When championing the commercial buildings and homes that made the Windy City famous, one can’t help but mention the brilliant names of their architects—Daniel Burnham, Louis Sullivan, and Frank Lloyd Wright, among others. But few people are aware of Henry Ives Cobb (1859–1931), the man responsible for an extraordinarily rich chapter in the city’s turn-of-the-century building boom, and fewer still realize Cobb’s lasting importance as a designer of the private and public institutions that continue to enrich Chicago’s exceptional architectural heritage.
Henry Ives Cobb’s Chicago is the first book about this distinguished architect and the magnificent buildings he created, including the Newberry Library, the Chicago Historical Society, the Chicago Athletic Association, the Fisheries Building for the 1893 World’s Fair, and the Chicago Federal Building. Cobb filled a huge institutional void with his inventive Romanesque and Gothic buildings—something that the other architect-giants, occupied largely with residential and commercial work, did not do. Edward W. Wolner argues that these constructions and the enterprises they housed—including the first buildings and master plan for the University of Chicago—signaled that the city had come of age, that its leaders were finally pursuing the highest ambitions in the realms of culture and intellect.
Assembling a cast of colorful characters from a free-wheeling age gone by, and including over 140 images of Cobb’s most creative buildings, Henry Ives Cobb’s Chicago is a rare achievement: a dynamic portrait of an architect whose institutional designs decisively changed the city’s identity during its most critical phase of development.
In the 1940s Henry J. Kaiser was a household name, as familiar then as Warren Buffett and Donald Trump are now. Like a Horatio Alger hero, Kaiser rose from lower-middle-class origins to become an enormously wealthy entrepreneur, building roads, bridges, dams, and housing. He established giant businesses in cement, aluminum, chemicals, steel, health care, and tourism. During World War II, his companies built cargo planes and Liberty ships. After the war, he manufactured the Kaiser-Frazer automobile. Along the way, he also became a major force in the development of the western United States, including Hawaii.
Henry J. Kaiser: Builder in the Modern American West is the first biography of this remarkable man. Drawing on a wealth of archival material never before utilized, Mark Foster paints an evenhanded portrait of a man of driving ambition and integrity, perhaps the ultimate "can-do" capitalist. He covers Kaiser's entire life (1882–1967), emphasizing many business ventures. He demonstrates that Kaiser was the prototypical "frontier" entrepreneur who often used government and union support to tame the "wilderness."
Though today the Kaiser industries are no longer under family management, the Kaiser legacy remains great. Kaiser played a major role in building the Hoover, Bonneville, Grand Coulee, and Shasta dams. The Kaiser-Permanente Medical Care Program still provides comprehensive health care for millions of subscribers. Kaiser-planned communities remain in Los Angeles; San Francisco; Portland, Oregon; and Boulder City, Nevada. Kaiser Engineers was actively engaged in hundreds of huge construction jobs across the nation and around the world.
U.S. and business historians, scholars of the modern West, and general readers will all find much to absorb them in this well-written biography.
Henry James - American Writers 4 was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The author considers James’s work from The Bostonians to The Awkward Age – from 1883 to 1889 – a period in which James was resident in London and searching for material to replace the “international theme.” Jacobson considers this context in relation to the emergence of a mass market and sees James’s major fiction of this period as an attempt to exploit the conventions of popular fiction in an analysis of his society’s assumptions. James’s work at this time must also be viewed as an artist’s effort to secure popular attention and acceptance.
"He was a supreme artist in the intimacies and connections that bind people together or tear them apart," says Leon Edel in his introduction to this collection of Henry James's best letters. Edel has chosen, from the four-volume epistolarium already published, those letters which especially illuminate James's writing, his life, his thoughts and fancies, his literary theories, and his most meaningful friendships. In addition, there are two dozen letters that have never before been printed.
In its unity, its elegance, and its reflection of almost a century of Anglo-American life and letters, this correspondence can well be said to belong to literature as well as to biography. Besides epistles to James's friends and family--including his celebrated brother, William--there are letters to notables such as Flaubert and Daudet in France; Stevenson, Gosse, Wells, and Conrad in England; and Americans from William Dean Howells to Edith Wharton. The latter correspondence, in particular, enlarges our understanding of James's complex involvements with Wharton and her circle; among the previously unpublished letters are several to Wharton's rakish lover, Morton Fullerton.
