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The Money Myth
School Resources, Outcomes, and Equity
W. Norton Grubb
Russell Sage Foundation, 2009
Can money buy high-quality education? Studies find only a weak relationship between public school funding and educational outcomes. In The Money Myth, W. Norton Grubb proposes a powerful paradigm shift in the way we think about why some schools thrive and others fail. The greatest inequalities in America's schools lie in factors other than fiscal support. Fundamental differences in resources other than money—for example, in leadership, instruction, and tracking policies—explain the deepening divide in the success of our nation's schoolchildren. The Money Myth establishes several principles for a bold new approach to education reform. Drawing on a national longitudinal dataset collected over twelve years, Grubb makes a crucial distinction between "simple" resources and those "compound," "complex," and "abstract" resources that cannot be readily bought. Money can buy simple resources—such as higher teacher salaries and smaller class sizes—but these resources are actually some of the weakest predictors of educational outcomes. On the other hand, complex resources pertaining to school practices are astonishingly strong predictors of success. Grubb finds that tracking policies have the most profound and consistent impact on student outcomes over time. Schools often relegate low-performing students—particularly minorities—to vocational, remedial, and special education tracks. So even in well-funded schools, resources may never reach the students who need them most. Grubb also finds that innovation in the classroom has a critical impact on student success. Here, too, America's schools are stratified. Teachers in underperforming schools tend to devote significant amounts of time to administration and discipline, while instructors in highly ranked schools dedicate the bulk of their time to "engaged learning," using varied pedagogical approaches. Effective schools distribute leadership among many instructors and administrators, and they foster a sense of both trust and accountability. These schools have a clear mission and coherent agenda for reaching goals. Underperforming schools, by contrast, implement a variety of fragmented reforms and practices without developing a unified plan. This phenomenon is perhaps most powerfully visible in the negative repercussions of No Child Left Behind. In a frantic attempt to meet federal standards and raise test scores quickly, more and more schools are turning to scripted "off the shelf" curricula. These practices discourage student engagement, suppress teacher creativity, and hold little promise of improving learning beyond the most basic skills. Grubb shows that infusions of money alone won't eradicate inequality in America's schools. We need to address the vast differences in the way school communities operate. By looking beyond school finance, The Money Myth gets to the core reasons why education in America is so unequal and provides clear recommendations for addressing this chronic national problem.
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Money, Myths, and Change
The Economic Lives of Lesbians and Gay Men
M.V. Lee Badgett
University of Chicago Press, 2001
How does the standard of living of gay men and lesbians compare with that of heterosexuals? Do homosexuals make financial and family decisions differently? Why are the professional lives of gay men and lesbians dissimilar from those of heterosexuals? Or do they even differ? Have gay people benefited from the recent economic boom? Or have public policies denied them their fair share?

Money, Myths, and Change provides new answers to these complex questions. This is the first comprehensive work to explore the economic lives of gays and lesbians in the United States. M. V. Lee Badgett weaves through and debunks common stereotypes about gay privilege, income, and consumer behavior. Studying the ends and means of gay life from an economic perspective, she disproves the assumption that gay men and lesbians are more affluent than heterosexuals, that they inspire discrimination when they come out of the closet, that they consume more conspicuously, that they enjoy a more self-indulgent, even hedonistic lifestyle. Badgett gets to the heart of these misconceptions through an analysis of the crucial issues that affect the livelihood of gay men and lesbians: discrimination in the workplace, denial of health care benefits to domestic partners and children, lack of access to legal institutions such as marriage, the corporate wooing of gay consumer dollars, and the use of gay economic clout to inspire social and political change.

Both timely and readable, Money, Myths, and Change stands as a much-needed corrective to the assumptions that inhibit gay economic equality. It is a definitive work that sheds new light on just what it means to be gay or lesbian in the United States.
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The Money Pitch
Baseball Free Agency and Salary Arbitration
Roger I. Abrams
Temple University Press, 2000
Professional baseball players have always been well paid. In 1869, Harry Wright paid his Cincinnati Red Stockings about seven times what an average working-man earned. Today, on average, players earn more than fifty times the average worker's salary. In fact, on December 12, 1998, pitcher Kevin Brown agreed to a seven-year,  $105,000,000 contract with the Los Angeles Dodgers, the first nine-figure contract in baseball history. Brown will be earning over $400,000 per game; more than 17,000 fans have to show up  at Dodger Stadium every night just to pay his salary.

Why are baseball players paid so much money? In this insightful book, legal scholar and salary arbitrator Roger Abrams tells the story of how a few thousand very talented young men obtain their extraordinary riches. Juggling personal experience and business economics, game theory and baseball history, he explains how agents negotiate compensation, how salary arbitration works,  and how the free agency "auction" operates. In addition, he looks at the context in which these systems operate: the players' collective bargaining agreement, the distribution of quality players among the clubs, even the costs of other forms of entertainment with which baseball competes.

Throughout, Dean Abrams illustrates his explanations with stories and quotations -- even an occasional statistic, though following the dictum of star pitcher, club owner, and sporting goods tycoon Albert Spalding, he has kept the book as free of these as possible. He explains supply and demand by the cost of a bar of soap for Christy Mathewson's shower. He illustrates salary negotiation with an imaginary case based on Roy Hobbs, star of The National. He leads the reader through the breath-taking successes of agent Scott Boras to explain the intricacies of free agent negotiating.

Although studies have shown that increases in admissions prices precede rather than follow the rise in player salaries, fans are understandably bemused by skyrocketing salaries. Dean Abrams does not shy away from the question of whether it is "fair" for an athlete to earn more than $10,000,000 a year. He looks at issues of player (and team) loyalty and player attitudes, both today and historically, and at what increased salaries have meant for the national pastime, financially and in the eyes of its fans. The Money Pitch concludes that "the money pitch is a story of good fortune, good  timing, and great leadership, all resulting from playing a child's game -- a story that is uniquely American."
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Money, Power, and Ideology
Political Parties in Post-Authoritarian Indonesia
Marcus Mietzner
National University of Singapore Press, 2013
Are political parties the weak link in Indonesia’s young democracy? More pointedly, do they form a giant cartel to suck patronage resources from the state? Indonesian commentators almost invariably brand the country’s parties as corrupt, self-absorbed, an
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Money, Power, and the People
The American Struggle to Make Banking Democratic
Christopher W. Shaw
University of Chicago Press, 2019
Banks and bankers are hardly the most beloved institutions and people in this country. With its corruptive influence on politics and stranglehold on the American economy, Wall Street is held in high regard by few outside the financial sector. But the pitchforks raised against this behemoth are largely rhetorical: we rarely see riots in the streets or public demands for an equitable and democratic banking system that result in serious national changes.

Yet the situation was vastly different a century ago, as Christopher W. Shaw shows. This book upends the conventional thinking that financial policy in the early twentieth century was set primarily by the needs and demands of bankers. Shaw shows that banking and politics were directly shaped by the literal and symbolic investments of the grassroots. This engagement remade financial institutions and the national economy, through populist pressure and the establishment of federal regulatory programs and agencies like the Farm Credit System and the Federal Deposit Insurance Corporation. Shaw reveals the surprising groundswell behind seemingly arcane legislation, as well as the power of the people to demand serious political repercussions for the banks that caused the Great Depression. One result of this sustained interest and pressure was legislation and regulation that brought on a long period of relative financial stability, with a reduced frequency of economic booms and busts. Ironically, this stability led to the decline of the very banking politics that brought it about.

Giving voice to a broad swath of American figures, including workers, farmers, politicians, and bankers alike, Money, Power, and the People recasts our understanding of what might be possible in balancing the needs of the people with those of their financial institutions.
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The Money Problem
Rethinking Financial Regulation
Morgan Ricks
University of Chicago Press, 2016
Years have passed since the world experienced one of the worst financial crises in history, and while countless experts have analyzed it, many central questions remain unanswered. Should money creation be considered a ‘public’ or ‘private’ activity—or both? What do we mean by, and want from, financial stability? What role should regulation play? How would we design our monetary institutions if we could start from scratch?
 
In The Money Problem, Morgan Ricks addresses all of these questions and more, offering a practical yet elegant blueprint for a modernized system of money and banking—one that, crucially, can be accomplished through incremental changes to the United States’ current system. He brings a critical, missing dimension to the ongoing debates over financial stability policy, arguing that the issue is primarily one of monetary system design. The Money Problem offers a way to mitigate the risk of catastrophic panic in the future, and it will expand the financial reform conversation in the United States and abroad.
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The Money Shot
Trash, Class, and the Making of TV Talk Shows
Laura Grindstaff
University of Chicago Press, 2002
He leaped from his chair, ripped off his microphone, and lunged at his ex-wife. Security guards rushed to intercept him. The audience screamed, then cheered. Were producers concerned? Not at all. They were getting what they wanted: the money shot.

From "classy" shows like Oprah to "trashy" shows like Jerry Springer, the key to a talk show's success is what Laura Grindstaff calls the money shot—moments when guests lose control and express joy, sorrow, rage, or remorse on camera. In this new work, Grindstaff takes us behind the scenes of daytime television talk shows, a genre focused on "real" stories told by "ordinary" people. Drawing on extensive interviews with producers and guests, her own attendance of dozens of live tapings around the country, and more than a year's experience working on two nationally televised shows, Grindstaff shows us how producers elicit dramatic performances from guests, why guests agree to participate, and the supporting roles played by studio audiences and experts.

Grindstaff traces the career of the money shot, examining how producers make stars and experts out of ordinary people, in the process reproducing old forms of cultural hierarchy and class inequality even while seeming to challenge them. She argues that the daytime talk show does give voice to people normally excluded from the media spotlight, but it lets them speak only in certain ways and under certain rules and conditions. Working to understand the genre from the inside rather than pass judgment on it from the outside, Grindstaff asks not just what talk shows can tell us about mass media, but also what they reveal about American culture more generally.


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Money Talks
Media, Markets, Crisis
Edited by Graham Murdock andJostein Gripsrud
Intellect Books, 2014
Money Talks explores the ways the concepts of money and capital are understood and talked about by a range of people, from traders to ordinary investors, and how these accounts are framed and represented across a range of media. This collection brings together leading writers and emerging researchers to demonstrate how work in media and cultural studies can contribute to debates around the meanings of money, the operations of capital, and the nature of the current crisis. Drawing on a range of work from across disciplines, Money Talks offers a provocative and pathbreaking demonstration of the value of incorporating approaches from media and cultural studies into an understanding of economic issues.
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Money, Trade, and Economic Growth
Survey Lectures in Economic History, Second edition
Harry G. Johnson
Harvard University Press

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Money, Trains, and Guillotines
Art and Revolution in 1960s Japan
William Marotti
Duke University Press, 2013
During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to challenge this new political mythology. Marotti examines their political art, and the state's aggressive response to it. He reveals the challenge mounted in projects such as Akasegawa Genpei's 1,000-yen prints, a group performance on the busy Yamanote train line, and a plan for a giant guillotine in the Imperial Plaza. Focusing on the annual Yomiuri Indépendant exhibition, he demonstrates how artists came together in a playful but powerful critical art, triggering judicial and police response. Money, Trains, and Guillotines expands our understanding of the role of art in the international 1960s, and of the dynamics of art and policing in Japan.
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Money Trees
The Douglas Fir and American Forestry, 1900-1944
Emily K. Brock
Oregon State University Press, 2015
Around the start of the last century, the forests of the Pacific Northwest were viewed as dynamic sites of industrial production, and also as natural landscapes of ecological integrity. These competing visions arose as the nation’s professional foresters faced conflicting demands from lumber companies and government regulators. External pressures converged with internal scientific debates within the profession, leading foresters to question the proper scope of their work.
 
Money Trees is an interdisciplinary history of the crucial decades that shaped the modern American conception of the value of the forest. It begins with early 20th century environmental changes in the Douglas Fir forests of the Pacific Northwest, which led to increasing divisiveness and controversy among foresters. Brock balances this regional story with a national view of the intellectual and political currents that governed forest management, marshaling archival evidence from industry, government, and scientific sources.
 
An important contribution to environmental scholarship, Money Trees offers a nuanced vision of forestry’s history and its past relationship to both wilderness activism and scientific ecology. With fresh perspectives on well-known environmental figures such as Bob Marshall and Gifford Pinchot, it will add to the conversation among scholars in environmental history, history of science, and the history of the American West. It will be welcomed as a key resource across the spectrum of environmental studies, and by anyone interested in natural resources, land management, the role of science in environmentalism, and the modern wilderness movement.
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Moneybags Must Be So Lucky
On the Literary Structure of Capital
Robert P. Wolff
University of Massachusetts Press, 1988
Karl Marx's great work, Capital, has intrigued and puzzled readers for more than a century by its mystifyingly intricate arguments and dramatic literary embellishments. In this book, Robert Paul Wolff dispels much of the mystery surrounding Capital by providing a literary-philosophical analysis of the text and of Marx's intentions.
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The Mongol Century
Visual Cultures of Yuan China, 1271-1368
Shane McCausland
Reaktion Books, 2015
The Mongol Century explores the visual world of China’s Yuan dynasty (1271–1368), the spectacular but relatively short-lived regime founded by Khubilai Khan, regarded as the preeminent khanate of the Mongol empire.

Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first book in English to adopt a fully comprehensive approach. It incorporates a broad range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. Fresh and invigorating, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.
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The Mongol Conquests in World History
Timothy May
Reaktion Books, 2012
The Mongol Empire can be seen as marking the beginning of the modern age, and of globalization as well. While communications between the extremes of Eurasia existed prior to the Mongols, they were infrequent and often through intermediaries. As this new book by Timothy May shows, the rise of the Mongol Empire changed everything—through their conquests the Mongols swept away dozens of empires and kingdoms and replaced them with the largest contiguous empire in history. 
 
While the Mongols were an extremely destructive force in the premodern world, the Mongol Empire had stabilizing effects on the social, cultural and economic life of the inhabitants of the vast territory, allowing merchants and missionaries to transverse Eurasia. The Mongol Conquests in World History examines the many ways in which the conquests were a catalyst for change, including changes and advancements in warfare, food, culture, and scientific knowledge. Even as Mongol power declined, the memory of the Empire fired the collective imagination of the region into far-reaching endeavors, such as the desire for luxury goods and spices that launched Columbus’s voyage and the innovations in art that were manifested in the masterpieces of the Renaissance.
 
This fascinating book offers comprehensive coverage of the entire empire, rather than a more regional approach, and provides an extensive survey of the legacy of the Mongol Empire.
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The Mongol Empire in Global History and Art History
Anne Dunlop
Harvard University Press

With the rise of projects to create global histories and art histories, the Mongol Empire is now widely taken as a fundamental watershed. In the later thirteenth century, the Mongol states reconfigured the basic zones of Eurasian trade and contact. For those they conquered, and for those who later overthrew them, new histories and narratives were needed to account for the Mongol rise. And as people, ideas, and commodities circulated in these vast and interconnected spaces, new types of objects and new visual languages were created, shifting older patterns of artistic production. The Mongol rise is now routinely cast as the first glimmering of an early modernity, defined as an ever-increasing acceleration in systems of contact, exchange, and cultural collision.

Yet what is at stake in framing the so-called Pax Mongolica in this way? What was changed by the Mongol rise, and what were its lasting legacies? It is the goal of essays in this book to address these and other questions about the Mongol impact and their modern role, and to make these debates more widely available. Contributors include specialists of Mongol history and historiography as well as Islamic, East Asian, and European art, writing on topics from historical chronicles to contemporary historiography, and case studies from textile production to mapmaking and historical linguistics.

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Mongolia Remade
Post-socialist National Culture, Political Economy, and Cosmopolitics
David Sneath
Amsterdam University Press, 2018
This book explores the historical and contemporary processes that have made and remade Mongolia as it is today: the construction of ethnic and national cultures, the transformations of political economy and a ‘nomadic’ pastoralism, and the revitalization of a religious and cosmological heritage that has led to new forms of post-socialist politics. Widely published as an expert in the field, David Sneath offers a fresh perspective into a region often seen as mysterious to the West.
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Mongolian Rule in China
Local Administration in the Yuan Dynasty
Elizabeth Endicott-West
Harvard University Press, 1989

The Mongolian Yuan dynasty, 1272-1368, is a short but interesting chapter in the long history of Sino-Mongolian relations. Faced with the challenge of governing a huge sedentary empire, the traditionally nomadic Mongols acceded to some Chinese institutional precedents, but, in large part, adhered to their own Inner Asian practices of staffing and administering the government apparatus.

Yuan administrative documents provide information that permits a fairly accurate reconstruction of the day-to-day functioning of the local government bureaucracy. From these materials, Endicott-West has put together a detailed picture of the Mongols' methods of selecting local officials, the ethnic backgrounds of officials, and policy formation and implementation at the local level.

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Mongolian Sound Worlds
Edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D'Evelyn
University of Illinois Press, 2022
Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation’s past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia’s genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders’ music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation.

A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture.

Contributors: Bayarsaikhan Badamsuren, Otgonbaayar Chuulunbaatar, Andrew Colwell, Johanni Curtet, Charlotte D’Evelyn, Tamir Hargana, Peter K. Marsh, K. Oktyabr, Rebekah Plueckhahn, Jennifer C. Post, D. Tserendavaa, and Sunmin Yoon

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The Mongols
Timothy May
Arc Humanities Press, 2019
The Mongols emerged from obscurity to establish the largest contiguous empire in history. Although they are now no longer viewed as simply an unbridled force of destruction, it remains unclear as to how they succeeded in ruling a empire that stretched from the Sea of Japan to the Black Sea. This book investigates how the Mongol adopted and adapted different ruling strategies from previous Inner Asian empires as well as Chinese and Islamic Empires to rule an empire in which they were a distinct minority, and also investigates the processes by which this empire fragmented into an increasing number of states, many of which lasted into the seventeenth and eighteenth centuries.
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Mongrel Nation
Diasporic Culture and the Making of Postcolonial Britain
Ashley Dawson
University of Michigan Press, 2007

Mongrel Nation surveys the history of the United Kingdom’s African, Asian, and Caribbean populations from 1948 to the present, working at the juncture of cultural studies, literary criticism, and postcolonial theory. Ashley Dawson argues that during the past fifty years Asian and black intellectuals from Sam Selvon to Zadie Smith have continually challenged the United Kingdom’s exclusionary definitions of citizenship, using innovative forms of cultural expression to reconfigure definitions of belonging in the postcolonial age. By examining popular culture and exploring topics such as the nexus of race and gender, the growth of transnational politics, and the clash between first- and second-generation immigrants, Dawson broadens and enlivens the field of postcolonial studies.

Mongrel Nation gives readers a broad landscape from which to view the shifting currents of politics, literature, and culture in postcolonial Britain. At a time when the contradictions of expansionist braggadocio again dominate the world stage, Mongrel Nation usefully illuminates the legacy of imperialism and suggests that creative voices of resistance can never be silenced.Dawson

“Elegant, eloquent, and full of imaginative insight, Mongrel Nation is a refreshing, engaged, and informative addition to post-colonial and diasporic literary scholarship.”

—Hazel V. Carby, Yale University

“Eloquent and strong, insightful and historically precise, lively and engaging, Mongrel Nation is an expansive history of twentieth-century internationalist encounters that provides a broader landscape from which to understand currents, shifts, and historical junctures that shaped the international postcolonial imagination.”

—May Joseph, Pratt Institute

Ashley Dawson is Associate Professor of English at the City University of New York’s Graduate Center and the College of Staten Island. He is coeditor of the forthcoming Exceptional State: Contemporary U.S. Culture and the New Imperialism.

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Monique Wittig
At the Crossroads of Criticism, Volume 13
Brad Epps and Jonathan D. Katz, eds.
Duke University Press
“Lesbians are not women.” This (in)famous statement by renowned theorist, writer, and activist Monique Wittig marked a watershed moment in critical understandings of gender and sexuality. Wittig’s mise en question of the notion of “woman”—a term she argued was necessarily enmeshed in heterosexual and patriarchal systems of knowing—unsettled seemingly self-evident relationships between language and reality, signification and subjectivity, and even, if not especially, women and feminism. Recalling Wittig’s project and practice of lexical disidentification, by which gender and other signs of identity are ruptured and reworked, this special issue of GLQ offers a variety of often conflicting views on Wittig’s aesthetic, political, and theoretical work.

Contributors provide critical and disparate snapshots—some more theoretical and abstract, some more experiential and concrete—of debates on, and investments in, Wittig’s theoretical legacy. Judith Butler analyzes Wittig’s “particular” universalism and offers a careful exposition of her worldview. Diane Griffin Crowder studies Wittig within a context of materialist inquiry that has often been ignored or misunderstood. Robyn Wiegman examines the complex nature of memorialization and inquires into Wittig’s place in contemporary queer theory. Seth Clark Silberman, calling attention to Wittig’s fiction, reverses the usual ascendancy of critique over narrative fiction and produces a formally innovative, if willfully “parasitic,” account of Wittig’s claim on the contributor’s imagination as he watches his mother slowly die of cancer. Alice Jardine, who situates Wittig as a disruptive and disorienting force in a mother-centered feminism, provides an autobiographically charged review of the recent history of feminism, queer studies, and the still uneasy relations between them. The issue also includes a detailed introduction by Brad Epps and Jonathan Katz; a brief personal reflection by Sandra K. Soto, a close friend and colleague of Wittig’s; and two texts by Wittig, one critical (with a foreword by Sande Zeig) and the other creative, both previously unavailable in English.

Contributors. Judith Butler, Diane Griffin Crowder, Brad Epps, Alice Jardine, Jonathan Katz, Seth Clark Silberman, Sandra K. Soto, Robyn Wiegman, Monique Wittig, Sande Zeig

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Monitored
Business and Surveillance in a Time of Big Data
Peter Bloom
Pluto Press, 2019
Our contemporary age is confronted by a profound contradiction: on the one hand, our lives as workers, consumers and citizens have become ever more monitored by new technologies. On the other, big business and finance become increasingly less regulated and controllable.

What does this technocratic ideology and surveillance-heavy culture reveal about the deeper reality of modern society? Monitored investigates the history and implications of this modern accountability paradox. Peter Bloom reveals pervasive monitoring practices which mask how at its heart, the elite remains socially and ethically out of control.

Challenging their exploitive 'accounting power', Bloom demands that the systems that administer our lives are oriented to social liberation and new ways of being in the world.
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Monitored Peril
Asian Americans and the Politics of TV Representation
Darrell Y. Hamamoto
University of Minnesota Press, 1994
The first major study of Asian American representation on U.S. television. Early in the movement of Asian labor to the United States, immigrants from the Far East were viewed by the dominant Euro-American society as a peril to a white, Christian nation. How far have we come since then? This first comprehensive study of Asian American representation on network television supplies some unsettling answers. A meticulous work of history, cultural criticism, and political analysis, Monitored Peril illuminates the unstable relationship between the discursive practices of commercial television programs, liberal democratic values, and white supremacist ideology. The book clearly demonstrates the pervasiveness of racialized discourse throughout U.S. society, especially as it is reproduced by network television. In treating his topic, Darrell Hamamoto addresses a wide variety of issues facing diverse Asian American communities: interracial conflict, conservative politics, U.S.-Japan trade friction, and postcolonial Vietnam. Through an examination of selected programs from the 1950s to the present, he attempts to correct the consistently distorted optic of network television. Finally, he calls for an engaged independent Asian American media practice, and for the expansion of public sector television. "Darrell Y. Hamamoto's critical and scholarly examination of Asians in television media serves as a stimulating and timely discourse on the state of Asian America within the strict boundaries known as American network television. Hamamoto presents a sophisticated solution to the problem of cultural misappropriation and false representation of Americans of Asian descent." --Pacific Reader "Darrell Y. Hamamoto makes a valuable contribution to our understanding of race, representation, and power with this comprehensive study of television programs about Asians and Asian Americans in the United States." --Journal of Asian American Studies Selected as a CHOICE Outstanding Academic Book Darrell Y. Hamamoto is a lecturer in the program of comparative culture at the University of California, Irvine. He is the author of Nervous Laughter: Television Situation Comedy and Liberal Democratic Ideology (1991).
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Monitoring and Control using Synchrophasors in Power Systems with Renewables
Innocent Kamwa
The Institution of Engineering and Technology, 2020
With the integration of more distributed or aggregated renewables, and the wide utilization of power electronic devices, modern power systems are facing new stability and security challenges, such as the weakly damped oscillation caused by wind farms connected through long distance transmission lines, the frequency stability problem induced by the reduction of inertia and the voltage stability issue resulting from the interactions between transmission systems and dynamic loads.
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Monitoring Child Health in the United States
Selected Issues and Policies
Deborah Klein Walker
Harvard University Press, 1984

