front cover of M Archive
M Archive
After the End of the World
Alexis Pauline Gumbs
Duke University Press, 2018
Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive—the second book in a planned experimental triptych—is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm. Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story “Evidence,” M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human. By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics.
[more]

logo for Arizona Center for Medieval and Renaissance Studies
M is for Monster
Sherry M. Lindquist
Arizona Center for Medieval and Renaissance Studies, 2000

front cover of M. Jeff Thompson
M. Jeff Thompson
Missouri's Swamp Fox of the Confederacy
Doris Land Mueller
University of Missouri Press, 2007

In the treacherous swamps of southeast Missouri, a different kind of Civil War was waged.

Meriwether Jeff Thompson was one of the most intriguing but least-known Missouri participants in the Civil War. He and his troops traveled fast and light to harass Union forces, materializing out of the countryside to surprise the enemy and evading the traps set for them by Northern commanders. Early in the war, Union General Ulysses S. Grant gave Thompson the name “Swamp Fox” for his exploits in the Bootheel region. This book now tells his story—an adventure that will be appreciated by readers of all ages. Doris Mueller has produced a meticulously researched account of Thompson’s life, from his Virginia boyhood and early successes to his wartime exploits and postwar life. When the war began, Thompson left his adopted city of St. Joseph—where he had served as mayor—to fight for the Confederacy. He was elected brigadier general in the First Military District of Southeast Missouri and led poorly equipped and loosely trained men in skirmishes and raids, often using guerrilla tactics. He was captured in August 1863. After being released twelve months later in a prisoner exchange, he joined Sterling Price’s ill-fated raid into Missouri. After the war, he was one of the first Southern leaders to seek reinstatement as a U.S. citizen and worked to allay hostilities among fellow Southerners.

Thompson was also known as the “Poet Laureate of the Marshes,” and Mueller includes numerous excerpts from his writings about his experiences. Her account not only provides a wealth of little-known biographical details about this important Missourian but also offers insight into the state’s unique experiences during that bloody era, personalizing events through the life of this brave soldier.

Scorned by the Northern press for impudence, but beloved as a leader by his men, Thompson was courageous in battle, often to the point of recklessness, making him a constant thorn in the side of Union forces; after the war he was an oft-maligned model for reconciliation. Doris Mueller’s recounting of his life is an action-adventure story that will delight readers as it attests to his important role in Missouri’s heritage.

[more]

front cover of M. K. Kellogg's Texas Journal, 1872
M. K. Kellogg's Texas Journal, 1872
Miner Kilbourne Kellogg
University of Texas Press, 1967

Miner Kilbourne Kellogg’s notes about his experiences with “the most completely and comfortably fitted-out expedition which ever went to Texas” is an account of the beauty, the wildness, and the dangers and inconveniences of 1872 Texas.

Editor Llerena Friend provides a setting for the journal by tracing the search for mineral wealth in post–Civil War Texas; by describing the aims of the Eastern-born Texas Copper and Land Association, whose expedition the diarist accompanied; and by narrating the life of Miner K. Kellogg—artist, world traveler, writer. Friend’s annotation of the journal fills in details about the names, places, and events that Kellogg mentions.

As the expedition travels across North Texas toward Double Mountain, Kellogg reveals himself not only as a man of artistic vision but also as a chronic complainer, an accomplished observer of human nature and individual personality, and a skillful interpreter of problems that beset the people in the uncivilized regions of Texas.

A cultured gentleman who had traveled the world and had sat in the company of presidents and princes, this non-Texan was disdainful of the “texans” of the wilderness, for whom “Cards & vulgar slang & stories of Indian adventures form the staple of their mental exercises.” An artist, he was often unable to draw, either because of his constant illnesses and frustrations or because of the unfavorable encampments of the party. Accustomed to the amenities and comforts of life, he criticized the lack of leadership and the purpose of the expedition, and complained incessantly of the chiggers, the “want of cleanliness decency & health,” and “the infernal bacon,” which became the stock fare.

Amid the complaints and derisions, however, appear vivid images of the Texas landscape, set down in word pictures by an artist’s pen: the night sky, “with a half moon now & then eclipsed by dark clouds passing over the clear starry vault of bluish grey”; the river-bank soil of “Vandyke brown color”; the mesquite trees in a melancholy and wild basin, “without a leaf upon their dead carcasses, yet still standing & clinging to the hope of resurrection from the life yet remaining in their roots”; and the “acres of the brilliant yellow Compositea & pink sabatea-like carpets spread in the morning air.”

Kellogg’s watercolor sketches were unfortunately lost in travel, but his literary record, “M. K. Kellogg’s Mems, Exploring Expedition to Texas, 1872,” remains as a personal account of an abortive attempt to exploit the natural resources of the Texas frontier during Reconstruction and an artist’s picture of the life and the land of that frontier.

[more]

front cover of M-80
M-80
Jim Daniels
University of Pittsburgh Press, 1993
In M-80, his third book of poems, Jim Daniels explores the sharp edges of urban life. His characters struggle for survival in the face of rising urban violence, racial tension, and a crumbling economy. The collection is named for one of the most dangerous fireworks found on city streets – an apt metaphor for an urban world where the fuse is always lit.
[more]

front cover of Ma'am Jones of the Pecos
Ma'am Jones of the Pecos
Eve Ball
University of Arizona Press, 1969
"...highly entertaining and provides a valuable picture of the New Mexico frontier." —Journal of the West

"An unusual story of an American pioneer woman who used a needle, skillet, or gun, as needed, and who tended the dying during frontier wars or outbreaks of equally deadly diseases."  —The Old Bookaroos

"For vivid descriptions of pioneer life in southeastern New Mexico, no work of history or fiction can match Eve Ball's dramatic story of Barbara Jones and her family...Anyone who picks it up will be reluctant to stop reading... "Few western historians have made such expert use of oral history as Mrs. Ball. Colloquial language adds color; and carefully drawn sketches of the family, their acquaintances, and the major figures in Lincoln County provide a degree of intimacy seldom found in historical works. That the resulting tale is believable and deeply moving demonstrates just how effective these techniques can be." —Southwestern Historical Quarterly
[more]

front cover of Maarav, volume 27 number 1-2 (Spring 2023)
Maarav, volume 27 number 1-2 (Spring 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 27 issue 1-2 of Maarav. Maarav—A Journal for the Study of the Northwest Semitic Languages and Literatures is devoted to the texts and verbal objects of the ancient Levant featuring Aramaic, Hebrew, Phoenician, and related languages. In addition to research on their verbal features, Maarav welcomes inquiry into their material, visual, and social aspects, their cultural horizons and relationships, and contemporary interests like the technological developments in decipherment, storage, representation, and analysis and the history and current practices of acquiring and interpreting ancient objects.
[more]

front cover of Mabou Mines
Mabou Mines
Making Avant-Garde Theater in the 1970s
Iris Smith Fischer
University of Michigan Press, 2012

The theater company Mabou Mines has for the past forty years created pathbreaking new theater by combining the latest concepts in music, visual arts, and technology with traditional forms of creative expression: puppetry, text, movement, theater design. From the beginning, the evanescence of performance and the dynamics of group work attracted the group. Most of their early pieces were never recorded, leaving little documentation of their foundational productions. Mabou Mines: Making Avant-Garde Theater in the 1970s provides this missing history, attempting to capture and describe the explorations of a group who set out to create indescribable performance. Iris Smith Fischer makes visible once again the celebrated company's least documented work, and offers accounts of the decisions and events that defined Mabou Mines' ideas and methods, particularly their creative collaborations with visual artists, musicians, writers, and dancers. Focusing on the heady days of the company's founding and first ten years, the book traces Mabou Mines' intellectual and artistic roots, frames them within the 1970s avant-garde, and outlines their significance in contemporary performance.

[more]

logo for University of Manitoba Press
Mac Runciman
A Life in the Grain Trade
Paul D. Earl
University of Manitoba Press, 2000
One of the most turbulent periods in the history of prairie agriculture is chronicled in a new book about the life and times of Alexander "Mac" Runciman, the Saskatchewan farmer who led the United Grain Growers as president from 1961 to 1981. Mac Runciman earned the respect and admiration on both sides of the great agriculture debates of the 1960s and 1970sófrom individual farmers to Pierre Trudeau, who offered Runciman a cabinet post in 1980 (Mac turned him down).Mac Runciman: A Life in the Grain Trade tells the story of how Runciman rose through the ranks of the UGG to play a central role in the fierce debates over the modernization of grain handling, subsidized freight rates, and the role of The Canadian Wheat Board. Runciman's reminiscences give new insights into the events and personalities of that critical period in Canadian agricultural history, a time in which the rural community began to question highly centralized and regulated marketing and transportation systems. The events and decisions of those years continue to reverberate in today's controversies over grain marketing and grain transportation.
[more]

front cover of Macachiavellian Intelligence
Macachiavellian Intelligence
How Rhesus Macaques and Humans Have Conquered the World
Dario Maestripieri
University of Chicago Press, 2007
Judged by population size and distribution, homo sapiens are clearly the most successful primates. A close second, however, would be rhesus macaques, who have adapted to—and thrived in—such diverse environments as mountain forests, dry grasslands, and urban sprawl. Scientists have spent countless hours studying these opportunistic monkeys, but rhesus macaques have long been overshadowed in the public eye by the great apes, who, because of their greater intelligence, are naturally assumed to have more to teach us, both about other primates and about humans as well.

Dario Maestripieri thinks it is high time we shelve that misperception, and with Macachiavellian Intelligence he gives rhesus macaques their rightful turn in the spotlight. The product of more than twenty years studying these fascinating creatures, Macachiavellian Intelligence caricatures a society that is as much human as monkey, with hierarchies and power struggles that would impress Machiavelli himself. High-status macaques, for instance, maintain their rank through deft uses of violence and manipulation, while altruism is almost unknown and relationships are perpetually subject to the cruel laws of the market. Throughout this eye-opening account, Maestripieri weds his thorough knowledge of macaque behavior to his abiding fascination with human society and motivations. The result is a book unlike any other, one that draws on economics as much as evolutionary biology, politics as much as primatology.

