This is volume 9 issue 1 of HAU: Journal of Ethnographic Theory. HAU: Journal of Ethnographic Theory, is an international journal which aims to situate ethnography as the prime heuristic of anthropology, and return it to the forefront of conceptual developments in the discipline. The journal is motivated by the need to reinstate ethnographic theorization in contemporary anthropology as a potent alternative to its "explanation" or "contextualization" by philosophical arguments, moves which have resulted in a loss of the discipline's distinctive theoretical nerve. By drawing out its potential to critically engage and challenge Western cosmological assumptions and conceptual determinations, HAU aims to provide an exciting new arena for evaluating ethnography as a daring enterprise for 'worlding' alien terms and forms of life, by exploiting their potential for rethinking humanity and alterity.

Since the 1970s lacrosse has become one of the fastest-growing sports in North America, and Haudenosaunee communities have worked at the international level to claim lacrosse as an important part of Haudenosaunee culture and tradition. Lacrosse is also known as the medicine game as it is part of a medicine ceremony named in creation narratives and the Great Law of Peace that binds the six nations of the Haudenosaunee Confederacy Six Nations. The number of Haudenosaunee women and girls playing the sport has burgeoned since the 1980s. This book roots lacrosse as a Haudenosaunee sport both within and outside of these communities. It shows how the concept of rematriation—a culturally relevant framework that articulates the work Haudenosaunee peoples are doing to reconnect to the power imbued with matrilineal and matrifocal societies—situates Haudenosaunee women who play lacrosse within a complex understanding of contemporary, traditional, and medicinal lacrosse. Because they cannot seamlessly claim this as their medicine game, as the Haudenosaunee Nationals and other men’s teams do, Haudenosaunee women players must articulate some of the most nuanced understandings of tradition and medicine. These articulations connect to larger conversations within Haudenosaunee communities regarding the power that women hold and the rematriation of that power to define and uphold tradition. Haudenosaunee Women Lacrosse Players demonstrates how the cycle of action and articulation—with the intergenerational help of female leadership—firmly roots lacrosse within Haudenosaunee cultural fabric.

An American Interest Top Book of the Year

“Khan has unraveled the mystery of Chinese grand strategy, showing why insecurity lies at the root of Chinese power projection… Readers will not find a shrewder analysis as to why the Chinese act as they do.”
—Robert D. Kaplan, author of The Revenge of Geography

Before the Chinese Communist Party came to power, China lay broken and fragmented. Today it is a force on the global stage, and yet its leaders have continued to be haunted by the past. Drawing on an array of sources, Sulmaan Wasif Khan chronicles the grand strategies that have sought not only to protect China from aggression but also to ensure it would never again experience the powerlessness of the late Qing and Republican eras.

The dramatic variations in China’s modern history have obscured the commonality of purpose that binds the country’s leaders. Analyzing the calculus behind their decision making, Khan explores how they wove diplomatic, military, and economic power together to keep a fragile country safe in a world they saw as hostile. Dangerous and shrewd, Mao Zedong made China whole and succeeded in keeping it so, while the caustic, impatient Deng Xiaoping dragged China into the modern world. Jiang Zemin and Hu Jintao served as cautious custodians of the Deng legacy, but the powerful and deeply insecure Xi Jinping has shown an assertiveness that has raised both fear and hope across the globe.

For all their considerable costs, China’s grand strategies have been largely successful. But the country faces great challenges today. Its population is aging, its government is undermined by corruption, its neighbors are arming out of concern over its growing power, and environmental degradation threatens catastrophe. A question Haunted by Chaos raises is whether China’s time-tested approach can respond to the looming threats of the twenty-first century.

An American Interest Book of the Year

“Readers will not find a shrewder analysis as to why the Chinese act as they do.”
—Robert D. Kaplan

“An outstanding contribution to our understanding of that most urgent of contemporary geopolitical questions: what does China want?”
—Rana Mitter

Before the Chinese Communist Party came to power, China lay broken and fragmented. Today it dominates the global stage, and yet its leaders have continued to be haunted by the past. Analyzing the calculus behind decision making at the highest levels, Sulmaan Wasif Khan explores how China’s leaders have harnessed diplomatic, military, and economic power to keep a fragile country safe in a hostile world. At once shrewd and dangerous, Mao Zedong made China whole and succeeded in keeping it so while the caustic Deng Xiaoping dragged China into the modern world. Jiang Zemin and Hu Jintao were cautious custodians of Deng’s legacy, but Xi Jinping has shown a mounting assertiveness that has raised concern across the globe.