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Monitoring Ecosystems
Interdisciplinary Approaches for Evaluating Ecoregional Initiatives
Edited by David E. Busch and Joel C. Trexler; Foreword by Lance H. Gunderson
Island Press, 2003
Often a commitment to large ecosystem initiatives is linked both conceptually and legally with requirements for ecological monitoring as a means of evaluating the effectiveness of management actions. Programs to determine ecosystem status and trends can contribute significantly to the resolution of difficult and contentious management questions, and can play a key role both in sharpening the focus of research questions and in developing adaptive approaches to resource management.Monitoring Ecosystems brings together leading scientists and researchers to offer a groundbreaking synthesis of lessons learned about ecological monitoring in major ecoregional initiatives around the United States. Contributors—Donald L. DeAngelis, Lance H. Gunderson, Barry R. Noon, John C. Ogden, Craig J. Palmer, Keith M. Reynolds, Paul L. Ringold, John R. Sauer, Lawrence E. Stevens, and many others—present insights and experiences gained from their work in designing, developing, and implementing comprehensive ecosystem monitoring programs in the Pacific Northwest, the lower Colorado River Basin, and the Florida Everglades. The book:outlines the conceptual and scientific underpinnings for regional-scale ecosystem monitoringexamines the role and importance of data management, modeling, and integrative analysesconsiders techniques for and experience with monitoring habitats, populations, and communitiesChapters by the editors synthesize and expand on points made throughout the volume and present recommendations for establishing frameworks for monitoring across scales, from local to international.Monitoring Ecosystems presents a critical examination of the lessons learned from direct experience along with generalized conclusions that can be applied to monitoring programs in the United States and around the world. It is a vital contribution to science-based monitoring efforts that will allow those responsible for developing and implementing ecoregional initiatives to make use of knowledge gained in previous efforts, enabling them to focus their energies on system-specific questions and problems.
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Monitoring, Simulation, and Management of Visitor Landscapes
Randy Gimblett
University of Arizona Press, 2008
This book is also available in digital format. Click here to download!
Conventional methods used in the planning and management of human-landscape interactions fall far short of the needs of today’s land management professionals. Monitoring, Simulation, and Management of Visitor Landscapes presents a growing body of applied research that provides decision makers with tools to maintain the ecological integrity of public places by evaluating the impacts of humans in various landscapes across space and time. This timely volume, available in both print and electronic editions, presents the latest research in this field, specifically focusing on the intersection of research and applied techniques. The contributors examine environmental management from around the world, including river traffic analysis in Melbourne, Australia; wilderness solitude and land use in the backcountry recreation areas of North America; the spatial modeling of visitor behavior at recreational areas near Vienna, Austria; the application of visibility studies and data from automatic visitor counters to simulation models in Denmark; and the integration of recreation and biodiversity in high-use environments in the Netherlands. This invaluable reference will help land managers and policy makers construct strategies for evaluating interactions between humans and the environment and expand the model of land management to include social and geographic, as well as environmental, factors.
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Monitoring Sweatshops
Workers, Consumers, And The
Jill Esbenshade
Temple University Press, 2004
Monitoring Sweatshops offers the first comprehensive assessment of efforts to address and improve conditions in garment factories. Jill Esbenshade describes the government's efforts to persuade retailers and clothing companies to participate in private monitoring programs. She shows the different approaches to monitoring that firms have taken, and the variety of private monitors employed, from large accounting companies to local non-profits. Esbenshade also shows how the efforts of the anti-sweatshop movement have forced companies to employ monitors overseas as well. When monitoring is understood as the result of the withdrawal of governments from enforcing labor standards as well as the weakening of labor unions, it becomes clear that the United States is experiencing a shift from a social contract between workers, businesses, and government to one that Jill Esbenshade calls the social responsibility contract. She illustrates this by presenting the recent history of monitoring, with considerable attention to the most thorough of the Department of Labor's programs, the one in Los Angeles. Esbenshade also explains the maze of alternative approaches being employed worldwide to decide the questions of what should be monitored and by whom.
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Monitoring the Movies
The Fight over Film Censorship in Early Twentieth-Century Urban America
By Jennifer Fronc
University of Texas Press, 2017

As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions.

Using the National Board’s extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB’s Progressive-era founding in New York; its evolving set of “standards” for directors, producers, municipal officers, and citizens; its “city plan,” which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB’s influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.

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The Monk and the Book
Jerome and the Making of Christian Scholarship
Megan Hale Williams
University of Chicago Press, 2006

In the West, monastic ideals and scholastic pursuits are complementary; monks are popularly imagined copying classics, preserving learning through the Middle Ages, and establishing the first universities. But this dual identity is not without its contradictions. While monasticism emphasizes the virtues of poverty, chastity, and humility, the scholar, by contrast, requires expensive infrastructure—a library, a workplace, and the means of disseminating his work. In The Monk and the Book, Megan Hale Williams argues that Saint Jerome was the first to represent biblical study as a mode of asceticism appropriate for an inhabitant of a Christian monastery, thus pioneering the enduring linkage of monastic identities and institutions with scholarship.

Revisiting Jerome with the analytical tools of recent cultural history—including the work of Bourdieu, Foucault, and Roger Chartier—Williams proposes new interpretations that remove obstacles to understanding the life and legacy of the saint. Examining issues such as the construction of Jerome’s literary persona, the form and contents of his library, and the intellectual framework of his commentaries, Williams shows that Jerome’s textual and exegetical work on the Hebrew scriptures helped to construct a new culture of learning. This fusion of the identities of scholar and monk, Williams shows, continues to reverberate in the culture of the modern university.

"[Williams] has written a fascinating study, which provides a series of striking insights into the career of one of the most colorful and influential figures in Christian antiquity. Jerome's Latin Bible would become the foundational text for the intellectual development of the West, providing words for the deepest aspirations and most intensely held convictions of an entire civilization. Williams's book does much to illumine the circumstances in which that fundamental text was produced, and reminds us that great ideas, like great people, have particular origins, and their own complex settings."—Eamon Duffy, New York Review of Books


 

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The Monkees
Made in Hollywood
Tom Kemper
Reaktion Books, 2023
A Variety Best Music Book of 2023
The behind-the-scenes story of the controversial 1960s made-for-tv rock band.

 
The Monkees represent a vital problem for rock and pop: is it the music that matters or the personality and image of the performers? This book explores the system behind the Monkees, the controversial made-for-TV band that scored some of the biggest hits in the 1960s. The Monkees represent the cumulative result of a complex coordination of talented individuals, from songwriters to studio musicians to producers—in short, the 1960s Hollywood music industry. At the time, the new rock criticism bewailed the “fake” band while fans and audiences pushed the Monkees to the top of the charts. Through the Monkees’ unlikely success, this book illustrates the commercial genius of the Hollywood system and its legacy in popular music today.
 
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Monkey
Desmond Morris
Reaktion Books, 2013
Monkeys populate our culture, from the adorable hijinks of Curious George and the loyal friendship between Aladdin and Abu to the menacing gait of the winged ones in The Wizard of Oz. We visit them in zoos and even sometimes keep them as pets à la Catherine de Medici and Michael Jackson. As renowned zoologist Desmond Morris shows, it is not surprising that we are so attracted to them. While we sometimes view monkeys as trivial or comic, their mischievousness is delightful, and their urge to explore and love of activity fascinate us.
 
Monkey unpacks human attitudes toward these animals, tracing our connection with them throughout history. ­Morris reveals that our fascination with monkeys extends through many cultures and eras—ancient Egyptians revered baboons, monkey deities featured prominently in ancient Chinese and Japanese religions, and sacred status was given to the langur monkey by some groups in India. He also describes how our relationship with monkeys has changed since Darwin, and even become more troubled—this in-depth knowledge of our own origins amplifies our identification with and concern for the idea of monkeys’ primitivism and destructive behaviors. Drawing a vibrant picture of these beguiling animals and their continued popularity with humans, Monkey brings a new understanding to our complicated relationship with the ever-curious George.
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The Monkey and the Inkpot
Natural History and Its Transformations in Early Modern China
Carla Nappi
Harvard University Press, 2009

This is the story of a Chinese doctor, his book, and the creatures that danced within its pages. The Monkey and the Inkpot introduces natural history in sixteenth-century China through the iconic Bencao gangmu (Systematic materia medica) of Li Shizhen (1518–1593).

The encyclopedic Bencao gangmu is widely lauded as a classic embodiment of pre-modern Chinese medical thought. In the first book-length study in English of Li’s text, Carla Nappi reveals a “cabinet of curiosities” of gems, beasts, and oddities whose author was devoted to using natural history to guide the application of natural and artificial objects as medical drugs. Nappi examines the making of facts and weighing of evidence in a massive collection where tales of wildmen and dragons were recorded alongside recipes for ginseng and peonies.

Nappi challenges the idea of a monolithic tradition of Chinese herbal medicine by showing the importance of debate and disagreement in early modern scholarly and medical culture. The Monkey and the Inkpot also illuminates the modern fate of a book that continues to shape alternative healing practices, global pharmaceutical markets, and Chinese culture.

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The Monkey and the Monk
An Abridgment of The Journey to the West
Translated by Anthony C. Yu
University of Chicago Press, 2006

Anthony C. Yu’s celebrated translation of The Journey to the West reinvigorated one of Chinese literature’s most beloved classics for English-speaking audiences when it first appeared thirty years ago. Yu’s abridgment of his four-volume translation, The Monkey and the Monk, finally distills the epic novel’s most exciting and meaningful episodes without taking anything away from their true spirit. 

These fantastic episodes recount the adventures of Xuanzang, a seventh-century monk who became one of China’s most illustrious religious heroes after traveling for sixteen years in search of Buddhist scriptures. Powerfully combining religious allegory with humor, fantasy, and satire, accounts of Xuanzang’s journey were passed down for a millennium before culminating in the sixteenth century with The Journey to the West. Now, readers of The Monkey and the Monk can experience the full force of his lengthy quest as he travels to India with four animal disciples, most significant among them a guardian-monkey known as “the Great Sage, Equal to Heaven.” Moreover, in its newly streamlined form, this acclaimed translation of a seminal work of world literature is sure to attract an entirely new following of students and fans. 

“A new translation of a major literary text which totally supersedes the best existing version. . . . It establishes beyond contention the position of The Journey to the West in world literature, while at the same time throwing open wide the doors to interpretive study on the part of the English audience.”—Modern Language Notes, on the unabridged translation

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The Monkey and The Tiger
Judge Dee Mysteries
Robert van Gulik
University of Chicago Press, 1965
The Monkey and The Tiger includes two detective stories, "The Morning of the Monkey" and "The Night of the Tiger." In the first, a gibbon drops an emerald in the open gallery of Dee's official residence, leading the judge to discover a strangely mutilated body in the woods—and how it got there. In the second, Dee is traveling to the imperial capital to assume a new position when he is separated from his escort by a flood. Marooned in a large country house surrounded by fierce bandits, Dee confronts an apparition that helps him solve a mystery.
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Monkey Business Theatre
By Robert M. Laughlin and Sna Jtz'ibajom
University of Texas Press, 2008

In 1983, a group of citizens in San Cristóbal de las Casas, Chiapas, formed Sna Jtz'ibajom, the Tzotzil-Tzeltal Maya writers' cooperative. In the two decades since, this group has evolved from writing and publishing bilingual booklets to writing and performing plays that have earned them national and international renown.

Anthropologist Robert M. Laughlin has been a part of the group since its beginnings, and he offers a unique perspective on its development as a Mayan cultural force. The Monkey Business Theatre, or Teatro Lo'il Maxil, as this branch of Sna Jtz'ibajom calls itself, has presented plays in virtually every corner of the state of Chiapas, as well as in Mexico City, Guatemala, Honduras, Canada, and in many museums and universities in the United States. It has presented to the world, for the first time in drama, a view of the culture of the Mayas of Chiapas.

In this work, Laughlin presents a translation of twelve of the plays created by Sna Jtz'ibajom, along with an introduction for each. Half of the plays are based on myths and half on the social, political, and economic problems that have confronted—and continue to confront—the Mayas of Chiapas.

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Monkey Secret
Diane Glancy
Northwestern University Press, 1995
Monkey Secret collects three short stories and a powerful novella by the Cherokee-German-English poet and prose writer Diane Glancy. Her tales of Native American life explore that essential American territory, the border-between: between past and present, between native and immigrant cultures, between self and society.
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Monkey Trials and Gorilla Sermons
Evolution and Christianity from Darwin to Intelligent Design
Peter J. Bowler
Harvard University Press, 2009

From the beginning, Darwin’s dangerous idea has been a snake in the garden, denounced from pulpits then and now as incompatible with the central tenets of Christian faith. Recovered here is the less well-known but equally long history of thoughtful engagement and compromise on the part of liberal theologians. Peter J. Bowler doesn’t minimize the hostility of many of the faithful toward evolution, but he reveals the existence of a long tradition within the churches that sought to reconcile Christian beliefs with evolution by finding reflections of the divine in scientific explanations for the origin of life. By tracing the historical forerunners of these rival Christian responses, Bowler provides a valuable alternative to accounts that stress only the escalating confrontation.

Our polarized society, Bowler says, has all too often projected its rivalries onto the past, concealing the efforts by both scientists and theologians to find common ground. Our perception of past confrontations has been shaped by an oversimplified model of a “war” between science and religion. By uncovering the complexity of the debates sparked by Darwin’s theory, we might discover ways to depolarize our own debates about where we came from and why we are here.

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Monkeytalk
Inside the Worlds and Minds of Primates
Julia Fischer
University of Chicago Press, 2017
Monkey see, monkey do—or does she? Can the behavior of non-human primates—their sociality, their intelligence, their communication—really be chalked up to simple mimicry? Emphatically, absolutely: no. And as famed primatologist Julia Fischer reveals, the human bias inherent in this oft-uttered adage is our loss, for it is only through the study of our primate brethren that we may begin to understand ourselves.

