A Junior Library Guild selection
Society of Children’s Book Writers and Illustrators Official 2016 Summer Reading List
In this biography for middle-grade readers, Nancy Roe Pimm tells the story of Geraldine “Jerrie” Mock, the first woman to fly solo around the world. In her trusty Cessna, The Spirit of Columbus—also known as Charlie—she traveled from Columbus, Ohio, on an eastward route that totaled nearly twenty-three thousand miles and took almost a month. Overcoming wind, ice, mechanical problems, and maybe even sabotage, Mock persevered.
Mock caught the aviation bug at seven years old, when she rode in a Ford Trimotor plane with her parents. In high school, she displayed a talent for math and science, and she was the only woman in her aeronautical engineering classes at Ohio State University. Although she then settled into domestic life, she never lost her interest in flying. What began as a joking suggestion from her husband to fly around the world prompted her to pursue her childhood dream. But the dream became a race, as another woman, Joan Merriam Smith, also sought to be the first to circle the globe.
Even though Mock beat Smith and accomplished what her heroine Amelia Earhart had died trying to do, her feat was overshadowed by the Vietnam War and other world events. Now, Pimm introduces Mock to a new generation of adventurers.
As an artist, art critic, museum director, and art educator, Jerry Bywaters reshaped the Texas art world and attracted national recognition for Texas artists. This first full-scale biography explores his life and work in the context of twentieth-century American art, revealing Bywaters' important role in the development of regionalist painting.
Francine Carraro delves into all aspects of Bywaters' career. As an artist, Bywaters became a central figure and spokesman for a group of young, energetic painters known as the Dallas Nine (Alexandre Hogue, Everett Spruce, Otis Dozier, William Lester, and others) who broke out of the limitations of provincialism and attained national recognition beginning in the 1930s.
As director of the Dallas Museum of Fine Arts, art critic for the Dallas Morning News, and professor of art and art history at Southern Methodist University, Bywaters became a champion of the arts in Texas. Carraro traces his strong supporting role in professionalizing art institutions in Texas and defendlng the right to display art considered "subversive" in the McCarthy era.
From these discussions emerges a finely drawn portrait of an artist who used a vocabulary of regional images to explore universal themes. It will be of interest to all students of American studies, national and regional art history, and twentieth-century biography.
Well known for his slapstick comedic style, Jerry Lewis has also delighted worldwide movie audiences with a directing career spanning five decades. One of American cinema's great innovators, Lewis made unmistakably personal films that often focused on an ideal masculine image and an anarchic, manic acting out of the inability to assume this image. Films such as The Bellboy, The Errand Boy, Three on a Couch, and The Big Mouth present a series of thematic variations on this tension, in which such questions as how to be a man, how to be popular, and how to maintain relationships are posed within frameworks that set up a liberating and exhilarating confusion of roles and norms. The Nutty Professor and The Patsy are especially profound and painful examinations of the difficulty experienced by Lewis's character in reconciling loving himself and being loved by others.
With sharp, concise observations, Chris Fujiwara examines this visionary director of self-referential comedic masterpieces. The book also includes an enlightening interview with Lewis that offers unique commentary on the creation and study of comedy.
The case of the Trenton Six attracted international attention in its time (1948–1952) and was once known as the “northern Scottsboro Boys case.” Yet, there is no memory of it. The shame of racism evident in the case has been nearly erased from the public record. Now, historian Cathy D. Knepper takes us back to the courtroom to make us aware of this shocking chapter in American history.
Jersey Justice: The Story of the Trenton Six begins in 1948 when William Horner, an elderly junk dealer, was murdered in his downtown Trenton shop. Over a two-week period, six local African American men were arrested and charged with collectively killing Horner. Violating every rule in the book, the Trenton police held the six men in incommunicado detention, without warrants, and threatened them until they confessed. At the end of the trial the all-white jury sentenced the six men to die in the electric chair.
That might have been the end of the story were it not for the tireless efforts of Bessie Mitchell, the sister of one of the accused men. Undaunted by the refusal of the NAACP and the ACLU to help appeal the conviction of the Trenton Six, Mitchell enlisted the aid of the Civil Rights Congress, ultimately taking the case as far as the New Jersey Supreme Court. Along the way, the Trenton Six garnered the attention and involvement of many prominent activists, politicians, and artists, including Paul Robeson, Thurgood Marshall, Eleanor Roosevelt, Pete Seeger, Arthur Miller, and Albert Einstein. Jersey Justice brings to light a shameful moment in our nation’s history, but it also tells the story of a personal battle for social justice that changed America.
