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Laboring Below the Line
The New Ethnography of Poverty, Low-Wage Work, and Survival in the Global Economy
Frank Munger
Russell Sage Foundation, 2002
As the distribution of wealth between rich and poor in the United States grew more and more unequal over the past twenty years, this economic gap assumed a life of its own in the popular culture. The news and entertainment media increasingly portrayed the lives of the poor with such stereotypes as the lazy welfare mother and the thuggish teen, offering Americans few ways to learn how the "other half" really lives. Laboring Below the Line works to bridge this gap by synthesizing a wide range of qualitative scholarship on the working poor. The result is a coherent, nuanced portrait of how life is lived below the poverty line, and a compelling analysis of the systemic forces in which poverty is embedded, and through which it is perpetuated. Laboring Below the Line explores the role of interpretive research in understanding the causes and effects of poverty. Drawing on perspectives of the working poor, welfare recipients, and marginally employed men and women, the contributors—an interdisciplinary roster of ethnographers, oral historians, qualitative sociologists, and narrative analysts—dissect the life circumstances that affect the personal outlook, ability to work, and expectations for the future of these people. For example, Carol Stack views the work aspirations of an Oakland teenager for whom a job is important, even though it strains her academic performance. And Ruth Buchanan looks at low-wage telemarketing workers who are attempting to move up the economic ladder while balancing family, education, and other important commitments. What emerges is a compelling picture of low-wage workers—one that illustrates the precarious circumstances of individuals struggling with the economic conditions and institutions that surround them Each chapter also explores the capacity for economic survival from a different angle, with ancillary commentary complementing the ethnographies with perspectives from other fields of study, such as economics. At this moment of governmental retrenchment, ethnography's complex, nonstereotypical portraits of individual people fighting against poverty are especially important. Laboring Below the Line reveals the ambiguities of real lives, the potential for individuals to change in unexpected ways, and the even greater intricacy of the collective life of a community.
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Laboring For Rights
edited by Gerald Hunt
Temple University Press, 1999
How do unions around the world respond to issues raised by sexual minorities? Much as been written on labor's response to issues raised by women and racial minorities, but there has been little work done on labor's engagement with gays, lesbians, bisexuals, and the transgendered. The original essays in this collection attempt to fill that void by bringing together a group of experts who examine labor's response to such issues as benefits for same-sex partners, anti-discrimination language in collective agreements, and education. Speaking from a variety of racial backgrounds, sexual orientations, and political views, the contributors bring their unique personal perspectives and scholarly approaches to this groundbreaking book.

The chapters included in Laboring for Rights give a global vision to the increasingly important subject of equity in the workplace. They offer a much-needed look at labor's involvement with current international workplace conditions from such diverse countries as the United States, Canada, Australia, Germany, Britain, France, the Netherlands, and South Africa, as well as parts of the South Pacific. Some of these countries have strong and progressive labor unions; some, like the U.S., have relatively weak labor organizations. But whatever the context, as these articles demonstrate, there seems to be a growing and in some instances prospering gay/lesbian labor alliance in many parts of the world.

Laboring for Rights is a pioneering text in an important new area of labor study. It will engage readers interested in equality in the workplace, labor and organizational studies, gay and lesbian activism, and international, comparative studies.
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Laboring in the Shadow of Empire
Race, Gender, and Care Work in Portugal
Celeste Vaughan Curington
Rutgers University Press, 2024

Laboring in the Shadow of Empire: Race, Gender and Care Work in Portugal examines the everyday lives of an African descendant care service workforce that labors in an ostensibly “anti-racial” Europe and against the backdrop of the Portuguese colonial empire. While much of the literature on global care work has focused on Asian and Latine migrant care workers, there is comparatively less research that explicitly examines African care workers and their migration histories to Europe. Sociologist Celeste V. Curington focuses on Portugal—a European setting with comparatively liberal policies around family settlement and naturalization for migrants. In this setting, rapid urbanization in the late twentieth century, along with a national push to reconcile work and family, have shaped the growth of paid home care and cleaning service industries. Many researchers focus on informal work settings where immigrant rights are restricted, and many workers are undocumented or without permanent residence status. Curington instead examined workers who have accessed citizenship or permanent residence status and also explores African women’s experiences laboring in care and service industries in the formal market, revealing how deeply colonial and intersectional logics of a racialized and international division of reproductive labor in Portugal render these women “hyper-invisible” and “hyper-visible” as “appropriate” workers in Lisbon.

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Laboring to Play
Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920
Melanie Dawson
University of Alabama Press, 2005
A compelling analysis of how "middling" Americans entertained themselves and how these entertainments changed over time.

The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles.

From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction.

Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.
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Labors Appropriate to Their Sex
Gender, Labor, and Politics in Urban Chile, 1900–1930
Elizabeth Quay Hutchison
Duke University Press, 2001
In Labors Appropriate to Their Sex Elizabeth Quay Hutchison addresses the plight of working women in early twentieth-century Chile, when the growth of urban manufacturing was transforming the contours of women’s wage work and stimulating significant public debate, new legislation, educational reform, and social movements directed at women workers. Challenging earlier interpretations of women’s economic role in Chile’s industrial growth, which took at face value census figures showing a dramatic decline in women’s industrial work after 1907, Hutchison shows how the spread of industrial sweatshops and changing definitions of employment in the census combined to make female labor disappear from census records at the same time that it was in fact burgeoning in urban areas.

In addition to population and industrial censuses, Hutchison culls published and archival sources to illuminate such misconceptions and to reveal how women’s paid labor became a locus of anxiety for a society confronting social problems—both real and imagined—that were linked to industrialization and modernization. The limited options of working women were viewed by politicians, elite women, industrialists, and labor organizers as indicative of a society in crisis, she claims, yet their struggles were also viewed as the potential springboard for reform. Labors Appropriate to Their Sex thus demonstrates how changing norms concerning gender and work were central factors in conditioning the behavior of both male and female workers, relations between capital and labor, and political change and reform in Chile.

This study will be rewarding for those whose interests lie in labor, gender, or Latin American studies; as well as for those concerned with the histories of early feminism, working-class women, and sexual discrimination in Latin America.

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Labor's End
How the Promise of Automation Degraded Work
Jason Resnikoff
University of Illinois Press, 2022
Labor's End traces the discourse around automation from its origins in the factory to its wide-ranging implications in political and social life. As Jason Resnikoff shows, the term automation expressed the conviction that industrial progress meant the inevitable abolition of manual labor from industry. But the real substance of the term reflected industry's desire to hide an intensification of human work--and labor's loss of power and protection--behind magnificent machinery and a starry-eyed faith in technological revolution. The rhetorical power of the automation ideology revealed and perpetuated a belief that the idea of freedom was incompatible with the activity of work. From there, political actors ruled out the workplace as a site of politics while some of labor's staunchest allies dismissed sped-up tasks, expanded workloads, and incipient deindustrialization in the name of technological progress.

A forceful intellectual history, Labor's End challenges entrenched assumptions about automation's transformation of the American workplace.

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Labor's Lot
The Power, History, and Culture of Aboriginal Action
Elizabeth A. Povinelli
University of Chicago Press, 1994
How does an Aboriginal community see itself, its work, and its place on the land? Elizabeth Povinelli goes to the Belyuen community of northern Australia to show how it draws from deep connections between labor, language, and the landscape. Her findings challenge Western notions of "productive labor" and longstanding ideas about the role of culture in subsistence economies.

In Labor's Lot, Povinelli shows how everyday activities shape Aboriginal identity and provide cultural meaning. She focuses on the Belyuen women's interactions with the countryside and on Belyuen conflicts with the Australian government over control of local land. Her analysis raises serious questions about the validity of Western theories about labor and culture and their impact on Aboriginal society.

Povinelli's focus on women's activities provides an important counterpoint to recent works centering on male roles in hunter-gatherer societies. Her unique "cultural economy" approach overcomes the dichotomy between the two standard approaches to these studies. Labor's Lot will engage anyone interested in indigenous peoples or in the relationship between culture and economy in contemporary social practice.
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Labor's Love Lost
The Rise and Fall of the Working-Class Family in America
Andrew J. Cherlin is the Benjamin H. Griswold III Professor of Public Policy in the Department of Sociology at the Johns Hopkins University.
Russell Sage Foundation, 2014
Two generations ago, young men and women with only a high-school degree would have entered the plentiful industrial occupations which then sustained the middle-class ideal of a male-breadwinner family. Such jobs have all but vanished over the past forty years, and in their absence ever-growing numbers of young adults now hold precarious, low-paid jobs with few fringe benefits. Facing such insecure economic prospects, less-educated young adults are increasingly forgoing marriage and are having children within unstable cohabiting relationships. This has created a large marriage gap between them and their more affluent, college-educated peers. In Labor’s Love Lost, noted sociologist Andrew Cherlin offers a new historical assessment of the rise and fall of working-class families in America, demonstrating how momentous social and economic transformations have contributed to the collapse of this once-stable social class and what this seismic cultural shift means for the nation’s future. Drawing from more than a hundred years of census data, Cherlin documents how today’s marriage gap mirrors that of the Gilded Age of the late-nineteenth century, a time of high inequality much like our own. Cherlin demonstrates that the widespread prosperity of working-class families in the mid-twentieth century, when both income inequality and the marriage gap were low, is the true outlier in the history of the American family. In fact, changes in the economy, culture, and family formation in recent decades have been so great that Cherlin suggests that the working-class family pattern has largely disappeared. Labor's Love Lost shows that the primary problem of the fall of the working-class family from its mid-twentieth century peak is not that the male-breadwinner family has declined, but that nothing stable has replaced it. The breakdown of a stable family structure has serious consequences for low-income families, particularly for children, many of whom underperform in school, thereby reducing their future employment prospects and perpetuating an intergenerational cycle of economic disadvantage. To address this disparity, Cherlin recommends policies to foster educational opportunities for children and adolescents from disadvantaged families. He also stresses the need for labor market interventions, such as subsidizing low wages through tax credits and raising the minimum wage. Labor's Love Lost provides a compelling analysis of the historical dynamics and ramifications of the growing number of young adults disconnected from steady, decent-paying jobs and from marriage. Cherlin’s investigation of today’s “would-be working class” shines a much-needed spotlight on the struggling middle of our society in today’s new Gilded Age.
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Labor's Mind
A History of Working-Class Intellectual Life
Tobias Higbie
University of Illinois Press, 2019
Business leaders, conservative ideologues, and even some radicals of the early twentieth century dismissed working people's intellect as stunted, twisted, or altogether missing. They compared workers toiling in America's sprawling factories to animals, children, and robots. Working people regularly defied these expectations, cultivating the knowledge of experience and embracing a vibrant subculture of self-education and reading. Labor's Mind uses diaries and personal correspondence, labor college records, and a range of print and visual media to recover this social history of the working-class mind. As Higbie shows, networks of working-class learners and their middle-class allies formed nothing less than a shadow labor movement. Dispersed across the industrial landscape, this movement helped bridge conflicts within radical and progressive politics even as it trained workers for the transformative new unionism of the 1930s. Revelatory and sympathetic, Labor's Mind reclaims a forgotten chapter in working-class intellectual life while mapping present-day possibilities for labor, higher education, and digitally enabled self-study.
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Labors of Fear
The Modern Horror Film Goes to Work
Edited by Aviva Briefel and Jason Middleton
University of Texas Press, 2023

How work and capitalism inspire horror in modern film.

American ideals position work as a source of pride, opportunity, and meaning. Yet the ravages of labor are constant grist for horror films. Going back decades to the mad scientists of classic cinema, the menial motel job that prepares Norman Bates for his crimes in Psycho, and the unemployed slaughterhouse workers of The Texas Chain Saw Massacre, horror movies have made the case that work is not so much a point of pride as a source of monstrosity.

Editors Aviva Briefel and Jason Middleton assemble the first study of horror’s critique of labor. In the 1970s and 1980s, films such as The Shining and Dawn of the Dead responded to deindustrialization, automation, globalization, and rising numbers of women in the workforce. Labors of Fear explores these critical issues and extends them in discussions of recent works such as The Autopsy of Jane Doe, Midsommar, Survival of the Dead, It Follows, Get Out, and Us. Covering films ranging from the 1970s onward, these essays address novel and newly recognized modes and conditions of labor: reproductive labor, emotion work and emotional labor, social media and self-branding, intellectual labor, service work, precarity, and underemployment. In its singular way, horror continues to make spine-tingling sense of what is most destructive in the wider sociopolitical context of US capitalism.