Rife with unexpected connections and peppered with fascinating anecdotes, Macachiavellian Intelligence has as much to teach us about humans as it does about macaques, presenting a wry, rational, and wholly surprising view of our humanity as seen through the monkey in the mirror.
[more]

front cover of The Macanese Diaspora in British Hong Kong
The Macanese Diaspora in British Hong Kong
A Century of Transimperial Drifting
Catherine S. Chan
Amsterdam University Press, 2021
Diaspora transformed the urban terrain of colonial societies, creating polyglot worlds out of neighborhoods, workplaces, recreational clubs, and public spheres. It was within these spaces that communities reimagined and reshaped their public identities vis-à-vis emerging government policies and perceptions from other communities. Through a century of Macanese activities in British Hong Kong, The Macanese Diaspora in British Hong Kong: A Century of Transimperial Drifting explores how mixed-race diasporic communities survived within unequal, racialized, and biased systems beyond the colonizer-colonized dichotomy. Originating from Portuguese Macau yet living outside the control of the empire, the Macanese freely associated with more than one identity and pledged allegiance to multiple communal, political, and civic affiliations. They drew on colorful imaginations of the Portuguese and British empires in responding to a spectrum of changes encompassing Macau’s woes, Hong Kong’s injustice, Portugal’s political transitions, global developments in print culture, and the rise of new nationalisms during the inter-war period.
[more]

front cover of Macao and the British, 1637–1842
Macao and the British, 1637–1842
Prelude to Hong Kong
Austin Coates
Hong Kong University Press, 2009
The story of the British acquisition of Hong Kong is intricately related to that of the Portuguese enclave of Macao. The British acquired Hong Kong in 1841, following 200 years of European endeavours to induce China to engage in foreign trade. As a residential base of European trade, Portuguese Macao enabled the West to maintain continuous relations with China from 1557 onwards. Opening with a vivid description of the first English voyage to China in 1637. Macao and the British traces the ensuing course of Anglo-Chinese relations, during which time Macao skillfully—and without fortifications—escaped domination by the British and Chinese. The account covers the opening of regular trade by the East India Company in 1770, including the ‘country’ trade between India and China and Britain’s first embassies to Peking, and relates the bedeviling effect of the opium trade. The story culminates in the resulting war from which Britain won, as part of its concessions, the obscure island of Hong Kong. Among those who feature in this lucid and lively account are the merchant princes Jardine and Matheson, the missionary Robert Morrison, the artist George Chinnery, and Captain Charles Elliot, Hong Kong’s maligned founder.
[more]

front cover of A Macao Narrative
A Macao Narrative
Austin Coates
Hong Kong University Press, 2009
Macao, 40 miles west of Hong Kong, became a place of Portuguese residence between 1555–57. In this short, lively and affectionate book, Austin Coates explains how and why the Portuguese came to the Far East, and how they peacefully settled in Macao with tacit Chinese goodwill. Macao’s golden age, from 1557 to the disastrous collapse of 1641, is vividly reconstructed. There follows the cuckoo-in-the-nest situation of the late eighteenth century when the British in Macao were a law unto themselves, until the foundation of Hong Kong and the opening of Shanghai gave wider scope for their energies. Portugal’s subsequent struggle to obtain full sovereignty in Macao, and the extraordinary outcome in 1975, brings this account to a close. Special tribute is paid to the risks Macao gallantly undertook in harbouring Hong Kong’s starving and destitute during World War II.
[more]

front cover of Macaronic Sermons
Macaronic Sermons
Bilingualism and Preaching in Late-Medieval England
Siegfried Wenzel
University of Michigan Press, 2010
Siegfried Wenzel's groundbreaking study seeks to describe and analyze the linguistically mixed, or macaronic, sermons in late fourteenth-century England.  Not only are these works of considerable religious interest, they provide extensive information on their literary, linguistic, and cultural milieux.
 
Macaronic Sermons begins by offering a typology of such works: those in which English words offer glosses, or offer structural functions, or offer neither of the two but yet are syntactically integrated.  This last group is then examined in detail: reasons are given for this usage and for its origins, based on the realities of fourteenth-century England.
 
Siefriend Wenzel draws valuable conclusions about the linguistic status quo of the era, together with the extent of education, the audiences' expectations, and the ways in which the authors' minds worked.
 
Obviously of interest to scholars and students of early English literature, Macaronic Sermons also contains much valuable information for specialists in language development or oral theory, and for those interested in multicultural societies.
[more]

logo for University of Chicago Press
MacArthur's Japanese Constitution
Kyoko Inoue
University of Chicago Press, 1991
The Japanese constitution as revised by General MacArthur in 1946, while generally regarded to be an outstanding basis for a liberal democracy, is at the same time widely considered to be—in its Japanese form—an document which is alien and incompatible with Japanese culture. Using both linguistics and historical data, Kyoto Inoue argues that despite the inclusion of alien concepts and ideas, this constitution is nonetheless fundamentally a Japanese document that can stand on its own.

"This is an important book. . . . This is the most significant work on postwar Japanese constitutional history to appear in the West. It is highly instructive about the century-long process of cultural conflict in the evolution of government and society in modern Japan."—Thomas W. Burkman, Monumenta Nipponica
[more]

front cover of Macau and the Casino Complex
Macau and the Casino Complex
Stefan Al
University of Nevada Press, 2018
Special Award of the Jury Winner — 2018 Gourmand World Cookbook Awards 

In only a decade, Macau has exploded from a sleepy backwater to the world’s casino capital. It was bound to happen. Macau, a former Portuguese colony that became a special administrative region within the People’s Republic of China in 1999, was the only place in China where gambling was legal. With a consumer base of 1.3 billion mainland Chinese deprived of casino gambling, and the world’s largest growing consumer class, international corporations rushed in to enter the games. As a result, the casino influx has permanently transformed the Macau peninsula: its ocean reclaimed, hillside excavated, roads congested, air polluted, and glimmering hotel towers tossed into the skyline, dwarfing the 19th century church towers.
 
Essays by a number of experts give a deeper insight on topics ranging from the myth of the Chinese gambler, the role of feng shui in casino design, the city’s struggle with heritage conservation, the politics of land reclamation, and the effect of the casino industry on the public realm. Drawings and photographs in vivid color visualize Macau’s patchwork of distinct urban enclaves: from downtown casinos, their neon-blasting storefronts eclipsing adjacent homes and schools, to the palatial complexes along a new highway, a Las Vegas-style strip. They also reveal how developers go to great lengths to impress the gambler with gimmicks such as fluorescent lighting, botanic gardens, feng shui dragon statues, cast members’ costumes, Chinese art imitations, and crystal chandelier-decked elevators. It is a book that helps readers grasp the complex process of the development of the casino industry and its overall impact on the social and architectural fabric of the first and last colonial enclave in China.
[more]

front cover of Macaulay
Macaulay
The Tragedy of Power
Robert E. Sullivan
Harvard University Press, 2009

On the 150th anniversary of the death of the English historian and politician Thomas Babington Macaulay, Robert Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas.

His Macaulay is a Janus-faced master of the universe: a prominent spokesman for abolishing slavery in the British Empire who cared little for the cause, a forceful advocate for reforming Whig politics but a Machiavellian realist, a soaring parliamentary orator who avoided debate, a self-declared Christian, yet a skeptic and a secularizer of English history and culture, and a stern public moralist who was in love with his two youngest sisters.

Perhaps best known in the West for his classic History of England, Macaulay left his most permanent mark on South Asia, where his penal code remains the law. His father ensured that ancient Greek and Latin literature shaped Macaulay’s mind, but he crippled his heir emotionally. Self-defense taught Macaulay that power, calculation, and duplicity rule politics and human relations. In Macaulay’s writings, Sullivan unearths a sinister vision of progress that prophesied twentieth-century genocide. That the reverent portrait fashioned by Macaulay’s distinguished extended family eclipsed his insistent rhetoric about race, subjugation, and civilizing slaughter testifies to the grip of moral obliviousness.

Devoting his huge talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unsurpassed study of an afflicted genius and a thoughtful meditation on the modern ethics of power.

[more]

logo for University of Iowa Press
Macauley's Thumb
Lex Williford
University of Iowa Press, 1994

Lex Williford's seriously eccentric characters find that traveling down life's highway leads to the breakdown lane as quickly as it leads to the fast lane. Their quirky philosophy can best be summed up by Bucklin Rudd, who just lost his business and his wife after losing the last bit of his good sense: “Nothing like working half your life for something just to find out you think you're pretty damn sure you don't want it.” The ten stories in Macauley's Thumb—set variously in Texas, Old and New Mexico, Oklahoma, Arkansas, Alabama, and Illinois—explore the complicated lives of disenchanted characters who find ways to express their grief at the losses they face under impossible circumstances, losses so large and so small that no one—not even Smiling Joe's insurance—can cover them.

A husband and wife, unable to speak to each other without arguing, face the dissolution of their marriage when they smuggle his mother's body out of Mexico. Two boys, confronting abandonment by their father, go to the Texas State Fair and stumble upon a way to get their mother out of bed. Thomas “Hoot” Ponder and his nephew find common ground in whiskey and storytelling amid the comedy surrounding death and dying. A chiropractor who loves science fiction movies struggles with his sexual fantasies about one of his patients, a Wal-Mart cashier who can't stop talking about her pain. In the powerful title story, Cal Macauley—driven mad by his wife's horrible death—faces mourning, regret, and the inevitability of forgetting by striking out against himself and the rattlesnakes on his mountain.

[more]

front cover of Macbeth
Macbeth
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021

In Migdalia Cruz’s Macbeth, the Witches run the world. The Macbeths live out a dark cautionary tale of love, greed, and power, falling from glory into calamity as the Witches spin their fate. Translating Shakespeare’s language for a modern audience, Nuyorican playwright Migdalia Cruz rewrites Macbeth with all the passion of the Bronx.  

This translation of Macbeth was presented in 2018 as part of the Play On! Shakespeare project, an ambitious undertaking from the Oregon Shakespeare Festival that commissioned new translations of 39 Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.

[more]

front cover of Macbeth in Harlem
Macbeth in Harlem
Black Theater in America from the Beginning to Raisin in the Sun
Clifford Mason
Rutgers University Press, 2020
2020 George Freedley Memorial Award Special Jury Prize from the Theatre Library Association​
2021 PROSE Awards Finalist, Music & the Performing Arts

In 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage.

"Macbeth" in Harlem tells the story of these actors and their fellow black theatrical artists, from the early nineteenth century to the dawn of the civil rights era. For the first time we see how African American performers fought to carve out a space for authentic black voices onstage, at a time when blockbuster plays like Uncle Tom’s Cabin and The Octoroon trafficked in cheap stereotypes. Though the Harlem Renaissance brought an influx of talented black writers and directors to the forefront of the American stage, they still struggled to gain recognition from an indifferent critical press.

Above all, "Macbeth" in Harlem is a testament to black artistry thriving in the face of adversity. It chronicles how even as the endemic racism in American society and its theatrical establishment forced black performers to abase themselves for white audiences’ amusement, African Americans overcame those obstacles to enrich the nation’s theater in countless ways.
[more]

front cover of Macbeth
Macbeth
Melodramma in Four Acts. Libretto by Francesco Maria Piave
Giuseppe Verdi
University of Chicago Press, 2005
Verdi had a special fondness for Macbeth, and the first version of his opera based on Shakespeare's play is arguably the most important work of his formative years. But dissatisfied with the work of his librettist, Francesco Maria Piave, Verdi reworked the text himself and lavished the score with particular attention. The premiere in Florence in 1847 was a great success, but for the Paris premiere in 1865, Verdi made substantial changes, adding dances and an entirely new aria, duet, chorus, and death scene. Clearly, he intended that Macbeth II supersede the earlier version, and today the "Paris" version is the one generally performed.

Published in three volumes, this critical edition of Macbeth is the only one based entirely on autograph sources. Containing the later version as the principal score, it is the first edition to consult the composer's manuscripts of the revised pieces, preserved at the Bibliothèque Nationale in Paris. An appendix contains the earlier movements, and David Lawton provides a wide-ranging introduction to the opera's complex history. This critical edition of Macbeth includes here for the first time Verdi's preferred text—the version he set to music—as well as his own stage directions and thus offers the most vivid and dramatic reading to date.
[more]

logo for Pluto Press
Macedonia
The Politics of Identity and Difference
Jane K. Cowan
Pluto Press, 2000

front cover of Macedonian
Macedonian
A Course for Beginning and Intermediate Students
Christina E. Kramer
University of Wisconsin Press, 2011

Macedonian, the official language of the Republic of Macedonia, is spoken by two and a half million people in the Balkans, North America, Australia, and other émigré communities around the world. Christina E. Kramer’s award-winning textbook provides a basic introduction to the language. Students will learn to speak, read, write, and understand Macedonian while discussing family, work, recreation, music, food, health, housing, travel, and other topics.
    Intended to cover one year of intensive study, this third edition updates the vocabulary, adds material to help students appreciate the underlying structure of the language, and offers a wide variety of new, proficiency-based readings and exercises to boost knowledge of Macedonian history, culture, literature, folklore, and traditions.

