The story of a much different Minneapolis, through the words and photographs of one of its most colorful characters—now in paperback
City blue laws drove the liquor trade and its customers—hard-drinking lumberjacks, pensioners, farmhands, and railroad workers—into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city’s Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood’s last days through photographs and film of his clientele.
The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich’s death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich’s stories recreate the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis’s most intriguing figures—spinning some of its most enduring and enthralling tales.
Born 130 years ago in the heart of Mississippi, Charlie Patton (c. 1891–1934) is considered by many to be a father of the Delta blues. With his bullish baritone voice and his fluid slide guitar touch, Patton established songs like “Pony Blues,” “A Spoonful Blues,” and “High Water Everywhere” in the blues lexicon and, through his imitators, in American music. But over the decades, his contributions to blues music have been overshadowed in popularity by those of Robert Johnson, Muddy Waters, and other mid-century bluesmen and women who’ve experienced a resurgence in their music. King of the Delta Blues Singers, originally published in 1988, began a small renaissance in blues and Patton research and set a new scholarly precedent touching even the spelling his name—which, to Patton himself, was "Charlie," not the "Charley" of the early records. And now, with the wide availability of Patton’s complete discography in multiple formats, this revised second edition brings the legend of Charlie Patton into a clarity of detail that was previously impossible.
Gayle Dean Wardlow and the late Stephen Calt (1946–2010) originally probed Patton’s career in the Mississippi Delta, his early performances and recordings, and his musical legacy that continues to influence today’s guitarists and performers, including such musicians as Jack White and Larkin Poe. For this second edition, Wardlow and Edward Komara refined the text and rewrote major sections, updating them with new scholarship on Patton and Delta blues. And finally, Komara has added a new afterword bringing Patton into the contemporary blues conversation and introducing numerous musical examples for the modern researcher and musician.
The second edition of King of the Delta Blues Singers will further cement Patton’s legacy among important blues musicians, and it will be of interest to anyone absorbed in the beginnings of the Delta blues and music biographies.
King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country.
A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.
Velimir Khlebnikov, who died in 1922 at the age of thirty-six, is one of the great, untranslated Russian poets of this century. Hailed by his contemporaries and by later writers and scholars as the creative genius behind the Russian Futurist movement, Khlebnikov is famous more for his inaccessibility than for the excellence of what he actually produced. Even Russians are generally baffled by him.
Now, in a powerful American rendition, we are given access to the strange and beautiful world of Khlebnikov, “the word’s wild highwayman.” Trained in the natural sciences and mathematics and by temperament an artist, Khlebnikov thought he had discovered the Laws of Time and Tables of Destiny, by which enlightened humans could live in harmony with themselves and with nature. He coined the terms “Futurian” and “Presidents of Planet Earth” for himself and his friends, and he devoted all of his short, restless life to finding a language appropriate to his vision. Experiments with words became magical paths to a reinvigorated future, and produced some of the most extraordinary poems in the Russian language.
These goals and researches were variously embodied as well in stories, plays, and visionary essays in which Khlebnikov advances architectural plans for mobile cities, a new alphabet based on universal meanings of sounds, and communication by way of vast television networks. The result is poetry of startling originality, modernity, and linguistic virtuosity—a true challenge to translators and one that has been met brilliantly here by Paul Schmidt and Charlotte Douglas.
The King of Time is a representative sampling of Khlebnikov’s writings, taken from the translation of his complete works prepared under the auspices of the Dia Art Foundation. It includes many pieces, among them the full text of the astounding poem-play Zangezi, never before translated. General readers will be introduced to the legendary Khlebnikov, and cognoscenti will applaud the inventiveness of the rendering.
At the time of Spanish contact in A.D. 1540, the Mississippian inhabitants of the great valley in northwestern Georgia and adjacent portions of Alabama and Tennessee were organized into a number of chiefdoms distributed along the Coosa and Tennessee rivers and their major tributaries. The administrative centers of these polities were large settlements with one or more platforms mounds and a plaza. Each had a large resident population, but most polity members lived in a half dozen or so towns located within a day’s walk of the center. This book is about one such town, located on the Coosa River in Georgia and known to archaeologists as the King site.