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Labors of Innocence in Early Modern England
Joanna Picciotto
Harvard University Press, 2010

In seventeenth-century England, intellectuals of all kinds discovered their idealized self-image in the Adam who investigated, named, and commanded the creatures. Reinvented as the agent of innocent curiosity, Adam was central to the project of redefining contemplation as a productive and public labor. It was by identifying with creation’s original sovereign, Joanna Picciotto argues, that early modern scientists, poets, and pamphleteers claimed authority as both workers and “public persons.”

Tracking an ethos of imitatio Adami across a wide range of disciplines and devotions, Picciotto reveals how practical efforts to restore paradise generated the modern concept of objectivity and a novel understanding of the author as an agent of estranged perception. Finally, she shows how the effort to restore Adam as a working collective transformed the corpus mysticum into a public. Offering new readings of key texts by writers such as Robert Hooke, John Locke, Andrew Marvell, Joseph Addison, and most of all John Milton, Labors of Innocence in Early Modern England advances a new account of the relationship between Protestantism, experimental science, the public sphere, and intellectual labor itself.

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Labor's Outcasts
Migrant Farmworkers and Unions in North America, 1934-1966
Andrew J. Hazelton
University of Illinois Press, 2022
In the mid-twentieth century, corporations consolidated control over agriculture on the backs of Mexican migrant laborers through a guestworker system called the Bracero Program. The National Agricultural Workers Union (NAWU) attempted to organize these workers but met with utter indifference from the AFL-CIO. Andrew J. Hazelton examines the NAWU's opposition to the Bracero Program against the backdrop of Mexican migration and the transformation of North American agriculture. His analysis details growers’ abuse of the program to undercut organizing efforts, the NAWU's subsequent mobilization of reformers concerned by those abuses, and grower opposition to any restrictions on worker control. Though the union's organizing efforts failed, it nonetheless created effective strategies for pressuring growers and defending workers’ rights. These strategies contributed to the abandonment of the Bracero Program in 1964 and set the stage for victories by the United Farm Workers and other movements in the years to come.
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Labor's Story In The United States
Philip Nicholson
Temple University Press, 2004
In this, the first broad historical overview of labor in the United States in twenty years, Philip Nicholson examines anew the questions, the villains, the heroes, and the issues of work in America. Unlike recent books that have covered labor in the twentieth century, Labor's Story in the United States looks at the broad landscape of labor since before the Revolution. In clear, unpretentious language, Philip Yale Nicholson considers American labor history from the perspective of institutions and people: the rise of unions, the struggles over slavery, wages, and child labor, public and private responses to union organizing. Throughout, the book focuses on the integral relationship between the strength of labor and the growth of democracy, painting a vivid picture of the strength of labor movements and how they helped make the United States what it is today. Labor's Story in the United States will become an indispensable source for scholars and students.
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Labor's Text
The Worker in American Fiction
Hapke, Laura
Rutgers University Press, 2000
Labor's Text charts how the worker has been portrayed and often misrepresented in American fiction. Laura Hapke offers hundreds of depictions of wage earners: from fiction on the early artisan "aristocrats" to the Gilded Age's union-busting novelists to the year 2000's marginalized, apolitical men and women. Whether the authors discussed are pro- or anti-labor, Hapke illuminates the literary, historical, and intellectual contexts in which their fiction was produced and read.
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Labor's Time
Shorter Hours, The Uaw, And The
Jonathan Cutler
Temple University Press, 2004
The movement for a shorter workweek that once defined the labor movement in the United States was largely displaced by the new corporatist structure of organized labor in the post-New Deal era. Labor's Time examines the changes that occurred within organized labor and traces their influence on the decline of the shorter hours movement. Focusing on the internal union politics of the influential United Automobile Workers and Local 600, its chapter at Henry Ford's massive River Rouge factory, Jonathan Cutler demonstrates how an all-but-forgotten interracial movement for a shorter workweek during the 1950s and 1960s became a casualty of an increasingly top-heavy union bureaucracy that lost touch with the desires, fears, and aspirations of rank and file workers and dug its own grave in the process. Jonathan Cutler examines the political context in which the shorter hours movement emerged within Local 600 in the 1940s, then chronicles the attempts by Walter Reuther, the head of the UAW, to suppress it. Cutler also reviews the role the Communist Party played in the controversy. Finally, he documents the UAW response to rank and file pressure for a shorter workweek, and how the local's own organizational flaws allowed Reuther and the national union to wrest control from the dissidents. Fresh and boldly written, Labor's Time recreates a moment when unions—as a movement, not as an amalgam of leaders—could have transformed the landscape of work in the United States.
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Labor'S War At Home
The Cio In World War Ii
Nelson Lichtenstein
Temple University Press, 2003
Labor's War at Home examines a critical period in American politics and labor history, beginning with the outbreak of war in Europe in 1939 through the wave of major industrial strikes that followed the war and accompanied the reconversion to a peacetime economy. Nelson Lichtenstein is concerned both with the internal organizations and social dynamics of the labor movement—especially the Congress of Industrial Organizations—and with the relationship between the CIO, as well as other bodies of organized labor, and the Roosevelt administration. He argues that tensions within the labor movement and within the ranks of American business profoundly affected government policy during the war and the nature of organized labor's political relations with Roosevelt and the Democratic Party. Moreover, the political arrangements worked out during the war established the foundations of social stability and labor politics that came to characterize the postwar world.
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Labour and Partition
The Belfast Working Class 1905-1923
Austen Morgan
Pluto Press, 1987

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Labour and the Challenges of Globalization
What Prospects for Transnational Solidarity?
Andreas Bieler, Ingemar Lindberg and Devan Pillay
Pluto Press, 2008
This book examines the main challenges facing the world labor force and possible responses from trade unions.



The working classes across the world are feeling the effects of globalization and the race to the bottom that it encourages. Core jobs for workers in the developed world are being outsourced to countries where pay and conditions are terrible and union membership is often forbidden. Much of the work of the world economy is now taking place in a burgeoning informal sector, making worldwide organization of labor very difficult.



Case studies from 11 different countries, including China, Germany, Canada and South Africa, illustrate what is happening and show how workers and trade unions can successfully adapt to the neoliberal world.

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Labour in a Single Shot
Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project
Roy Grundmann
Amsterdam University Press, 2022
This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.
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Labour Migration in Malaysia and Spain
Markets, Citizenship and Rights
Blanca Garcés-Mascareñas
Amsterdam University Press, 2012

This study confronts the double paradox of state-regulated labor migration: while markets benefit from open borders that allow them to meet the demand for migrant workers, the boundaries of citizenship impose a degree of limitation on cross-border migration. At the same time, the exclusivity of citizenship requires closed membership, yet civil and human rights undermine the state’s capacity to exclude foreigners once they are inside the country. By considering how Malaysia and Spain have responded to the demand for foreign labor, this book analyzes the unavoidable clash of markets, citizenship, and rights. 

 
 “This truly comparative book will become a standard work in the field. It opens new research venues, with major implications for a state migration control theory that has too long been Atlanto-centred.”—Leo Lucassen, Leiden University


 

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Labour's Civil Wars
How Infighting has Kept the Left from Power (and What Can Be Done About It)
Patrick Diamond and Giles Radice
Haus Publishing, 2023
A compelling chronicle of the Labour Party’s perpetual internal divisions.
 
The biblical adage that “if a house be divided against itself, that house cannot stand” remains sound theological advice. It is also essential counsel for any political party that aspires to win elections. When a party is riven with division, the public does not know what it stands for. Though both major UK parties have been subject to internal conflict over the years, the Labour Party has been more prone to damaging splits. The divide exposed by the Corbyn insurgency is only the most recent example in almost a century of destructive infighting. Indeed, it has often seemed as though Labour has been more adept at fighting itself than in defeating the Tory party. This book examines the history of Labour’s civil wars and the underlying causes of the party’s schisms, from the first split of 1931, engineered by Ramsay MacDonald, to the ongoing battle for the future between the incumbent, Keir Starmer, and those who fundamentally altered the party’s course under his predecessor, Jeremy Corbyn.
 
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The Labyrinths Of Literacy
Reflections On Literacy Past And Present
Harvey Graff
University of Pittsburgh Press, 1995
A compelling collection by one of the pioneers of revisionist approaches to the history of literacy in North America and Europe, The Labyrinths of Literacy offers original and controversial views on the relation of literacy to society, leading the way for scholars and citizens who are willing to question the importance and function of literacy in the development of society today.
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Lacan
Malcolm Bowie
Harvard University Press

The French psychoanalyst Jacques Lacan (1901–1981) is a uniquely complex writer and the originator of an especially unsettling view of the human subject. But the singularity of Lacan’s achievement has been understated by many of his critics. Often he is seen merely as a figure famous for being famous—an essential reference point in structuralist and poststructuralist debate—rather than as a theorist whose writings demand and reward detailed scrutiny.

Malcolm Bowie traces the development of Lacan’s ideas over the fifty-year span of his writing and teaching career. The primary focus is on the fascinating mutations in Lacan’s interpretation of Freud. Bowie reinserts the celebrated slogans—“The unconscious is the discourse of the Other,” “The unconscious is structured like a language,” and so forth—into the history of Lacan’s thinking, and pinpoints the paradoxes and anomalies that mark his account of human sexuality. This book provides a firm basis for the critical evaluation of Lacan’s ideas and the rhetoric in which they are embedded; it is based on a close reading of Lacan’s original texts but presupposes no knowledge of French in the reader.

Although Bowie is sharply critical of Lacan on several major analytic questions, he argues that Lacan is the only psychoanalyst after Freud whose intellectual achievement is seriously comparable to Freud’s own. Lacan provides the ideal starting point for any exploration of the work of this formidable thinker.

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Lacan in Public
Psychoanalysis and the Science of Rhetoric
Christian Lundberg
University of Alabama Press, 2012

Lacan in Public argues that Lacan’s contributions to the theory of rhetoric are substantial and revolutionary and that rhetoric is, in fact, the central concern of Lacan’s entire body of work.

Scholars typically cite Jacques Lacan as a thinker primarily concerned with issues of desire, affect, politics, and pleasure. And though Lacan explicitly contends with some of the pivotal thinkers in the field of rhetoric, rhetoricians have been hesitant to embrace the French thinker both because his writing is difficult and because Lacan’s conception of rhetoric runs counter to the American traditions of rhetoric in composition and communication studies.

Lacan’s conception of rhetoric, Christian Lundberg argues in Lacan in Public, upsets and extends the received wisdom of American rhetorical studies—that rhetoric is a science, rather than an art; that rhetoric is predicated not on the reciprocal exchange of meanings, but rather on the impossibility of such an exchange; and that rhetoric never achieves a correspondence with the real-world circumstances it attempts to describe.

As Lundberg shows, Lacan’s work speaks directly to conversations at the center of current rhetorical scholarship, including debates regarding the nature of the public and public discourses, the materiality of rhetoric and agency, and the contours of a theory of persuasion.
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Lacan To The Letter
Reading Ecrits Closely
Bruce Fink
University of Minnesota Press, 2004

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Lacandon Maya-Spanish-English Dictionary
Charles A Hofling
University of Utah Press, 2014
Around 1700 AD the Lacandon Maya took refuge in the forest lowlands of Chiapas, Mexico, and in western Petén, Guatemala. They were never conquered by the Spanish and thus maintained many of their cultural practices well into the twentieth century. Their language belongs to the Yucatecan branch of the Maya language, a branch that is believed to have begun to diversify at least one thousand years ago. Today the Lancandon are split into northern and southern linguistic groups. This dictionary focuses on the southern Lacandon of Lacanjá.
     Following the same trilingual format as Hofling’s Mopan Maya-Spanish-English Dictionary, this reference contains pronunciation and grammatical information. It is a hybrid of a root dictionary and one with words in alphabetical order; words can be looked up in these two different ways, making it easy to use for both native and nonnative speakers. It also accommodates Spanish speakers who wish to learn Lacandon, and in the future is likely to be helpful to Lacandon-speaking children, who increasingly use Spanish outside the home, while preserving a record of this indigenous language. 
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Lacemakers
Claire McQuerry
Southern Illinois University Press, 2012
In Lacemakers, Claire McQuerry investigates the timeless questions of relationships, of loss and longing, and of environment both natural and manmade. This informal yet haunting collection juxtaposes a myriad of perspectives—public and personal, interior and exterior, sacred and secular—to explore the fathomless mysteries that abound between one human and another. From the metallic hum of the air conditioner to the thrumming of quail wings in the Arizona desert, from the necklace of brake lights on the freeway to the more dangerous and intimate highways of the human heart, McQuerry explores the impact of our environments, both urban and natural, on humankind. Spirituality clashes with modernity in the holiest of places, and we are relentlessly confronted with the irreconcilable otherness of our fellow man. Above all, Lacemakers returns obsessively to separations, offering searing insight into our inability to truly know another person, meditating on the subtle abysses that eternally divide us from others.
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Laches. Protagoras. Meno. Euthydemus
Plato
Harvard University Press

On virtue in education and argumentation.

