A SCHOLARLY BOOK REPOSITORY
Contributors. Lisa Adkins, Maryanne Dever, Carla Freccero, Elizabeth Freeman, Scott Herring, Annamarie Jagose, Amy Jamgochian, E. Patrick Johnson, Jaya Keaney, Heather Love, Sally R. Munt, Kane Race, Amy Villarejo, Lee Wallace
With unflinching candor and acerbic wit, Finke chronicles the progress of the juvenile diabetes that left her blind at the age of twenty-six as well as the seemingly endless spiral of adversity that followed. First she was forced out of her professional job. Then she bore a multiply handicapped son. But she kept moving forward, confronting marital and financial problems and persevering through a rocky training period with a seeing-eye dog.
Finke’s life story and her commanding knowledge of her situation give readers a clear understanding of diabetes, blindness, and the issues faced by parents of children with significant disabilities. Because she has taken care to include accurate medical information as well as personal memoir, Long Time, No See serves as an excellent resource for others in similar situations and for professionals who deal with disabled adults or children.
Critic, poet, editor, chronicler of the “lost generation,” and elder statesman of the Republic of Letters, Malcolm Cowley (1898–1989) was an eloquent witness to much of twentieth-century American literary and political life. These letters, the vast majority previously unpublished, provide an indelible self-portrait of Cowley and his time, and make possible a full appreciation of his long and varied career.
Perhaps no other writer aided the careers of so many poets and novelists. Faulkner, Fitzgerald, Hemingway, Kerouac, Tillie Olsen, and John Cheever are among the many authors Cowley knew and whose work he supported. A poet himself, Cowley enjoyed the company of writers and knew how to encourage, entertain, and when necessary scold them. At the center of his epistolary life were his friendships with Kenneth Burke, Allen Tate, Conrad Aiken, and Edmund Wilson. By turns serious and thoughtful, humorous and gossipy, Cowley’s letters to these and other correspondents display his keen literary judgment and ability to navigate the world of publishing.
The letters also illuminate Cowley’s reluctance to speak out against Stalin and the Moscow Trials when he was on staff at The New Republic—and the consequences of his agonized evasions. His radical past would continue to haunt him into the Cold War era, as he became caught up in the notorious “Lowell Affair” and was summoned to testify in the Alger Hiss trials.
Hans Bak supplies helpful notes and a preface that assesses Cowley’s career, and Robert Cowley contributes a moving foreword about his father.
Contributors to Long Walk Home include novelists like Richard Russo, rock critics like Greil Marcus and Gillian Gaar, and other noted Springsteen scholars and fans such as A. O. Scott, Peter Ames Carlin, and Paul Muldoon. They reveal how Springsteen’s albums served as the soundtrack to their lives while also exploring the meaning of his music and the lessons it offers its listeners. The stories in this collection range from the tale of how “Growin’ Up” helped a lonely Indian girl adjust to life in the American South to the saga of a group of young Australians who turned to Born to Run to cope with their country’s 1975 constitutional crisis. These essays examine the big questions at the heart of Springsteen’s music, demonstrating the ways his songs have resonated for millions of listeners for nearly five decades.
Commemorating the Boss’s seventieth birthday, Long Walk Home explores Springsteen’s legacy and provides a stirring set of testimonials that illustrate why his music matters.
Judy Kutulas takes us into the debates and outright fights between and within the ranks of organizations such as the League of American Writers, the John Reed Clubs, the Committee for Cultural Freedom, the American Civil Liberties Union, and the National Committee for the Defense of Political Prisoners. Showing how extremist views about the nature and value of communism triumphed over more moderate ones, she traces the transfer of the left’s leadership from one generation to the next. She describes how supporters of the People’s Front were discredited by the time of the Nazi-Soviet Pact and how this opened the way for a new generation of leaders better known as the New York intellectuals. In this shift, Kutulas identifies the beginnings of the liberal anti-communism that would follow World War II.
A book for students and scholars of the intersection of politics and culture, The Long War offers a new, informed perspective on the intellectual maneuvers of the American left of the 1930s and leads to a reinterpretation of the time and its complex legacy.
In a wide-ranging constitutional history of presidential war decisions from 1945 to the present, Stephen M. Griffin rethinks the long-running debate over the “imperial presidency” and concludes that the eighteenth-century Constitution is inadequate to the challenges of a post-9/11 world.
The Constitution requires the consent of Congress before the United States can go to war. Truman’s decision to fight in Korea without gaining that consent was unconstitutional, says Griffin, but the acquiescence of Congress and the American people created a precedent for presidents to claim autonomy in this arena ever since. The unthinking extension of presidential leadership in foreign affairs to a point where presidents unilaterally decide when to go to war, Griffin argues, has destabilized our constitutional order and deranged our foreign policy. Long Wars and the Constitution demonstrates the unexpected connections between presidential war power and the constitutional crises that have plagued American politics.
Contemporary presidents are caught in a dilemma. On the one hand are the responsibilities handed over to them by a dangerous world, and on the other is an incapacity for sound decisionmaking in the absence of interbranch deliberation. President Obama’s continuation of many Bush administration policies in the long war against terrorism is only the latest in a chain of difficulties resulting from the imbalances introduced by the post-1945 constitutional order. Griffin argues for beginning a cycle of accountability in which Congress would play a meaningful role in decisions for war, while recognizing the realities of twenty-first century diplomacy.
Claude McKay (1889–1948) was one of the most prolific and sophisticated African American writers of the early twentieth century. A Jamaican-born author of poetry, short stories, novels, and nonfiction, McKay has often been associated with the “New Negro” or Harlem Renaissance, a movement of African American art, culture, and intellectualism between World War I and the Great Depression. But his relationship to the movement was complex. Literally absent from Harlem during that period, he devoted most of his time to traveling through Europe, Russia, and Africa during the 1920s and 1930s. His active participation in Communist groups and the radical Left also encouraged certain opinions on race and class that strained his relationship to the Harlem Renaissance and its black intelligentsia. In his 1937 autobiography, A Long Way from Home, McKay explains what it means to be a black “rebel sojourner” and presents one of the first unflattering, yet informative, exposés of the Harlem Renaissance. Reprinted here with a critical introduction by Gene Andrew Jarrett, this book will challenge readers to rethink McKay’s articulation of identity, art, race, and politics and situate these topics in terms of his oeuvre and his literary contemporaries between the world wars.
By all accounts, Jovan Mosley was a good kid. He was working on a way out of his tough Chicago neighborhood and had been accepted at Ohio State University when he was forced to confess to a murder he did not commit. He then spent five years and ten months in jail without a trial. His efforts to exonerate himself got him nowhere until he happened to meet a successful criminal defense lawyer, Catharine O’Daniel. She became convinced of his innocence and took him on as her first pro bono client. Along with Laura Caldwell, she decided to fight to free Jovan. Against enormous odds, they finally won some measure of justice. In this affecting memoir, Caldwell tells the unforgettable story of a breakdown in the criminal justice system and what it took to free an innocent man.
Wisconsin is in the midst of an identity crisis, torn by new political divisions and the old gulf between city and countryside. Cobbling rivers together, from the burly Mississippi to the slender wilds of Tyler Forks, Hildebrand navigates the beautiful but complicated territory of home. In once prosperous small towns, he discovers unsung heroes—lockmasters, river rats, hotelkeepers, mechanics, environmentalists, tribal leaders, and perennial mayors—struggling to keep their communities afloat.
While history doesn't flow in a circle, it doesn't always move in a straight line either. Hildebrand charts the improbable ox-bows along its course. Long Way Round shows us the open road as a river with possibility around the next bend.
With this collection of essays, the literary record of one of the first and most important men of letters from the South is finally reevaluated from the critical perspective time provides.
