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Hardy Cross
American Engineer
Leonard K. Eaton
University of Illinois Press, 2006

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Hardy Cypripedium
Species, Hybrids and Cultivation
Werner Frosch and Phillip Cribb
Royal Botanic Gardens, Kew, 2012
With a name that references Aphrodite and colors that range from muted to majestic, it is easy to see why the Cypripedium, commonly known as the slipper orchid, is one of the most loved orchids. Now readers can learn what it takes to fully appreciate and care for this genus.

Hardy Cypripedium presents the fifty species and one hundred hybrids of the slipper orchid through more than three hundred photos. It also provides plant descriptions, ecology, distribution, and cultivation methods. Sections on history, morphology, and conservation round out the guide. Professional and amateur growers, as well as fans of orchids of all types, will find a wealth of useful information in this beautiful book.
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Hare
Simon Carnell
Reaktion Books, 2010

Once described as the “fastest, hairiest, most lascivious, and most melancholy” of mammals, the hare was also believed to never close its eyes, occasionally grow horns, and have the ability to change its sex. More than just a speedy, but lazy, character in popular children’s fables, the hare is remarkable for its actual behavior and the intriguing myths that have developed around it. Here, Simon Carnell examines how this animal has been described, symbolized, visually depicted, and sought for its fur, flesh, and exceptional speed.  

            Carnell tracks the hare from ancient Egypt, where a hieroglyph of a hare stood for the concept of existence itself, to Crucifixion scenes, Buddhist lore, and Algonquin creation myths, to the serial works of Joseph Beuys, and even to an art installation in a Dutch brothel. The hare shows up in both surprising and expected places—it was the principal subject of the first hunting treatise, it appears in the first signed and dated picture of a single animal, and it was credited in early medicine with the most curative properties of any animal.

            Combining recent natural history with an extensive and richly illustrated focus on visual art, Hare is highly accessible and packed with details about a historically fascinating animal.

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Hare Krishna In America
Rochford, E. Burke
Rutgers University Press, 1985
You have seen them dancing and chanting on street corners or soliciting donations in airports. Their shaven heads, long robes, and sense for the dramatic set them apart from others around them and generate curiosity, sometimes mistrust, wherever they appear. 

Sociologist E. Burke Rochford, Jr., began his study of the Hare Krishna movement in America in the mid-1970s, only to find himself increasingly drawn into the movement even as he struggled to maintain a critical distance. Convinced to wear beads, chant, and take part in religious ceremonies, as well as to move in for occasional stays, Rochford found his new form of devotion a cause of concern for his family, friends, and colleagues. Participation in the movement's activities, however, enabled him to experience from within the forces at play between a society often intolerant of religious deviation and a religion dedicated to the continual recruitment of new followers. 

Rochford uses several different sociological approaches--the life history of a single devotee, analysis of male-female recruitment patterns, surveys of members, and extensive field notes--to present he reader with a vivid portrait of the Hare Krishna movement as it has developed and changed in the first twenty years of its existence. 
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Hare Krishna In America
Rochford, E. Burke
Rutgers University Press, 1985
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Hare Krishna
(Studies in Contemporary Religion)
Federico Squarcini
Signature Books, 2004
 The founder of the Hare Krishna movement (or International Society for Krishna Consciousness / ISKCON) was the Indian guru, Swami Bhaktivedanta, who during the last years of his life brought a Hindu denomination to the West. He represented the Bengali (Gaudiya) school of Vaisnavism—devotion to Vishnu and Krishna—which he molded somewhat to the times when he arrived in New York in the 1960s. Since then, ISKCON has evolved along more conventional—by Western standards—denominational lines with a largely middle-class, lay membership.

When Bhaktivedanta arrived in America, it was a bold step because historically a guru who ventured outside of India was stripped of his Brahman status. However, the effort bore fruit—not the least of which was the type of intercultural understanding promoted by the current authors through their study of ISKCON’s place within the religion and culture of India.

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Harem Histories
Envisioning Places and Living Spaces
Marilyn Booth, ed.
Duke University Press, 2010
Harem Histories is an interdisciplinary collection of essays exploring the harem as it was imagined, represented, and experienced in Middle Eastern and North African societies, and by visitors to those societies. One theme that threads through the collection is the intimate interrelatedness of West and East evident in encounters within and around the harem, whether in the elite socializing of precolonial Tunis or the popular historical novels published in Istanbul and Cairo from the late nineteenth century onward. Several of the contributors focus on European culture as a repository of harem representations, but most of them tackle indigenous representations of home spaces and their significance for how the bodies of men and women, and girls and boys, were distributed in social space, from early Islamic Mecca to early-twentieth-century Cairo.

Contributors. Asma Afsaruddin, Orit Bashkin, Marilyn Booth, Nadia Maria El Cheikh, Julia Clancy-Smith, Joan DelPlato, Jateen Lad, Nancy Micklewright, Yaseen Noorani, Leslie Peirce, Irvin Cemil Schick, A. Holly Schissler, Heghnar Zeitlian Watenpaugh

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Harker's Barns
Visions of an American Icon
Michael Harker
University of Iowa Press, 2003

Michael Harker drove past old barns on gravel roads and blacktop highways for years. He generally dismissed them as obsolete outbuildings until November 1993, when he felt compelled to photograph a windmill in Clutier, Iowa. This single photograph launched him on a seven-and-a-half-year mission to document Iowa's barns and all they represent. The result is Harker's Barns: Visions of an American Icon.

Each of the seventy-five black-and-white images featured in Harker's Barns beautifully and heartbreakingly captures the glory and ultimate demise of one of rural America's most enduring icons. From square to round, wood to brick, Dutch to Swedish, occupied or abandoned, the barns documented in this stunning collection are a testament to a passing way of life that was once the lifeblood of Iowa and the Midwest.

Complementing Harker's photographs are vignettes by poet and writer Jim Heynen. Both whimsical and endearing, each vignette treats barns as organic and intelligent entities, reflecting the living history that can be found inside each rural structure.
Iowa's barns are disappearing and with them a way of life; Harker's Barns brilliantly documents their heritage for future generations. As Jim Heynen says, “A good photograph can maintain an old barn through blizzards and hail storms and tornadoes. It is the best support beam and wood preservative an old barn can have.”

 
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Harker's One-Room Schoolhouses
Visions of an Iowa Icon
Paul Theobald
University of Iowa Press, 2008
In Harker’s Barns documentary photographer Michael Harker captured the glory and the decay of one of rural America’s most elemental icons. Now in Harker’s One-Room Schoolhouses he brings another rural American icon back to life. His stark and stunning photographs of these small, neat buildings—once the social and educational center of rural life, now either abandoned or restored to an artificial quaintness—encapsulate the dramatic transformations that have overtaken the Iowa countryside.
      Michael Harker’s goal is to record Iowa’s historically significant architecture before it disappears forever. From Coon Center School no. 5 in Albert City to Pleasant Valley School in Kalona, North River School in Winterset to Douglas Center School in Sioux Rapids, and Iowa’s first school to Grant Wood’s first school, he has achieved this goal on a grand scale in Harker’s One-Room Schoolhouses.
      Educational historian Paul Theobald tells the story of the rise and fall of Iowa’s one-room schools, whose numbers fell from close to 15,000 in 1918 to only 1,100 in 1960, all of which had ceased to function as schools by 1980. Moving from the state-wide story to the personal, he introduces us to George Coleman, son of a local farmer and school board director, who kept a sparse diary between December 1869 and June 1870.  Young George’s words reveal the intimate way in which one-room schools interacted with the local community, including the local economic scene. Theobald ends by suggesting that these one-room relics of the past may again prove useful.
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The Harkis
The Wound That Never Heals
Vincent Crapanzano
University of Chicago Press, 2011

In this haunting chronicle of betrayal and abandonment, ostracism and exile, racism and humiliation, Vincent Crapanzano examines the story of the Harkis, the quarter of a million Algerian auxiliary troops who fought for the French in Algeria’s war of independence. After tens of thousands of Harkis were massacred by other Algerians at the end of the war, the survivors fled to France where they were placed in camps, some for as long as sixteen years. Condemned as traitors by other Algerians and scorned by the French, the Harkis became a population apart, and their children still suffer from their parents’ wounds. Many have become activists, lobbying for recognition of their parents’ sacrifices, compensation, and an apology.

More than just a retelling of the Harkis’ grim past and troubling present, The Harkis is a resonant reflection on how children bear responsibility for the choices their parents make, how personal identity is shaped by the impersonal forces of history, and how violence insinuates itself into every facet of human life.

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HARLAN ELLISON
THE EDGE OF FOREVER
ELLEN WEIL
The Ohio State University Press, 2002

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The Harlan Renaissance
Stories of Black Life in Appalachian Coal Towns
William H. Turner
West Virginia University Press, 2021
Weatherford Award Winner, Nonfiction

A personal remembrance from the preeminent chronicler of Black life in Appalachia.

The Harlan Renaissance is an intimate remembrance of kinship and community in eastern Kentucky’s coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal’s final postwar boom years, which built toward an enduring bust as the children of Black miners, like the author, left the region in search of better opportunities.

The Harlan Renaissance invites readers into what might be an unfamiliar Appalachia: one studded by large and vibrant Black communities, where families took the pulse of the nation through magazines like Jet and Ebony and through the news that traveled within Black churches, schools, and restaurants. Difficult choices for the future were made as parents considered the unpredictable nature of Appalachia’s economic realities alongside the unpredictable nature of a national movement toward civil rights.

Unfolding through layers of sociological insight and oral history, The Harlan Renaissance centers the sympathetic perspectives and critical eye of a master narrator of Black life.
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Harlem Between Heaven And Hell
Monique M. Taylor
University of Minnesota Press, 2002
A hard-hitting look at race, class, and black gentrification in this emblematic community. Harlem brings to mind a kaleidoscope of images-the jazz clubs and cultural ferment of the 1920s and 1930s, the urban decay of the 1960s and 1970s, and the revitalization of the past twenty years, with artists, writers, professionals, and even an ex-president moving to a community often seen as the capital of black America. Integral to the ongoing transformation of Harlem has been the return of the African-American middle class to what had become an overwhelmingly poor area. In this lively book, Monique M. Taylor explores the stresses created by this influx, the surprising ways class differences manifest themselves and are managed, and what we can learn from examining a community in which race and class are so closely intertwined. Harlem between Heaven and Hell is told through a look at history, literature, redevelopment strategies, community activism, and extensive interviews with black professionals-married and single, with children and without, long-term residents and recent arrivals. In their voices we hear of the cultural legacy, political commitments, economic considerations, and desire for community that drew them to Harlem. They tell us of the complexities of gentrification and their own role in it: the trepidation and distrust that often greeted their arrival, the challenges of renovating Harlem's historic brownstones in the face of entrenched neighborhood decay, learning and shaping the social mores of the area. Two key questions underlie these accounts: What does it mean when blacks move in alongside blacks of a different social class? How can a neighborhood successfully balance racial and class diversity in the face of rapid change? Taylor places this intraracial class conflict within the context of America's changing race relations, showing how the feelings and issues that have arisen-to oppose, embrace, or participate in gentrification-reveal unsettled questions surrounding race, racism, class, and culture in a changing urban landscape. Through her incisive description of the everyday ways race and class are experienced, she has created a vivid exploration of black middle-class identity in the post-civil rights era. Monique M. Taylor is associate professor of sociology at Occidental College.
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Harlem Calling
The Collected Stories of George Wylie Henderson
George Wylie Henderson
University of Michigan Press, 2005


"A very interesting collection . . . both for the way that Henderson's work links the literature of the Harlem Renaissance with the black protest literature of Richard Wright and others, and for Henderson's subject matter and the places that he chose to publish."
--Nellie McKay, University of Wisconsin-Madison

"There is really no other black fiction quite like this that I know of, from the 1920s through the 1930s . . . That Henderson was publishing stories in a newspaper and magazine for the mass market after the period when 'the vogue of the Negro' had allegedly ended is significant in itself. The stories are interesting in relation to both the Negro renaissance and the turn to proletarian fiction."
--George Hutchinson, Indiana University


Harlem Calling collects carefully crafted short stories about life in Alabama, Memphis, and New York City that dramatize the profound ambivalence many blacks felt about their participation in the Great Migration. George Wylie Henderson's tales of the rural South are sometimes nostalgic but also present the hard work and violence of everyday life there, and his stories set in Harlem present the glamour of urban life, while they also are concerned with poverty and social mores.