This masterly selection allows us to observe the precocious adolescent, the twenty-six-year-old setting out for Europe, the perceptive traveler in Switzerland and Italy, and the man-about-London consorting with Leslie Stephen and William Morris, meeting Darwin and Rossetti, hearing Ruskin lecture, visiting George Eliot. The letters describe periods of stress as well as happiness, failure as well as success, loneliness as well as sociability. They portray in considerable psychological depth James's handling of his problems (particularly with his family), and they allow us to see him adjust his mask for each correspondent.
What made Henry Kissinger the kind of diplomat he was? What experiences and influences shaped his worldview and provided the framework for his approach to international relations? Jeremi Suri offers a thought-provoking, interpretive study of one of the most influential and controversial political figures of the twentieth century.
Drawing on research in more than six countries in addition to extensive interviews with Kissinger and others, Suri analyzes the sources of Kissinger's ideas and power and explains why he pursued the policies he did. Kissinger's German-Jewish background, fears of democratic weakness, belief in the primacy of the relationship between the United States and Europe, and faith in the indispensable role America plays in the world shaped his career and his foreign policy. Suri shows how Kissinger's early years in Weimar and Nazi Germany, his experiences in the U.S. Army and at Harvard University, and his relationships with powerful patrons--including Nelson Rockefeller and Richard Nixon--shed new light on the policymaker.
Kissinger's career was a product of the global changes that made the American Century. He remains influential because his ideas are rooted so deeply in dominant assumptions about the world. In treating Kissinger fairly and critically as a historical figure, without polemical judgments, Suri provides critical context for this important figure. He illuminates the legacies of Kissinger's policies for the United States in the twenty-first century.
A volume in the series Music in American Life
Henry Miller - American Writers 56 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
“In 1934 the city of Paris saw the birth of a book, published in English, which achieved instantaneous notoriety. Henry Miller’s Tropic of Cancer unfolded the adventures of a loquacious, free-wheeling, appallingly uninhibited American expatriate. But the rollicking eloquence, determined gusto, and explosive imagery of this modern Rabelais barely concealed the figure of a lonely American writer, thoroughly immersed in a legendary American situation.”—from the Introduction
Baxter examines Miller’s relationship with his native land and with Europe through his writings and in the comments of his critics and friends, navigating through the inconsistencies and the evolution of his opinions as his experiences changed. Her insights offer a complex, nuanced evaluation of Miller as writer and as expatriate.
Henry Ware Lawton’s nearly four decades as a professional soldier in the U.S. Army tie his story closely to that of America in the nineteenth century, from the Civil War to the settlement of the West, to the experiment with empire. Lawton served the country nearly uninterrupted from the day he enlisted at age 18—soon after Lincoln’s first call for volunteers to fight in the Civil War, where he earned a Medal of Honor—to his death at age 56, a major general in the Philippine War. In between, he fought in the Spanish-American War and the Indian Wars; during that time he rose to national prominence as the man who captured Geronimo.
"Convincingly argues for the importance of these middle years to understanding American science and vividly illustrates the effect of the Civil War on science. . . . Ravenel, a geographically isolated planter with a college degree but no scientific training, managed to serve as one of America's leading mycologists, despite continual financial and medical problems and the disruption of the Civil War. This lively account of his life and work is at once inspiring and tragic."
Journal of the History of Biology
"A thoroughly enjoyable biography of one of the important American naturalists, botanists, and mycologists of the 1800s. . . . Truly an outstanding contribution to the history of American science."
—Brittonia
Rick Kuhn’s Henryk Grossman and the Recovery of Marxism is the definitive study of the life and work of this renowned economist, activist, and intellectual. As a young man, Grossman joined the socialist movement and participated in Jewish workers' strikes and demonstrations, as well as in boycotts against employers and the Austro-Hungarian state. He moved to Vienna, but was driven back to Poland by the Austrian state's racist citizenship policies. A member of the illegal Polish Communist Party, Grossman was frequently arrested and jailed, finally leaving Poland for a post at the Institute for Social Research in Frankfurt am Main, which gave rise to the famous 'Frankfurt School'.