Excavations of two-thirds of the 5.1 acre King site reveal a detailed picture of the town’s domestic and public architecture and overall settlement plan. Intensive analysis of architectural features, especially of domestic structures, enables a better understanding of the variation in structure size, compass orientation, construction stages, and symbolic cosmological associations; the identification of multi-family households; and the position of individual structures within the town’s occupation sequence or life history. Comparison of domestic architecture and burials reveals considerable variation between households in house size, shell bead wealth, and prominence of adult members. One household is preeminent in all these characteristics and may represent the household of the town chief or his matrilineal extended family. Analysis of public architectural features has revealed the existence of a large meeting house with likely historical connections to 18th-century Creek town houses; a probable cosmological basis for the town’s physical layout; and an impressive stockade-and-ditch defensive perimeter.
The King site represents a nearly ideal opportunity to identify the kinds of status positions that were held by individual inhabitants; analyze individual households and investigate the roles they played in King site society; reconstruct the community that existed at King, including size, life history, symbolic associations, and integrative mechanisms; and place King in the larger regional political system. With excavations dating back to 1973, and supported in part by the National Endowment for the Humanities and the National Geographic Society, this is social archaeology at its best.
In one of the first scholarly book in English on Miron Białoszewski (1922–1983), Joanna Niżyńska illuminates the elusive prose of one of the most compelling and challenging postwar Polish writers. Niżyńska’s study, exemplary in its use of theoretical concepts, introduces English-language readers to a preeminent voice of Polish literature. Niżyńska explores how a fusion of seemingly irreconcilable qualities, such as the traumatic and the everyday, imbues Białoszewski’s writing with its idiosyncratic appeal.
Białoszewski’s A Memoir of the Warsaw Uprising (1977, revised 1991) describes the Poles’ heroic struggle to liberate Warsaw from Nazi occupation in 1944 as harrowing yet ordinary. His later prose represents everyday life permeated by traces of the traumatic. Niżyńska closely examines the topic of autobiography and homosexuality, showing how Białoszewski discloses his homosexuality but, paradoxically, renders it inconspicuous by hiding it in plain sight.
"This signal contribution to African history and the writing of history more generally has emerged from the scholarship of one who is ranked by many as among the foremost of the contemporary historians of sub-Saharan Africa." —The American Historical Review
How the imposition of Crown rule across the British Empire during the Age of Revolution corroded the rights of British subjects and laid the foundations of the modern police state.
During the eighteenth and nineteenth centuries, the British Empire responded to numerous crises in its colonies, from North America to Jamaica, Bengal to New South Wales. This was the Age of Revolution, and the Crown, through colonial governors, tested an array of coercive peacekeeping methods in a desperate effort to maintain control. In the process these leaders transformed what it meant to be a British subject.
In the decades after the American Revolution, colonial legal regimes were transformed as the king’s representatives ruled new colonies with an increasingly heavy hand. These new autocratic regimes blurred the lines between the rule of law and the rule of the sword. Safeguards of liberty and justice, developed in the wake of the Glorious Revolution, were eroded while exacting obedience and imposing order became the focus of colonial governance. In the process, many constitutional principles of empire were subordinated to a single, overarching rule: where necessary, colonial law could diverge from metropolitan law. Within decades of the American Revolution, Lisa Ford shows, the rights claimed by American rebels became unthinkable in the British Empire. Some colonial subjects fought back but, in the empire, the real winner of the American Revolution was the king.
In tracing the dramatic growth of colonial executive power and the increasing deployment of arbitrary policing and military violence to maintain order, The King’s Peace provides important lessons on the relationship between peacekeeping, sovereignty, and political subjectivity—lessons that illuminate contemporary debates over the imbalance between liberty and security.
The failure of current immigration policies in the United States has resulted in dire consequences: a significant increase in border deaths, a proliferation of smuggling networks, prolonged family separation, inhumane raids, a patchwork of local ordinances criminalizing activities of immigrants and those who harbor them, and the creation of an underclass—none of which are appropriate or just outcomes for those holding Christian commitments.
Kinship Across Borders analyzes contemporary US immigration in the context of fundamental Christian beliefs about the human person, sin, family life, and global solidarity. Kristin Heyer expertly demonstrates how current US immigration policies reflect harmful neoliberal economic priorities, and why immigration cannot be reduced to security or legal issues alone. Rather, she explains that immigration involves a broad array of economic issues, trade policies, concerns of cultural tolerance and criminal justice, and, at root, an understanding of the human person.