China’s grand strategies, while costly, have been largely successful. But will this time-tested approach be enough to tackle the looming threats of our age?

“Written with verve and insight, this will become the go-to book for anyone interested in the foundations of China’s grand strategy under Communist rule.”
—Odd Arne Westad, author of The Cold War

“Khan’s brilliant analysis will help policymakers understand the critical rise of China…Crucial if we are to avoid conflict with this emerging superpower.”
—Admiral James Stavridis, former Supreme Allied Commander of NATO

“Khan argues that since before the People’s Republic of China’s founding, Chinese rulers have held remarkably consistent objectives, even as their definition of security has expanded.”
—Mira Rapp-Hooper, War on the Rocks

Stories of ghostly spirits who return to this world to warn of danger, to prophesy, to take revenge, to request proper burial, or to comfort the living fascinated people in ancient times just as they do today. In this innovative, interdisciplinary study, the author combines a modern folkloric perspective with literary analysis of ghost stories from classical antiquity to shed new light on the stories' folk roots.

The author begins by examining ancient Greek and Roman beliefs about death and the departed and the various kinds of ghost stories which arose from these beliefs. She then focuses on the longer stories of Plautus, Pliny, and Lucian, which concern haunted houses. Her analysis illuminates the oral and literary transmission and adaptation of folkloric motifs and the development of the ghost story as a literary form. In her concluding chapter, the author also traces the influence of ancient ghost stories on modern ghost story writers, a topic that will interest all readers and scholars of tales of hauntings.

Robert Cochran’s Haunted Man’s Report is a pioneering study of the novels and other writings of Arkansan Charles Portis (1933–2020), best known for the novel True Grit and its film adaptations. Hailed by one critic as “the author of classics on the order of a twentieth-century Mark Twain” and as America’s “least-known great novelist,” Portis has garnered a devoted fan base with his ear for language, picaresque characters, literary Easter eggs, and talent for injecting comedy into even the smallest turn of phrase. As a former Marine who served on the front lines of the Korean War and as a journalist who observed firsthand the violent resistance to the civil rights movement, Portis reported on atrocities that came to inform his fiction profoundly. His novels take aim at colonialism and notions of American exceptionalism, focusing on ordinary people, often vets, searching for safe havens in a fallen world.

Haunted Man’s Report, a deeply insightful literary exploration of Portis’s singular and underexamined oeuvre, celebrates this novelist’s great achievement and is certain to prove a valuable guide for readers new to Portis as well as aficionados.

In Haunting Biology Emma Kowal recounts the troubled history of Western biological studies of Indigenous Australians and asks how we now might see contemporary genomics, especially that conducted by Aboriginal and Torres Strait Islander scientists. Kowal illustrates how the material persistence of samples over decades and centuries folds together the fates of different scientific methodologies. Blood, bones, hair, comparative anatomy, human biology, physiology, and anthropological genetics all haunt each other across time and space, together with the many racial theories they produced and sustained. The stories Kowal tells feature a variety of ghostly presences: a dead anatomist, a fetishized piece of hair hidden away in a war trunk, and an elusive white Indigenous person. By linking this history to contemporary genomics and twenty-first-century Indigeneity, Kowal outlines the fraught complexities, perils, and potentials of studying Indigenous biological difference in the twenty-first century.

Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema’s least explored genres.

From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today’s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it raises questions of film form, history, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed among multiple genres and constantly in conversation with global cinematic forms, she demonstrates that it is an especially malleable impulse that routinely pushes Hindi film into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating stage on which the supernatural rehearses its most basic compulsions; thus, the interface between gender and genre provides an exceptionally productive lens into Hindi cinema’s negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural’s unruly energies continually resist containment, even as they partake of and sometimes subvert Hindi cinema’s most enduring pleasures, from songs and stars to myth and melodrama.