Henderson enjoyed a widespread popular audience for his periodical fiction in the 1930s and '40s and was a regular contributor to the New York Daily News and Redbook magazine, where the seventeen stories in Harlem Calling were originally published. Until the publication of Harlem Calling, Henderson had been chiefly known for his critically acclaimed 1935 novel about an Alabama farmhand, Ollie Miss, and the 1946 sequel narrating her son's migration to Harlem, Jule. Contemporary critics have favorably compared Henderson's writing to that of Zora Neale Hurston and Langston Hughes, as it captures the life of the black migrant with a style that embraces simplicity and honesty.

Collected here by literary scholar and editor David G. Nicholls, and contextualized with an informative and insightful introduction, Harlem Calling provides a unique perspective on the Harlem Renaissance and on the African American literary tradition.

George Wylie Henderson (1904-65) was born in Alabama, worked in the printing trade, and began writing fiction shortly after graduating from the Tuskegee Institute. He migrated to Harlem with his wife in the late 1920s and published his first story in the New York Daily News in 1932. He also published two novels, Ollie Miss (1935) and Jule (1946). David G. Nicholls is the Director of Book Publications for the Modern Language Association and holds a Ph.D. in English from the University of Chicago. He is author of Conjuring the Folk: Forms of Modernity in African America.
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Harlem
Found Ways
Vera Ingrid Grant
Harvard University Press

The art and artists of Harlem: Found Ways represent the place and its people, burnishing Harlem’s luster but never attempting to smooth its rough edges. The works in the exhibition span a variety of media to explore the invention of Harlem and, at the same time, reinvent it. Artists in the exhibition Harlem: Found Ways, at the Ethelbert Cooper Gallery of African & African American Art in Cambridge, MA, from 24 May to 15 July, 2017, included Dawoud Bey, Abigail DeVille, Glenn Ligon, Howard Tangye, Nari Ward, and Kehinde Wiley. The exhibition also included items from the Harlem Postcards project at The Studio Museum in Harlem.

This catalog features essays, including a foreword by Henry Louis Gates, Jr., that contemplate the uniquely layered urban landscape of Harlem, a city within a city. Vibrantly illustrated with objects from the exhibition, the catalog itself is an important resource for students of contemporary African American art and of the city.

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Harlem Renaissance and Beyond
Literary Biographies of One Hundred Black Women Writers, 1900-1945
Lorraine E. Roses
Harvard University Press

In this ground-breaking collection of literary biographies, many with pictures, authors Lorraine Elena Roses and Ruth Elizabeth Randolph chronicle the lives and works of 100 black women novelists, short-story writers, playwrights, poets, essayists, critics, historians, journalists, and editors writing in the United States between 1900 and 1945.

Here are insightful portraits of famous black women, among them Zora Neale Hurston, Katherine Dunham, Angelina Weld Grimké, Mary Eliza Church Terrell, and Ida Bell Wells-Barnett. Here, too, are many thoughtful profiles of neglected writers--their works deserving to be rescued from obscurity. Drawing on extensive archival research and interviews with the writers and their families, The Harlem Renaissance and Beyond traces its subjects' contributions to literature, their concerns about race and gender, their common themes, their relationships with artistic contemporaries, and the influence of these early writers on their modern-day counterparts in American literature.

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The Harlem Renaissance and the Idea of a New Negro Reader
Shawn Anthony Christian
University of Massachusetts Press, 2016
Many scholars have written about the white readers and patrons of the Harlem Renaissance, but during the period many black writers, publishers, and editors worked to foster a cadre of African American readers, or in the poet Sterling Brown's words, a "reading folk." Black newspapers featured columns that reviewed the latest African American fiction. Magazines held writing contests to urge black readers to participate in the literary culture. Through newspapers, journals, and anthologies, writers such as James Weldon Johnson, Jessie Fauset, and Gwendolyn Bennett spoke directly to their fellow African Americans to cultivate interest in literature and the intellectual tools for reading it.

In The Harlem Renaissance and the Idea of a New Negro Reader, Shawn Anthony Christian argues that print-based addresses to African Americans are a defining but understudied component of the Harlem Renaissance. Especially between 1919 and 1930, these writers promoted diverse racial representation as a characteristic of "good literature" both to exhibit black literacy and to foster black readership. Drawing on research from print culture studies, histories of racial uplift, and studies of modernism, Christian demonstrates the importance of this focus on the African American reader in influential periodicals such as The Crisis and celebrated anthologies such as The New Negro. Christian illustrates that the drive to develop and support black readers was central in the poetry, fiction, and drama of the era.
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The Harlem Renaissance in Black and White
George Hutchinson
Harvard University Press, 1995

It wasn’t all black or white. It wasn’t a vogue. It wasn’t a failure. By restoring interracial dimensions left out of accounts of the Harlem Renaissance—or blamed for corrupting it—George Hutchinson transforms our understanding of black (and white) literary modernism, interracial literary relations, and twentieth-century cultural nationalism in the United States.

What has been missing from literary histories of the time is a broader sense of the intellectual context of the Harlem Renaissance, and Hutchinson supplies that here: Boas’s anthropology, Park’s sociology, various strands of pragmatism and cultural nationalism—ideas that shaped the New Negro movement and the literary field, where the movement flourished. Hutchinson tracks the resulting transformation of literary institutions and organizations in the 1920s, offering a detailed account of the journals and presses, black and white, that published the work of the “New Negroes.” This cultural excavation discredits bedrock assumptions about the motives of white interest in the renaissance, and about black relationships to white intellectuals of the period. It also allows a more careful investigation than ever before of the tensions among black intellectuals of the 1920s. Hutchinson’s analysis shows that the general expansion of literature and the vogue of writing cannot be divorced from the explosion of black literature often attributed to the vogue of the New Negro—any more than the growing sense of “Negro” national consciousness can be divorced from expanding articulations and permutations of American nationality. The book concludes with the first full-scale interpretation of the landmark anthology The New Negro.

A courageous work that exposes the oversimplifications and misrepresentations of popular readings of the Harlem Renaissance, this book reveals the truly composite nature of American literary culture.

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Harlem
The Unmaking of a Ghetto
Camilo José Vergara
University of Chicago Press, 2013
For more than a century, Harlem has been the epicenter of black America, the celebrated heart of African American life and culture—but it has also been a byword for the problems that have long plagued inner-city neighborhoods: poverty, crime, violence, disinvestment, and decay.

Photographer Camilo José Vergara has been chronicling the neighborhood for forty-three years, and Harlem: The Unmaking of a Ghetto is an unprecedented record of urban change. Vergara began his documentation of Harlem in the tradition of such masters as Helen Levitt and Aaron Siskind, and he later turned his focus on the neighborhood’s urban fabric, both the buildings that compose it and the life and culture embedded in them. By repeatedly returning to the same locations over the course of decades, Vergara is able to show us a community that is constantly changing—some areas declining, as longtime businesses give way to empty storefronts, graffiti, and garbage, while other areas gentrify, with corporate chain stores coming in to compete with the mom-and-pops. He also captures the ever-present street life of this densely populated neighborhood, from stoop gatherings to graffiti murals memorializing dead rappers to impersonators honoring Michael Jackson in front of the Apollo, as well as the growth of tourism and racial integration.

Woven throughout the images is Vergara’s own account of his project and his experience of living and working in Harlem. Taken together, his unforgettable words and images tell the story of how Harlem and its residents navigated the segregation, dereliction and slow recovery of the closing years of the twentieth century and the boom and racial integration of the twenty-first century. A deeply personal investigation, Harlem will take its place with the best portrayals of urban life.

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Harlem vs. Columbia University
Black Student Power in the Late 1960s
Stefan M. Bradley
University of Illinois Press, 2012
In 1968-69, Columbia University became the site for a collision of American social movements. Black Power, student power, antiwar, New Left, and Civil Rights movements all clashed with local and state politics when an alliance of black students and residents of Harlem and Morningside Heights openly protested the school's ill-conceived plan to build a large, private gymnasium in the small green park that separates the elite university from Harlem. Railing against the university's expansion policy, protesters occupied administration buildings and met violent opposition from both fellow students and the police.

In this dynamic book, Stefan M. Bradley describes the impact of Black Power ideology on the Students' Afro-American Society (SAS) at Columbia. While white students--led by Mark Rudd and Students for a Democratic Society (SDS)--sought to radicalize the student body and restructure the university, black students focused on stopping the construction of the gym in Morningside Park. Through separate, militant action, black students and the black community stood up to the power of an Ivy League institution and stopped it from trampling over its relatively poor and powerless neighbors. Bradley also compares the events at Columbia with similar events at Harvard, Cornell, Yale, and the University of Pennsylvania.

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Harlem's Glory
Black Women Writing, 1900-1950
Lorraine E. Roses
Harvard University Press

In poems, stories, memoirs, and essays about color and culture, prejudice and love, and feminine trials, dozens of African-American women writers--some famous, many just discovered--give us a sense of a distinct inner voice and an engagement with their larger double culture. Harlem's Glory unfolds a rich tradition of writing by African-American women, hitherto mostly hidden, in the first half of the twentieth century. In historical context, with special emphasis on matters of race and gender, are the words of luminaries like Zora Neale Hurston and Georgia Douglas Johnson as well as rare, previously unpublished writings by figures like Angelina Weld Grimké, Elise Johnson McDougald, and Regina Andrews, all culled from archives and arcane magazines.

Editors Lorraine Elena Roses and Ruth Elizabeth Randolph arrange their selections to reveal not just the little-suspected extent of black women's writing, but its prodigious existence beyond the cultural confines of New York City. Harlem's Glory also shows how literary creativity often coexisted with social activism in the works of African-American women.

This volume is full of surprises about the power and diversity of the writers and genres. The depth, the wit, and the reach of the selections are astonishing. With its wealth of discoveries and rediscoveries, and its new slant on the familiar, all elegantly presented and deftly edited, the book will compel a reassessment of writing by African-American women and its place in twentieth-century American literary and historical culture.

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Harlem's Theaters
A Staging Ground for Community, Class, and Contradiction, 1923-1939
Adrienne Macki Braconi
Northwestern University Press, 2015

Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance

Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.

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Harlemworld
Doing Race and Class in Contemporary Black America
John L. Jackson Jr.
University of Chicago Press, 2001
Harlem is one of the most famous neighborhoods in the world—a historic symbol of both black cultural achievement and of the rigid boundaries separating the rich from the poor. But as this book shows us, Harlem is far more culturally and economically diverse than its caricature suggests: through extensive fieldwork and interviews, John L. Jackson reveals a variety of social networks and class stratifications, and explores how African Americans interpret and perform different class identities in their everyday behavior.
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The Harlequin Eaters
From Food Scraps to Modernism in Nineteenth-Century France
Janet Beizer
University of Minnesota Press, 2024

How representations of the preparation, sale, and consumption of leftovers in nineteenth-century urban France link socioeconomic and aesthetic history
 

The concept of the “harlequin” refers to the practice of reassembling dinner scraps cleared from the plates of the wealthy to sell, replated, to the poor in nineteenth-century Paris. In The Harlequin Eaters, Janet Beizer investigates how the alimentary harlequin evolved in the nineteenth and early twentieth centuries from the earlier, similarly patchworked Commedia dell’arte Harlequin character and can be used to rethink the entangled place of class, race, and food in the longer history of modernism. 

 

By superimposing figurations of the edible harlequin taken from a broad array of popular and canonical novels, newspaper articles, postcard photographs, and lithographs, Beizer shows that what is at stake in nineteenth-century discourses surrounding this mixed meal are representations not only of food but also of the marginalized people—the “harlequin eaters”—who consume it at this time when a global society is emerging. She reveals the imbrication of kitchen narratives and intellectual–aesthetic practices of thought and art, presenting a way to integrate socioeconomic history with the history of literature and the visual arts. The Harlequin Eaters also offers fascinating background to today’s problems of food inequity as it unpacks stories of the for-profit recycling of excess food across class and race divisions.