In Kinship Across Borders, Heyer has developed a Christian immigration ethic—grounded in scriptural, anthropological, and social teachings and rooted in the experiences of undocumented migrants—that calls society to promote concrete practices and policies reflecting justice and solidarity.
The Martínez del Río family was a vigorous contestant in the highly politicized economy of early national Mexico. David Walker’s case study of its successes and failures provides a unique insider’s view of the trials and tribulations of doing business in a hostile environment. The family’s ordeal in Mexico—a series of personal dislocations and traumas—mirrored the painful contractions of an old society reluctantly giving birth to a new nation.
Using previously undiscovered primary source materials (including the private correspondence and business records of the family, public notary documents, transcripts of judicial proceedings, and the archives of Mexico’s Ministry of Foreign Relations and the British Foreign Office), Walker employs family history to analyze problems relating more generally to the development of state and society in newly independent Mexico.
The processes of socioeconomic formation in Mexico differed from those of Western Europe and the United States; accordingly, entrepreneurial activity had markedly contrasting implications for economic development and class formation. In the downwardly spiraling economy of nineteenth-century Mexico, economic activity was a zero-sum game. No new wealth was being created; most sectors remained stagnant and unproductive. To make their fortunes, empresarios, the Mexican capitalists, could not rely on income generated from authentic economic growth. Instead, they exploited the arbitrary acts of the interventionist Mexican state, which proscribed the free movement of factors within the marketplace. Speculation in the public debt took the place of more substantive undertakings. Coercive state power was diverted to create artificial environments in which otherwise inefficient and unproductive enterprises could flourish. But however well the empresarios might imitate the outward forms of industrial capitalism, they could not unlock the productive capacity of the Mexican economy. Instead, they and their allies and rivals engaged in destructive struggles to manipulate the state for personal gain, to the detriment of class interests, economic growth, and political stability.
Heroic figures such as Heracles, Perseus, and Jason were seen by the Greeks not as mythical figures but as real people who in a bygone age traveled the world, settled new lands, and left descendants who, generation after generation, could trace their ancestry back to the "time of heroes." From the Homeric age to Byzantium, peoples and nations sharing the same fictive ancestry appealed to their kinship when forging military alliances, settling disputes, or negotiating trade connections. In this intriguing study of the political uses of perceived kinship, Christopher Jones gives us an unparalleled view of mythic belief in action.
Throughout the centuries of Greek preeminence, the Roman Republic and Empire, and into the early Christian era, examples of kinship diplomacy abound. Ancient historians report, for instance, that when the forces of Alexander the Great reached what is now southern Pakistan they encountered a people called the Siboi, whom they judged to be descendants of Heracles. Since Alexander was himself a descendant of the same hero, the invading Macedonians and the Siboi were clearly kinsmen and so parted in peace. Examining the very origins of ancient diplomacy, and kinship as one of its basic constituents, Kinship Diplomacy addresses fundamental questions about communal and national identity and sheds new light on the force of Greek mythic traditions.
A chronicle of the renaissance in kinship studies, these seventeen articles pay tribute to Per Hage, one of the founding fathers of the movement and long-time faculty member of the Department of Anthropology at the University of Utah. With mathematician Frank Harary, Hage pioneered the use of graph theoretical models in anthropology, a systematic analysis of diverse cognitive, social, and cultural components that provides a common technical vocabulary for the entire field. Anthropological studies have benefited from quantitative evaluation, particularly kinship, which is newly appreciated for its application to all social sciences. The chapters of this book, some original works by the contributors and some unpublished Hage material, attest to the importance of the continual study of kinship.
In ancient Greece, interstate relations, such as in the formation of alliances, calls for assistance, exchanges of citizenship, and territorial conquest, were often grounded in mythical kinship. In these cases, the common ancestor was most often a legendary figure from whom both communities claimed descent.