Since her death in 1963 at the age of thirty, Sylvia Plath has become a strange icon---an object of intense speculation, fantasy, repulsion, and desire. Jacqueline Rose stands back from the debates and looks instead at the swirl of controversy, recognizing it as a phenomenon in itself--one with much to tell us about how a culture selects and judges writers; how we hear women's voices; and how we receive messages from, to, and about our unconscious selves.

Winner, William M. LeoGrande Prize, Center for Latin American and Latino Studies at American University, 2022

For half a century, cultural production in Colombia has labored under the weight of magical realism—above all, the works of Gabriel García Márquez—where ghosts told stories about the country’s violent past and warned against a similarly gruesome future.

Decades later, the story of violence in Colombia is no less horrific, but the critical resources of magical realism are depleted. In their wake comes "spectral realism." Juliana Martínez argues that recent Colombian novelists, filmmakers, and artists—from Evelio Rosero and William Vega to Beatriz González and Erika Diettes—share a formal and thematic concern with the spectral but shift the focus from what the ghost is toward what the specter does. These works do not speak of ghosts. Instead, they use the specter to destabilize reality by challenging the authority of human vision and historical chronology.

By introducing the spectral into their work, these artists decommodify well-worn modes of representing violence and create a critical space from which to seek justice for the dead and disappeared. A Colombia-based study, Haunting without Ghosts brings powerful insight to the politics and ethics of spectral aesthetics, relevant for a variety of sociohistorical contexts.

    The Hausa are one of the largest ethnic groups in Africa, with populations in Nigeria, Niger, and Ghana.  Their long history of city-states and Islamic caliphates, their complex trading economies, and their cultural traditions have attracted the attention of historians, political economists, linguists, and anthropologists. The large body of scholarship on Hausa society, however, has assumed the subordination of women to men.
    Hausa Women in the Twentieth Century refutes the notion that Hausa women are pawns in a patriarchal Muslim society.  The contributors, all of whom have done field research in Hausaland, explore the ways Hausa women have balanced the demands of Islamic expectations and Western choices as their society moved from a precolonial system through British colonial administration to inclusion in the modern Nigerian nation. This volume examines the roles of a wide variety of women, from wives and workers to political activists and mythical figures, and it emphasizes that women have been educators and spiritual leaders in Hausa society since precolonial times.  From royalty to slaves and concubines, in traditional Hausa cities and in newer towns, from the urban poor to the newly educated elite, the "invisible women" whose lives are documented here demonstrate that standard accounts of Hausa society must be revised.
    Scholars of Hausa and neighboring West African societies will find in this collection a wealth of new material and a model of how research on women can be integrated with general accounts of Hausa social, religious, political, and economic life. For students and scholars looking at gender and women's roles cross-culturally, this volume provides an invaluable African perspective.

What compels a person to risk her life to change deeply rooted systems of injustice in ways that may not benefit her? The thousands of Black Churchwomen who took part in civil rights protests drew on faith, courage, and moral imagination to acquire the lived experiences at the heart of the answers to that question. AnneMarie Mingo brings these forgotten witnesses into the historical narrative to explore the moral and ethical world of a generation of Black Churchwomen and the extraordinary liberation theology they created. These women acted out of belief that what they did was bigger than themselves. Taking as their goal nothing less than the moral transformation of American society, they joined the movement because it was something they had to do. Their personal accounts of a lived religion enacted in the world provide powerful insights into how faith steels human beings to face threats, jail, violence, and seemingly implacable hatred. Throughout, Mingo draws on their experiences to construct an ethical model meant to guide contemporary activists in the ongoing pursuit of justice.

A depiction of moral imagination that resonates today, Have You Got Good Religion? reveals how Black Churchwomen’s understanding of God became action and transformed a nation.

This is the story of a man who tried to resurrect the spirit of democratic life. He was born into a time of chaos and absurdity, and he took it as his fate to carry a candle into the night. This is his story and the story of many others, the writers, artists, actors, and philosophers who took it upon themselves to remember a tradition that had failed so miserably it had almost been forgotten.

