A SCHOLARLY BOOK REPOSITORY
Whether analyzing cases in which the Inquisition found that the individuals before it were “legally” Indians and thus exempt from prosecution, or considering late-eighteenth- and early-nineteenth-century petitions for declarations of whiteness that entitled the mixed-race recipients to the legal and social benefits enjoyed by whites, the book’s contributors approach the question of identity by examining interactions between imperial subjects and colonial institutions. Colonial mandates, rulings, and legislation worked in conjunction with the exercise and negotiation of power between individual officials and an array of social actors engaged in countless brief interactions. Identities emerged out of the interplay between internalized understandings of self and group association and externalized social norms and categories.
Contributors. Karen D. Caplan, R. Douglas Cope, Mariana L. R. Dantas, María Elena Díaz, Andrew B. Fisher, Jane Mangan, Jeremy Ravi Mumford, Matthew D. O’Hara, Cynthia Radding, Sergio Serulnikov, Irene Silverblatt, David Tavárez, Ann Twinam
Imperial Texas examines the development of Texas as a human region, from the simple outline of the Spanish colony to the complex patterns of the modern state. In this study in cultural geography set into a historical framework, D. W. Meinig discusses the "various peoples of Texas, who they are, where they came from, where they settled, and how they are proportioned one to another from place to place." After examining the historical framework, he then presents detailed analyses of the major regions of modem Texas and an over-all characterization of the state and its people. He concludes that, although Texas has never been the empire that it has sometimes been called, "nevertheless... Texas is something more than just one-fourteenth of the American area, one-twentieth of the American people, and one-fiftieth of the American union."
Radhika Mohanram shows not just how British imperial culture shaped the colonies, but how the imperial rule of colonies shifted—and gave new meanings to—what it meant to be British.
Imperial White looks at literary, social, and cultural texts on the racialization of the British body and investigates British whiteness in the colonies to address such questions as: How was the whiteness in Britishness constructed by the presence of Empire? How was whiteness incorporated into the idea of masculinity? Does heterosexuality have a color? And does domestic race differ from colonial race? In addition to these inquiries on the issues of race, class, and sexuality, Mohanram effectively applies the methods of whiteness studies to British imperial material culture to critically racialize the relationship between the metropole and the peripheral colonies.
Considering whether whiteness, like theory, can travel, Mohanram also provides a new perspective on white diaspora, a phenomenon of the nineteenth century that has been largely absent in diaspora studies, ultimately rereading—and rethinking—British imperial whiteness.
Radhika Mohanram teaches postcolonial cultural studies in the School of English, Communication and Philosophy at Cardiff University, Wales. She is the author of Black Body: Women, Colonialism, Space (Minnesota, 1999) and edits the journal Social Semiotics.
Some essays explore why modern Western democratic societies needed colonialism. Among these is an examination of the seventeenth-century philosopher John Locke’s prescient conclusion that liberalism could only control democratic forces with the promise of greater wealth enabled by empire. In other essays Lebovics considers the relation between overseas rule and domestic life. Discussing George Orwell’s tale “Shooting an Elephant” and the careers of two colonial officers (one British and one French), he contemplates the ruinous authoritarianism that develops among the administrators of empire. Lebovics considers Pierre Bourdieu’s thinking about how colonialism affected metropolitan French life, and he reflects on the split between sociology and ethnology, which was partly based on a desire among intellectuals to think one way about metropolitan populations and another about colonial subjects. Turning to the arts, Lebovics traces how modernists used the colonial “exotic” to escape the politicized and contested modernity of the urban West. Imperialism and the Corruption of Democracies is a compelling case for cultural history as a key tool for understanding the injurious effects of imperialism and its present-day manifestations within globalization.
With an empire stretching across central Mexico, unmatched in military and cultural might, the Aztecs seemed poised on the brink of a golden age in the early sixteenth century. But the arrival of the Spanish changed everything. Imperialism and the Origins of Mexican Culture chronicles this violent clash of two empires and shows how modern Mestizo culture evolved over the centuries as a synthesis of Old and New World civilizations.
Colin MacLachlan begins by tracing Spain and Mesoamerica’s parallel trajectories from tribal enclaves to complex feudal societies. When the Spanish laid siege to Tenochtitlán and destroyed it in 1521, the Aztecs could only interpret this catastrophe in cosmic terms. With their gods discredited and their population ravaged by epidemics, they succumbed quickly to Spanish control—which meant submitting to Christianity. Spain had just emerged from its centuries-long struggle against the Moors, and zealous Christianity was central to its imperial vision. But Spain’s conquistadors far outnumbered its missionaries, and the Church’s decision to exclude Indian converts from priesthood proved shortsighted. Native religious practices persisted, and a richly blended culture—part Indian, part Christian—began to emerge.
The religious void left in the wake of Spain’s conquests had enduring consequences. MacLachlan’s careful analysis explains why Mexico is culturally a Mestizo country while ethnically Indian, and why modern Mexicans remain largely orphaned from their indigenous heritage—the adopted children of European history.
Imperiled Destinies examines the evolution of Daoist beliefs about human liability and redemption over eight centuries and outlines ritual procedures for rescuing an ill‐starred destiny. From the second through the tenth century CE, Daoism emerged as a liturgical organization that engaged vigorously with Buddhism and transformed Chinese thinking about suffering, the nature of evil, and the aims of liberation. In the fifth century, elements of classical Daoism combined with Indian yogic practices to interiorize the quest for deliverance.
The medieval record portrays a world engulfed by evil, where human existence was mortgaged from birth and burdened by increasing debts and obligations in this world and the next. Against this gloomy outlook, Daoism offered ritual and sacramental instruments capable of acting on the unseen world, providing therapeutic relief and ecstatic release from apprehensions of death, disease, war, spoilt harvests, and loss. Drawing on prayer texts, liturgical sermons, and experiential narratives, Franciscus Verellen focuses on the Daoist vocabulary of bondage and redemption, the changing meanings of sacrifice, and metaphoric conceptualizations bridging the visible and invisible realms. The language of medieval supplicants envisaged the redemption of an imperiled destiny as debt forgiveness, and deliverance as healing, purification, release, or emergence from darkness into light.
Rehak closely examines the artistic imagery on these monuments, providing numerous illustrations, tables, and charts. In an analysis firmly contextualized by a thorough discussion of the earlier models and motifs that inspired these Augustan monuments, Rehak shows how the princeps used these on such an unprecedented scale as to truly elevate himself above the common citizen.
A new critical edition of Sutton Griggs’s turn-of-the-twentieth-century novel, which continues to shed light on understandings of Black politics.