Plato, the great philosopher of Athens, was born in 427 BC. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates’ execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of “advanced” democracy is obvious. He lived to be 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates’ mind fused with Plato’s thought.

In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city’s thought, and his fate is impending. The Apology (not a dialogue), Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness (and involves education, equality of the sexes, the structure of society, and abolition of slavery). Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato’s last work, Laws, a critical discussion of principles of law which Plato thought the Greeks might accept.

The Loeb Classical Library edition of Plato is in twelve volumes.

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The Lacquer Screen
A Chinese Detective Story
Robert van Gulik
University of Chicago Press, 1962
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.

"One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."-—New York Times Book Review

"Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."-—The Spectator

"So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."-—New York Times

Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.
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A Ladder of Cranes
Tom Sexton
University of Alaska Press, 2015
Whether watching men releasing caged birds at dawn in New York City or a ladder of cranes rising from a field in Manitoba, Tom Sexton is a keen observer of the interconnectedness of the natural and human worlds. The former Alaska poet laureate takes to the road in this new collection, wending a lyrical and at times mystical path between Alaska and New England.
Travelers along the way include the fabled wolf of Gubbio, old and lame and long past his taming encounter with Saint Francis of Assisi, and Chinese poet Li Bai chanting to a Yangtze River dolphin. Yet, while Sexton’s journey crosses borders—and occasionally centuries—his ultimate destination is always the landscape and people of Alaska. A Ladder of Cranes showcases Sexton’s mastery of both traditional forms and free verse. The tensions of his formal influences, Chinese and European, force the reader to experience these spare lines and tight observations in stunning new ways.
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The Ladder
Poems
Alan Michael Parker
Tupelo Press, 2016
Whether about the moon or hotel sex, politics or poppy seeds, Alan Michael Parker’s poems are always tender and eccentric and nuanced. In his eighth collection, with metaphysical fortitude the poet continues to deliberate—in all sorts of poems, some unpunctuated, some in prose, and some the first-person lyrics well loved by his longtime readers—upon what our daily lives mean. And how do we sing and praise and grieve all at once?
[more]

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Ladders to Fire
Anaïs Nin
Ohio University Press, 2014

Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other. Nin herself memorably claimed that “it was the fiction writer who edited the diary.”

Ladders to Fire is the first book of Nin’s continuous novel, Cities of the Interior, which also includes Children of the Albatross,The Four-Chambered Heart,A Spy in the House of Love, and Seduction of the Minotaur. These loosely interlinked stories develop the characters and themes established in the first volume, leading slowly toward a resolution of inner turmoil and conflict.

This Swallow Press reissue of Ladders to Fire includes a new introduction by Nin scholar Benjamin Franklin V, as well as Gunther Stuhlmann’s classic foreword to the 1995 edition.

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Ladders To Fire
New Expanded Edition
Anaïs Nin
Ohio University Press, 1959

After struggling with her own press and printing her own works, Anaïs Nin succeeded in getting Ladders to Fire accepted and published in 1946. This recognition marked a milestone in her life and career. Admitted into the fellowship of American novelists, she maintained the individuality of her literary style. She resisted realistic writing and drew on the experience and intuitions of her diary to forge a novelistic style emphasizing free association, the language of emotion, spontaneity, and improvisation.

Ladders to Fire is the first volume of Nin’s celebrated series of novels called Cities of the Interior

For Anaïs Nin, her writing and her life were not separable, they were both part of the same experience. She claimed that “is it the fiction writer who edited the diary.”

Anaïs Nin continues to find an audience, whether for her fiction, her diaries, or her own life story, which has enjoyed the attention of biographers and filmmakers. This 1995 reissue of Ladders to Fire has a new cover and foreword.

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Ladie Borlase's Receiptes Booke
David E. Schoonover
University of Iowa Press, 1998
Ladie Borlaise's Receiptes Booke, an English manorial and culinary manuscript, has been in existence for at least 333 years. This manuscript, bearing dates from 1665 to 1822, provides a unique compendium of culinary history that opens a window to the aristocratic, social, agricultural, horticultural, economic, and medicinal aspects of English country life.
The Borlase manuscript is a kind of miscellany. Included are recipes not only for all kinds of foods but also for distilled waters, remedies, dyes, soaps, and perfumes. A housewife of that period was responsible for keeping her family healthy and her house clean and sweet smelling, and so the manuscript features directions for preparing medicinal “oyles,” waters, “glysters,” powders, “ballsoms,”a “true Majistery,” and a julep, with healing powers for a number of ailments from apoplexy and gout to cancer and the plague.
The cookery recipes concentrate almost entirely on sweets and meats with only a few mentions of vegetables. More than half of the recipes included in this manuscript are for sweets. This was important as sugar was entering Britain in greater quantities and because people believed in sugar's supposed health benefits. Several recipes for preserved fruits reflect a changing diet and appetite among the British as the availability of fruits and vegetables increased in both quantity and variety.
David Schoonover's informative introduction places the Borlase manuscript in its historical context with special attention to the economic and social changes of the sixteenth and seventeenth centuries, which brought about a new emphasis on housewifery and the management of households. He also provides a brief summary of the Borlase family history—born in 1621, Alice Bankes, Lady Borlase, died in 1683 at the age of sixty-two years—and a description of their home at Bockmer Manor at Medmenham, Buckinghamshire.
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Ladies & Gentleman, The Original Music
Of The Hebrew Alphabet And Weekend In Mustarra
Curt Leviant
University of Wisconsin Press, 2002
Filled with Curt Leviant's signature blend of humor and drama, these two enchanting and original novellas lure readers into a dazzling storybook world.
    "Ladies and Gentlemen, the Original Music of the Hebrew Alphabet" is set in Budapest during the Communist era. The story focuses on the tenuous seesaw between Dr. Isaac Gantz, a musicologist, and engineer Ferdinand Friedman, a Holocaust survivor who believes that he possesses one of the greatest manuscripts of the ages, a Rosetta Stone of Judaica. Friedman is willing to share it—but there is a "but." In pursuing this prize, Gantz enters a world of strange human relationships filled with doubts and surprises. A vibrant cast of characters adds dimension to this gripping story in which Jewish folklore, music, and history coalesce.
    "Weekend in Mustara" unfolds on the fictional island of Mustara in southern Europe, a mountainous, totalitarian country that tolerates Judaism. Its few Jews cling to their heritage, embodied in their beautiful but sparsely attended synagogue and their museum, where a great memorial book is inscribed with the names of all Mustara Jews martyred during World War II. A scholar of medieval Hebrew manuscripts comes to the island, searching for traces of Yehuda Halevi, the great Hebrew poet of the Spanish Golden Age. He is soon enmeshed among elusive personalities and tangled loyalties, but only when he finds himself displaced in time—in a kind of theater of the absurd—are the purposes of his journey finally realized.
[more]

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Ladies and Gents
Public Toilets and Gender
edited by Olga Gershenson and Barbara Penner, foreword by Judith Plaskow, afterword by Peter Greenaway
Temple University Press, 2009

Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as gendered spaces.

Ladies and Gents consists of two sets of essays. The first, "Potty Politics: Toilets, Gender and Identity," establishes the importance of accessible, secure public toilets to the creation of inclusive cities, work, and learning environments. The second set of essays, "Toilet Art: Design and Cultural Representations," discusses public toilets as spaces of representation and representational spaces, with reference to architectural design, humor, film, theater, art, and popular culture. Compelling visual materials and original artwork are included throughout, depicting subjects as varied as female urinals, art installations sited in public restrooms, and the toilet in contemporary art.

Taken together, these seventeen essays demonstrate that public toilets are often sites where gendered bodies compete for resources and recognition—and the stakes are high.

Contributors include: Nathan Abrams, Jami L. Anderson, Johan Andersson, Kathryn H. Anthony, Kathy Battista, Andrew Brown-May, Ben Campkin, Meghan Dufresne, Peg Fraser, Deborah Gans, Clara Greed, Robin Lydenberg, Claudia Mitchell, Alison Moore, Frances Pheasant-Kelly, Bushra Rehman, Alex Schweder, Naomi Stead, and the editors.

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Ladies Errant
Wayward Women and Social Order in Early Modern Italy
Deanna Shemek
Duke University Press, 1998
The issue of a woman’s place—and the possibility that she might stray from it—was one of early modern Italy’s most persistent social concerns. Ladies Errant takes as its starting point the vast literature of this era devoted to the proper conduct and education of women. Deanna Shemek uses this foundation to present the problem of wayward feminine behavior as it was perceived to threaten male identity and social order in the artistic and intellectual articulations of the Italian Renaissance.
Seeing errancy as an act of resistance rather than of error, Shemek carries her study beyond the didactic and prescriptive literature on femininity in early modern Italy to an arena in which theories about femininity are considered jointly with real and fictional instances of women’s waywardness. As prostitutes, warriors, lovers, and poets, the women of Shemek’s study are found in canonical texts, marginal works, and popular artistic activity, appearing, for instance, in literature, paintings, legal proceedings, and accounts of public festivals. By juxtaposing these varied places of errancy—from Ariosto’s chivalric Orlando furioso to the prostitutes’ race in the Palio di San Giorgio—Shemek points to the important contact between elite and popular cultures in early modernity, revealing the strength and flexibility of a gender boundary fundamental to early modern conceptions of social order.
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The Ladies' Etiquette Handbook
The Importance of Being Refined in the 1880s
David E. Schoonover
University of Iowa Press, 2001
Prior to the late nineteenth century, most Americans viewed dining as a utilitarian duty characterized by common “meat and potato” dishes and complemented by little, if any, polite conversation. With the boom in industrialism and the sudden growth of the middle class in the 1880s, America's interest in social etiquette rose dramatically.
Consisting of two separate publications—The Ladies' Handbook and Household Assistant(1886) and Short Hints on Social Etiquette (1887)—The Ladies' Etiquette Handbook can be read as a testament to the growing division between social classes and, at the same time, as a reflection of the middle class' overwhelming desire to cross social lines through the graces of fine etiquette.
Written by a Methodist women's church group in Manchester, New Hampshire, The Ladies' Handbook and Household Assistant provides advice on subjects such as church etiquette and the proper handling of cutlery as well as recipes for the socially active household. Short Hints on Social Etiquette, published as a promotional piece by a Philadelphia soap manufacturer—including descriptions of lavish meals, advice on proper word pronunciation, and illustrations of tasteful calling cards—strives to bring “aristocratic” values into the “republican” home.
The foreword by Kenneth Cmiel, professor of history at the University of Iowa, provides an overview of the historic and social trends leading up to the publication of both handbooks and traces the creation and ultimate development of modern social etiquette.
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Ladies of Honor and Merit
Gender, Useful Knowledge, and Politics in Enlightened Spain
Elena Serrano
University of Pittsburgh Press, 2022

In the late eighteenth century, enlightened politicians and upper-class women in Spain debated the right of women to join one of the country’s most prominent scientific institutions: the Madrid Economic Society of Friends of the Country. Societies such as these, as Elena Serrano describes in her book, were founded on the idea that laypeople could contribute to the advancement of their country by providing “useful knowledge,” and their fellows often referred to themselves as improvers, or friends of the country. After intense debates, the duchess of Benavente, along with nine distinguished ladies, claimed, won, and exercised the right of women to participate in shaping the future of their nation by inaugurating the Junta de Damas de Honor y Mérito, or the Committee of Ladies of Honor and Merit. Ten years later, the Junta established a network of over sixty correspondents extending from Tenerife to Asturias and Austria to Cuba. With this book, Serrano tells the unknown story of how the duchess and her peers—who succeeded in creating the only known female branch among some five hundred patriotic societies in the eighteenth century—shaped Spanish scientific culture. Her study reveals how the Junta, by stressing the value of their feminine nature in their efforts to reform education, rural economy, and the poor, produced and circulated useful knowledge and ultimately crystallized the European improvement movement in Spain within an otherwise all-male context.