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Harlequin in His Element
The English Pantomime, 1806-1836
David Mayer III
Harvard University Press, 1969

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Harley and the Davidsons
Motorcycle Legends
Pete Barnes
Wisconsin Historical Society Press, 2007

This addition to the Badger Biographies series tells the story of four young inventors who shared a dream: to create the best motorized bicycle in America. Their turn of the century aspirations took them from a backyard machine shop to a highly successful business empire - and all in the span of just a few years. With grit, determination, and not a little elbow grease, Bill Harley and the Davidson brothers - Arthur, William, and Walter - used their engineering and machine-shop expertise to continually perfect their designs and present the best possible products to the American public. Along the way they made their mark on the racing circuit and introduced safety measures that continue to this day. After their deaths, their sons and daughters continued this legacy, buying back the company after it changed hands and re-establishing Harley-Davidson as the king of the motorcycle world. From the old Knucklehead, Panhead and Shovelhead motors to the Evolution, Revolution and Twin Cam engines that followed, the story of Harley and the Davidsons remains one of the great success stories of the 20th century.

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Harlots, Hussies, and Poor Unfortunate Women
Crime, Transportation, and the Servitude of Female Convicts, 1718-1783
Edith M. Ziegler
University of Alabama Press, 2014
In Harlots, Hussies, and Poor Unfortunate Women, Edith M. Ziegler recounts the history of British convict women involuntarily transported to Maryland in the eighteenth century.

Great Britain’s forced transportation of convicts to colonial Australia is well known. Less widely known is Britain’s earlier program of sending convicts—including women—to North America. Many of these women were assigned as servants in Maryland. Titled using epithets that their colonial masters applied to the convicts, Edith M. Ziegler’s Harlots, Hussies, and Poor Unfortunate Women examines the lives of this intriguing subset of American immigrants.

Basing much of her powerful narrative on the experiences of actual women, Ziegler restores individual faces to women stripped of their basic freedoms. She begins by vividly invoking the social conditions of eighteenth-century Britain, which suffered high levels of criminal activity, frequently petty thievery. Contemporary readers and scholars will be fascinated by Ziegler’s explanation of how gender-influenced punishments were meted out to women and often ensnared them in Britain’s system of convict labor.

Ziegler depicts the methods and operation of the convict trade and sale procedures in colonial markets. She describes the places where convict servants were deployed and highlights the roles these women played in colonial Maryland and their contributions to the region’s society and economy. Ziegler’s research also sheds light on escape attempts and the lives that awaited those who survived servitude.

Mostly illiterate, convict women left few primary sources such as diaries or letters in their own words. Ziegler has masterfully researched the penumbra of associated documents and accounts to reconstruct the worlds of eighteenth-century Britain and colonial Maryland and the lives of these unwilling American settlers. In illuminating this little-known episode in American history, Ziegler also discusses not just the fact that these women have been largely forgotten, but why. Harlots, Hussies, and Poor Unfortunate Women makes a valuable contribution to American history, women’s studies, and labor history.
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Harm
Hillary Gravendyk
Omnidawn, 2012
Offering a new narrative of physical body constituted in perilous scenes of contact, Harm performs the loss of that fictive division between a unified body and its surrounding world. Terrifying and unlooked- for harmonies emerge in these poems, which dwell in a medicalized landscape where both the body and the land are monitored and laid bare. Troubling the idea of cure by recasting it in the terms of harm, Harm shifts between warning and error, nature and the body. In the sense of Baudelaire’s “correspondences,” bloodclots externalize into “sunclots” and the air is “rusty with blood.” The book troubles the idea of cure by casting it also as a form of harm itself. Moving amid the prose poem and the lyric, Harm navigates a landscape of extremity both frightening and filled with wonders.
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The Harm in Hate Speech
Jeremy Waldron
Harvard University Press, 2012

Every liberal democracy has laws or codes against hate speech—except the United States. For constitutionalists, regulation of hate speech violates the First Amendment and damages a free society. Against this absolutist view, Jeremy Waldron argues powerfully that hate speech should be regulated as part of our commitment to human dignity and to inclusion and respect for members of vulnerable minorities.

Causing offense—by depicting a religious leader as a terrorist in a newspaper cartoon, for example—is not the same as launching a libelous attack on a group’s dignity, according to Waldron, and it lies outside the reach of law. But defamation of a minority group, through hate speech, undermines a public good that can and should be protected: the basic assurance of inclusion in society for all members. A social environment polluted by anti-gay leaflets, Nazi banners, and burning crosses sends an implicit message to the targets of such hatred: your security is uncertain and you can expect to face humiliation and discrimination when you leave your home.

Free-speech advocates boast of despising what racists say but defending to the death their right to say it. Waldron finds this emphasis on intellectual resilience misguided and points instead to the threat hate speech poses to the lives, dignity, and reputations of minority members. Finding support for his view among philosophers of the Enlightenment, Waldron asks us to move beyond knee-jerk American exceptionalism in our debates over the serious consequences of hateful speech.

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Harmful Eloquence
Ovid's Amores from Antiquity to Shakespeare
M. L. Stapleton
University of Michigan Press, 1996
M. L . Stapleton's Harmful Eloquence: Ovid's "Amores" from Antiquity to Shakespeare traces the influence of the early elegiac poetry of Ovid (43 b.c.e.-17 c.e.) on European literature from 500-1600 c.e. The Amores served as a classical model for love poetry in the Middle Ages and the Renaissance and were essential to the formation of fin' Amors, or "courtly love." Medieval Latin poets, the troubadours, Dante, Petrarch, and Shakespeare were all familiar with Ovid in his various forms, and all depended greatly upon his Amores in composing their cansos, canzoniere, and sonnets.
Harmful Eloquence begins with a detailed analysis of the Amores themselves and their artistic unity. It moves on to explain the fragmentary transmission of the Amores in the "Latin Anthology" and the cohesion of the fragments into the conventions of Medieval Latin and troubadour "courtly love" poetry. Two subsequent chapters explain the use of the Amores, their narrator, and the conventions of "courtly love" in the poetry of both Dante and Petrarch. The final chapter concentrates on Shakespeare's reprocessing and parody of this material in his sonnets.
Harmful Eloquence analyzes the intertextual transmission of the Amores in major medieval and Renaissance love poetry for the first time. No previous study has devoted itself exclusively to this Ovidian text in this particular way. The premise that Ovid consciously used the device of persona from the very beginning of his writing career is fully explored, as is the "Ovidian hypothesis" of Wilibald Schroetter. Connections between Dante's La vita nuova and the Amores are newly discovered; significant for Shakespeare studies, the use of Christopher Marlowe's translation of the Amores by Shakespeare in his "dark lady" sonnets is also carefully analyzed for the first time.
Medievalists, classicists, and scholars of Renaissance studies will find Harmful Eloquence particularly engaging and useful, as will all those interested in the process and methods of literary transmission.
M. L. Stapleton is Associate Professor of English, Stephen F. Austin University.
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Harmless as Doves
An Amish–Country Mystery
P. L. Gaus
Ohio University Press, 2011

As he goes about his milking chores on a cold October morning, Bishop Leon Shetler daydreams of escaping the Ohio winter and taking a bus to the Pinecraft Amish community in Florida for a vacation. His reverie is suddenly interrupted when young Crist Burkholder enters the barn, head down, hat in hand, to make a confession. ”I just killed Glenn Spiegle.”

“An Amish murderer?” Sheriff Robertson asks when he arrives on the scene. “Who will believe that?” But Burkholder is adamant about his guilt, fueled by the passion of his love for Vesta Miller, the young woman both he and Spiegle so desperately wanted to marry.

No sooner does the sheriff start his investigation than he learns of two more murders in the Pinecraft community, and a startling connection is made. There’s no way around it — Professor Mike Branden will have to put his research trip on hold and, along with detective Ricky Niell, travel south to investigate. There they discover the disturbing truth about Spiegle’s conversion to the Amish faith and the reason for the long–smoldering hatred that has reached into the secluded pastoral valleys of Holmes County.

In Harmless as Doves, P. L. Gaus takes the action to Florida in one of the most exciting mysteries in this series. This is Gaus at his best.

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Harmonic Analysis and Partial Differential Equations
Essays in Honor of Alberto P. Calderon
Edited by Michael Christ, Carlos E. Kenig, and Cora Sadosky
University of Chicago Press, 1999
Alberto P. Calderón (1920-1998) was one of this century's leading mathematical analysts. His contributions, characterized by great originality and depth, have changed the way researchers approach and think about everything from harmonic analysis to partial differential equations and from signal processing to tomography. In addition, he helped define the "Chicago school" of analysis, which remains influential to this day.

In 1996, more than 300 mathematicians from around the world gathered in Chicago for a conference on harmonic analysis and partial differential equations held in Calderón's honor. This volume originated in papers given there and presents timely syntheses of several major fields of mathematics as well as original research articles contributed by some of the finest scholars working in these areas. An important addition to the literature, this book is essential reading for researchers in these and other related fields.
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Harmonic Function in Chromatic Music
A Renewed Dualist Theory and an Account of Its Precedents
Daniel Harrison
University of Chicago Press, 1994
The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music.

One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music.

Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history.
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Harmony
Heinrich Schenker
University of Chicago Press, 1954
Harmony, Heinrich Schenker's first published work, originally appeared in German in 1906 as "New Musical Theories and Phantasies, by an Artist." Its unusual title indicates what was to be the rationale of Schenker's lifework, that artistic problems call for artistic solutions. Schenker's dedication to the formulation of a complete musical theory above the commonplace theoretical discussions was, in essence, his quest for a pattern in nature for music as art. Schenker's theory draws upon a profound understanding of the works of the masters and every proposition is illustrated by a living musical example.
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Harmony and the Balance
An Intellectual History of Seventeenth-Century English Economic Thought
Andrea Finkelstein
University of Michigan Press, 2000
Frequently the achievements of pioneering economic writers are assessed by imposing contemporary theories of markets, economics, politics, and history. At last, here is a book that appraises the work of the leading English economic writers of the seventeenth century using intellectual concepts of the time, rather than present-day analytical models, in order to place their economic theories in context. In an analysis that tracks the Stuart century, Andrea Finkelstein traces the progress of such figures as Gerard de Malynes, William Petty, John Locke, and Charles Davenant by inviting us into the great trading companies and halls of parliament where we relive the debates over the coinage, the interest rate, and the nature of money. Furthermore, we see them model their works on the latest developments in physiology, borrow ideas from bookkeeping, and argue over the nature of numbers in an effort to construct a market theory grounded in objective moral value. This comprehensive approach clarifies the relationship between the century's economic ideas and its intellectual thought so that, in the end, readers will be able to judge for themselves whether this really was the age of the Capitalist Geist.
 
Finkelstein has crafted her book to be both inclusive and interdisciplinary by skillfully integrating biography, political history, economic history, and intellectual theory as well as the economic heritage of its subjects. While the concepts are far from simple, Finkelstein's adroit style presents her analysis in an extremely accessible manner.

Andrea Finkelstein is Assistant Professor of History, City University of New York.
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The Harmony of Reason
A Study of Kant’s Aesthetics
Francis X. J. Coleman
University of Pittsburgh Press, 1974
The Harmony of Reason is the first book-length critical study of Kant's Critique of Judgement, shedding new light on this often-overlooked work and Kant's other writings on aesthetics. Francis X. J. Coleman's deep analysis of Kant is intended for readers interested in philosophy, fine arts and literary criticism.
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Harm's Way
Poems
Eric Leigh
University of Arkansas Press, 2010

Finalist, Miller Williams Poetry Prize

“The past is a flame you must learn to hold / your hand above,” Eric Leigh writes in this stunning first volume of poems, a poignant meditation on the harm that we can and cannot keep from those we love, and the harm that cannot be kept from us. Taking place in both the rural and the urban, in fields and on sidewalks, in gay bars and in laboratories, with topics as diverse and powerful as a father’s suicide, a mother’s resilience, coming out, lost love, and the continuing plight of HIV, Leigh’s poems locate the heartbreaking music in these struggles. At the center of this profound book about loss—of family, of love, of immunity—lies the spirit’s ability to persevere. “My worst fear has come true, / and I am still here walking,” Leigh writes. Indeed, these poems are as assured and brave as those steps toward an unknown future. At turns beautiful, disturbing, mournful, and redemptive, Harm’s Way is an accomplished debut.

Harm’s Way is part of the University of Arkansas Press Poetry Series, edited by Enid Shomer.