Sutton E. Griggs’s first novel, originally published in 1899, paints a searing picture of the violent enforcement of disfranchisement and Jim Crow racial segregation. Based on events of the time, including US imperial policies, revolutionary movements, and racial protests, Imperium in Imperio introduces the fictional Belton Piedmont and Bernard Belgrave as “future leaders of their race” and uses these characters to make sense of the violence that marked the dawn of the twentieth century. Taking on contemporary battles over separatism and integration, Griggs’s novel continues to play a crucial role in understandings of Black politics.
Edited and introduced by Tess Chakkalakal and Kenneth W. Warren, this new critical edition offers not only an incisive biographical and historical introduction to the novel and its author but also a wealth of references that make the events and characters of Griggs’s Imperium in Imperio, and its aftermath, accessible to readers today.
Nothing lasts forever. This common experience can be the source of much anxiety, but also of hope. The concept of impermanence or continuous change opens up a range of timely questions and discussions that speak to globally shared experiences of transformation and concerns for the future. Impermanence engages with an emergent body of social theory that emphasizes flux and transformation and brings it into a dialogue with other traditions of thought and practice, such as Buddhism, that have sustained a long-lasting and sophisticated meditation on impermanence.
In cases drawn from all over the world, this volume investigates the significance of impermanence in such diverse contexts as social death, atheism, alcoholism, migration, ritual, fashion, oncology, museums, cultural heritage, and art. The authors draw on a wide range of disciplines, including anthropology, archaeology, art history, Buddhist studies, cultural geography, and museology. This volume also includes numerous photographs, artworks, and poems that evocatively communicate notions and experiences of impermanence.
A personal journey through the ever-changing natural and cultural history of Lake Superior’s South Shore
Lake Superior’s South Shore is as malleable as it is enduring, its red sandstone cliffs, clay bluffs, and golden sand beaches reshaped by winds and water from season to season—and sometimes from one hour to the next. Generations of people have inhabited the South Shore, harvesting the forests and fish, mining copper, altering the land for pleasure and profit, for better or worse. In Impermanence, author Sue Leaf explores the natural and human histories that make the South Shore what it is, from the gritty port city of Superior, Wisconsin, to the shipping locks at Sault Ste. Marie, Michigan.
For Leaf, what began as a bicycling adventure on the coast of Lake Superior in 1977 turned into a lifelong connection with the area, and her experience, not least as owner of a rustic cabin on a rapidly eroding lakeside cliff, imbues these essays with a passionate sense of place and an abiding curiosity about its past and precarious future. As waves slowly consume the shoreline where her family has spent countless summers, Leaf is forced to confront the complexity of loving a place that all too quickly is being reclaimed by the great lake.
Impermanence is a journey through the South Shore’s story, from the early days of the Anishinaabe and fur traders through the heyday of commercial fishing, lumber camps, and copper mining on the Keweenaw Peninsula to the awakening of the Northland to the perils and consequences of plundering its natural splendor. Noting the geological, ecological, and cultural features of each stop on her tour along the South Shore, Leaf writes about the restoration of the heavily touristed Apostle Islands National Lakeshore to its pristine conditions, even as Lake Superior maintains its allure for ice fishers, kayakers, and long-distance swimmers. She describes efforts to protect the endangered piping plover and to preserve the diverse sand dunes on the Michigan coast, and she observes the slough that supports rare intact wild rice beds central to Anishinaabe culture.
Part memoir, part travelogue, part natural and cultural history, Leaf’s love letter to Lake Superior’s South Shore is an invitation to see this liminal world in all its seasons and guises, to appreciate its ageless, ever-changing wonders and intimate charms.
In nine linked essays, Riley deftly unravels the rhetoric of life’s absurdities and urgencies, its comforts and embarrassments, to insist on the forcible affect of language itself. She teases out the emotional complexities of such quotidian matters as what she ironically terms the right to be lonely in the face of the imperative to be social or the guilt associated with feeling as if you’re lying when you aren’t. Impersonal Passion reinvents questions from linguistics, the philosophy of language, and cultural theory in an illuminating new idiom: the compelling emotion of the language of the everyday.
The exact process by which the fertilized mammalian ovum becomes implanted upon the uterine surface remains something of a mystery, and yet successful reproduction depends upon it. Two methods of contraception—the intrauterine device and the “morning-after pill”—are thought to be effective because they disrupt or prevent the process of implantation, but the biological basis of their effect is still imperfectly understood.
This book brings together authoritative accounts by leaders in the field of reproductive biology, researchers who have closely investigated implantation. The subject is approached from several angles: biochemical, endocrinological, pharmacological, anatomic, and immunological. A review of recent studies on implantation serves to put the individual reports in context. This book provides a needed perspective on an important area of reproduction research.
Implementing City Sustainability examines the structures and processes that city governments employ to pursue environmental, social, and economic well-being within their communities. As American cities adopt sustainability objectives, they are faced with the need to overcome fuzzy-boundary, coordination, and collective action challenges to achieve successful implementation.
Sustainability goals often do not fit neatly into traditional city government structures, which tend to be organized around specific functional responsibilities, such as planning, public works, parks and recreation, and community development. The authors advance a theory of Functional Collective Action and apply it to local sustainability to explain how cities can—and in some cases do—organize to successfully administer changes to achieve complex objectives that transcend these organizational separations. Implementing City Sustainability uses a mixed-method research design and original data to provide a national overview of cities’ sustainability arrangements, as well as eight city case studies highlighting different means of organizing to achieve functional collective action.
By focusing not just on what cities are doing to further sustainability, but also on how they are doing it, the authors show how administrative structure enables—or inhibits—cities to overcome functional divides and achieve successful outcomes.
—from the Foreword by Mark A. Puente
Academic library workers often make use of systemic, bureaucratic, political, collegial, and symbolic dimensions of organizational behavior to achieve their diversity, equity, and inclusion goals, but many are also doing the crucial work of pushing back at the structures surrounding them in ways small and large.
Implementing Excellence in Diversity, Equity, and Inclusion captures emerging practices that academic libraries and librarians can use to create more equitable and representative institutions. 19 chapters are divided into 6 sections:
- Recruitment, Retention and Promotion
- Professional Development
- Leveraging Collegial Networks
- Reinforcing the Message
- Organizational Change
- Assessment
Chapters cover topics including active diversity recruitment strategies; inclusive hiring; gendered ageism; librarians with disabilities; diversity and inclusion with student workers; residencies and retention; creating and implementing a diversity strategic plan; cultural competency training; libraries’ responses to Canadian Truth and Reconciliation Commission Calls to Action; and accountability and assessment. Authors provide practical guiding principles, effective practices, and sample programs and training.