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Ladies of the Canyons
A League of Extraordinary Women and Their Adventures in the American Southwest
Lesley Poling-Kempes
University of Arizona Press, 2015
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world.

Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them.

Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos.

Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony.

Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
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Ladies of the Lights
Michigan Women in the U.S. Lighthouse Service
Patricia Majher
University of Michigan Press, 2010

"A great read about some great ladies, Pat Majher's Ladies of the Lights pays long overdue homage to an overlooked part of Great Lakes maritime history in which a select group of stalwart women beat the odds to succeed in a field historically reserved for men."
---Terry Pepper, Great Lakes Lighthouse Keepers Association

Michigan once led the country in the number of lighthouses, and they're still a central part of the mystique of the state. What even the region's lighthouse enthusiasts might not know is the rich history of female lighthouse keepers in the area.

Fifty women served the sailing communities on Lakes Huron, Michigan, and Superior, as well as on the Detroit River, for more than 100 years. From Catherine Shook, who raised eight children while maintaining the Pointe Aux Barques light at the entrance to Saginaw Bay; to Eliza Truckey, who assumed responsibility for the lighthouse in Marquette while her husband fought for four years in the Civil War; to Elizabeth Whitney, whose combined service on Beaver Island and in Harbor Springs totaled forty-one years---the stories of Michigan's "ladies of the lights" are inspiring.

This is no technical tome documenting the minutiae of Michigan's lighthouse specifications. Rather, it's a detailed, human portrait of the women who kept those lighthouses running, defying the gender expectations of their time.

Patricia Majher is Editor of Michigan History magazine, published by the Historical Society of Michigan. Prior, she was Assistant Director of the Michigan Women's Historical Center and Hall of Fame in Lansing, Michigan. In addition, she has been writing both advertising and editorial copy for almost thirty years and has been a frequent contributor to Michigan newspapers and magazines.

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Ladies of the Ticker
Women and Wall Street from the Gilded Age to the Great Depression
George Robb
University of Illinois Press, 2017
Long overlooked in histories of finance, women played an essential role in areas such as banking and the stock market during the late nineteenth and early twentieth centuries. Yet their presence sparked ongoing controversy. Hetty Green’s golden touch brought her millions, but she outraged critics with her rejection of domesticity. Progressives like Victoria Woodhull, meanwhile, saw financial acumen as more important for women than the vote.

George Robb’s pioneering study explores the financial methods, accomplishments, and careers of three generations of women. Plumbing sources from stock brokers’ ledgers to media coverage, Robb reveals the many ways women invested their capital while exploring their differing sources of information, approaches to finance, interactions with markets, and levels of expertise. He also rediscovers the forgotten women bankers, brokers, and speculators who blazed new trails--and sparked public outcries over women’s unsuitability for the predatory rough-and-tumble of market capitalism.

Entertaining and vivid with details, Ladies of the Ticker sheds light on the trailblazers who transformed Wall Street into a place for women’s work.

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Ladies' Pages
African American Women's Magazines and the Culture That Made Them
Rooks, Noliwe M
Rutgers University Press, 2004

Beginning in the late nineteenth century, mainstream magazines established ideal images of white female culture, while comparable African American periodicals were cast among the shadows. Noliwe M. Rooks’s Ladies’ Pages sheds light on the most influential African American women’s magazines––Ringwood’s Afro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence, and O, the Oprah Magazine––and their little-known success in shaping the lives of black women.

Ladies’ Pages demonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities. What African American women wore, bought, consumed, read, cooked, and did at home with their families were all fair game, and each of the magazines offered copious amounts of advice about what such choices could and did mean. At the same time, these periodicals helped African American women to find work and to develop a strong communications network. Rooks reveals in detail how these publications contributed to the concepts of black sexual identity, rape, migration, urbanization, fashion, domesticity, consumerism, and education.  Her book is essential reading for everyone interested in the history and culture of African Americans.

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Ladies'-tresses in Your Pocket
A Guide to the Native Ladies'-tresses Orchids, Spiranthes, of the United States and Canada
Paul Martin Brown
University of Iowa Press, 2008
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to ladies’-tresses is the first in a series that will cover all the wild orchids of the United States and Canada.

Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. He includes information on 256 species, 3 additional varieties, and 7 hybrids.

Wild ladies’-tresses occur from British Columbia, with the hooded ladies’-tresses, Spiranthes romanzoffiana, to Florida, with Eaton’s-ladies’-tresses, S. eatonii. The newest species to science, Spiranthes stellata, the starry ladies’-tresses, is featured. Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
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The Lady Anatomist
The Life and Work of Anna Morandi Manzolini
Rebecca Messbarger
University of Chicago Press, 2010

Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century.

Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.

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The Lady and the Virgin
Image, Attitude, and Experience in Twelfth-Century France
Penny Schine Gold
University of Chicago Press, 1985
Penny Schine Gold provides a bold analysis of key literary and artistic images of women in the Middle Ages and the relationship between these images and the actual experience of women. She argues that the complex interactions between men and women as expressed in both image and experience reflect a common pattern of ambivalence and contradiction. Thus, women are seen as both helpful and harmful, powerful and submissive, and the actuality of women's experience encompasses women in control and controlled, autonomous and dependent.

Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women.

"[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher

"Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum

"[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology

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Lady Chatterley's Legacy in the Movies
Sex, Brains, and Body Guys
Lehman, Peter
Rutgers University Press, 2010
Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life.

Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence's Lady Chatterley's Lover and an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment.

But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds. Lady Chatterley's Legacy in the Movies shows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives.
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Lady Chatterley's Villa
D. H. Lawrence on the Italian Riviera
Richard Owen
Haus Publishing, 2014
November 1925 found David and Frieda Lawrence on the Italian Riviera, looking for sun, sea air, and health. The Lawrences were exhilarated by life in their rented villa, set amid olive groves and vineyards, with a view of the sparkling Mediterranean. The drab English winter couldn’t have been farther away.

But before long Frieda found herself irresistibly attracted to their landlord, a dashing Italian army officer, and the resulting affair served as the background for Lawrence’s writing: while in the villa, he turned out two stories, “Sun” and “The Virgin and the Gypsy,” both prefiguring Lady Chatterley’s Lover in their depiction of women fatally drawn to earthy, muscular men.

Built on the unpublished, and previously unexplored, letters and diaries of Rina Secker, the Anglo-Italian wife of Lawrence’s publisher, and featuring never-before-published letters from Lawrence, Lady Chatterley’s Villa reconstructs the drama of the tempestuous marriage, and the ways it fired Lawrence’s creativity. Along the way, Richard Owen offers a new accounting of Lawrence’s passion for Italy, tracing his travels along the coasts and islands and his deep engagement with Italian culture. This exploration of a little-studied, but crucial period of the writer’s life will be a must for Lawrence’s many fans.
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Lady Dicks and Lesbian Brothers
Staging the Unimaginable at the WOW Café Theatre
Kate Davy
University of Michigan Press, 2010

"A rich and detailed picture of a particular historical moment that has now passed . . . I found myself immersed in the world of the East Village theatre scene and its connections to the larger world of feminism, theatre, and politics. Davy's long-standing association with this world pays off handsomely---it is impossible to imagine that anyone could write a more informative portrait."
---Charlotte Canning, University of Texas at Austin

 "After hosting two annual international women's performance festivals in 1980 and '81, Peggy Shaw, Lois Weaver, and comrades put on such extravaganzas as the Freudian Slip party and the Debutante Ball (a coming-out party if ever there was one) to raise the first several months' rent for a narrow vestibule on East 11th Street, where they could keep the creativity going year-round. There, on a stage no bigger than a queen-sized mattress, . . . artists honed their craft, giving birth to a celebratory feminist-and-tinsel-tinged queer aesthetic. By the mid '80s . . . the rent quadrupled, and WOW moved to a city-owned building on East 4th Street, where it has flourished ever since, presenting hundreds---if not thousands---of plays, solo shows, concerts, dance pieces, cabarets, and sundry performances that defy classification."
---Alisa Solomon, Village Voice

Out of a small, hand-to-mouth, women's theater collective called the WOW Café located on the lower east side of Manhattan, there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s, including the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. The WOW (Women's One World) Café Theatre appeared on the cultural scene at a critical turning point in both the women's movement and feminist theory, putting a witty, hilarious, gender-bending and erotically charged aesthetic on the stage for women in general and lesbians in particular.

The storefront that became the WOW Café Theatre saw dozens of excitingly original and enormously funny performances created, performed, and turned over at lightning speed---a kind of "hit and run" theater. As the demands on the space increased, the women behind WOW organized as a collective and moved their theater to an abandoned doll factory where it continues to operate today. For three decades the WOW Café has nurtured fledgling women writers, designers, and performers who continue to create important performance work.

Lady Dicks and Lesbian Brothers provides a critical history of this avant-garde venture whose ongoing "system of anarchy" has been largely responsible for its thirty-year staying power, after dozens of other women's theaters have collapsed. WOW artists were creating a wholly original cultural landscape across which women could represent themselves on their own terms. Parody, cross-dressing, zany comedy, and an unbridled eroticism are hallmarks of WOW's aesthetic, combined---importantly and powerfully---with a presumptive address to the audience as if everyone onstage, in the audience, and in the world is lesbian. Author Kate Davy's extensive research included in-depth interviews with WOW veterans; newspaper reviews of the earliest productions; and rare, unpublished photographs. The book also includes a chronology of productions that have highlighted WOW's performance schedule since the early '80s. 

Kate Davy is currently Provost and Vice Chancellor for Academic Affairs at the University of Michigan-Dearborn. Her previous books include Richard Foreman: Plays and Manifestos and Richard Foreman and the Ontological-Hysteric Theatre.

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Lady Dicks and Lesbian Brothers
Staging the Unimaginable at the WOW Café Theatre
Kate Davy
University of Michigan Press, 2010

"A rich and detailed picture of a particular historical moment that has now passed . . . I found myself immersed in the world of the East Village theatre scene and its connections to the larger world of feminism, theatre, and politics. Davy's long-standing association with this world pays off handsomely---it is impossible to imagine that anyone could write a more informative portrait."
---Charlotte Canning, University of Texas at Austin

 "After hosting two annual international women's performance festivals in 1980 and '81, Peggy Shaw, Lois Weaver, and comrades put on such extravaganzas as the Freudian Slip party and the Debutante Ball (a coming-out party if ever there was one) to raise the first several months' rent for a narrow vestibule on East 11th Street, where they could keep the creativity going year-round. There, on a stage no bigger than a queen-sized mattress, . . . artists honed their craft, giving birth to a celebratory feminist-and-tinsel-tinged queer aesthetic. By the mid '80s . . . the rent quadrupled, and WOW moved to a city-owned building on East 4th Street, where it has flourished ever since, presenting hundreds---if not thousands---of plays, solo shows, concerts, dance pieces, cabarets, and sundry performances that defy classification."
---Alisa Solomon, Village Voice

Out of a small, hand-to-mouth, women's theater collective called the WOW Café located on the lower east side of Manhattan, there emerged some of the most important theater troupes and performance artists of the 1980s and 1990s, including the Split Britches Company, the Five Lesbian Brothers, Carmelita Tropicana, Holly Hughes, Lisa Kron, Deb Margolin, Reno, Peggy Shaw, and Lois Weaver. The WOW (Women's One World) Café Theatre appeared on the cultural scene at a critical turning point in both the women's movement and feminist theory, putting a witty, hilarious, gender-bending and erotically charged aesthetic on the stage for women in general and lesbians in particular.

The storefront that became the WOW Café Theatre saw dozens of excitingly original and enormously funny performances created, performed, and turned over at lightning speed---a kind of "hit and run" theater. As the demands on the space increased, the women behind WOW organized as a collective and moved their theater to an abandoned doll factory where it continues to operate today. For three decades the WOW Café has nurtured fledgling women writers, designers, and performers who continue to create important performance work.

Lady Dicks and Lesbian Brothers provides a critical history of this avant-garde venture whose ongoing "system of anarchy" has been largely responsible for its thirty-year staying power, after dozens of other women's theaters have collapsed. WOW artists were creating a wholly original cultural landscape across which women could represent themselves on their own terms. Parody, cross-dressing, zany comedy, and an unbridled eroticism are hallmarks of WOW's aesthetic, combined---importantly and powerfully---with a presumptive address to the audience as if everyone onstage, in the audience, and in the world is lesbian. Author Kate Davy's extensive research included in-depth interviews with WOW veterans; newspaper reviews of the earliest productions; and rare, unpublished photographs. The book also includes a chronology of productions that have highlighted WOW's performance schedule since the early '80s. 