This is not your typical Jersey Shore book.
Yes, you'll find the obvious-beaches and boardwalks, lifeguards and lighthouses, fishing and food. But Peter Genovese will also take you off the beaten track for an insider's look at this famous (and infamous) 127-mile stretch from Sandy Hook to Cape May.
Birders, tiki hut builders, beach cleaners, wheel-of-chance operators, she-crab soup makers-they're all here. You'll check out an Airstream-only trailer park and visit a Point Pleasant Beach house where the music of Frank Sinatra plays nearly 24/7. Genovese will introduce you to the owner of the Stone Pony and to participants at the grueling Atlantic City Around-the-Island Swim as they describe their battles with tides, exhaustion, and face-stinging jellyfish. All of that, plus you'll find out why Ocean Grove residents write their names on their flowerpots.
Beach reading just doesn't get any better than this.
Spend a summer with Peter Genovese as he chronicles a typical wild and wacky, kitschy and classy season along the New Jersey coastline.
Lifeguards, surfers, beachgoers, birders, ice cream vendors, seashell sellers, banner pilots-they're all here. You'll be on the scene when Atlantic City's mayor officially begins summer by "unlocking the ocean," get a whiff of the state barbeque championship, watch the nation's longest-running all-women lifeguard competition, and even spend a weekend, Survivor-style, on a Barnegat Bay island.
The Ocean City Baby Parade, Clownfest, the state's hottest bikini contest, and the World Series of Surf Fishing are all covered. You'll also meet the folks at the Diamondback Terrapin Conservation Project, the Cape May Migratory Bird Refuge, and the Marine Mammal Stranding Center.
Genovese introduces you to Little Miss Chaos and the King of Corn, the Jersey Shore Hot Dog Queen, and Lucky Leo. You'll go on patrol with the New Jersey State Marine Police, meet the man behind Big Mike's E-Z Bail Bonds, and find salvation at the Boardwalk Chapel.
The Jersey Shore Uncovered flawlessly depicts the timeless allure of New Jersey beach culture. Along with his stories, Genovese brings readers hundreds of color and black-and-white photos that brilliantly capture exactly what makes this 127-mile stretch of shoreline unique. Whether you've never been to a New Jersey beach or you're a Jersey native who spends your summers "down the Shore," you're certain to learn a thing or two from this book. So get settled in your beach chair, put on some suntan lotion, and enjoy.
Readers of the New Jersey section of the Sunday New York Times eagerly look forward to Marc Mappen's astonishing tales of New Jersey history. Jerseyana is his first collection of these popular monthly columns. Here you will meet villains like Dutch Schultz, the mobster gunned down in a Newark gangland rubout, and heroes like Minerva Miller, a black woman who fought segregation at the turn of the century. There are famous events, like the explosion of Hindenburg, and obscure ones, like the assassination of the king of Italy by an anarchist from Paterson. There are amusing stories, like a buried treasure hoax in Morristown after the Revolutionary War, bizarre stories like the fact that the discoverer of New Jersey was allegedly devoured by cannibals, and dramatic stories, like the Jersey woman who survived Indian captivity.
Arranged chronologically, these columns constitute a lively New Jersey perspective on American history. Individual essays deal with major themes in American history and how they affected New Jersey: the colonial era, the Revolution, Civil War and Reconstruction, the Gilded Age, the Progressive Era, World War I, the '20s and '30s, World War II, McCarthyism, women's history, and black history. Each of the fifty-four columns in this book stands as a colorful exploration in history. Together they constitute a sweeping survey of our state's rich heritage.
Jerusalem is the site of some of the most famous religious monuments in the world, from the Dome of the Rock to the Church of the Holy Sepulchre to the Western Wall of the Temple. Since the nineteenth century, the city has been a premier tourist destination, not least because of the countless religious pilgrims from the three Abrahamic faiths.
But Jerusalem is more than a tourist site—it is a city where every square mile is layered with historical significance, religious intensity, and extraordinary stories. It is a city rebuilt by each ruling Empire in its own way: the Jews, the Romans, the Christians, the Muslims, and for the past sixty years, the modern Israelis. What makes Jerusalem so unique is the heady mix, in one place, of centuries of passion and scandal, kingdom-threatening wars and petty squabbles, architectural magnificence and bizarre relics, spiritual longing and political cruelty. It is a history marked by three great forces: religion, war, and monumentality.