Implementing Excellence in Diversity, Equity, and Inclusion explores how academic libraries have leveraged and deployed their institutions’ resources to effect DEI improvements while working toward implementing systemic solutions. It provides means and inspiration for continuing to try to hire, retain, and promote the change we want to see in the world regardless of existing structures and systems, and ways to improve those structures and systems for the future.
Over the past three decades, governments at the local, state, and federal levels have undertaken a wide range of bold innovations, often in partnership with nongovernmental organizations and communities, to try to address their environmental and natural resource management tasks. Many of these efforts have failed. Innovations, by definition, are transitory. How, then, can we establish new practices that endure?
Toddi A. Steelman argues that the key to successful and long-lasting innovation must be a realistic understanding of the challenges that face it. She examines three case studies—land management in Colorado, watershed management in West Virginia, and timber management in New Mexico—and reveals specific patterns of implementation success and failure. Steelman challenges conventional wisdom about the role of individual entrepreneurs in innovative practice. She highlights the institutional obstacles that impede innovation and its longer term implementation, while offering practical insight in how enduring change might be achieved.
In Implementing Term Limits, Marjorie Sarbaugh-Thompson and Lyke Thompson bring thirteen years of intensive research and 460 interviews to assess changes since Michigan’s implementation of term limits in 1993 and explore their implications. Paying special attention to term limits’ institutional effects, they also consider legislative representation, political accountability, and the role of the bureaucracy and interest groups in state legislatures.
Their thorough study suggests that legislators are less accessible to officials and that there is a larger gap between legislators and their voters. Moreover, legislators become much more politically ambitious after term limits and spend more time on political activities. The selection of top chamber leaders is complicated by newcomers’ lack of knowledge about and experience working with the leaders they elect before being sworn in. As a result, term limits in Michigan fail to deliver on many of the “good government” promises that appeal to citizens.
Implementing Term Limits makes a unique and valuable contribution to the debate over the best means by which to obtain truly democratic institutions.
This book argues that the Supreme Court performs two functions. The first is to identify the Constitution's idealized "meaning." The second is to develop tests and doctrines to realize that meaning in practice. Bridging the gap between the two--implementing the Constitution--requires moral vision, but also practical wisdom and common sense, ingenuity, and occasionally a willingness to make compromises.
In emphasizing the Court's responsibility to make practical judgments, Implementing the Constitution takes issue with the two positions that have dominated recent debates about the Court's proper role. Constitutional "originalists" maintain that the Court's essential function is to identify the "original understanding" of constitutional language and then apply it deductively to current problems. This position is both unwise and unworkable, the book argues. It also critiques well-known accounts according to which the Court is concerned almost exclusively with matters of moral and constitutional principle.
Implementing the Constitution bridges the worlds of constitutional theory, political theory, and constitutional practice. It illuminates the Supreme Court's decision of actual cases and its development of well-known doctrines. It is a doctrinal study that yields jurisprudential insights and a contribution to constitutional theory that is closely tied to actual judicial practice.
Implementing the Endangered Species Act on the Platte Basin Water Commons tells of the negotiations among the U.S. Department of the Interior, the environmental community, and the states of Wyoming, Colorado, and Nebraska that took place from the mid-1970s to 2006. Ambitious talks among rival water users, environmentalists, state authorities, and the Department of the Interior finally resulted in the Platte River Habitat Recovery Program.
Documenting how organizational interests found remedies within the conditions set by the Endangered Species Act, describing how these interests addressed habitat restoration, and advancing sociological propositions under which water providers transcended self-interest and produced an agreement benefiting the environment, this book details the messy process that took place over more than thirty years. Presenting important implications for the future of water management in arid and semi-arid environments, this book will be of interest to anyone involved in water management, as well as academics interested in the social organization of common property.
Over the last several decades, neuroscientists, cognitive psychologists, and psycholinguists have investigated the implicit and explicit continuum in language development and use from theoretical, empirical, and methodological perspectives. This book addresses these perspectives in an effort to build connections among them and to draw pedagogical implications when possible.
The volume includes an examination of the psychological and neurological processes of implicit and explicit learning, what aspects of language learning can be affected by explicit learning, and the effects of bilingualism on the mental processing of language. Rigorous empirical research investigations probe specific aspects of acquiring morphosyntax and phonology, including early input, production, feedback, age, and study abroad. A final section explores the rich insights provided into language processing by bilingualism, including such major areas as aging, third language acquisition, and language separation.
Play reveals which elements of an institution’s reappointment, tenure, and promotion practices are explicitly addressed in policy and which remain tacit, and helps players recognize the cultural biases present in institutional norms, processes, and policies when they are not made explicit. Additionally, the color-coded cards helps participants identify the roles and processes that are most relevant to them.
In The Implosion of Capitalism world-renowned political economist Samir Amin connects the key events of our times – financial crisis, Eurozone implosion, the emerging BRIC nations and the rise of political Islam – identifying them as symptoms of a profound systemic crisis.
In light of these major crises and tensions, Amin updates and modifies the classical definitions of social classes, political parties, social movements and ideology. In doing so he exposes the reality of monopoly capitalism in its contemporary global form.
In a bravura conclusion, Amin argues that the current capitalist system is not viable and that implosion is unavoidable. The Implosion of Capitalism makes clear the stark choices facing humanity – and the urgent need for a more humane global order.
Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie’s turbulent and changing world. He also illuminates significant social commentary in Christie’s fiction, and in so doing Black often uses his authority to vindicate Christie’s work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, “Xenophobia” and “The Sixties.” Black nevertheless gives due recognition to Christie’s critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black’s comprehensive review of the reviewers over the expanse of Christie’s writing career.
For all this, Black proves himself to be a worthy history-teller because he can aptly ‘detect’ the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, “the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God.” The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black’s account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.
In this fresh and innovative approach, John H. Fisher eloquently explains Chaucer’s importance to Western culture.
English literature begins with Chaucer. The first writer to demonstrate that English was as effective a medium for literature as Latin or French, Chaucer introduced realism, satire, and humor into English writing. In examining Chaucer’s cultural importance, however, Fisher ventures beyond literary excellence, basing his cultural interpretation on inferences about Chaucer’s domestic life, about his possible experience in the inns of chancery and inns of court, and about the possibility that Henry V and the Lancastrian government sought deliberately to promote Chaucer’s poems as models of what could be accomplished in the vernacular.
Fisher’s willingness to boldly infer from the scant evidence available allows him to place Chaucer in the poet’s, and our, culture in a way he has not been placed before. By attributing to Chaucer innovations to which other writers have only alluded, and by reaching conclusions which others have been hesitant to approach, Fisher presents an interpretation at once controversial, engaging, and informative.
