celebration of their unique beauty. Featuring new watercolors from South African artist Elbe Joubert and color photographs showing the species in their spectacular and varied natural habitats, the book also highlights a selection of more than 150 of the most notable agapanthus cultivars from growers across Europe, Africa, and Oceania. The agapanthus’s natural history is spotlighted as well, with comprehensive descriptions of each species, maps of their global distribution, and information on how to successfully cultivate, propagate, and care for them. This book’s blend of science, horticulture, and art makes it essential for all varieties of plant lovers.
 

The Cyclamen is a literary and artistic darling, decorating ceramics, pottery, and jewelry, and found in botanical art references dating back to the first century. It is also a favorite of gardeners, growers, and botanists due to its extraordinary capacity for variation, in colors, shapes, fragrances, and flowering periods.

Genus Cyclamen is a celebration of this remarkable plant. Its science-based emphasis on botany and cultivation is complemented by sections on art and history, including twenty-five newly commissioned paintings and over seven hundred photographs. It provides a wealth of information, including taxonomic descriptions, flowering periods, distribution, and habitat, all based on the deep knowledge and practical experiences of the Cyclamen Society and other cyclamen experts. This book will find a wide audience of growers, gardeners, botanists, and enthusiasts, thanks to its all-encompassing coverage of the cyclamen and its informative, but accessible style.

A systematic account of recognised species, fully illustrated with 65 line drawings.

The need for a new monographic treatment of the genus Lesquerella (mustard family) has been evident for many years. Authors Reed Rollins and Elizabeth Shaw summarize three decades of field, greenhouse, and herbarium research in this detailed study of the North American species of the genus, including L. arctica. They cover sixty-nine species and twenty-nine infraspecific taxa that range in occurrence from the arctic to southern Mexico. Nearly sixty photographs and maps document their text.

Macaranga is a genus in the family Euphorbiaceae, comprising trees, treelets and some lianas - many of which are conspicuous large-leafed pioneers of disturbed habitats. There are 257 species, of which 21 are newly described in this work. Although at its most diverse in South East Asia and New Guinea, the genus also occurs in Africa and Madagascar, continental Asia, the Pacific Islands, and Australia. The book allows for ready identification of all species via both regional keys and keys within informal species groups. Twenty-five species are illustrated.

Varying from tiny mountain shrubs to tall trees, there is a rowan suitable for every garden. Dr McAllister has 25 years of knowledge and experience in growing rowans, and in this book describes over 60 visually striking species, including recent introductions from China. The re-appraisal of classification, evolutionary history, ecology and conservation will bring botanists up to date on latest research, while sections on propagation and cultivation will prove invaluable to gardeners, nurserymen and horticulturists. Eighteen full-page paintings by the renowned artist Josephine Hague, and over 100 colour photographs, illustrate the text.

The definitive monograph on these intriguing aquatic carnivorous plants. Each of the 214 species described is superbly illustrated with a full-page line drawing.

The toil of several million peasant farmers in Aztec Mexico transformed lakebeds and mountainsides into a checkerboard of highly productive fields. This book charts the changing fortunes of one Aztec settlement and its terraced landscapes from the twelfth to the twenty-first century. It also follows the progress and missteps of a team of archaeologists as they pieced together this story.

Working at a settlement in the Toluca Valley of central Mexico, the authors used fieldwalking, excavation, soil and artifact analyses, maps, aerial photos, land deeds, and litigation records to reconstruct the changing landscape through time. Exploiting the methodologies and techniques of several disciplines, they bring context to eight centuries of the region’s agrarian history, exploring the effects of the Aztec and Spanish Empires, reform, and revolution on the physical shape of the Mexican countryside and the livelihoods of its people. Accessible to specialists and nonspecialists alike, this well-illustrated and well-organized volume provides a step-by-step guide that can be applied to the study of terraced landscapes anywhere in the world.
 
The four authors share an interest in terraced landscapes and have worked together and on their own on a variety of archaeological projects in Mesoamerica, the Mediterranean, Poland, and the United Kingdom.