In this book, Simon Goldhill takes on this peculiar archaeology of human imagination, hope, and disaster to provide a tour through the history of this most image-filled and ideology-laden city—from the bedrock of the Old City to the towering roofs of the Holy Sepulchre. Along the way, we discover through layers of buried and exposed memories—the long history, the forgotten stories, and the lesser-known aspects of contemporary politics that continue to make Jerusalem one of the most embattled cities in the world.
Yerusholayim d’lite: di yidishe kultur in der lite (Jerusalem of Lithuania: A Reader in Yiddish Cultural History) by Jerold C. Frakes contains cultural, literary, and historical readings in Yiddish that vividly chronicle the central role Vilnius (Lithuania) played in Jewish culture throughout the past five centuries. It includes many examples of Yiddish literature, historiography, sociology, and linguistics written by and about Litvaks and includes work by prominent Yiddish poets, novelists, raconteurs, journalists, and scholars. In addition, Frakes has supplemented the primary texts with many short essays that contextualize Yiddish cultural figures, movements, and historical events.
Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a camera’s viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents.
Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book.
The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthal’s words recapture the emotions and feel of those times as vividly as his lens recorded their passing.
This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the book’s most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthal’s tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.
Mike Moran first attended Little Rock Catholic High School for Boys-all four years. On the basketball team, he was a point guard. Then, as "Mr. Moran," he taught English for forty years, also at Little Rock Catholic High School for Boys. Recently retired, Moran wrote the boys a novel. The tale revolves around a struggling small-town basketball team with a nerdy manager and a Walter Mittyesque coach. Presented with too few players to scrimmage in practice, the manager takes it upon himself to spread the word throughout the school: "We need you on the team." Three young students appear, diminutive in stature and with scrawny chests, unimpressive at first sight. But with the trio, and their fleet leader Jesse Crosse, the team first experiences shock, then inspiration and constant surprises. The team bonds, leading to stories that will be retold a very long time in a small, out-of-the-way town. It's not a long novel; like one's high school years, it goes by before you know it. Only the message is eternal.
The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.
Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.
William A. Settle, Jr. has, for a number of years, trailed the James brothers through the columns of old newspapers and the records of county courts. In his search for the facts concerning these men--heroes to some, criminals to others--he has critically examined the contemporary accounts of their activities and has interviewed men and women who could give eyewitness or close hearsay evidence of them. Employing the techniques of scholarly research, Professor Settle has winnowed the fact from the fiction to produce this study of these most notorious American bandits.
How Jesuit education can help students create meaningful connections in an age of secularism
In A Secular Age, the philosopher Charles Taylor challenges us to appreciate the significance of genuine spiritual experience in human life, an occurrence he refers to as “fullness.” Western societies, however, are increasingly becoming more secular, and personal occasions of fullness are becoming less possible.
In Jesuit Higher Education in a Secular Age, Daniel S. Hendrickson, SJ, shows how Jesuit education can respond to the crisis of modernity by offering three pedagogies of fullness: study, solidarity, and grace. A pedagogy of study encourages students to explore their full range of thoughts and emotions to help amplify their self-awareness, while a pedagogy of solidarity helps them relate to the lives of others, including disparate cultural and socioeconomic realities. Together, these two pedagogies cultivate an openness in students that can help them achieve a pedagogy of grace, which validates their awareness of and receptivity to the extraordinary spiritual Other that impacts our lives.
Hendrickson demonstrates how this Jesuit imaginary—inspired by the Renaissance humanistic origins of Jesuit pedagogy—educates students toward a better self-awareness, a stronger sense of global solidarity, and a greater aptitude for inspiration, awe, and gratitude.
Jesuit Letters From China, 1583–84 was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The first eight letters from Jesuit missionaries on mainland China were written in 1583–84 and published in Europe in 1586. M Howard Rienstra's translated marks their first appearance in English. The letters chronicle the patient efforts of Michele Ruggieri and the famed Matteo Ricci to learn Chinese, to gain acceptance in Chinese society, and to explain Christianity to a highly sophisticated non-Christian culture. They also described the China of the late Ming dynasty (1368–1644), a country whose immense size and population had excited the imagination of Europeans for generations.
