Now available in a Spanish-language edition, this popular guide provides pointers to the maintenance needed to keep gardens flourishing and landscapes attractive throughout the year. Translated by master gardener Félix Hurtado, Jardinería desértica makes a wealth of common-sense wisdom available to Spanish-speaking readers.
Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds. Diversity is a constant theme, as evidenced by a poor pedicab driver who can barely scrape along, by a rich businesswoman who explains how she balances her professional and domestic roles, by an educated and respected homosexual school principal, and by an illiterate mother of fourteen children. All of them present in their lives a unique Javanese approach to living.
These oral histories were derived from elderly people, who have a larger perspective on the changes they have seen in their lifetimes. The focus of the first section of the book is the way people have adapted in their daily lives to massive social and economic changes. In the middle section, we hear from the Javanese who represent traditional values in the midst of change. Finally, we hear from educators and parents who tell us of their concerns for Indonesian youth and the future of Indonesia.
In the hills of north central West Virginia, there lives a cast of characters who face all manner of problems. From the people who are incarcerated in West Virginia’s prisons, to a woman who is learning how to lose her sight with grace, to another who sorely regrets selling her land to a fracking company, Jaws of Life portrays the diverse concerns the people of this region face every day—poverty, mental illness, drug abuse, the loss of coal mines, and the rise of new extractive industries that exert their own toll.
While these larger concerns exist on the edges of their realities, these characters must still deal with quotidian difficulties: how to coexist with ex-spouses, how to care for sick family members, and how to live with friends who always seem to have more.
Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser
Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life.
Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.
Jeremy F. Lane’s Jazz and Machine-Age Imperialism is a bold challenge to the existing homogenous picture of the reception of American jazz in world-war era France. Lane’s book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging black or Creole consciousness. Jazz’s first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelerated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive “Others” in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and René Ménil, Jazz and Machine-Age Imperialism highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens.
While jazz as an art form has moved from an essentially live club experience to a controlled mass market enterprise, jazz as a cultural form is becoming more recognized and more defined. Reminiscent of yesterday’s more personal jazz encounter, Jazz as a Cultural Archive is an intellectual and controversial jam session. This issue views the evolution of jazz culture through the eyes of the artists themselves. Conversations with saxophonist/composer Benny Golson, singer Mary Stallings, pianists John Hicks and Frank Strazzeri, and trumpeter Art Farmer, among others, highlight this collection of commentary on the changing jazz scene. Also included are an essay by one of the foremost chroniclers of the jazz world, novelist and critic Albert Murray; a look at jazz and the politics of race by trombonist/composer Tom McIntosh; and a stunning collection of photographs by renowned jazz photographer Michael Oletta.
Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.
Rich in anecdote and insight, Jazz Matters is a collection of essays, profiles, and reviews by Doug Ramsey, and observer and chronicler of jazz and its musicians for more than thirty years. It stirs the reader to discover or rediscover the music and performers Ramsey describes. His accounts of recording sessions and live performances enhance this excellent review of the history, variety, and artistic depth that make jazz so profound an element in modern culture.
Jazz Matters gives the reader a basis for understanding jazz improvisation Ramsey’s sensitive, straightforward, and entertaining pieces promote appreciation of the accomplishment of artists from Louis Armstrong to John Coltrane and Ornette Coleman.
Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz.
Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism.
They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard.
In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California.
From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.
J.D. Salinger - American Writers 51 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Je me souviens invites post-intermediate students of French to improve their language skills while exploring the complex history and culture of Québec.
Drawing on cultural products from the earliest days of exploration to the present day, Elizabeth Blood and J.Vincent H. Morrissette curate an array of texts that sample Québécois literature, popular culture, art, music, and politics and frame the texts with pre-reading and post-reading activities, cultural notes, and historical overview sections. The interdisciplinary approach challenges students to improve their French language skills while learning about Québec. Thematically organized writings delve into issues central to understanding the many facets of contemporary Québécois identity, while prompts direct students to search for a range of materials online. Je me souviens is an essential resource for students interested in understanding the francophone world.