In this detailed study, Lee E. Patterson elevates the current state of research on kinship myth to a consideration of the role it plays in the construction of political and cultural identity. He draws examples both from the literary and epigraphical records and shows the fundamental difference between the two. He also expands his study into the question of Greek credulity—how much of these founding myths did they actually believe, and how much was just a useful fiction for diplomatic relations? Of central importance is the authority the Greeks gave to myth, whether to elaborate narratives or to a simple acknowledgment of an ancestor. Most Greeks could readily accept ties of interstate kinship even when local origin narratives could not be reconciled smoothly or when myths used to explain the link between communities were only "discovered" upon the actual occasion of diplomacy, because such claims had been given authority in the collective memory of the Greeks.
Have women always been subordinated? If not, why and how did women’s subordination develop? Kinship to Kingship was the first book to examine in detail how and why gender relations become skewed when classes and the state emerge in a society.
Using a Marxist-feminist approach, Christine Ward Gailey analyzes women’s status in one society over three hundred years, from a period when kinship relations organized property, work, distribution, consumption, and reproduction to a class-based state society. Although this study focuses on one group of islands, Tonga, in the South Pacific, the author discusses processes that can be seen through the neocolonial world.
This ethnohistorical study argues that evolution from a kin-based society to one organized along class lines necessarily entails the subordination of women. And the opposite is also held to be true: state and class formation cannot be understood without analyzing gender and the status of women. Of interest to students of anthropology, political science, sociology, and women’s studies, this work is a major contribution to social history.
Kinship to Mastery is a fascinating and accessible exploration of the notion of biophilia -- the idea that humans, having evolved with the rest of creation, possess a biologically based attraction to nature and exhibit an innate affinity for life and lifelike processes. Stephen R. Kellert sets forth the idea that people exhibit different expressions of biophilia in different contexts, and demonstrates how our quality of life in the largest sense is dependent upon the richness of our connections with nature.
While the natural world provides us with material necessities -- food, clothing, medicine, clean air, pure water -- it just as importantly plays a key role in other aspects of our lives, including intellectual capacity, emotional bonding, aesthetic attraction, creativity, imagination, and even the recognition of a just and purposeful existence. As Kellert explains, each expression of biophilia shows how our physical, material, intellectual, emotional, and spiritual well-being is to a great extent dependent on our relationships with the natural world that surrounds us.
Kinship to Mastery is a thought-provoking examination of a concept that, while not widely known, has a significant and direct effect on the lives of people everywhere. Because the full expression of biophilia is integral to our overall health, our ongoing destruction of the environment could have far more serious consequences than many people think. In a readable and compelling style, Kellert describes and explains the concept of biophilia, and demonstrates to a general audience the wide-ranging implications of environmental degradation.
Kinship to Mastery continues the exploration of biophilia begun with Edward O. Wilson's landmark book Biophilia (Harvard University Press, 1984) and followed by The Biophilia Hypothesis (Island Press, 1993), co-edited by Wilson and Kellert, which brought together some of the most creative scientists of our time to explore Wilson's theory in depth.
Pioneers moving into Iowa in the nineteenth century created a distinctly rural culture: family, farm, church, and school were its dominant institutions. After decades of settlement, however, several lively and perceptive generations interpreted their political, economic, and cultural environment—their Iowa—much more imaginatively; they offered such abundant insight, understanding, meaning, and mission that they mentally and spiritually recreates Iowa. In Kinship with the Land historian Brad Burns celebrates this intense period of intellectual and cultural development.
Through their novels, short stories, poems, essays, drawings, and paintings, Iowa's regionalists expressed a rich abstraction of people and place. They conferred meaning, imparted understanding, defined the soil and the folk, conveyed a sense of place. Grant Wood in his overalls—the quintessential symbol of sophisticated talent and rural values—clearly represented regionalism's spiritual solidarity with the land and the people who worked it. Burns lets these Iowans speak for themselves, then interprets their distinctive voices to present a cogent case for and an understanding of the rural in an overwhelming urban America.
Kinship with the Land emphasizes the importance of Iowa's intellectual and cultural history and reaffirms the state's identity at the very moment that standardization threatened to eradicate it. By endowing Iowa with vibrant, independent art and literature, regionalists made refreshing sense of their environment. Readers from every state will appreciate their generous legacy.
