Best known for directing the Impressionist classic The Smiling Madame Beudet and the first Surrealist film The Seashell and the Clergyman, Germaine Dulac, feminist and pioneer of 1920s French avant-garde cinema, made close to thirty fiction films as well as numerous documentaries and newsreels. Through her filmmaking, writing, and cine-club activism, Dulac’s passionate defense of the cinema as a lyrical art and social practice had a major influence on twentieth century film history and theory.
In Germaine Dulac: A Cinema of Sensations, Tami Williams makes unprecedented use of the filmmaker's personal papers, production files, and archival film prints to produce the first full-length historical study and critical biography of Dulac. Williams's analysis explores the artistic and sociopolitical currents that shaped Dulac's approach to cinema while interrogating the ground breaking techniques and strategies she used to critique conservative notions of gender and sexuality. Moving beyond the director’s work of the 1920s, Williams examines Dulac's largely ignored 1930s documentaries and newsreels establishing clear links with the more experimental impressionist and abstract works of her early period.
This vivid portrait will be of interest to general readers, as well as to scholars of cinema and visual culture, performance, French history, women’s studies, queer cinema, in addition to studies of narrative avant-garde, experimental, and documentary film history and theory.
In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.
Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.
This study of the German community of early twentieth-century Buenos Aires is a major contribution to the literature on Argentine history and on the New World immigrant experience. Beginning with the first wave of immigration in the late nineteenth century and continuing to the outbreak of World War II, Ronald C. Newton reconstructs the growth, development, and influence of a powerful foreign population in what was then the largest city in South America.
In the three decades before World War I, Argentina became a major food-producing and exporting country. Through the port of Buenos Aires was funneled the bulk of the Pampas’ foodstuff and fiber in one direction and Europe’s capital, technology, and surplus labor in the other. The German speakers made up one of the smaller Western European communities within the Argentine metropolis, but their cultural and economic influence was far out of proportion to their numbers. Based in a large and occupationally diverse middle class, the German community was represented at all social levels. Newton analyzes the experience of this well-demarcated group during a period of rapid demographic growth and increasing pressure to assimilate. He constructs working hypotheses that may be applied and refined in further investigations.
The book draws substantially on materials from within the Buenos Aires German community—newspapers, memoirs, the records of associations and welfare agencies—to reconstruct its intense daily life. The author highlights, for instance, the sharp economic reversals German-speaking residents suffered during World War I and shows how their fortunes declined further after continued Germanic immigration in the 1920s. Especially significant is his finding that the German community, which until 1914 had seemed impervious to the currents of Argentine nationalism, became susceptible to assimilation into Argentine society. In concluding chapters Newton demonstrates the way the German economic elite came to terms with the Nazis for opportunistic reasons; thus, the volume also serves as an introduction to the question of Nazism’s diffusion in Argentina.
Germany fought three major colonial wars from 1900 to 1908: the Boxer War in China, the Herero and Nama War in Southwest Africa, and the Maji Maji War in East Africa. Recently, historians have emphasized the role of German military culture in shaping the horrific violence of these conflicts, tracing a line from German atrocities in the colonial sphere to those committed by the Nazis during World War II. Susanne Kuss dismantles such claims in a close examination of Germany’s early twentieth-century colonial experience. Despite acts of unquestionable brutality committed by the Kaiser’s soldiers, she finds no direct path from Windhoek, site of the infamous massacre of the Herero people, to Auschwitz.
In German Colonial Wars and the Context of Military Violence Kuss rejects the notion that a distinctive military culture or ethos determined how German forces acted overseas. Unlike rival powers France and Great Britain, Germany did not possess a professional colonial army. The forces it deployed in Africa and China were a motley mix of volunteers, sailors, mercenaries, and native recruits—all accorded different training and motivated by different factors. Germany’s colonial troops embodied no esprit de corps that the Nazis could subsequently adopt.