William Gilmore Simms (1806-1870) was a poet, critic, novelist, and correspondent whose accomplishment has long been overshadowed by the events of history. As a leading writer and advocate of the antebellum south, Simms suffered from the mercurial judgments of the established publishing and literary circles of the North. Since his death he has slipped into relative obscurity with the inability or unwillingness of most of his critics to separate Simms’s artistic achievements from what have been perceived as flaws in his character.
Together witht he collected letters of Simms—coedited by T.C. Duncan Eaves, to whose memory this book is dedicated—the essays included in Long Years of Neglect can now begin to rectify the damage done over time to the reputation of Simms and his writing, to supersede the options of the past with scholarly and critical appraisal of the work itself, and to offer fresh insight into William Gilmore Simms as a significant and intriguing figure in early American letters.
As editor Guilds speculates in his introduction, “It is conceivable that replacing myth with fact will become fashionable in Simms scholarship, and, even more important, that reading the works—instead of reading the reasons they should be avoided—will become standard practice for Simms as it is for other authors of his stamp.” It was the aim of this book to initiate the realization of that goal.
In 1925 the geological connection between Flint Ridge and Mammoth Cave was proved when dye placed in a Flint Ridge spring showed up in Echo River at Mammoth Cave.
That tantalizing swirl of dye confirmed speculations that wereto tempt more than 650cavers over half a century with the thrill of being the first to make human passage of the cave connection. Roger Brucker and Richard Watson tell not only of their own twenty-year effort to complete the link but the stories of many others who worked their way through mud-choked crawlways less than a foot high only to find impenetrable blockages.
Floyd Collins died a grisly death in nearby Sand Cave in1925, after being trapped there for 15 days. The wide press coverage of the rescue efforts stirred the imagination of the public and his body was on macabre display in a glass-topped coffin in Crystal Cave into the 1940s. Agents of a rival cave owner once even stole his corpse, which was recovered and still is in a coffin in the cave. Modern cavers still have a word with Floyd as they start their downward treks.
Brucker and Watson joined the parade of cavers who propelled themselves by wiggling kneecaps, elbows, and toes through quarter-mile long crawlways, clinging by fingertips and boot toes across mud-slick walls, over bottomless pits, into gurgling streams beneath stone ceilings that descend to water level, down crumbling crevices and up mountainous rockfalls, into wondrous domed halls, and straight ahead into a blackness intensified rather than dispelled by the carbide lamps on their helmets.
Over two decades they explored the passages with others who sought the final connection as vigorously as themselves. Pat Crowther, a young mother of two, joined them and because of her thinness became the member of the crew to go first into places no human had ever gone before. In that role, in July 1972, she wiggled her way through the Tight Spot and found the route that would link the Flint Ridge and Mammoth Cave systems into one cave extending 144.4 miles through the Kentucky limestone.
In a new afterword to this edition the authors summarize the subsequent explorations that have more than doubled the established length of the cave system. Based upon geological evidence, the authors predict that new discoveries will add another 200 miles to the length of the world’s longest cave, making it over 500 miles long.
From the intense and brooding Magellan and the glamorous and dashing Sir Francis Drake; to Thomas Cavendish, who set off to plunder Spain’s American gold and the Dutch circumnavigators, whose numbers included pirates as well as explorers and merchants, Robert Silverberg captures the adventures and seafaring exploits of a bygone era.
Over the course of a century, European circumnavigators in small ships charted the coast of the New World and explored the Pacific Ocean. Characterized by fierce nationalism, competitiveness, and bloodshed, The Longest Voyage: Circumnavigators in the Age of Discovery captures the drama, danger, and personalities in the colorful story of the first voyages around the world. These accounts begin with Magellan’s unprecedented 1519–22 circumnavigation, providing an immediate, exciting, and intimate glimpse into that historic venture. The story includes frequent threats of mutiny; the nearly unendurable extremes of heat, cold, hunger, thirst, and fatigue; the fear, tedium, and moments of despair; the discoveries of exotic new peoples and strange new lands; and, finally, Magellan’s own dramatic death during a fanatical attempt to convert native Philippine islanders to Christianity.
Capturing the total context of political climate and historical change that made the Age of Discovery one of excitement and drama, Silverberg brings a motley crew of early ocean explorers vividly to life.
With The Longevity Seekers, science writer Ted Anton takes readers inside this tale that began with worms and branched out to snare innovative minds from California to Crete, investments from big biotech, and endorsements from TV personalities like Oprah and Dr. Oz. Some of the research was remarkable, such as the discovery of an enzyme in humans that stops cells from aging. And some, like an oft-cited study touting the compound resveratrol, found in red wine—proved highly controversial, igniting a science war over truth, credit, and potential profit. As the pace of discovery accelerated, so too did powerful personal rivalries and public fascination, driven by the hope that a longer, healthier life was right around the corner. Anton has spent years interviewing and working with the scientists at the frontier of longevity science, and this book offers a behind-the-scenes look at the state-of-the-art research and the impact it might have on global public health, society, and even our friends and family.
With spectacular science and an unforgettable cast of characters, The Longevity Seekers has all the elements of a great story and sheds light on discoveriesthat could fundamentally reshape human life.
To enhance gerontology's focus on human age-related dysfunctions, Caleb E. Finch provides a comparative review of all the phyla of organisms, broadening gerontology to intersect with behavioral, developmental, evolutionary, and molecular biology. By comparing species that have different developmental and life spans, Finch proposes an original typology of senescence from rapid to gradual to negligible, and he provides the first multiphyletic calculations of mortality rate constants.
The Texas Longhorn made more history than any other breed of cattle the world has known. These wiry, intractable beasts were themselves pioneers in a harsh land, moving elementally with drouth, grass, Arctic blizzards, and burning winds. Their story is the bedrock on which the history of the cow country of America is founded.
J. Frank Dobie was a tale spinner who appreciated the proper place of legend and folklore in history. In The Longhorns, he tells of the Spanish conquistadors, who brought their cattle with them; of ranching in the turbulent colonial times; of the cowboy, whose abandon, energy, insolence, and pride epitomized the booming West. He writes of terrifying stampedes, titantic bull fights on the range, ghost steers, and encounters with Indians.
A tireless prospector of the history and legends of the Southwest, Dobie spent most of his life preparing to write this book. He was born in the Texas brush country where the Longhorns made their last stand; he back-trailed them into Mexico; he pursued the vivid lore of Texas cowboys and Mexican vaqueros. No historian or naturalist has ever so related an animal to the land, its people, and its history.
Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.
A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
Look, a White! returns the problem of whiteness to white people. Prompted by Eric Holder's charge, that as Americans, we are cowards when it comes to discussing the issue of race, noted philosopher George Yancy's essays map out a structure of whiteness.
He considers whiteness within the context of racial embodiment, film, pedagogy, colonialism, its "danger," and its position within the work of specific writers. Identifying the embedded and opaque ways white power and privilege operate, Yancy argues that the Black countergaze can function as a "gift" to whites in terms of seeing their own whiteness more effectively.
Throughout Look, a White! Yancy pays special attention to the impact of whiteness on individuals, as well as on how the structures of whiteness limit the capacity of social actors to completely untangle the way whiteness operates, thus preventing the erasure of racism in social life.
Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image? An in-depth pictorial study of blind schoolchildren in Mexico, Look at me draws attention to (and distinctions between) the activity of sight and the consciousness of form.
Combining aspects of his earlier, acclaimed street work with an innovative approach to portraiture, Chicago-based photographer Jed Fielding has concentrated closely on these children’s features and gestures, probing the enigmatic boundaries between surface and interior, innocence and knowing, beauty and grotesque. Design, composition, and the play of light and shadow are central elements in these photographs, but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative, joyful participation with the children, he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness.
Fielding’s work achieves what only great art, and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away, but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer.