Kate Davy is currently Provost and Vice Chancellor for Academic Affairs at the University of Michigan-Dearborn. Her previous books include Richard Foreman: Plays and Manifestos and Richard Foreman and the Ontological-Hysteric Theatre.

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Lady in Ermine
The Story of a Woman Who Painted the Renaissance. A Biographical Novel
Donna DiGiuseppe
Arizona Center for Medieval and Renaissance Studies, 2019

Lady in Ermine: The Story of a Woman Who Painted the Renaissance reveals the discovery of an historic figure who embodies the struggle of women throughout the ages while immersing the reader in the sixteenth century world of the Renaissance figures she paints.

As a girl in Lombardy, Sofonisba Anguissola trains to paint with mannerist masters, and though society frowns upon women having such ambition, Sofonisba’s father unwaveringly encourages her. A royal tour by Prince Philip of Spain inspires her lifelong dream: to perfect the king’s portrait and show his truth on canvas, the highest calling for a Renaissance portraitist. Her drive to vindicate her loving father, a bastard of nobility, propels her. Politics of the Spanish empire brings Sofonisba to the heart of the royal court in Madrid. She aspires to achieve her goal while others at court work to undermine her as a female artist. Tragedy unfolds in the royal household, but in the process, Sofonisba finds her opportunity to paint the King of Spain, honoring her family name with her success. In life after court, Sofonisba navigates two marriages, royal appointments, love, hardship, and bankruptcy, while leaving a legacy of hundreds of paintings and influencing generations of artists from Anthony van Dyck to Peter Paul Rubens. This is her story.

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The Lady In The Ore Bucket
A History of Settlement and Industry in the Tri-Canyon Area of the Wasatch Mountains
Charles L Keller
University of Utah Press, 2001
When the first company of Mormon settlers arrived in the Great Salt Lake Valley in July 1847, it was immediately apparent that thier survival depended upon what resources they found in the mountains surrounding them. The Great Basin soil was baked hard by the sun and yielded to the plow with great difficulty. And as pioneer William Clayton noted, surveying the valley floor, "Timber is evidently lacking." But within a week of arrival, a small dam had been constructed to channel irrigation water to crops, parties had been dispatched to explore the nearby canyons for trees suitable for lumber, and names had been attached to several dozen features of the landscape including peaks, creeks, and canyons.

These place names, as well as the physical traces and artifacts that persist in three Wasatch canyons—Mill Creek, Big Cottonwood, and Little Cottonwood—tantalize with what they suggest, but do not tell, about the history of settlement and development in the canyons. Charles Keller has extracted a wealth of information to create The Lady in the Ore Bucket, a fascinating history of the lumber, mining, and hydropower industries built from the rich natural resources of the canyons. With more than six dozen photographs and maps, the book is alive with details concerning the personalities, politics, pacts, and peregrinations of local leaders from white settlement in 1847 through the early 1900s. It will delight any reader with an interest in the magnificent canyons that open onto the modern Wasatch Front.  
[more]

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Lady Lushes
Gender, Alcoholism, and Medicine in Modern America
McClellan, Michelle L
Rutgers University Press, 2017
According to the popular press in the mid twentieth century, American women, in a misguided attempt to act like men in work and leisure, were drinking more. “Lady Lushes” were becoming a widespread social phenomenon. From the glamorous hard-drinking flapper of the 1920s to the disgraced and alcoholic wife and mother played by Lee Remick in the 1962 film “Days of Wine and Roses,” alcohol consumption by American women has been seen as both a prerogative and as a threat to health, happiness, and the social order.
 
In Lady Lushes, medical historian Michelle L. McClellan traces the story of the female alcoholic from the late-nineteenth through the twentieth century. She draws on a range of sources to demonstrate the persistence of the belief that alcohol use is antithetical to an idealized feminine role, particularly one that glorifies motherhood. Lady Lushes offers a fresh perspective on the importance of gender role ideology in the formation of medical knowledge and authority.
 
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Lady Ranelagh
The Incomparable Life of Robert Boyle's Sister
Michelle DiMeo
University of Chicago Press, 2021
For centuries, historians have speculated about the life of Katherine Jones, Lady Ranelagh. Dominant depictions show her either as a maternal figure to her younger brother Robert Boyle, one of the most significant scientists of his day, or as a patroness of the European correspondence network now known as the Hartlib circle—but neither portrait captures the depth of her intellect or the range of her knowledge and influence.
 
Philosophers, mathematicians, politicians, and religious authorities sought her opinion on everything from decimalizing the currency to producing Hebrew grammars. She practiced medicine alongside distinguished male physicians, treating some of the most elite patients in London. Her medical recipes, political commentaries, and testimony concerning the philosophers’ stone gained international circulation. She was an important influence on Boyle and a formidable thinker in her own right.
 
Drawing from a wealth of new archival sources, Michelle DiMeo fills out Lady Ranelagh’s legacy in the context of a historically sensitive and nuanced interpretation of gender, science, and religion. The book re-creates the intellectual life of one of the most respected and influential women in seventeenth-century Europe, revealing how she managed to gain the admiration of diverse contemporaries, effect social change, and shape contemporary science.
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The Lady Swings
Memoirs of a Jazz Drummer
Dottie Dodgion and Wayne Enstice
University of Illinois Press, 2021
Dottie Dodgion is a jazz drummer who played with the best.  A survivor, she lived an entire lifetime before she was seventeen. Undeterred by hardships she defied the odds and earned a seat as a woman in the exclusive men’s club of jazz. Her dues-paying path as a musician took her from early work with Charles Mingus to being hired by Benny Goodman at Basin Street East on her first day in New York. From there she broke new ground as a woman who played a “man’s instrument” in first-string, all-male New York City jazz bands. Her inspiring memoir talks frankly about her music and the challenges she faced, and shines a light into the jazz world of the 1960s and 1970s.
 
Vivid and always entertaining, The Lady Swings tells Dottie Dodgion's story with the same verve and straight-ahead honesty that powered her playing.

Variety Best Music Book of 2021
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Lady's-slippers in Your Pocket
A Guide to the Native Lady's-slipper Orchids, Cypripedium, of the United States and Canada
Paul Martin Brown
University of Iowa Press, 2008
 
Native orchids are increasingly threatened by pressure from population growth and development but, nonetheless, still present a welcome surprise to observant hikers in every state and province. Compiled and illustrated by long-time orchid specialist Paul Martin Brown, this pocket guide to lady’s-slippers is the first in a series that will cover all the wild orchids of the United States and Canada.

Brown provides general distributional information, time of flowering, and habitat requirements for each species as well as a complete list of hybrids and the many different growth and color forms that can make identifying orchids so intriguing. For the lady’s-slippers he includes information on 12 species, 2 additional varieties, and 6 hybrids.

Wild lady’s-slippers grow from Alaska, with the spotted lady’s-slipper, Cypripedium guttatum, to Texas, with the ivory-lipped lady’s-slipper, C. kentuckiense.  Most of these species are easy to identify based upon their general appearance, range, and time of flowering. Answer three simple questions—when, where, and how does it grow? Then compare the living plant with the striking photos in these backpack-friendly laminated guides and consult the keys that Brown has created. Following these steps should enable both professional and amateur naturalists to achieve the satisfaction of identifying specific orchids in their native environment.
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Lafayette and the Liberal Ideal 1814-1824
Politics and Conspiracy in an Age of Reaction
Sylvia Neely
Southern Illinois University Press, 1991

Sylvia Neely provides both the first scholarly study of Lafayette’s life after the French Revolution and a detailed analysis of French politics during the early Restoration.

Lafayette, advocating a liberalism based on the American example, used both legal and illegal means to overturn a conservative government. The personification of liberalism for many of his contemporaries, he and his friends Benjamin Constant, Voyer d’Argenson, and Charles Goyet saw themselves as fighters in an international struggle that set liberalism against the forces of reaction and obscurantism. Although he ultimately failed, Lafayette was convinced that the liberal ideals derived from the Enlightenment and from his personal mentor, George Washington, would prevail.

Neely makes Lafayette’s actions clear by considering seriously the principles that guided his life and by describing the political climate of the early nineteenth century. She discloses previously overlooked features of the revolutions of the 1820s which account for the divisions among the revolutionary groups. She also examines relationships between Lafayette and the prominent writers and thinkers of the period, among them Augustin Thierry, Jeremy Bentham, Lady Morgan, and Frances Wright.

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Lagos Never Spoils
Nollywood and Nigerian City Life
Connor Ryan
University of Michigan Press, 2023
The slogan “Lagos shall not spoil,” found in print media, political campaigns, and common conversation, represents a shared expression of the optimism the city embodies. However, on city streets the phrase also appears scrawled in irreverent variations—“Lagos cannot spoil more than this!”—that meet the frustrations of city life with irony. In both cases, the slogan captures the resilience and persistence with which residents of Lagos live on, despite it all. This book examines the circumstances that make it possible for residents to persist in pursuing their various projects and for the city to remain a platform that supports these projects and creates space for even more to emerge. Author Connor Ryan argues that residents continually work to combine contingency and endurance in opportunistic ways that make the city work for them, and as such, Lagos never spoils: it endures.

What makes Lagos remarkable is what residents have made of it, and Nollywood—the industry and the body of films—both embodies and represents this continual urban transformation. Lagos Never Spoils traces how Nollywood arose from the social milieu of Lagos and, in turn, generates a repertoire of stories, images, styles, and sentiments with which audiences come to grips with city life. The book traces the evolution of the screen media industry in Lagos and explores how this corresponds with historical phases in the city’s representation onscreen. It discusses important urban spaces of production and consumption, including historic movie halls, video marketplaces, film sets, and multiplex cinemas. Across six chapters, it attends to celluloid films about oil-boom wealth, television sitcoms about urban tricksters, video melodramas about urban crisis, glossy romantic comedies about young professionals, and dark thrillers on streaming platforms about the pleasure of moral transgression. In this fashion, the book offers new approaches to the interpretation of screen texts produced in and about Lagos, a place that is today the most influential image of West African city life.
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Lakanal the Regicide
John Charles Dawson
University of Alabama Press, 1948
Biography of a free thinker in the time of the French Revolution
 
After being comparatively neglected for several generations, Joseph Lakanal received many posthumous honors. These memorials of esteem were the tribute of the men of the Third French Republic to an outstanding character of the First Republic, established by the National Convention in 1792.
 
In numerous towns and cities of France streets and boulevards were named for Lakanal, among them Paris, Tours, Toulouse, and Montpellier. Elementary schools received his name at Perigueux, Cette, Beziers. Secondary schools were named in his honor, such as the Lycee Lakanal at Paris and the College Lakanal at Beziers. At least two monuments were erected to his memory, the more imposing of which was a life-sized statue in bronze at Foix in his native Ariege. The ancient adage that a prophet is not without honor save in his own country was not true of Lakanal.
 
Lakanal belonged to a group of thinkers at the end of the eighteenth century known as Ideologists, a derogatory term applied to them by First Consul Bonaparte. When, during the period of the Consulate, Bonaparte had signed a Concordat with the Pope where­by Catholicism was restored to France, and when in 1802 he had sought to put into force the terms of the Concordat, he found a stumbling-block to his plans in the membership of the Class of Moral and Political Sciences of the lnstitut de France. In this group were to be found the most influential free-thinkers of the day: Lakanal, Garat, Cabanis, Volney, Ginguene, Mercier, Naigeon, Destutt de Tracy and others who had been consistently hostile to the Church, and who had become hostile to the ambition of Bonaparte.
 
On the political side, Lakanal was an austere democrat, and remained one all his life. Had he been willing to compromise, he would undoubtedly have gone far under Napoleon. His career is quite in contrast with that of Talleyrand, whose chameleon-like qualities enabled him to occupy high place in the Revolution, the Consulate, the Empire, the Restoration, and the more liberal gov­ernment of Louis Philippe.
 
In his profound belief in democracy and public education, and in the wide variety of his knowledge and interest in the various sciences, Lakanal is to be compared with Thomas Jefferson. The two men were of the same school of thought and possessed much in, common. In his passion for public education Lakanal may also be compared to Horace Mann.
 
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Lake Country
A Series of Journeys
Kathleen Stocking
University of Michigan Press, 1994
One writer's quest to locate herself within the wet, wild, and diversely human cultural heritage that has shaped her
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Lake Effect
Along Superior’s Shores
Erika Alin
University of Minnesota Press, 2003

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Lake Effect
Two Sisters and a Town's Toxic Legacy
Nancy A. Nichols
Island Press, 2010
On her deathbed, Sue asked her sister for one thing: to write about the connection between the industrial pollution in their hometown and the rare cancer that was killing her. Fulfilling that promise has been Nancy Nichols’ mission for more than a decade.