Grossman published his best known work in Frankfurt, including studies of Marx's method in Capital and theories of economic crisis that remain influential today. In tracing Grossman's experiences, from Kraków to New York, and offering a detailed account of his ideas, the biography provides an intimate account of key events in twentieth century history, including the politicization of east European Jewry, the World Wars, the rise of Stalinism and Nazism, and the cold war.
One of the preeminent authors of the early twentieth century, Susan Glaspell (1876–1948) produced fourteen ground-breaking plays, nine novels, and more than fifty short stories. Her work was popular and critically acclaimed during her lifetime, with her novels appearing on best-seller lists and her stories published in major magazines and in The Best American Short Stories. Many of her short works display her remarkable abilities as a humorist, satirizing cultural conventions and the narrowness of small-town life. And yet they also evoke serious questions—relevant as much today as during Glaspell’s lifetime—about society’s values and priorities and about the individual search for self-fulfillment. While the classic “A Jury of Her Peers” has been widely anthologized in the last several decades, the other stories Glaspell wrote between 1915 and 1925 have not been available since their original appearance. This new collection reprints “A Jury of Her Peers”—restoring its original ending—and brings to light eleven other outstanding stories, offering modern readers the chance to appreciate the full range of Glaspell’s literary skills.
Glaspell was part of a generation of midwestern writers and artists, including Sherwood Anderson, Sinclair Lewis, Willa Cather, and F. Scott Fitzgerald, who migrated first to Chicago and then east to New York. Like these other writers, she retained a deep love for and a deep ambivalence about her native region. She parodied its provincialism and narrow-mindedness, but she also celebrated its pioneering and agricultural traditions and its unpretentious values. Witty, gently humorous, satiric, provocative, and moving, the stories in this timely collection run the gamut from acerbic to laugh-out-loud funny to thought-provoking. In addition, at least five of them provide background to and thematic comparisons with Glaspell’s innovative plays that will be useful to dramatic teachers, students, and producers.
With its thoughtful introduction by two widely published Glaspell scholars, Her America marks an important contribution to the ongoing critical and scholarly efforts to return Glaspell to her former preeminence as a major writer. The universality and relevance of her work to political and social issues that continue to preoccupy American discourse—free speech, ethics, civic justice, immigration, adoption, and gender—establish her as a direct descendant of the American tradition of short fiction derived from Hawthorne, Poe, and Twain.
Born in the Australian bush, Stella Miles Franklin became an international publishing sensation in 1901, at the age of 21, with My Brilliant Career, whose portrayal of an ambitious and independent woman defying social expectations still captivates readers. In a magisterial biography, Jill Roe details Miles’ extraordinary life.
Early success launched Miles into influential literary and socialist circles in Sydney and Melbourne, where she met Banjo Paterson (composer of “Waltzing Matilda” and author of The Man from Snowy River) and suffragist Vida Goldstein (who introduced her to Christian Science). Researching the lives of working women, Miles disguised herself as a domestic for a year. She then lit out for adventure abroad, landing in San Francisco just after the Great Earthquake. At Jane Addams’ Hull House in Chicago, she joined the women’s labor movement, working for the National Women’s Trade Union League and writing for its magazine.
Moving to Britain in 1915, Miles joined the war cause and served in Macedonia as a hospital orderly and then worked in London for various feminist and progressive causes, including the National Housing Council. Always she wrote, becoming a prolific author of plays as well as novels and archetypal bush stories. Returning to Australia in the 1930s, she supported women’s causes and promoted Australian writers, leaving her estate to endow the nation’s premier literary award.
The culmination of decades of research in thousands of papers left by Miles, Her Brilliant Career stands as the definitive life of this remarkable writer and feminist.