"With Je me souviens, Blood and Morrissette have produced a unique one-semester cultural and literary reader that will acquaint students in French with the history and contemporary issues that have made Québec the complex and fascinatingly vibrant society it is today. Even instructors already familiar with this francophone region will find selections that will engage their students' curiosity and enrich their own understanding." -- Miléna Santoro, vice-president for the Americas and Asia Pacific for the International Association for Québec Studies and associate professor of French and Québec Studies, Georgetown University
"Using an interdisciplinary approach through a variety of texts and documents, Je me souviens provides an excellent overview of Québec from different perspectives. Well organized, thought-provoking, and enriched by a wealth of illustrations, this textbook is unique for its content and will appeal to students from various backgrounds." -- Marie-Christine Weidmann Koop, professor of French, University of North Texas and past president, American Association of Teachers of French
Frederick Watkins’ 1953 edition of Rousseau’s Political Writings has long been noted for being fully accurate while representing much of Rousseau’s eloquence and elegance. It contains what is widely regarded as the finest English translation of The Social Contract, Rousseau’s greatest political treatise. In addition, this edition offers the best available translation of the late and important Government of Poland and the only published English translation of the fragment Constitutional Project for Corsica, which, says Watkins, provides the clearest possible demonstration of the practical implications of Rousseau’s political thought.
Jean Paton (1908–2002) fought tirelessly to reform American adoption and to overcome prejudice against adult adoptees and women who give birth out of wedlock. Paton wrote widely and passionately about the adoption experience, corresponded with policymakers as well as individual adoptees, promoted the psychological well-being of adoptees, and facilitated reunions between adoptees and their birth parents. E. Wayne Carp's masterful biography brings to light the accomplishments of this neglected civil-rights pioneer, who paved the way for the explosive emergence of the adoption reform movement in the 1970s. Her unflagging efforts over five decades helped reverse harmful policies, practices, and laws concerning adoption and closed records, struggles that continue to this day.
Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.
Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.
This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.
The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing.
Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities.
These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.
One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance.
Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression—and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles.
Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White.
This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.
Jean Toomer's novel Cane has been hailed as the harbinger of the Harlem Renaissance and as a model for modernist writing, yet it eludes categorization and its author remains an enigmatic and controversial figure in American literature. The present collection of essays by European and American scholars gives a fresh perspective by using sources made available only in recent years, highlighting Toomer's bold experimentations, as well as his often ambiguous responses to the questions of his time.
Some of the essays achieve this through close readings of the text, leading to new and challenging interpretations of Toomer's transcendence of genres and styles. Others show how the publication of Cane and his later writings placed Toomer at the heart of contemporary ideological and artistic debates: race and identity, the negro writer and the white literary world, primitivism and modernism.
Over the course of more than four decades, contemporary American poet Jean Valentine has written eleven books of stunning, spirit-inflected poetry. This collection of essays, assembled over several years by Kazim Ali and John Hoppenthaler, brings together twenty-six pieces on all stages of Valentine's career by a range of poets, scholars, and admirers.
Valentine's poetry has long been valued for its dreamlike qualities, its touches of the personal and the political, and its mesmerizing phrasing. Valentine is a National Book Award winner and was named the State Poet of New York in 2008. She has taught a number of popular workshops and has been awarded a Bunting Institute Fellowship, a Guggenheim Foundation Fellowship, and the Shelley Memorial Prize.
Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.
This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.
For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience. Their work has consistently attracted international recognition, including the rare feat of two Palmes d'Or at Cannes.