Four million adults in the United States say that becoming famous is the most important goal in their lives. In any random sampling of one hundred American adults, two will have fame as their consuming desire. What motivates those who set fame as their priority, where did the desire come from, how does the pursuit of fame influence their lives, and how is it expressed? Based on the research of Orville Gilbert Brim, award-winning scholar in the field of child and human development, Look at Me! answers those questions.
Look at Me! examines the desire to be famous in people of all ages, backgrounds, and social status and how succeeding or failing affects their lives and their personalities. It explores the implications of the pursuit of fame throughout a person's lifetime, covering the nature of the desire; fame, money, and power; the sources of fame; how people find a path to fame; the kinds of recognition sought; creating an audience; making fame last; and the resulting, often damaged, life of the fame-seeker.
In our current age of celebrity fixation and reality television, Brim gives us a social-psychological perspective on the origins of this pervasive desire for fame and its effects on our lives.
"Look at Me! is a fascinating in-depth study of society's obsession with fame. If you ever wondered what it's like to be famous, why fame comes to some and is sought by others, it's all here . . ."
---Jeffrey L. Bewkes, Chairman and CEO, Time Warner
"In a voice filled with wisdom and insight, daring and self-reflection, Orville Brim masterfully traces the developmental origins and trajectory of fame. Look at Me! lets us see---with new eyes---the cultural priorities and obsessions that feed our individual hunger and appetites. A rare and rewarding book."
---Sara Lawrence-Lightfoot, Emily Hargroves Fisher Professor of Education at Harvard University and author of Respect and The Third Chapter
Orville Gilbert Brim has had a long and distinguished career. He is the former director of the John D. and Catherine T. MacArthur Foundation Research Network on Successful Midlife Development, former president of the Foundation for Child Development, former president of the Russell Sage Foundation, and author and coauthor of more than a dozen books about human development, intelligence, ambition, and personality.
Cover image ©iStockphoto.com/susib
Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness.
Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora
In recent years, the media landscape in the United States has followed a pattern similar to that of the physical landscape by becoming increasingly suburbanized. Although it is a far cry from reality, the fantasy of a perfect suburban life still exists in the collective imagination of millions of Americans. This dream of suburban perfection is built around a variety of such ideologically conservative values and ideals as the importance of tradition, the centrality of the nuclear family, the desire for a community of like-minded neighbors, the need for clearly defined gender roles, and the belief that with hard work and determination, anyone can succeed.
Building on the relationships between suburban life and American identity, Look Closer examines and interprets recent narratives that challenge the suburban ideal to reveal how directors and producers are mobilizing the spaces of suburbia to tell new kinds of stories about America. David R. Coon argues that the myth of suburban perfection, popularized by postwar sitcoms and advertisements, continues to symbolize a range of intensely debated issues related to tradition, family, gender, race, and citizenship. Through close examinations of such films as American Beauty, The Truman Show, and Mr. & Mrs. Smith as well as such television series as Desperate Housewives, Weeds, and Big Love, the book demonstrates how suburbia is used to critique the ideologies that underpin the suburban American Dream.
Thomas Wolfe, one of the giants of twentieth-century American fiction, is also one of the most misunderstood of our major novelists. A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.
In this definitive and compelling biography, Pulitzer Prize–winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe’s difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his “magical” years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe’s passionate affair with Aline Bernstein, including their intimate letters.
We take for granted that words can describe pictures, but we don’t often consider that the reverse is also true: pictures can depict words, as well as the people reading them. In The Look of Reading, Garrett Stewart explores centuries of painted images of reading, arguing that they collectively constitute an overlooked genre in the history of art.
A stunning array of artists—including Rembrandt, Picasso, Cassatt, and Caravaggio, among many others—have worked in this genre during the past five hundred years. With innovative interpretations of their work, ranging from Bellini’s open Bibles to Bacon’s mangled newsprint, Stewart examines the give-and-take between reading matter depicted in painting and the “look of reading” on the portrayed face. He then traces this kind of interaction from the sixteenth century, when pictured reading generally illustrated people reading holy scriptures, to later periods, when secular painting started to represent the inwardness and absorption associated especially with novel reading. Ultimately, Stewart shows how the subject fell out of such paintings altogether in the late twentieth century, replaced by words, scrawls, and blurs that put the viewer in the place of the reader.
Lavishly illustrated with the paintings it discusses, The Look of Reading charts the life and death of an entire genre. Essential reading for art historians and literary theorists alike, it will become the definitive study of this overlooked aspect of the relationship between images and words.
This book brings together different perspectives under two titles, considering the lives and experiences of two friends, one Vietnamese American and one white. Looking And Seeing is a poetic work of yearning, regret, and righteous indignation. In Truong Tran’s poetry, what is said and what is written reveal our complexities. Composed as an investigation of his own being and body as a brown person moving through white spaces, this collection moves alongside Tran’s friend and collaborator Damon Potter. Seeing and Looking offers a record of Potter’s perspective as a white man examining who he is and wants to be and the complications of trying to be good while also benefiting from histories of oppression. Potter considers death—both his own future death and the deaths of his friends—while grappling with how to witness horrors, wonders, and his self.
Allan Jacobs has written a city planning book for everyone with a passion for urban environments. His message--conveyed in word and vivid image--is that the people who make changes in cities base their decisions upon what they see, and that their visions and actions, which affect the lives of millions, have too often been faulty. This book is about how to look at and understand urban environments.
In order to plan sensitively, the city and regional planner must walk in, look at, wonder about, and simply enjoy cities. Careful observation is a crucial tool for the kind of analysis and questioning necessary to achieve good planning. Through observation the city planner and urban activist can learn when an area was built, for whom it was built, who lives there now, how it has changed, and how it might be improved for present and future inhabitants.
Jacobs shows us how to read cities by identifying and discussing the many visual clues and their various meanings in different environments. Case studies of American and European cities--San Jose, San Francisco, Cincinnati, Bologna, Rome--and over two hundred striking photographs, drawings, and maps by the author present ways to read the environment that will prove indispensable for urban planners and will delight all city watchers.
Whether in art or life, fashion makes a statement. It gives form to the temper of the times and the motives of the moment, charting shifts in society, status, technology, and economy. Fashion is shaped by both high and popular culture and reveals the influence of individuals from diverse socioeconomic backgrounds.
Spanning the centuries and representing a global point of view, Looking at Fashion is a guide to the elements that make clothing practical, wearable, stylish, and distinctive. Created for scholars, students, fashionistas, and anyone who wants to expand their understanding of world culture through the history of dress, this book provides a rich and varied lexicon of the vocabulary that describes and explains the most essential components of garments and techniques of clothing construction. Ranging from basic pieces and their individual parts to structure, embellishments, and innovations, Looking at Fashion offers insights into the evolution of dress in terms of style, fit, and design. Gorgeous color illustrations, including paintings, photographs, historical garments, and custom drawings, reveal the interrelationship of fashion and art from antiquity to now.
This volume, geared toward jewelry makers, scholars, scientists, students, and fashionistas alike, begins with a lively introduction that offers a cultural history of jewelry and its production. The main text provides information on the most common, iconic, and culturally significant forms of jewelry and also covers materials, techniques, and manufacturing processes. Containing more than eighty color illustrations, this guide will be invaluable to all those wishing to increase their understanding and enjoyment of the art of jewelry.
In Looking at the Overlooked, Norman Bryson is at his most brilliant. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.
In Looking Away, Rei Terada revisits debates about appearance and reality in order to make a startling claim: that the purpose of such debates is to police feelings of dissatisfaction with the given world.
Focusing on romantic and post-romantic thought after Kant, Terada argues that acceptance of the world “as is” is coerced by canonical epistemology and aesthetics. In guilty evasions of this coercion, post-Kantian thinkers cultivate fleeting, aberrant appearances, perceptual experiences that do not present themselves as facts to be accepted and therefore become images of freedom. This “phenomenophilia,” she suggests, informs romanticism and subsequent philosophical thought with a nascent queer theory.