Lake Effect is the story of her investigation. It reaches back to their childhood in Waukegan, Illinois, an industrial town on Lake Michigan once known for good factory jobs and great fishing. Now Waukegan is famous for its Superfund sites: as one resident put it, asbestos to the north, PCBs to the south.
 
Drawing on her experience as a journalist, Nichols interviewed dozens of scientists, doctors, and environmentalists to determine if these pollutants could have played a role in her sister’s death. While researching Sue’s cancer, she discovered her own: a vicious though treatable form of pancreatic cancer. Doctors and even family urged her to forget causes and concentrate on cures, but Nichols knew that it was relentless questioning that had led to her diagnosis. And that it is questioning—by government as well as individuals—that could save other lives.
 
Lake Effect challenges us to ask why. It is the fulfillment of a sister’s promise. And it is a call to stop the pollution that is endangering the health of all our families.
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LAKE EFFECTS
HISTORY OF URBAN POLICY MAKING IN CLEVEL
RONALD R WEINER
The Ohio State University Press, 2005

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The lake has no saint
Stacey Waite
Tupelo Press, 2010
Stacey Waite’s the lake has no saint is a study in grief — a work of poetic archaeology that traces the artifacts of the past into the relationships of the present.

Embedded in a powerfully modulated sequence addressing a “you” who shifts in location and identity, many of these poems feel like forms of request, imploring. The speaker’s androgynous self-awareness — and wary attention to the gendered assumptions elicited by bodies — disclose in each poem a recognizable but disorienting (and pressurized) situation.

the lake has no saint will unsettle a reader’s sense of the certainty and stability of gender, as grammar and phrasing are also disrupted and blurred, often requiring us to read closely to hear where one sentence ends as another begins. Yet despite its formal and thematic iconoclasm, this is a book that clearly elucidates a story both heart-rending and ultimately — in its vatic honesty — triumphant.
[more]

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The Lake Huron Ecosystem
Ecology, Fisheries and Management
M. Munawar
Michigan State University Press, 1995
Lake Huron is the second largest of the Great Lakes and the fifth largest lake in the world (surface area: 59,000 km2). It is also one of the least known lakes in the Great Lakes system in terms of limnology and food web dynamics. To rectify this, the Aquatic Ecosystem Health and Management Society organized an international symposium in September 1993, which they followed with the publication of this peer-reviewed book. In total, forty-five papers were presented during the conference on topics ranging from microbial ecology, the role of exotic species, and sediment toxicology, to fisheries and wildlife of Lake Huron and its basin. With few existing comprehensive reports on the limnology and fisheries of Lake Huron, this detailed book helps bridge the information gap by introducing a multidisciplinary and ecosystematic approach to Great Lake (particularly Lake Huron) research.
[more]

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Lake Mead National Recreation Area
A History of America’s First National Playground
Jonathan Foster
University of Nevada Press, 2016
This book examines the creation, characteristics, and tribulations of the first United States National Recreation Area. It also addresses the National Park Service’s historic role in managing reservoir-based recreation in a uniquely arid region. First named the Boulder Dam Recreation Area, this parkland was created in 1936 by a memorandum of agreement between the National Park Service and the U.S. Bureau of Reclamation. Over the course of its existence, the area has served as a model for a subsequent system of National Recreation Areas. The area’s extreme popularity has, in combination with changing public attitudes regarding preservation and safety, presented the National Park Service with tremendous challenges in recent decades. Jonathan Foster’s examination of these challenges and the responses to them reveal an increasingly anxious relationship between the government, the public, and special interest groups in the American West.
 
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Lake Methodism
Jasper Cragwall
The Ohio State University Press, 2013
Lake Methodism: Polite Literature and Popular Religion in England, 1780-1830, reveals the traffic between Romanticism’s rhetorics of privilege and the most socially toxic religious forms of the eighteenth and nineteenth centuries. The “Lake Poets,” of whom William Wordsworth and Samuel Taylor Coleridge are the most famous, are often seen as crafters of a poetics of spontaneous inspiration, transcendent imagination, and visionary prophecy, couched within lexicons of experimental simplicity and lyrical concision. But, as Jasper Cragwall argues, such postures and principles were in fact received as the vulgarities of popular Methodism, an insurgent religious movement whose autobiographies, songs, and sermons reached sales figures of which the Lakers could only dream.
With these religious histories, Lake Methodism unsettles canonical Romanticism, reading, for example, the grand declaration opening Wordsworth’s spiritual autobiography—“to the open fields I told a prophecy”—not as poetic self-sanctification, but as a means of embarrassing Methodism, responsible for the suppression of The Prelude for half a century. The book measures this fearful symmetry between Romantic and religious enthusiasms in figures iconic and unfamiliar: John Wesley, Robert Southey, Wordsworth, Coleridge, as well as the eponymous scientist of Mary Shelley’s Frankenstein, and even Joanna Southcott, an illiterate servant turned latter-day Virgin Mary, who, at the age of sixty-five, mistook a fatal dropsy for the Second Coming of Christ (and so captivated a nation).
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Lake Michigan
Daniel Borzutzky
University of Pittsburgh Press, 2018
Finalist for the 2019 Griffin Poetry Prize

From the author of The Performance of Becoming Human, winner of the National Book Award for poetry


Lake Michigan, a series of 19 lyric poems, imagines a prison camp located on the beaches of a Chicago that is privatized, racially segregated, and overrun by a brutal police force. Thinking about the ways in which economic policy, racism, and militarized policing combine to shape the city, Lake Michigan's poems continue exploring the themes from Borzutzky's Performance of Becoming Human, winner of the National Book Award for Poetry. But while the influences in this book (Césaire, Vallejo, Neruda) are international, the focus here is local as the book takes a hard look at neoliberal urbanism in the historic city of Chicago.  Named a 2018 Best Book of the Year by the New York Public Library. 
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Lake Michigan in Motion
Responses of an Inland Sea to Weather, Earth-Spin, and Human Activities
Clifford H. Mortimer
University of Wisconsin Press, 2004
Written in a clear, readable style by an acknowledged expert in limnology and biology, Lake Michigan in Motion is certain to become a classic reference book on the subject of the Great Lakes. Its blend of history, science, and public policy will give it broad appeal to limnologists, graduate students, researchers, public officials, elementary and high school teachers, those who live near the Lake, and those who use it for their livelihood and recreation.
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Lake Superior
Grace Lee Nute
University of Minnesota Press, 2000

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Lake Superior Copper and the Indians
Miscellaneous Studies of Great Lakes Prehistory
Edited by James B. Griffin
University of Michigan Press, 1951
In this classic work, editor James B. Griffin presents research on the prehistoric inhabitants of the Lake Superior region. Griffin and Roy W. Drier report on Isle Royale excavations and archaeological finds; Griffin and George I. Quimby write about prehistoric copper pits and related artifacts in Ontario and Manitoba; William C. Root reports on copper artifacts from southern Michigan; and Tyler Bastian writes a review of metallographic studies of prehistoric copper artifacts in North America.
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Lake Views
This World and the Universe
Steven Weinberg
Harvard University Press, 2009

Just as Henry David Thoreau “traveled a great deal in Concord,” Nobel Prize–winning physicist Steven Weinberg sees much of the world from the window of his study overlooking Lake Austin. In Lake Views Weinberg, considered by many to be the preeminent theoretical physicist alive today, continues the wide-ranging reflections that have also earned him a reputation as, in the words of New York Times reporter James Glanz, “a powerful writer of prose that can illuminate—and sting.”

This collection presents Weinberg’s views on topics ranging from problems of cosmology to assorted world issues—military, political, and religious. Even as he moves beyond the bounds of science, each essay reflects his experience as a theoretical physicist. And as in the celebrated Facing Up, the essays express a viewpoint that is rationalist, reductionist, realist, and secular. A new introduction precedes each essay, explaining how it came to be written and bringing it up to date where necessary.

As an essayist, Weinberg insists on seeing things as they are, without despair and with good humor. Sure to provoke his readers—postmodern cultural critics, enthusiasts for manned space flight or missile defense, economic conservatives, sociologists of science, anti-Zionists, and religious zealots—this book nonetheless offers the pleasure of a sustained encounter with one of the most interesting scientific minds of our time.

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Lake|Flato Houses
Embracing the Landscape
Lake|Flato Architects
University of Texas Press, 2014
Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Lake|Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards. Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.
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Lakeshore Living
Designing Lake Places and Communities in the Footprints of Environmental Writers
Paul J. Radomski
Michigan State University Press, 2014
In this remarkable and remarkably accessible synthesis of ecology, landscape design, and social sciences, the authors present an approach to lakeshore living that addresses the need to create rich, sustainable places and communities on the water, where both the loon and the family find a place, and where the cabin can be handed down with integrity to the grandchildren. Fragile shorelands require care, and that caring comes from knowledge, experience, and an environmental ethic. Radomski and Van Assche argue that an environmentally sensitive lakeshore place and community design is the way forward. While many factors affect the quality of lakes and lakeshore living, property owners and local communities do not have to wait until policies are perfect: the design approach advocated here can be applied in any place people living lakeside can get together and collaborate. The approach presented here is proactive and context sensitive: new designs have to fit the existing ecological, cultural, and policy landscapes. Development is always re-development in this sense. The authors introduce the reader step-by-step to this approach and carefully discuss leverage points that can be helpful in implementation and system change.
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A Lakeside Companion
Ted J. Rulseh
University of Wisconsin Press, 2018
Why do fish jump? Why don't lakes freeze all the way down to the bottom? Which lake plants are invasive? What are those water bugs? Is that lake healthy? Whether you fish, paddle, swim, snowshoe, ski, or just gaze upon your favorite lake, A Lakeside Companion will deepen your appreciation for the forces that shape lakes and the teeming life in and around them.

You'll discover the interconnected worlds of a lake: the water; the sand, gravel, rocks, and muck of the bottom; the surface of the lake; the air above; and the shoreline, a belt of land incredibly rich in flora and fauna. Explained, too, are the physical, biological, and chemical processes that determine how many and what kinds of fish live in the lake, which plants grow there, the color and clarity of the water, how ice forms in winter and melts in spring, and much more. Useful advice will help you look out for your lake and advocate for its protection.
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Lakota Hoops
Life and Basketball on Pine Ridge Indian Reservation
Alan Klein
Rutgers University Press, 2020
For over 150 years the Lakota have tenaciously defended their culture and land against white miners, settlers, missionaries, and the U.S. Army, and paid the price. Their economy is in shambles and they face serious social issues, but their culture and outlook remain vibrant. Basketball has a role to play in the way that people on Pine Ridge Indian Reservation configure their hopes for a better future, and for pride in their community.

In Lakota Hoops, anthropologist Alan Klein trains his experienced eye on the ways that Lakota traditions find a seamless expression in the sport. In a variety of way such as weaving time-honored religious practices into the game or extending the warrior spirit of Crazy Horse to the players on the court, basketball has become a preferred way of finding continuity with the past. But the game is also well suited to the present and has become the largest regular gathering for all Lakota, promoting national pride as well as a venue for the community to creatively and aggressively confront white bigotry when needed.

Richly researched and filled with interviews with Pine Ridge residents, including both male and female players, Lakota Hoops offers a compelling look at the highs and lows of a community that has made basketball its own.
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A Lakota War Book from the Little Bighorn
The Pictographic "Autobiography of Half Moon"
Castle McLaughlin
Harvard University Press, 2013

Houghton Library and Harvard’s Peabody Museum Press collaborated on the publication of this fourth volume in the Houghton Library Studies series, an innovative cultural analysis of the extraordinary composite document known as “The Pictographic Autobiography of Half Moon, an Unkpapa Sioux Chief.” At its core is a nineteenth-century ledger book of drawings by Lakota Sioux warriors found in 1876 in a funerary tipi on the Little Bighorn battlefield after Custer’s defeat. Journalist Phocion Howard later added an illustrated introduction and had it bound into the beautiful manuscript that is reproduced in complete color facsimile here.

Howard attributed all seventy-seven Native drawings to a “chief” named Half Moon, but anthropologist Castle McLaughlin demonstrates that these dramatic scenes, mostly of war exploits, were drawn by at least six different warrior-artists. Their vivid first-person depictions make up a rare Native American record of historic events that likely occurred between 1866 and 1868 during Red Cloud’s War along the Bozeman Trail.