In this first book-length study of the Belgian brothers, Joseph Mai delivers sophisticated close analyses of their directorial style and explores the many philosophical issues dealt with in their films (especially the ethics of Emmanuel Levinas). Mai discusses the Dardennes' varied and searching career from its inception in the late 1970s, starting with the working-class political consciousness and lost utopias of their documentary period; passing through their transition toward fictional narrative, experimental techniques, and familial themes; and finishing with a series of in-depth and philosophically informed interpretations of the brothers' more recent work. In such highly influential films such as La promesse, Rosetta, The Son, and The Child, the brothers have recast filmmaking through what Mai calls a "sensuous realism"--realism capable of touching the audience with the most compelling problems and moral dilemmas of contemporary society. This volume also features an interview in which the Dardennes discuss their approach to film production and the direction of actors.
This is the first book on Jean-Pierre Jeunet, the popular and critically acclaimed director of films such as Amélie, Delicatessen, A Very Long Engagement, Alien Resurrection, and City of Lost Children. Jeunet's work exemplifies Europe's engagement with Hollywood, while at the same time making him a figurehead of the critically overlooked, specifically French tradition of the cinema of the fantastic.
Having garnered both commercial success and critical esteem in genres such as science fiction, fantasy, romantic comedy, and the war epic, Jeunet's work nevertheless engages with key aspects of French history and contemporary French culture. This study analyzes the director's major films, including those he made with Marc Caro, and his early short works. Elizabeth Ezra brings a new perspective to the study of Jeunet's work, uncovering instances of repressed historical trauma involving France's role in Algeria and the Second World War. The book includes a commentary by Jeunet himself on his career and corpus of films.
In Thomas Jefferson's time, white Americans were bedeviled by a moral dilemma unyielding to reason and sentiment: what to do about the presence of black slaves and free Indians. That Jefferson himself was caught between his own soaring rhetoric and private behavior toward blacks has long been known. But the tortured duality of his attitude toward Indians is only now being unearthed.
In this landmark history, Anthony Wallace takes us on a tour of discovery to unexplored regions of Jefferson's mind. There, the bookish Enlightenment scholar--collector of Indian vocabularies, excavator of ancient burial mounds, chronicler of the eloquence of America's native peoples, and mourner of their tragic fate--sits uncomfortably close to Jefferson the imperialist and architect of Indian removal. Impelled by the necessity of expanding his agrarian republic, he became adept at putting a philosophical gloss on his policy of encroachment, threats of war, and forced land cessions--a policy that led, eventually, to cultural genocide.
In this compelling narrative, we see how Jefferson's close relationships with frontier fighters and Indian agents, land speculators and intrepid explorers, European travelers, missionary scholars, and the chiefs of many Indian nations all complicated his views of the rights and claims of the first Americans. Lavishly illustrated with scenes and portraits from the period, Jefferson and the Indians adds a troubled dimension to one of the most enigmatic figures of American history, and to one of its most shameful legacies.
Preeminent Civil War historian Frank Vandiver always longed to see an interpretive biography of Jefferson Davis. Finally, more than twenty years after Vandiver expressed that wish, publication of Jefferson Davis, Unconquerable Heart makes such an interpretive biography available.
Felicity Allen begins this monumental work with Davis's political imprisonment at the end of the Civil War and masterfully flashes back to his earlier life, interweaving Davis's private life as a schoolboy, a Mississippi planter, a husband, a father, and a political leader. She follows him from West Point through army service on the frontier, his election to the U.S. House of Representatives, his regimental command in the Mexican War, his service as U.S. secretary of war and senator, and his term as president of the Confederate States of America.
Although Davis's family is the nexus of this biography, friends and enemies also play major roles. Among his friends intimately met in this book are such stellar figures as Andrew Jackson, John C. Calhoun, Zachary Taylor, Franklin Pierce, Albert Sidney Johnston, and Robert E. Lee.
With the use of contemporary accounts and Davis's own correspondence, Jefferson Davis, Unconquerable Heart casts new light upon this remarkable man, thawing the icy image of Davis in many previous accounts. Felicity Allen shows a strong, yet gentle man; a stern soldier who loved horses, guns, poetry, and children; a master of the English language, with a dry wit; a man of powerful feelings who held them in such tight control that he was considered cold; and a home-loving Mississippian who was drawn into a vortex of national events and eventual catastrophe. At all times, "duty, honor, country" ruled his mind. Davis's Christian view of life runs like a thread throughout the book, binding together his devotion to God, his family, and the land.