Nietzsche prided himself on having broken with all traditional ways of thinking and feeling, and once even claimed that he would someday be recognized for having ushered in a new millennium. While acknowledging Nietzsche's radicalism, Heller also insists on the continuity of the story in which he does indeed occupy a central place. By considering Nietzsche in relation to Goethe, Rilke, Wittgenstein, Yeats, and others, Heller shows the philosopher's ambivalence toward the tradition he inherited as well as his profound effect on the thought and sensibility of those who followed him. It is hardly an exaggeration to say, as Heller does in his first essay, that Nietzsche is to many modern writers and thinkers—including Mann, Musil, Kafka, Freud, Heidegger, Jaspers, Gide, and Sartre—what St. Thomas Aquinas was to Dante: the categorical interpreter of a world, which they contemplate imaginatively and theoretically without ever much upsetting its Nietzschean structure.
Thus it is Nietzsche's thought, so pervasively present in the themes of modernity, that gives coherence and unity to Heller's essays. What emerges from them is that, despite his iconoclastic declarations and unorthodox philosophical practices, Nietzsche deals with the human spirit's persistent concerns. His questions remain urgent, and even the answers, in all their contradictoriness, possess the commanding force of his inquiry. An example is the incompatibility of the famous extremes, the teaching of the Übermensch and the Eternal Recurrence of All Things. These cancel each other out and yet grow from the same intellectual and spiritual roots, as is shown lucidly and cogently by one of Heller's most forceful essays, "Nietzsche's Terrors: Time and the Inarticulate." In fathoming the depth of this contradiction, Heller at the same time reveals the importance of Nietzsche for those who seek to understand the wellsprings of the epoch's disquiet, turmoil, and creativity.
The Important Plant Areas of Mozambique is based on the Mozambique TIPAs project run in collaboration between Royal Botanic Gardens, Kew, Mozambique’s Agricultural Research Institute (Instituto de Investigação Agrária de Moçambique – IIAM), and the University Eduardo Mondlane. Drawing on information from the TIPAs database, The Important Plant Areas of Mozambique includes color maps and photographs, site descriptions, and tables to present information on the botanical significance, habitat, and geology of the region. The book will also address conservation issues and ecosystem services to promote Mozambique’s critical plant sites and inform conservation leaders in government, NGOs, universities, and local communities about Mozambique’s threatened habitats.
Following the same format in his discussion of each country, Ralston makes this central theme in world history easily accessible to students while offering scholars a sophisticated understanding of the exact nature of the changes brought about by Europeanizing military reforms.
David B. Ralston, associate professor of history at the Massachusetts Institute of Technology, is the author of The Army of the Republic.
Drawing together all the evidence and arguments for Near Eastern immigrants in Crete, Hoffman demonstrates there are basic problems with the accepted interpretations. Evidence of continued technical expertise casts doubt on the necessity of reintroduction, while careful scrutiny of the evidence supporting immigrant craftsmen reveals many inadequacies in the currently accepted analyses.
Imports and Immigrants identifies the need for reassessing all dimensions of the question of artistic relationships between ancient Greece and other regions of the Aegean basin and suggests new avenues of inquiry in this important debate. The volume also reassesses arguments made for the presence of Near Eastern immigrants in Crete. This book includes a catalogue indispensable for future work on these issues and illustrations of most of the known imports to Crete.
Gail L. Hoffman is Associate Professor of Greek Art and Archaeology, Department of Classics, Yale University.
In showing how political projects and alliances in Puerto Rico were affected by racially contingent definitions of “decency” and “disreputability,” Findlay argues that attempts at moral reform and the state’s repression of “sexually dangerous” women were weapons used in batttles between elite and popular, American and Puerto Rican, and black and white. Based on a thorough analysis of popular and elite discourses found in both literature and official archives, Findlay contends that racialized sexual norms and practices were consistently a central component in the construction of social and political orders. The campaigns she analyzes include an attempt at moral reform by elite male liberals and a movement designed to enhance the family and cleanse urban space that ultimately translated into repression against symbollically darkened prostitutes. Findlay also explores how U.S. officials strove to construct a new colonial order by legalizing divorce and how feminist, labor, and Afro-Puerto Rican political demands escalated after World War I, often focusing on the rehabilitation and defense of prostitutes.
Imposing Decency forces us to rethink previous interpretations of political chronologies as well as reigning conceptualizations of both liberalism and the early working-class in Puerto Rico. Her work will appeal to scholars with an interest in Puerto Rican or Latin American studies, sexuality and national identity, women in Latin America, and general women’s studies.
Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
In the 1850s, early Euro-American settlers established two remote outposts on the slopes of the eastern Sierra Nevada, both important way stations on the central emigrant trail. The Carson Valley settlement was located on the western edge of the Utah Territory, while the Honey Lake Valley hamlet, 120 miles north, fell within California’s boundaries but was separated from the rest of the state by the formidable mountain range. Although these were some of the first white communities established in the region, both areas had long been inhabited by Indigenous Americans. Carson Valley had been part of Washoe Indian territory, and Honey Lake Valley was a section of Northern Paiute land.
Michael Makley explores the complexities of this turbulent era, when the pioneers’ actions set the stage for both valleys to become part of national incorporation. With deft writing and meticulously researched portrayals of the individuals involved, including the Washoe and Northern Paiute peoples, Imposing Order Without Law focuses on the haphazard evolution of “frontier justice” in these remote outposts. White settlers often brought with them their own ideas of civil order. Makley’s work contextualizes the extralegal acts undertaken by the settlers to enforce edicts in their attempt to establish American communities.
Makley’s book reveals the use and impact of group violence, both within the settlements and within the Indigenous peoples’ world, where it transformed their lives.
The collection of nine stories which won the 1980 Iowa Short Fiction Award is woven in a pattern so subtle that reading it is like writing your own nine-part novel. The author allows brief glimpses into the tormented journals of Joseph Quaile, a man of acute compassions and consuming hungers, then juxtaposes them with the fiction Quaile writes to scourge his demons and come to terms with himself and the people he loves. This is a dispassionate intelligence in passionate pursuit of freedom and reconciliation.
While their legal status defines them as perpetual outsiders, Indians are integral to the Emirati nation-state and its economy. At the same time, Indians—even those who have established thriving diasporic neighborhoods in the emirate—disavow any interest in formally belonging to Dubai and instead consider India their home. Vora shows how these multiple and conflicting logics of citizenship and belonging contribute to new understandings of contemporary citizenship, migration, and national identity, ones that differ from liberal democratic models and that highlight how Indians, rather than Emiratis, are the quintessential—yet impossible—citizens of Dubai.