Winner, Best Contribution to Language Pedagogy, American Association of Teachers of Slavic and Eastern European Languages

[more]

front cover of Macedonian Audio Supplement
Macedonian Audio Supplement
To accompany Macedonian: A Course for Beginning and Intermediate Students, Third Edition
Christina E. Kramer
University of Wisconsin Press, 2012

This set of audio CDs is designed to supplement the award-winning language textbook Macedonian: A Course for Beginning and Intermediate Students, Third Edition, by Christina E. Kramer and Liljana Mitkovska. The CDs contain almost two hours of audio tracks that were recorded in Macedonia by native speakers who bring to life the characters from the textbook’s story. The set additionally includes exercises for listening comprehension and the pronunciation of individual sounds.

[more]

front cover of Machado de Assis and Narrative Theory
Machado de Assis and Narrative Theory
Language, Imitation, Art, and Verisimilitude in the Last Six Novels
Earl E. Fitz
Bucknell University Press, 2019
This book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
[more]

front cover of Machado de Assis
Machado de Assis
Reflections on a Brazilian Master Writer
By Richard Graham
University of Texas Press, 1999

Joaquim Maria Machado de Assis (1839-1908) never left Brazil and rarely traveled outside his native city of Rio de Janeiro, yet he is widely acknowledged by those who have read him as one of the major authors of the nineteenth century. His works are full of subtle irony, relentless psychological insights, and brilliant literary innovations. Yet, because he wrote in Portuguese, a language outside the mainstream of Western culture, those with access to his writings are relatively few.

This book is designed not only to call new attention to this master but also to raise questions about the nature of literature itself and current alternative views on how it can be approached. Four essays address the question of Machado's "realism" in the five masterpiece novels of his maturity, especially Dom Casmurro. The noted contributors include John Gledson (University of Liverpool), João Adolfo Hansen (Universidade de São Paulo), Sidney Chalhoub (Universidade de Campinas), and Daphne Patai (University of Massachusetts at Amherst).

Dain Borges of the University of California at San Diego says, "[This is the] only collection explicitly debating the question that polarizes contemporary Brazilian criticism of Machado de Assis: was he a sophisticated late realist, or was he a pioneering anti-realist, even a postmodernist? The [essayists] marshal their evidence and argument with virtuosity and arrive at sharply opposing conclusions."

[more]

front cover of Machado de Assis
Machado de Assis
Toward a Poetics of Emulation
João Cezar de Castro Rocha
Michigan State University Press, 2015
This book offers an alternative explanation for one of the core dilemmas of Brazilian literary criticism: the “midlife crisis” Machado de Assis underwent from 1878 to 1880, the result of which was the writing of The Posthumous Memoirs of Brás Cubas, as well as the remarkable production of his mature years—with an emphasis on his masterpiece, Dom Casmurro.

At the center of this alternative explanation, Castro Rocha situates the fallout from the success enjoyed by Eça de Queirós with the publication of Cousin Basílio and Machado’s two long texts condemning the author and his work. Literary and aesthetic rivalries come to the fore, allowing for a new theoretical framework based on a literary appropriation of “thick description,” the method proposed by anthropologist Clifford Geertz. From this method, Castro Rocha derives his key hypothesis: an unforeseen consequence of Machado’s reaction to Eça’s novel was a return to the classical notion of aemulatio, which led Machado to develop a “poetics of emulation.”
[more]

front cover of Machiavelli
Machiavelli
A Portrait
Christopher S. Celenza
Harvard University Press, 2015

“Machiavellian”—used to describe the ruthless cunning of the power-obsessed and the pitiless—is never meant as a compliment. But the man whose name became shorthand for all that is ugly in politics was more engaging and nuanced than his reputation suggests. Christopher S. Celenza’s Machiavelli: A Portrait removes the varnish of centuries to reveal not only the hardnosed political philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover.

Machiavelli’s hometown was the epicenter of the Italian Renaissance in the fifteenth century, a place of unparalleled artistic and intellectual attainments. But Florence was also riven by extraordinary violence. War and public executions were commonplace—Machiavelli himself was imprisoned and brutally tortured at the behest of his own government. These experiences left a deep impression on this keen observer of power politics, whose two masterpieces—The Prince and The Discourses—draw everywhere on the hard-won wisdom gained from navigating a treacherous world. But like many of Machiavelli’s fellow Florentines, he also immersed himself in the Latin language and wisdom of authors from the classical past. And for all of Machiavelli’s indifference to religion, vestiges of Christianity remained in his thought, especially the hope for a redeemer—a prince who would provide the stability so rare in Machiavelli’s worldly experience.

[more]

front cover of Machiavelli
Machiavelli
From Radical to Reactionary
Robert Black
Reaktion Books, 2022
From a leading expert on the life and works of Niccolò Machiavelli, a superb overview of the pivotal Renaissance philosopher, writer, and historian.
 
“Machiavellian” can signify duplicity and amorality in politics, but Machiavelli himself was far more complex than this cliché. A high-ranking Florentine government official and prolific writer of hugely influential political, military, and historical works, Machiavelli was also a vernacular poet, first-rank dramatist, and religious radical, rejecting not only the contemporary Catholic Church but Christianity itself. From champion of Florentine popular republicanism to political radical to conservative, Machiavelli explores the many facets of the man described as the father of modern political philosophy and political science.
[more]

front cover of Machiavelli in Brussels
Machiavelli in Brussels
The Art of Lobbying the EU
Rinus van Schendelen
Amsterdam University Press, 2002
Countless interest groups representing governments and civil societies try to lobby the European Union effectively in pursuit of the desired legislation, subsidies and more. This book describes the everyday practice of lobbying in Brussels, drawing on extensive research and the author's personal experience.

The objective of these interest groups is to influence the EU decision-making, of which they see themselves as a stakeholder. To the existing representative bodies such as the Parliament and the Council, they add their practice of lobbying for a desired outcome by making their interests present or represented at the EU level. In a roundabout way, they contribute to the EU integration and also to its democracy, so long as the following conditions are fulfilled.
[more]

front cover of Machiavelli in the Making
Machiavelli in the Making
Claude Lefort; Translated from the French by Michael B. Smith
Northwestern University Press, 2011

Machiavelli in the Making is both a novel interpretation of the Florentine’s work and a critical document for understanding influential French scholar and public intellectual Claude Lefort’s later writings on democracy and totalitarianism. Lefort extricates Machiavelli’s thought from the dominant interpretations of him as the founder of “objective” political science, which, having liberated itself from the religious and moralizing tendencies of medieval political reflection, attempts to arrive at a realistic discourse on the operations of raw power. Lefort ultimately finds that Machiavelli’s discourse opens the “place of the political” which had previously been occupied by theology and morality.

 
[more]

front cover of Machiavelli on Liberty and Conflict
Machiavelli on Liberty and Conflict
Edited by David Johnston, Nadia Urbinati, and Camila Vergara
University of Chicago Press, 2017
More than five hundred years after Machiavelli wrote The Prince, his landmark treatise on the pragmatic application of power remains a pivot point for debates on political thought. While scholars continue to investigate interpretations of The Prince in different contexts throughout history, from the Renaissance to the Risorgimento and Italian unification, other fruitful lines of research explore how Machiavelli’s ideas about power and leadership can further our understanding of contemporary political circumstances.
           
With Machiavelli on Liberty and Conflict, David Johnston, Nadia Urbinati, and Camila Vergara have brought together the most recent research on The Prince, with contributions from many of the leading scholars of Machiavelli, including Quentin Skinner, Harvey Mansfield, Erica Benner, John McCormick, and Giovanni Giorgini. Organized into four sections, the book focuses first on Machiavelli’s place in the history of political thought: Is he the last of the ancients or the creator of a new, distinctly modern conception of politics? And what might the answer to this question reveal about the impact of these disparate traditions on the founding of modern political philosophy? The second section contrasts current understandings of Machiavelli’s view of virtues in The Prince. The relationship between political leaders, popular power, and liberty is another perennial problem in studies of Machiavelli, and the third section develops several claims about that relationship. Finally, the fourth section explores the legacy of Machiavelli within the republican tradition of political thought and his relevance to enduring political issues.
 
[more]

logo for Duke University Press
Machiavelli
The Chief Works and Others, 3 volume set
Allan Gilbert, ed.
Duke University Press
Allan Gilbert is unquestionably the most accurate and reliable translator of Machiavelli into English; the publication of this edition is an altogether happy occasion. Students of the history of political thought owe a particular debt of gratitude to Allan Gilbert.”—Dante Germino, The Journal of Politics

“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly

[more]

logo for Duke University Press
Machiavelli
The Chief Works and Others, 3 volume set
Allan Gilbert, ed.
Duke University Press
Allan Gilbert is unquestionably the most accurate and reliable translator of Machiavelli into English; the publication of this edition is an altogether happy occasion. Students of the history of political thought owe a particular debt of gratitude to Allan Gilbert.”—Dante Germino, The Journal of Politics

“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly

[more]

front cover of Machiavelli
Machiavelli
The Chief Works and Others, Vol. I
Allan Gilbert, ed.
Duke University Press, 1989
From praise for the 1965 edition:

Allan Gilbert is unquestionably the most accurate and reliable translator of Machiavelli into English; the publication of this edition is an altogether happy occasion. Students of the history of political thought owe a particular debt of gratitude to Allan Gilbert.”—Dante Germino, The Journal of Politics

“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly

[more]

front cover of Machiavelli
Machiavelli
The Chief Works and Others, Vol. II
Allan Gilbert, ed.
Duke University Press, 1989
From praise for the 1965 edition:

Allan Gilbert is unquestionably the most accurate and reliable translator of Machiavelli into English; the publication of this edition is an altogether happy occasion. Students of the history of political thought owe a particular debt of gratitude to Allan Gilbert.”—Dante Germino, The Journal of Politics

“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly

[more]

front cover of Machiavelli
Machiavelli
The Chief Works and Others, Vol. III
Allan Gilbert, ed.
Duke University Press, 1989
From praise for the 1965 edition:

Allan Gilbert is unquestionably the most accurate and reliable translator of Machiavelli into English; the publication of this edition is an altogether happy occasion. Students of the history of political thought owe a particular debt of gratitude to Allan Gilbert.”—Dante Germino, The Journal of Politics

“A most remarkable achievement.”—Felix Gilbert, Renaissance Quarterly

[more]

front cover of Machiavelli to Marx
Machiavelli to Marx
Modern Western Political Thought
Dante Germino
University of Chicago Press, 1979
According to conventional periodization, a profound break in the continuity of Western political theory occurred around 1500 and marked the beginning of "modern" political thought. In Machiavelli to Marx Dante Germino examines the scholars of this period whose works he feels have made significant new approaches to the critical understanding of our world and, consequently, to the problems of our time. Beginning with Machiavelli, the author covers major political philosophers such as Hobbes, Locke, Rousseau, and Burke and gives lucid, perceptive accounts of what they thought and taught about politics. He discusses utilitarianism, liberalism, scientism, and messianic nationalism through the writings of such influential thinkers as Bentham, Spencer, Saint-Simon, and Fichte and concludes with three of the foremost political philosophers of the nineteenth century—Fourier, Proudhon, and Marx.
[more]

front cover of Machiavelli's New Modes and Orders
Machiavelli's New Modes and Orders
A Study of the Discourses on Livy
Harvey C. Mansfield
University of Chicago Press, 2001
Machiavelli's New Modes and Orders is the only full-length interpretive study on Machiavelli's controversial and ambiguous work, Discourses on Livy. These discourses, considered by some to be Machiavelli's most important work, are thoroughly explained in a chapter-by-chapter commentary by Harvey C. Mansfield, one of the world's foremost interpreters of this remarkable philosopher.