An eye-opening blend of storytelling, memoir, and science, Monkeytalk takes us into the field and the world’s primate labs to investigate the intricacies of primate social mores through the lens of communication. After first detailing the social interactions of key species from her fieldwork—from baby-wielding male Barbary macaques, who use infants as social accessories in a variety of interactions, to aggression among the chacma baboons of southern Africa and male-male tolerance among the Guinea baboons of Senegal—Fischer explores the role of social living in the rise of primate intelligence and communication, ultimately asking what the ways in which other primates communicate can teach us about the evolution of human language.

Funny and fascinating, Fischer’s tale roams from a dinner in the field shared with lionesses to insights gleaned from Rico, a border collie with an astonishing vocabulary, but its message is clear: it is humans who are the evolutionary mimics. The primate heritage visible in our species is far more striking than the reverse, and it is the monkeys who deserve to be seen. “The social life of macaques and baboons is a magnificent opera,” Fischer writes. “Permit me now to raise the curtain on it.”
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Monkie See, Monkie Two!
Ima Liddelteepawt
Midway Plaisance Press

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Monmouth Court House
The Battle that Made the American Army
Joseph G. Bilby
Westholme Publishing, 2010

The Strategic Victory that Established the Continental Army as a True Fighting Force
The battle of Monmouth Court House, New Jersey, is among the most important battles in the history of the American Army. Well known in American mythology as the battle where Molly Pitcher fought alongside her fallen husband, Monmouth Court House is regarded by historians as the moment when the image of the American army in both Europe and the colonies was transformed from that of a rag-tag band of ill-trained civilians to that of a disciplined, well-guided, professional military unit. In June 1778, British General Henry Clinton’s army evacuated Philadelphia and struck out across “the Jerseys” on its way back to New York City. George Washington’s Continental Army, retrained and confident after enduring a winter at Valley Forge and supplemented by a large number of fresh New Jersey militia, marched in pursuit. About 50 miles south of New York City, the armies clashed at Monmouth Court House on June 28, in the last major Revolutionary War battle in the north. Essentially a draw, the battle marked the first time in the war that the Continental Army was able to hold a battlefield, fighting the full force of the British army to a standstill. Monmouth Court House: The Battle that Made the American Army by Joseph G. Bilby and Katherine Bilby Jenkins is the story of this battle, how it came to be, and its influence on the course of the war and American history.

The authors set Monmouth Court House within the context of the American Revolution and the civil war between Tories and Whigs that erupted in New Jersey during that time. The entire campaign and battle are described, including an analysis of the commanders, personnel, organization, training, and weapons of both armies. The book also assesses the historiography and folklore of the battle, including the story of the real “Molly Pitcher,” the use of the battleground as Civil War muster-in camp, its eventual status as Monmouth Battleground State Park, and current efforts at interpretation and battlefield archaeology and how they have changed our understanding of the battle.

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A Monograph on the Genus Heuchera
Carl Rosendahl
University of Minnesota Press, 1936
A Monograph on the Genus Heuchera was first published in 1936. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Volume II in the Minnesota Studies in Plant Science seriesThis taxonomic review discusses a number of topics related to the genus heuchera, including: its taxonomic and geographic position; its generic unity; its hybritidy; and its synoptical treatment. The study also offers a detailed description of the genus with an evaluation of various taxonomic characters.
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Monongah
The Tragic Story of the 1907 Monongah Mine Disaster
DAVITT MCATEER
West Virginia University Press, 2014

New paperback edition with an introduction by Robert B. Reich

Monongah: The Tragic Story of the 1907 Monongah Mine Disaster documents the events and conditions that led to the worst industrial accident in the history of the United States. This mining accident claimed hundreds of lives on the morning of December 6, 1907 and McAteer, an expert on mine and workplace health and safety, delves deeply into the economic forces and social-political landscape of the mining communities of north central West Virginia to expose the truth behind this tragedy. After nearly thirty years of exhaustive research, McAteer determines that close to 500 men and boys—many of them immigrants—lost their lives that day, leaving hundreds of women widowed and more than one thousand children orphaned. 

The tragedy at Monongah led to a greater awareness of industrial working conditions, and ultimately to the Federal Coal Mine Health and Safety Act of 1969, which McAteer helped to enact. This new paperback edition includes an introduction by Robert B. Reich, Chancellor’s Professor of Public Policy at the University of California at Berkeley and Secretary of Labor during the Clinton administration.

 
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Monotheism and Its Complexities
Christian and Muslim Perspectives
Lucinda Mosher and David Marshall, Editors
Georgetown University Press, 2023

Conventional wisdom would have it that believing in one God is straightforward; that Muslims are expert at monotheism, but that Christians complicate it, weaken it, or perhaps even abandon it altogether by speaking of the Trinity. In this book, Muslim and Christian scholars challenge that opinion. Examining together scripture texts and theological reflections from both traditions, they show that the oneness of God is taken as axiomatic in both, and also that affirming God's unity has raised complex theological questions for both. The two faiths are not identical, but what divides them is not the number of gods they believe in.

The latest volume of proceedings of The Building Bridges Seminar—a gathering of scholar-practitioners of Islam and Christianity that meets annually for the purpose of deep study of scripture and other texts carefully selected for their pertinence to the year’s chosen theme—this book begins with a retrospective on the seminar’s first fifteen years and concludes with an account of deliberations and discussions among participants, thereby providing insight into the model of vigorous and respectful dialogue that characterizes this initiative. 

Contributors include Richard Bauckham, Sidney Griffith, Christoph Schwöbel, Janet Soskice, Asma Afsaruddin, Maria Dakake, Martin Nguyen, and Sajjad Rizvi. To encourage further dialogical study, the volume includes those scripture passages and other texts on which their essays comment. A unique resource for scholars, students, and professors of Christianity and Islam.

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Monrovia Modern
Urban Form and Political Imagination in Liberia
Danny Hoffman
Duke University Press, 2017
In Monrovia Modern Danny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia, as a way to explore the relationship between the built environment and political imagination. Hoffman shows how the E. J. Roye tower and the Hotel Africa luxury resort, as well as the unfinished Ministry of Defense and Liberia Broadcasting System buildings, transformed during the urban warfare of the 1990s from symbols of the modernist project of nation-building to reminders of the challenges Monrovia's residents face. The transient lives of these buildings' inhabitants, many of whom are ex-combatants, prevent them from making place-based claims to a right to the city and hinder their ability to think of ways to rebuild and repurpose their built environment. Featuring nearly 100 of Hoffman's color photographs, Monrovia Modern is situated at the intersection of photography, architecture, and anthropology, mapping out the possibilities and limits for imagining an urban future in Monrovia and beyond.
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The Monsanto Papers
Deadly Secrets, Corporate Corruption, and One Man’s Search for Justice
Carey Gillam
Island Press, 2021
Lee Johnson was a man with simple dreams. All he wanted was a steady job and a nice home for his wife and children, something better than the hard life he knew growing up. He never imagined that he would become the face of a David-and-Goliath showdown against one of the world’s most powerful corporate giants. But a workplace accident left Lee doused in a toxic chemical and facing a deadly cancer that turned his life upside down. In 2018, the world watched as Lee was thrust to the forefront of one the most dramatic legal battles in recent history.
 
The Monsanto Papers is the inside story of Lee Johnson’s landmark lawsuit against Monsanto. For Lee, the case was a race against the clock, with doctors predicting he wouldn’t survive long enough to take the witness stand. For the eclectic band of young, ambitious lawyers representing him, it was a matter of professional pride and personal risk, with millions of dollars and hard-earned reputations on the line. For the public at large, the lawsuit presented a question of corporate accountability. With enough money and influence, could a company endanger its customers, hide evidence, manipulate regulators, and get away with it all—for decades?
 
Readers will be astounded by the depth of corruption uncovered, captivated by the shocking twists, and moved by Lee’s quiet determination to see justice served. With gripping narrative force that reads like fiction, The Monsanto Papers takes readers behind the scenes of a grueling legal battle, pulling back the curtain on the frailties of the American court system and the lengths to which lawyers will go to fight corporate wrongdoing.    
 
 
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Monsoon Asia
A reader on South and Southeast Asia
David Henley
Leiden University Press, 2023
Monsoon Asia was the first venue of global trade, a zone of encounters, exchanges, and cultural diffusion. This book demonstrates the continuing fertility of the Monsoon Asia perspective as an aid to understanding what South/Southeast Asia, as a connected space, has been in the past and is today. Sixteen tightly knit chapters, written by experts from perspectives ranging from Indology and philology to postcolonial and transnational studies, offer a captivating view of the region, with its rich and variegated history shaped by commonalities in human ecology, cultural forms, and religious practices. The contributions draw upon extensive research and a thorough command of the most recent scholarship. This volume will be an invaluable text for anyone interested in South and Southeast Asia, and for more specialized students in the fields of global and Indian Ocean history, transcultural studies, archaeology, linguistics, and politics.
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Monsoon Postcards
Indian Ocean Journeys
David H. Mould
Ohio University Press, 2019

In Monsoon Postcards, journalist David H. Mould, notebook in hand, traverses the Indian Ocean—from Madagascar through India and Bangladesh to Indonesia. It’s an unpredictable journey on battered buses, bush taxis, auto-rickshaws, and crowded ferries. Mould travels from the traffic snarls of Delhi, Dhaka, and Jakarta to the rice paddies and ancestral tombs of Madagascar’s Central Highlands; from the ancient kingdom of Hyderabad to India’s so-called chicken neck—the ethnically diverse and underdeveloped northeast; and from the textile factories and rivers of Bangladesh to the beaches of Bali and the province of Aceh—ground zero for the 2004 tsunami.

Along the way, in markets, shops, roadside cafes, and classrooms, he meets journalists, professors, students, aid workers, cab drivers, and other everyday residents to learn how they view their past and future. Much like its predecessor, Mould’s Postcards from Stanland,Monsoon Postcards offers witty and insightful glimpses into countries linked by history, trade, migration, religion, and a colonial legacy. It explores how they confront the challenges of climate change, urban growth, economic development, land, water and natural resources, and national and ethnic identity.

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Monster Cinema
Grant, Barry Keith
Rutgers University Press, 2018
Monster Cinema introduces readers to a vast menagerie of movie monsters. Some are gigantic, like King Kong or the kaiju in Pacific Rim, while others are microscopic. Some monsters appear uncannily human, from serial killers like Norman Bates to the pod people in Invasion of the Body Snatchers. And of course, other movie monsters like demons, ghosts, vampires, and witches emerge from long folklore traditions. Film expert Barry Keith Grant considers what each type of movie monster reveals about what it means to be human and how we regard the world. 

Armed with an encyclopedic knowledge of film history, Grant presents us with an eclectic array of monster movies, from Nosferatu to Get Out. As he discovers, although monster movies might claim to be about Them!, they are really about the capacity for horror that lurks within each of us.
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Monster Fire at Minong
Wisconsin’s Five Mile Tower Fire of 1977
Bill Matthias
Wisconsin Historical Society Press, 2010
Ignited by a single match on April 30, 1977, the Five Mile Tower Fire raged out of control for 17 hours. It would be one of the largest wildland fires in Wisconsin history, ultimately destroying more than 13,000 acres of land and 63 buildings. As a column of black pine smoke reached high in the sky, citizens from Minong, Chicog, Webster, Gordon, Wascott, Hayward, Spooner, Solon Springs, and other communities began showing up to help. The grassy field designated as fire headquarters quickly became a hub of activity, jammed with trucks, school buses, dozers on trailers, dump trucks, tanker trucks, fuel trucks, and hundreds of people waiting to sign in. More than 900 came in the first four hours, clogging the road with traffic in both directions. Headquarters personnel worked valiantly to coordinate citizens and DNR workers in a buildup of people and equipment unprecedented in the history of Wisconsin firefighting.
 
Based on his own experiences during the long battle, plus dozens of interviews and other eyewitness accounts, Bill Matthias presents an in-depth look at the Five Mile Tower Fire, the brave citizens who helped fight it, and the important changes made to firefighting laws and procedures in its aftermath.
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The Monster I Am Today
Leontyne Price and a Life in Verse
Kevin Simmonds
Northwestern University Press, 2021
Leontyne Price remains one of the twentieth century’s most revered opera singers and, notably, the first African American to achieve such international acclaim. In movements encompassing poetry and prose, writer and musician Kevin Simmonds explores Price as an icon, a diva, a woman, and a patriot—and himself as a fan, a budding singer, and a gay man—through passages that move polyphonically through the contested spaces of Black identity, Black sound, Black sensibility, and Black history.
 