Through graceful readings of Coleridge’s obsession with perceptual ephemera, or “spectra,” recorded in his Notebooks; of Kant’s efforts in his First and Third Critiques to come to terms with the given world; of Nietzsche’s responses to Kant and his meditations on ephemeral phenomenal experiences; and of Adorno’s interpretations of both Nietzsche and Kant, Terada proposes that the connection between dissatisfaction and ephemeral phenomenality reveals a hitherto-unknown alternative to aesthetics that expresses our right to desire something other than experience “as is,” even those parts of it that really cannot be otherwise.
Looking Back to See Ahead offers pieces chosen for their centrality to Perlman's thinking on some of the major problems of social work practice and education. To each essay she has added her current, informal comments. Refreshingly original is the section "After Hours," in which she captures, in sketches and verse, the humor and heartache that are inevitable in any profession that deals with hurt and troubled people.
For more than ten thousand years, humans have lived in New Jersey. From Summit to Cape May, from Trenton to the Jersey Shore, the state is a treasure trove of archaeological artifacts, revealing much about those who occupied the region prior to European settlement. As a rule, only the most durable of human creations¾items of stone and pottery¾survive the ravages of time. To complicate matters, the onslaught of our own culture and the indiscriminate looting of sites by greedy collectors have further diminished the cultural materials left behind. The task of the archaeologist is to gather and interpret these scraps for the benefit of science and the public. But digging up relics is a trivial pursuit if the only outcome is a collection of artifacts, however attractive or valuable they may be. Understanding what those relics mean in human terms is crucial.
In Looking beneath the Surface, R. Alan Mounier looks at the human past of New Jersey. With particular focus on the ancient past and native cultures, the author tells the story of archaeology in the state as it has unfolded, and as it continues to unfold. New investigations and discoveries continually change our views and interpretations of the past. In jargon-free language, Mounier provides an in-depth introduction offering information to understand general archaeological practices as well as research in New Jersey. Subsequent chapters describe artifact types, archaeological settlements, and burial practices in detail. He concludes with vignettes of twenty-one archaeological investigations throughout the state to illustrate the variability of sites and the accomplishments of dedicated archaeologists, both professional and amateur.
Peter Paul Rubens’s fascinating depiction of a man wearing Korean costume of around 1617, in the collection of the J. Paul Getty Museum, has been considered noteworthy since it was made. Published to accompany an exhibition of Rubens’s Man in Korean Costume at the J. Paul Getty Museum from March 5 to June 9, 2013, Looking East: Rubens’s Encounter with Asia explores the various facets of Rubens’s compelling drawing of this Asian man that appears in later Rubens works. This large drawing was copied in Rubens’s studio during his own time and circulated as a reproductive print in the eighteenth century. Despite the drawing’s renown, however, the reasons why it was made and whether it actually depicts a specific Asian person remain a mystery. The intriguing story that develops involves a shipwreck, an unusual hat, the earliest trade between Europe and Asia, the trafficking of Asian slaves, and the role of Jesuit missionaries in Asia.
The book’s editor, Stephanie Schrader, traces the interpretations and meanings ascribed to this drawing over the centuries. Could Rubens have actually encountered a particular Korean man who sailed to Europe, or did he instead draw a model wearing Asian clothing or simply hear about such a person? What did Europeans really know about Korea during that period, and what might the Jesuits have had to do with the production of this drawing? All of these questions are asked and explored by the book’s contributors, who look at the drawing from various points of view.
When Angus Gillespie and Michael Rockland wrote Looking for America on the New Jersey Turnpike in 1989, they simply wanted to express their fascination with a road that many commuters regarded with annoyance or indifference. Little did they expect that it would be hailed as a classic, listed by the state library alongside works by Whitman and Fitzgerald as one of the ten best books ever written about New Jersey or by a New Jerseyan.
Now Looking for America on the New Jersey Turnpike is back in a special updated and expanded edition, examining how this great American motorway has changed over the past thirty-five years. You’ll learn how the turnpike has become an icon inspiring singers and poets. And you’ll meet the many people it has affected, including the homeowners displaced by its construction, the highway patrol and toll-takers who work on it, and the drivers who speed down its lanes every day.
If your childhood friends were Agapito, the bombastic, bilingual lion; Campamocha, the fix-it man; Caracoles, the restaurant owner; Uncle Andy, the shoe seller; Berta and Dyana, the life-size dolls; and Señorita Barrera, then you grew up watching Carrascolendas. This award-winning show, which originally aired on PBS in the 1970s and was subsequently broadcasted throughout the country in the 1980s and 1990s, was the first Spanish and English children's educational television program broadcast to national audiences in the United States.
In this engagingly written memoir, creator-producer Aida Barrera describes how the mythical world of Carrascolendas grew out of her real-life experiences as a Mexican American child growing up in the Valley of South Texas. She recalls how she drew on those early experiences to create television programming that specifically addressed the needs of Hispanic children, even as it remained accessible and entertaining to children of other cultural backgrounds.
In addition to her personal story, Barrera recounts the long-term struggles for network acceptance and funding that made the production of Carrascolendas something of a miracle. This off-camera story adds an important chapter to the history of Anglo-Mexican cultural politics during the 1970s. Given the fact that Latino characters are still under- and stereotypically represented on network television, Carrascolendas remains an important reminder of what is possible and what has been lost in authentically multicultural television programming.
In the 1950s, 99 percent of adult Americans said they believed in God. How, James Hudnut-Beumler asks, did this consensus about religion turn into the confrontational debates over religion in the 1960s? He argues that post-World War II suburban conformity made church-going so much a part of middle-class values and life that religion and culture became virtually synonymous. Secular critics like David Riesman, William Whyte, C. Wright Mills, and Dwight Macdonald, who blamed American culture for its conformism and lack of class consciousness, and religious critics like Will Herberg, Gibson Winter, and Peter Berger, who argued that religion had lost its true roots by incorporating only the middle class, converged in their attacks on popular religion.
Although most Americans continued to live and worship as before, a significant number of young people followed the critics' call for a faith that led to social action, but they turned away from organized religion and toward the counterculture of the sixties. The critics of the 1950s deserve credit for asking questions about the value of religion as it was being practiced and the responsibilities of the affluent to the poor—and for putting these issues on the social and cultural agenda of the next generation.
A new voice reveals the unique character of the upper Midwest
In the spirit of other writers who share an affinity for the natural world---authors such as Robert Frost, Emerson, and Bill Bryson---Looking for Hickories is Tom Springer's ode to the people, natural beauty, and lore of the Midwest, a place where bustling communities neighbor a fragile mosaic of quiet woods, fertile meadows, and miles of farmland.
Touching and humorous by turns, Looking for Hickories captures the essence of the upper Midwest's character with subjects particular to the region yet often universal in theme, from barn building to land preservation to the neglected importance of various trees in the landscape.
Like Frost's best poems, Springer's essays often begin with delight and end in wisdom. They mingle a generosity of spirit and the childlike pleasure of discovery with a grown-up sense of a time and a place, if not lost, then in danger of disappearing altogether---things to treasure and preserve for today and tomorrow.
In that always compelling yet simple style that has made Roy Reed one of the country’s foremost journalists, he shows us—as we share with him delightful moments and rich insights on the way to Hogeye—Southerners still different for being Southerners, and country Southerners who are even more so, pained by bruises and comforted by salves that are peculiarly their own.
“I hope that my city friends will not be upset to learn that this book is a little more sympathetic to the Arkansas hill people than it is to New Yorkers,” he says. “I have grown attached to cities over the years, but I am still, somewhere near my heart, a hillbilly. I have gone to a lot of trouble to remember that.”
This book is a special admission into those hills, to Vacation Bible School, tent meetings, sale barns, back roads and pool halls, to dog days in Hogeye.