For the ancient Maya, food was both sustenance and a tool for building a complex society. This collection, the first to focus exclusively on the social uses of food in Classic Maya culture, deploys a variety of theoretical approaches to examine the meaning of food beyond diet—ritual offerings and restrictions, medicinal preparations, and the role of nostalgia around food, among other topics. For instance, how did Maya feasts build community while also reinforcing social hierarchy? What psychoactive substances were the elite Maya drinking in their caves, and why? Which dogs were good for eating, and which breeds became companions? Why did even some non-elite Maya enjoy cacao, but rarely meat? Why was meat more available for urban Maya than for those closer to hunting grounds on the fringes of cities? How did the molcajete become a vital tool and symbol in Maya gastronomy?
These chapters, written by some of the leading scholars in the field, showcase a variety of approaches and present new evidence from faunal remains, hieroglyphic texts, chemical analyses, and art. Thoughtful and revealing, Her Cup for Sweet Cacao unlocks a more comprehensive understanding of how food was instrumental to the development of ancient Maya culture.
This book is a study of the historical record of Muslim women’s property rights and equity. Based on Islamic court documents of fifteenth-century Granada—documents that show a high degree of women’s involvement—the book examines women’s legal entitlements to acquire property as well as the social and economic significance of these rights to Granada’s female population and, by extension, to women in other Islamic societies.
The microhistory of women’s property rights is placed in a comparative historical, social, and economic context and is examined using a theoretical framework that suggests how this book’s conclusions might coexist with the Islamic feminist discourse on the law as a patriarchal system, serving to highlight both the uniqueness and the limitations of the Islamic case. The specifics presented in the case studies reveal the broader structures, constructs, rules, conditions, factors, and paradigms that shaped women’s property rights under Islamic law. They show that women’s property rights were more than just part of a legal system; they were the product of a legal philosophy and a pervasive paradigm that made property ownership a normal construct of the Muslim woman’s legal persona and a norm of her existence.
Set mainly in the small towns of Alabama, the stories in Her Kind of Want ache with the relentless longing of the poor, struggling, usually discarded southern women who tell us their lives—lives that seem to revolve around men whose only presence is their absence.
Bebe, Luna, Melly, Little Hula, Dena. These are just a few of the women we meet in Jennifer Davis's award-winning collection. Women who married too fast, had children too young, and drink too much. Yet beneath their unpolished exteriors, these women are flesh and blood, and their wants and needs are as severe and deep as any.
Davis's characters relate their stories in voices as complex and raw as their southern environment. Each tale may sound slightly familiar—an unwanted pregnancy, a fast car flying down a country road—but Davis moves beyond the familiar stories of the rural South to expose the gaps that connect these women, creating startlingly real and vibrant characters.
Although often bleak and sometimes disturbing, Her Kind of Want is a celebration of southern people, their perseverance, their spirit, and their determination to make the ugly beautiful.
Sayre P. Sheldon chose the twentieth century for this collection of women's war writing because women's roles in war have changed dramatically in this century. The twentieth century has redefined the meaning of combat and expanded the territory of war to include women in larger numbers than ever before. When the technological advances of modern war began to target civilians, the home front became the front line. Women took an active part in war whether or not by choice, often by moving into occupations previously closed to them. Women covered wars for their newspapers, wrote war propaganda for their governments, published their wartime diaries, described fighting alongside men, and used wartime experience for their fiction and poetry.
Women writers also chose the right to imagine war, just as men for centuries had written about war without actually experiencing it. Women writers anthologized here include Anna Akhmatova, Vera Brittain, Gwendolyn Brooks, Willa Cather, Colette, Martha Gellhorn, H.D., Etty Hillesum, Käthe Kollwitz, Doris Lessing, Amy Lowell, Katherine Mansfield, Mary McCarthy, Toni Morrison, Dorothy Parker, Mary Lee Settle, Gertrude Stein, Huong Tram, Edith Wharton, Virginia Woolf, and Mitsuye Yamada.
In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all?
Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.
Indulge your senses with the lively flavors, vivid colors, and tantalizing aromas of fresh herbs. This comprehensive guide gives you creative, festive recipes as well as valuable gardening information. With Lucinda Hutson's expert advice you'll discover how to:
Savor the Tuscan-inspired Panzanella, the continental Celebratory Niçoise Salad, or the Southwestern-spirited Pollo Picado. Lucinda's suggested recipe variations will turn you into a kitchen quick-change artist. Ideas for dazzling presentations make your meals as pleasing to the eye as they are to the palate. From rosemary and thyme to Mexican mint marigold and Thai basil, this is an essential guide for cooks and gardeners alike!