Structured operatically into overture, acts, and postlude, The Monster I Am Today guides the reader through associative shifts from arias like “weather events” and Price’s forty-two-minute final ovation to memories of Simmonds’s coming of age in New Orleans. As he melds lyric forms with the biography of one of classical music’s greatest virtuosos, Simmonds composes a duet that spotlights Price’s profound influence on him as a person and an artist: “That’s how I hear: Her.”
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The Monster in the Machine
Magic, Medicine, and the Marvelous in the Time of the Scientific Revolution
Zakiya Hanafi
Duke University Press, 2000
The Monster in the Machine tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Zakiya Hanafi recreates scenes of Italian life and culture from the late sixteenth to the early eighteenth centuries to show how monsters were conceptualized at this particular locale and historical juncture—a period when the sacred was being supplanted by a secular, decidedly nonmagical way of looking at the world.
Noting that the word “monster” is derived from the Latin for “omen” or “warning,” Hanafi explores the monster’s early identity as a portent or messenger from God. Although monsters have always been considered “whatever we are not,” they gradually were tranformed into mechanical devices when new discoveries in science and medicine revealed the mechanical nature of the human body. In analyzing the historical literature of monstrosity, magic, and museum collections, Hanafi uses contemporary theory and the philosophy of technology to illuminate the timeless significance of the monster theme. She elaborates the association between women and the monstrous in medical literature and sheds new light on the work of Vico—particularly his notion of the conatus—by relating it to Vico’s own health. By explicating obscure and fascinating texts from such disciplines as medicine and poetics, she invites the reader to the piazzas and pulpits of seventeenth-century Naples, where poets, courtiers, and Jesuit preachers used grotesque figures of speech to captivate audiences with their monstrous wit.
Drawing from a variety of texts from medicine, moral philosophy, and poetics, Hanafi’s guided tour through this baroque museum of ideas will interest readers in comparative literature, Italian literature, history of ideas, history of science, art history, poetics, women’s studies, and philosophy.
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Monster Theory
Reading Culture
Jeffrey Jerome Cohen
University of Minnesota Press, 1996

Explores concepts of monstrosity in Western civilization from Beowulf to Jurassic Park.

We live in a time of monsters. Monsters provide a key to understanding the culture that spawned them. So argue the essays in this wide-ranging and fascinating collection that asks the question, What happens when critical theorists take the study of monsters seriously as a means of examining our culture?

In viewing the monstrous body as a metaphor for the cultural body, the contributors to Monster Theory consider beasts, demons, freaks, and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.Contributors: Mary Baine Campbell, Brandeis U; David L. Clark, McMaster U; Frank Grady, U of Missouri, St. Louis; David A. Hedrich Hirsch, U of Illinois; Lawrence D. Kritzman, Dartmouth College; Kathleen Perry Long, Cornell U; Stephen Pender; Allison Pingree, Harvard U; Anne Lake Prescott, Barnard College; John O'Neill, York U; William Sayers, George Washington U; Michael Uebel, U of Virginia; Ruth Waterhouse.
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The Monster with a Thousand Faces
Guises of the Vampire in Myth and Literature
Brian J. Frost
University of Wisconsin Press, 1989
Brian Frost chronicles the history of the vampire in myth and literature, providing a sumptuous repast for all devotees of the bizarre. In a wide-ranging survey, including plot summaries of hundreds of novels and short stories, the reader meets an amazing assortment of vampires from the pages of weird fiction, ranging from the 10,000-year-old femme fatale in Robert E. Howard’s Conan the Conqueror to the malevolent fetus in Eddy C. Bertin’s “Something Small, Something Hungry.” Nostalgia buffs will enjoy a discussion of the vampire yarns in the pulp magazines of the interwar years, while fans of contemporary vampire fiction will also be sated.
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The Monstered Self
Narratives of Death and Performance in Latin American Fiction
Eduardo González
Duke University Press, 1992
Viewing stories and novels from an ethnographic perspective, Eduardo González here explores the relationship between myth, ritual, and death in writings by Borges, Vargas Llosa, Cortázar, and Roa Bastos. He then weaves this analysis into a larger cultural fabric composed of the works of Chaucer, Shakespeare, Joyce, Benjamin, H. G. Wells, Kafka, Poe, and others.
What interests González is the signature of authorial selfhood in narrative and performance, which he finds willfully and temptingly disfigured in the works he examines: horrific and erotic, subservient and tyrannical, charismatic and repellent. Searching out the personal image and plot, González uncovers two fundamental types of narrative: one that strips character of moral choice; and another in which characters' choices deprive them of personal autonomy and hold them in ritual bondage to a group. Thus The Monstered Self becomes a study of the conflict between individual autonomy and the stereotypes of solidarity.
Written in a characteristically allusive, elliptical style, and drawing on psychoanalysis, religion, mythology, and comparative literature, The Monstered Self is in itself a remarkable performance, one that will engage readers in anthropology, psychology, and cultural history as well as those specifically interested in Latin American narrative.
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Monsters
Karen Brennan
Four Way Books, 2016
Literal as well as metaphorical monsters inhabit this book of 38 innovative fictions. Here the reader will encounter not only zombies and ghosts, but a lyrical dream braided into a brutal and sorrowful real world. Monsters’ vision embodies the heartbreakingly private and depressingly public—and the funny flipside of it all.
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Monsters and Monarchs
Serial Killers in Classical Myth and History
By Debbie Felton
University of Texas Press, 2021

Jack the Ripper. Jeffrey Dahmer. John Wayne Gacy. Locusta of Gaul. If that last name doesn’t seem to fit with the others, it’s likely because our modern society largely believes that serial killers are a recent phenomenon. Not so, argues Debbie Felton—in fact, there’s ample evidence to show that serial killers stalked the ancient world just as they do the modern one.

Felton brings this evidence to light in Monsters and Monarchs, and in doing so, forces us to rethink the assumption that serial killers arise from problems unique to modern society. Exploring a trove of stories from classical antiquity, she uncovers mythological monsters and human criminals that fit many serial killer profiles: the highway killers confronted by the Greek hero Theseus, such as Procrustes, who tortured and mutilated their victims; the Sphinx, or “strangler,” from the story of Oedipus; child-killing demons and witches, which could explain abnormal infant deaths; and historical figures such as Locusta of Gaul, the most notorious poisoner in the early Roman Empire. Redefining our understanding of serial killers and their origins, Monsters and Monarchs changes how we view both ancient Greek and Roman society and the modern-day killers whose stories still captivate the public today.

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Monsters and Monstrosity in Augustan Poetry
Dunstan Lowe
University of Michigan Press, 2015
Roman poets of the Augustan period reinvented monsters from Greek myth, such as Harpies, Furies, and the warring Centaurs and Giants. These monsters represented the attractions and dangers of novelty in various contexts, ranging from social values to artistic innovation. Rome’s two great epics of the early principate, Vergil’s Aeneid and Ovid’s Metamorphoses, are both filled with mythical monsters. Like the culture that produced them, these poets were fascinated by unfamiliar forms despite their potential to disturb and disrupt.

Monsters and Monstrosity in Augustan Poetry is the first full-length study of monsters in Augustan poetry, and the first metapoetic reading of monstrosity in classical antiquity. Dunstan Lowe takes a fresh approach to the canonical works of Vergil, Ovid, and their contemporaries, contributing to a very recent turn toward marvels, monsters, and deformity in classical studies.

Monsters provided a fantastical means to explore attitudes toward human nature, especially in its relationship with sex. They also symbolized deformations of poetic form. Such gestures were doomed to replay the defeat of hypermasculine monsters yet, paradoxically, they legitimized poetic innovation. Lowe proposes that monstrosity was acutely topical during the birth of the principate, having featured in aesthetic debates of the Hellenistic age, while also serving as an established, if controversial, means for public figures to amaze the population and display their power.

Monsters and Monstrosity in Augustan Poetry will appeal to scholars and students of classical Latin literature and of interdisciplinary monster studies.
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Monsters and Revolutionaries
Colonial Family Romance and Metissage
Françoise Vergès
Duke University Press, 1999
In Monsters and Revolutionaries Françoise Vergès analyzes the complex relationship between the colonizer and colonized on the Indian Ocean island of Réunion. Through novels, iconography, and texts from various disciplines including law, medicine, and psychology, Vergès constructs a political and cultural history of the island’s relations with France. Woven throughout is Vergès’s own family history, which is intimately tied to the history of Réunion itself.
Originally settled by sugar plantation owners and their Indian and African slaves following a seventeenth-century French colonial decree, Réunion abolished slavery in 1848. Because plantation owners continued to import workers from India, Africa, Asia, and Madagascar, the island was defined as a place based on mixed heritages, or métissage. Vergès reads the relationship between France and the residents of Réunion as a family romance: France is the seemingly protective mother, La Mère-Patrie, while the people of Réunion are seen and see themselves as France’s children. Arguing that the central dynamic in the colonial family romance is that of debt and dependence, Verges explains how the republican ideals of the French Revolution and the Enlightenment are seen as gifts to Réunion that can never be repaid. This dynamic is complicated by the presence of métissage, a source of anxiety to the colonizer in its refutation of the “purity” of racial bloodlines. For Vergès, the island’s history of slavery is the key to understanding métissage, the politics of assimilation, constructions of masculinity, and emancipatory discourses on Réunion.
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Monsters in Appalachia
Stories
Sheryl Monks
West Virginia University Press, 2016
The characters within these fifteen stories are in one way or another staring into the abyss. While some are awaiting redemption, others are fully complicit in their own undoing.
 
We come upon them in the mountains of West Virginia, in the backyards of rural North Carolina, and at tourist traps along Route 66, where they smolder with hidden desires and struggle to resist the temptations that plague them.
 
A Melungeon woman has killed her abusive husband and drives by the home of her son’s new foster family, hoping to lure the boy back. An elderly couple witnesses the end-times and is forced to hunt monsters if they hope to survive. A young girl “tanning and manning” with her mother and aunt resists being indoctrinated by their ideas about men. A preacher’s daughter follows in the footsteps of her backsliding mother as she seduces a man who looks a lot like the devil.
 
A master of Appalachian dialect and colloquial speech, Monks writes prose that is dark, taut, and muscular, but also beguiling and playful. Monsters in Appalachia is a powerful work of fiction.
 
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Monsters In The Woods
Backpacking With Children
Tim Hauserman
University of Nevada Press, 2007

How and why you should take your children backpackingDespite America’s enthusiasm for outdoors activities like hiking and backpacking, most books on these subjects focus on adults. Backpacking, however, is an ideal activity for the entire family. Tim Hauserman, who is both an experienced outdoors guide and the father of two daughters, now offers a handbook for parents who would like to introduce their children to backpacking and camping. Hauserman provides practical, humorous advice for families new to the outdoors and for trail-savvy parents planning to take their children along for the first time: how to prepare, what to bring, who carries what, how far to walk, what to do in camp, safety precautions, dealing with mishaps, and proper trail and campground etiquette. He includes guidance about appropriate distances and pack weights for every age level of child, as well as tips about backpacking with an infant and bringing the family dog along on the adventure. He even suggests appealing destinations in the Sierra Nevada appropriate for various age groups and recounts some of his (and his daughters’) favorite hikes. Hauserman’s down-to-earth encouragement is based on decades of backpacking and camping with his own children, their friends, and other groups of youngsters. He is candid about his experiences and the lessons he learned from his own mistakes and how he dealt with them. Ultimately, the reward of sharing a special adventure and the peace and beauty of the outdoors makes all the effort worthwhile.

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Monsters Like Us
Ulrike Almut Sandig
Seagull Books, 2022
A novel of two young friends growing up on divergent paths in the last days of Communist East Germany.
 
What is it like to be young and broken in a country that is on the brink of collapse? This is what acclaimed poet and sound artist Ulrike Almut Sandig shows us in her debut novel, through the story of old friends Ruth and Viktor in the last days of Communist East Germany. The two central characters are inseparable since kindergarten, but they are forced to go their different ways to escape their difficult childhood: Ruth into music and the life of a professional musician; Viktor into violence and a neo-Nazi gang. Monsters Like Us is a story of families, a story of abuse, a story about the search for redemption and the ways it takes shape over generations. More than anything, it is about the stories we tell ourselves about who we are, and who we want to be. Bold, brutal, and lyrical, this is a coming-of-age novel that charts the hidden violence of the world we live in today.
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Monsters of the Gévaudan
The Making of a Beast
Jay M. Smith
Harvard University Press, 2011

In a brilliant, original rendition, Monsters of the Gévaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.

In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gévaudan passed into French folklore.

What species was this killer, why did it decapitate so many of its victims, and why did it prefer the flesh of women and children? Why did contemporaries assume that the beast was anything but a wolf, or a pack of wolves, as authorities eventually claimed, and why is the tale so often ignored in histories of the ancien régime? Smith finds the answer to these last two questions in an accident of timing. The beast was bound to be perceived as strange and anomalous because its ravages coincided with the emergence of modernity itself.

Expertly situated within the social, intellectual, cultural, and political currents of French life in the 1760s, Monsters of the Gévaudan will engage a wide range of readers with both its recasting of the beast narrative and its compelling insights into the allure of the monstrous in historical memory.

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Monsters under Glass
A Cultural History of Hothouse Flowers from 1850 to the Present
Jane Desmarais
Reaktion Books, 2018
Monsters under Glass explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe—including Charles Baudelaire and Oscar Wilde—transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.