To read Looking for Hogeye is to sit with Roy Reed on his wide front porch as he tells by the life he lives why, after Washington, London, and New York, he made his home in the north Arkansas hills, where he felt—as he puts it—”like Brer Rabbit reentering the briar patch.”
It is a visit not to be missed, and not to be forgotten.
For twenty-three years Abraham Lincoln practiced law on the Eighth Judicial Circuit in east central Illinois, and his legal career is explored in Looking for Lincoln in Illinois: A Guide to Lincoln’s Eighth Judicial Circuit. Guy C. Fraker directs readers and travelers through the prairies to the towns Lincoln visited regularly. Twice a year, spring and fall, Lincoln’s work took him on a journey covering more than four hundred miles. As his stature as a lawyer grew, east central Illinois grew in population and influence, and the Circuit provided Lincoln with clients, friends, and associates who became part of the network that ultimately elevated him to the presidency.
This guidebook to the Circuit features Illinois courthouses, Looking for Lincoln Wayside Exhibits, and other Lincoln points of interest. Fraker guides travelers down the long stretches of quiet country roads that gave Lincoln time to read and think to the locations where Lincoln’s broad range of cases expanded his sense of the economic and social forces changing America.
This richly illustrated compendium of twenty-two historic buildings in the Abraham Lincoln National Heritage Area includes houses, a hotel, and an art center, all of which are open to the public. Each site links today’s visitors with a place Lincoln lived, a home of a Lincoln friend or colleague, or a spot that illuminates Lincoln’s era and legacy in central Illinois. Along with dozens of modern and historical photographs, entries contain explorations of historical connections to Lincoln and detailed information about exceptional features and artifacts. Complete with maps, this showcase of Illinois heritage is a handy guide for day trips, extended tours, or armchair adventures.
Although they inhabited different political, social, and cultural arenas, Abraham Lincoln and the pioneer generation of Latter-day Saints, or Mormons, shared the same nineteenth-century world. Bryon C. Andreasen’s Looking for Lincoln in Illinois: Lincoln and Mormon Country relates more than thirty fascinating and surprising stories that show how the lives of Lincoln and the Mormons intersected.
This richly illustrated and carefully researched book expands on some of the storyboards found on the Looking for Lincoln Story Trail, from the Mormon capital of Nauvoo to the state capital of Springfield. Created by the Looking for Lincoln Heritage Coalition, this trail consists of wayside exhibits posted in sites of significance to Lincoln’s life and career across fifty-two communities in Illinois. The book’s keyed maps, historic photos, and descriptions of battles, Mormon expeditions, and events at inns, federal buildings, and even Lincoln’s first Illinois log cabin connect the stories to their physical locations.
Exploring the intriguing question of whether Lincoln and Mormon founder Joseph Smith ever met, the book reveals that they traveled the same routes and likely stayed at the same inns. The book also includes colorful and engaging looks at key figures such as Brigham Young, various Mormon apostles, and more. Anyone inspired by Lincoln, as well as Mormon and Illinois history enthusiasts, will appreciate this look back at a long-past, but not forgotten, landscape.
Winner, ISHS Certificate of Excellence Award, 2016
Presenting fifty Abraham Lincoln stories—some familiar and beloved, some fresh and unexpected—Looking for Lincoln in Illinois: Lincoln’s Springfield is a carefully researched, richly illustrated guide to the Springfield, Illinois, locations on the Looking for Lincoln Story Trail. Created by the Looking for Lincoln Heritage Coalition, this trail consists of more than two hundred illustrated storyboards posted at sites of significance to Lincoln’s life and career across fifty-two communities in Illinois. The storyboards connect Lincoln-related tales to the geographical locations where they occurred, giving visitors, and now readers, a tour of the social and cultural landscape of Lincoln’s nineteenth-century world while revealing the very human Lincoln known by friends and associates.
This book celebrates the trail as a rich historical resource, featuring the original storyboards produced for Springfield and including twelve additional stories and more than 150 illustrations. Engaging stories in the book bring Lincoln’s Springfield to life: Lincoln created controversy with his Temperance Address, which he delivered in a church on Fourth Street in February 1842. He unexpectedly married Mary Todd in her sister’s home on the edge of Springfield later that year. The Lincolns’ sons used to harness dogs and cats to small wagons and drive them around the dirt streets of town. When Lincoln visited his dentist, he applied his own chloroform, because the practice of analgesia was not yet common. He reportedly played the ball game Fives in a downtown alley while waiting for news of his presidential nomination. And boxing heavyweight champion John C. Heenan visited the presidential candidate in October 1860. Through texts, historic photographs and images, and maps, including one keyed to the story locations in downtown Springfield, readers of this fascinating volume are invited to imagine social and cultural landscapes that have been lost in time.
Turning to film, Mraz compares portrayals of the Mexican Revolution by Fernando de Fuentes to the later movies of Emilio Fernández and Gabriel Figueroa. He considers major stars of Golden Age cinema as gender archetypes for mexicanidad, juxtaposing the charros (hacienda cowboys) embodied by Pedro Infante, Pedro Armendáriz, and Jorge Negrete with the effacing women: the mother, Indian, and shrew as played by Sara García, Dolores del Río, and María Félix. Mraz also analyzes the leading comedians of the Mexican screen, representations of the 1968 student revolt, and depictions of Frida Kahlo in films made by Paul Leduc and Julie Taymor. Filled with more than fifty illustrations, Looking for Mexico is an exuberant plunge into Mexico’s national identity, its visual culture, and the connections between the two.
Family continues to be a wellspring of inspiration and learning for Blanco. His third book of poetry, Looking for The Gulf Motel, is a genealogy of the heart, exploring how his family’s emotion legacy has shaped—and continues shaping—his perspectives. The collection is presented in three movements, each one chronicling his understanding of a particular facet of life from childhood into adulthood. As a child born into the milieu of his Cuban exiled familia, the first movement delves into early questions of cultural identity and their evolution into his unrelenting sense of displacement and quest for the elusive meaning of home. The second, begins with poems peering back into family again, examining the blurred lines of gender, the frailty of his father-son relationship, and the intersection of his cultural and sexual identities as a Cuban-American gay man living in rural Maine. In the last movement, poems focused on his mother’s life shaped by exile, his father’s death, and the passing of a generation of relatives, all provide lessons about his own impermanence in the world and the permanence of loss. Looking for the Gulf Motel is looking for the beauty of that which we cannot hold onto, be it country, family, or love.
Every census misses some people, but those who are poor, male, urban, black, and Hispanic are most likely not to be counted. In 1980 and 1990, big city mayors complained that census undercounts were depriving their communities of their correct representation in Congress and of their fair share of state and federal dollars. The mayors filed lawsuits to demand recounts and statistical corrections to the census. Harvey Choldin tells the story of the conflict between Census Bureau staff and politicians over how to handle the undercount.
Statisticians at the census bureau were caught between their own rigorous scientific standards and these strong political demands. Choldin explains the political and statistical issues in the undercount controversy, and describes the major research and development program in which statisticians developed innovative techniques with which to measure and correct undercounts. He concludes by showing that, despite the undercount, the United States has an excellent census.
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Outsider”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Outsider. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Outsider.
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.
The initial critical reception of The Outsider was mixed, and it wasn’t until after liberation that The Outsider began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
Few books inspire devotion and excitement the way The Outsider does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.
The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
Pietruska argues that this late nineteenth-century quest for future certainty had an especially ironic consequence: it led Americans to accept uncertainty as an inescapable part of both forecasting and twentieth-century economic and cultural life. Drawing together histories of science, technology, capitalism, environment, and culture, Looking Forward explores how forecasts functioned as new forms of knowledge and risk management tools that sometimes mitigated, but at other times exacerbated, the very uncertainties they were designed to conquer. Ultimately Pietruska shows how Americans came to understand the future itself as predictable, yet still uncertain.