Belying its reputation for Teutonic efficiency, the German military’s conduct of operations in Africa and China was improvisational and often haphazard. Local conditions—geography, climate, the size and capabilities of opposing native populations—determined the nature and extent of the violence German soldiers employed. A deliberate policy of genocide did not guide their actions.
German Colonialism Revisited brings together military historians, art historians, literary scholars, cultural theorists, and linguists to address a range of issues surrounding colonized African, Asian, and Oceanic people’s creative reactions to and interactions with German colonialism. This scholarship sheds new light on local power dynamics; agency; and economic, cultural, and social networks that preceded and, as some now argue, ultimately structured German colonial rule. Going beyond issues of resistance, these essays present colonialism as a shared event from which both the colonized and the colonizers emerged changed.
Contributors. Ulrich Baer, Michael Geyer, Günter Grass, Frigga Haug, Julia Hell, Fredric Jameson, Juliet Koss, Andreas Michel, Martin Morris, Arkady Plotnitsky, Pierra Vidal-Naquet, Peter Weiss, James E. Young
Matthew Miller’s The German Epic in the Cold War explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany.
Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union.
Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures.
Beginning with the publication of Kant’s Critique of Pure Reason and extending through to Hegel’s death, the period known as German Idealism signaled the end of an epoch of rationalism, empiricism, and enlightenment—and the beginning of a new “critical” period of philosophy. The most comprehensive anthology of this vital tradition to date, German Idealism brings together an expansive selection of readings from the tradition’s major figures like Kant, Hegel, Fichte, and Schelling.
Arranged thematically into sections on topics such as the relationships between self and knowledge, freedom and morality, law and state, and nature and science, to name a few, German Idealism discloses many of the contrasts that helped to differentiate each of the tradition’s key thinkers. Each expertly translated text comes with an editorial introduction to guide readers through many of the problems the texts specifically deal with, as well as their historical context.
The most accessible and expansive introduction to German Idealism ever, this anthology will be hailed by instructors and scholars as the most dependable guide to the tradition for years to come.
German Literature on the Middle East explores the dynamic between German-speaking and Middle Eastern states and empires from the time of the Crusades to the end of the Cold War. This insightful study illuminates the complex relationships among literary and other writings on the one hand, and economic, social, and political processes and material dimensions on the other. Focusing on German-language literary and nonfiction writings about the Middle East (including historical documents, religious literature, travel writing, essays, and scholarship), Nina Berman evaluates the multiple layers of meaning contained in these works by emphasizing the importance of culture contact; a wide web of political, economic, and social practices; and material dimensions as indispensible factors for the interpretive process.
This analysis of literary and related writing reveals that German views about the Middle East evolved over the centuries and that various forms of action toward the Middle East differed substantially as well. Ideas about religion, culture, race, humanism, nation, and modernity, which emerged successively but remain operative to this day, have fashioned Germany's changed attitudes toward the Middle East. Exploring the interplay between textual discourses and social, political, and economic practices and materiality, German Literature on the Middle East offers insights that challenge accepted approaches to the study of literature, particularly approaches that insist on the centrality of the linguistic construction of the world. In addition, Berman presents evidence that the German encounter with the Middle East is at once distinct and yet at the same time characterized by patterns shared with other European countries. By addressing the individual nature of the German encounter in the larger European context, this study fills a considerable gap in current scholarship.
The interdisciplinary approach of German Literature on the Middle East will be of interest to the humanities in general, and specifically to scholars of German studies, comparative literature, Middle Eastern studies, and history.
Nina Berman is Professor of Comparative Studies at The Ohio State University.
Jacket image: Map of Europe by Giovanni Magini, from his “Geography.” Venice, [1598]. From the University of Michigan Map Library.
Political Map of the World, April 2008. From the University of Texas Perry-Castañeda Library, Map Collection.