Kinyras, in Greco-Roman sources, is the central culture-hero of early Cyprus: legendary king, metallurge, Agamemnon’s (faithless) ally, Aphrodite’s priest, father of Myrrha and Adonis, rival of Apollo, ancestor of the Paphian priest-kings, and much more. Kinyras increased in depth and complexity with the demonstration in 1968 that Kinnaru—the divinized temple-lyre—was venerated at Ugarit, an important Late Bronze Age city just opposite Cyprus on the Syrian coast. John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. Franklin addresses issues of ethnicity and identity; migration and colonization, especially the Aegean diaspora to Cyprus, Cilicia, and Philistia in the Early Iron Age; cultural interface of Hellenic, Eteocypriot, and Levantine groups on Cyprus; early Greek poetics, epic memory, and myth-making; performance traditions and music archaeology; royal ideology and ritual poetics; and a host of specific philological and historical issues arising from the collation of classical and Near Eastern sources.
Kinyras includes a vital background study of divinized balang-harps in Mesopotamia by Wolfgang Heimpel. This paperback edition contains minor corrections, while retaining the foldout maps of the original hardback edition as spreads, alongside illustrations and artwork by Glynnis Fawkes.
A CHOICE Outstanding Academic Book
For many Plains Indians, being a warrior and veteran has long been the traditional pathway to male honor and status. Men and boys formed military societies to celebrate victories in war, to perform community service, and to prepare young men for their role as warriors and hunters. By preserving cultural forms contained in song, dance, ritual, language, kinship, economics, naming, and other semireligious ceremonies, these societies have played an important role in maintaining Plains Indian culture from the pre-reservation era until today.
In this book, Williams C. Meadows presents an in-depth ethnohistorical survey of Kiowa, Apache, and Comanche military societies, drawn from extensive interviews with tribal elders and military society members, unpublished archival sources, and linguistic data. He examines their structure, functions, rituals, and martial symbols, showing how they fit within larger tribal organizations. And he explores how military societies, like powwows, have become a distinct public format for cultural and ethnic continuity.
Examining the place names, geographical knowledge, and cultural associations of the Kiowa from the earliest recorded sources to the present, Kiowa Ethnogeography is the most in-depth study of its kind in the realm of Plains Indian tribal analysis. Linking geography to political and social changes, William Meadows applies a chronological approach that demonstrates a cultural evolution within the Kiowa community.
Preserved in both linguistic and cartographic forms, the concepts of place, homeland, intertribal sharing of land, religious practice, and other aspects of Kiowa life are clarified in detail. Native religious relationships to land (termed "geosacred" by the author) are carefully documented as well. Meadows also provides analysis of the only known extant Kiowa map of Black Goose, its unique pictographic place labels, and its relationship to reservation-era land policies. Additional coverage of rivers, lakes, and military forts makes this a remarkably comprehensive and illuminating guide.
In this skillfully written essay on the fiction of imperialism, John McClure portrays the colonialist—his nature, aspirations, and frustrations—as perceived by Kipling and Conrad. And he relates these perceptions to the world and experiences of both writers.
In the stories of the 1880s, McClure shows, Kipling focuses with bitter sympathy on “the white man’s burden” in India, the strains produced by early exile, ignorance of India, and the interference of liberal bureaucrats in the business of rule. Later works, including The Jungle Book and Kim, present proposals for imperial education intended to eliminate these strains.
Conrad also explores the strains of colonial life, but from a perspective antithetical in many respects to Kipling’s. In the Lingard novels and Lord Jim he challenges the imperial image of the colonialist as a wise, benign father protecting his savage dependents. The pessimistic assessment of the colonialist’s motives and achievements developed in these works finds full expression, McClure suggests, in Heart of Darkness. And in Nostromo Conrad explores the human dimensions of large-scale capitalist intervention in the colonial world, finding once again no cause to celebrate imperialism.
John McClure’s interpretation is forceful but ever attuned to the complexities of the texts discussed.
At a time when the world is seeing its species rapidly go extinct, the Kirtland's warbler is not just a survivor, it's a rock star. The Kirtland's warbler is the rarest warbler species in North America and will always be rare because of its persnickety nesting preferences. But when the total population fell below 400 birds in the 1970s and 1980s---driven largely by a loss of habitat and the introduction of a parasite---a small group of dedicated biologists, researchers, and volunteers vowed to save the Kirtland's warbler despite long odds. This is the story of the warbler's survival and gradual recovery, the people and policies that kept it from extinction, and the ongoing challenges that may again jeopardize the bird's future.