This groundbreaking study introduces and explores Lacan’s complex theories of subjectivity and desire through close readings of canonical children’s books such as Charlotte’s Web, Stellaluna, Holes, Tangerine, and The Chocolate War, providing an introduction to an increasingly influential body of difficult work while making the claim that children’s textual encounters are as significant as their existential ones in constituting their subjectivities and giving shape to their desires.
Arguing that art is constituted across cultural boundaries rather than merely inside them, the contributors explore the relations between art, cultural identity, and the social languages of evaluation—among artists, art critics, art institutions, and their audiences—in the Southwest and in Mexico. The authors use anthropological methods in art communities to uncover compelling evidence of how marginalized populations make meaning for themselves, how images of ethnicity function in commercial culture, how Native populations must negotiate sentimental marketing and institutional appropriation of their art work, and how elite populations use culture and ritual in ways that both reveal and obscure their power and status. The authors make dramatic revelations concerning the construction and contestation of ideas of art as they circulate between groups where notions of what art "should" be are often at odds with each other.
This volume challenges conventional modes of analyzing art. Its ethnographic explorations illuminate the importance of art as a cultural force while creating a greater awareness of the roles that scholars, museum curators, and critics play in the evaluation of art.
Contents
Introduction: Art Hierarchies, Cultural Boundaries, and Reflexive Analysis, Brenda Jo Bright
Bellas Artes and Artes Populares: The Implications of Difference in the Mexico City Art World, Liza Bakewell
Space, Power, and Youth Culture: Mexican American Graffiti and Chicano Murals in East Los Angeles, 1972-1978, Marcos Sanchez-Tranquilino
Remappings: Los Angeles Low Riders, Brenda Jo Bright
Marketing Maria: The Tribal Artist in the Age of Mechanical Reproduction, Barbara Babcock
Aesthetics and Politics: Zuni War God Repatriation and Kachina Representation, Barbara Tedlock
Middlebrow into Highbrow at the J. Paul Getty Trust, Los Angeles, George E. Marcus
Theater is, first and foremost, a visual art; Looking Into the Abyss examines the ways in which the visual theater affects our understanding of the dramatic event. Arnold Aronson, an internationally prominent historian and theorist of theater set design, opens with an overview of scenographic concepts, including postmodern design and the use of new media in the theater, and continues with analyses of the work of specific designers (including Richard Foreman and David Rockwell) and scenographic responses to playwrights like Chekhov and Tony Kushner. These essays serve to open a dialogue that will bring the physical aspect of theater back into its proper place: an element as integral to the performance as the spoken word, and they will inspire theater-goers to become more aware of their role as seers of the theater.
Arnold Aronson is Professor of Theater, Columbia University. He is author of American Avant-Garde Theatre: A History; Architect of Dreams: The Theatrical Vision of Joseph Urban; American Set Design; and The History and Theory of Environmental Scenography.
Japanese citizens were initially lured to Mexico with promises of cheap and productive land in Chiapas. Many of the promises were false, and the immigrants were forced to fan out across the country, especially to the lands along the US border. As Jerry García reveals, they were victims of discrimination based on “difference,” but they also displayed “markers of whiteness” that linked them positively to Europeans and Americans, who were perceived as powerful and socially advanced. And, García reports, many Mexicans looked favorably on the Japanese as hardworking and family-centered.
The book delves deeply into the experiences of the Japanese on both sides of the border during World War II, illuminating the similarities and differences in their treatment. Although some Japanese Mexicans were eventually interned (at the urging of the US government), in general the fear and vitriol that Japanese Americans encountered never reached the same levels in Mexico.
Looking Like the Enemy is an ambitious study of a tumultuous half-century in Mexico. It is a significant contribution to our understanding of the immigrant experience in the Western Hemisphere and to the burgeoning field of borderlands studies.
Given recent changes in politics and demographics, Latin America and the United States are becoming increasingly important to one another. Recognition of the two regions' differences and similarities may facilitate a more fruitful relationship, with increased respect and understanding.
It is with this in mind that editors John J. Hassett and Braulio Muñoz present a collection of writings that provides a look into the ways in which Spanish America has viewed its northern neighbor over the past two centuries. Gathered here are pieces by well-known figures from the worlds of Spanish American politics, history, philosophy, creative writing, and culture—names like Mario Vargas Llosa, Gabriel Garcia Marquez and Pablo Neruda.
Divided into three sections, Looking North begins by underscoring the cultural and political differences between the two Americas. It opens with a speech by Simón Bolívar to the Venezuelan Congress in 1819 and closes with an essay by Mario Vargas Llosa from 2006 on the controversial wall being constructed between the United States and Mexico. The second section explores the experiences of Spanish American travelers in the US, beginning with an account of former Argentine president Domingo Sarmiento's fascination with the United States during his travels in 1847 and ending with a 2008 essay by Vargas Llosa on the city of New York. The final section encompasses creative writing and commentaries by some of Spanish America's most gifted poets and novelists. It opens with Rubén Darío's "To Roosevelt" from 1905 and ends with Christine Granados's humorous and profound short story "Inner View," first published in 2006.
Touching on history, sociology, politics, and religion, the writings assembled here will be of interest to humanists, social scientists, and anyone intrigued by the ever-growing connection between the United Sates and Spanish America at all levels.
Focusing on Hollywood cinema from the teens to the 1970s, these case studies show the value of this extraordinary range of historical materials in developing interdisciplinary approaches to film stardom, regulation, reception, and production. The contributors examine State Department negotiations over the content of American films shown abroad; analyze the star image of Clara Smith Hamon, who was notorious for having murdered her lover; and consider film journalists’ understanding of the arrival of auteurist cinema in Hollywood as it was happening during the early 1970s. One contributor chronicles the development of film studies as a scholarly discipline; another offers a sociopolitical interpretation of the origins of film noir. Still another brings to light Depression-era film reviews and Production Code memos so sophisticated in their readings of representations of sexuality that they undermine the perception that queer interpretations of film are a recent development. Looking Past the Screen suggests methods of historical research, and it encourages further thought about the modes of inquiry that structure the discipline of film studies.
Contributors. Mark Lynn Anderson, Janet Bergstrom, Richard deCordova, Kathryn Fuller-Seeley, Sumiko Higashi, Jon Lewis, David M. Lugowski, Dana Polan, Eric Schaefer, Andrea Slane, Eric Smoodin, Shelley Stamp
A comprehensive, ambitious, and valuable work on an increasingly important subject
In the Preface to her new study, Latin Americanist Helen Delpar writes, "Since the seventeenth century, Americans have turned their gaze toward the lands to the south, seeing in them fields for religious proselytization, economic enterprise, and military conquest." Delpar, consequently, aims her considerable gaze back at those Americans and the story behind their longtime fascination with Latin American culture. By visiting seminal works and the cultures from which they emerged, following the effects of changes in scholarly norms and political developments on the training of students, and evaluating generations of scholarship in texts, monographs, and journal articles, Delpar illuminates the growth of scholarly inquiry into Latin American history, anthropology, geography, political science, economics, sociology, and other social science disciplines.
The women’s health movement in the United States, beginning in 1969 and taking hold in the 1970s, was a broad-based movement seeking to increase women’s bodily knowledge, reproductive control, and well-being. It was a political movement that insisted that bodily autonomy provided the key to women’s liberation. It was also an institution-building movement that sought to transform women’s relationships with medicine; it was dedicated to increasing women’s access to affordable health care without the barriers of homophobia, racism, and sexism. But the movement did not only focus on women’s bodies. It also encouraged activists to reimagine their relationships with one another, to develop their relationships in the name of personal and political change, and, eventually, to discover and confront the limitations of the bonds of womanhood.