It was Francis Xavier's dream that this mighty kingdom and civilization be opened to the Christian gospel. His dream was at least tentatively fulfilled when Michele Ruggieri was granted residence first in Canton and then in Chao-ch'ing in 1583. Accompanied first by Francesco Pasio and later by Matteo Ricci, Ruggieri initiated the Christian mission in China. Their letters, published initially as an appendix to a volume of Jesuit letters from Japan, were abbreviated and censored by their European editor. In edited form, the letters appeared in 1586 in one French, on German, and three Italian editions.
The China of Ruggieri and Matteo Ricci had remained, however, both suspicious of, and closed to, foreigners - a fact which the original letters do not gloss over. Rienstra was carefully compared the abbreviated and censored versions of these letters in their originals, still preserved in the Jesuit archives in Rome. The letters in general indicate how tenuous the Jesuits' situation was and note candidly that only two baptisms had been performed on the mainland during their stay. These results stand in marked contracts to the reports from Japan of tens of thousands of baptisms and to the reports from Portuguese Macao, where Chinese converts were compelled to wear European cloths and to take European names.
Such Europeanization was thought to be inappropriate to a successful Christian mission in China. Though criticized at the time by their colleagues in Macao, Ruggieri, Pasio, and Ricci committed themselves to a program of cultural respect and accommodation. They learned both written and spoken Chinese, ingratiated themselves with the ruling classes by exhibiting their learning and courtesy, and appeared to have become Chinese themselves. When Matteo Ricci became Ruggieri's successor and his name became synonymous with the success of the Jesuit mission in China, it was to these methods that its success was owed. Unfortunately, the prevailing European ethnocentrism could not accept the concept of cultural accommodation. The editors thus censored the letters to convey the impression of a triumphant and culturally superior Christian mission in China.
Jesuit Letters From China is a publication of the James Ford Bell Library at the University of Minnesota.
The Society of Jesus, commonly known as the Jesuits, is the most successful and enduring global missionary enterprise in history. Founded by Ignatius Loyola in 1540, the Jesuit order has preached the Gospel, managed a vast educational network, and shaped the Catholic Church, society, and politics in all corners of the earth. Rather than offering a global history of the Jesuits or a linear narrative of globalization, Thomas Banchoff and José Casanova have assembled a multidisciplinary group of leading experts to explore what we can learn from the historical and contemporary experience of the Society of Jesus—what do the Jesuits tell us about globalization and what can globalization tell us about the Jesuits? Contributors include comparative theologian Francis X. Clooney, SJ, historian John W. O'Malley, SJ, Brazilian theologian Maria Clara Lucchetti Bingemer, and ethicist David Hollenbach, SJ. They focus on three critical themes—global mission, education, and justice—to examine the historical legacies and contemporary challenges. Their insights contribute to a more critical and reflexive understanding of both the Jesuits’ history and of our contemporary human global condition.
Explore the diverse character of emerging Christian narratives
This book presents essays that show how prophetic and priestly emphases in Luke and Acts, and emphasis on Jesus’s existence prior to creation in the Gospel of John, are reworked in some second- and third-century Christian literature. Early Christians interpreted and expressed the storylines of Jesus, Mary, and other important figures in ways that created new images and stories. Contributors show the effect of including rhetography, the rhetoric of a text that prompts images and pictures in the mind of a hearer or reader, in interpretation of texts.
Features:
Drawing on ethnographic field work she conducted among Christians in her home state of North Carolina, Claudia Gould crafts stories that lay open the human heart and social complications of fundamentalist belief. These stories and the compelling characters who inhabit them draw us into the complex essence of religious experience among southern American Christians.
Reconstructions of Jesus occurred in Asia long before the Western search for the historical Jesus began in earnest. This enterprise sprang up in seventh-century China and seventeenth-century India, encouraged by the patronage and openness of the Chinese and Indian imperial courts. While the Western quest was largely a Protestant preoccupation, in Asia the search was marked by its diversity: participants included Hindus, Jains, Muslims, Catholics, and members of the Church of the East.
During the age of European colonialism, Jesus was first seen by many Asians as a tribal god of the farangis, or white Europeans. But as his story circulated, Asians remade Jesus, at times appreciatively and at other times critically. R. S. Sugirtharajah demonstrates how Buddhist and Taoist thought, combined with Christian insights, led to the creation of the Chinese Jesus Sutras of late antiquity, and explains the importance of a biography of Jesus composed in the sixteenth-century court of the Mughal emperor Akbar. He also brings to the fore the reconstructions of Jesus during the Chinese Taiping revolution, the Korean Minjung uprising, and the Indian and Sri Lankan anti-colonial movements.