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Harnessed to the Pole
Sledge Dogs in Service to American Explorers of the Arctic 1853-1909
Sheila Nickerson
University of Alaska Press, 2014
In the second half of the nineteenth century, an epic race was underway in some of the most brutal stretches on the planet. Explorers from around the world hoped to stake their claim on the Arctic, with the North Pole being the ultimate prize. Those with the greatest success found that the fastest way to travel was on four legs—using a team of hardworking sledge dogs.

Harnessed to the Pole follows the adventures of eight American explorers and their dog teams, starting with Elisha Kent Kane and ending with Robert Peary, controversial claimant of the title of first to reach the North Pole. While history has long forgotten these “little camels of the north,” Sheila Nickerson reveals how critical dogs were to the Arctic conquest. Besides providing transportation in extreme conditions, sledge dogs protected against wolves and polar bears, helped in hunting, found their way through storms, and provided warmth in extreme cold. They also faced rough handling, starvation, and the possibility of being left behind as expeditions plunged ahead. Harnessed to the Pole is an extraordinary—and unflinching—look at the dogs that raced to the top of the world.
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Harnessing Farms and Forests in the Low-Carbon Economy
How to Create, Measure, and Verify Greenhouse Gas Offsets
Nicholas Institute for Environmental Policy Solutions and Zach Willey and Bill Chameides, editors, eds.
Duke University Press, 2007
As the United States moves to a low-carbon economy in order to combat global warming, credits for reducing carbon dioxide emissions will increasingly become a commodity that is bought and sold on the open market. Farmers and other landowners can benefit from this new economy by conducting land management practices that help sequester carbon dioxide, creating credits they can sell to industry to “offset” industrial emissions of greenhouse gases.

This guide is the first comprehensive technical publication providing direction to landowners for sequestering carbon and information for traders and others who will need to verify the sequestration. It will provide invaluable direction to farmers, foresters, land managers, consultants, brokers, investors, regulators, and others interested in creating consistent, credible greenhouse gas offsets as a tradable commodity in the United States.

The guide contains a non-technical section detailing methodologies for scoping of the costs and benefits of a proposed project, quantifying offsets of various sorts under a range of situations and conditions, and verifying and registering the offsets. The technical section provides specific information for quantifying, verifying, and regulating offsets from agricultural and forestry practices.

Visit the Nicholas Institute for Environmental Policy Solutions website for audio from the press conference announcing the book.
Read the press release announcing the book.

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Harnessing the Technicolor Rainbow
Color Design in the 1930s
By Scott Higgins
University of Texas Press, 2007

Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world.

Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

[more]

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Harold B. Lee
Life and Thought
Newell G. Bringhurst
Signature Books, 2021
While Harold B. Lee served as president of the Church of Jesus Christ of Latter-day Saints for a mere one and half-years—among the shortest tenure of any church leader—his impact on the modern LDS Church remains among the most profound. Lee implemented the Church Welfare Program, which provided relief to suffering church members during the 1930s Great Depression and continues to impact the lives of church members today. As a high-ranking general authority from 1941 to 1973, he championed other innovations, the most important being Correlation. Lee acted in response to the church’s record growth and increased diversity to consolidate and streamline churchwide instruction and administration. As a teacher/mentor, he promoted conservative church doctrine and practice, which influenced a generation of church leaders, including future presidents Spencer W. Kimball, Ezra Taft Benson, Howard W. Hunter, Gordon B. Hinckley, and Thomas S. Monson. Noted historian Newell G. Bringhurst succinctly narrates the major, defining events in Lee’s remarkable life, while highlighting Lee’s important, lasting contributions. This is the first volume in Signature’s new Brief Mormon Lives series.
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Harold Bloom
Fite David
University of Massachusetts Press

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Harold D. Lasswell on Political Sociology
Harold D. Lasswell
University of Chicago Press, 1977
Harold D. Lasswell's pioneering work in the field of political sociology is distinguished by his insistence on studying major contemporary problems, his willingness to try new methods of inquiry, and—above all—his conviction that, to understand events on the political stage, one must also analyze the social and historical context. From the huge corpus of Lasswell's work, Dwaine Marvick has chosen representative selections that demonstrate the wide range of his interests, the intellectual framework of this thought, the characteristics of his style, and the diversity of his methods. The volume is organized around the five fields of central interest to Lasswell: elite analysis in an contextual perspective, developmental constructs, political communications research, the use of psychoanalysis to explain political behavior, and the role of intellectuals in policy-making processes.
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Harold Frederic - American Writers 83
University of Minnesota Pamphlets on American Writers
Stanton Garner
University of Minnesota Press, 1969

Harold Frederic - American Writers 83 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Harold Ickes of the New Deal
His Private Life and Public Career
Graham White and John Maze
Harvard University Press, 1985

Very little has been written about Harold Ickes, one of the most important, complex, and colorful figures of the New Deal. By any standards his public career was remarkable. For thirteen turbulent years as Interior Secretary and as head of the Public Works Administration he was an uncommonly effective official and a widely acknowledged leader of liberal reform. As the foremost conservationist of his time, he saved millions of acres of land from decimation. He was matchless, too, as a fighter for just causes, and used his formidable talent for invective and his inexhaustible supply of moral fervor to flay representatives of prejudice and self-interest, whether in the cause of Negro rights or that of the common man against economic royalists.

Despite a long and distinguished public life, Ickes is an enigma because of his inability to control his rage, to temper his public criticism, to respond objectively to situations. At the heart of his public and private life was constant moral outrage. This astute study by a historian and a psychologist probes the sources and consequences of Ickes' abnormal combativeness.

White and Maze uncover the psychological imperatives and conscious ideals of Ickes' unknown private life that illuminate his public career. Some of the episodes include sadistic attacks by an elder brother; young Harold contemplating shooting his father; bitter and physical brawls with his imperious, wealthy, and previously married socialite wife, Anna Wilmarth Thompson of Chicago; and thoughts of suicide.

Richard Polenberg calls this book "Superb [and] one of the most informative and interesting I have read on the New Deal. The story shows Ickes' weaknesses and flaws, but it puts them in context. The authors have not tried to explain everything Ickes ever did wholly in psychological terms, but the particular insights they bring to bear help present a rounded view of the man. The book is beautifully written."

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Harold!
Photographs from the Harold Washington Years
Photographs by Antonio Dickey and Marc PoKempner, text by Salim Muwakkil
Northwestern University Press, 2007
This handsome book captures in words and pictures the powerful emotions that circled around one man in Chicago in the early 1980’s: Harold Washington. More than one hundred pictures, from candid shots on the campaign trail to triumphant public appearances, give readers a window onto a man who won over an entire city. Washington’s mayoral win represented a faltering of the previously all-powerful Chicago Machine, and his campaign was a part of a larger civil rights crusade that forged unity in the black community in Chicago.

Antonio Dickey and Marc PoKempner were there with Washington throughout 1982-87, Dickey as his campaign and personal photographer and PoKempner on assignment for the New York Times, People, and Time, capturing the force of his personality and the inspiration he brought to Chicago. Their photographs have become the definitive documentation of the Harold years and were featured in the Chicago Historical Society’s 2003–2004 exhibit “Harold Washington: The Man and the Movement.” They were there for his underdog rise, his win, his first term, and his untimely death just seven months into his second term. The year 2007 marks the twentieth anniversary of Washington’s death, and this loving tribute in words and pictures will keep his message alive for future generations.
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Harold Pinter
The Theatre of Power
Robert Gordon
University of Michigan Press, 2013

The latest volume in the Michigan Modern Dramatists series offers an authoritative but accessible look at Harold Pinter, one of the greatest and most influential postwar British playwrights and author of classic works such as The Birthday Party and The Homecoming. Pinter was awarded the Nobel Prize for Literature in 2005 for his remarkable body of work and plays that "uncover the precipice under everyday prattle and force entry into oppression's closed rooms."

Harold Pinter: The Theatre of Power focuses on the playwright's continuously innovative experiments in theatrical form while tracing the recurrence of a consistent set of ethical and epistemological concerns. Exploring important plays from across this prolific writer’s career, author Robert Gordon argues that the motivating force in almost all of Pinter's drama is the ceaseless desire for power, represented in his work as a compulsive drive to achieve or maintain dominance—whether it be the struggle to defend one's own territory from intruders, the father's battle with his sons to assert his patriarchal position in the family, the manipulation of erotic feelings in the gender warfare that motivates sexual relationships, the abuse of brute force by dictatorships and democracies, or simply the masculine obsession to dominate. Gordon demonstrates the adventurousness of Pinter's experimentation with form while at the same time exposing the ethical, epistemological, and aesthetic preoccupations that have persisted with remarkable consistency throughout his career.

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Harold Rosenberg
A Critic‘s Life
Debra Bricker Balken
University of Chicago Press, 2021
Despite being one of the foremost American intellectuals of the mid-twentieth century, Harold Rosenberg (1906–1978) was utterly incapable of fitting in—and he liked it that way. Signature cane in one hand and a cigarette in the other, he cut a distinctive figure on the New York City culture scene, with his radiant dark eyes and black bushy brows. A gangly giant at six foot four, he would tower over others as he forcefully expounded on his latest obsession in an oddly high-pitched, nasal voice. And people would listen, captivated by his ideas.
 
With Harold Rosenberg: A Critic’s Life, Debra Bricker Balken offers the first-ever complete biography of this great and eccentric man. Although he is now known mainly for his role as an art critic at the New Yorker from 1962 to 1978, Balken weaves together a complete tapestry of Rosenberg’s life and literary production, cast against the dynamic intellectual and social ferment of his time. She explores his role in some of the most contentious cultural debates of the Cold War period, including those over the commodification of art and the erosion of individuality in favor of celebrity, demonstrated in his famous essay “The Herd of Independent Minds.” An outspoken socialist and advocate for the political agency of art, he formed deep alliances with figures such as Hannah Arendt, Saul Bellow, Paul Goodman, Mary McCarthy, Jean-Paul Sartre, Willem de Kooning, and Jackson Pollock, all of whom Balken portrays with vivid accounts from Rosenberg’s life.

Thoroughly researched and captivatingly written, this book tells in full Rosenberg’s brilliant, fiercely independent life and the five decades in which he played a leading role in US cultural, intellectual, and political history.
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Harpo Before the Opus
Logan Fry
Omnidawn, 2019
The poems begin where language fails, where speech becomes disembodied, and syntax skids to a stop that dissolves into gesture. Where its form reaches an end, formlessness offers a space ripe with possibility. Here we find Harpo, reaching into the frustrated endpoint of language to find a method for its resurrection. Fry sees that language becomes a tool for alienation and uses the poems in Harpo Before the Opus to excavate paths back to tenderness. These are poems from the edge, pulling language out from its failure and into a fervent interrogation of its possibilities. What was once a tool of capitalistic alienation now serves as material for building connections.

In spiraling explorations of rhetoric, these poems allow language to break from its prescribed structures, and instead, it becomes a gestural embrace of feeling and being. Fry utilizes a Marxist lens to scrutinize and reinvent the use of language. In Fry’s hands, language is rendered a visceral and sensual material, forming poems that are both deeply felt philosophical inquiries and wildly playful exercises of wit.
 
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Harriet Bosse
Strindberg's Muse and Interpreter
Carla Waal
Southern Illinois University Press, 1990
Harriet Bosse, a delicate beauty with rich theatrical talent, wasan inspiration for the prominent and controversial playwright August Strindberg. After their three-year marriage collapsed, she became his interpreter to the world, guardian of the Strindberg legend. This first biography of Harriet Bosse in English explores her own important career as an actress on the Swedish stage, as well as her influence on Strindberg’s work. Waal has separated Harriet Bosse from her romanticized image in the shadow of August Strindberg and has shown her as a person, fascinating and self-sufficient. Her daughter-in-law Randi Wingård said: "Harriet was a great personality, and even if she was tiny, one could nothelp noticing her in any gathering. She attracted everyone’s attention." While tracing the development of Bosse’s career, her triumphs and disappointments, Waal chronicles the beginnings of Swedish filmmaking in early silent films as well as four decades of major developments in Swedish theatre. But Bosse’s marriage to Strindberg and her relationship to his writing are an integral part of her story, and Waal also details the couple’s stormy marriage, from 1901 to 1903, the reasons for its failure, and the personal and career influences they continued to exert on each other. As Strindberg’s inspiration for many literary works, Bosse was alternately vilified and idealized. Much of what Strindberg wrote after meeting Bosse reflects his adoration of her and his despair over the problems of their relationship. She inspired two of his major works of poetry, "The Golden Eagle" and "The Dutchman," in addition to the character of the virgin princess in Swan White. On stage she played eight minor and six major Strindberg roles, including Indra’s Daughter in A Dream Play and Christina in Queen Christina.
Much information for this book is drawn from previously inaccessible sources, including unpublished materials in libraries, archives, and private collections, mostly in Scandinavia. Waal interviewed Strindberg and Bosse’s daughter Anne Marie Wyller Hagelin (to whom the book is dedicated) as well as other members of Bosse’s family and a wide range of actors, critics, directors, and scholars. Forty-one photographs are included in the text.
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Harriet Hosmer
A Cultural Biography
Kate Culkin
University of Massachusetts Press, 2010
Harriet Hosmer (1830–1908) was celebrated as one of the country's most respected artists, credited with opening the field of sculpture to women and cited as a model of female ability and American refinement. In this biographical study, Kate Culkin explores Hosmer's life and work and places her in the context of a notable group of expatriate writers and artists who gathered in Rome in the mid-nineteenth century.