Mansfield's aim is to discern Machiavelli's intention in writing the book: he argues that Machiavelli wanted to introduce new modes and orders in political philosophy in order to make himself the founder of modern politics. Mansfield maintains that Machiavelli deliberately concealed part of his intentions so that only the most perceptive reader could see beneath the surface of the text and understand the whole of his book. Previously out of print, Mansfield's penetrating study brings to light the hidden thoughts lurking in the details of the Discourses on Livy to inform and challenge its readers at every step along the way.
[more]

front cover of Machiavelli's Politics
Machiavelli's Politics
Catherine H. Zuckert
University of Chicago Press, 2017
Machiavelli is popularly known as a teacher of tyrants, a key proponent of the unscrupulous “Machiavellian” politics laid down in his landmark political treatise The Prince. Others cite the Discourses on Livy to argue that Machiavelli is actually a passionate advocate of republican politics who saw the need for occasional harsh measures to maintain political order. Which best characterizes the teachings of the prolific Italian philosopher? With Machiavelli’s Politics, Catherine H. Zuckert turns this question on its head with a major reinterpretation of Machiavelli’s prose works that reveals a surprisingly cohesive view of politics.
           
Starting with Machiavelli’s two major political works, Zuckert persuasively shows that the moral revolution Machiavelli sets out in The Prince lays the foundation for the new form of democratic republic he proposes in the Discourses. Distrusting ambitious politicians to serve the public interest of their own accord, Machiavelli sought to persuade them in The Prince that the best way to achieve their own ambitions was to secure the desires and ambitions of their subjects and fellow citizens. In the Discourses, he then describes the types of laws and institutions that would balance the conflict between the two in a way that would secure the liberty of most, if not all. In the second half of her book, Zuckert places selected later works—La Mandragola, The Art of War, The Life of Castruccio Castracani, Clizia, and Florentine Histories—under scrutiny, showing how Machiavelli further developed certain aspects of his thought in these works. In The Art of War, for example, he explains more concretely how and to what extent the principles of organization he advanced in The Prince and the Discourses ought to be applied in modern circumstances. Because human beings act primarily on passions, Machiavelli attempts to show readers what those passions are and how they can be guided to have productive rather than destructive results.
           
A stunning and ambitious analysis, Machiavelli’s Politics brilliantly shows how many conflicting perspectives do inform Machiavelli’s teachings, but that one needs to consider all of his works in order to understand how they cohere into a unified political view. This is a magisterial work that cannot be ignored if a comprehensive understanding of the philosopher is to be obtained.
 
[more]

front cover of Machiavelli's Virtue
Machiavelli's Virtue
Harvey C. Mansfield
University of Chicago Press, 1996
Uniting thirty years of authoritative scholarship by a master of textual detail, Machiavelli's Virtue is a comprehensive statement on the founder of modern politics. Harvey Mansfield reveals the role of sects in Machiavelli's politics, his advice on how to rule indirectly, and the ultimately partisan character of his project, and shows him to be the founder of such modern and diverse institutions as the impersonal state and the energetic executive. Accessible and elegant, this groundbreaking interpretation explains the puzzles and reveals the ambition of Machiavelli's thought.

"The book brings together essays that have mapped [Mansfield's] paths of reflection over the past thirty years. . . . The ground, one would think, is ancient and familiar, but Mansfield manages to draw out some understandings, or recognitions, jarringly new."—Hadley Arkes, New Criterion

"Mansfield's book more than rewards the close reading it demands."—Colin Walters, Washington Times

"[A] masterly new book on the Renaissance courtier, statesman and political philosopher. . . . Mansfield seeks to rescue Machiavelli from liberalism's anodyne rehabilitation."—Roger Kimball, The Wall Street Journal
[more]

front cover of Machine
Machine
Thomas Pringle
University of Minnesota Press, 2018

On the social consequences of machines

Automation, animation, and ecosystems are terms of central media-philosophical concern in today’s society of humans and machines. This volume describes the social consequences of machines as a mediating concept for the animation of life and automation of technology. Bernard Stiegler’s automatic society illustrates how digital media networks establish a new proletariat of knowledge workers. Gertrud Koch offers the animation of the technical to account for the pathological relations that arise between people and their devices. And Thomas Pringle synthesizes how automation and animation explain the history of intellectual exchanges that led to the hybrid concept of the ecosystem, a term that blends computer and natural science. All three contributions analyse how categories of life and technology become mixed in governmental policies, economic exploitation and pathologies of everyday life thereby both curiously and critically advancing the term that underlies those new developments: ‘machine.’ 

[more]

front cover of Machine Art, 1934
Machine Art, 1934
Jennifer Jane Marshall
University of Chicago Press, 2012

In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production.

Telling the story of this extraordinarily popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
[more]

logo for Duke University Press
Machine Art and Other Writings
The Lost Thought of the Italian Years
Ezra Pound
Duke University Press, 1996
Machine Art and Other Writings presents previously unpublished and rare writings by one of the literary giants of the modernist period, Ezra Pound. Written from the late 1920s to the early part of the 1940s, these essays, selected by Maria Luisa Ardizzone and including “Machine Art,” “How To Write,” “European Paideuma,” and “Pragmatic Aesthetics,” are typically Poundian in style—irascible, eccentric, and by turns both engaging and cryptic. Importantly, these essays from Pound’s Italian years shed light both on the sections of the Cantos written in the late 1940s and on the underpinnings of his well-known anti-Semitism.
The essays in this volume address Pound’s diverse aesthetic concerns, including his Vorticism and his criticism of Western metaphysics, his advancement of the machine as a new criterion for beauty, his encounter with the German Bauhaus movement, and his search for a type of writing ruled by mathematical rather than grammatical laws. Machine Art and Other Writings documents the wide proportions of Pound’s polemic against the abstractions of modernism and reveals the extent to which he was at odds with the metaphysical assumptions of his time. The volume, edited by Ardizzone, is the result of years of systematic and intensive study of Pound’s manuscripts, including glosses from the texts of his personal library. Proposing an unconventional approach to Pound studies that focuses on marginality and intertextuality, she subverts the canonical hierarchy of Pound’s works by revealing the power of texts considered marginalia.
General readers, students and scholars in the fields of European and American modernism, aesthetics, the history of technology, and art history, as well as Pound specialists and the many poets and writers influenced by Pound, will greet the publication of Machine Art and Other Writings with interest and anticipation.
[more]

front cover of The Machine in the Ghost
The Machine in the Ghost
Digitality and Its Consequences
Robin Boast
Reaktion Books, 2017
We live in a digital age, buy and sell in a digital economy, and consume—oh do we consume—digital media. The digital lies at the heart of our contemporary, information-heavy, media-saturated lives, and although we may talk about the digital as a cultural phenomenon, the thing itself—digitality—is often hidden to us, a technology that someone else has invented and that lives buried inside our computers, tablets, and smartphones. In this book, Robin Boast follows the video streams and social media posts to their headwaters in order to ask: What, exactly, is the digital?
           
Boast tackles this fundamental question by exploring the origins of the digital and showing how digital technology works. He goes back to 1874, when a French telegraph engineer, Jean-Maurice-Émile Baudot, invented the first means of digital communication, the Baudot code. From this simple 5-bit code, Boast takes us to the first electronic computers, to the earliest uses of graphics and information systems in the 1950s, our interactions with computers through punch cards and programming languages, and the rise of digital media in the 1970s.Via various and sometimes unanticipated historical routes, he reveals the foundations of digitality and how it has flourished in today’s explosion of technologies and the forms of communication and media they enable, making real the often intangible force that guides so much of our lives.
 
[more]

front cover of Machine in the Studio
Machine in the Studio
Constructing the Postwar American Artist
Caroline A. Jones
University of Chicago Press, 1996
Taking a fresh look at the art world of the 1960s, Caroline Jones argues that far from the countercultural stance associated with the decade, the artists she examines—including Stella, Warhol, and Smithson—identified their work with postwar industry and corporate culture. Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was central to the visual and economic culture of its time.

"Jones manages to analyze art works in their historical, political, and conceptual context, giving them a thickness of description rarely possible in standard art history. . . . This is one of the best books on the period I have read so far. To paraphrase Clement Greenberg, it gives contemporary art history a good name."—Serge Guilbaut, Bookforum

"Though we are some 30 years past the events of the '60s, our world is still largely responding to them, as this marvelous book amply demonstrates."—David McCarthy, New Art Examiner

[more]

front cover of Machine Learning, Blockchain Technologies and Big Data Analytics for IoTs
Machine Learning, Blockchain Technologies and Big Data Analytics for IoTs
Methods, technologies and applications
Amit Kumar Tyagi
The Institution of Engineering and Technology, 2022
Internet of Things (IoTs) are now being integrated at a large scale in fast-developing applications such as healthcare, transportation, education, finance, insurance and retail. The next generation of automated applications will command machines to do tasks better and more efficiently. Both industry and academic researchers are looking at transforming applications using machine learning and deep learning to build better models and by taking advantage of the decentralized nature of Blockchain. But the advent of these new technologies also brings very high expectations to industries, organisations and users. The decrease of computing costs, the improvement of data integrity in Blockchain, and the verification of transactions using Machine Learning are becoming essential goals.
[more]

front cover of Machine Learning for Healthcare Technologies
Machine Learning for Healthcare Technologies
David A. Clifton
The Institution of Engineering and Technology, 2017
This book provides a snapshot of the state of current research at the interface between machine learning and healthcare with special emphasis on machine learning projects that are (or are close to) achieving improvement in patient outcomes. The book provides overviews on a range of technologies including detecting artefactual events in vital signs monitoring data; patient physiological monitoring; tracking infectious disease; predicting antibiotic resistance from genomic data; and managing chronic disease.
[more]

front cover of Machine Learning in Medical Imaging and Computer Vision
Machine Learning in Medical Imaging and Computer Vision
Amita Nandal
The Institution of Engineering and Technology, 2024
Medical images can highlight differences between healthy tissue and unhealthy tissue and these images can then be assessed by a healthcare professional to identify the stage and spread of a disease so a treatment path can be established. With machine learning techniques becoming more prevalent in healthcare, algorithms can be trained to identify healthy or unhealthy tissues and quickly differentiate between the two. Statistical models can be used to process numerous images of the same type in a fraction of the time it would take a human to assess the same quantity, saving time and money in aiding practitioners in their assessment.
[more]

logo for University of Chicago Press
Machine Politics in Transition
Party and Community in Chicago
Thomas M. Guterbock
University of Chicago Press, 1980
Since 1932 elections and decision making in Chicago have been dominated by the Regular Democratic Organization of Cook County, led for a quarter of a century by the late Mayor Richard J. Daley. The extraordinary longevity of this Democratic machine provides the basis for this penetrating investigation into the nature of machine politics and grassroots party organization.

For three years, Thomas M. Guterbock participated in the daily activities of the Regular Democratic Organization in one North Side Chicago ward in order to discover how political machines win the support of the urban electorate. Guterbock's participant observation data, supplemented by a sample survey of ward residents' attitudes toward, and contacts with the machine, provide convincing evidence that the most widely accepted notions of how political machines work are no longer correct.

Contrary to conventional wisdom about the machine, Guterbock finds that the party does not secure votes by doing "favors" for people, nor do services rendered determine actual voting behavior. Instead, party loyalty is governed by such factors as social status, educational achievement, and bureaucratic competence. Guterbock finds that Democratic loyalists are drawn disproportionately from the ward's lowest strata. Ironically, the characteristics of these loyal Democrats contrast sharpely with the characteristics of those most likely to use party services.