In Jesus in Asia, Sugirtharajah situates the historical Jesus beyond the narrow confines of the West and offers an eye-opening new chapter in the story of global Christianity.
Not a Jew marginally, but centrally
In this book, LaCocque presents the case that Jesus was totally and unquestionably a Jew. He lived as a Jew, thought as a Jew, debated as a Jew, acted as a Jew and died as a Jew. He had no intention of creating a new religion; rather, he was a reformer of the Judaism of his day. True, his critique went far beyond an intellectual subversion. In fact, Jesus progressively thought of himself as the “Son of Man” inaugurating the advent of the Kingdom of God on earth.
Features:
Jesus Shock is the second in a series of short works on seminal concerns of the impact that Jesus Christ made in the world. The first work, The Philosophy of Jesus (St. Augustine’s Press, 2007), explored philosophy in light of Jesus, rather than the other way around. The present work investigates the reception Jesus received both in His lifetime and continuously to the present time, not only from His enemies, but from His friends, a reception of shock, astonishment, even disgust.
Perhaps a few remarks from the book best explains it:
The point of the book:
The point of the title: Imagine a storm has downed a telephone wire so that everyone who touches it is shocked in every cell of his body. Well, the storm of God’s crazy love has “downed” (incarnated) Jesus, and everyone who touches this “live wire” is shocked in every cell of his soul.
The question of the book: Why is “Jesus” the most non-neutral, the most controversial, the most embarrassing name in the world? Why is talking about Jesus like talking about sex?
This whole book is really about a single movie line, the greatest line in the greatest movie in history. Bet you know what it is.
Jesus-Shock is about the Real Presence of Christ in the Gospels and in the Eucharist. It
is not about the theology of the Real Presence, but about the experience of Him there, and about the experience of everyone in the Gospels who met Him.
What was the bitterest controversy of the Protestant Reformation, both between Protestants and Catholics and between different Protestant denominations, the one that had both sides calling the other not just heretics but devils?
Answer: It was not Justification by Faith, the hallmark of the Reformation, even though that question is about nothing less momentous than how to be saved, how to get to Heaven. It was not the relation between religion and politics, even though that was a matter of life or death (literally, on battlefields and at guillotines and hangings) and not just a matter of truth or falsity, or of good or evil. It was not about the sufficiency of the Bible, or the corruption in the Church, or the relation between the Bible and the Church. It was not about the Pope, and the governance of the Church. It was not about Mary or saints or angels or Purgatory. It was not about the Incarnation or the Trinity or the Atonement.
It was about the Real Presence of Christ in the Eucharist.
Jesus-Shock, in addressing this controversy forcefully and faithfully, shows the reasons why to this day the name of “Jesus” stirs up controversy, even revulsion, in polite society. In the true spirit of ecumenism, it also points the way toward a true rapprochement among His modern-day disciples.
The first complete translation into a modern language of a major authority on the medieval Christian liturgy.
Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.
The first complete translation into a modern language of a major authority on the medieval Christian liturgy.
Honorius Augustodunensis’s Jewel of the Soul (the Gemma animae) gleams as one of the most attractive liturgical commentaries from the twelfth century. A lively and effective teacher, Honorius strives to unveil the meaning behind the sacred texts, objects, music, and ritual of the Roman Mass and Divine Office for young initiates. Building on the allegorical approach pioneered in the Carolingian era by Amalar of Metz, he shows readers how their souls are beautified by the liturgy as gold is by a jewel. His flowing and comprehensive commentary gained widespread influence in Western Christendom and was an important source for later liturgical treatises. For the modern scholar this work remains key to understanding the medieval allegorical approach to worship and provides valuable documentation about how these offices were celebrated in the twelfth century. These volumes offer the first complete translation into a modern language of this foundational Latin text on Christian liturgy.
Rebecca K. Esterson explores how Christian methods of biblical interpretation shifted during the eighteenth century, producing a rhetorical rejection of allegory while embracing literalism. Under the influence of Enlightenment concepts of human reason and advances in the experimental sciences, Christian interpreters began casting Jewish biblical interpretation as allegorical, while presenting Christian interpretation as literal. This shift in self-understanding allowed Christians to portray their own interpretations as scientifically, philosophically, and historically superior, resulting in a new way of othering the Jewish people. This study of biblical exegesis, theology, philosophy, and the arts in English, Swedish, and German contexts is an essential resource for scholars interested in biblical reception history and the history of Jewish-Christian relations.