The German Patient takes an original look at fascist constructions of health and illness, arguing that the idea of a healthy "national body"---propagated by the Nazis as justification for the brutal elimination of various unwanted populations---continued to shape post-1945 discussions about the state of national culture. Through an examination of literature, film, and popular media of the era, Jennifer M. Kapczynski demonstrates the ways in which postwar German thinkers inverted the illness metaphor, portraying fascism as a national malady and the nation as a body struggling to recover. Yet, in working to heal the German wounds of war and restore national vigor through the excising of "sick" elements, artists and writers often betrayed a troubling affinity for the very biopolitical rhetoric they were struggling against. Through its exploration of the discourse of collective illness, The German Patient tells a larger story about ideological continuities in pre- and post-1945 German culture.
Jennifer M. Kapczynski is Assistant Professor of Germanic Languages and Literatures at Washington University in St. Louis. She is the coeditor of the anthology A New History of German Cinema.
Cover art: From The Murderers Are Among Us (1946). Reprinted courtesy of the Deutsche Kinemathek.
"A highly evocative work of meticulous scholarship, Kapczynski's deftly argued German Patient advances the current revaluation of Germany's postwar reconstruction in wholly original and even exciting ways: its insights into discussions of collective sickness and health resonate well beyond postwar Germany."
---Jaimey Fischer, University of California, Davis
"The German Patient provides an important historical backdrop and a richly specific cultural context for thinking about German guilt and responsibility after Hitler. An eminently readable and engaging text."
---Johannes von Moltke, University of Michigan
"This is a polished, eloquently written, and highly informative study speaking to the most pressing debates in contemporary Germany. The German Patient will be essential reading for anyone interested in mass death, genocide, and memory."
---Paul Lerner, University of Southern California
In the fading evening light of August 4, 1914, Great Britain’s H.M.S. Telconia set off on a mission to sever the five transatlantic cables linking Germany and the United States. Thus Britain launched its first attack of World War I and simultaneously commenced what became the war’s most decisive battle: the battle for American public opinion.
In this revealing study, Chad Fulwider analyzes the efforts undertaken by German organizations, including the German Foreign Ministry, to keep the United States out of the war. Utilizing archival records, newspapers, and “official” propaganda, the book also assesses the cultural impact of Germany’s political mission within the United States and comments upon the perception of American life in Europe during the early twentieth century.
Fascination with the evil of the Nazi regime has not diminished in the decades since Hitler assumed power in Germany, but the story of internal resistance to Nazism has not been as fully realized as have the innumerable tales of horror. In this compact book Peter Hoffmann examines the growing recognition by some Germans in the 1930s of the malign nature of the Nazi regime, the ways in which these people became involved in the resistance, and the views of those who staked their lives in the struggle against tyranny and murder.
The earliest postwar accounts of the resistance by survivors and witnesses were followed by a variety of investigations and evaluations. Peter Hoffrnann here presents a complete reconstruction of this baffling and intriguing story. After several decades of study of the German resistance to Nazism, he has unlocked the secrets of its inner history. Hoffmann recounts the methods of Hitler's rise to power in the tumultuous days of January and February 1933, the consolidation of his power as a result of the Röhm Massacre in 1934, and his growing criminality as evidenced by the rape of Czechoslovakia and the pogrom of 1938. The author describes the several attempts in 1938 and during the war years to dislodge Hitler from within; the desperation of the luckless opponents over the carnage of war and the mass murders that threatened to engulf them; and finally, the attempt to assassinate Hitler on July 20, 1944. Throughout, he probes the motives of the resisters. Some, for example, found it difficult to justify assassination, even for the purpose of bringing an end to mass killing. Hoffmann examines and discounts the accusation that the principal motive of those who resisted was to preserve their class privileges. The resisters, he concludes, acted not so much in the hope of personal gain as from a moral obligation to challenge the evils they saw before them.
Terry Jordan explores how German immigrants in the nineteenth century influenced and were influenced by the agricultural life in the areas of Texas where they settled. His findings both support the notion of ethnic distinctiveness and reveal the extent to which German Texans adopted the farming techniques of their Southern Anglo neighbors.