McLaughlin probes the complex life history of this unique artifact of cross-cultural engagement, uncovering its origins, ownership, and cultural and historic significance, and compares it with other early ledger books. Examining how allied Lakota and Cheyenne warriors valued these graphic records of warfare as both objects and images, she introduces the concept of “war books”—documents that were captured and altered by Native warrior-artists to appropriate the strategic power of Euroamerican literacy.

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Lala's Story
A Memoir of the Holocaust
Lala Fishman
Northwestern University Press, 1997
Winner of 1998 Carl Sandburg Award

Born into a middle-class Jewish family in 1932, Lala Weintraub grew up in Lvov, Poland. When the Nazis came, Lala—who had blond hair and blue eyes—survived by convincing them she was a Christian. This book tells her remarkable story. Fiercely determined and greatly aided by her Aryan looks, she managed to convince everyone—German soldiers, interrogators, fellow Poles—that she was a Polish gentile. Within a year after the Germans captured Lvov, many of Lala's family members were missing and presumed dead.

Lala's Story follows her as she moves from town to town, driven by her fear of being discovered. More than a story of survival, this is the story of a young girl's resolute struggle to defy, resist, and ultimately defeat the evil forces pursuing her.
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Lalo
My Life and Music
Lalo Guerrero and Sherilyn Meece Mentes
University of Arizona Press, 2002
He has been called "the father of Chicano music" and "the original Chicano hepcat." A modest man in awe of his own celebrity, he has sung of the joys and sorrows, dreams and frustrations of the Mexican American community over a sixty-year career. Lalo Guerrero is an American original, and his music jubilantly reflects the history of Chicano popular culture and music.

Lalo's autobiography takes readers on a musical rollercoaster, from his earliest enjoyment of Latino and black sounds in Tucson to his burgeoning career in Los Angeles singing with Los Carlistas, the quartet with which he began his recording career in 1938. During the fifties and sixties his music dominated the Latin American charts in both North and South America, and his song "Canción Mexicana" has become the unofficial anthem of Mexico. Through the years, Lalo mastered boleros, rancheras, salsas, mambos, cha-chas, and swing; he performed protest songs, children's music, and corridos that told of his people's struggles. Riding the crest of changing styles, he wrote pachuco boogies in one period and penned clever Spanish parodies of American hit songs in another. For all of these contributions to American music, Lalo was awarded a National Medal of the Arts from President Clinton.

Lalo's story is also the story of his times. We meet his family and earliest musical associates—including his long relationship with Manuel Acuña, who first got Lalo into the recording studio—and the many performers he counted as friends, from Frank Sinatra to Los Lobos. We relive the spirit of the nightclubs where he was a headliner and the one-night stands he performed all over the Southwest. We also discover what life was like in old Tucson and in mid-century L.A. as seen through the eyes of this uniquely creative artist. "In 1958," Guerrero recalls, "I wrote a song about a Martian who came to Earth to clear up certain misunderstandings about Mars. Now I have decided that it is time to set some things straight about Lalo Guerrero." Lalo does just that, in an often funny, sometimes sentimental story that traces the musical genius of a man whose talent has taken him all over the world, but who still believes in giving back to the community. His story is a gift to that community.

The book also features a detailed discography, compiled by Lalo's son Mark, tracing his recorded output from the days of 78s to his most recent CDs.
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Lamar Archaeology
Mississippian Chiefdoms in the Deep South
Edited by Mark Williams and Gary Shapiro
University of Alabama Press, 1990

A Dan Josselyn Memorial Publication


Lamar Archaeology provides a comprehensive and detailed review of our knowledge of the late prehistoric Indian societies in the Southern Appalachian area and its peripheries. These Lamar societies were chiefdom-level groups who built most of the mounds in this large region and were ancestors of later tribes, including the Creeks and Cherokees. This book begins with a history of the last 50 years of archaeological and historical research and brings together for the first time all the available data on this early culture. It also provides an invaluable model for books about Southeastern Indian societies by combining purely descriptive information with innovative analyses, advancing our knowledge of the past while remaining firmly grounded in the archaeological evidence as fact.


Contributors include:

Frankie Snow, Chad O. Braley, James B. Langford Jr., Marvin T. Smith, Daniel T. Elliott, Richard R. Polhemus, C. Roger Nance, Gary Shapiro, Mark Williams, John F. Scarry, David G. Anderson, andCharles M. Hudson

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Lamb
A Global History
Brian Yarvin
Reaktion Books, 2015
So long as humans have been raising animals, they have been eating lamb. In this engaging history, Brian Yarvin tells the story of how we’ve raised, cooked, and eaten lamb over the centuries and the place it’s established in a wide range of cuisines and cultures worldwide.
           
Starting with the earliest days of lamb and sheep farming in the ancient Middle East, Yarvin traces the spread of lamb to cooks in ancient Rome and Greece. He details the earliest recorded meals involving lamb in the Zagros Mountains of Iraq and Iran, explores its role in Renaissance banquets in Italy, and follows its path to China, India, and even Navajo tribes in America. Taking his story up to the present, Yarvin considers the growing locavore movement, one that has found in lamb a manageable, sustainable source of healthy—and tasty—protein. Richly illustrated and peppered with recipes, Lamb will be the perfect accompaniment to your next grilled chop or braised shank.
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Lamb at the Altar
The Story of a Dance
Deborah Hay
Duke University Press, 1994
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."—Deborah Hay

Her movements are uncharacteristic, her words subversive, her dances unlike anything done before—and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay’s account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay’s creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance’s four-month emergence.
In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements—precise and mysterious, mental and physical—that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.

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The Lamb Cycle
What the Great English Poets Would Have Written About Mary and Her Lamb (Had They Thought of It First)
David R. Ewbank
Brandeis University Press, 2023
The rhyme “Mary Had a Little Lamb” told in the style—and substance—of the great English poets from Edmund Spenser to Stevie Smith.
 
In The Lamb Cycle, David R. Ewbank achieves the unthinkable—he writes so convincingly in the style of the great English poets that one could be lulled into thinking that Shakespeare himself was inspired to muse upon the subject of “Mary Had a Little Lamb.” Ewbank captures not only the style of each of the poets he chooses, but also their preoccupations and subject matter. So D.H. Lawrence’s Mary longs for her lamb as any woman longing for her lover, whilst T.S. Eliot’s Mary is recollected by an old man looking back on his life. Alexander Pope writes an “An Essay on Lambs,” and Tennyson’s lotus eaters become “The Clover Eater.” Brilliantly written, sophisticated, and laugh-out-loud funny, these poems, enhanced by Kate Feiffer’s charming illustrations, will enchant anyone who has ever read an English poem.
 
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The Lame God
M. B. McLatchey
Utah State University Press, 2013
Winner of 2013 May Swenson Poetry Award
In The Lame God, author M. B. McLatchey reminds us of the inevitable bond between art and empathy. With a controlled language that finds its echo chamber in the immortal themes and characters of classical literature, this courageous work accompanies the author on her journey through a parent’s anguish in the face of a horrific crime. Using the art of poetry she gives voice to a suffering—and a love—that might otherwise go unheard.
 
The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.
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Lamentation for 77,297 Victims
Jirí Weil
Karolinum Press, 2020
“Smoke from nearby factories shrouds a countryside as flat as a table, a countryside stretching off to infinity. Covering it are the ashes of millions of dead. Scattered throughout are fine pieces of bone that ovens were not able to burn. When the wind comes, ashes rise to the heavens, bone fragments remain on the ground. And rain falls on the ashes, and rain turns them to good fertile soil, as befits the ashes of martyrs. And who can find the ashes of those from my native land, of whom there were 77,297? I gather some ashes with my hand, for only a hand can touch them, and I pour them into a linen sack, just as those who once left for a foreign country would gather their native soil so as never to forget, so as always to return to it.”

So begins Jiří Weil’s unforgettable prose poem, Lamentation for 77, 297 Victims, his literary monument to the Czech Jews killed during the Holocaust. A Czech-Jewish writer who worked at Prague’s Jewish Museum both during and after the Nazi Occupation—he survived the Holocaust by faking his own death and hiding out until the war had ended—Weil wrote Lamentation while he served as the museum’s senior librarian in the 1950s. This remarkable literary experiment presents a number of innovative approaches to writing about a horror many would deem indescribable, combining a narrative account of the Shoah with newspaper-style reportage on a handful of the lives ended by the Holocaust and quotes from the Hebrew Bible to create a specific and powerful portrait of loss and remembrance. Translated by David Lightfoot, Lamentation for 77,297 Victims is a startling and singular introduction to a writer whose works have been acclaimed by Philip Roth, Michiko Kakutani, and Siri Hustvedt.
 
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Lamentations of Youth
The Diaries of Gershom Scholem, 1913-1919
Gershom Scholem
Harvard University Press, 2007

For decades, Gershom Scholem kept these diaries locked away, returning to them only to refresh his memory of past events and eloquent observations. They remained unread by others until the meticulously edited German edition of this book appeared in 2002.

Lamentations of Youth gives insight into a crucial stage in Scholem's life, beginning when he was a student in Berlin during the First World War, a time of incubation and growth for his later ideas. Much of the journal writing, however, took place in Switzerland, a magnet for radical artists, socialist intellectuals, and revolutionaries fleeing war. The diaries are where Scholem forges his anarchic orthodoxy, and where he chronicles his intense relationship with Walter Benjamin. Many entries have the crisp quality of literary aphorisms crafted in the great German tradition of Kafka and Canetti.

For Scholem and Benjamin, the time they spent together in Switzerland spawned an astoundingly original view of literary criticism, interpretation, and cultural transmission. More personally, the themes of friendship, love, and heartbreak that dominate these pages later reemerge in Scholem's scholarship. No longer is the inner life of the critic seen as distinct from his textual criticism--they are deeply and esoterically intertwined.

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Lamestains
Grunge, Sub Pop and the Music of the Loser
Nicholas Attfield
Reaktion Books, 2023
A surprising history of Seattle’s Sub Pop Records, pioneer of grunge . . . and champion of losers.
 
This book is a critical history of Sub Pop Records, the Seattle independent rock label that launched the careers of countless influential grunge bands in the late 1980s and early 1990s. It focuses in particular on the languages and personas of the “loser,” a term that encompassed the label’s founders and personnel, its flagship bands (including Mudhoney, TAD, and Nirvana), and the avid vinyl-collecting fans it rapidly amassed. The loser became (and remains) the key Sub Pop identity, but it also grounded the label in the overt masculinity, sexism, and transgression of rock history. Rather than the usual reading of grunge as an alternative to the mainstream, Lamestains reveals a more equivocal and complicated relationship that Sub Pop exploited with great success.
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A Lamp Brighter than Foxfire
Andrew S. Nicholson
University Press of Colorado, 2015

"In Andrew S. Nicholson’s A Lamp Brighter than Foxfire, what is most alive is color, that which gives itself freely, generously: ‘Follow the hopeful as they green the day’ (‘My Garage Fills with an Ever-Increasing Number of Dandelions’). Threaded throughout with Genesis, wherein Jacob wrestles an angel, this gorgeous debut collection builds a ladder firmly rooted here: in sun and earth; in varying and multiple shades of orange; in trials of father and son; in books and paintings; in abandoned casinos; in countries far from home; and/or in the sound of a door closing. Nicholson’s poems come from a man standing by himself, in what George Oppen called the ‘shipwreck of the singular,’ which includes everybody. I’m moved by the luminous generosity, the moral clarity of this work. A Lamp Brighter than Foxfire is news that will stay news.”
—Claudia Keelan, author of The Devotion FieldMissing Her, and O, Heart

"'Who doesn’t nurse a secret love?' asks Andrew S. Nicholson in visionary poems that reveal secret worlds cradled inside this one. Whether considering the casinos of Las Vegas, a fresco in Pompeii, or scenes from the Hebrew Bible, the poet endures one of desire’s more fraught paradoxes: its unchanging ability to bring change, to turn the known into the unknown. These poems bravely attend to such transformations the way Jacob—the book’s patron saint—wrestles with the angel, 'lifting all the flesh / that he can lose.' I admire this poet who knows that blessing doesn’t arrive without loss, who remembers 'I was loved once. / Beneath that love, a kindness took root.' The same sweet feeling lingers long after this book is closed. Dear reader: savor it."
—Brian Teare

 
"Andrew S. Nicholson’s A Lamp Brighter than Foxfire is a gorgeous book. His graceful, playful poems enchant us ('I try to make out the stranger’s face, but he’s shrinking: / a melting gray blur, an ever-smaller thorn.') and transform us ('Sink into the bathwater, any way is a way / to journey toward that joining'). Nicholson has become one of the great poets of a new and radical kind of pastoral."
—Joseph Lease

Opening the space between the ordinary and the visionary, the poems in A Lamp Brighter than Foxfire uncover an intimate relationship with the world, from Las Vegas to Italy to the American Midwest. From a lime glowing in an orchard to a miraculous childhood attempt at levitation, Andrew S. Nicholson’s poems ground themselves in the commonplace and leap for the luminous. Central to this collection are poems that retell stories of Jacob from the Old Testament, relocated behind casinos, glimpsed in miniature on kitchen floors, and heard speaking in a moment of decay. Through these retellings, Nicholson examines the creation of self, family relationships, and a generative sense of the divine.