Václav Havel (1936–2011), the famous Czech dissident, intellectual, and playwright, was there when a half million people came to Wenceslas Square to demand an end to Communism in 1989. Many came to hear him call for a free Czechoslovakia, for democratic elections, and a return to Europe. The demonstrators roared when he spoke. “Havel to the castle,” they chanted— meaning Havel for president. And a few weeks later, Havel became a most unusual president. He was sometimes misunderstood and not always popular, but by the time of his death in 2011, the world recognized Havel as one of the most prominent figures of the twentieth century.

Born into one of the most prominent and wealthy families in Prague, Havel was the constant subject of attention and an artistic eccentric in a family of businessmen. A young Havel and his family were cast by the Communist takeover as class enemies. Havel traveled a dark road that, ironically, provided the experiences he needed to reconnect not only to his own “ground of being” but to the traditions of civic society. This biography is the story of Havel’s inward journey in his underground years and thus the story of how Havel, the outsider, became the ultimate insider as president of the nation.

In this intimate and sweeping portrayal of Havel, David Barton reveals the eccentricities of the last president of Czechoslovakia, and the first president of the Czech Republic.

Robyn R. Warhol’s goal is to investigate the effects of readers’ emotional responses to formulaic fiction of the nineteenth and twentieth centuries on gendered subjectivity. She argues that modern literary and cultural studies have ignored nonsexual affectivity in their inquiries. The book elaborates on Warhol’s theory of affect and then focuses on sentimental stories, marriage plots, serialized novels, and soap operas as distinct genres producing specific feelings among fans.

Popular narrative forms use formulas to bring up familiar patterns of feelings in the audiences who love them. This book looks at the patterns of feelings that some nineteenth- and twentieth-century popular genres evoke, and asks how those patterns are related to gender. Soap operas and sentimentalism are generally derided as “effeminate” forms because their emotional range is seen as hyperfeminine. Having a Good Cry presents a celebration of effeminate feelings and works toward promoting more flexible, less pejorative concepts of gender. Using a psychophysiological rather than a psychoanalytic approach to reading and emotion, Warhol seeks to make readers more conscious of what is happening to the gendered body when we read.

"Well written and fascinating to read. This fine book takes a large step in...contributing to the only slowly dawning awareness of the general public, and the health workers too, of the significance of chronic illness." --Anselm Strauss, University of California, San Francisco Based on in-depth interviews with eighty people who have epilepsy, this book gives a first-hand account of what it is like to cope with a chronic illness, while working, playing, and building relationships. The authors recount how people discover they have epilepsy and what it means; how families respond to someone labeled "epileptic"; how seizures affect a person's sense of self and self-control. Epilepsy patients explain what they want from their doctors and why the medication practices they develop may not coincide with "doctor's orders." The variety of experiences of epilepsy is suggested both by the interviews and by the range of terms for seizures--Petit Mal, Grand Mal, auras, fits, absences. The principal difficulty for many people with epilepsy is not the medical condition but the social stigma. A person with epilepsy has to cope with discrimination in obtaining a job, insurance, or a driver's license, and he or she may be cautious about revealing this "disabling" condition to an employer or even a spouse. People with epilepsy may manage information about themselves and their "lapses" and look for "safe places" like restrooms where they can be alone should a seizure begin. Many of those interviewed complained of overreactions to seizures by colleagues or bystanders: epilepsy patients were embarrassed at having provoked a public crisis or were annoyed at waking up in a hospital emergency room. This is a book for people who have epilepsy, for their families and friends; for health care professionals who deal with chronic illnesses; and for students of medical sociology and the sociology of deviance. "For anyone who would like to 'get inside' the experience of having epilepsy, this book is probably as close as one can come." --Epilepsia "In dispelling the notion that 'the person is the illness,' these interviews with 80 individuals reveal that those suffering from epilepsy have learned to accept it as merely another facet of their lives. A valuable contribution for those with epilepsy, for their family and friends, for medical personnel, and for the general public." --Booklist "...carefully outlined and clearly written.... Those affected by chronic conditions may find the book most helpful.... Family and helping professionals may discover new insights.... Social scientists, especially those interested in chronic illnesses, will benefit from the research conclusions and suggestions for further research." --Medical Anthropology Quarterly "It represents an important advance in the medical sociology literature as well as a contribution to qualitative sociology. I think that the book should become a contemporary classic in medical sociology." --Qualitative Sociology "...an important contribution.... In focusing on what it is like to have epilepsy in this society, Schneider and Conrad have reversed an earlier concern for the medicalization of deviance, opting in this work for an understanding of the stigmatization of illness." --Contemporary Sociology