German immigrants came to America for two main reasons: to seek opportunities in the New World, and to avoid political and economic problems in Europe. In German Settlement in Missouri, Robyn Burnett and Ken Luebbering demonstrate the crucial role that the German immigrants and their descendants played in the settlement and development of Missouri's architectural, political, religious, economic, and social landscape. Relying heavily on unpublished memoirs, letters, diaries, and official records, the authors provide important new narratives and firsthand commentary from the immigrants themselves.
Between 1800 and 1919, more than 7 million people came to the United States from German-speaking lands. The German immigrants established towns as they moved up the Missouri River into the frontier, resuming their traditional ways as they settled. As a result, the culture of the frontier changed dramatically. The Germans farmed differently from their American neighbors. They started vineyards and wineries, published German-language newspapers, and entered Missouri politics.
The decades following the Civil War brought the golden age of German culture in the state. The populations of many small towns were entirely German, and traditions from the homeland thrived. German-language schools, publications, and church services were common. As the German businesses in St. Louis and other towns flourished, the immigrants and their descendants prospered. The loyalty of the Missouri Germans was tested in World War I, and the anti-immigrant sentiment during the war and the period of prohibition after it dealt serious blows to their culture. However, German traditions had already found their way into mainstream American life.
Informative and clearly written, German Settlement in Missouri will be of interest to all readers, especially those interested in ethnic history.
Germania, USA was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
An unusual community in southern Minnesota, New Ulm, a town of about 12,000 inhabitants, is the subject of this sociological study. New Ulm was founded in 1856 by a group of German immigrants who came to the United States as refugees from the revolution of 1848 in Germany. They were members of the Turnverein, a society of liberal thinkers who were a political minority in Germany. In founding New Ulm they established a "utopian" ethnic community, became the town's status elite, and for a long time monopolized its economic, political, and cultural life.
Professor Iverson analyzes four aspects of sociological change in the community—class, status, power, and assimilation. Each aspect is viewed according to the differences found between two generations of the upper status group, the Turners, and two corresponding generations of non-Turners.
In addition to its substantive contribution to our knowledge of ethnic settlements, the study demonstrates a gain in methodological precision over many earlier studies of ethnic communities. Its chief methodological innovation is in the use of scales to verify and measure the changing structure of class, status, and power, and to gauge the extent of assimilation.
The book is of interest not only to sociologists, especially those concerned with the study of community change, but also to political scientists interested in the study of community power structures. Also, the methodology will be instructive to those interested in the design of community studies.
Germanic Accentology was first published in 1982. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The Scandinavian languages are among the few living Indo-European languages that possess a ramified system of special tones or accents. Such accents are widespread in the languages of Africa and Asia (creating, for example, the singsong character of Chinese and Vietnamese), but in the vast territory occupied by the Indo-European family only the Scandinavian languages, some German dialects, Lithuanian, Latvian, and Serbo- Croatian have similar accetologies. The function and origin of the Scandinavian accents are central problems facing linguists and are the issues that Anatoly Liberman confronts in this book.
Liberman uses the methods of synchronic and diachronic phonology to explore the current status of Scandinavian accentology and to reconstruct its historical development. In the first, synchronic, group of chapters he analyzes the accents and accent-like phenomena in all the modern Scandinavian languages, comparing the literary languages with spoken dialects, and drawing from all of the published descriptions of and theories about Scandinavian prosody. In the final, diachronic, chapter he presents a new hypothesis on the origins of Scandinavian accentology based upon his descriptive material. Throughout, his theoretical approach is that of a functionalist.
During the brief history of the Republic of Texas (1836-1845), over 10,000 Germans emigrated to Texas. Perhaps best remembered today are the farmers who settled the Texas Hill Country, yet many of the German immigrants were merchants and businesspeople who helped make Galveston a thriving international port and Houston an early Texas business center. This book tells their story.