What keeps the machine going, then? To answer this question, Guterbock takes us behind the scenes for a unique look inside the ward club. He shows how members develop loyalty and motivation beyond concern for their own pocketbooks. And he analyzes the public involvement of machine politicians in neighborhood affairs, describing the skillful—sometimes devious—ways in which they appeal to their constituents' sense of community. By focusing on the interplay of party loyalty and community attachments, Guterbock is able to explain the continued hegemony of Chicago's political machine and its enduring image of legitimacy.
[more]

front cover of Machine Scoring of Student Essays
Machine Scoring of Student Essays
Truth and Consequences
edited by Patricia Freitag Ericsson & Rich Haswell
Utah State University Press, 2006

The current trend toward machine-scoring of student work, Ericsson and Haswell argue, has created an emerging issue with implications for higher education across the disciplines, but with particular importance for those in English departments and in administration. The academic community has been silent on the issue—some would say excluded from it—while the commercial entities who develop essay-scoring software have been very active.

Machine Scoring of Student Essays is the first volume to seriously consider the educational mechanisms and consequences of this trend, and it offers important discussions from some of the leading scholars in writing assessment.

Reading and evaluating student writing is a time-consuming process, yet it is a vital part of both student placement and coursework at post-secondary institutions. In recent years, commercial computer-evaluation programs have been developed to score student essays in both of these contexts. Two-year colleges have been especially drawn to these programs, but four-year institutions are moving to them as well, because of the cost-savings they promise. Unfortunately, to a large extent, the programs have been written, and institutions are installing them, without attention to their instructional validity or adequacy.

Since the education software companies are moving so rapidly into what they perceive as a promising new market, a wider discussion of machine-scoring is vital if scholars hope to influence development and/or implementation of the programs being created. What is needed, then, is a critical resource to help teachers and administrators evaluate programs they might be considering, and to more fully envision the instructional consequences of adopting them. And this is the resource that Ericsson and Haswell are providing here.

[more]

logo for University of North Texas Press
A Machine-Gunner in France
The Memoirs of Ward Schrantz, 35th Division, 1917-1919
Ward Schrantz
University of North Texas Press, 2019

front cover of The Machinery of Whiteness
The Machinery of Whiteness
Studies in the Structure of Racialization
Authored by Steve Martinot
Temple University Press, 2010

In this follow up to his book, The Rule of Racialization—which considered the way class structure is formed in the U.S.—Steve Martinot now examines how the structures of racialization reside at the core of all social, cultural, and political institutions in the U.S. In The Machinery of Whiteness, Martinot examines how race and racism are produced in the United States, analyzing the politics of racialization, and the preponderance of racial segregation and racial deprivation that have kept the U.S. a white dominated society throughout its history. Martinot dedicates this work to expunging white supremacy from the earth.

The Machinery of Whiteness investigates how “whiteness” came to be as foundational to the process that then produced the modern concept of race. Martinot addresses the instrumentalization of women as a necessary step in its formation, furthering the debates regarding the relationships of race and gender. And he addresses U.S. international interventionism, the anti-immigrant movements, and white racist populism to describe the political forms that white supremacy takes.

Martinot puts these together to analyze the underlying cultural structures of racialization that have driven and conditioned the resurgence of white supremacy and white entitlement in the wake of the Civil Rights movements. This book is a call to transform the cultural structures of the U.S. to make justice and democracy, which depend on inclusion and not segregation, possible.

[more]

front cover of Machines of the Mind
Machines of the Mind
Personification in Medieval Literature
Katharine Breen
University of Chicago Press, 2021

In Machines of the Mind, Katharine Breen proposes that medieval personifications should be understood neither as failed novelistic characters nor as instruments of heavy-handed didacticism. She argues that personifications are instead powerful tools for thought that help us to remember and manipulate complex ideas, testing them against existing moral and political paradigms. Specifically, different types of medieval personification should be seen as corresponding to positions in the rich and nuanced medieval debate over universals. Breen identifies three different types of personification—Platonic, Aristotelian, and Prudentian—that gave medieval writers a surprisingly varied spectrum with which to paint their characters.

Through a series of new readings of major authors and works, from Plato to Piers Plowman, Breen illuminates how medieval personifications embody the full range of positions between philosophical realism and nominalism, varying according to the convictions of individual authors and the purposes of individual works. Recalling Gregory the Great’s reference to machinae mentis (machines of the mind), Breen demonstrates that medieval writers applied personification with utility and subtlety, employing methods of personification as tools that serve different functions. Machines of the Mind offers insight for medievalists working at the crossroads of religion, philosophy, and literature, as well as for scholars interested in literary character-building and gendered relationships among characters, readers, and texts beyond the Middle Ages.
[more]

front cover of Machines of Youth
Machines of Youth
America’s Car Obsession
Gary S. Cross
University of Chicago Press, 2018
For American teenagers, getting a driver’s license has long been a watershed moment, separating teens from their childish pasts as they accelerate toward the sweet, sweet freedom of their futures. With driver’s license in hand, teens are on the road to buying and driving(and maybe even crashing) their first car, a machine which is home to many a teenage ritual—being picked up for a first date, “parking” at a scenic overlook, or blasting the radio with a gaggle of friends in tow. So important is this car ride into adulthood that automobile culture has become a stand-in, a shortcut to what millions of Americans remember about their coming of age.

Machines of Youth traces the rise, and more recently the fall, of car culture among American teens. In this book, Gary S. Cross details how an automobile obsession drove teen peer culture from the 1920s to the 1980s, seducing budding adults with privacy, freedom, mobility, and spontaneity.   Cross shows how the automobile redefined relationships between parents and teenage children, becoming a rite of passage, producing new courtship rituals, and fueling the growth of numerous car subcultures. Yet for teenagers today the lure of the automobile as a transition to adulthood is in decline.Tinkerers are now sidelined by the advent of digital engine technology and premolded body construction, while the attention of teenagers has been captured by iPhones, video games, and other digital technology. And adults have become less tolerant of teens on the road, restricting both cruising and access to drivers’ licenses. 

Cars are certainly not going out of style, Cross acknowledges, but how upcoming generations use them may be changing. He finds that while vibrant enthusiasm for them lives on, cars may no longer be at the center of how American youth define themselves. But, for generations of Americans, the modern teen experience was inextricably linked to this particularly American icon.
 
[more]

logo for Harvard University Press
The Machinists
A New Study in American Trade Unionism
Mark Perlman
Harvard University Press
A truly authoritative study of a “model American union” (IAM has long been known as one of the most ethical and efficient), based on complete access to the organization’s files. Beginning with an interpretive history to 1953, the book analyzes IAM’s formal and informal structure and its policies with regard to other unions, employers, public, and government, isolating dynamic features of the decision making process. It includes documented evidence of the difficulties and analyzes both sides of the many controversies IAM has faced.
[more]

front cover of Machos Maricones & Gays
Machos Maricones & Gays
Cuba and Homosexuality
Ian Lumsden
Temple University Press, 1996

This remarkable account of gays in Cuba links the treatment of male homosexuality under Castro with prejudices and preconceptions prevalent in Cuban society before the Revolution. Ian Lumsden argues that much of the present discussion does not acknowledge the significant improvements that have occurred in the last decade. As an antidote to what he considers wide-spread misinformation, Lumsden locates the current issues surrounding homosexual identity within the broad context of Cuban culture, history, and social policy and makes revealing comparisons to the experience of homosexuals in other Latin American countries.

Lumsden explores the historic roots of the oppression of homosexuals through such issues as race, religion, and gender. He considers the cultural history and current erosion of traditional "machismo," the correlation between traditional women's roles and the relationships between gay men, and homosexuality as defined by the law and as presented in typical sexual education. He addresses the international controversy over state-imposed sanatoriums for HIV/AIDS patients, and details the social scene, the varying ideals among different generations of gay Cubans, gay life and family ties, and the difference between being publicly and privately gay in Cuba.

Lumsden's involvement over the years in gay culture in Cuba, his interviews with gay Cuban men, and his formidable scholarship produce a strikingly honest, accurate portrayal of the changes in homosexual life.

[more]

front cover of Machseh Lajesoumim
Machseh Lajesoumim
A Jewish Orphanage in the City of Leiden, 1890-1943
Jaap Focke
Amsterdam University Press, 2021
The Jewish Orphanage in Leiden was the last one of 8 such care homes to open its doors in The Netherlands before the Second World War. After spending almost 39 years in an old and utterly inadequate building in Leiden’s city centre, the inauguration in 1929 of a brand-new building, shown on the front cover, was the start of a remarkably productive and prosperous period. The building still stands there, proudly but sadly, to this day: the relatively happy period lasted less than 14 years. On Wednesday evening, 17th March 1943, the Leiden Police, under German instructions, closed down the Orphanage and delivered 50 children and 9 staff to the Leiden railway station, from where they were brought to Transit Camp Westerbork in the Northeast of the country. Two boys were released from Westerbork thanks to tireless efforts of a neighbour in Leiden; one young woman survived Auschwitz, and one young girl escaped to Palestine via Bergen-Belsen. The 55 others were deported to Sobibor, not one of them survived. Some 168 children lived in the new building at one time or another between August 1929 and March 1943. This book reconstructs life in the orphanage based on the many stories and photographs which they left us. It is dedicated to the memory of those who perished in the holocaust, but also to those who survived. Without them this book could not have been written.
[more]

front cover of Machzor, Volume 1
Machzor, Volume 1
Challenge and Change
Rabbi Hara Person
Central Conference of American Rabbis, 2010
As the CCAR embarks on the process of creating a new High Holy Day machzor, we invite Reform Jews to engage in study on related themes. This collection includes a wealth of material for individual or group study, including presentations on Un'taneh Tokef, Kol Nidrei, and Avinu Malkeinu, High Holy Day-themed essays from back issues of the CCAR Journal, and discussion questions.
[more]

logo for Rutgers University Press
Mackintosh's Masterwork
The Glassgow School of Art
Buchanan, William
Rutgers University Press, 2004

Of the many practitioners of art nouveau in Great Britain, Charles Rennie Mackintosh (1868–1928) has outlasted them all. His work bridged the more ornate style of the later nineteenth century and the forms of international modernism that followed. Like Frank Lloyd Wright, with whom he is frequently compared, he is known for so thoroughly integrating art and decoration that the two became inseparable. His work has been honored by a major exhibition at the Metropolitan Museum of Art, and his designs have proliferated to such an extent that they can be found reproduced in posters, prints, jewelry, and even new buildings. His most important project was the Glasgow School of Art, which still functions as a highly prestigious art school. This glorious building is visited each year by thousands of tourists from around the world. Built over a dozen years, beginning in 1897, the Glasgow School of Art is Mackintosh’s greatest and most influential legacy.

            This completely redesigned and heavily illustrated edition of Mackintosh’s Masterwork has been greatly expanded and contains newly discovered material about both the early life of the architect and the formative years in which his plans for the School of Art were executed.

[more]

front cover of Macmillan
Macmillan
Francis Beckett
Haus Publishing, 2006
Fatherly friend to JFK he repaired the rift between the USA and Britain created by the Suez crisis.
[more]

front cover of Macroanalysis
Macroanalysis
Digital Methods and Literary History
Matthew L. Jockers
University of Illinois Press, 2013
In this volume, Matthew L. Jockers introduces readers to large-scale literary computing and the revolutionary potential of macroanalysis--a new approach to the study of the literary record designed for probing the digital-textual world as it exists today, in digital form and in large quantities. Using computational analysis to retrieve key words, phrases, and linguistic patterns across thousands of texts in digital libraries, researchers can draw conclusions based on quantifiable evidence regarding how literary trends are employed over time, across periods, within regions, or within demographic groups, as well as how cultural, historical, and societal linkages may bind individual authors, texts, and genres into an aggregate literary culture.
 
Moving beyond the limitations of literary interpretation based on the "close-reading" of individual works, Jockers describes how this new method of studying large collections of digital material can help us to better understand and contextualize the individual works within those collections.

[more]

front cover of Macroecology
Macroecology
James H. Brown
University of Chicago Press, 1995
In Macroecology, James H. Brown proposes a radical new research agenda designed to broaden the scope of ecology to encompass vast geographical areas and very long time spans.