A crucial moment came in the developing split between Anglo-American and continental European philosophers when G. E. Moore and Bertrand Russell rebelled against the “Hegelianism” of their teachers and inaugurated the tradition of “analytic” philosophy. In this new book, John McDowell builds on his much discussed Mind and World—one of the most highly regarded books in contemporary philosophy. McDowell, who has long commanded attention for his fresh approach to issues in contemporary epistemology, philosophy of language, and philosophy of mind, shocked some mainstream analytic philosophers in Mind and World by drawing inspiration not only from analytic philosophers but also from continental philosophers, most notably Hegel.

McDowell argues that the roots of some problems plaguing contemporary philosophy can be found in issues that were first discerned by Kant, and that the best way to get a handle on them is to follow those issues as they are reshaped in the writings of Hegel and Sellars. Having the World in View will be a decisive further step toward healing the divisions in contemporary philosophy, by showing how central methods of the two traditions remain deeply entangled and by revealing how philosophers in both camps might still learn from each other.

The unifying theme of these thirteen essays is understanding. What is it? What does it take to have it? What does it presuppose in what can be understood? In the first group of essays, John Haugeland addresses mind and intelligence. Intelligibility comes to the fore in a set of “metaphysical” pieces on analog and digital systems and supervenience. In the third set of papers, Haugeland elaborates and then undermines a battery of common presuppositions about the foundational notions of intentionality and representation. Finally, the fourth and most recent group of essays confronts the essential character of understanding in relation to what is understood. The necessary interdependence between personality and intelligence is developed and explained, specifically in the conditions of the possibility of objective scientific knowledge.

A collection of inventive and surprising short stories from one of India’s most prominent countercultural writers.
 
In this wildly inventive collection of Nabarun Bhattacharya’s stories, we meet characters such as a trigger-happy cop in an authoritarian police state, a man who holds on to a piece of rope from a deadly noose, a retired revolutionary thrilled by delusions of grandeur, and people working for a corporation that arranges lavish suicides for a price. Ranging from scathing satires of society to surreal investigations of violence and love, these stories are also a window onto the political and social climate in Bengal, tracing both pan-Indian developments like the 1975 Emergency and local ones like militant-leftist Naxalism and the decades-long Communist reign in the state. Expertly translated from the Bengali, Hawa Hawa and Other Stories is a journey through the mind of one of the most daring countercultural writers of India, one with particular resonance in these chaotic times.

Hawaiʻi Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawaiʻi-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawaiʻi as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawaiʻi their haven, describing it as a place to “breathe” that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawaiʻi Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in “paradise.”

The most successful British jet fighter produced was without doubt the sleek and graceful Hawker Hunter. As usual for every new aircraft type it had its share of teething problems, but once these were all adequately solved the U.K. had at that time one of the best jet fighters available. It was built in large numbers and exported to many countries.

While critical discourse about falconry metaphors in premodern literature is dominated by depictions of women as unruly birds in need of taming, women in the Middle Ages claimed the symbol of a hawking woman on their personal seals, trained and flew hawks, and wrote and read poetic texts featuring female falconers. Sara Petrosillo’s Hawking Women demonstrates how cultural literacy in the art of falconry mapped, for medieval readers, onto poetry and challenged patriarchal control. Examining texts written by, for, or about women, Hawking Women uncovers literary forms that arise from representations of avian and female bodies. Readings from Sir Orfeo, Chrétien de Troyes, Guillaume de Machaut, Chaucer’s Troilus and Criseyde, and hawking manuals, among others, show how female characters are paired with their hawks not to assert dominance over the animal but instead to recraft the stand-in of falcon for woman as falcon with woman. In the avian hierarchy female hawks have always been the default, the dominant, and thus these medieval interspecies models contain lessons about how women resisted a culture of training and control through a feminist poetics of the falconry practice.