Drawing on extensive research on both sides of the Atlantic, Walter Struve explores the conditions that led nineteenth-century Europeans to establish themselves on the North American frontier. In particular, he traces the similarity in social, economic, and cultural conditions in Germany and the Republic of Texas and shows how these similarities encouraged German emigration and allowed some immigrants to prosper in their new home. Particularly interesting is the translation of a collection of letters from Charles Giesecke to his brother in Germany which provide insight into the business and familial concerns of a German merchant and farmer.
This wealth of information illuminates previously neglected aspects of intercontinental migration in the nineteenth century. The book will be important reading for a wide public and scholarly audience.
Germans are the largest ancestral group in Michigan, representing over 2.6 million descendants or 22% of the state’s population. Yet, unlike other immigrant groups, Germans have not retained their linguistic and cultural traditions as part of a distinct ethnic identity. The Bavarian villages of Frankenmuth and Gaylord stand as testaments to the once proud and vigorous German communities that dotted both rural and urban Michigan landscapes. Jeremy W. Kilar explores the social forces that transformed Germans from inward-looking immigrants to citizens in the cultural mainstream. Germans in Michigan is a story of assimilation and renewal and as such reveals the complexities of Americanization and immigration as social forces.
Between 1820 and 1910, nearly five and a half million German-speaking immigrants came to the United States in search of new homes, new opportunities, and freedom from European tyrannies. Most settled in the Midwest, and many came to Wisconsin, whose rich farmlands and rising cities attracted three major waves of immigrants. By 1900, German farmers, merchants, manufacturers, editors, and educators—to say nothing of German churches (both Catholic and Lutheran), cultural institutions, food, and folkways—had all set their mark upon Wisconsin. In the most recent census (1990), more than 53 percent of the state's residents considered themselves "German"—the highest of any state in the Union.
In this best-selling book, now with updated text and additional historical photographs, Richard H. Zeitlin describes the values and ideas the Germans brought with them from the Old Country; highlights their achievements on the farm, in the workplace, and in the academy over the course of 150 years; and explains why their impact has been so profound and pervasive.
Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people.
Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of World War I.
The twenty-year period beginning in 1914 was characterized by the steady advance of a broad populist revolution that was animated by war, drew strength from the Revolution of 1918, menaced the Weimar Republic, and finally culminated in the rise of the Nazis. Better than anyone else, the Nazis twisted together ideas from the political Left and Right, crossing nationalism with social reform, anti-Semitism with democracy, fear of the future with hope for a new beginning. This radical rebelliousness destroyed old authoritarian structures as much as it attacked liberal principles.
The outcome of this dramatic social revolution was a surprisingly popular regime that drew on public support to realize its horrible racial goals. Within a generation, Germans had grown increasingly self-reliant and sovereign, while intensely nationalistic and chauvinistic. They had recast the nation, but put it on the road to war and genocide.
In one concise volume, Hagen Schulze brilliantly conveys the full sweep of German history, from the days of the Romans to the fall of the Berlin Wall. A story two thousand years in the making, it rings with battle, murmurs with intrigue, and hums with the music of everyday life. This richly various legacy, often overshadowed and distorted by the nation's recent past, offers a hopeful answer to the perennial question of what kind of country Germany is and will be.
From the revolt of the indigenous tribes against Roman domination, Schulze leads us through the events that have defined a nation at the center of European culture--the Thirty Years' War and the decline of the Holy Roman Empire, Luther's Reformation and Bismarck's attendance at the birth of modern Germany, the Great War and its aftermath, the nationalistic megalomania under Hitler, the division of the nation after World War II and its reunification. Throughout, we see what these developments have meant for the German people, in the arena of private life and on the stage of world history. A lavish array of illustrations provides a lively counterpoint to Schulze's elegantly written narrative.
As it follows the threads of German language, nationalism, and culture to the present day, this dramatic account provides ample reassurance that recent history will not repeat itself. Germany: A New History will prove indispensable to our understanding of Germany, past and present, and the future of Europe.
Historian Gilad Margalit eloquently fills a tragic gap in the historical record with this sweeping examination of the plight of Gypsies in Germany before, during, and since the era of the Third Reich.