While much ecological research is narrowly focused and experimental, providing detailed information that cannot be used to generalize from one ecological community or time period to another, macroecology draws on data from many disciplines to create a less detailed but much broader picture with greater potential for generalization. Integrating data from ecology, systematics, evolutionary biology, paleobiology, and biogeography to investigate problems that could only be addressed on a much smaller scale by traditional approaches, macroecology provides a richer, more complete understanding of how patterns of life have moved across the earth over time. Brown also demonstrates the advantages of macroecology for conservation, showing how it allows scientists to look beyond endangered species and ecological communities to consider the long history and large geographic scale of human impacts.

An important reassessment of the direction of ecology by one of the most influential thinkers in the field, this work will shape future research in ecology and other disciplines.

"This approach may well mark a major new turn in the road in the history of ecology, and I find it extremely exciting. The scope of Macroecology is tremendous and the book makes use of its author's exceptionally broad experience and knowledge. An excellent and important book."—Lawrence R. Heaney, Center for Environmental and Evolutionary Biology, the Field Museum
[more]

front cover of Macroeconomic Consequences of Farm Support Policies
Macroeconomic Consequences of Farm Support Policies
A. B. Stoeckel, David Vincent and Sandy Cuthbertson
Duke University Press, 1989
Agricultural protectionism is a basic factor underlying the U.S. trade deficit, Third World debt, and global underemployment. Yet despite the seriousness of the problem and attention given to it by many researchers, little progress has been made in formulating and implementing policies to deal with it.
The scholars and experts here assembled present for the first time a quantification and analysis of the impact upon the world economy of reduction or elimination of agricultural protectionism. They question why, give the magnitude of the problem, inferior policies endure despite the weight of evidence that they have failed. The answer they derive is that there is no general understanding of the true cost of the failure, and therefore it is necessary to initiate reform from outside agricultural circles.
[more]

front cover of Macroeconomic Linkage
Macroeconomic Linkage
Savings, Exchange Rates, and Capital Flows
Edited by Takatoshi Ito and Anne O. Krueger
University of Chicago Press, 1994
This volume explores East Asia's macroeconomic experience in the 1980s and the economic impact of East Asia's growth on the rest of the world. The authors explore the causes of capital flows, changes in trade balances, and exchange rate fluctuations in East Asia and their effects on other countries.

These fourteen papers are organized around four themes: the overall determinants of growth and trading relations in the East Asian region; monetary policies in relation to capital controls and capital accounts; the impact of exchange rate behavior on industrial structure; and the potential for greater regional integration. The contributors examine interactions among exchange rate movements, trade balances, and capital flows; how government monetary policy affects capital flows; the effect of exchange rates on industrial structure, inventories, and prices; and the extent of regional integration in East Asia.
[more]

logo for Harvard University Press
Macroeconomic Policy
Robert Barro
Harvard University Press, 1990

Combining powerful insights from theory with close observation of data, Robert Barro’s new book goes a long way toward the establishment of an empirically based macroeconomic theory.

Barro first presents a positive theory of government economic policymaking by using applied game theory to model strategic interactions between policymakers and the private sector. He applies this framework to questions of rules, discretion, and reputation in monetary policy. He then takes a close look at whether monetary disturbances have a strong effect on business fluctuations, concluding that the effect is neither as strong nor as pervasive as many economists have believed. He consequently turns his attention from monetary policy to fiscal policy. The originator of the modern theory of Ricardian equivalence, which says that taxes and budget deficits are logically equivalent, Barro summarizes the current debate and argues that the Ricardian theorem is the correct starting point for the analysis of intertemporal government finance. Finally, stating his belief that macroeconomists have probably spent too much time thinking about deficits—which relate to how government spending is financed—and not enough about the effects of government expenditures themselves, he examines evidence of the macroeconomic effects of government spending in the United States and Great Britain.

[more]

front cover of Macroeconomics
Macroeconomics
A Critical Companion
Ben Fine and Ourania Dimakou
Pluto Press, 2016
Macroeconomics is fundamental to our understanding of how the world functions today. But too often our understanding is based on orthodox, canonized analysis. In this rule-breaking book, Ben Fine and Ourania Dimakou provides an engaging, heterodox primer for those interested in an alternative to mainstream macroeconomic theory and history. From classical theory to the Keynesian revolution and more modern forms including the Monetarist counterrevolution, New Classical Fundamentalism, and New Consensus Macroeconomics, Fine and Dimakou rigorously and comprehensively lay out the theories of mainstream economists, warts and all.
[more]

front cover of Macroeconomics
Macroeconomics
A Neoclassical Introduction
Merton H. Miller and Charles W. Upton
University of Chicago Press, 1986
"Miller and Upton is by far the most cited macroeconomics text in front line academic research journals over the last ten years. It has become a contemporary classic."—Roger C. Kormendi, University of Michigan

"The most innovative approach to introducing macroeconomics that I have seen. . . . A 'classic' in the sense that every serious student of macroeconomics is likely to want it in his or her library."—John P. Gould, University of Chicago

"The task the authors set out to perform is ambitious: to write a macroeconomics textbook structured around a neoclassical growth model. And in this task they have succeeded."—Clifford W. Smith, Jr., Journal of Finance

"This is a superb book. As a vehicle for teaching economics I have to place it right behind Henderson and Quant (Microeconomics) and Dorfman, Samuelson, and Solow (Linear Programming). Moreover, it is an exciting book both to read and to think about. . . . It is not just that these authors have something to say, but their way of saying it is generally superior."—F. E. Banks, Kyklos
[more]

front cover of Macroeconomics Beyond the NAIRU
Macroeconomics Beyond the NAIRU
Servaas Storm and C. W. M. Naastepad
Harvard University Press, 2011

Economists and the governments they advise have based their macroeconomic policies on the idea of a natural rate of unemployment. Government policy that pushes the rate below this point—about 6 percent—is apt to trigger an accelerating rate of inflation that is hard to reverse, or so the argument goes. In this book, Storm and Naastepad make a strong case that this concept is flawed: that a stable non-accelerating inflation rate of unemployment (NAIRU), independent of macroeconomic policy, does not exist. Consequently, government decisions based on the NAIRU are not only misguided but have huge and avoidable social costs, namely, high unemployment and sustained inequality.

Skillfully merging theoretical and empirical analysis, Storm and Naastepad show how the NAIRU’s neglect of labor’s impact on technological change and productivity growth eclipses the many positive contributions that labor and its regulation make to economic performance. When these positive effects are taken into account, the authors contend, a more humane policy becomes feasible, one that would enhance productivity and technological progress while maintaining profits, thus creating conditions for low unemployment and wider equality.

[more]

front cover of The Macroeconomics of Populism in Latin America
The Macroeconomics of Populism in Latin America
Edited by Rudiger Dornbusch and Sebastian Edwards
University of Chicago Press, 1991
Again and again, Latin America has seen the populist scenario played to an unfortunate end. Upon gaining power, populist governments attempt to revive the economy through massive spending. After an initial recovery, inflation reemerges and the government responds with wage an price controls. Shortages, overvaluation, burgeoning deficits, and capital flight soon precipitate economic crisis, with a subsequent collapse of the populist regime. The lessons of this experience are especially valuable for countries in Eastern Europe, as they face major political and economic decisions.

Economists and political scientists from the United States and Latin America detail in this volume how and why such programs go wrong and what leads policymakers to repeatedly adopt these policies despite a history of failure. Authors examine this pattern in Argentina, Brazil, Chile, Mexico, Nicaragua, and Peru—and show how Colombia managed to avoid it. Despite differences in how each country implemented its policies, the macroeconomic consequences were remarkably similar.

Scholars of Latin America will find this work a valuable resource, offering a distinctive macroeconomic perspective on the continuing controversy over the dynamics of populism.
[more]

front cover of MACROFUNGI ASSOCIATED WITH OAKS OF EASTERN NORTH AMERICA
MACROFUNGI ASSOCIATED WITH OAKS OF EASTERN NORTH AMERICA
DENISE E. "BINION
West Virginia University Press, 2008

Macrofungi Associated with Oaks of Eastern North America, which was written as a companion to Field Guide to Oak Species of Eastern North America, represents the first major publication devoted exclusively to the macrofungi that occur in association with oak trees in the forests of eastern North America. The macrofungi covered in this volume include many of the more common examples of the three groups—mycorrhizal fungi, decomposers, and pathogens—that are ecologically important to the forest ecosystems in which oaks occur. More than 200 species of macrofungi are described and illustrated via vibrantly colored photographs. Information is given on edibility, medicinal properties, and other novel uses as well. This publication reflects the combined expertise of six mycologists on the macrofungi anyone would be likely to encounter in an oak forest.

[more]

front cover of Macrolichens of the Pacific Northwest
Macrolichens of the Pacific Northwest
Bruce McCune
Oregon State University Press, 2023

A key component in healthy ecosystems, lichens can be found in almost any natural habitat in the Pacific Northwest. This comprehensive guide to the region’s macrolichens is intended for use by beginners as well as specialists: weekend naturalists will be able to identify specimens and recognize the great diversity of lichens, while lichenologists and mycologists will gain greater knowledge of the distribution and abundance of various species.

This updated third edition of Macrolichens of the Pacific Northwest includes 95 additional species and an expanded introduction. It features keys to 109 genera and 681 species of Oregon and Washington macrolichens—all the macrolichens known or expected to occur in the two states. The keys also provide excellent coverage for lichens of Idaho and Montana, inland to the Continental Divide. Color photographs and detailed descriptions emphasize lichens prevalent in forested ecosystems.

The illustrated glossary and introductory material cover the terminology needed to identify macrolichens and provide information on collection and handling. The biology, ecology, and air-quality sensitivity of lichens are discussed; regional air-quality sensitivities are provided for nearly 200 species.

Macrolichens of the Pacific Northwest will prove invaluable to anyone seeking to identify lichens or to better understand these organisms and their vital role in the natural world.

[more]

front cover of Macrolichens of the Pacific Northwest, Second Ed.
Macrolichens of the Pacific Northwest, Second Ed.
Bruce McCune
Oregon State University Press, 2009

A key component in healthy ecosystems, lichens can be found in almost any natural habitat in the Pacific Northwest. This comprehensive guide to the region’s macrolichens is intended for use by beginners as well as specialists: weekend naturalists will be able to identify specimens and recognize the great diversity of lichens, while lichenologists and mycologists will gain greater knowledge of the distribution and abundance of various species.

This revised and expanded edition of Macrolichens of the Pacific Northwest includes 116 new species and 176 additional illustrations and incorporates an understanding of macrolichens that has advanced tremendously in the past decade.

Macrolichens of the Pacific Northwest includes keys to 113 genera and 586 species of Oregon and Washington macrolichens—all the macrolichens known or expected to occur in the two states. The keys also provide reasonable coverage for lichens of Idaho and Montana, inland to the Continental Divide. Color photographs and detailed descriptions are provided for 246 species, emphasizing lichens prevalent in forested ecosystems.

The illustrated glossary and introductory material cover the terminology needed to identify macrolichens and provide information on collection and handling. The biology, ecology, and air-quality sensitivity of lichens are discussed; regional air-quality sensitivities are provided for 184 species.

Macrolichens of the Pacific Northwest will prove invaluable to anyone seeking to identify lichens or to better understand these organisms and their vital role in the natural world.