In this edited collection commemorating the bicentennial of Hawthorne’s birth in 1804, Millicent Bell gathers essays by distinguished scholars and critics that examine the ways in which Hawthorne related himself to the “real” in his own world and expressed that relation in his writing. Radically revising the older view that he was detached from conditions of actual life in 19th-century American society, the authors undertake to show how current social conditions, current events, and political movements taking place at a crucial point in American history were an evident part of Hawthorne’s consciousness. The essays situate his imaginative writings in a contemporary context of common experience and rediscover a Hawthorne alert to pressing problems of his day, especially slavery, feminism, and reform in general—the very issues that motivated his contemporaries on the eve of the Civil War. Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or “allegories of the heart” as he termed some of his short stories. But the literary mode of his fiction has long needed to be redefined. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was. This volume should long continue to provide new starting points for changing views of a great writer.
Contributors:

• Millicent Bell
• Nina Baym
• Michael T. Gilmore
• Leland S. Person
• David Leverenz
• Larry J. Reynolds
• Lawrence Buell
• Rita K. Gollin
• John Carlos Row
• Brenda Wineapple

Richard Jacobson examines and delineates the processes of mind that Hawthorne conceived of as underlying the creative act. Taking issue with previous studies that have presented the novelist as an adherent of one or another of the particular schools of thought representative of his time, the author demonstrates that Hawthorne's views were, in fact, eclectically formed and were a fusion of classical and romantic attitudes. His intense preoccupation with the relationship between art and morality, and the validation of imaginative insights are central elements, Jacobson maintains, in Hawthorne's theory of the creative process.

In this first full-scale examination of the theme-and-variations form in the Classical era, Elaine Sisman demonstrates persuasively that it was Haydn's prophetic innovationsplacing the variation in every position of a multi-movement cycle, broadening its array of theme types, and transforming its larger shapethat truly created the Classical variation. She elucidates the concept and technique of variation, traces Haydn's development and use of the form in symphonies, chamber music, and keyboard works, and then shows how Mozart and Beethoven in their individual ways built on his contributions.

Throughout, Sisman's analysis reflects both musical thinking of the Classical period and today's critical interests. She discusses ornamentation and musical figures, explores the pervasive eighteenth-century notion of music as rhetoric, and relates the style of the variation to that of the other dominant form in this period: sonata form. Her book offers a revaluation of the nature of the variation form and a new approach to the music of Haydn. Haydn and the Classical Variation is addressed to students and scholars of music, but the author's unaffected style makes it accessible to nonprofessional music lovers as well.

Analyzing the final three decades of Haydn’s career, this book uses the composer as a prism through which to examine urgent questions across the humanities.
 
In this far-reaching work of music history and criticism, Nicholas Mathew reimagines the world of Joseph Haydn and his contemporaries, with its catastrophic upheavals and thrilling sense of potential. In the process, Mathew tackles critical questions of particular moment: how we tell the history of the European Enlightenment and Romanticism; the relation of late eighteenth-century culture to incipient capitalism and European colonialism; and how the modern market and modern aesthetic values were—and remain—inextricably entwined.

The Haydn Economy weaves a vibrant material history of Haydn’s career, extending from the sphere of the ancient Esterházy court to his frenetic years as an entrepreneur plying between London and Vienna to his final decade as a venerable musical celebrity, during which he witnessed the transformation of his legacy by a new generation of students and acolytes, Beethoven foremost among them. Ultimately, Mathew asserts, Haydn’s historical trajectory compels us to ask what we might retain from the cultural and political practices of European modernity—whether we can extract and preserve its moral promise from its moral failures. And it demands that we confront the deep histories of capitalism that continue to shape our beliefs about music, sound, and material culture.

A 2022 Economist Best Book of the Year.
The definitive account of the distinguished economist’s formative years.

Few twentieth-century figures have been lionized and vilified in such equal measure as Friedrich Hayek—economist, social theorist, leader of the Austrian school of economics, and champion of classical liberalism. Hayek’s erudite arguments in support of individualism and the market economy have attracted a devout following, including many at the levers of power in business and government. Critics, meanwhile, cast Hayek as the intellectual forefather of “neoliberalism” and of all the evils they associate with that pernicious doctrine. 