In The Kirtland's Warbler, William Rapai explores the bird's fascinating natural history as well as the complex and evolving relationships between the warbler, its environment, its human protectors, and state and federal policies that today threaten to eradicate decades of work done on the species' behalf. Beginning with an account of the warbler's discovery in the mid-nineteenth century and ornithologists' desperate hunt for information on the elusive new species, the book goes on to examine the dramatic events that quickly led to the warbler's precarious status and its eventual emergence as a lightning rod for controversy.
The Kirtland's warbler is often described as a "bird of fire" for its preference for nesting in areas cleared by wildfire. But it also warrants the name for the passion it ignites in humans. Both tragic and uplifting, the story of this intriguing bird is a stirring example of how strong leadership, vision, commitment, sustained effort, and cooperation can come together to protect our natural world.
Learning the details of others' sex lives is the most enticing of guilty pleasures. We measure our own practices against the "normalcy" that sex surveys seek to capture. Special interest groups use or attack survey findings (such as the claim that 10% of Americans are gay) for their own ends. Indeed, we all have some stake in these surveys, be it self-justification, recrimination, or curiosity--and this testifies to their significance in our culture.
Kiss and Tell chronicles the history of sex surveys in the United States over a century of changing social and sexual mores. Julia Ericksen and Sally Steffen reveal that the survey questions asked, more than the answers elicited, expose and shape the popular image of appropriate sexuality. We can learn as much about the history and practice of sexuality by looking at surveyors' changing concerns as we can by reading the results of their surveys. The authors show how surveys have reflected societal anxieties about adolescent development, teen sex and promiscuity, and AIDS, and have been employed in efforts to preserve marriage and to control women's sexuality.
Kiss and Tell is an important examination of the role of social science in shaping American sexual patterns. Revealing how surveys of sexual behavior help create the issues they purport merely to describe, it reminds us how malleable and imperfect our knowledge of sexual behavior is.
Alexandra Chasin’s remarkable stories employ forms as diverse as cryptograms (in "ELENA=AGAIN") and sentence diagrams (in "Toward a Grammar of Guilt") to display her interest in fiction as al form constituted by print on the page, every bit as much as poetry.
In "They Come From Mars," the words are arrayed on the page like troops, embodying the xenophobic image of invading armies of immigrant and illegal aliens that animates the narrative. One story incorporates personal ads ("Lynette, Your Uniqueness"), another is organized alphabetically ("2 Alphabets"), while another leaves sentences unfinished ("Composer and I"). A number of stories take metafictional turns, calling attention to the process of writing itself. The last piece in the collection plays with genre distinctions, including an index of first lines and a general index. Set in New York, New England, Paris, and Morocco, these tales are narrated by men and women, old and young, gay, straight, and bisexual; one narrator is not a person at all, but a work of art. Each of these deft, playful, and sometimes anarchic fictions is different from the others,
yet all are the unmistakable offspring of the same wildly inventive imagination.
What does it mean to be instantly transformed into the most hated person in your community? After meeting Fidel Castro at a Havana reception in 1994, Cuban-born Magda Montiel Davis, founder of one of the largest immigration law firms in South Florida, soon found out. The reception—attended by hundreds of other Cuban émigrés—was videotaped for historical archives. In a seconds-long clip, Fidel pecks the traditional protocol kiss on Montiel Davis’s cheek as she thanks him for the social benefits conferred upon the Cuban people. The video, however, was mysteriously sold to U.S. reporters and aired incessantly throughout South Florida. Soon the encounter was an international cause célèbre.
Life as she knew it was over for Montiel Davis and her family, including a father who worked with the CIA to topple Fidel, a nohablo-inglés mother who lived with the family, her five children, and her Jewish Brooklyn-born attorney husband. Kissing Fidel shares the sometimes dismal, sometimes comical realities of an ordinary citizen being thrown into a world of death threats, mob attacks, and terrorism.