[more]

logo for Harvard University Press
Macromolecules in Cell Structure
A. Frey-Wyssling
Harvard University Press

logo for Duke University Press
Macropolitics of Nineteenth-Century Literature
Nationalism, Exoticism, Imperialism
Jonathan Arac and Harriet Ritvo, eds.
Duke University Press
Increasingly in the last decade, macropolitics—a consideration of political transformations at the level of the state—has become a focus for cultural inquiry. From the macropolitical perspective afforded by contemporary postcolonial studies, the essays in this collection explore the relationship between politics and culture by examining developments in a wide range of nineteenth-century writing.
The dozen essays gathered here span the entire era of colonization and discuss the British Isles, Europe, the United States, India, the Caribbean, and Africa. Addressing the works of Wordsworth, Shelley, Dickens, Melville, Flaubert, Conrad, and Charlotte Brontë, as well as explorers’ reports, Bible translations, popular theater, and folklore, the contributors consider such topics as the political function of aesthetic containment, the redefinitions of nationality under the pressure of imperial ambition, and the coexistence of imperial and revolutionary tendencies. New historical data and new interpretive perspectives alter our conception of established masterpieces and provoke new understandings of the political and cultural context within which these works emerged. This anthology demonstrates that the macropolitical concept of imperialism can provide a new understanding of nineteenth-century cultural production by integrating into a single process the well-established topics of nationalism and exoticism.
First published in 1991 (University of Pennsylvania Press), Macropolitics of Nineteenth-Century Literature is now available in paperback. Offering agenda-setting essays in cultural and Victorian studies, it will be of interest to students and scholars of British and American literature, literary theory, and colonial and postcolonial studies.

Contributors. Jonathan Arac, Chris Bongie, Wai-chee Dimock, Bruce Greenfield, Mark Kipperman, James F. Knapp, Loren Kruger, Lisa Lowe, Susan Meyer, Jeff Nunokawa, Harriet Ritvo, Marlon B. Ross, Nancy Vogeley, Sue Zemka

[more]

logo for Harvard University Press
The Mad Among Us
A History of the Care of America’s Mentally Ill
Gerald N. Grob
Harvard University Press

In the first comprehensive one-volume history of the treatment of the mentally ill, the foremost historian in the field compellingly recounts our various attempts to solve this ever-present dilemma from colonial times to the present.

Gerald Grob charts the growth of mental hospitals in response to the escalating numbers of the severely and persistently mentally ill and the deterioration of these hospitals under the pressure of too many patients and too few resources. Mounting criticism of psychiatric techniques such as shock therapies, drugs, and lobotomies and of mental institutions as inhumane places led to a new emphasis on community care and treatment. While some patients benefited from the new community policies, they were ineffective for many mentally ill substance abusers. Grob's definitive history points the way to new solutions. It is at once an indispensable reference and a call for a humane and balanced policy in the future.

[more]

front cover of Mad and Divine
Mad and Divine
Spirit and Psyche in the Modern World
Sudhir Kakar
University of Chicago Press, 2009

Sudhir Kakar, India’s foremost practitioner of psychoanalysis, has focused his career on infusing this preeminently Western discipline with ideas and views from the East. In Mad and Divine, he takes on the separation of the spirit and the body favored by psychoanalysts, cautioning that a single-minded focus on the physical denies a person’s wholeness. Similarly, Kakar argues, to focus on the spirit alone is to hold in contempt the body that makes us human.

Mad and Divine looks at the interplay between spirit and psyche and the moments of creativity and transformation that occur when the spirit overcomes desire and narcissism. Kakar examines this relationship in religious rituals and healing traditions— both Eastern and Western—as well as in the lives of some extraordinary men: the mystic and guru Rajneesh, Gandhi, and the Buddhist saint Drukpa Kunley.

Enriched with a novelist’s felicity of language and an analyst’s piercing insights and startling interpretations, Mad and Divine is a valuable addition to the literature on the integration of the spirit and psyche in the evolving psychology of the individual.

[more]

front cover of Mad at School
Mad at School
Rhetorics of Mental Disability and Academic Life
Margaret Price
University of Michigan Press, 2011

"A very important study that will appeal to a disability studies audience as well as scholars in social movements, social justice, critical pedagogy, literacy education, professional development for disability and learning specialists in access centers and student counseling centers, as well as the broader domains of sociology and education."
---Melanie Panitch, Ryerson University

"Ableism is alive and well in higher education. We do not know how to abandon the myth of the 'pure (ivory) tower that props up and is propped up by ableist ideology.' . . . Mad at School is thoroughly researched and pathbreaking. . . . The author's presentation of her own experience with mental illness is woven throughout the text with candor and eloquence."
---Linda Ware, State University of New York at Geneseo

Mad at School explores the contested boundaries between disability, illness, and mental illness in the setting of U.S. higher education. Much of the research and teaching within disability studies assumes a disabled body but a rational and energetic (an "agile") mind. In Mad at School, scholar and disabilities activist Margaret Price asks: How might our education practices change if we understood disability to incorporate the disabled mind?

Mental disability (more often called "mental illness") is a topic of fast-growing interest in all spheres of American culture, including popular, governmental, aesthetic, and academic. Mad at School is a close study of the ways that mental disabilities impact academic culture. Investigating spaces including classrooms, faculty meeting rooms, and job searches, Price challenges her readers to reconsider long-held values of academic life, including productivity, participation, security, and independence. Ultimately, she argues that academic discourse both produces and is produced by a tacitly privileged "able mind," and that U.S. higher education would benefit from practices that create a more accessible academic world.

Mad at School is the first book to use a disability-studies perspective to focus on the ways that mental disabilities impact academic culture at institutions of higher education. Individual chapters examine the language used to denote mental disability; the role of "participation" and "presence" in student learning; the role of "collegiality" in faculty work; the controversy over "security" and free speech that has arisen in the wake of recent school shootings; and the marginalized status of independent scholars with mental disabilities.

Margaret Price is Associate Professor of English at Spelman College.

[more]

front cover of Mad, Bad and Dangerous?
Mad, Bad and Dangerous?
The Scientist and the Cinema
Christopher Frayling
Reaktion Books, 2005
From Victor Frankenstein to Dr. Moreau to Doc Brown in Back to the Future, the scientist has been a puzzling, fascinating, and threatening presence in popular culture. From films we have learned that scientists are either evil maniacal geniuses or bumbling saviors of society. Mad, Bad and Dangerous? puts this dichotomy to the test, offering a wholly engaging yet not uncritical history of the cinematic portrayal of scientists.

Christopher Frayling traces the genealogy of the scientist in film, showing how the scientist has often embodied the predominant anxieties of a particular historical moment. The fear of nuclear holocaust in the 1950s gave rise to a rash of radioactive-mutant horror movies, while the possible dangers of cloning and biotechnology in the 1990s manifested themselves in Jurassic Park. During these eras, the scientist's actions have been viewed through a lens of fascination and fear. In the past few decades, with increased public awareness of environmental issues and of the impact of technology on nature, the scientist has been transformed once again—into a villainous agent of money-hungry corporate powers. Mad, Bad and Dangerous? also examines biographical depictions of actual scientists, illuminating how they are often portrayed as social misfits willing to sacrifice everything to the interests of science.

Drawing on such classic and familiar films as Frankenstein, Metropolis, and The Wizard of Oz, Frayling brings social and film history together to paint a much larger picture of the evolving value of science and technology to society. A fascinating study of American culture and film, Mad, Bad and Dangerous? resurrects the scientists of late night movies and drive-in theaters and gives them new life as cultural talismans.
[more]

front cover of Mad Dogs and Meerkats
Mad Dogs and Meerkats
A History of Resurgent Rabies in Southern Africa
Karen Brown
Ohio University Press, 2011

Through the ages, rabies has exemplified the danger of diseases that transfer from wild animals to humans and their domestic stock. In South Africa, rabies has been on the rise since the latter part of the twentieth century despite the availability of postexposure vaccines and regular inoculation campaigns for dogs.

In Mad Dogs and Meerkats: A History of Resurgent Rabies in Southern Africa, Karen Brown links the increase of rabies to the HIV/AIDS epidemic. Her study shows that the most afflicted regions of South Africa have seen a dangerous rise in feral dog populations as people lack the education, means, or will to care for their pets or take them to inoculation centers. Most victims are poor black children. Ineffective disease control, which in part depends on management policies in neighboring states and the diminished medical and veterinary infrastructures in Zimbabwe, has exacerbated the problem.

This highly readable book is the first study of rabies in Africa, tracing its history in South Africa and neighboring states from 1800 to the present and showing how environmental and economic changes brought about by European colonialism and global trade have had long-term effects.

Mad Dogs and Meerkats is recommended for public health policy makers and anyone interested in human-animal relations and how societies and governments have reacted to one of the world’s most feared diseases.

[more]

front cover of Mad Heart Be Brave
Mad Heart Be Brave
Essays on the Poetry of Agha Shahid Ali
Kazim Ali, Editor
University of Michigan Press, 2017
Born and raised in Kashmir, Agha Shahid Ali (1949–2001) came to the United States in the mid-1970s to pursue graduate study in literature; by the mid-1980s, he had begun to establish himself as one of the most important American poets of the late 20th century.
 
Mad Heart Be Brave: On the Poetry of Agha Shahid Ali is the first comprehensive examination of all stages of his career, from his earliest work published in India but never reissued in the U.S., through his seven poetry volumes from American publishers, ultimately collected as The Veiled Suite. The essays, written by a range of poets and scholars, many of whom knew and studied with Ali, consider his early free verse poetry; his transition into writing more formalist poetry; his correspondence with poets Anthony Hecht and James Merrill; his literary engagement with the political realities of contemporary Kashmir; his teaching and mentorship of young poets; and Ali’s championing of the ghazal, a traditional Eastern poetic form, in English. Some essays have a predominantly scholarly focus, while others are more personal in their tone and content. All exhibit a deep appreciation for Ali’s life and work.
 
Contributors to this volume include Sejal Shah, Rita Banerjee, Amanda Golden, Ravi Shankar, Abin Chakraborty, Amy Newman, Christopher Merrill, Jason Schneiderman, Stephen Burt, Raza Ali Hassan, Syed Humayoun, Feroz Rather, Dur e Aziz Amna, Mihaela Moscaliuc, Reginald Dwayne Betts, Mahwash Shoaib, Shadab Zeest Hashmi, Grace Schulman, and Ada Limón. Mad Heart Be Brave closes with a long biographical sketch and elegy by Agha Shahid Ali’s friend Amitav Ghosh and a comprehensive bibliography assembled by scholar Patricia O’Neill with Reid Larson.

[more]

front cover of Mad Men, Death and the American Dream
Mad Men, Death and the American Dream
Elisabeth Bronfen
Diaphanes, 2016
Matthew Weiner’s Emmy-winning series Mad Men has earned wide critical acclaim in its seven seasons. What is it about these impeccably dressed men and women of midcentury Madison Avenue that fascinates us? Decades later, when Weiner’s iconic characters seem as much a thing of the past as the workday martini, why is it so easy for modern viewers to commiserate with the reserved but ambitious Peggy Olson, to jeer at Pete Campbell, and to cheer on Don Draper in his often indecorous struggles?

We are drawn to Mad Men’s dapper cast of characters, argues Elisabeth Bronfen, because, although the series has drawn praise for its depiction of the 1960s and ’70s, it speaks equally well to cultural concerns of the present. The prototypical con man, Don makes a precarious journey from poverty to fame and prosperity that maps the pursuit of moral perfectionism that features prominently throughout American cultural history. Yet a lingering sense of dissatisfaction hints that the lifestyle Don strives for may be a mere manifestation of the illusory American dream—cemented in the same collective desires Don draws on to advertise cigarettes and luxury cars by day.

"Mad Men," Death and the American Dream takes readers through the cultural fantasies that underlie characters’ motivations in this sophisticated and immensely popular television series, showing how—then as now—we turn to fantasy in the face of conflicts that cannot be resolved in political reality. Fascinating and full of accessible insights, the book will appeal to the show’s many fans, as well as anyone interested in American studies, media studies, or cultural history.
[more]

front cover of Mad Men, Mad World
Mad Men, Mad World
Sex, Politics, Style, and the 1960s
Lauren M. E. Goodlad, Lilya Kaganovsky, and Robert A. Rushing, eds.
Duke University Press, 2013
Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis.