Contributors. Karen Baldwin, Richard Blaustein, Linda Camino, Edward M. Croom Jr., David Hufford, James W. Kirland, Peter Lichstein, Holly F. Mathews, Robert Sammons, C. W. Sullivan III
The foodie's ultimate herbal encyclopedia
Created as the ideal reference for anyone with a serious interest in cooking with herbs, spices, or related plant materials, The Herbalist in the Kitchen is truly encyclopedic in scope. It provides complete information about the uses, botany, toxicity, and flavor chemistry of herbs, as well as a listing for nearly every name that an ingredient is known by around the world.
Even including herbs and spices not yet seen in the United States (but likely to be featured in recipes for adventurous cooks soon), The Herbalist in the Kitchen is organized into one hundred and four sections, each consisting of a single botanical family. The book provides all available information about the chemical compounds responsible for a plant's characteristic taste and scent, which allows cooks to consider new subtleties and potential alternatives. For instance, the primary flavoring ingredient of cloves is eugenol; when a cook knows that bay leaves also contain eugenol, a range of exciting substitutions becomes clear. The Herbalist in the Kitchen also provides guidance about measuring herbs, enabling readers to understand the dated measuring standards from antique cookbooks.
A volume in The Food Series, edited by Andrew W. Smith
In this second volume in the Hoover Centennial Seminars series, seven scholars reexamine a major segment of Herbert Hoover's public career and in doing so offer fresh perspectives on the political, administrative, and diplomatic history of the 1920s. Drawing upon new materials and new insights, they reconstruct Hoover's transformation of the Commerce secretariat, explore his thinking and action in a variety of policy areas, and explode conventional depictions of Hoover's political conservatism. These essays show a resourceful and creative mind wrestling with the central problems of twentieth-century America and projecting solutions remarkably similar to current proposals for public use of the private sector.
When capitalism is clearly catastrophically out of control and its excesses cannot be sustained socially or ecologically, the ideas of Herbert Marcuse become as relevant as they were in the 1960s. This is the first English introduction to Marcuse to be published for decades, and deals specifically with his aesthetic theories and their relation to a critical theory of society.
Although Marcuse is best known as a critic of consumer society, epitomised in the classic One-Dimensional Man, Malcolm Miles provides an insight into how Marcuse's aesthetic theories evolved within his broader attitudes, from his anxiety at the rise of fascism in the 1930s through heady optimism of the 1960s, to acceptance in the 1970s that radical art becomes an invaluable progressive force when political change has become deadlocked.
Marcuse's aesthetics of liberation, in which art assumes a primary role in interrupting the operation of capitalism, made him a key figure for the student movement in the 1960s. As diverse forms of resistance rise once more, a new generation of students, scholars and activists will find Marcuse’s radical theory essential to their struggle.
Salsa and guacamole wouldn’t be the same without cilantro, and you can’t make pizza without oregano or a mojito without mint. You can use peppermint to settle an upset stomach, ease arthritis pain with stinging nettle, and heal burns and wounds with aloe vera. And then there is cannabis—perhaps the most notorious and divisive herb of all. Despite the fact that herbs are often little more than weeds, cultures around the globe have found hundreds of uses for them, employing them in everything from ancient medicines to savory dishes. While much has been written on cooking and healing with herbs, little has been told about the history of the plants themselves and the incredible journeys they have made.
Winner of the 2023 New England Society Book Award in the Historical Nonfiction category
Winner of an Award of Excellence, American Association for State and Local History (AASLH)
In 1822, settlers pushed north from Massachusetts and other parts of New England into Monson, Maine. On land taken from the Penobscot people, they established prosperous farms and businesses. Focusing on the microhistory of this village, Andrew Witmer reveals the sometimes surprising ways that this small New England town engaged with the wider world across the nineteenth and twentieth centuries. Townspeople fought and died in distant wars, transformed the economy and landscape with quarries and mills, and used railroads, highways, print, and new technologies to forge connections with the rest of the nation.