Gopinath juxtaposes diverse texts to indicate the range of oppositional practices, subjectivities, and visions of collectivity that fall outside not only mainstream narratives of diaspora, colonialism, and nationalism but also most projects of liberal feminism and gay and lesbian politics and theory. She considers British Asian music of the 1990s alongside alternative media and cultural practices. Among the fictional works she discusses are V. S. Naipaul’s classic novel A House for Mr. Biswas, Ismat Chughtai’s short story “The Quilt,” Monica Ali’s Brick Lane, Shyam Selvadurai’s Funny Boy, and Shani Mootoo’s Cereus Blooms at Night. Analyzing films including Deepa Mehta’s controversial Fire and Mira Nair’s Monsoon Wedding, she pays particular attention to how South Asian diasporic feminist filmmakers have reworked Bollywood’s strategies of queer representation and to what is lost or gained in this process of translation. Gopinath’s readings are dazzling, and her theoretical framework transformative and far-reaching.
Travelers from Europe, North, and South America often perceive Mexico as a mythical place onto which they project their own cultures’ desires, fears, and anxieties. Gómez argues that Mexico’s role in these narratives was not passive and that the environment, peoples, ruins, political revolutions, and economy of Mexico were fundamental to the configuration of modern Western art and science. This project studies the images of Mexico and the ways they were contested by travelers of different national origins and trained in varied disciplines from the nineteenth to the twenty-first century. It starts with Alexander von Humboldt, the German naturalist whose fame sprang from his trip to Mexico and Latin America, and ends with Roberto Bolaño, the Chilean novelist whose work defines Mexico as an “oasis of horror.” In between, there are archaeologists, photographers, war correspondents, educators, writers, and artists for whom the trip to Mexico represented a rite of passage, a turning point in their intellectual biographies, their scientific disciplines, and their artistic practices.
The Impossible Indian offers a rare, fresh view of Gandhi as a hard-hitting political thinker willing to countenance the greatest violence in pursuit of a global vision that went far beyond a nationalist agenda. Revising the conventional view of the Mahatma as an isolated Indian moralist detached from the mainstream of twentieth-century politics, Faisal Devji offers a provocative new genealogy of Gandhian thought, one that is not rooted in a clichéd alternative history of spiritual India but arises from a tradition of conquest and violence in the battlefields of 1857.
Focusing on his unsentimental engagement with the hard facts of imperial domination, Fascism, and civil war, Devji recasts Gandhi as a man at the center of modern history. Rejecting Western notions of the rights of man, rights which can only be bestowed by a state, Gandhi turned instead to the idea of dharma, or ethical duty, as the true source of the self’s sovereignty, independent of the state. Devji demonstrates that Gandhi’s dealings with violence, guided by his idea of ethical duty, were more radical than those of contemporary revolutionists.
To make sense of this seemingly incongruous relationship with violence, Devji returns to Gandhi’s writings and explores his engagement with issues beyond India’s struggle for home rule. Devji reintroduces Gandhi to a global audience in search of leadership at a time of extraordinary strife as a thinker who understood how life’s quotidian reality could be revolutionized to extraordinary effect.
Central to the ROSCA is the cultural concept of mutual trust, or confianza. This is the cultural glue that holds the reciprocal relationship together. As Vélez-Ibáñez explains, confianza “shapes the expectations for relationships within broad networks of interpersonal links, in which intimacies, favors, goods, services, emotion, power, or information are exchanged.” In a border region where migration, class movement, economic changes, and institutional inaccessibility produce a great deal of uncertainty, Mexican-origin populations rely on confianza and ROSCAs to maintain a sense of security in daily life. How do transborder people adapt these common practices to meet the demands of a global economy? That is precisely what Vélez-Ibáñez investigates.
Adam Sitze meticulously traces the origins of South Africa’s Truth and Reconciliation Commission back to two well-established instruments of colonial and imperial governance: the jurisprudence of indemnity and the commission of inquiry. This genealogy provides a fresh, though counterintuitive, understanding of the TRC’s legal, political, and cultural importance. The TRC’s genius, Sitze contends, is not the substitution of “forgiving” restorative justice for “strict” legal justice but rather the innovative adaptation of colonial law, sovereignty, and government. However, this approach also contains a potential liability: if the TRC’s origins are forgotten, the very enterprise intended to overturn the jurisprudence of colonial rule may perpetuate it. In sum, Sitze proposes a provocative new means by which South Africa’s Truth and Reconciliation Commission should be understood and evaluated.
The undraped human form is ubiquitous in Western art and even appears in the art of India and Japan. Only in China, François Jullien argues, is the nude completely absent. In this enthralling extended essay, he explores the different conceptions of the human body that underlie this provocative disparity.
Contrasting nakedness (which implies a diminished state) with nudity (which represents a complete presence), Jullien explores the traditional European vision of the nude as a fixed point of fusion where form joins truth. He then shows that the absence of the nude in Chinese art evinces an understanding of the human body as changeable and transitory. Viewed in light of each other, these differing concepts allow for a new way of thinking about form, the ideal, and beauty, enabling us to delve deeper into the relationship between art and the ideas that lie at its roots. Beautifully illustrated and gracefully translated into English for the first time, The Impossible Nude will fascinate anyone interested in art history, Chinese art, or aesthetics.
Framed by Terry Smith's introduction, the essays focus on two kinds of strangeness involved in experiencing visual images in the modern era. The first, explored in the book's first half, involves the appearance of oddities or phantasmagoria in early photographs and cinema. The second type of strangeness involves art from marginalized groups and indigenous peoples, and the communicative formations that result from the trafficking of images between people from vastly different cultures. With a stellar list of contributors, Impossible Presence offers a wide-ranging look at the fate of the visual image in modernity, modern art, and popular culture.
Contributors:
Jean Baudrillard
Marshall Berman
Jeremy Gilbert-Rolfe
Elizabeth Grosz
Tom Gunning
Peter Hutchings
Fred R. Myers
Javier Sanjines
Richard Shiff
Hugh J. Silverman
Terry Smith
Opening with a reading of Daniel Defoe’s “A True-Born Englishman,” which posits the mixed origins of English identity, Brody goes on to analyze mulattas typified by Rhoda Swartz in William Thackeray’s Vanity Fair, whose mixed-race status reveals the “unseemly origins of English imperial power.” Examining Victorian stage productions from blackface minstrel shows to performances of The Octoroon and Uncle Tom’s Cabin, she explains how such productions depended upon feminized, “black” figures in order to reproduce Englishmen as masculine white subjects. She also discusses H.G. Wells’s The Island of Dr. Moreau in the context of debates about the “new woman,” slavery, and fears of the monstrous degeneration of English gentleman. Impossible Purities concludes with a discussion of Bram Stoker’s novella, “The Lair of the White Worm,” which brings together the book’s concerns with changing racial representations on both sides of the Atlantic.