Germany and Its Gypsies reveals the painful record of the official treatment of the German Gypsies, a people whose future, in the shadow of Auschwitz, remains uncertain. Margalit follows the story from the heightened racism of the nineteenth century to the National Socialist genocidal policies that resulted in the murder of most German Gypsies, from the shifting attitudes in the two Germanys in 1945 through reunification and up to the present day.
Drawing upon a rich variety of sources, Margalit considers the pivotal historic events, legal arguments, debates, and changing attitudes toward the status of the German Gypsies and shines a vitally important light upon the issue of ethnic groups and their victimization in society. The result is a powerful and unforgettable testament.
Using documents only recently available, this pioneering book explores the interaction of German, British, French, and American policy at a time when the great depression and the growing political power of the Nazis had created a European crisis—the only such crisis between 1910 and 1941 in which the United States played a leading role.
The author uses contemporary records to rectify the later accounts of such participants as Herbert Hoover, Julius Curtius, and Paul Schmidt. He describes the negotiations of the major powers arising out of the Austro-German plans for a customs union, and relates this problem to the question of terminating reparations and war debts. He shows how the Governor of the Bank of England directed British foreign policy into bitter opposition to France and how the German government sought to exploit the German private debt to Wall Street.
Edward Bennett comes to the conclusion that the Brüning government, contrary to widely held opinion, received fully as much help as it deserved, while the Western powers were already showing the disunity and irresponsibility which proved so disastrous in later years. Although primarily a diplomatic history, this book also offers fresh information on pre-Hitler Germany, MacDonald's Britain, the Hoover administration, and the early career of Pierre Laval.
Beginning with Bismarck's forging of a nation with "iron and blood," Gatzke tells of Germany's relentless struggle for domination in Europe and in the West, its defeat in two world wars, its division, East Germany's travail, and West Germany's search for identity as a modern democratic state.
A discerning statement about Germany and other nations, this book reevaluates for the general reader and the historian the impact of rapid industrialization, the origins of the world wars, the question of war guilt, the decade of Weimar democracy, and the rise and fall of Hitler. Gatzke looks anew at the economic miracle in West Germany and the consequences of making prosperity the cornerstone of a new republic.
It is to the realities of these German characteristics as an evolving nation-state that Gatzke relates American foreign policy and perceptions. He recounts the American fluctuations, from favorable to hostile to friendly, as Germany's policies and fortunes changed, and he places the division of Germany in historical perspective.
Contributors. Kendall L. Baker, Karl H. Cerny, David P. Conradt, Arthur B. Gunlicks, Alice McGillivray, Peter H. Merkl, Ferdinand Muller-Rommel, Helmut Norpoth, Richard M. Scammon, Donald Schoonmaker, Christian Soe
Analyzes the German role in Central American domestic and international relations
Using previously untapped resources including private collections, the records of cultural institutions, and federal and state government archives, Schoonover analyzes the German role in Central American domestic and international relations.Of the four countries most active in independent Central America-Britain, the United States, France, and Germany- historians know the least about the full extent of the involvement of the Germans.Adolf Hitler, writing in Mein Kampf, was scathing in his condemnation of German propaganda in the First World War, declaring that Germany had failed to recognize propaganda as a weapon of the first order. This despite the fact that propaganda had been regarded, arguably for the first time, as an intrinsic part of the war effort.
David Welch has written the first book to fully examine German society — politics, propaganda, public opinion, and total war — in the Great War. Drawing on a wide range of sources — from posters, newspapers, journals, film, parliamentary debates, police and military reports, and private papers — Welch argues that the moral collapse of Germany was due less to the failure to disseminate propaganda than to the inability of the military authorities and the Kaiser to reinforce this propaganda, and to acknowledge the importance of public opinion in forging an effective link between leadership and the people.
This new edition of a best-selling history of Germany, originally published in 1976, includes the great watershed of 1989–90 and its aftermath. With twelve maps, a chronology of events, and an updated bibliographical essay, Germany: A Short History provides a thorough introduction to German history from antiquity to the present.