Here and Everywhere Else starts with Monson’s incorporation in the early nineteenth century, when central Maine was considered the northern frontier and over 90 percent of Americans still lived in rural areas; it ends with present-day attempts to revive this declining Maine town into an artists’ colony. Engagingly written, with colorful portraits of local characters and landmarks, this study illustrates how the residents of this remote place have remade their town by integrating (and resisting) external influences.
The poems in celebrated poet Elton Glaser’s sixth collection journey through the seasons, from spring to spring, a pilgrimage down to the South, over the Midwest of snow and roses, and across the Romance countries of Europe. If the poet often finds himself “[h]alfway between grief and longing,” that may be his natural condition, rooted in this world against the pull of the next, his faith in the “purple evidence of plums, the testimony of wild persimmon” weathering the stormy preachers and the droughts of middle age.
Within that tension, the range of tones is unlimited, sometimes in the same poem, from the serious to the sublime, from anguish to awe. Holding everything together is Glaser’s unmistakable voice, a warm idiom made pungent by wintry wit: “my tongue of odd American, my mongrel sublime.” Whether the poems speak of ripe pears or minor prophets, they invite the reader to a feast of language that lets us taste how it feels to live on this earth, in the shadow of the afterlife.
Mary Ashley Townsend was a novelist, newspaper columnist, and poet laureate of New Orleans who made several trips to Mexico with her daughter Cora during the last two decades of the 19th century. She collected her impressions of many aspects of life in that country—flora, fauna, architecture, people at work and play, fashion, society, food—and wrote about them during a time when few women engaged in solo travel, much less the pursuit of travel writing. Her collected work was still in progress when she died in a train accident in 1901, and was never published.
The stories in Merrill Feitell’s award-winning collection, Here Beneath Low-Flying Planes, examine the fleeting and unexpected moments of human connection, reminding us of the indelible impact we have on one another no matter how insignificant or anonymous we might feel under our huge, collective sky.
Feitell’s characters deal with shifting dynamics in relationships—whether they be best friends, lovers, family, or even strangers—that consistently leave them torn between two places or commitments. In the title story, Janie has undergone a painful childbirth experience and her group of friends must pioneer new dynamics while she wonders how to bring her old self back. In “Bike New York!” amid thirty thousand cyclists, a man on the brink of marriage meets a young girl who, in a tiny Brooklyn bakery, affirms both who he has been and who he is going to be. On this short detour from normal life he comes to understand “the funny thing about finding your way in the world. There was a place laid out for you . . . and even as you stepped into it, happy for the chance to rest, you wondered how you ever ended up there.”
Funny, big-hearted, and deft, Here Beneath Low-Flying Planes navigates the reader through the life that happens when you’re planning other things. It is a collection of experiences, roads not taken, and the intense and unforeseen sparks of connection we hope for.
Marriage among the Maya of Central America is a model of complementarity between a man and a woman. This union demands mutual respect and mutual service. Yet some husbands beat their wives.
In this pioneering book, Laura McClusky examines the lives of several Mopan Maya women in Belize. Using engaging ethnographic narratives and a highly accessible analysis of the lives that have unfolded before her, McClusky explores Mayan women's strategies for enduring, escaping, and avoiding abuse. Factors such as gender, age inequalities, marriage patterns, family structure, educational opportunities, and economic development all play a role in either preventing or contributing to domestic violence in the village. McClusky argues that using narrative ethnography, instead of cold statistics or dehumanized theoretical models, helps to keep the focus on people, "rehumanizing" our understanding of violence. This highly accessible book brings to the social sciences new ways of thinking about, representing, and studying abuse, marriage, death, gender roles, and violence.
Democracy—its aspirations, its dangers—is what, most fundamentally, our Constitution is about. The question, Richard Parker argues in this powerful book, is how to imagine our democracy. Provocative in style and substance, this manifesto challenges orthodoxies of constitutional legal studies, particularly the idea that constitutionalism and populist democracy stand opposed. Parker presents a populist argument. He contends that the mission of constitutional law should be to promote, not limit, the expression of ordinary political energy—thus to extend, rather than constrain, majority rule.