This book will be of interest to scholars in Victorian studies, literary theory, African American studies, and cultural criticism.
Taking as his lens the fragment—fragmented bodies, fragments of memories, fragments of texts—Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos.
Based on documents from the archives of several nations—including reports by former Mexican diplomats in Moscow that have never before been studied—the book analyzes the Mexican government’s motivation for establishing relations with the Soviet Union in the face of continued imperialist pressure and harsh opposition from the United States. After explaining how Mexico established diplomatic ties with the Soviet Union in 1924 in an attempt to broaden the spectrum of its alliances after several years of uneven relations with the United States, Spenser reveals the troubled nature of the relationship that ensued. Soviet policy toward Mexico was characterized by a series of profound contradictions, varying from neglect to strong involvement in Mexican politics and the belief that Mexico could become a center of world revolution. Working to resolve and explain these contradictions, Spenser explores how, despite U.S. objections to Mexico’s relations with the Soviet Union, Mexico continued its association with the Soviets until the United States adopted the Good Neighbor Policy and softened its stance toward Mexico’s revolutionary program after 1927.
With a foreword by Friedrich Katz and illustrated by illuminating photographs, The Impossible Triangle contributes to an understanding of the international dimension of the Mexican revolution. It will interest students and scholars of history, revolutionary theory, political science, diplomacy, and international relations.
In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
As anyone who has watched television in recent years can attest, we live in the age of Viagra. From Bob Dole to Mike Ditka to late-night comedians, our culture has been engaged in one long, frank, and very public talk about impotence—and our newfound pharmaceutical solutions. But as Angus McLaren shows us in Impotence, the first cultural history of the subject, the failure of men to rise to the occasion has been a recurrent topic since the dawn of human culture.
Drawing on a dazzling range of sources from across centuries, McLaren demonstrates how male sexuality was constructed around the idea of potency, from times past when it was essential for the purpose of siring children, to today, when successful sex is viewed as a component of a healthy emotional life. Along the way, Impotence enlightens and fascinates with tales of sexual failure and its remedies—for example, had Ditka lived in ancient Mesopotamia, he might have recited spells while eating roots and plants rather than pills—and explanations, which over the years have included witchcraft, shell-shock, masturbation, feminism, and the Oedipal complex. McLaren also explores the surprising political and social effects of impotence, from the revolutionary unrest fueled by Louis XVI’s failure to consummate his marriage to the boost given the fledgling American republic by George Washington’s failure to found a dynasty. Each age, McLaren shows, turns impotence to its own purposes, using it to help define what is normal and healthy for men, their relationships, and society.
From marraige manuals to metrosexuals, from Renaissance Italy to Hollywood movies, Impotence is a serious but highly entertaining examination of a problem that humanity has simultaneously regarded as life’s greatest tragedy and its greatest joke.
There is an alluring desire that research should lead us to find the practical knowledge that enables people to live a good life in a just and equitable society. This desire haunted the 19th century emergence of the social sciences as a discipline, then became more pronounced in the postwar mobilizations of research. Today that desire lives on in the international assessments of national schools and in the structure of professional education, both of which influence government modernization of schools and also provide for people’s well-being. American policy thus reflects research in which reforms are verified by “scientific, empirical evidences” about “what works” in experiments, and “will work” therefore in society.
The book explores the idea that practical and useful knowledge changes over time, and shows how this knowledge has been (re)visioned in contemporary research on educational reform, instructional improvement, and professionalization. The study of science draws on a range of social and cultural theories and historical studies to understand the politics of science, as well as scientific knowledge that is concerned with social and educational change. Research hopes to change social conditions to create a better life, and to shape people whose conduct embodies these valued characteristics—the good citizen, parent, or worker. Yet this hope continually articulates the dangers that threaten this future. Thomas Popkewitz explores how the research to correct social wrongs is paradoxically entangled with the inscription of differences that ultimately hamper the efforts to include.
Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Before the establishment of the Big Thicket Nature Preserve, the Big Thicket of Texas became a symbol of nature's last stand against encroaching civilization. Here, in a mingling of ecological zones, come together plants, animals, and birds—many of them rare—the flora and fauna of north and south, east and west. Northern maples and beeches stand not too great a distance from cypresses and Southern magnolias. American hollies grow large and orchids bloom among Northern ferns. Mesquite and tumbleweed, plants of the Western desert, survive where the annual rainfall averages sixty inches. On a major flyway, the Big Thicket is a stopping place for many birds in passage as well as home to a wide variety. Beavers build their dams there, and an occasional coyote yips in the night.
Because of its great beauty and rich natural resources, use of the Big Thicket was the object of a forty-year struggle involving financiers, politicians, conservationists, and countless Thicket lovers. Each group viewed the Thicket from a different perspective and foresaw its future in different terms.
This book records the impressions of two Thicket lovers. Michael Frary's paintings and drawings of woods and water, of birds in flight and strange plants growing close to the moist earth are pictures of a place, a time, a mood caught today—and not the same if left until tomorrow. The qualities of gentleness and violence are constant, but often hidden—there to be brought out by human need or human greed.
William Owens writes of the people who have lived their lives in the Big Thicket, who have stirred its stillness with whoop and holler across the waters, who have taken in its stillness and explosive beauty until they themselves are made up of gentleness and violence.
Together the impressions show what the Big Thicket was and is. What it will be—that is the chief concern of the book.
Today, writing by hand seems a nearly archaic process. Nearly all of our written communication is digital—our letters are via email or text message, our manuscripts are composed using word processors, our journals are blogs, and we sign checks to pay bills with the push of a button. Sonja Neef believes that what we have lost in our modern technological conversation is the ductus—the physical and material act of handwriting.
In Imprint and Trace Neef argues, however, that handwriting throughout its history has always been threatened with erasure. It exists in a dual state: able to be standardized, repeated, copied—much like an imprint—and yet persistently singular, original, and authentic as a trace or line. Throughout its history, from the first prehistoric handprint, through the innovations of stylus, quill, and printing press, handwriting has revealed an interweaving, ever-changing relationship between imprint and trace. Even today, in the age of the digital revolution, the trace of handwriting is still an integral part of communication, whether etched, photographed, pixelated, or scanned.
Imprint and Trace presents an essential re-evaluation of the relationships between handwriting and technology, and between the various imprints and traces that define communication.
The Imprint of Another Life: Adoption Narratives and Human Possibility addresses a series of questions about common beliefs about adoption. Underlying these beliefs is the assumption that human qualities are innate and intrinsic, an assumption often held by adoptees and their families, sometimes at great emotional cost. This book explores representations of adoption—transracial, transnational, and domestic same-race adoption—that reimagine human possibility by questioning this assumption and conceiving of alternatives.