Jefferson Davis, Unconquerable Heart brings Davis to life in a way that has never been done before. The variety of his experience, the breadth of his learning, and the consistency of his beliefs make this historical figure eminently worth knowing.
The highland forests of southwestern Virginia were a sacred land to Native Americans and one they relied upon for sustenance. After European contact, this beautiful country drew successive waves of settlers and visitors, and for a brief yet intense period, industrialists rapaciously exploited its timber resources, particularly in the higher elevations where the woodlands had survived the nearby valleys’ generations of agricultural use. This is the story of how various peoples have regarded this land over the centuries and how, starting in the early twentieth century, the federal government acquired 700,000 acres of it to create what is now the Jefferson National Forest (JNF).
Will Sarvis’s in-depth history explores the area’s significance to such native tribes as the Cherokee and Shawnee, for whom it functioned as a buffer zone in late prehistory, and its attraction for nineteenth-century romantics who, arriving in stagecoaches, became the area’s first tourists. Aggressive commercial logging gave way to the arrival of the U.S. Forest Service, which patched the JNF together through successive purchases of privately owned land and instituted a more regulated harvesting of various timber resources. Public support for Forest Service policy during the Depression and World War II was followed by controversies, including the use of eminent domain. In presenting this history, Sarvis probes the many complexities of land stewardship and, in analysis that is sure to spark debate, discusses how and why the JNF could abandon clear-cutting and return to traditional selective tree management.
An ongoing experiment in democratic land use, the JNF contains many lessons about our relationship with the natural environment. This book delineates those lessons in a clear and compelling narrative that will be of great interest to policy makers, activists, and indeed anyone drawn to American environmental history and Appalachian studies.
Senator Jim Jeffords left the Republican Party in May 2001 and became an independent. Because he agreed to vote with the Democrats on organizational votes, this gave that party a 51–49 majority in the Senate.
Using the “Jeffords switch,” Chris Den Hartog and Nathan W. Monroe examine how power is shared and transferred in the Senate, as well as whether Democratic bills became more successful after the switch. They also use the data after the switch, when the Republican Party still held a majority on many Democratic Party-led committees, to examine the power of the committee chairs to influence decisions. While the authors find that the majority party does influence Senate decisions, Den Hartog and Monroe are more interested in exploring the method and limits of the majority party to achieve its goals.
Winner, James Beard Foundation Book Award, 2016
Art of Eating Prize, 2015
BCALA Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association, 2016
Women of African descent have contributed to America’s food culture for centuries, but their rich and varied involvement is still overshadowed by the demeaning stereotype of an illiterate “Aunt Jemima” who cooked mostly by natural instinct. To discover the true role of black women in the creation of American, and especially southern, cuisine, Toni Tipton-Martin has spent years amassing one of the world’s largest private collections of cookbooks published by African American authors, looking for evidence of their impact on American food, families, and communities and for ways we might use that knowledge to inspire community wellness of every kind.
The Jemima Code presents more than 150 black cookbooks that range from a rare 1827 house servant’s manual, the first book published by an African American in the trade, to modern classics by authors such as Edna Lewis and Vertamae Grosvenor. The books are arranged chronologically and illustrated with photos of their covers; many also display selected interior pages, including recipes. Tipton-Martin provides notes on the authors and their contributions and the significance of each book, while her chapter introductions summarize the cultural history reflected in the books that follow. These cookbooks offer firsthand evidence that African Americans cooked creative masterpieces from meager provisions, educated young chefs, operated food businesses, and nourished the African American community through the long struggle for human rights. The Jemima Code transforms America’s most maligned kitchen servant into an inspirational and powerful model of culinary wisdom and cultural authority.