Drawing on multiple interconnected scriptural and spiritual sources, the Jewish tradition of ethical reflection is intricate and nuanced. This book presents scholarly Jewish perspectives on suffering, healing, life, and death, and it compares them with contemporary Christian and secular views.
The Jewish perspectives presented in this book are mainly those of orthodox scholars, with the responses representing primarily Christian-Catholic points of view. Readers unfamiliar with the Jewish tradition will find here a practical introduction to its major voices, from Spinoza to Jewish religious law. The contributors explore such issues as active and passive euthanasia, abortion, assisted reproduction, genetic screening, and health care delivery.
Offering a thoughtful and thought-provoking dialogue between Jewish and Christian scholars, Jewish and Catholic Bioethics is an important contribution to ecumenical understanding in the realm of health care.
Gideon Libson's highly original work on custom is the first attempt to present a comprehensive comparative study of Jewish-Islamic law on a particular topic during the early Middle Ages. His in-depth study of Islamic law—its sources, legal schools, and extensive legal literature—together with his expertise in the wide range of geonic and rabbinic literature enable him to determine the influence of Muslim practice on geonic custom.
In both systems of law the growth of custom was a reaction to the general culture. He shows conclusively how custom in both systems of law served as a conduit for the absorption of changes, thus helping to bridge the gap between the authoritative legal systems and the practical realities of the environment. Libson's contribution to the study of comparative Jewish and Islamic law during the geonic period will be of value to scholars engaged in the study of comparative law.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Greco-Roman antiquity’s premier Jewish historian.
Josephus, soldier, statesman, historian, was a Jew born at Jerusalem about AD 37. A man of high descent, he early became learned in Jewish law and Greek literature and was a Pharisee. After pleading in Rome the cause of some Jewish priests he returned to Jerusalem and in 66 tried to prevent revolt against Rome, managing for the Jews the affairs of Galilee. In the troubles that followed he made his peace with Vespasian. Present at the siege of Jerusalem by Titus, he received favors from these two as emperors and from Domitian, and assumed their family name Flavius. He died after 97.
As a historical source Josephus is invaluable. His major works are: History of the Jewish War, in seven books, from 170 BC to his own time, first written in Aramaic but translated by himself into the Greek we now have; and Jewish Antiquities, in twenty books, from the creation of the world to AD 66. The Loeb Classical Library edition of the works of Josephus, which is in thirteen volumes, also includes the autobiographical Life and his treatise Against Apion.
Calling attention to the local cultural scene as well as to events taking place in Europe, Matthew Baigell considers the art produced by Jewish artists who were inspired to respond to the murders of their fellow Jews during World War II.
Although there were only a few instances of visual documentation of events until the war’s later stages, responses to news reports and the very few authentic images received of the atrocities of the Holocaust varied from avoidance and denial to scattered attempts to create direct visual representations. Those artists who chose the latter alternative did so with little support from the Jewish intelligentsia of New York City. Art critics such as the influential Clement Greenberg purposely avoided addressing this issue at all. Jewish artists were left to cope with the events of the war in isolation, without a collective visual memory to deal with the traumas presented by news reports.
Baigell discusses how the limited access to images, information, and support during the war led to a unique artistic response created not only by the conflict itself, but also by the anti-Semitic social climate of the United States. Surveys taken in the U.S. between 1940 and 1946 demonstrate that the general population considered Jews a greater menace to the welfare of the country than the Germans or the Japanese.
Artists featured include Marc Chagall, Jacques Lipchitz, Barnett Newman, Abraham Rattner, Mark Rothko, and Max Weber.
An accessible point of entry into the rich medieval religious landscape of Jewish biblical exegesis s
Medieval Judeo-Arabic translations of the Hebrew Bible and their commentaries provide a rich source for understanding a formative period in the intellectual, literary, and cultural history and heritage of Jews in Islamic lands. The carefully selected texts in this volume offer intriguing insight into Arabic translations and commentaries by Rabbanite and Karaite Jewish exegetes from the tenth to the twelfth centuries CE, arranged according to the three divisions of the Torah, the Former and Latter Prophets, and the Writings. Each text is embedded within an essay discussing its exegetical context, reception, and contribution.