A new Germany has come of age, as democratic, sophisticated, affluent, and modern as any other western nation. This remarkable transition in little more than a generation is the central theme of Germany Transformed. Here all the old stereotypes and conclusions are challenged and new research is marshalled to provide a model for an advanced democratic republic.
Kendall Baker, Russell Dalton, and Kai Hildebrandt, working with massive national election returns from 1953 onward, explain the Old Politics of the postwar period, which was based on the “economic miracle” and the security needs of West Germany, and the shift in the past decade to the New Politics, which emphasizes affluence, leisure, the quality of life, and international accommodation. But more than elections are examined. Rather, the authors delineate the transvaluation of the German civic culture as democracy became embedded in the nation’s institutions, political ways, party structures, and citizen interest in governance. By the 1970s the quiescent German of Prussia, the Empire, and the 1930s had become the active and aware democratic westerner.
This is among the most important books about West Germany written since the late 1950s, when the nation, devastated by war and rebuilding its economy and political life, was still struggling with the possibilities of democracy. It is a political history, recounted in enormous detail and with methodological precision, that will change perceptions about Germany and align them with realities. Germany is now an integrated part of a democratic western community of nations, and an understanding of its true condition not only illuminates better the staunch European identity but also is bound to have an impact on American policy.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
Officials mingled in the lobby of the Oktyabrskaia Hotel--shaking hands, sipping champagne, signing their names--and Germany was united. In this undramatic fashion, the international community closed the book on the drama of divided Germany. But nothing so momentous could be quite so quiet and uncomplicated, as this volume makes strikingly clear. This is the first book to go behind the scenes through access to still not opened archives in many countries. Germany Unified and Europe Transformed discloses the moves and maneuvers that ended the Cold War division of Europe.
Philip Zelikow and Condoleezza Rice, who served in the White House during these years, have combed a vast number of documents and other sources in German and Russian as well as English. They also interviewed the major actors in the drama--George Bush, Hans-Dietrich Genscher, Eduard Shevardnadze, James Baker, Anatoly Chernyayev, Brent Scowcroft, Horst Teltschik, and many others. Their firsthand accounts merge to create a complete, detailed, and powerfully immediate picture of what happened. The book takes us into Gorbachev's world, illuminating why the Soviet leader set such cataclysmic forces in motion in the late 1980s and how these forces outstripped his plans. We follow the tense debates between Soviet and East German officials over whether to crush the first wave of German protesters--and learn that the opening of the Berlin Wall was in fact one of the greatest bureaucratic blunders in human history. The narrative then reveals the battle for the future of East Germany as it took shape between West German Chancellor Helmut Kohl and the reform Communist leader, Hans Modrow--East Germany's "little Gorbachev." Zelikow and Rice show how Kohl and George Bush held off the reactions of governments throughout Europe so that Kohl could awaken East Germans to the possibility of reunification on his terms. Then the battle over the future of the NATO alliance began in earnest.
The drama that would change the face of Europe took place largely backstage, and this book lets us in on the strategies and negotiations, the nerve-racking risks, last-minute decisions, and deep deliberations that brought it off. It is the most authoritative depiction of contemporary statecraft to appear in decades.
How does a country reconstitute itself as a functioning democracy after a period of dictatorship? The new community may execute, imprison, or temporarily disenfranchise some citizens, but it will be unable to exclude all who supported the fallen regime. Political reconciliation must lay the groundwork for political trust. Democracy offers the compromised--and many who were more than just compromised--a second chance.
In this new book, Anne Sa'adah explores twentieth-century Germany's second chances. Drawing on evidence from intellectual debates, trials, literary works, controversies about the actions of public figures, and partisan competition, Sa'adah analyzes German responses to the problem of reconciliation after 1945 and again after 1989. She depicts the frustrations, moral and political ambiguities, and disappointments inherent to even successful processes of democratization. She constantly underscores the difficult trade-off between achieving a modicum of justice and securing the legitimacy and stability of the new regime. A strategy of reconciliation emphasizing outward conformity to democratic norms and behavior, she argues, has a greater chance of sustaining a new and fragile democracy than do more direct attempts to punish past misdeeds and alter people's inner convictions.