In 1852 Hosmer moved from Boston to Rome, where she shared a house with actress Charlotte Cushman and soon formed close friendships with such prominent expatriates as Robert and Elizabeth Barrett Browning and fellow sculptors John Gibson, Emma Stebbins, and William Wetmore Story. References to Hosmer or characters inspired by her appear in the work of Nathaniel Hawthorne, Louisa May Alcott, and Kate Field among others. Culkin argues that Hosmer's success was made possible by her extensive network of supporters, including her famous friends, boosters of American gentility, and women's rights advocates. This unlikely coalition, along with her talent, ambition, and careful maintenance of her public profile, ultimately brought her great acclaim. Culkin also addresses Hosmer's critique of women's position in nineteenth-century culture through her sculpture, women's rights advocates' use of high art to promote their cause, the role Hosmer's relationships with women played in her life and success, and the complex position a female artist occupied within a country increasingly interested in proving its gentility.
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Harriet Jacobs
A Play
Lydia R. Diamond
Northwestern University Press, 2010
Throughout her meteoric rise into the upper ranks of young playwrights, Lydia R. Diamond has boldly challenged assumptions about African American culture. In Harriet Jacobs, she turns one of the greatest of American slave narratives, Jacobs’ Incidents in the Life of a Slave Girl, into a penetrating, rousing work of theater.

Jacobs’ book—which was published in 1861 and only partially serialized in Horace Greely’s New York Tribune before it was deemed too graphic—chillingly exposed the sexual harassment and abuse of slave girls and women at the hands of their masters. Harriet Jabobs: A Play organically incorporates theatrical elements that extend the book’s enormous power. Through active scenes, piercing direct address, and slave narratives, Diamond is able to give new expression to the horrors and legacies of slavery. Diamond presents African American culture in all its richness—with slavery as a part of it, but not its defining aspect. Though harrowing, Harriet Jacobs addresses the necessary task of reenvisioning a difficult chapter in American history.
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Harriet Rubin's Mother's Wooden Hand
Susan Hahn
University of Chicago Press, 1991
Redolent of Chicago's ethnic culture, Susan Hahn's intensely personal lyrics emerge from the world of an extended Jewish family and its neighbors. The voices of these immigrants are imbued with the profound effects and memories of the journey "From a patrolled town in the Ukraine/to Baltimore on a boat, then a train to Chicago." Hahn's poetry is about love and the lack of love, about rejection, and about other forces—generational, political, social, and sexual—that overwhelm individuals and cause them to limit themselves both physically and psychologically.
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Harriet Tubman
Myth, Memory, and History
Milton C. Sernett
Duke University Press, 2007
Harriet Tubman is one of America’s most beloved historical figures, revered alongside luminaries including Abraham Lincoln and Frederick Douglass. Harriet Tubman: Myth, Memory, and History tells the fascinating story of Tubman’s life as an American icon. The distinguished historian Milton C. Sernett compares the larger-than-life symbolic Tubman with the actual “historical” Tubman. He does so not to diminish Tubman’s achievements but rather to explore the interplay of history and myth in our national consciousness. Analyzing how the Tubman icon has changed over time, Sernett shows that the various constructions of the “Black Moses” reveal as much about their creators as they do about Tubman herself.

Three biographies of Harriet Tubman were published within months of each other in 2003–04; they were the first book-length studies of the “Queen of the Underground Railroad” to appear in almost sixty years. Sernett examines the accuracy and reception of these three books as well as two earlier biographies first published in 1869 and 1943. He finds that the three recent studies come closer to capturing the “real” Tubman than did the earlier two. Arguing that the mythical Tubman is most clearly enshrined in stories told to and written for children, Sernett scrutinizes visual and textual representations of “Aunt Harriet” in children’s literature. He looks at how Tubman has been portrayed in film, painting, music, and theater; in her Maryland birthplace; in Auburn, New York, where she lived out her final years; and in the naming of schools, streets, and other public venues. He also investigates how the legendary Tubman was embraced and represented by different groups during her lifetime and at her death in 1913. Ultimately, Sernett contends that Harriet Tubman may be America’s most malleable and resilient icon.

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Harriet Tubman
The Life and the Life Stories
Jean M. Humez
University of Wisconsin Press, 2005

    Harriet Tubman’s name is known world-wide and her exploits as a self-liberated Underground Railroad heroine are celebrated in children’s literature, film, and history books, yet no major biography of Tubman has appeared since 1943. Jean M. Humez’s comprehensive Harriet Tubman is both an important biographical overview based on extensive new research and a complete collection of the stories Tubman told about her life—a virtual autobiography culled by Humez from rare early publications and manuscript sources. This book will become a landmark resource for scholars, historians, and general readers interested in slavery, the Underground Railroad, the Civil War, and African American women.
    Born in slavery in Maryland in or around 1820, Tubman drew upon deep spiritual resources and covert antislavery networks when she escaped to the north in 1849. Vowing to liberate her entire family, she made repeated trips south during the 1850s and successfully guided dozens of fugitives to freedom. During the Civil War she was recruited to act as spy and scout with the Union Army. After the war she settled in Auburn, New York, where she worked to support an extended family and in her later years founded a home for the indigent aged. Celebrated by her primarily white antislavery associates in a variety of private and public documents from the 1850s through the 1870s, she was rediscovered as a race heroine by woman suffragists and the African American women’s club movement in the early twentieth century. Her story was used as a key symbolic resource in education, institutional fundraising, and debates about the meaning of "race" throughout the twentieth century.
    Humez includes an extended discussion of Tubman’s work as a public performer of her own life history during the nearly sixty years she lived in the north. Drawing upon historiographical and literary discussion of the complex hybrid authorship of slave narrative literature, Humez analyzes the interactive dynamic between Tubman and her interviewers. Humez illustrates how Tubman, though unable to write, made major unrecognized contributions to the shaping of her own heroic myth by early biographers like Sarah Bradford. Selections of key documents illustrate how Tubman appeared to her contemporaries, and a comprehensive list of primary sources represents an important resource for scholars.

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Harriette Simpson Arnow
Critical Essays on Her Work
Haeja K. Chung
Michigan State University Press, 1995

At her death in 1986, Harriette Simpson Arnow left a modest collection of published work: ten short stories, five novels, two non-fiction books, a short autobiography, and nineteen essays and book reviews. Although the sum is small, her writing has been examined from regionalist, Marxist, feminist, and other critical perspectives.  
     The 1970s saw the first serious attempts to revive interest in Arnow. In 1971, Tillie Olsen identified her as a writer whose "books of great worth suffer the death of being unknown, or at best, a peculiar eclipsing." Joyse Carol Oates wrote in The New York Times Book Review that Arnow's The Dollmaker is "our most unpretentious American masterpiece."  
     In the 1990s, it is appropriate to take stock of her earlier work and to prompt reexamination of this powerful yet poorly understood writer. This collection of critical essays examines traditional as well as new interpretations of Arnow and her work. It also suggests future directions for Arnow scholarship and includes studies of all of Arnow's writing, fiction and non-fiction, published and unpublished. 
 

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Harriman Expedition to Alaska
Encountering the Tlingit and Eskimo in 1899
George Grinnell
University of Alaska Press, 2007
In 1899, George Bird Grinnell journeyed to Alaska on the Harriman Expedition, a scientific cruise from Seattle to the North Pacific. Accompanied by explorer John Muir and photographer Edward S. Curtis, Grinnell spent two months chronicling the lives of the Natives of Alaska and Siberia.

A keen observer of his surroundings, Grinnell provides a unique perspective on northern life in the late nineteenth century. He documented hunting techniques and material culture of the Eskimo of Siberia, as well as the totem poles and architecture of the Tlingit of Southeast. As a pioneer conservationist, Grinnell was one of the first to express concern over the effects of trade and industry on Alaska's peoples and natural resources.

Illustrated with photos and drawings by Harriman Expedition members, including Edward S. Curtis, this volume makes the work of a passionate observer available to a new generation of readers.
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Harry Belten and the Mendelssohn Violin Concerto
Barry Targan
University of Iowa Press, 1975

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Harry Bridges
Labor Radical, Labor Legend
Robert W. Cherny
University of Illinois Press, 2023
Won Honorable Mention for 2023 ILHA Book of the Year (International Labor History Association)

The iconic leader of one of America’s most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny’s monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.

An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.

Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.

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Harry Burns Hutchins and the University of Michigan
Shirley W. Smith
University of Michigan Press, 1951

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Harry Hopkins
Ally of the Poor and Defender of Democracy
George McJimsey
Harvard University Press, 1987

During America's longest crisis—the Great Depression and the Second World War—one man stood nearest to the president, almost as a partner: Harry Hopkins, trusted and loyal lieutenant and best friend of Franklin D. Roosevelt. From his work on the New Deal through his assignments during the war, Hopkins was the grand planner, expediter, adviser, and negotiator. Here is the first complete modern biography of this remarkable man, based on prodigious primary sources and written with the benefit of historical perspective.

George McJimsey fully records Hopkins's meteoric public career and probes the sources of his creativity and talent. Reared in Iowa with missionary values, he became a professional social worker in New York, pioneering strategies for several health and social service agencies. His special talent for persuasion and conciliation brought him into the New Deal, where as head of the Federal Emergency Relief Agency and the Public Works Administration he led Roosevelt's recovery programs—helping to pump billions of dollars into large projects and into tens of thousands of jobs without any political scandal or great conflict with conservative adversaries or competitors such as Harold Ickes. Later, as Secretary of Commerce, he continued to lead the country out of depression.

The coming of war tested Hopkins in new and unexpected ways. From being democracy's great bureaucrat he became the grand vizier of the arsenal of democracy. Living in the White House (in the Lincoln Room), Hopkins organized Lend-Lease, built the Anglo-American alliance, coordinated military supplies with strategic objectives, negotiated with Stalin, and helped to plan FDR's meetings with Churchill, Stalin, De Gaulle, and Chiang Kai-shek. Intelligent, humane, imaginative yet practical, always loyal to Roosevelt yet operating with his own creative independence, Hopkins played a role in winning the war and shaping the peace that provides an inspiring example of devoted public service. General readers and historians, journalists, and everyone interested in how government works will value and enjoy this book.

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Harry Huntt Ransom
Intellect in Motion
By Alan Gribben
University of Texas Press, 2008

Both a life story and a portrait of public higher education during the twentieth century, Harry Huntt Ransom captures the spirit of a dynamic individual who dedicated his talents to nurturing intellectual life in Texas and beyond. Tracing the details of Ransom's youth in Galveston and Tennessee and his education at Yale, where he earned a doctorate, Alan Gribben provides new insight into the factors that shaped Ransom's future as a renowned administrator and defender of the humanities.

Ransom's career at the University of Texas began in 1935, when he was hired as an instructor of English. He rose through the ranks to become chancellor, stepping down in 1971 during a volatile period when debates about the University's central mission raged—particularly over the question of commercializing higher education. The development of Ransom's lasting legacy, the Humanities Research Center bearing his name, is explored in depth as well. Bringing to life a legendary figure, Harry Huntt Ransom is a colorful testament to a singular man of letters who had the audacity to propose "that there be established somewhere in Texas—let's say in the capital city—a center of our cultural compass, a research center to be the Bibliothèque Nationale of the only state that started out as an independent nation."