This book examines historically the emergence, development, travails, and triumphs of the women’s health movement in the United States. By bringing medical history and the history of women’s bodies into our emerging understandings of second-wave feminism, the author sheds light on the understudied efforts to shape health care and reproductive control beyond the hospital and the doctor’s office—in the home, the women’s center, the church basement, the bookshop, and the clinic. Lesbians, straight women, and women of color all play crucial roles in this history. At its center are the politics, institutions, and relationships created by and within the women’s health movement, depicted primarily from the perspective of the activists who shaped its priorities, fought its battles, and grappled with its shortcomings.
More than just a history of a musical genre, Looking Up at Down traces the evolution of the various strands of blues music within the broader context of the culture on which it commented, and discusses its importance as a form of cultural resistance and identity for Afro-Americans. William Barlow explores the lyrics, describes the musical styles, and portrays the musicians and performers who created this uniquely American music. He describes how the blues sound—with its recognizable dissonance and African musical standards—and the blues text, which provided a bottom up view of American society, became bulwarks of cultural resistance.
Using rare recordings, oral histories, and interviews, Barlow analyzes how the blues was sustained as a form of Afro-American cultural resistance despite attempts by the dominant culture to assimilate and commercialize the music and exploit its artists.
Third in the "Pearl County" series, The Looking-Glass is March's story of a small Alabama town in the early days of the twentieth century. Connected by relationships that bind, support, and strangle, the citizens of Reedyville are drawn ineluctably toward a single climactic night. March's skillful blend of humor and pathos evinces his deep insights and empathy into the problems of the mind and heart that are both peculiar to Reedyville yet found in every town and family.
Sometimes elegiac, sometimes deadly comic, and always transformative, The Lookout Man embodies the energy, spirit, and craft that we have come to depend upon in Stuart Dischell’s poetry. Inhabiting a mix of lyric structures, these poems are set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from the backyards of America to the streets of international cities. There is a hesitant, almost encroaching wisdom in The Lookout Man, as Dischell allows his edgy vision and singular perspectives to co-exist with the music of his poems. In lines that close the book and typify Dischell’s work, he writes, “I will ask the dogwoods to remind me // What it means to live along the edges of the woods, / To be promiscuous but bear white flowers.”
Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s.
This unique volume combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick.
The Loop features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway.
This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.
Looping Detroit invites artists and writers to ride the small loop as an explorer, mining the environs around each station as a poetic ramble, a psycho geographic wander, a cultural inquiry that simultaneously ponders the poetics of circulating above the city streets while probing the greater narrative of Detroit’s public transit conundrum.
Contributors include award-winning Detroit novelists Lolita Hernandez and Michael Zardoorian, poets Gloria House and Walter Lacy, music producer Cornelius Harris, Chace MicWrite Morris, frontman of the Detroit hip-hop trio Coldmen Young, and radio producer Zak Rosen.
It has become common to lament Americans' tendency to pursue individual interests apart from any institutional association. But to those who charge that Americans are at home watching television rather than getting involved in their communities, Robert Wuthnow answers that while certain kinds of civic engagement may be declining, innovative new forms are taking their place.
Acknowledging that there has been a significant change in group affiliations--away from traditional civic organizations--Wuthnow shows that there has been a corresponding movement toward affiliations that respond to individual needs and collective concerns. Many Americans are finding new and original ways to help one another through short-term task-oriented networks. Some are combining occupational skills with community interests in nonprofit and voluntary associations. Others use communication technologies, such as the World Wide Web, to connect with like-minded people in distant locations. And people are joining less formal associations, such as support groups and lobbying efforts, within their home communities.
People are still connected, but because of the realities of daily life, they form "loose connections." These more fluid groups are better suited to dealing with today's needs than the fraternal orders and ladies' auxiliaries of the past. Wuthnow looks at the challenges that must be faced if these innovative forms of civic involvement are to flourish, and calls for resources to be made available to strengthen the more constructive and civic dimensions of these organizations. This book helps us to understand and encourage the community spirit of today.
Reising suggests that these "non-endings" entirely refocus the narrative structures they appear to conclude, accentuate the narrative stresses and ideological fissures that the texts seem to suppress, and reveal "shadow narratives" that trail alongside the dominant story line. He argues that unless the reader notices the ruptures in the closing moments of these works, the social and historical moments in which the narrative and the reader are embedded will be missed. This reading not only offers new interpretive possibilities, but also uncovers startling affinities between the poetry of Phillis Wheatley and the fiction of Henry James, between Charles Brockden Brown’s Wieland and Melville’s least-studied novel, and between Emily Dickinson’s poem "I Started Early—Took My Dog" and Disney’s animated classic.
Pursuing the implications of these failed moments of closure, Reising elaborates on topics ranging from the roots of domestic violence and mass murder in early American religious texts to the pornographic imperative of mid-century nature writing, and from James’s "descent" into naturalist and feminist fiction to Dumbo’s explosive projection of commercial, racial, and political agendas for postwar U. S. culture.
An arresting memoir of love and unbending religion, toxicity and disease, and one family’s desperate wait for a miracle that never came.
Kathleen Dorothy Blackburn was the oldest of five children, a twelve-year-old from Lubbock, Texas, whose evangelical family eschewed public education for homeschooling, and wove improbable scientific theories into literal interpretations of the Bible. Then her father, a former air force pilot, was diagnosed with cancer at the age of thirty-eight, and, “it was like throwing gasoline on the Holy Spirit.” Stirred by her mother, the family committed to an extreme diet and sought deliverance from equally extreme sources: a traveling tent preacher, a Malaysian holy man, a local faith-healer who led services called “Miracles on 34th Street.”
What they didn’t know at the time was that their lives were entangled with a larger, less visible environmental catastrophe. Fire-fighting foams containing carcinogenic compounds had contaminated the drinking water of every military site where her father worked. Commonly referred to as “forever chemicals,” the presence of PFAS in West Texas besieged a landscape already burdened with vanishing water, taking up residence in wells and in the bloodstreams of people who lived there. An arresting portrait of the pernicious creep of decline, and a powerful cry for environmental justice, Loose of Earth captures the desperate futility and unbending religious faith that devastated a family, leaving them waiting for a miracle that would never come.
The seventeen essays gathered in this volume take the measure of Vizenor’s achievement. Among the contributors are leading Native American writers Louis Owens, Arnold Krupat, Elaine A. Jahner, and Barry O’Connell.
Returning to Chicago from France, Taft established a bustling studio and began a twenty-one-year career as an instructor at the Art Institute, succeeded by three decades as head of the Midway Studios at the University of Chicago. This triumphant era included ephemeral sculpture for the 1893 World's Columbian Exposition; a prolific turn-of-the-century period marked by the gold-medal-winning The Solitude of the Soul; the 1913 Fountain of the Great Lakes; the 1929 Alma Mater at the University of Illinois; and large-scale projects such as his ambitious program for Chicago's Midway with the monumental Fountain of Time. In addition, the book charts Taft's mentoring of women artists, including the so-called White Rabbits at the World's Fair, many of whom went on to achieve artistic success.
Lavishly illustrated with color images of Taft's most celebrated works, Lorado Taft: The Chicago Years completes the first major study of a great American artist.
In his short work The Lord, Swedenborg presents an answer to the time-honored question of how Jesus and God are related: he argues that they became in every way one and the same. Throughout his works Swedenborg uses the term “Lord” to refer to Jesus as the embodiment of God. In this work he emphasizes that the traditional trinity of Father, Son, and Holy Spirit should be thought of not as three separate divine Persons that have always coexisted but as three aspects now present within one divine Person—Jesus in his resurrection.
The Lord also touches upon key themes in Swedenborg’s theology: the spiritual reasons why the Lord came to earth; the significance of the death and resurrection of his human form; and the ways in which his coming was foretold in the Old Testament. Throughout the book, Swedenborg provides extensive biblical references to support his arguments. He concludes with a brief chapter describing the New Jerusalem, a reference to both the city described in the book of Revelation and the new spiritual age that is now unfolding.