Through a lifetime of passionate scholarship, Gershom Scholem (1897–1982) uncovered the “domains of tradition hidden under the debris of centuries” and made the history of Jewish mysticism and messianism comprehensible and relevant to current Jewish thought.
In this paperback edition of his definitive book on Scholem’s work, David Biale has shortened and rearranged his study for the benefit of the general reader and the student. A new introduction and new passages in the main text highlight the pluralistic character of Jewish theology as seen by Scholem, the place of the Kabbalah in debates over Zionism versus assimilation, and the interpretation of Kafka as a Jewish writer.
Linda Marianiello here translates into English for the first time Dieter Kühn’s highly praised and definitive biography of one of Germany’s greatest poets, Gertrud Kolmar. Kolmar carried German-language poetry to new heights, speaking truth in a time when many poets collapsed in the face of increasing Nazi repression. Born Gertrud Käthe Chodziesner in Berlin in 1894, she completed her first collection, Poems, in 1917. She took her pen name, Kolmar, from the name of the town where her family originated.
Kolmar’s third collection of poems appeared in 1938 but soon disappeared in the wake of the overall repression of Jewish authors. At the time, she served as secretary to her father, Ludwig Chodziesner, a prominent lawyer. In 1941, the Nazis compelled her to work in a German armaments factory. Even as a forced laborer, the strength of her poetic voice grew, perhaps reaching its highest level before her deportation to Auschwitz. From gentle nature verses to stirring introspection, these are poems in which we can still find ourselves today. Both she and her father died in Nazi concentration camps, he in 1942, she the following year. The translation of Dieter Kühn’s biography conveys the tragic, yet courageous, life of a great poet to an English-speaking audience.
“You are, of course, never yourself,” wrote Gertrude Stein (1874–1946) in Everybody’s Autobiography. Modernist icon Stein wrote many pseudo-autobiographies, including the well-known story of her lover, The Autobiography of Alice B. Toklas;but in Lucy Daniel’s Gertrude Stein the pen is turned directly on Stein, revealing the many selves that composed her inspiring and captivating life.
Though American-born, Stein has been celebrated in many incarnations as the embodiment of French bohemia; she was a patron of modern art and writing, a gay icon, the coiner of the term “Lost Generation,” and the hostess of one of the most famous artistic salons. Welcomed into Stein’s art-covered living room were the likes of Picasso, Matisse, Hemingway, and Pound. But—perhaps because of the celebrated names who made up her social circle—Stein has remained one of the most recognizable and yet least-known of the twentieth-century’s major literary figures, despite her immense and varied body of work. With detailed reference to her writings, Stein’s own collected anecdotes, and even the many portraits painted of her, Lucy Daniel discusses how the legend of Gertrude Stein was created, both by herself and her admirers, and gives much-needed attention to the continuing significance and influence of Stein’s literary works.
A fresh and readable biography of one of the major Modernist writers, Gertrude Stein will appeal to a wide audience interested in Stein’s contributions to avant-garde writing, and twentieth century art and literature in general.
Gertrude Stein - American Writers 10 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The first extensive examination of Stein's notebooks, manuscripts and letters, prepared over a period of twenty years, Gertrude Stein: The Language That Rises asks new questions and explores new ways of reading Stein. This definitive study give us a finely detailed, deeply felt understanding of Stein, the great modernist, throughout one of her most productive periods. From "An Elucidation" in 1923 to Lectures In America in 1934, Ulla E. Dydo examines the process of the making and remaking of Stein's texts as they move from notepad to notebook to manuscript, from an idea to the ultimate refinement of the author's intentions. The result is an unprecedented view of the development of Stein's work, word by word, text by text, and over time.
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan.
Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music influenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fledgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs.
Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to
the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later.
In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
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