At the root of the matter, Parker finds a question of “sensibility”—assumptions and attitudes about the political energy of ordinary people. He approaches this sensibility in a novel way, through a work of fiction about politics, Thomas Mann’s Mario and the Magician. Offering two “takes” on the story, Parker shows how it evokes—and elucidates—our deepest, most problematic attitudes about popular political energy in our own democracy. He goes on to elaborate these attitudes within our practice of constitutional argument. This is a book about the people, and for the people, a reimagination of constitutional law’s populist potential. It will disorient—then reorient—the thinking of everyone who is concerned about democracy and the Constitution.
Is Ancient Greece still meaningful to the twenty-first-century world? The vitality of the classical tradition, which has been a long-enduring and important element in our culture, is the concern of the seven scholars who in this book present their answers to this question.
In various ways their essays support editor Frederic Will's statement that the "complex and mature group of awarenesses" embodied in the classical tradition still help to maintain the continuity of human culture, thus sharing in the unbroken process of developing a Western civilization. These awarenesses are not self-perpetuating but must be sustained by the guardians of tradition—schools, literary creators and critics, libraries, and scholars. In this book, particular attention is devoted to the literary creators. In discussing the impact of Greek myth, Greek literature, and Greek philosophy on modern writers, the present essayists try to determine how alive Greek classical culture is today, how meaningful it is, and how it can be perpetuated. Through their presentations in these seven essays, the contributors prove that the tradition does not suffer from lack of able guardians.
These studies in the interpretation of literature and thought afford stimulating evidence that the classical tradition is still alive in our modern age.
The secrets locked in our genes are being revealed, and we find ourselves both enthused and frightened about what that portends. We look forward to curing disease and alleviating suffering—for our children as well as for ourselves—but we also worry about delving too deeply into the double helix. Abuses perpetrated by eugenicists—from involuntary sterilization to murder—continue to taint our feelings about genetic screening.
Yet, as Ruth Schwartz Cowan reveals, modern genetic screening has been practiced since 1960, benefiting millions of women and children all over the world. She persuasively argues that new forms of screening—prenatal, newborn, and carrier testing—are both morally right and politically acceptable. Medical genetics, built on the desire of parents and physicians to reduce suffering and increase personal freedom, not on the desire to “improve the human race,” is in fact an entirely different enterprise from eugenics.
Cowan’s narrative moves from an account of the interwoven histories of genetics and eugenics in the first half of the twentieth century, to the development of new forms of genetic screening after mid-century. It includes illuminating chapters on the often misunderstood testing programs for sickle cell anemia, and on the world’s only mandated premarital screening programs, both of them on the island of Cyprus.
Neither minimizing the difficulty of the choices that modern genetics has created for us nor fearing them, Cowan bravely and compassionately argues that we can improve the quality of our own lives and the lives of our children by using the modern science and technology of genetic screening responsibly.
This volume reports on a study of 850 pairs of twins who were tested to determine the influence of heredity and environment on individual differences in personality, ability, and interests. It presents the background, research design, and procedures of the study, a complete tabulation of the test results, and the authors’ extensive analysis of their findings. Based on one of the largest studies of twin behavior conducted in the twentieth century, the book challenges a number of traditional beliefs about genetic and environmental contributions to personality development.
The subjects were chosen from participants in the National Merit Scholarship Qualifying Test of 1962 and were mailed a battery of personality and interest questionnaires. In addition, parents of the twins were sent questionnaires asking about the twins’ early experiences. A similar sample of nontwin students who had taken the merit exam provided a comparison group. The questions investigated included how twins are similar to or different from nontwins, how identical twins are similar to or different from fraternal twins, how the personalities and interests of twins reflect genetic factors, how the personalities and interests of twins reflect early environmental factors, and what implications these questions have for the general issue of how heredity and environment influence the development of psychological characteristics. In attempting to answer these questions, the authors shed light on the importance of both genes and environment and form the basis for different approaches in behavior genetic research.
The Herero-German war led to the destruction of Herero society. Yet Herero society reemerged, reorganizing itself around the structures and beliefs of the German colonial army and Rhenish missionary activity.