Literary scholar Margaret Homans examines fiction making’s special relationship to themes of adoption, an “as if” form of family making, fabricated or fictional instead of biological or “real.” Adoption has tended to generate stories rather than uncover bedrock truths. Adoptive families are made, not born; in the words of novelist Jeanette Winterson, “adopted children are self-invented because we have to be.” In attempting to recover their lost histories and identities, adoptees create new stories about themselves. While some believe that adoptees cannot be whole unless they reconnect with their origins, others believe that privileging biology reaffirms hierarchies (such as those of race) that harm societies and individuals. Adoption is lived and represented through an irresolvable tension between belief in the innate nature of human traits and belief in their constructedness, contingency, and changeability. The book shows some of the ways in which literary creation, and a concept of adoption as a form of creativity, manages this tension.
The texts examined include fiction (e.g., classic novels such as Silas Marner, What Maisie Knew, and Beloved); memoirs by adoptees, adoptive parents, and birthmothers; drama, documentary films, advice manuals, social science writing; and published interviews with adoptees, parents, and birth parents. Along the way the book tracks the quests of adoptees who, whether or not they meet their original families, must construct their own stories rather than finding them; follows transnational adoptees as they return, hopes held high, to Korea and China; looks over the shoulders of a generation of girls adopted from China as they watch Disney’s iconic Mulan, with its alluring story of destiny written on the skin; and listens to birthmothers as they struggle to tell painful secrets held for decades.
This book engages in debates within adoption studies, women’s and gender studies, transnational studies, and ethnic studies; it will appeal to literary scholars and critics, including specialists in memoir or narrative theory, and to general readers interested in adoption and in race.
Much like the Spanish and English attempts before them, German colonizing efforts in the region never completely took hold. Still, as Benjamin Tillman shows, for the region’s indigenous inhabitants, the Miskito people, the arrival of the Moravian missionaries marked the beginning of an important cultural interface.
Imprints on Native Lands documents Moravian contributions to the Miskito settlement landscape in sixty four villages of eastern Honduras through field observations of material culture, interviews with village residents, and research in primary sources in the Moravian Church archives. Tillman employs the resulting data to map a hierarchy of Moravian centers, illustrating spatially varying degrees of Moravian influence on the Miskito settlement landscape.
Tillman reinforces Miskito claims to ancestral lands by identifying and mapping their created ethnic landscape, as well as supporting earlier efforts at land-use mapping in the region. This book has broad implications, providing a methodology that will be of help to those with an interest in geography, anthropology, or Latin American studies, and to anyone interested in documenting and strengthening indigenous land claims.
Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago examines the ways some Pokagon Potawatomi tribal members have maintained a distinct Native identity, their rejection of assimilation into the mainstream, and their desire for inclusion in the larger contemporary society without forfeiting their “Indianness.” Mindful that contact is never a one-way street, Low also examines the ways in which experiences in Chicago have influenced the Pokagon Potawatomi. Imprints continues the recent scholarship on the urban Indian experience before as well as after World War II.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
"This is a serious and enlightened and concerned attempt to fuse liberal and conservative attitudes and values to achieve a breakthrough in American penal policy."—Congressional Staff Journal
Contemporary thinking about probability came to recognize the variability and even randomness of the world while also discovering how patterns and order reemerge at scale. Reading chance as a tension between randomness and order, Grener shows how novels by Jane Austen, Sir Walter Scott, Charles Dickens, Anthony Trollope, and Thomas Hardy resist the demands of probabilistic representation and develop strategies for capturing cultural particularity and historical transformation. These authors served their visions of realism by tactically embracing improbability in the form of coincidences, fatalism, supernaturalism, and luck. Understanding this strategy helps us to appreciate how realist novels work to historicize the social worlds and experiences they represent and asks us to rethink the very foundation of realism.
Shakespeare’s dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability—what they and others might be persuaded to believe—governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare’s theater.
Focusing on the Tragedy of Othello, Altman investigates Shakespeare’s representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman’s account, Shakespeare also restrains and energizes his audiences’ probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America’s most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare’s conception of the self, his shaping of audience response, and the relationship of actors to his texts.
The mystery stories and other popular fiction of Mary Roberts Rinehart (1876–1958) brought her wealth and fame, but she was much more than a writer. She was a well-known American, respected and loved during a time when few women achieved national influence.
Her early life was conventional enough. Trained as a nurse, she met and married a physician, with whom she had three sons. She was living the stereotypical life of a young matron in Allegheny (now part of Pittsburgh), when her husband’s investments evaporated during a stock market crash. She began writing as a means to supplement the family income.
Rinehart became a prolific writer. In addition to her mysteries, she wrote serious fiction, plays, poems, magazine articles, and editorials. Her regular contributions to the <I>Saturday Evening Post</I> were immensely popular and helped the magazine mold middle-class taste and manners.
In this fascinating account of a woman ahead of her time, Cohn illuminates the tensions that pervaded Rinehart’s life. Rinehart’s commercial success conflicted with her domestic roles of wife and mother; she often endured periods of illness and depression but also pursued adventure, including a job as the first woman war correspondent at the Belgian front during World War I. Throughout, Cohn presents Rinehart as a woman of many complexities whose zest for life always prevailed.
For more than four decades, poet Robin Magowan has journeyed in search of ecstatic spiritual experiences. Hitchhiking and walking, by bus or boat or when necessary by horse, he has explored lands as exotic as Nepal and New Guinea, as classic as Italy or France, and as forgotten as Persia and pre-Castro Cuba. All the while he has submerged himself, whether in the mysteries of Haitian voodoo or the simples pleasures of Burgundian peasant life. Known for the beauty, wit, and expressive power of his prose, Magowan's writing vibrates with the intensity of an outsider who crawls into the skin of a country--and emerges transformed.
Public libraries are a cornerstone of modern civilization, yet like the books in them, libraries face an uncertain future in an increasingly digital world. Undaunted, librarians around the globe are thinking up astonishing ways of reaching those in reading need, whether by bike in Chicago, boat in Laos, or donkey in Colombia. Improbable Libraries showcases a wide range of unforgettable, never-before-seen images and interviews with librarians who are overcoming geographic, economic, and political difficulties to bring the written word to an eager audience. Alex Johnson charts the changing face of library architecture, as temporary pop-ups rub shoulders with monumental brick-and-mortar structures, and many libraries expand their mission to function as true community centers. To take just one example: the open-air Garden Library in Tel Aviv, located in a park near the city’s main bus station, supports asylum seekers and migrant workers with a stock of 3,500 volumes in sixteen different languages.