In Hayek: A Life, historians of economics Bruce Caldwell and Hansjörg Klausinger draw on never-before-seen archival and family material to produce an authoritative account of the influential economist’s first five decades. This includes portrayals of his early career in Vienna; his relationships in London and Cambridge; his family disputes; and definitive accounts of the creation of The Road to Serfdom and of the founding meeting of the Mont Pèlerin Society. 

A landmark work of history and biography, Hayek: A Life is a major contribution both to our cultural accounting of a towering figure and to intellectual history itself. 

The National Barn Dance was the nation's most popular country music radio show during the 1930s and 1940s. The pioneering radio program defined country and western entertainment until the Grand Ole Opry and rock 'n' roll supplanted it in the 1950s. Broadcast for more than three decades from Chicago on WLS's powerful 50,000-watt signal, the show reached listeners throughout the Midwest, the East Coast, and South, delivering popular entertainment to both rural and urban areas while celebrating the fading folk traditions of an increasingly urbanized America.

The Hayloft Gang draws on the colorful commentary of performers and former listeners to analyze the National Barn Dance, its audience, and its impact. Contributors trace the history of barn dance radio, explore the paradox of a foundational country music program broadcast from a major city, investigate notions of authenticity in the presentation of country music and entertainment, and delve into provocative issues raised by the barn dance phenomenon.

Contributors: Chad Berry, Michael T. Bertrand, Lisa Krissoff Boehm, Don Cusic, Wayne W. Daniel, Loyal Jones, Kristine M. McCusker, Stephen Parry, Susan Smulyan, Paul L. Tyler, and Michael Ann Williams.

Love Canal. We hear these words and quickly recoil, remembering a community poisoned by toxic waste. Twenty years after the incident, Allan Mazur reexamines the circumstances that made this upstate New York neighborhood synonymous with ecological catastrophe and triggered federal "Superfund" legislation to clean up the nation's thousands of hazardous waste sites.

But is there only one true story of Love Canal? Borrowing the multi-viewpoint technique of the classic Japanese film Rashomon, Mazur's book reveals that there are many--often conflicting versions of what occurred at Love Canal. Hooker Chemical Company, which deposited the toxic wastes, explains why it subsequently donated the dump as the site for a new school. Lois Gibbs, whose son attended the school, tells of organizing the community to fight both the chemical threat and the uncaring state bureaucracy. Then there is the story of David Axelrod, New York's embattled commissioner of health, at odds with the homeowners over their assessment of the hazards and the proper extent of the state's response. We also hear from Michael Brown, the young reporter who developed the story in the Niagara Gazette and eventually brought the problem of toxic waste to national attention.

If A Hazardous Inquiry succeeded only in making us understand why one version of the events at Love Canal gained precedence over all others, it would be invaluable to policy makers, journalists, scientists, environmentalists, lawyers, and to citizens caught up in technical controversies that get played out (for better or worse) in the public arena. But the book moves beyond that to evaluate and reconcile the conflicting accounts of Love Canal, giving us a fuller, if more complex, picture than ever before. Through gripping personal tales, A Hazardous Inquiry tells how politics and journalism and epidemiology sometimes mesh, but often clash, when confronting a potential community disaster.

This volume analyzes the politics of hazardous waste siting and explores promising new strategies for siting facilities. Existing approaches to waste siting facilities have almost entirely failed, across all industrialized countries, largely because of community or NIMBY (Not in My Backyard) opposition. This volume examines a new strategy, voluntary choice siting—a process requiring mutual decisions negotiated between facility developers and the host communities. This bottom-up approach preserves democratic rights, recognizes the importance of public perceptions, and addresses issues of equity.

In this collection, an interdisciplinary group of experts probes recent examples of waste facilities siting in the United States, Canada, Germany, and Japan. Both the successes and the failures presented offer practical insights into the siting process. The book includes an introductory review of the literature on facility siting and the NIMBY phenomenon as well as instructive essays on the use of voluntary processes in facilities siting.

This book will be of value to policymakers, industry, and environmental groups, as well as to those working in environmental studies and engineering, political science, public health, geography, planning, and business economics.

This report documents research focused on helping the Department of Defense build a more-systematic approach to hazing prevention and response. The report documents theory and research on the root causes of hazing and findings and recommendations regarding how best to define hazing, practices to prevent and respond to incidents of hazing, and how the armed forces can improve the tracking of hazing incidents.