Features:
Jewish Continuity in America presents an overview of a life's work by a preeminent scholar and brings new insight to the challenge of American Jewish continuity.
Jews have historically lived within a paradox of faith and fear: faith that they are an eternal people and fear that their generation may be the last. In the United States, the Jewish community has faced to a heightened degree the enduring question of identity and assimilation: How does the Jewish community in this free, open, pluralistic society discover or create factors-both ideological and existential-that make group survival beneficial to the larger society and rewarding to the individual Jew?
Abraham J. Karp's Jewish Continuity in America focuses on the three major sources of American Judaism's continuing vitality: the synagogue, the rabbinate, and Jewish religious pluralism. Particularly illuminating is Karp's examination of the coexistence and unity-in-diversity of American religious Jewry's three divisions-Orthodox, Reform, and Conservative-and of how this Jewish religious pluralism fits into the larger picture of American religious pluralism.
Informing the larger enterprise through sharp and full delineation of discrete endeavors, the essays collected in Jewish Continuity in America-some already acknowledged as classics, some appearing here for the first time-describe creative individual and communal responses to the challenge of Jewish survival. As the title suggests, this book argues that continuity in a free and open society demands a high order of creativity, a creativity that, to be viable, must be anchored in institutions wholly pledged to continuity.
At the turn of the twentieth century, over forty percent of the world’s Jews lived within the Russian Empire, almost all in the Pale of Settlement. From the Baltic to the Black Sea, the Jews of the Pale created a distinctive way of life little known beyond its borders. This led the historian Simon Dubnow to label the territory a Jewish “Dark Continent.”
Just before World War I, a socialist revolutionary and aspiring ethnographer named An-sky pledged to explore the Pale. He dreamed of leading an ethnographic expedition that would produce an archive—what he called an Oral Torah of the common people rather than the rabbinic elite—which would preserve Jewish traditions and transform them into the seeds of a modern Jewish culture. Between 1912 and 1914, An-sky and his team collected jokes, recorded songs, took thousands of photographs, and created a massive ethnographic questionnaire. Consisting of 2,087 questions in Yiddish—exploring the gamut of Jewish folk beliefs and traditions, from everyday activities to spiritual exercises to marital intimacies—the Jewish Ethnographic Program constitutes an invaluable portrait of Eastern European Jewish life on the brink of destruction.
Nathaniel Deutsch offers the first complete translation of the questionnaire, as well as the riveting story of An-sky’s almost messianic efforts to create a Jewish ethnography in an era of revolutionary change. An-sky’s project was halted by World War I, and within a few years the Pale of Settlement would no longer exist. These survey questions revive and reveal shtetl life in all its wonder and complexity.
The sheer magnitude of the Holocaust has commanded our attention for the past sixty years. The extent of atrocities, however, has overshadowed the calculus Nazis used to justify their deeds.
According to German wartime media, it was German citizens who were targeted for extinction by a vast international conspiracy. Leading the assault was an insidious, belligerent Jewish clique, so crafty and powerful that it managed to manipulate the actions of Roosevelt, Churchill, and Stalin. Hitler portrayed the Holocaust as a defensive act, a necessary move to destroy the Jews before they destroyed Germany.
Joseph Goebbels, Minister of Propaganda, and Otto Dietrich’s Press Office translated this fanatical vision into a coherent cautionary narrative, which the Nazi propaganda machine disseminated into the recesses of everyday life. Calling on impressive archival research, Jeffrey Herf recreates the wall posters that Germans saw while waiting for the streetcar, the radio speeches they heard at home or on the street, the headlines that blared from newsstands. The Jewish Enemy is the first extensive study of how anti-Semitism pervaded and shaped Nazi propaganda during World War II and the Holocaust, and how it pulled together the diverse elements of a delusionary Nazi worldview. Here we find an original and haunting exposition of the ways in which Hitler legitimized war and genocide to his own people, as necessary to destroy an allegedly omnipotent Jewish foe. In an era when both anti-Semitism and conspiracy theories continue to influence world politics, Herf offers a timely reminder of their dangers along with a fresh interpretation of the paranoia underlying the ideology of the Third Reich.