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Harry Potter and the Prisoner of Azkaban
By Patrick Keating
University of Texas Press, 2021

An essential work of twenty-first-century cinema, Alfonso Cuarón’s 2004 film Harry Potter and the Prisoner of Azkaban is an elegant exemplar of contemporary cinematic trends, including serial storytelling, the rise of the fantasy genre, digital filmmaking, and collaborative authorship. With craft, wonder, and wit, the film captures the most engaging elements of the novel while artfully translating its literary point of view into cinematic terms that expand on the world established in the book series and previous films.

In this book, Patrick Keating examines how Cuarón and his collaborators employ cinematography, production design, music, performance, costume, dialogue, and more to create the richly textured world of Harry Potter—a world filtered principally through Harry’s perspective, characterized by gaps, uncertainties, and surprises. Rather than upholding the vision of a single auteur, Keating celebrates Cuarón’s direction as a collaborative achievement that resulted in a family blockbuster layered with thematic insights.

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Harry Reasoner
A Life in the News
By Douglass K. Daniel
University of Texas Press, 2007

Harry Reasoner was one of the most trusted and well-liked journalists of the golden age of network television news. Whether anchoring the evening newscast on CBS in the 1960s or on ABC in the 1970s, providing in-depth reporting on 60 Minutes, or hosting numerous special programs covering civil rights struggles, the Vietnam War, and Watergate, Reasoner had "that almost mystical quality it seems to take for good television reporting, exuding this atmosphere of truth and believability," in the words of Walter Cronkite. Yet his reassuring manner and urbane, often witty, on-air persona masked a man who was far more complex and contradictory. Though gifted with the intelligence and drive to rise to the top of his profession, Reasoner was regarded by many colleagues as lazy and self-indulgent, a man who never achieved his full potential despite his many accomplishments.

Harry Reasoner: A Life in the News covers the entire sweep of this enigmatic journalist's life and career. Douglass K. Daniel opens with Reasoner's Depression-era Midwestern upbringing and follows him through his early work in newspapers and radio before he joined CBS in 1956. Focusing on Reasoner's thirty-five-year tenure in television news, Daniel presents fascinating, behind-the-scenes accounts of Reasoner's key role in founding the top-rated newsmagazine 60 Minutes. He also explores Reasoner's highly publicized move to ABC in 1970, where he anchored the nightly newscast, first with Howard K. Smith and later with Barbara Walters—a disastrous pairing from which Reasoner's career never fully recovered.

Based on scores of interviews and unpublished letters, memos, and other primary sources, this first biography of the man once rated second in credibility only to Walter Cronkite illuminates an entire era in broadcast journalism, as well as many of the unique personalities, from Andy Rooney to Mike Wallace, who made that era distinctive.

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Harry S. Truman
A Life
Robert H. Ferrell
University of Missouri Press, 1995

Few U.S. presidents have captured the imagination of the American people as has Harry S. Truman, “the man from Missouri.”

In this major new biography, Robert H. Ferrell, widely regarded as an authority on the thirty-third president, challenges the popular characterization of Truman as a man who rarely sought the offices he received, revealing instead a man who—with modesty, commitment to service, and basic honesty—moved with method and system toward the presidency.

Truman was ambitious in the best sense of the word. His powerful commitment to service was accompanied by a remarkable shrewdness and an exceptional ability to judge people. He regarded himself as a consummate politician, a designation of which he was proud. While in Washington, he never succumbed to the “Potomac fever” that swelled the heads of so many officials in that city. A scrupulously honest man, Truman exhibited only one lapse when, at the beginning of 1941, he padded his Senate payroll by adding his wife and later his sister.

From his early years on the family farm through his pivotal decision to use the atomic bomb in World War II, Truman’s life was filled with fascinating events. Ferrell’s exhaustive research offers new perspectives on many key episodes in Truman’s career, including his first Senate term and the circumstances surrounding the Truman Doctrine and the Marshall Plan. In addition, Ferrell taps many little-known sources to relate the intriguing story of the machinations by which Truman gained the vice presidential nomination in 1944, a position which put him a heartbeat away from the presidency.

No other historian has ever demonstrated such command over the vast amounts of material that Robert Ferrell brings to bear on the unforgettable story of Truman’s life. Based upon years of research in the Truman Library and the study of many never-before-used primary sources, Harry S. Truman is destined to become the authoritative account of the nation’s favorite president.

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Harry S. Truman and the Cold War Revisionists
Robert H. Ferrell
University of Missouri Press, 2006
The idea of revising what is known of the past constitutes an essential procedure in historical scholarship, but revisionists are often hasty and argumentative in their judgments. Such, argues Robert H. Ferrell, has been the case with assessments of the presidency of Harry S. Truman, who was targeted by historians and political scientists in the 1960s and ’70s for numerous failings in both domestic and foreign policy, including launching the cold war—perceptions that persist to the present day.
Widely acknowledged as today’s foremost Truman scholar, Ferrell turns the tables on the revisionists in this collection of classic essays. He goes below the surface appearances of history to examine how situations actually developed and how Truman performed sensibly—even courageously—in the face of unforeseen crises.
While some revisionists see Truman as consumed by a blind hatred of the Soviet Union and adopting an unrestrainedly militant stance, Ferrell convincingly shows that Truman wished to get along with the Soviets and was often bewildered by their actions. He interprets policies such as the Truman Doctrine, the Marshall Plan, and support for NATO as prudent responses to perceived threats and credits the Truman administration for the ways in which it dealt with unprecedented problems.
What emerges most vividly from Ferrell’s essays is a sense of how weak a hand the United States held from 1945 to1950, with its conventional forces depleted by the return of veterans to civil pursuits after the war and with its capacity for delivery of nuclear weapons in a sorry state. He shows that Truman regarded the atomic bomb as a weapon of last resort, not an instrument of policy, and that he took America into a war in Korea for the good of the United States and its allies. Although Truman has been vindicated on many of these issues, there still remains a lingering controversy over the use of atomic weapons in Japan—a decision that Ferrell argues is understandable in light of what Truman faced at the start of his presidency.
Ferrell argues that the revisionists who attacked Truman understood neither the times nor the man—one of the most clearheaded, farsighted presidents ever to occupy the Oval Office. Harry S. Truman and the Cold War Revisionists shows us that Truman’s was indeed a remarkable presidency, as it cautions historians against too quickly appraising the very recent past.
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Harry S. Truman and the News Media
Contentious Relations, Belated Respect
Franklin D. Mitchell
University of Missouri Press, 1998

Based upon extensive research in the papers of President Harry S. Truman and in several journalistic collections, Harry S. Truman and the News Media recounts the story of a once unpopular chief executive who overcame the censure of the news media to ultimately win both the public's and the press's affirmation of his personal and presidential greatness.

Franklin D. Mitchell traces the major contours of journalism during the lifetime and presidency of Truman. Although newspapers and newsmagazines are given the most emphasis, reporters and columnists of the Washington news corps also figure prominently for their role in the president's news conferences and their continuing coverage of Truman and his family. Broadcast journalism's expanding coverage of the president is also explored through chapters dealing with radio and television.

President Truman's advocacy of a liberal Fair Deal for all Americans and a prudent and visible role for the nation in world affairs drew fire from the anti-administration news media, particularly the publishing empire of William Randolph Hearst, the McCormick-Patterson newspapers, the Scripps-Howard chain, and the Time-Life newsmagazines of Henry R. Luce. Despite press opposition and the almost universal prediction of defeat in the 1948 election, Truman was victorious in the greatest miscalled presidential election in journalistic history.

During his full term, Truman's relations with the news media became contentious over such matters as national security in the Cold War, the conduct of the Korean War, and the continuing charges of communism and corruption in the administration. Although Truman's career in politics was based on honesty and the welfare of the people, his early political alliance with Thomas Pendergast, Kansas City's notorious political boss, provided the opportunity for a portion of the press to charge Truman with subservience to Pendergast's own agenda of corrupt government.

The history and the dynamics of the Truman presidency and the American news media, combined with biographical and institutional sketches of key individuals and news organizations, make Harry S. Truman and the News Media a captivating and original investigation of an American president. Well written and researched, this book will be of great value to Truman scholars, journalists, and anyone interested in American history or presidential studies.

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Harry S. Truman versus the Medical Lobby
The Genesis of Medicare
Monte M. Poen
University of Missouri Press, 1996
“I have some bitter disappointments as President,” reflected Harry Truman after leaving office, “but the one that has troubled me the most in a personal way, has been the failure to defeat organized opposition to a national compulsory health-insurance program.”
 
Harry S. Truman versus the Medical Lobby by Monte M. Poen examines proposals for national health insurance from 1914 to 1965 focusing on Truman’s efforts during his presidency.
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Harry T. Burleigh
From the Spiritual to the Harlem Renaissance
Jean E. Snyder
University of Illinois Press, 2021
Harry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with Antonín Dvořák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
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Harry, Tom, and Father Rice
Accusation and Betrayal in America’s Cold War
John Hoerr
University of Pittsburgh Press, 2007

John Hoerr tells the story of three men—his uncle, Congressman Harry Davenport, union leader Tom Quinn, and Father Charles Owen Rice—whose lives became intertwined during the anti-Communist witch hunts of the McCarthy Era. The story helps illuminate one of the more repressive periods in American history, when thousands of Americans guilty only of enlisting in leftist causes were caught up in dragnets cast by overzealous Communist hunters on behalf of the House Un-American Activities Committee and other bodies. Much has been written about well-known cultural figures (the Hollywood Ten), and prominent writers (Arthur Miller and Lillian Hellman) who contended with HUAC. Hoerr tells of mostly ordinary Americans who were largely unknown at the time, but whose stories are nonetheless remarkable.

Writing from personal experience with the title characters, as well as archival research, Hoerr recreates the events of the 1949 HUAC hearings, where rigged testimony by a few workers cast suspicion on their union brothers.  The results would echo through the years, causing people to lose jobs, marriages, and self-respect. Hoerr traces the paths followed by Harry, Tom, and Father Rice and relates their individual experiences to the great conflict between anti-Communist and Communist forces in the American labor movement, leading to the eventual demise of the CIO (Congress of Industrial Organizations).

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Harry Truman and Civil Rights
Moral Courage and Political Risks
Michael R. Gardner. Forewords by George M. Elsey and Kweisi Mfume
Southern Illinois University Press, 2002

Given his background, President Truman was an unlikely champion of civil rights. Where he grew up—the border state of Missouri—segregation was accepted and largely unquestioned. Both his maternal and paternal grandparents had owned slaves, and his mother, victimized by Yankee forces, railed against Abraham Lincoln for the remainder of her ninety-four years. When Truman assumed the presidency on April 12, 1945, Michael R. Gardner points out, Washington, DC, in many ways resembled Cape Town, South Africa, under apartheid rule circa 1985.

Truman’s background notwithstanding, Gardner shows that it was Harry Truman—not Franklin D. Roosevelt, Dwight D. Eisenhower, or John F. Kennedy—who energized the modern civil rights movement, a movement that basically had stalled since Abraham Lincoln had freed the slaves. Gardner recounts Truman’s public and private actions regarding black Americans. He analyzes speeches, private conversations with colleagues, the executive orders that shattered federal segregation policies, and the appointments of like-minded civil rights activists to important positions. Among those appointments was the first black federal judge in the continental United States.

One of Gardner’s essential and provocative points is that the Frederick Moore Vinson Supreme Court—a court significantly shaped by Truman—provided the legal basis for the nationwide integration that Truman could not get through the Congress. Challenging the myth that the civil rights movement began with Brown v. Board of Education under Chief Justice Earl Warren, Gardner contends that the life-altering civil rights rulings by the Vinson Court provided the necessary legal framework for the landmark Brown v. Board of Education decision.

Gardner characterizes Truman’s evolution from a man who grew up in a racist household into a president willing to put his political career at mortal risk by actively supporting the interests of black Americans.