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The Lamp in the Desert
The Story of the University of Arizona
Douglas D. Martin, With a New Foreword by President Ann Weaver Hart
University of Arizona Press, 1960
With six teachers, no books, and thirty-two students, Old Main opened its doors to the first pupils of the University of Arizona in 1891. A rugged beacon among the cacti, the campus emerged from a forty-acre donation from two gamblers and a saloonkeeper. The Lamp in the Desert is Douglas D. Martin’s history of the first seventy-five years of the University of Arizona. From early football wins by Coach McKale to the work of celebrated scholars, this is a story of the places and the people whose names are still visible reminders of the early innovators that helped to build a world-class institution.
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'The Lamplighter' by Maria Susanna Cummins
Baym, Nina
Rutgers University Press, 1988
The Lamplighter was the first novel by twenty-seven-year-old Maria Susanna Cummins. It propelled her into a prominence that continued until her early death at the age of thirty-nine. A novel of female development, The Lamplighter is a woman's version of the quest story. Its heroine, Gerty, comes on the scene as a child abandoned in the slums of Boston. Rescued by the kindly lamplighter Trueman Flint, she learns to meet life with courage and honesty. The novel touched the hearts, validated the ideals, and assuaged the anxieties of a huge readership, and it remained continuously in print until the 1920s.
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Lamps at High Noon
Jack S. Balch
University of Illinois Press, 1941
The Federal Arts Projects were created by FDR in the summer of 1935. A year later, a handful of writers employed in the St. Louis office of the Missouri Writers' Project, including Jack Balch, went out on strike. Lamps at High Noon is the only novel about this strike and the only one to treat comprehensively any aspect of the Federal Writers' Project, whose participants included some of the country's most accomplished and promising authors.
 
Charlie Gest, the wide-eyed and well-intentioned protagonist of the novel, confronts firsthand the project's sometimes underhanded efforts to monitor the political views of its writers. Named assistant director of the project in Monroe (a fictional St. Louis), Gest is vaguely aware that the program's good intentions do not always overshadow the abuses it tolerates, which include shielding corporate interests and avoiding hiring highly qualified black writers. Gest is hounded by a nagging suspicion that, like lamps that burn in broad daylight, the issues at stake in the work stoppage are not the ones that most need addressing.
 
Part radical socialist commentary, part absurdist theater, Balch's novel offers a peerless critical engagement of the economic constraints and political exigencies surrounding debates over the federal funding of art since the New Deal.
 
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Lana and Lilly Wachowski
Cael M. Keegan
University of Illinois Press, 2018
Lana and Lilly Wachowski have redefined the technically and topically possible while joyfully defying audience expectations. Visionary films like The Matrix trilogy and Cloud Atlas have made them the world's most influential transgender media producers, and their coming out retroactively put trans* aesthetics at the very center of popular American culture.

Cáel M. Keegan views the Wachowskis' films as an approach to trans* experience that maps a transgender journey and the promise we might learn "to sense beyond the limits of the given world." Keegan reveals how the filmmakers take up the relationship between identity and coding (be it computers or genes), inheritance and belonging, and how transgender becoming connects to a utopian vision of a post-racial order. Along the way, he theorizes a trans* aesthetic that explores the plasticity of cinema to create new social worlds, new temporalities, and new sensory inputs and outputs. Film comes to disrupt, rearrange, and evolve the cinematic exchange with the senses in the same manner that trans* disrupts, rearranges, and evolves discrete genders and sexes.

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L’anarchie – pour ainsi dire
Conversations avec Mehdi Belhaj Kacem, Nika Dubrovsky et Assia Turquier Zauberman
David Graeber
Diaphanes, 2020
David Graeber n’est pas seulement l’un des plus importants penseurs vivants. Il est aussi l’un des plus influents, mais, au contraire de bien d’intellectuels « engagés », l’un des très rares à avoir fait preuve d’une efficacité militante à répercussion mondiale. Nul n’a peut-être autant « impacté » sur la gauche internationale que cet homme.Tant par ses grands concepts comme ceux de la dette, de la bureaucratie ou des bullshit jobs, que par son implication cruciale dans le mouvement Occupy Wall Street, qui lui a valu un exil quasi forcé de son pays d’origine, il est peut-être l’intellectuel vivant à offrir le plus de pistes crédibles pour la sortie du capitalisme.

Se revendiquant depuis toujours anarchiste, dans ce livre d'entretiens avec Assia Turquier Zauberman et Mehdi Belhaj Kacem, Graeber parle tant sur l’histoire de l’anarchie que sur sa pertinence contemporaine et sur son avenir; tant sur les liens qui unissent l’anthropologie à l’anarchisme qu’aux « traces ADN » de celui-ci dans le mouvement d’OWS ou dans celui des gilets jaunes; sur la signification de l’éthique anarchiste non seulement dans sa portée politique, mais esthétique et artistique, sexuelle et amoureuse, etc.
Avec une verve étonnante de vivacité, de drôlerie et d’érudition, le présent livre contribue à redéfinir les contours de ce que pourrait être, comme le disait Kropotkine, une « morale anarchiste » aujourd’hui.
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LANCASTER OHIO 1800–2000
FRONTIER TOWN TO EDGE CITY
DAVID R. CONTOSTA
The Ohio State University Press, 2000
In Lancaster, Ohio, 1800–2000, David R. Contosta tells the story of one American town as it has evolved over a two-hundred year period. Contosta has found that Lancaster was never the sort of idyllic community that writers once imagined for small towns; nor was it the social and cultural wasteland that social critics portrayed during most of the twentieth century.

In explaining why Lancaster has remained a small but relatively successful community for some twenty decades, Contosta looks at various factors, including location, natural resources, technology, transportation systems, local leaders, historic preservation, awareness of local history, and national as well as international events.

As the twenty-first century begins, the widespread use of the automobile, advances in technology, and Lancaster’s proximity to the state capital, Columbus, are transforming the community into something new—part town, part city, and part suburb—a phenomenon that is emerging in hundreds of older communities throughout the United States. Contosta’s history of the development of one small town, and the over one hundred illustrations enhancing the text, offer a microcosm of the profound changes in American life over two centuries.
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Lancelot Brown and the Capability Men
Landscape Revolution in Eighteenth-century England
David Brown and Tom Williamson
Reaktion Books, 2016
Lancelot “Capability” Brown is often thought of as the innovative genius who single-handedly pioneered a new, naturalistic style of landscape design, but he was in fact only one of many landscape designers in Georgian England. Published to commemorate the three hundredth anniversary of Brown’s birth, this book casts important new light on his world-renowned work, his eventful life, and the wider and robust world of landscape design in Georgian England.
            David Brown and Tom Williamson argue that Brown was one of the most successful designers of his time working in a style that was otherwise widespread—and that it was his skill with this style, and not his having invented it, that linked his name to it. The authors look closely at Brown’s design business and the products he offered clients, showing that his design packages helped define the era’s aesthetic. They compare Brown’s business to those of similar designers such as the Adam brothers, Thomas Chippendale, and Josiah Wedgwood, and they contextualize Brown’s work within the wider contexts of domestic planning and the rise of neoclassicism. Beautifully illustrated throughout, this book celebrates the work of a master designer who was both a product and harbinger of the modern world.
 
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The Lancelot-Grail Cycle
Text and Transformations
Edited by William W. Kibler
University of Texas Press, 1994

Composed in Old French between about 1220 and 1240, the Lancelot-Grail Cycle is a group of five prose romances centered on the love affair between Lancelot and Guenevere. It consists of an immense central core, the Lancelot Proper, introduced by The History of the Holy Grail and The Story of Merlin and concluded by The Quest for the Holy Grail and The Death of Arthur.

This volume brings together thirteen essays by noted scholars from the first symposium ever devoted exclusively to the Lancelot-Grail Cycle. Exploring the cycle's evolution across the literatures of medieval France, Italy, Spain, Catalonia, and England, the authors take a variety of approaches that highlight a broad range of cultural, social, historical, and political concerns and offer a comparative and interdisciplinary vision of this great romance.

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Land and Desire in Early Zionism
Boaz Neumann
Brandeis University Press, 2011
This innovative study examines the responses of early-twentieth-century pioneers to “the Land” of Palestine. Early Zionist historiography portrayed these young settlers as heroic; later, more critical studies by the “new” historians and sociologists focused on their failures and shortcomings. Neumann argues for something else that historians have yet to identify—desire. Desire for the Land and a visceral identification with it begin to explain the pioneer experience and its impact on Israeli history and collective memory, as well as on Israelis’ abiding connection to the Land of Israel. His close readings of archival documents, memoirs, diaries, poetry, and prose of the period develop new understandings—many of them utterly surprising—of the Zionist enterprise. For Neumann, the Zionist revolution was an existential revolution: for the pioneers, to be in the Land of Israel was to be!
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Land and Resource Planning in the National Forests
Charles F. Wilkinson
Island Press, 1987
This comprehensive, in-depth review and analysis of planning, policy, and law in the National Forest System is the standard reference source on the National Forest Management Act (NFMA) of 1976. It is a clearly written, nontechnical book that offers an insightful analysis of the Fifty Year Plans and how to participate in and influence them.
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Land and Revolution in Iran, 1960–1980
By Eric J. Hooglund
University of Texas Press, 1982

Carried out by the government of the shah between 1962 and 1971, the Iranian land reform was one of the most ambitious such undertakings in modern Middle Eastern history. Yet, beneath apparent statistical success, the actual accomplishments of the program, in terms of positive benefits for the peasantry, were negligible. Later, the resulting widespread discontent of thousands of Iranian villagers would contribute to the shah's downfall.

In the first major study of the effects of this widely publicized program, Eric Hooglund's analysis demonstrates that the primary motives behind the land reform were political. Attempting to supplant the near-absolute authority of the landlord class over the countryside, the central government hoped to extend its own authority throughout rural Iran. While the Pahlavi government accomplished this goal, its failure to implement effective structural reform proved to be a long-term liability.

Hooglund, who conducted field research in rural Iran throughout the 1970s and who witnessed the unfolding of the revolution from a small village, provides a careful description of the development of the land reform and of its effects on the main groups involved: landlords, peasants, local officials, merchants, and brokers. He shows how the continuing poverty in the countryside forced the migration of thousands of peasants to the cities, resulting in serious shortages of agricultural workers and an oversupply of unskilled urban labor. When the shah's government was faced with mass opposition in the cities in 1978, not only did a disillusioned rural population fail to support the regime, but thousands of villagers participated in the protests that hastened the collapse of the monarchy.

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Land and Sea
The Lyric Poetry of Philip Freneau
Richard C. Vitzthum
University of Minnesota Press, 1978

Land and Sea was first published in 1978. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Although Philip Freneau is best known as the poet of the American Revolution, half his poems had nothing to do with the war, Professor Vitzthum points out, and this, the first systematic, in-depth study of Freneau's lyric poetry, provides a fresh perspective on the poet's non-political work. Demonstrating that there is a heretofore unrecognized pattern of land-sea imagery and symbolism in Freneau's best work. Professor Vitzthum traces changes reflected in this imagery to developments in the poet's thought, which in turn related to major intellectual and literary trends in revolutionary and early republican America. An introductory chapter assesses twentieth century biographical and critical estimates of Freneau, outlines the key themes in his work, and links his thirty-year career as sailor and ship captain to his creation of a covert, symbolistic poetic method. The following five chapters chronologically discuss Freneau's non-political poems from 1772 through 1815. Professor Vitzthum concludes that Freneau was not the derivative and unsuccessful artist he is currently thought to have been but, rather, one of America's genuinely important poets.

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