The Lord is part of the New Century Edition of the Works of Emanuel Swedenborg (NCE), an ongoing translation series. The NCE series incorporates the latest scholarship and translation standards for a more accurate and accessible rendering of Swedenborg’s works. Traditionally titled The Doctrine of the Lord, this short work is often published together with three other short works—Life, Faith, and Sacred Scripture—under the title The Four Doctrines. The Swedenborg Foundation will publish these four titles together in the forthcoming NCE hardcover annotated volume The Shorter Works of 1763.
“Samuel Wilberforce,” writes Standish Meacham, “is best remembered as Soapy Sam, the bishop who debated Huxley on evolution and lost. He always insisted his nickname derived from the fact that though many times in hot water he emerged in every case with clean hands. Others had a less flattering explanation. They believed he was inordinately ambitious and that he trimmed to a line dictated by ambition.”
In this volume Meacham presents the first scholarly biography of Wilberforce, a prominent bishop in the Church of England from 1845 to 1873. Drawing upon source materials only recently made available to scholars, the author traces through correspondence and diaries the life of this outstanding Victorian Churchman, describing at the same time the theological temper of the period. Meacham’s emphasis, however, is on Wilberforce as a human being. He reveals his subject in a variety of roles: as favorite, for a time, of Victoria and Prince Albert; as staunch Churchman; as debater in the House of Lords; as a conscientious bishop traveling from one end of his diocese to the other, exerting his considerable energies to raise church funds, encourage his often dispirited clergy, and admonish his flock; and as a sometimes vigorous adversary of Tractarianism.
During the times in which Wilberforce lived, especially the last decade or so of his life, the old orthodoxies were losing their force and new discoveries and modes of thought were breaking down religious certainties. Meacham describes the spiritual struggle Wilberforce waged against Darwinism and higher criticism. He depicts also the private struggle of an essentially good man against the temptations of power and ambition, and the difficulties entailed in the dual role of Churchman and member of the House of Lords whose associates were almost wholly of the privileged class.
Cain has been ranked as one of the two best dramatic poems written in England in the nineteenth century. Because of its religious heterodoxy, which veiled a political iconoclasm, and also because of Byron’s notoriety, Cain stirred up a storm among Tories and clergymen “from Kentish town to Pisa.” From 1821 to 1830 more was printed about its eighteen hundred alarming lines than about the twenty thousand of Don Juan. One solemn Frenchman even translated the work in order to supply his countrymen with a text that he could then rewrite and confute.
After the initial controversy, readers began to regard Cain not merely as revolutionary propaganda but as a fictional portrait of common youthful experience: a sequence of aspiration, discontent, uncertainty, confusion, misunderstood isolation, fear, frustration, anger, and finally a rash, inevitable, but futile revolt that led to a future of hopeless regret.
Truman Guy Steffan here presents a text, arrived at by collation of the first and several later editions with the original manuscript (presently in the Stark Collection of the Miriam Lutcher Stark Library at the Harry Ransom Center, the University of Texas at Austin).
The first eight essays, which comprise Part I, cover a number of literary topics: Byron’s defense of his purposes in Cain and the relevance of his dramatic theory to the poem; the characterization that is an ideological confrontation, a revelation of personal conflict, as well as a rendering of individuals who have an existence independent of the author; the principles that controlled Byron’s absorption and expansion of biblical materials; the integration of the imagery with the dramatic substance; the incongruities of the language; the metrical heterodoxy; and a description of the manuscript and of Byron’s insertions.
Part II contains the text of Cain, accompanied by notes on the variants, the manuscript cancellations and additions, certain linguistic details, and the scansion of some unusual verses. Then follow annotations on allusions, sources, and analogues, and on a few passages of the play that have elicited unusual conflict over interpretation.
Part III provides a history of Cain criticism, from the opinions of Byron’s social and literary circle and of the major periodicals and pamphlets to the more complicated contribution of the twentieth century.
This important work stands not only as a valuable addition to Byron scholarship but also as an illuminating record of the changing critical and cultural attitudes from the early nineteenth century to the 1960s. Steffan has done a remarkable job in bringing together and synthesizing an enormous body of material.
Do democratic states bring about greater social and economic equality among their citizens? Modern India embraced universal suffrage from the moment it was free of British imperial rule in 1947—a historical rarity in the West—and yet Indian citizens are far from realizing equality today. The United States, the first British colony to gain independence, continues to struggle with intolerance and the consequences of growing inequality in the twenty-first century.
From Boston Brahmins to Mohandas Gandhi, from Hollywood to Bollywood, Nico Slate traces the continuous transmission of democratic ideas between two former colonies of the British Empire. Gandhian nonviolence lay at the heart of the American civil rights movement. Key Indian freedom fighters sharpened their political thought while studying and working in the United States. And the Indian American community fought its own battle for civil rights.
Spanning three centuries and two continents, Lord Cornwallis Is Dead offers a new look at the struggle for freedom that linked two nations. While the United States remains the world’s most powerful democracy, India—the world’s most populous democracy—is growing in wealth and influence. Together, the United States and India will play a predominant role in shaping the future of democracy.
In the pre-Hispanic Mesoamerican world, histories and collections of ritual knowledge were often presented in the form of painted and folded books now known as codices, and the knowledge itself was encoded into pictographs. Eight codices have survived from the Mixtec peoples of ancient Oaxaca, Mexico; a part of one of them, the Codex Zouche-Nuttall, is the subject of this book. As a group, the Mixtec codices contain the longest detailed histories and royal genealogies known for any indigenous people in the western hemisphere. The Codex Zouche-Nuttall offers a unique window into how the Mixtecs themselves viewed their social and political cosmos without the bias of western European interpretation. At the same time, however, the complex calendrical information recorded in the Zouche-Nuttall has made it resistant to historical, chronological analysis, thereby rendering its narrative obscure.
In this pathfinding work, Robert Lloyd Williams presents a methodology for reading the Codex Zouche-Nuttall that unlocks its essentially linear historical chronology. Recognizing that the codex is a combination of history in the European sense and the timelessness of myth in the Native American sense, he brings to vivid life the history of Lord Eight Wind of Suchixtlan (AD 935–1027), a ruler with the attributes of both man and deity, as well as other heroic Oaxacan figures. Williams also provides context for the history of Lord Eight Wind through essays dealing with Mixtec ceremonial rites and social structure, drawn from information in five surviving Mixtec codices.
"Anyone interested in geologic time, and that should include all geologists and a fair smattering of biologists, physicists and chemists, should make Burchfield's commendable and time-tested volume part of their personal library"—Brent Darymple, Quartely Review of Biology
Less cynical than Talleyrand, more imaginative than Metternich, as creative as Guizot, Lord Liverpool was one of the great European conservatives of his age. He served as prime minister for the longest continuous term in nineteenth-century Britain and presided over the triumphant years of the Napoleonic War, the strife-torn era of the “Peterloo” massacre, and the founding of the great liberal free-trade revolution in financial and commercial policy that heralded Victorianism.
Norman Gash’s biography is the first modern reassessment of this misunderstood statesman. Gash places Liverpool within the kaleidoscopic parliamentary politics of the time and shows how he governed with the collective strength and unity of the cabinet. By offering parsimonious administration and enlightened economic policy, Liverpool hoped to preserve the old constitution and prevent both Catholic emancipation and parliamentary reform. Balancing interests and preserving order, Liverpool also contended with the vicissitudes of the still powerful monarchs—the aging and disturbed George III and the capricious and self-indulgent George IV, whose attempted divorce almost toppled the Liverpool administration.
This is not only an account of one of the most professional prime ministers of Great Britain, but also the story of the personal relations that shaped Lord Liverpool and the private life that gave him immense satisfaction. Based on correspondence and Lord Liverpool’s private papers, Gash’s work recasts the history of a turbulent age and its most prominent political figure.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press