In a study as wide-ranging, vivid, and beautiful as our beloved exotic blooms themselves, Jane Desmarais charts the history and influence of these humid, tropical worlds and their creations, providing a steamy window onto our recent past.
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Monstrosities
Bodies And British Romanticism
Paul Youngquist
University of Minnesota Press, 2003
A surprising evaluation of the role of the physical body in the construction of British identity. Eighteenth-century medicine used the word "monstrosities" to describe physically deformed bodies--those irreducible to the "proper body" in their singular, sometimes startling difference. Considering British society in confrontation with such monstrosities, Paul Youngquist reveals the cultural politics of embodiment in Britain during the late eighteenth and early nineteenth centuries. Drawing on the histories of medicine, economics, liberalism, and nationalism, his work shows that bodies are not simply born but rather built by cultural practices directed toward particular social ends. Among the phenomena Youngquist treats are the science of comparative anatomy, the annual festivity of Bartholomew Fair, the social status of black Britons, opium habitués, pregnant women, and wounded war veterans. The authors he engages include John Locke, William Blake, Olaudah Equiano, Samuel Taylor Coleridge, Thomas De Quincey, Mary Wollstonecraft, Lord Byron, and Mary Shelley. Uniquely interdisciplinary, formidably researched, and replete with curious illustrations, this remarkable book should be of interest to anyone concerned with the historical and cultural fate of bodies in liberal society--and with the importance of deviance in determining that fate. Paul Youngquist is associate professor of English at Penn State University. He is the author of Madness and Blake's Myth (1990).
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Monstrosity, Bodies, and Knowledge in Early Modern England
Curiosity to See and Behold
Whitney Dirks
Amsterdam University Press

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Monstrous Beings and Media Cultures
Folk Monsters, Im/materiality, Regionality
Jessica Balanzategui
Amsterdam University Press, 2023
Monstrous Beings of Media Cultures examines the monsters and sinister creatures that spawn from folk horror, Gothic fiction, and from various sectors of media cultures. The collection illuminates how folk monsters form across different art and media traditions, and interrogates the 21C revitalization of “folk” as both a cultural formation and aesthetic mode. The essays explore how combinations of vernacular and institutional creative processes shape the folkloric and/or folkoresque attributes of monstrous beings, their popularity, and the contexts in which they are received.

While it focuses on 21C permutations of folk monstrosity, the collection is transhistorical in approach, featuring chapters that focus on contemporary folk monsters, historical antecedents, and the pre-C21st art and media traditions that shaped enduring monstrous beings. The collection also illuminates how folk monsters and folk “horror” travel across cultures, media, and time periods, and how iconic monsters are tethered to yet repeatedly become unanchored from material and regional contexts.
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Monstrous Bodies
The Rise of the Uncanny in Modern Japan
Miri Nakamura
Harvard University Press, 2015
Monstrous Bodies is a cultural and literary history of ambiguous bodies in imperial Japan. It focuses on what the book calls modern monsters—doppelgangers, robots, twins, hybrid creations—bodily metaphors that became ubiquitous in the literary landscape from the Meiji era (1868–1912) up until the outbreak of the Second Sino-Japanese War in 1937. Such monsters have often been understood as representations of the premodern past or of “stigmatized others”—figures subversive to national ideologies. Miri Nakamura contends instead that these monsters were products of modernity, informed by the newly imported scientific discourses on the body, and that they can be read as being complicit in the ideologies of the empire, for they are uncanny bodies that ignite a sense of terror by blurring the binary of “normal” and “abnormal” that modern sciences like eugenics and psychology created. Reading these literary bodies against the historical rise of the Japanese empire and its colonial wars in Asia, Nakamura argues that they must be understood in relation to the most “monstrous” body of all in modern Japan: the carefully constructed image of the empire itself.
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Monstrous Imagination
Marie-Hélène Huet
Harvard University Press, 1993

“What woeful maternal fancy produced such a monster?” This was once the question asked when a deformed infant was born. From classical antiquity through the Enlightenment, the monstrous child bore witness to the fearsome power of the mother's imagination. What such a notion meant and how it reappeared, transformed, in the Romantic period are the questions explored in this book, a fascinating study of theories linking imagination, art, and monstrous progeny.

Down through the Middle Ages and the Renaissance, philosophers and men of science rendered their learned opinions on the power of the female imagination to dominate, and thus distort, the act of procreation. Drawing on biological and physiological texts from classical times through the nineteenth century, Marie-Hélène Huet presents this argument as it evolved and as it reflected doubts about the force of paternity. She shows how, in the late eighteenth century, the discussion shifted from the scientific sphere to the aesthetic, and how the idea of imagination as monstrous progenitor eventually became a Romantic conceit. In reinterpreting art as teratology, however, Romanticism reclaimed the subversive power of imagination as a masculine attribute; it was now the artist as monstrous father who would generate new forms. From Ambroise Pare to Diderot, from Shelley to Hawthorne, Balzac and Villiers de l'Isle-Adam, as Huet demonstrates, the monster and the work of art challenged preconceived ideas of the natural order of things—and disclosed, for all to see, the silent desire of their makers: to procreate without the other.

In this analysis of monstrous genesis Huet examines anew such questions as the authorship of Frankenstein, the birth of the Tussaud wax museum, and the ancient legend of the golem. Bringing together philosophy and science, aesthetics and popular culture, Monstrous Imagination is a marvel of intellectual history—a remarkable account of how the imagination has manifested itself, above all, in theory.

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Monstrous Intimacies
Making Post-Slavery Subjects
Christina Sharpe
Duke University Press, 2010
Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those “monstrous intimacies” and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass’s narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams’s declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the “generational genital fantasies” depicted in Gayl Jones’s novel Corregidora with a firsthand account of such “monstrous intimacies” in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African–born writer Bessie Head’s novel Maru—about race, power, and liberation in Botswana—in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the “Hottentot Venus” in the nineteenth century. Reading Isaac Julien’s film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker’s black silhouettes, and the critiques leveled against both the silhouettes and the artist.
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Monstrous Kinds
Body, Space, and Narrative in Renaissance Representations of Disability
Elizabeth B. Bearden
University of Michigan Press, 2019
Monstrous Kinds is the first book to explore textual representations of disability in the global Renaissance. Elizabeth B. Bearden contends that monstrosity, as a precursor to modern concepts of disability, has much to teach about our tendency to inscribe disability with meaning. Understanding how early modern writers approached disability not only provides more accurate genealogies of disability, but also helps nuance current aesthetic and theoretical disability formulations.

The book analyzes the cultural valences of early modern disability across a broad national and chronological span, attending to the specific bodily, spatial, and aesthetic systems that contributed to early modern literary representations of disability. The cross section of texts (including conduct books and treatises, travel writing and wonder books) is comparative, putting canonical European authors such as Castiglione into dialogue with transatlantic and Anglo-Ottoman literary exchange.  Bearden questions grand narratives that convey a progression of disability from supernatural marvel to medical specimen, suggesting that, instead, these categories coexist and intersect.
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Monstrous Martyrdoms
Three Plays
Eric Bentley
Northwestern University Press, 2004
Winner of 2006 International Association of Theatre Critics Thalia Prize
Recipient of 2007 The Robert Chesley Foundation Lifetime Achievement Award in Playwriting
Winner of 2006 Village Voice OBIE Awards Lifetime Achievement Award


"The road will be red with monstrous martyrdoms, but we shall win." Oscar Wilde wrote these words at the end of the nineteenth century after serving two years at hard labor for the crime of being homosexual. This modern martyrdom is the subject of Lord Alfred's Lover, Eric Bentley's Brechtian dramatization of Wilde's last days.

H for Hamlet is another variation on the modern martyr play, this time in homage to Pirandello. The protagonist thinks, or once thought, he was Hamlet. Fantasy? Perhaps. But, to paraphrase Marianne Moore, there was a real toad in the imaginary garden--a real martyr in the toy theatre.

In German Requiem, Bentley takes inspiration from Heinrich von Kleist's play The Schroffenstein Family, which in turn is a version of Shakespeare's Romeo and Juliet. The young star-crossed lovers in his play are martyrs of an internecine conflict much like those seen in recent history in Ireland and the Middle East.
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Monstrous Progeny
A History of the Frankenstein Narratives
Friedman, Lester D
Rutgers University Press, 2016
Mary Shelley’s 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth?
 
Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley’s novel from the sixteenth century and analyzing the evolution of the book’s figures and themes into modern productions that range from children’s cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley’s tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. 
 
Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
 
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Monstrous Youth
Transgressing the Boundaries of Childhood in the United States
Sara Austin
The Ohio State University Press, 2022
The monstrous has a long, complicated history within children’s popular media. In Monstrous Youth: Transgressing the Boundaries of Childhood in the United States, Sara Austin traces the evolution of monstrosity as it relates to youth culture from the 1950s to the present day to spotlight the symbiotic relationship between monstrosity and the bodies and identities of children and adolescents. Examining comics, films, picture books, novels, television, toys and other material culture—including Monsters, Inc. and works by Mercer Mayer, Maurice Sendak, R. L. Stine, and Stephanie Meyer—Austin tracks how the metaphor of monstrosity excludes, engulfs, and narrates difference within children’s culture.

Analyzing how cultural shifts have drastically changed our perceptions of both what it means to be a monster and what it means to be a child, Austin charts how the portrayal and consumption of monsters corresponds to changes in identity categories such as race, sexuality, gender, disability, and class. In demonstrating how monstrosity is leveraged in service of political and cultural movements, such as integration, abstinence-only education, and queer rights, Austin offers insight into how monster texts continue to reflect, interpret, and shape the social discourses of identity within children’s culture.

 
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Montage of a Dream
The Art and Life of Langston Hughes
Edited by John Edgar Tidwell & Cheryl R. Ragar, Foreword by Arnold Rampersad
University of Missouri Press, 2007

  Over a forty-six-year career, Langston Hughes experimented with black folk expressive culture, creating an enduring body of extraordinary imaginative and critical writing.  Riding the crest of African American creative energy from the Harlem Renaissance to the onset of Black Power, he commanded an artistic prowess that survives in the legacy he bequeathed to a younger generation of writers, including award winners Alice Walker, Paule Marshall, and Amiri Baraka.

            Montage of a Dream extends and deepens previous scholarship, multiplying the ways in which Hughes’s diverse body of writing can be explored.  The contributors, including such distinguished scholars as Steven Tracy, Trudier Harris, Juda Bennett, Lorenzo Thomas, and Christopher C. De Santis, carefully reexamine the significance of his work and life for their continuing relevance to American, African American, and diasporic literatures and cultures.

            Probing anew among Hughes’s fiction, biographies, poetry, drama, essays, and other writings, the contributors assert fresh perspectives on the often overlooked “Luani of the Jungles” and Black Magic and offer insightful rereadings of such familiar pieces as “Cora Unashamed,” “Slave on the Block,” and Not without Laughter. In addition to analyzing specific works, the contributors astutely consider subjects either lightly explored by or unavailable to earlier scholars, including dance, queer studies, black masculinity, and children’s literature.  Some investigate Hughes’s use of religious themes and his passion for the blues as the fabric of black art and life; others ponder more vexing questions such as Hughes’s sexuality and his relationship with his mother, as revealed in the letters she sent him in the last decade of her life.

            Montage of a Dream richly captures the power of one man’s art to imagine an America holding fast to its ideals while forging unity out of its cultural diversity.  By showing that Langston Hughes continues to speak to the fundamentals of human nature, this comprehensive reconsideration invites a renewed appreciation of Hughes’s work—and encourages new readers to discover his enduring relevance as they seek to understand the world in which we all live.

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Montaigne and the Origins of Modern Philosophy
Ann Hartle
Northwestern University Press, 2013

Montaigne’s Essays are rightfully studied as giving birth to the literary form of that name. Ann Hartle’s Montaigne and the Origins of Modern Philosophy argues that the essay is actually the perfect expression of Montaigne as what he called "a new figure: an unpremeditated and accidental philosopher." Unpremeditated philosophy is philosophy made sociable—brought down from the heavens to the street, where it might be engaged in by a wider audience. In the same philosophical act, Montaigne both transforms philosophy and invents "society," a distinctly modern form of association. Through this transformation, a new, modern character emerges: the individual, who is neither master nor slave and who possesses the new virtues of integrity and generosity. In Montaigne’s radically new philosophical project, Hartle finds intimations of both modern epistemology and modern political philosophy.

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Montaigne in Motion
Jean Starobinski
University of Chicago Press, 1985

Educated in the humanities and trained in psychiatry, Jean Starobinski is a central figure in the Geneva School of criticism. His classic work, Montaigne in Motion, is a subtly conceived and elegantly written study of the Essais of Montaigne, whose deceptively plainspoken meditations have entranced readers and stimulated philosophers since their first publication in 1580 and 1595.

Here Starobinski offers a decidedly postmodern reading of Montaigne. In chapters dealing with the themes of public and private life, friendship, death, the body, and love, Starobinski reveals much that will remind us that Montaigne’s thought is as apropos to our time as it was to his own.