Throughout the world, the kitchen is the heart of family and community life. Yet, while everyone has a story to tell about their grandmother's kitchen, the myriad activities that go on in this usually female world are often devalued, and little scholarly attention has been paid to this crucial space in which family, gender, and community relations are forged and maintained. To give the kitchen the prominence and respect it merits, Maria Elisa Christie here offers a pioneering ethnography of kitchenspace in three central Mexican communities, Xochimilco, Ocotepec, and Tetecala.
Christie coined the term "kitchenspace" to encompass both the inside kitchen area in which everyday meals for the family are made and the larger outside cooking area in which elaborate meals for community fiestas are prepared by many women working together. She explores how both kinds of meal preparation create bonds among family and community members. In particular, she shows how women's work in preparing food for fiestas gives women status in their communities and creates social networks of reciprocal obligation. In a culture rigidly stratified by gender, Christie concludes, kitchenspace gives women a source of power and a place in which to transmit the traditions and beliefs of older generations through quasi-sacramental food rites.
From 1935 to 1939, the Peabody Museum sponsored an archaeological expedition at the ancient Pueblo and early Spanish colonial site of Awatovi on the Hopi Reservation in Arizona. The multidisciplinary project attracted professional and avocational scholars from a wide range of disciplines. Former lawyer Watson Smith was, at the time, an enthusiastic amateur archaeologist. He joined the expedition as a volunteer during the 1936 season and became one of its most productive researchers, as well as one of the Southwest's foremost archaeological scholars.
In this classic volume of the Peabody Museum Papers series, first published in 1952, Smith reported on the remarkable painted murals found at Awatovi and other Puebloan sites in the underground ceremonial chambers known as kivas. Now reissued in a stunning facsimile edition, the volume includes color reproductions of the original serigraphs by Louie Ewing. Smith's groundbreaking work first brought to public and scholarly attention the sacred wall-painting tradition of the aboriginal American Southwest. The aesthetic power and symbolic imagery of this artistic tradition still fascinates today. Archaeologists, art historians, collectors, and artists alike will welcome the return of this long out-of-print classic.
Stetson Kennedy’s infiltration and exposure of the KKK.
The 1950 espionage case of Klaus Fuchs, who betrayed British and American atomic secrets to the Soviet Union, touched off a witch hunt in the United States that led to the capture of the Rosenbergs and many other alleged spies. The case fueled the fires of national concern over communism, Soviet espionage, internal subversion, and security in the nuclear age. Robert C. Williams has tenaciously retraced Fuchs's trail from Nazi Germany to Britain, Canada, Los Alamos, and finally to Dresden, where Fuchs now lives the life of a successful retired nuclear physicist. In his search Williams has not only uncovered Fuchs's personal story but has also established that his espionage was part of a much larger Soviet effort to penetrate and control British intelligence.
Klaus Fuchs had access to the most highly classified secrets of the wartime Manhattan Project. Cleared eight times by British security, and consequently accepted without investigation by the Americans, Fuchs worked in a hermetic world of security through secrecy—a world whose rules he publicly defended and privately betrayed. He played his role carefully for almost a decade, passing classified information to Soviet intelligence through a German communist espionage ring that operated under the very nose of the British government during and after the war. As part of the secret Anglo-American bomb project, he brought to Britain—and gave to Russia—technological know-how that helped both countries develop their own A-bombs.
This first full-length portrait of Klaus Fuchs and his case, based in part on newly available American and British archives on the subject, is an exciting find for general readers in the history of science, espionage, World War II, and the Cold War. It will also be of high professional interest to historians and physicists.
As scholars have remarked, the word kleos in the Iliad and the Odyssey alike refers to something more substantive and complex than “fame” or “glory.” Kleos distinctly supposes an oral narrative—principally an “oral history,” a “life story” or ultimately an “oral tradition.” When broken down into its twin constituents, “words” and “actions” or “deeds,” a hero’s kleos serves to define him as a fully gendered social being.
This book is a meditation on this concept as expressed and experienced in the adult society Telemachos find himself in. Kleos is the yardstick by which his psychological change was appreciated by Homer’s audiences. As this book shows through philological and interdisciplinary analysis, Prince Telemachos grows up in the course of the Telemachy and arguably even beyond (in book 24): his education, which is conceived largely as an apprenticeship on land and sea, admits him gradually if unevenly to a full-fledged adult kleos—a kleos that nonetheless necessarily remains minor in comparison to that of his father and other elders.