Jens Jensen (1860–1951) was one of America's most distinguished landscape architects and a pioneering conservationist. During his long and productive career, this Danish-born visionary worked for and with some of the country's most prominent citizens and architects, including Henry Ford, Louis Sullivan, and Frank Lloyd Wright. He became internationally renowned for his design of landscapes throughout the Midwest and beyond, his contributions to the American conservation movement, and his philosophy that emphasized the significance of nature in people's lives. He found inspiration in the landscape, particularly the plants native to a region, and was an environmentalist long before the term became popular.
Today, Jensen is perhaps best remembered for establishing The Clearing on Wisconsin's Door County Peninsula. But the outspoken views in his writings—many of which were included in ephemeral planning reports, early newspapers, and out-of-print journals—are now virtually forgotten, with the exception of his two small books. Jens Jensen: Writings Inspired by Nature is a collection of Jensen's most significant yet lesser-known articles. The scope of Jensen's philosophy represented in these writings will further solidify his legacy and rightful place alongside conservation leaders such as John Muir and Aldo Leopold.
These eight comedies comprise the most extensive collection of Ludvig Holberg plays ever offered in the English language.
The translators’ general introductions establish a cultural context for the comedies and break new ground in understanding the importance of Holberg’s comic aesthetic. Argetsinger’s extensive experience in theatre and Rossel’s preeminence as a Scandinavian Studies scholar assure that the translations are not only accurate but stage-worthy.
The collection opens with The Political Tinker, the first Danish play to be produced in the new Danish Theatre, and ends with The Burial of Danish Comedy, literally the funeral service for the bankrupt theatre. Three more of Holberg’s renowned character comedies follow, Jean de France, Jeppe of the Hill, and Erasmus Montanus, along with his literary satire Ulysses von Ithacia. The final two plays demonstrate his ability to write shorter comic works, The Christmas Party, a scathing comedy of manners, and Pernille’s Brief Experience as a Lady, a situation comedy that satirizes the practice of baby-switching.
When Charles Bowden died in 2014, he left behind an archive of unpublished manuscripts. Jericho marks the fifth installment in his venerable “Unnatural History of America” sextet. In it he invokes the cycles of destruction and rebirth that have defined the ancient biblical city over millennia. From the ruins of Jericho’s walls Bowden reflects on the continuum of war and violence—the many conquests of the Americas; the US-Mexican War; the Vietnam War; and the ongoing militarization of our southern border—to argue against the false promise of security that is offered when men “build that wall.” Walls—both real and imagined—will always come tumbling down.
Along the way, Bowden tells stories of loss and violence, like that of David Hartley, who mysteriously vanishes on Falcon Lake; of murdered drug runners and their cartel bosses; and of a haunted sicario, or hitman, who is running from his past and compulsively confesses his sins as he searches for an absolution that will never come. Set against these scenes of trauma and violence are Bowden’s gorgeous meditations on nature: dancing cranes, soaring eagles, winding paths that traverse mountains, lakes, and deserts. And threaded throughout are the heroic narratives of men like Martin Luther King Jr., who defied the boundaries that surrounded him and was able to reshape the arc of history. Jericho is a remarkable affirmation of our shared humanity and a timely rejection of violence and nationalism by one of our most prophetic writers working at the height of his powers.
A fresh interpretation of the nature, purpose, and date of Jerome’s Epistle 106
In this volume of the Writings from the Greco-Roman World series, Michael Graves offers the first accessible English translation and commentary on Jerome’s Epistle 106, an important work of patristic biblical interpretation. In his treatise Jerome discusses different textual and exegetical options according to various Greek and Latin copies of the Psalms with input from the Hebrew. Epistle 106 provides insightful commentary on the Gallican Psalter, Jerome’s translation of Origen’s hexaplaric edition. Jerome’s work offers a unique window into the complex textual state of the Psalter in the late fourth century and serves as an outstanding example of ancient philological scholarship on the Bible. Graves’s translation and commentary is an essential resource for scholars and students of patristic exegesis, biblical textual criticism, and late antique Christianity.
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