“The most important contribution to Montaigne studies since Friedrich’s work . . . . [It] will be the critical framework in which scholars will discuss Montaigne in the years to come.”—Choice

 

“Starobinski brings Montaigne to life by treating him as our contemporary and asking him modern questions.”—Hudson Review

 

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Montana Ghost Dance
Essays on Land and Life
By John B. Wright
University of Texas Press, 1998

Montana has been the "last best place" for so many people. A century ago, Native Americans gathered here to perform the Ghost Dance—a last, doomed attempt to make white settlers vanish and bring back the old ways of life. Today, people are still pouring into Montana, looking for the pristine wilderness they saw in A River Runs through It.

The reality of Montana—indeed, of all the West—has never matched the myths, but this book eloquently explores how the search for a perfect place is driving growth, development, and resource exploitation in Big Sky country. In ten personal essays, John Wright looks at such things as Montana myths; old-timers; immigrants; elk; ways of seeing the landscape; land conservation and land trusts; the fate of the Blackfoot, Bitterroot, and Paradise valleys; and some means of preserving the last, best places.

These reflections offer a way of understanding Montana that goes far beyond the headlines about militia groups and celebrities' ranches. Montana never was or will be a pristine wilderness, but Wright believes that much can be saved if natives and newcomers alike see what stands to be lost. His book is a wake-up call, not a ghost dance.

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Montana Pay Dirt
Guide To Mining Camps Of Treasure State
Muriel Sibell Wolle
Ohio University Press, 1963
“In her pictures of mountain scenery and miners’ cabins, deserted mills and smelters, empty boarding houses, once-lavish hotels, and forgotten stores and post offices, Muriel Sibell Wolle has preserved the authentic look of the Montana mining frontier in a poignant and effective record.” — Allan Radbourne, The English Westerners Tally Sheet
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The Montana Vigilantes 1863–1870
Gold,Guns and Gallows
Mark C. Dillon
Utah State University Press, 2016
 Historians and novelists alike have described the vigilantism that took root in the gold-mining communities of Montana in the mid-1860s, but Mark C. Dillon is the first to examine the subject through the prism of American legal history, considering the state of criminal justice and law enforcement in the western territories and also trial procedures, gubernatorial politics, legislative enactments, and constitutional rights.

Using newspaper articles, diaries, letters, biographies, invoices, and books that speak to the compelling history of Montana’s vigilantism in the 1860s, Dillon examines the conduct of the vigilantes in the context of the due process norms of the time. He implicates the influence of lawyers and judges who, like their non-lawyer counterparts, shaped history during the rush to earn fortunes in gold.

Dillon’s perspective as a state Supreme Court justice and legal historian uniquely illuminates the intersection of territorial politics, constitutional issues, corrupt law enforcement, and the basic need of citizenry for social order. This readable and well-directed analysis of the social and legal context that contributed to the rise of Montana vigilante groups will be of interest to scholars and general readers interested in Western history, law, and criminal justice for years to come.
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Montane Foragers
Asana and the South-Central Andean Archaic
Mark S. Aldenderfer
University of Iowa Press, 1998
All previous books dealing with prehistoric hunter-gatherers in the high Andes have treated ancient mountain populations from a troglodyte's perspective, as if they were little different from lowlanders who happened to occupy jagged terrain. Early mountain populations have been transformed into generic foragers because the basic nature of high-altitude stress and biological adaptation has not been addressed. In Montane Foragers, Mark Aldenderfer builds a unique and penetrating model of montane foraging that justly shatters this traditional approach to ancient mountain populations.

Aldenderfer's investigation forms a methodological and theoretical tour de force that elucidates elevational stress—what it takes for humans to adjust and survive at high altitudes. In a masterful integration of mountain biology and ecology, he emphasizes the nature of hunter-gatherer adaptations to high-mountain environments. He carefully documents the cultural history of Asana, the first stratified, open-air site discovered in the highlands of the south-central Andes. He establishes a number of major occurrences at this revolutionary site, including the origins of plant and animal domestication and transitions to food production, the growth and packing of forager populations, and the advent of some form of complexity and social hierarchy.

The rich and diversified archaeological record recovered at Asana—which spans from 10,000 to 3,500 years ago—includes the earliest houses as well as public and ceremonial buildings in the central cordillera. Built, used, and abandoned over many millennia, the Asana structures completely transform our understanding of the antiquity and development of native American architecture. Aldenderfer's detailed archaeological case study of high-elevation foraging adaptation, his description of this extreme environment as a viable human habitat, and his theoretical model of montane foraging create a new understanding of the lifeways of foraging peoples worldwide.
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Monte Alban's Hinterland, Part I
The Prehispanic Settlement Patterns of the Central and Southern Parts of the Valley of Oaxaca, Mexico
Richard E. Blanton, Stephen Kowalewski, Gary Feinman, and Jill Appel
University of Michigan Press, 1982
In this work, the authors interpret archaeological data on roughly 3000 years of human history in the Valley of Oaxaca, from roughly 1500 BC to AD 1500. They integrate information on settlement patterns, political and social organization, artifact distribution, and more.
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Monte Albán's Hinterland, Part II
Prehispanic Settlement Patterns in Tlacolula, Etla, and Ocotlan, the Valley of Oaxaca, Mexico, Vols. 1 and 2
Stephen Kowalewski, Gary Feinman, Laura Finsten, Richard Blanton, and Linda Nicholas
University of Michigan Press, 1989
This two-volume monograph is the final report and synthesis of the Valley of Oaxaca Settlement Pattern Project’s full-coverage surface survey and makes significant theoretical and methodological contributions to the investigation of social evolution, cultural ecology, and regional analysis.
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Monte Cassino in the Middle Ages
Herbert Bloch
Harvard University Press, 1986

The monastery of Monte Cassino, founded by St. Benedict in the sixth century, was the cradle of Western monasticism. It became one of the vital centers of culture and learning in Europe. At the height of its influence, in the eleventh and early twelfth centuries, two of its abbots (including Desiderius) and one of its monks became popes, and it controlled a vast network of dependencies—churches, monasteries, villages, and farms—especially in central and southern Italy.

Herbert Bloch's study, the product of forty years of research, takes as its starting point the twelfth-century bronze doors of the basilica of the abbey, the most significant relic of the medieval structure. The panels of these doors are inscribed with a list of more than 180 of the abbey's possessions. Mr. Bloch has supplemented this roster with lists found in papal and imperial privileges and other documents. The heart of the book is a detailed investigation of the nearly 700 dependencies of Monte Cassino from the sixth to the twelfth century and beyond. No comparable study of this or any other great medieval institution has ever before been undertaken.

Ironically, it was the bombing of 1944, which destroyed the monastery, that led to an unexpected revelation: the discovery, on the reverse side of some panels of the doors, of magnificent engraved figures of patriarchs and apostles. These proved to be remnants of the church portal ordered from Constantinople by Desiderius in the eleventh century, which marked the beginning of the grandiose reconstruction of the abbey and its church, the latter to become a model for many other churches. In order to solve the riddle of the doors of Monte Cassino, Bloch has investigated other bronze doors of Byzantine origin in Italy and the doors of the great Italian master Oderisius of Benevento, as well as those of S. Clemente a Casauria and of the cathedral of Benevento. Also included is a study of the political and cultural impact of Byzantium on Monte Cassino and a chapter on Constantinus Africanus, Saracen turned monk, one of the most interesting figures in the history of medieval medicine.

The text is sumptuously illustrated with 193 plates; most of the more than 300 illustrations have never before been published. This three-volume work, with its nine detailed indexes, offers a wealth of information for scholars in many different fields.

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The Monterrey Elite and the Mexican State, 1880–1940
By Alex M. Saragoza
University of Texas Press, 1988

After the Revolution of 1910, a powerful group of Monterrey businessmen led by the Garza-Sada family emerged as a key voice of the Mexican private sector. The Monterrey Elite and The Mexican State is the first major historical study of the "Grupo Monterrey," the business elite that transformed Monterrey into a premier industrial center, the "Pittsburgh" of Mexico.

Drawing on archival resources in the United States and Mexico and the work of previous scholars, Alex Saragoza examines the origins of the Monterrey elite. He argues that a "pact" between the new state and business interests was reached by the 1940 presidential elections—an accord that paved the way for the "alliance for profits" that has characterized relations between the Mexican state and capitalists since that time.

More than a standard business history, this study delves into both the intimate social world of the Garza-Sadas and their allies and the ideas, beliefs, and vision of the Monterrey elite that set it apart from and often against the Mexican government. In so doing, The Monterrey Elite and the Mexican State reveals the underlying forces that led to the most historic battle between the private sector and the Mexican state: the dramatic showdown in 1936 between the Garza-Sadas and then President Lázaro Cárdenas in Monterrey, Nuevo León.

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The Montesi Scandal
The Death of Wilma Montesi and the Birth of the Paparazzi in Fellini's Rome
Karen Pinkus
University of Chicago Press, 2003
Early on a windy morning in April 1953, the body of a young woman washed up on a beach outside of Rome. Her name was Wilma Montesi, and, as the papers reported, she had left her home in the city center a day earlier, alone. The police called her death an accidental drowning. But the public was not convinced. In the cafés around the Via Veneto, people began to speak-of the son of a powerful politician, lavish parties, movie stars, orgies, drugs.

How this news item of everyday life exploded into one of the greatest scandals of a modern democracy is the story Karen Pinkus tells in The Montesi Scandal. Wilma's death brought to the surface every simmering element of Italian culture: bitter aspiring actresses, corrupt politicians, nervous Jesuits in sunglasses, jaded princes. Italians of all types lined up to testify-in court or to journalists of varying legitimacy-about the death of the middle-class carpenter's daughter, in the process creating a media frenzy and the modern culture of celebrity. Witnesses sold their stories to the tabloids, only to retract them. They posed for pictures, pretending to shun the spotlight. And they in turn became celebrities in their own right.

Pinkus takes us through the alleys and entryways of Rome in the 1950s, linking Wilma's death to the beginnings of the dolce vita, now synonymous with modern Roman life. Pinkus follows the first paparazzi on their scooters as they shoot the protagonists and gives us an insider's view of the stories and trials that came to surround this lonely figure that washed up on the shores of Ostia. Full of the magnificent paparazzi photos of the protagonists in the drama and film stills from the era's landmark movies, The Montesi Scandal joins true crime with "high" culture in an original form, one true to both the period and the cinematic conception of life it created. More than a meditation of the intricate ties among movies, paparazzo photography, and Italian culture, The Montesi Scandal narrates Wilma's story and its characters as the notes for an unrealized film, but one that, as the reader discovers, seems impossible to produce.
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Montesquieu and Rousseau
Forerunners of Sociology
Emile Durkheim
University of Michigan Press, 1960
Montesquieu & Rousseau provides, for the first time in English, two essays by Emile Durkheim on his chief eighteenth-century predecessors in the main stream of Western thought. Durkheim recognized that Montesquieu had laid down the principles of sociology long before that young science had a name and that Rousseau, too, spoke as a sociologist in The Social Contract. With his characteristic blend of reason and fervor, he enlarged upon these forerunners to create the fundamental ideas of modern sociology. The essays are valuable for what they tell us of Montesquieu and Rousseau. They are doubly important to readers who are directly concerned with political philosophy and social science. And, as Henri Peyre points out in the Foreword, they are an example of how the best minds of any age can serve each other.
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Montesquieu and the Despotic Ideas of Europe
An Interpretation of "The Spirit of the Laws"
Vickie B. Sullivan
University of Chicago Press, 2017
Montesquieu is rightly famous as a tireless critic of despotism, which he associates in his writings overtly with Asia and the Middle East and not with the apparently more moderate Western models of governance found throughout Europe. However, a careful reading of Montesquieu reveals that he recognizes a susceptibility to despotic practices in the West—and that the threat emanates not from the East, but from certain despotic ideas that inform such Western institutions as the French monarchy and the Roman Catholic Church.
           
Nowhere is Montesquieu’s critique of the despotic ideas of Europe more powerful than in his enormously influential The Spirit of the Laws, and Vickie B. Sullivan guides readers through Montesquieu’s sometimes veiled, yet sharply critical accounts of Machiavelli, Hobbes, Aristotle, and Plato, as well as various Christian thinkers. He finds deleterious consequences, for example, in brutal Machiavellianism, in Hobbes’s justifications for the rule of one, in Plato’s reasoning that denied slaves the right of natural defense, and in the Christian teachings that equated heresy with treason and informed the Inquisition.

In this new reading of Montesquieu’s masterwork, Sullivan corrects the misconception that it offers simple, objective observations, showing it instead to be a powerful critique of European politics that would become remarkably and regrettably prescient after Montesquieu’s death when despotism wound its way through Europe.
 