A discerning analysis of the future effects of climate change on Russia, the major power most dependent on the fossil fuel economy.
Russia will be one of the countries most affected by climate change. No major power is more economically dependent on the export of hydrocarbons; at the same time, two-thirds of Russia’s territory lies in the arctic north, where melting permafrost is already imposing growing damage. Climate change also brings drought and floods to Russia’s south, threatening the country’s agricultural exports.
Thane Gustafson predicts that, over the next thirty years, climate change will leave a dramatic imprint on Russia. The decline of fossil fuel use is already underway, and restrictions on hydrocarbons will only tighten, cutting fuel prices and slashing Russia’s export revenues. Yet Russia has no substitutes for oil and gas revenues. The country is unprepared for the worldwide transition to renewable energy, as Russian leaders continue to invest the national wealth in oil and gas while dismissing the promise of post-carbon technologies. Nor has the state made efforts to offset the direct damage that climate change will do inside the country. Optimists point to new opportunities—higher temperatures could increase agricultural yields, the melting of arctic ice may open year-round shipping lanes in the far north, and Russia could become a global nuclear-energy supplier. But the eventual post-Putin generation of Russian leaders will nonetheless face enormous handicaps, as their country finds itself weaker than at any time in the preceding century.
Lucid and thought-provoking, Klimat shows how climate change is poised to alter the global order, potentially toppling even great powers from their perches.
Klondike Saga was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This is the story of the Monitor Gold Mining and Trading Company, an organization of sixteen Minnesotans who went to the Canadian Klondike region in the late 1890's to prospect for gold. It is based on diaries and letters written by the men during their venture. Most of the company members were of Scandinavian origin, recent immigrants to America, and a number of the letters were written to Nye Normanden, a Norwegian-language newspaper published in Minneapolis at the time.
The leader of the company, Lars Gunderson, was the grandfather of the late Carl L. Lokke, author of the book. Mr. Lokke, a historian, was chief of the foreign affairs branch of the National Archives at the time of his death in 1960.
This is the first book issued under a joint publishing arrangement between the University of Minnesota Press and the Norwegian-American Historical Association. It is Volume 7 in the association's Travel and Description Series. There is a preface by Kenneth O. Bjork, editor of the association, and Senator Ernest Gruening of Alaska writes a foreword.
Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.
Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."
In 1913 Charlie Birger began his career as a bootlegger, supplying southern Illinois with whiskey and beer. He was charismatic, with an easygoing manner and a cavalier generosity that made him popular. The stuff of legend, he was part monster, part Robin Hood. In the early days, he would emerge from his restaurant/saloon in tiny Ledford in Saline County with a cigar box full of coins and throw handfuls in the air for the children. Echoing the consensus on Birger, an anonymous gang member called him "enigmatic," noting that "he had a wonderful quality, a heart of gold. There in Harrisburg sometimes he'd support twelve or fifteen families, buy coal, groceries. . . . [But] he had cold eyes, a killer's eyes. He would kill you for something somebody else would punch you in the nose for."
Drawing from the colorful cast of the living, the dead, and the soon-to-be-dead—a state shared by many associated with Birger and his enemies, the Shelton gang—DeNeal re-creates Prohibition-era southern Illinois. He depicts the fatal shootout between S. Glenn Young and Ora Thomas, the battle on the Herrin Masonic Temple lawn in which six were slain and the Ku Klux Klan crushed, and the wounding of Williamson County state's attorney Arlie O. Boswell. As the gang wars escalated and the roster of corpses lengthened, the gangsters embraced technology. The Sheltons bombed Birger's roadhouse, Shady Rest, from a single-engine airplane. Both Birger and the Sheltons used armored vehicles to intimidate their enemies, and the chatter of machine gun fire grew common.
The gang wars ended with massive arrests, trials, and convictions of gangsters who once had seemed invincible. Charlie Birger was convicted of the murder of West City mayor Joe Adams and sentenced to death. On April 19, 1928, he stood on the gallows looking down on the large crowd that had come to see him die. "It's a beautiful world," Birger said softly as he prepared to leave it.
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