This book describes the manner in which the Herero of Namibia struggled to maintain control over their own freedom in the face of advancing German colonialism. Taking advantage of the South AFrican invasion in of Namibia in World War One the Herero established themselves in areas of their own choosing. The effective reoccupation of land by the Herero forced the new colonial state, anxious to maintain peace and cut costs, to come to terms with the existence of Herero society.
The study ends in 1923 when the death and funeral of Samuel Maherero — first paramount of the Herero and then resistance leader — was the catalyst that brought the disparate groups of Herero together to establish a single unitary Herero identity.
Challenging the prevailing belief that Mark Twain’s position on religion hovered somewhere between skepticism and outright heresy, Lawrence Berkove and Joseph Csicsila marshal biographical details of Twain’s life alongside close readings of his work to explore the religious faith of America’s most beloved writer and humorist. They conclude not only that religion was an important factor in Twain’s life but also that the popular conception of Twain as agnostic, atheist, or apostate is simply wrong.
Heretical Fictions is the first full-length study to assess the importance of Twain’s heretical Calvinism as the foundation of his major works, bringing to light important thematic ties that connect the author’s early work to his high period and from there to his late work. Berkove and Csicsila set forth the main elements of Twain’s “countertheological” interpretation of Calvinism and analyze in detail the way it shapes five of his major books—Roughing It, The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, A Connecticut Yankee in King Arthur's Court, and No. 44, The Mysterious Stranger—as well as some of his major short stories. The result is a ground-breaking and unconventional portrait of a seminal figure in American letters.
The prevailing assumption regarding the Victorians’ relationship to ancient Greece is that Greek knowledge constituted an exclusive discourse within elite male domains. Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination challenges that theory and argues that while the information women received from popular sources was fragmentary and often fostered intellectual insecurities, it was precisely the ineffability of the Greek world refracted through popular sources and reconceived through new fields of study that appealed to women writers’ imaginations.
Examining underconsidered sources such as theater history and popular journals, Shanyn Fiske uncovers the many ways that women acquired knowledge of Greek literature, history, and philosophy without formal classical training. Through discussions of women writers such as Charlotte Brontë, George Eliot, and Jane Harrison, Heretical Hellenism demonstrates that women established the foundations of a heretical challenge to traditional humanist assumptions about the uniformity of classical knowledge and about women’s place in literary history.
Heretical Hellenism provides a historical rationale for a more expansive definition of classical knowledge and offers an interdisciplinary method for understanding the place of classics both in the nineteenth century and in our own time.
The Masses was the most dynamic and influential left-wing magazine of the early twentieth century, a touchstone for understanding radical thought and social movements in the United States during that era. As a magazine that supported feminist issues, it played a crucial role in shaping public discourse about women's concerns. Women editors, fiction writers, poets, and activists like Mary Heaton Vorse, Louise Bryant, Adriana Spadoni, Elsie Clews Parsons, Inez Haynes Gillmore, and Helen Hull contributed as significantly to the magazine as better-known male figures.
In this major revisionist work, Margaret C. Jones calls for reexamination of the relevance of Masses feminism to that of the 1990s. She explores women contributors' perspectives on crucial issues: patriarchy, birth control, the labor movement, woman suffrage, pacifism, and ethnicity. The book includes numerous examples of the writings and visual art of Masses women and a series of biographical/bibliographical sketches designed to aid other researchers.
Popular anger against the financial system has never been higher, yet the practical workings of the system remain opaque to many people. The Heretic's Guide to Global Finance aims to bridge the gap between protest slogans and practical proposals for reform.
Brett Scott is a campaigner and former derivatives broker who has a unique understanding of life inside and outside the financial sector. He builds up a framework for approaching it based on the three principles of 'Exploring', 'Jamming' and 'Building', offering a practical guide for those who wish to deepen their understanding of, and access to, the inner workings of financial institutions.
Scott covers aspects frequently overlooked, such as the cultural dimensions of the financial system, and considers major issues such as agricultural speculation, carbon markets and tar-sands financing. Crucially, it also showcases the growing alternative finance movement, showing how everyday people can get involved in building a new, democratic, financial system.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press