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Harry's Farewell
Interpreting and Teaching the Truman Presidency
Edited & Intro by Richard S. Kirkendall
University of Missouri Press, 2004
Harry’s Farewell confronts the biggest issue of Truman historiography: the historical significance of Harry S. Truman’s presidency. Exploring the subject from the point of view of Truman’s Farewell Address of January 15, 1953, the book begins by describing the preparation of the address itself by the president and his closest advisers. In it, they challenged the negative view of his presidency that prevailed as he prepared to leave the White House. The book goes on to appraise the presidency in terms of the topics included in the address: the president and the people, the economy, civil rights, the bomb, Containment, Korea, and the end of the Cold War. Four essays follow that cover key topics that Truman did not mention in his speech: the Red Scare, women’s rights, ethnicity, and the environment. The book ends with essays by two major Truman biographers who present their own interpretations of his historical significance.
In addition to interpreting the Truman presidency, the book also deals with the needs of teachers who must bring this subject into their classrooms. Reflecting the importance of education for the Truman Library’s mission, Harry’s Farewell began as a conference at the library that brought researchers and teachers together for four days of conversation about interpretation and teaching. As a result, this book offers documents that teachers can use in their classes and includes an essay, based on the conversations, on ways of teaching the Truman presidency. In addition to being of great value to researchers and teachers, this book provides the general reader with a clearly focused collection of informative and provocative essays on Harry Truman, a man now widely regarded as a great American president.
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Hart Crane - American Writers 47
University of Minnesota Pamphlets on American Writers
Monroe K. Spears
University of Minnesota Press, 1965

Hart Crane - American Writers 47 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The University of Minnesota Pamphlets on American Writers series provides concise, stimulating introductions to American writers of all periods. The pamphlet authors are critics and writers recognized for their competence in their particular fields. Each pamphlet devoted to a single writer contains biographical information, a discussion and critical evaluation of his work, and a selected bibliography. Teachers of American literature, both in the United States and abroad, in colleges, universities, and secondary schools find the pamphlets ideal for their students' use. For general readers and librarians they are equally useful and interesting.

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Hart Crane
A Re-Introduction
Warner Berthoff
University of Minnesota Press, 1989

Hart Crane was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

More than half a century after his death, the work of Hart Crane (1899–1932) remains central to our understanding of twentieth-century American poetry. During his short life, Crane's contemporaries had difficulty seeing past the "roaring boy" who drank too much and hurled typewriters from windows; in recent years, he has come to be seen as a kind of "last poet" whose only theme is self-destruction, and who himself exemplifies the breakdown of poetry in the modern age. Taking as a point of departure Robert Lowell's 1961 valuation of Crane and his power to speak from "the center of things," Warner Berthoff in this book reappraises the essential character and force of Crane's still problematic achievement. Though he takes into account the substantial body of commentary on Crane's work, his primary intent is to look afresh at the poems themselves, and at the poet's clear-eyed (and brilliant) letters. This approach enables Berthoff, first, to track the emergence and development of Crane's lyric style—an art that recreates, in compact form, the turbulence of the modern city. He then explores the background and historical community that nourished Crane's creative imagination, and he evaluates Crane's conception of the ideal modern poetic: a poetry of ecstasy created with architectural craft. His final chapter is devoted to The Bridge, the ambitious lyric suite that proved to be the climax and terminus of Crane's work. Berthoff's emphasis throughout is on the beauty and power of individual poems, and on the sanity, shrewdness, and sense of purpose that informed Crane's working intelligence.

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Hart Crane
After His Lights
Brian M. Reed
University of Alabama Press, 2006
A critical reassessment of the life’s work of a major American poet.
 
With his suicide in 1932, Hart Crane left behind a small body of work—White Buildings (1926) and The Bridge (1930). Yet, Crane’s poetry was championed and debated publicly by many of the most eminent literary and cultural critics of his day, among them Van Wyck Brooks, Kenneth Burke, Robert Graves, Allen Tate, and Edmund Wilson. The Bridge appears in its entirety in the Norton Anthology of American Literature, and Crane himself has been the subject two recent biographies.

In Hart Crane: After His Lights, Brian Reed undertakes a study of Crane’s poetic output that takes into account, but also questions, the post-structural and theoretical developments in humanities scholarship of the last decade that have largely approached Crane in a piecemeal way, or pigeonholed him as represen-tative of his class, gender, or sexual orientation. Reed examines Crane’s career from his juvenilia to his posthumous critical reception and his impact on practicing poets following World War II. The first part of the study tests common rubrics of literary theory—nationality, sexuality, period—against Crane’s poetry, and finds that these labels, while enlightening, also obfuscate the origin and character of the poet’s work. The second part examines Crane’s poetry through the process of its composition, sources, and models, taking up questions of style, genealogy, and genre. The final section examines Crane’s influence on subsequent generations of American poets, especially by avant-garde literary circles like the New American poets, the Black Mountain School, the New York School, and the Beats.

The result is a study that complicates and enriches our understandings of Crane’s poetry and contributes to the ongoing reassessment of literary modernism’s origins, course, and legacy.
 
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Hart Crane and the Homosexual Text
New Thresholds, New Anatomies
Thomas E. Yingling
University of Chicago Press, 1990
"Canonized for being insufficiently American although he took America as his subject, chastised for obscurity by readers who would not allow or would not read homosexual meanings, Crane embodies many understandings of America, and of the predicament of the gay writer."—Voice Literary Supplement

"A brilliant critical model for understanding how textuality and sexuality can produce pervasive effects on each other in the writing of a figure like Crane."—Michael Moon, Duke University

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Hart Island
Gary Zebrun
University of Wisconsin Press, 2024
Hart Island has served as a potter’s field for more than a century, holding over a million indigent, unclaimed, or unknown New Yorkers’ bodies—and yet it is little-known even among locals. In this absorbing and elegiac story, on this island shaped like a miniature boot of Italy, Gary Zebrun explores overlapping connections of family, crime, sexuality, and human decency.

Driven out of the Coast Guard during the days of “Don’t Ask, Don’t Tell,” Sal Cusumano hauls coffins to Hart Island with a burial crew of Rikers Island inmates and guards. Only there can he fully leave his family troubles on Staten Island behind: Justin, his adopted brother and lover; his mother, Ida, slipping rapidly into dementia; the memory of Francesco, his father, a bookie gunned down on his stoop; and his brother Antony, a Manhattan homicide detective moonlighting with the mob. But the island ceases to be his sanctuary after Antony ensnares him—and others—in a crime that involves a nocturnal visit to the potter’s field. 

This compelling and intricately plotted novel moves through the shadows as its characters yearn for belonging and forgiveness. Set on the eve of the COVID pandemic, it is part love story, part crime novel, and part mystery.
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Harun Farocki
Working the Sight-lines
Edited by Thomas Elsaesser
Amsterdam University Press, 2004
Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children’s television features, “learning films” in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki’s own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.
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Harvard A to Z
John T. Bethell, Richard M. Hunt, and Robert Shenton
Harvard University Press, 2004

Open this book and step into the storied corridors of the nation’s oldest university; encounter the historic landmarks and curiosities; and among them, meet the famous dropouts and former students, the world-class scholars, eccentrics, and prodigies who have given the institution its incomparable character.

An alphabetical compendium of short but substantial essays about Harvard University—its undergraduate college and nine professional schools—this volume traverses the gamut of Harvardiana from Aab and Admissions to X Cage and Z Closet. In between are some two hundred entries written by three Harvard veterans who bring to the task over 125 years of experience within the university. The entries range from essential facts to no less interesting ephemera, from the Arnold Arboretum designed by Frederick Law Olmsted to the peculiar medical specimens of the Warren Museum; from Arts and Athletics to Towers and Tuition: from the very real environs (Cambridge, Charles River, and Quincy Street) to the Harvard of Hollywood and fiction.

Harvard A to Z is a browser’s delight, offering readers the chance to dip into the history and lore, the character and culture of America’s foremost institution of higher learning.

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Harvard
An Architectural History
Bainbridge Bunting
Harvard University Press
Here is an incisive and fully illustrated history of Harvard’s architecture told by the distinguished architectural historian Bainbridge Bunting, author of Houses of Boston’s Back Bay. The book examines the Federal architecture of Charles Bulfinch, H. H. Richardson’s Romanesque buildings, the Imperial manner reflected in Widener Library, as well as the work of such esteemed architects as Charles McKim, Gropius, and Le Corbusier—and it shows us how they all come together to form an amazingly coherent whole. This lively story of a university campus is a veritable microcosm of American architectural experience.
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The Harvard Biographical Dictionary of Music
Don Michael Randel
Harvard University Press, 1996

An incomparable guide to the thousands of characters, from humble artisan to lofty genius, who people the unfolding history of music, this volume brings together all the pertinent biographical information about composers, performers, music theorists, and instrument makers from the days of praise chants to the bop and pop of today. A long-awaited companion to The Harvard Dictionary of Music, and compiled with the same meticulous scholarship and delight in detail, this biographical dictionary emphasizes classical and art music, but also gives ample attention to jazz and blues, rock and pop, and hymns and show tunes across the ages—with unusual care devoted to coverage of the twentieth century.

That the Belgian composer Jean Absil was professor of fugue at the Brussels Conservatory is a little-known fact. And few are aware that Roy Acuff began his country-and-western career in medicine shows. The writings of the seventeenth-century organist Jakob Adlung may be obscure, while Theodor Adorno’s are widely read and studied. But they can all be found in the As, along with 218 more entries, from Herb Alpert and the Andrews Sisters to Carl Friedrich Abel and Emanuel Ax. And this is only the beginning.

Here then is the information you need about 5,500 figures in the world of music—the major, the minor, the famous, the nearly forgotten, from Bach and Beethoven to Irving Berlin, Benny Goodman, and Bruce Springsteen—capsule summaries of the lives and careers behind the music enjoyed in every era. The volume is enlivened with illustrations, some revelations in themselves. A compendium that no music lover should be without, this rich volume, along with The Harvard Dictionary of Music, constitutes the standard reference work for the musically inclined, the curious, the informed, and the expert.

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The Harvard Black Rock Forest
George W.S. Trow
University of Iowa Press, 2004

Originally published in the June 11, 1984, New Yorker, this lengthy essay is a sharp-edged inquiry into the generational institutions of our national life. With the same iconoclastic spirit and multilayered prose that he interwove in his classic Within the Context of No Context, George Trow tells the story of upstate New York’s Black Rock Forest—a thirty-eight-hundred-acre site overlooking the Hudson River—through the lives of the men who were connected to it and through the larger histories of Harvard University, U.S. conservation policies, and physics and biology.

The men: banker James Stillman; his son, Ernest Stillman, a medical doctor who inherited the land that would become the Black Rock Forest in 1928 and who wanted to make it healthy and useful; the legendary Gifford Pinchot, appointed chief forester of the U.S. in 1898; and Richard Thornton Fisher, for many years the head of the Harvard Forest and the man who suggested to Ernest Stillman that he turn his inherited land into another demonstration forest. Harvard University: a more financially focused, less collegial environment than the one that had accepted the gift of the forest in 1949, now looking to shed responsibility for the forest without shedding the money its sale would bring. The challenge: How to manage, how to value, a wilderness area of great biological diversity.

In his brilliantly elastic fashion, Trow maneuvers images, symbols, ambiguities, ethics, journalistic wordplay, advertising tricks, and corporate doublespeak to create an intensely perceptive analysis of the cultural, political, and scientific communities. His richly developed story of the Harvard Black Rock Forest is ultimately a symbolic tale that bears upon some of the most significant institutions, professions, and legacies in contemporary American life.

A publisher’s note reveals the fate of the forest.

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The Harvard Book of Contemporary American Poetry
Helen Vendler
Harvard University Press, 1985

Join Professor Helen Vendler in her course lecture on the Yeats poem "Among School Children". View her insightful and passionate analysis along with a condensed reading and student comments on the course.

The poetry collected in this volume reveals the range and power of the contemporary American imagination. The verve, freedom, and boldness of American English are combined with the new harmonies of modern cadence. Here are distillations of twentieth-century perception, feeling, and thought, and reflections of changing social realities, scientific and psychoanalytic insights, and the strong voices of feminism and black consciousness. This is a book for those who value fresh and original poetry and for readers worldwide who are curious about contemporary American experience.

Helen Vendler relies on her own taste and judgment in singling out excellent poems, beginning with the late modernist flowering of Wallace Stevens and continuing to the present. Her wide-ranging Introduction places recent American poetry in its aesthetic and social contexts. The anthology provides an extensive offering of the work of major poets and introduces many writers who are only now beginning to make their reputation. Thirty-five poets are included, with a representative selection from the earlier to later work of each and a significant number of long poems. Brief biographies of the poets are appended.