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Montesquieu's Philosophy of Liberalism
A Commentary on The Spirit of the Laws
Thomas L. Pangle
University of Chicago Press, 1973
This first comprehensive commentary on The Spirit of the Laws uncovers and explicates the plan of Montesquieu's famous but baffling treatise. Pangle brings to light Montesquieu's rethinking of the philosophical groundwork of liberalism, showing how The Spirit of the Laws enlarges and enriches the liberal conception of natural right by means of a new appeal to History as the source of basic norms.
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The Montgomery Bus Boycott and the Women Who Started It
The Memoir of Jo Ann Gibson Robinson
Jo Ann Gibson Robinson
University of Tennessee Press, 1987
Histories of the Montgomery Bus Boycott of 1955–1956 typically focus on Rose Parks, who refused to yield her bus seat to a white man, and on a young Martin Luther King Jr., who became the spokesman for the black community organization set up to pursue a boycott of Montgomery's segregated city buses. In an important revision of the traditional account, this extraordinary personal memoir reveals an earlier and more important role played by a group of middle-class black Montgomery women in creating the boycott.

As head of the Women's Political Council, the most active and assertive black civic organization in the City, Jo Ann Robinson was centrally involved in planning for a boycott far in advance and was able to immediately initiate it the evening Rosa Parks was arrested. Robinson also took part in curcial but ultimately unsuccessful negotiations with white officials both before and during the protest. Her proud, moving narrative vividly portrays her colleagues in the struggle, their strategies and decisions, and evokes the complex emotional currents in Montgomery during the boycott.

The Montgomery Bus Boycott ignited the civil rights movement and has always been vitally important in southern history and African American history. This seminal publication, named to Wall Street Journal's top ten list of book on the civil rights movement, has long been a milestone publication in understanding America's complicated racial history.
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Montgomery C. Meigs and the Building of the Nation’s Capital
William C. Dickinson
Ohio University Press, 2001

At the age of thirty-six, in 1852, Lt. Montgomery Cunningham Meigs of the Army Corps of Engineers reported to Washington, D.C., for duty as a special assistant to the chief army engineer, Gen. Joseph G. Totten. It was a fateful assignment, both for the nation’s capital and for the bright, ambitious, and politically connected West Point graduate.

Meigs's forty-year tenure in the nation's capital was by any account spectacularly successful. He surveyed, designed, and built the Washington water supply system, oversaw the extension of the U.S. Capitol and the erection of its massive iron dome, and designed and supervised construction of the Pension Building, now the home of the National Building Museum. The skills he exhibited in supervising engineering projects were carefully noted by political leaders, including president-elect Abraham Lincoln, who named Meigs quartermaster general of the Union Army, the most important position he held during his long and active military career.

Meigs believed Washington, D.C., should be the reincarnation of Rome, the ancient capital of the Roman Empire. He endeavored to memorialize the story of the American nation in all the structures he built, expressing these ideas in murals, sculpture, and monumental design.

Historians have long known Meigs for the organizational genius with which he fulfilled his duty as quartermaster general during the Civil War and for his unwavering loyalty to Lincoln and Secretary of War Edwin Stanton. This volume establishes his claim as one of the major nineteenth-century contributors to the built environment of the nation's capital.

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Montgomery in the Good War
Portrait of a Southern City, 1939-1946
Wesley Phillips Newton
University of Alabama Press, 2000
Montgomery in the Good War is a richly textured account of a southern city and its people during World War II.
 
Using newspaper accounts, interviews, letters, journals, and his own memory of the time, Wesley Newton reconstructs wartime-era Montgomery, Alabama--a sleepy southern capital that was transformed irreversibly during World War II.
 
The war affected every segment of Montgomery society: black and white, rich and poor, male and female, those who fought in Europe and the Pacific and those who stayed on the home front. Newton follows Montgomerians chronologically through the war from Pearl Harbor to Hiroshima as they experience patriotism, draft and enlistment, rationing, scarcity drives, and the deaths of loved ones. His use of small vignettes based on personal recollections adds drama and poignancy to the story.
 
Montgomery in the Good War is an important reminder that wars are waged at home as well as abroad and that their impact reverberates well beyond those who fight on the front lines. Those who came of age during the war will recognize themselves in this moving volume. It will also be enlightening to those who have lived in times of relative peace.
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A Month at the Front
The Diary of an Unknown Soldier
Unknown Soldier
Bodleian Library Publishing, 2014
In July 1917, a young man in the 12th East Surrey Regiment kept a journal of his experiences at the front. This account is narrated with a keen sense of observation, bringing to life the sights, sounds, smells, and horrors of war. The anonymous author candidly describes his daily life: dodging shells to fetch meals from the rations cart; his regiment lost on a march, straying perilously near enemy lines; the selfishness of his commanding officer; the daily distribution of rum; the soar of shells above his head; communicating by sign language with a captured German soldier living in his trench; catching sleep in snatches of ten or fifteen minutes; and always, the endless mud. The young soldier describes how his comrades gradually fall one by one, until he and three remaining fellow soldiers are captured by the enemy, an event that abruptly ends the narrative.A Month at the Front offers a fresh and personal perspective on war. The manuscript, acquired by the Bodleian Library, is an authentic firsthand account from a young, anonymous soldier. It is a poignant and moving story of a young man thrust into fatal circumstances.
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A Month at the Front
The Diary of an Unknown Soldier
Edited by the Bodleian Library
Bodleian Library Publishing, 2006
From The Things They Carried and Platoon to today’s documentaries of soldiers fighting in Iraq and Afghanistan, the ordeals of wartime soldiers are gripping, morally complex narratives of human strength and frailty. A Month at the Front offers another fresh and personal perspective on war. Recently acquired by the Bodleian Library, it is a first-hand account of a young and anonymous British soldier fighting in the frontline trenches of the First World War.

A Month at the Front chronicles one month in the life of a soldier from the 12th East Surrey regiment, and the economical yet powerful narrative vividly brings to life the sights, sounds, and horrors of war. “The first night passed uneventfully, except that we were shelled”—so begins the young man in spare prose, and the quiet drama unfolds from there. Constant bombings and the sobering landscape of war—“It was nothing unusual to come across . . . a dead comrade lying waiting for burial”—are occasionally relieved by humorous events such as the discovery that a troop of advancing Germans was “nothing more than few short willow shrubs waving about in the breeze.” The young soldier describes how his comrades gradually fall one by one, until he and three remaining fellow soldiers are captured by the enemy, an event that abruptly ends the narrative.

A Month at the Front is not penned by a famous author, nor does it claim to offer any broad perspective. Rather, it is the lone voice of an unknown young man thrust into fatal circumstances.
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Montrose
Life in a Garden
Nancy Goodwin
Duke University Press, 2005
Something is blooming every day of the year in the renowned gardens at Montrose, Nancy Goodwin’s nineteenth-century property in historic Hillsborough, North Carolina. Since moving to Montrose with her husband Craufurd in 1977, Goodwin has transformed more than twenty acres into an extraordinary complex of interlocking gardens that come in and out of focus as the seasons overlap and change.

Beautifully written and illustrated, Montrose: Life in a Garden is Goodwin’s affectionate biography of her gardens, recounting how and why each section was developed over the years, including the Dianthus Walk, Nandinaland, Hellebore Slope, Mother-in-Law Walk, Snowdrop Woods, and Jo’s Bed. It is also a meticulous month-by-month chronicle of a specific year in these gardens—a year that saw a punishing drought that threatened Goodwin’s no-irrigation policy, a damaging December ice storm, and the beginnings of a plan to preserve Montrose in the future.

Working on her knees for long days throughout the year, Nancy Goodwin always has a vision of how her gardens will appear in twelve months or in twelve years. She will spend weeks, for instance, planting hundreds of snow drops along a woodsy path in order to enjoy a fleeting week of exquisite beauty in coming years. She never puts anything into the ground without imagining what form, color, and texture it will add to a bed. With tireless patience and unflagging optimism, Goodwin will wait years to see a single plant bloom.

Following Goodwin’s activities throughout the year, readers will learn the fundamentals of maintaining a four-season garden in Zone 7 in the South. Award-winning garden illustrator Ippy Patterson has provided more than 160 lavish illustrations of the gardens at Montrose and these meticulously detailed drawings appear throughout the book.

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Montréal Chic
A Locational History of Montréal Fashion
Katrina Sark and Sara Danièle Bélanger-Michaud
Intellect Books, 2016
Montréal is à la mode. A fashionable city in its own right, it also boasts fashion schools, an industry packed with local designers and manufacturers, and a dynamic scene that exhibits local and international collections. With its vibrant cultural life and affordable cost of living, designers and artists flock from all over to be a part of Montréal’s hip fashion community. MontréalChic is the first book to document this scene and how it connects with the city’s design, film, music, and cultural history. Scholars Katrina Sark and Sara Danièle Bélanger-Michaud are intimately acquainted with Montréal and use their firsthand knowledge of the city’s fashion to explore urban culture, music, institutions, scenes, and subcultures, along the way uncovering many untold stories of Montréal’s fashion scene.
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Monument Lab
Creative Speculations for Philadelphia
Paul M. Farber
Temple University Press, 2020

What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments. 

Monument Lab is a fabulous compendium of the exhibition and a critical reflection of the proceedings, including contributions from interlocutors and collaborators. The exhibition and this handbook were designed to generate new ways of thinking about monuments and public art as well as to find new, critical perspectives to reflect on the monuments we have inherited and to imagine those we have yet to build. Monument Lab energizes acivic dialogue about place and history as forces for a deeper questioning of what it means to be Philadelphian in a time of renewal and continuing struggle.

Contributors: Alexander Alberro, Alliyah Allen, Laurie Allen, Andrew Friedman, Justin Geller, Kristen Giannantonio, Jane Golden, Aviva Kapust, Fariah Khan, Homay King, Stephanie Mach, Trapeta B. Mayson, Nathaniel Popkin, Ursula Rucker, Jodi Throckmorton, Salamishah Tillet, Jennifer Harford Vargas, Naomi Waltham-Smith, Bethany Wiggin, Mariam I. Williams, Leslie Willis-Lowry,  and the editors.

Artists: Tania Bruguera, Mel Chin, Kara Crombie, Tyree Guyton, Hans Haacke, David Hartt, Sharon Hayes, King Britt and Joshua Mays, Klip Collective, Duane Linklater, Emeka Ogboh, Karyn Olivier, Michelle Angela Ortiz, Kaitlin Pomerantz, RAIR, Alexander Rosenberg, Jamel Shabazz, Hank Willis Thomas, Shira Walinsky and Southeast by Southeast, and Marisa Williamson.

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A Monument More Durable than Brass
Donald & Mary Hyde Collection of Dr. Samuel Johnson
John Overholt
Harvard University Press
To commemorate the tercentenary of the birth of Samuel Johnson (1709–1784), whose influence on his time was as monumental as his legacy is enduring, Harvard University’s Houghton Library presents this exhibition catalogue of items drawn from the Donald & Mary Hyde Collection of Dr. Samuel Johnson, bequeathed to the library in 2004 by Mary Hyde Eccles. This copiously illustrated catalogue documents sixty years of assiduous and painstaking effort on the part of Lady Eccles, initially in collaboration with her first husband, Donald F. Hyde, and later with the encouragement and support of her second husband, David, Viscount Eccles, to assemble one of the world’s finest collections of eighteenth-century English literature. The catalogue, including essays on Johnson’s literary durability and on Donald and Mary Hyde’s life as collectors, pays tribute to a great literary icon and to a remarkably generous woman who devoted her life to collecting an astonishing array of books, manuscripts, prints, and other rare artifacts relating to his life and times.
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A Monument More Lasting than Bronze
Classics in the University of Malawi, 1982–2019
Paul McKechnie
Harvard University Press, 2023

Formed in 1964, the year of independence, the University of Malawi promised more than the distant University College of Rhodesia and Nyasaland—founded 1952—ever could. A decade and a half later, Hastings Kamuzu Banda, by then Life President of the Republic of Malawi, let it be known to the University that a Department of Classics was to be established—teaching the history and languages of the ancient Mediterranean world at Zomba, on the edge of the African Rift Valley.

A Monument More Lasting than Bronze analyzes President Banda’s motives for this surreal intervention and the political goals it served, and also sketches out the shape the enterprise he called into being has taken—all in the context of worldwide transformations of Classics. A balanced team of authors, some Malawian, some foreign with Malawian connections, brings varied perspectives to this reflection.

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A Monument to Deceit
Sam Adams and the Vietnam Intelligence Wars
C. Michael Hiam
University Press of New England, 2014
It was an enigma of the Vietnam War: American troops kept killing the Viet Cong—and being killed in the process—and yet their ranks continued to grow. When CIA analyst Sam Adams uncovered documents suggesting a Viet Cong army more than twice as large as previously reckoned, another war erupted, this time within the ranks of America’s intelligence community. Although originally clandestine, this conflict involving the highest levels of the U.S. government burst into public view during the acrimonious lawsuit Westmoreland v. CBS. The central issue in the suit, as in the war itself, was the calamitous failure of U.S. intelligence agencies to ascertain the strength of the Viet Cong and get that information to troops in a timely fashion. The legacy of this failure—whether caused by institutional inertia, misguided politics, or individual hubris—haunts our nation. In the era of Chelsea Manning, Julian Assange, and Edward Snowden, Sam Adams’ tireless crusade for “honest intelligence” resonates strongly today.
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