Beautifully illustrated with two hundred and fifty color photographs, Improbable Libraries offers a breathtaking tour of the places that bring us together and provide education, entertainment, culture, and so much more. From the rise of the egalitarian Little Free Library movement to the growth in luxury hotel libraries, the communal book revolution means you’ll never be far from the perfect next read.
The Improbable Life of the Arkansas Democrat is based on more than one hundred interviews with employees of the Democrat, including editors, reporters, feature writers, cartoonists, circulation managers, business managers, salespeople, typesetters and others, from the 1930s through the early 1990s, when the Democrat took over the more prominent Arkansas Gazette after an aggressive newspaper war.
This new addition to Arkansas journalism history provides vivid details about what it was like to work at the Democrat. August Engel, who led the paper with focused devotion for forty-two years, was famous for his thrift, creating austere conditions that included no air conditioning in the newsroom and sub-par wages. In spite of these drawbacks, the paper was still home to many dedicated journalism professionals endeavoring to do good work.
Readers who remember the ultimate acrimony between the two papers may be surprised to learn that for many years the Democrat and the Gazette owners operated under a tacit agreement of civility. The papers didn’t raid each other’s staff, for example, and when a fire broke out in the Gazette pressroom, Democrat management offered to loan the use of its press. Staffers recall that when the Gazette struggled with an advertising boycott and reduced circulation during the Little Rock Central High crisis because of its perceived progressive editorial stance, which infuriated many Arkansans, the Democrat did less than it might have to capitalize. The eventual newspaper war that combined the two rivals saw the end of any semblance of civility when the Democrat hired an aggressive and infamous managing editor named John Robert Starr.
Through these firsthand stories of those who lived it, The Improbable Life of the Arkansas Democrat tells the story of how the second-place paper overtook the oldest newspaper west of the Mississippi, forever changing not only Arkansas journalism but also Arkansas history.
Winner of the 2004 Donald Hall Prize in Poetry
The Improbable Swervings of Atoms follows the comedic, often painful, physical and emotional travails of a young boy growing up in 1950s America. He watches the McCarthy hearings, conquers the Congo, assassinates the president, has his head stuffed into a toilet, drops his uniform on the fifty-yard line, and tries to make sense of Lucretius’s De Rerum Natura.
The poems engage history in a very intimate way, revealing how a boy, as he matures, attempts to understand the world around him, his own physical development, the people in his life, and what it means to live in a country and time where it is impossible to disengage oneself from world events—where, in fact, the quest for identity is an act that requires one to rewrite history in personal terms.
Karen Dubinsky relies on criminal case files, a revealing but largely untapped source for social historians, to retell individual stories of sexual danger—crimes such as rape, abortion, seduction, murder, and infanticide. Her research supports many feminist analyses of sexual violence: that crimes are expressions of power, that courts are prejudiced by the victim's background, and that most assaults occur within the victims' homes and communities.
Dubinsky distinguishes herself from most feminist scholars, however, by refusing to view women solely as victims and sex as a tool of oppression. She finds that these women actively sought and took pleasure in sexuality, but they distinguished between wanted and unwanted sexual encounters and attempted to punish coercive sex despite obstacles in the court system and the community.
Confronting a number of key theoretical and historiographic controversies, including recent debates over sexuality in feminist theory and politics, she challenges current thinking on the history of women, gender, and sexuality.
Thomas L. Gais points out that many laws that regulate group involvement in elections ignore the real difficulties of political mobilization, and he concludes that PACs and the campaign finance laws reflect a fundamental discrepancy between grassroots ideals and the ways in which broadly based groups actually get organized.
". . . . of fundamental scholarly and practical importance. The implications for 'reform' are controversial, flatly contradicting other recent reform proposals . . . . I fully expect that Improper Influence will be one of the most significant books on campaign finance to be published in the 1990s." --Michael Munger, Public Choice
"It is rare to find a book that affords a truly fresh perspective on the role of special interest groups in the financing of U.S. elections. It is also uncommon to find a theoretically rigorous essay confronting a topic usually grounded in empirical terms. . . . Improper Influence scores high on both counts and deserves close attention from students of collective action, campaign finance law, and the U.S. political process more generally." --American Political Science Review
Thomas L. Gais is Senior Fellow, The Nelson A. Rockefeller Institute of Government, State University of New York.
Has biopolitics actually become thanatopolitics, a field of study obsessed with death? Is there something about the nature of biopolitical thought today that makes it impossible to deploy affirmatively? If this is true, what can life-minded thinkers put forward as the merits of biopolitical reflection? These questions drive Improper Life, Timothy C. Campbell’s dexterous inquiry-as-intervention.
Campbell argues that a “crypto-thanatopolitics” can be teased out of Heidegger’s critique of technology and that some of the leading scholars of biopolitics—including Michel Foucault, Giorgio Agamben, and Peter Sloterdijk—have been substantively influenced by Heidegger’s thought, particularly his reading of proper and improper writing. In fact, Campbell shows how all of these philosophers have pointed toward a tragic, thanatopolitical destination as somehow an inevitable result of technology. But in Improper Life he articulates a corrective biopolitics that can begin with rereadings of Foucault (especially his late work regarding the care and technologies of the self), Freud (notably his writings on the drives and negation), and Gilles Deleuze (particularly in the relation of attention to aesthetics).
Throughout Improper Life, Campbell insists that biopolitics can become more positive and productively asserts an affirmative technē not thought through thanatos but rather practiced through bíos.
In this collection, contributors explore how early women journalists contributed to changing cultural understandings of women’s roles, as well as how class and gender politics meshed in the work of particular individuals. They also examine how female journalists adapted to—or challenged—censorship as political structures in Russia shifted. Over the course of this volume, contributors discuss the attitudes of female Russian journalists toward socialism, Russian nationalism, anti-Semitism, women’s rights, and suffrage. Covering the period from the early 1800s to 1917, this collection includes essays that draw from archival as well as published materials and that range from biography to literary and historical analysis of journalistic diaries.
By disrupting conventional ideas about journalism and gender in late Imperial Russia, An Improper Profession should be of vital interest to scholars of women’s history, journalism, and Russian history.
Contributors. Linda Harriet Edmondson, June Pachuta Farris, Jehanne M Gheith, Adele Lindenmeyr, Carolyn Marks, Barbara T. Norton, Miranda Beaven Remnek, Christine Ruane, Rochelle Ruthchild, Mary Zirin
The authors identify four critical puzzles that the successful programs were able to solve: design, implementation, improvement, and sustainability. Pinpointing the specific solutions that clearly improved instruction, they identify the key elements that all successful reform programs share. Offering urgently needed guidance for state and local school systems as they attempt to respond to future reform proposals, Improvement by Design gets America one step closer to truly successful education systems.
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