Among the Kalman cousins are an art gallery owner, a body builder, a radio personality, a former chief financial officer of a prominent U.S. bank, and a sculptor. They discuss Zionism, anti-Semitism, what it means to root for the German soccer team, Schindler’s List, money, success, marriage and intermarriage, and family history. They reveal their different levels of engagement with Judaism and involvement with local Jewish communities. Kalman is a pseudonym, and their anonymity allows the family members to talk with passion and candor about their relationships and their lives as Jews.
The first Greek text of the Epistle of Aristeas published in more than a century
The Greek text Epistle of Aristeas is a Jewish work of the late Hellenistic period that recounts the origins of the Septuagint. Long recognized as a literary fiction, the Epistle of Aristeas has been variously dated from the third century BCE to the first century CE. As a result, its epistolary features, and especially those in which the putative author, Aristeas, addresses his brother and correspondent, Philocrates, have largely been ignored. In light of more recent scholarship on epistolary literature in the Greco-Roman world, however, this volume presents for the first time a complete Greek text and English Translation with introduction, notes, and commentary of the Epistle of Aristeas with key testimonia from Philo, Josephus, and Eusebius, as well as other related examples of Jewish fictional letters from the Apocrypha and Pseudepigrapha.
Features
This is a new edition of a classic and highly controversial book that examines the history and consequences of Jewish Fundamentalism in Israel. Fully updated, with new chapters and a new introduction by Norton Mezvinsky, it is essential reading for anyone who wants a full understanding of the way religious extremism has affected the political development of the modern Israeli state.
Acclaimed writer and human rights campaigner Israel Shahak was, up util his death in 2001, one of the most respected of Israel’s peace activists – he was, in the words of Gore Vidal, ‘the latest – if not the last – of the great prophets.’ Written by Shahak together with American scholar Norton Mezvinsky, this books shows how Jewish fundamentalism in Israel, as shown in the activities of religious settlers, is of great political importance.
The authors trace the history and development of Jewish fundamentalism. They place the assassination of Prime Minister Rabin in the context of what they see as a tradition of punishments and killings of those Jews perceived to be heretics. They conclude that Jewish fundamentalism is essentially hostile to democracy.
The Jewish Graphic Novel is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industryùsuch as Will Eisner, Art Spiegelman, and Joann Sfarùthe essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad
Featuring more than 85 illustrations, this collection is a compelling representation of a major postmodern ethnic and artistic achievement.
Israel Shahak was a remarkable man. Born in the Warsaw ghetto and a survivor of Belsen, Shahak arrived in Israel in 1945. Brought up under Jewish Orthodoxy and Hebrew culture, he consistently opposed the expansion of the borders of Israel from 1967.
In this extraordinary and highly acclaimed book, Shahak embarks on a provocative study of the extent to which the secular state of Israel has been shaped by religious orthodoxies of an invidious and potentially lethal nature. Drawing on the Talmud and rabbinical laws, Shahak argues that the roots of Jewish chauvinism and religious fanaticism must be understood before it is too late.
Written from a humanitarian viewpoint by a Jewish scholar, this is a rare and highly controversial criticism of Israel that will both excite and disturb readers worldwide.
How did the vast number of Jewish immigrants from different regions of Eastern Europe form their American ethnic identity?
In his answer to this question, Daniel Soyer examines how Jewish immigrant hometown associations (landsmanshaftn) transformed old-world communal ties into vehicles for integration into American society. Focusing on New York--where some 3,000 associations enrolled nearly half a million members--this study is one of the first to explore the organizations' full range of activities, and to show how the newcomers exercised a high degree of agency in their growing identification with American society.
The wide variety of landsmanshaftn--from politically radical and secular to Orthodox and from fraternal order to congregation--illustrates the diversity of influences on immigrant culture. But nearly all of these societies adopted the democratic benefits and practices that were seen as the most positive aspects of American civic culture. In contrast to the old-country hierarchical dispensers of charity, the newcomers' associations relied on mutual aid for medical care, income support, burial, and other traditional forms of self-help. During World War I, the landsmanshaftn sent aid to their war-ravaged hometowns; by the 1930s, the common identity centered increasingly upon collective reminiscing and hometown nostalgia.
The example of the Jewish landsmanshaftn suggests that many immigrants cultivated their own identification with American society to a far greater extent than is usually recognized. It also suggests that they selectively identified with those aspects of American culture that allowed them to retain emotional attachments to old-country landscapes and a sense of kinship with those who shared their heritage.
The Kulturbund’s directors were repeatedly caught between escalating demands from their Nazi overseers and from their own Jewish constituents. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime, Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity.
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