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The Harvard Book
Selections from Three Centuries, First Edition
William Bentinck-Smith
Harvard University Press

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The Harvard Book
Selections from Three Centuries, Revised Edition
William Bentinck-Smith
Harvard University Press, 1982

If Harvard can be said to have a literature all its own, then few universities can equal it in scope. Here lies the reason for this anthology—a collection of what Harvard men (teachers, students, graduates) have written about Harvard in the more than three centuries of its history. The emphasis is upon entertainment, upon readability; and the selections have been arranged to show something of the many variations of Harvard life.

For all Harvard men—and that part of the general public which is interested in American college life—here is a rich treasury. In such a Harvard collection one may expect to find the giants of Harvard’s last 75 years—Eliot, Lowell, and Conant—attempting a definition of what Harvard means. But there are many other familiar names—Henry Dunster, Oliver Wendell Holmes, James Russell Lowell, Henry Adams, Charles M. Flandrau, William and Henry James, Owen Wister, Thomas Wolfe, John P. Marquaud. Here is Mistress Eaton’s confession about the bad fish served to the wretched students of Harvard’s early years; here too is President Holyoke’s account of the burning of Harvard Hall; a student’s description of his trip to Portsmouth with that aged and Johnsonian character, Tutor Henry Flynt; Cleveland Amory’s retelling of the murder of Dr. George Parkman; Mayor Quiney’s story of what happened in Cambridge when Andrew Jackson came to get an honorary degree; Alistair Cooke’s commentary on the great Harvard–Yale cricket match of 1951. There are many sorts of Harvard men in this book—popular fellows like Hammersmith, snobs like Bertie and Billy, the sensitive and the lonely like Edwin Arlington Robinson and Thomas Wolfe, and independent thinkers like John Reed. Teachers and pupils, scholars and sports, heroes and rogues pass across the Harvard stage through the struggles and the tragedies to the moments of triumph like the Bicentennial or the visit of Winston Churchill.

And speaking of visits, there are the visitors too—the first impressions of Harvard set down by an assortment of travelers as various as Dickens, Trollope, Rupert Brooke, Harriet Martineau, and Francisco de Miranda, the “precursor of Latin American independence.”

For the Harvard addict this volume is indispensable. For the general reader it is the sort of book that goes with a good living-room fire or the blissful moments of early to bed.

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The Harvard Brief Dictionary of Music
Willi Apel and Ralph T. Daniel
Harvard University Press

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Harvard Case Histories in Experimental Science
James Bryant Conant
Harvard University Press

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The Harvard Century
The Making of a University to a Nation
Richard Norton Smith
Harvard University Press
The Harvard Century tells the story of how Harvard, America’s oldest and foremost institution of higher learning, has become synonymous with the nation, their goals and standards reflecting each other, each setting the other’s agenda. It is also a colorful and intimate narrative of the individual achievements of its leaders and of the intense power struggles that have shaped Harvard as it pioneered in setting the priorities that have served as exemplars for the nation’s educational establishment.
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Harvard College in the Seventeenth Century
Samuel Eliot Morison
Harvard University Press

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The Harvard College Observatory
The First Four Directorships
Bessie Zaban Jones and Lyle Gifford Boyd
Harvard University Press, 1971

Since its founding in 1839, the Harvard College Observatory has pioneered in the development of modern astronomy. Its first directors early recognized the potential of spectroscopy in revealing the constitution of the stars, and of photography in determining the positions and motions of celestial objects; the library of photographic plates made under their direction provides an invaluable history of the stellar universe for the period. The Observatory also pioneered in using the talents of women, several of whom became noted astronomers, and their monumental classification of stars from spectral records constitutes a fundamental contribution to astronomical knowledge.

The authors vividly portray the genesis, growth, and achievements of a major scientific institution and its relations with other observatories. Through the use of photographs and correspondence they also portray the men and women who played essential roles in the development of astronomy in the nineteenth and early twentieth centuries.

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The Harvard Concise Dictionary of Music and Musicians
Don Michael Randel
Harvard University Press, 1999

This new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed The New Harvard Dictionary of Music and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians.

This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century.

Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.

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Harvard Concordance to Shakespeare
Marvin Spevack
Harvard University Press, 1973

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The Harvard Dictionary of Music
Fourth Edition
Don Michael Randel
Harvard University Press, 2003

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.

The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture.

Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.

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Harvard Dictionary of Music
Second Edition, Revised and Enlarged
Willi Apel
Harvard University Press, 1969

A classic and invaluable reference work. Soon after its initial publication, the Harvard Dictionary of Music by Willi Apel was firmly established as a standard and essential resource for everyone concerned with music. The product of exceptional scholarship, it was praised as being comprehensive, concise, authoritative, scholarly, and enjoyable. Leopold Stokowski wrote, “I so often consult your dictionary of music, and with such never failing enlightenment, that I must offer you my thanks for your unique book, so profound and so broad in scope… The vast scholarship…is of immeasurable value to the whole world of music.”

For this second edition the dictionary has been thoroughly revised, updated, and substantially enlarged. Apel and eighty-eight other eminent music scholars have contributed new articles and revised old ones completely. The already comprehensive list of accurate definitions has grown measurably and it now even includes nothus, pyiba, and merengue.

In the greatly expanded coverage of ethnomusicology, cumbia—an Afro-Panamanian dance form—and Vietnam are only two of the new entries. Additionally, all the general information about individual countries has been revised and the discussion of both theory and history has been amply increased. Developments of the last two decades are given special attention with particular emphasis on compositional techniques, including electronic music and serial music. Individual compositions, representative of every type from every era, are described. The bibliography following each article, a unique feature of the first edition, has been updated and expanded. There are fifty percent more illustrations than in the first edition, including explicit drawings of instruments, clear music examples, diagrams, charts and a full-page outline of the history of music.

An extensive list of the most important music libraries and collections throughout the world with summaries of their significant musical holdings is a valuable part of the dictionary. The section on historical editions now lists fifty-three collections of music and briefly describes each volume within each collection.

The Harvard Dictionary of Music, Second Edition, Revised and Enlarged, is the result of imaginative, specialized, modern, and reliable music scholarship. Containing nearly 1,000 pages of precise and accessible information on all musical subjects, it offers over fifty percent more material than the first edition. It is essential not only to the scholar of music, the professional performer, and the practicing amateur, but to everyone who has ever anticipated the pleasure of a weekly musical broadcast, purchased a favorite recording, or truly enjoyed a concert.

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Harvard Encyclopedia of American Ethnic Groups
Stephan Thernstrom, EditorAnn Orlov, Managing EditorOscar Handlin, Consulting Editor
Harvard University Press, 1980

From Acadians to Zoroastrians-Asians, American Indians, East Indians, West Indians, Europeans, Latin Americans, Afro-Americans, and Mexican Americans—the Harvard Encyclopedia of American Ethnic Groups provides the first comprehensive and systematic review of the many peoples of this country. It should excite all Americans about their nation.

Informative and entertaining, this volume is an indispensable reference work for home, library and office. It establishes a foundation for the burgeoning field of ethnic studies; it will satisfy and stimulate the popular interest in ancestry and heritage. It is a guide to the history, culture, and distinctive characteristics of the more than 100 ethnic groups who live in the United States.

Each ethnic group is described in detail. The origins, history and present situation of the familiar as well as the virtually unknown are presented succinctly and objectively. Not only the immigrants and refugees who came voluntarily but also those already in the New World when the first Europeans arrived, those whose ancestors came involuntarily as slaves, and those who became part of the American population as a result of conquest or purchase and subsequent annexation figure in these pages. The English and the Estonians, the Germans and the Gypsies, the Swedes and the Serbs are interestingly juxtaposed. Even entries about relatively well-known groups offer new material and fresh interpretations. The articles on less well-known groups are the product of intensive research in primary sources; many provide the first scholarly discussion to appear in English. One hundred and twenty American and European contributors have been involved in this effort, writing either on individual groups or on broad themes relating to many.

The group entries are at the heart of the book, but it contains, in addition, a series of thematic essays that illuminate the key facets of ethnicity. Some of these are comparative; some philosophical; some historical; others focus on current policy issues or relate ethnicity to major subjects such as education, religion, and literature. American identity and Americanization, immigration policy and experience, and prejudice and discrimination in U.S. history are discussed at length. Several essays probe the complex interplay between assimilation and pluralism—perhaps the central theme in American history—and the complications of race and religion.

Numerous cross-references and brief identifications will aid the reader with unfamiliar terms and alternative group names. Eighty-seven maps, especially commissioned, show where different groups have originated. Annotated bibliographies contain suggestions for further reading and research. Appendix I, on methods of estimating the size of groups, leads the reader through a maze of conflicting statistics. Appendix II reproduces, in facsimile, hard-to-locate census and immigration materials, beginning with the first published report on the nativities of the population in 1850.

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Harvard Guide to American History, Volumes I and II
Revised Edition
Frank Freidel
Harvard University Press, 1974

The Harvard Guide has a long and distinguished history in the annals of reference works. First prepared in 1896 by Albert Bushnell Hart and Edward Channing, it was a unique scholarly tool. Revised in 1912 by Hart, Channing, and Frederick Jackson Turner, the Guide carried its entries through 1910 and became the standard text.

In 1954 the Harvard Guide to American History appeared, prepared and edited by members of the History Department of Harvard: Oscar Handlin, Arthur Meier Schlesinger, Samuel Eliot Morison, Frederick Merk, Arthur Meier Schlesinger, Jr., and Paul Herman Buck. A one-volume compendium, the Guide became a classic in historical studies and won a place in every important library—both public and private—of American history.

With its revised republication in 1974, Frank Freidel and Richard K. Showman have made the Guide the most essential reference book for historians. Their work was sponsored by the Charles Warren Center for Studies in American History at Harvard. This thoroughly revised, comprehensive guide to American history reflects the explosive growth in historical publications and materials, and the expanding interests of American historians. About one third of the entries are new. These not only represent the surge of books and articles, but also reflect new areas of history. The brief topical sections in the last edition have grown into a 300-page coverage of economic, social, and intellectual history. Demography, social structure, ethnicity, and the new urban and cultural dimensions of history find a place. Colonial history receives both topical and chronological treatment in an all-inclusive section. United States history since 1759, primarily political and diplomatic, appears in the familiar chronological form.

Enlarged and up-to-date sections cover research methods and material. There are practical suggestions on research, writing, and publication, and extensive citation of finding aids and bibliographies to introduce the user to collections of printed materials, public documents, microform, manuscripts, and archives. The section on care and editing of manuscripts, long standard on the subject, appears unchanged; other sections, such as those on automated data retrieval, quantitative techniques, and oral history, reflect innovations in the historian’s craft. The new Guide has been recast in columnar form to make it easier to locate references and includes cross-reference by pages and sections to facilitate faster use.

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The Harvard Guide to Careers
New Edition
Martha Leape and Susan Vacca
Harvard University Press, 1991

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The Harvard Guide to Contemporary American Writing
Daniel Hoffman
Harvard University Press, 1979

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The Harvard Guide to Modern Psychiatry
Armand M. Nicholi Jr., M.D.
Harvard University Press, 1978

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The Harvard Guide to Psychiatry
Third Edition
Armand M. Nicholi Jr., M.D.
Harvard University Press, 1999

Four years in the making, this entirely revised edition of a classic text provides a lucid and erudite review of the state of psychiatry today. Since the publication of the last edition in 1988, remarkable advances have been made in laboratory and clinical psychiatric research; the fourth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV) has been published; managed care has radically altered the provision of all medical care; and the profession of psychiatry has come to a sophisticated new understanding of the interplay between psychiatric knowledge and issues in the larger society.

All these changes are reflected in the new text. Of particular interest are the masterful and lucid reviews of current knowledge in the neurobiology of mental disorders, in the section on brain and behavior. The section on psychopathology clarifies newly emerging diagnostic categories and offers new insight into addictions, anxiety disorders, and disorders of cognition.

Like its predecessors, The Harvard Guide To Psychiatry focuses throughout on the relationship between the physician and the patient. Its unspoken motto is that the art of psychiatry is as important as the science. For this recognition of what is relevant clinically as well as technically, this book will be an essential reference and support for both the new and the experienced psychiatrist.

This new edition includes up-to-date discussions of:DSM-IVManaged careImprovements in neuroimagingThe increased use of psychoactive drugsRecent advances in molecular biologyResearch on the biology of schizophrenia, depression, anxiety, and addictive disorders

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