In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day.

Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon

[more]

front cover of Mad Men Unzipped
Mad Men Unzipped
Fans on Sex, Love, and the Sixties on TV
Karen L. Dill-Shackleford, Cynthia Vinney, Jeri Lynn Hogg, Kristin Hopper-Losenicky
University of Iowa Press, 2015
This is the story of the Mad Men fan phenomenon: how the show and its fans distinguished themselves in a market where it’s hard to make an impression, not unlike the driven ad execs at the center of the show. In this book, four media psychologists who also just happen to be dedicated Mad Men fans explore how the show’s viewers make meaning from fictional drama. The authors also interviewed several contemporary advertising industry professionals, getting their inside view of the business in its modern guise and what they make of the show’s vision of their past. The result is cutting-edge psychological research that crunches and codes online fan commentary to understand the ways that people use the show to debate complex social issues, from sex and alcohol to gender roles, parenting, and advertising itself. What do the 1960s mean to us today, and how well does the twenty-first century measure up against that famously turbulent decade? Which characters do fans identify with—and which ones do they love to hate? How would fans unfurl the Mad Men storylines if they were in charge? What makes a good man, and has it changed over time? How should husbands and wives treat each other, and how should parents treat their children?

In answering these questions, the authors explore not just the online commentary but also Mad Men fans’ fan fiction, cosplay, cocktail making, and vintage furniture collecting. Whether tweeting as one of the main characters (or just a lowly mail clerk), setting Peggy up with the man who’ll treat her right, or figuring out just which “Mad Man” they are at heart, fans integrate the show into their lives and use it to make sense of their own choices in work, leisure, and love.
[more]

front cover of Mad Music
Mad Music
Charles Ives, the Nostalgic Rebel
Stephen Budiansky
University Press of New England, 2014
Mad Music is the story of Charles Edward Ives (1874–1954), the innovative American composer who achieved international recognition, but only after he’d stopped making music. While many of his best works received little attention in his lifetime, Ives is now appreciated as perhaps the most important American composer of the twentieth century and father of the diverse lines of Aaron Copland and John Cage. Ives was also a famously wealthy crank who made millions in the insurance business and tried hard to establish a reputation as a crusty New Englander. To Stephen Budiansky, Ives’s life story is a personification of America emerging as a world power: confident and successful, yet unsure of the role of art and culture in a modernizing nation. Though Ives steadfastly remained an outsider in many ways, his life and times inform us of subjects beyond music, including the mystic movement, progressive anticapitalism, and the initial hesitancy of turn-of-the-century-America modernist intellectuals. Deeply researched and elegantly written, this accessible biography tells a uniquely American story of a hidden genius, disparaged as a dilettante, who would shape the history of music in a profound way. Making use of newly published letters—and previously undiscovered archival sources bearing on the longstanding mystery of Ives’s health and creative decline—this absorbing volume provides a definitive look at the life and times of a true American original.
[more]

front cover of A Mad People’s History of Madness
A Mad People’s History of Madness
Dale Peterson
University of Pittsburgh Press, 1981
A man desperately tries to keep his pact with the Devil, a woman is imprisoned in an insane asylum by her husband because of religious differences, and, on the testimony of a mere stranger, “a London citizen” is sentenced to a private madhouse. This anthology of writings by mad and allegedly mad people is a comprehensive overview of the history of mental illness for the past five hundred years-from the viewpoint of the patients themselves.

Dale Peterson has compiled twenty-seven selections dating from 1436 through 1976. He prefaces each excerpt with biographical information about the writer. Peterson's running commentary explains the national differences in mental health care and the historical changes that have take place in symptoms and treatment. He traces the development of the private madhouse system in England and the state-run asylum system in the United States. Included is the first comprehensive bibliography of writings by the mentally ill.
[more]

front cover of Mad River
Mad River
Jan Beatty
University of Pittsburgh Press, 1996
"In every poem, she keeps her fury contained, but omnipresent, so that it resembles a cornered dog's warning growl, yet she hints of happier possibilities." --Booklist "Beatty does offer deeply visceral and sensory work, especially in the second and third sections of this three-part book. . . . She risks relative boldness and deep emotional commitment, disregarding political correctness in respect for this less readily sanitized realm of experience." --Publishers Weekly "Her poems speak to us head-on, with courage and a contemporaneous eloquence." --Yusef Komunyakaa "Raw, energetic, gritty, risky, sexy, and real. . . . The power of these short narratives is often cumulative, building a vision of the world seen through the eyes of a wanderer, a woman, a waitress." --Dorianne Laux Jan Beatty, winner of the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust, has also won two fellowships from the Pennsylvania Council on the Arts. She has held jobs as a welfare caseworker, a rape counselor, and a nurse's aide. She has worked in maximum security prisons, hoagie huts, burger joints, jazz clubs, and diners. Her chapbook, Ravenous, won the 1995 State Street Press Chapbook Prize. Her latest collection, Boneshaker, was published in 2002 by the University of Pittsburgh Press.
[more]

front cover of Mad River, Marjorie Rowland, and the Quest for LGBTQ Teachers’ Rights
Mad River, Marjorie Rowland, and the Quest for LGBTQ Teachers’ Rights
Margaret A. Nash
Rutgers University Press, 2022
Mad River, Marjorie Rowland, and the Quest for LGBTQ Teachers’ Rights addresses an important legal case that set the stage for today’s LGBTQ civil rights–a case that almost no one has heard of. Marjorie Rowland v. Mad River School District involves an Ohio guidance counselor fired in 1974 for being bisexual. Rowland’s case made it to the U.S. Supreme Court, but the justices declined to consider it. In a spectacular published dissent, Justice Brennan laid out arguments for why the First and Fourteenth Amendments apply to bisexuals, gays, and lesbians. That dissent has been the foundation for LGBTQ civil rights advances since.
 
In the first in-depth treatment of this foundational legal case, authors Margaret A. Nash and Karen L. Graves tell the story of that case and of Marjorie Rowland, the pioneer who fought for employment rights for LGBTQ educators and who paid a heavy price for that fight. It brings the story of LGBTQ educators’ rights to the present, including commentary on Bostock v Clayton County, the 2020 Supreme Court case that struck down employment discrimination against LGBT workers.
 
[more]

front cover of Mad to Be Saved
Mad to Be Saved
The Beats, the 50's, and Film
David Sterritt
Southern Illinois University Press, 1998

Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with main-stream and experimental film, and the interactions of all of these with American society and the culture of the 1950s. Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success.

After an introductory overview of the Beat Generation, its history, its antecedents, and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers-who were inspired by jazz and other liberating influences-as carnivalesque rebels against what they perceived as a rigid and stifling social order.

Showing the Beats as social critics, Sterritt looks at the work of 1950s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films.

Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis; nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries.



[more]

front cover of Mad Toy
Mad Toy
Roberto Arlt
Duke University Press, 2002
Roberto Arlt, celebrated in Argentina for his tragicomic, punch-in-the-jaw writing during the 1920s and 1930s, was a forerunner of Latin American “boom” and “postboom” novelists such as Gabriel García Márquez and Isabel Allende. Mad Toy, acclaimed by many as Arlt’s best novel, is set against the chaotic background of Buenos Aires in the early twentieth century. Set in the badlands of adolescence, where acts of theft and betrayal become metaphors for creativity, Mad Toy is equal parts pulp fiction, realism, detective story, expressionist drama, and creative memoir.
An immigrant son of a German father and an Italian mother, Arlt as a youth was a school dropout, poor and often hungry. In Mad Toy, he incorporates his personal experience into the lives of his characters. Published in 1926 as El juguete rabioso, the novel follows the adventures of Silvio Astier, a poverty-stricken and frustrated youth who is drawn to gangs and a life of petty crime. As Silvio struggles to bridge the gap between exuberant imagination and the sordid reality around him, he becomes fascinated with weapons, explosives, vandalism, and thievery, despite a desperate desire to rise above his origins. Flavored with a dash of romance, a hint of allegory, and a healthy dose of irony, the novel’s language varies from the cultured idiom of the narrator to the dialects and street slang of the novel’s many colorful characters.
Mad Toy has appeared in numerous Spanish editions and has been adapted for the stage and for film. It is the second of Arlt’s novels to be translated into English.
[more]

logo for Harvard University Press
Mad Travelers
Reflections on the Reality of Transient Mental Illnesses
Ian Hacking
Harvard University Press

Ian Hacking tells the fascinating tale of Albert Dadas, a native of France’s Bordeaux region and the first diagnosed mad traveler. Dadas suffered from a strange compulsion that led him to travel obsessively, often without identification, not knowing who he was or why he traveled. Using the records of Philippe Tissié, Dadas’s physician, Hacking attempts to make sense of this strange epidemic.

In telling this tale, Hacking raises probing questions about the nature of mental disorders, the cultural repercussions of their diagnosis, and the relevance of this century-old case study for today’s overanalyzed society.

[more]

front cover of Madagascar
Madagascar
A Short History
Solofo Randrianja and Stephen Ellis
University of Chicago Press, 2009
Two thousand years ago, the island of Madagascar was likely uninhabited. Its unique flora and fauna had gone totally undisturbed by human contact until the first navigators landed on its shores. No one knows where those first inhabitants hailed from, but over the centuries Madagascar developed its own distinctive language and cultural systems. The only recent history of its kind in English, Madagascar, traces two millennia of human activity in one of the world’s most fascinating, yet least-known, societies.
 
In graceful prose, Solofo Randrianja and Stephen Ellis, both leading historians of Madagascar, elucidate the three main phases of its history: the earliest settlements, the age of kingdoms, and the island’s entry into intercontinental systems of commerce and exchange, including over sixty years under French rule. Through the course of this colorful and turbulent history, Randrianja and Ellis explore the tensions between the development of a unique culture and the absorption of immigrants, the development of strong social hierarchies, and the long-lasting effects of slavery and the slave trade.
[more]

front cover of Madam C. J. Walker's Gospel of Giving
Madam C. J. Walker's Gospel of Giving
Black Women's Philanthropy during Jim Crow
Tyrone McKinley Freeman
University of Illinois Press, 2020
Winner of the
  • AFP/Skystone Partners Prize for Research on Fundraising and Philanthropy, Association of Fundraising Professionals, 2021
  • Terry McAdam Book Award, given by the Alliance for Nonprofit Management
  • 2023 Peter Dobkin Hall History of Philanthropy Prize from the Association for Research on Nonprofit and Voluntary Action (ARNOVA). 

Founder of a beauty empire, Madam C. J. Walker was celebrated as America's first self-made female millionaire in the early 1900s. Known as a leading African American entrepreneur, Walker was also devoted to an activist philanthropy aimed at empowering African Americans and challenging the injustices inflicted by Jim Crow.

Tyrone McKinley Freeman's biography highlights how giving shaped Walker's life before and after she became wealthy. Poor and widowed when she arrived in St. Louis in her twenties, Walker found mentorship among black churchgoers and working black women. Her adoption of faith, racial uplift, education, and self-help soon informed her dedication to assisting black women's entrepreneurship, financial independence, and activism. Walker embedded her philanthropy in how she grew her business, forged alliances with groups like the National Association of Colored Women, funded schools and social service agencies led by African American women, and enlisted her company's sales agents in local charity and advocacy work.

Illuminating and dramatic, Madam C. J. Walker’s Gospel of Giving broadens our understanding of black women’s charitable giving and establishes Walker as a foremother of African American philanthropy.

[more]

front cover of Madam Chairman
Madam Chairman
Mary Louise Smith and the Republican Revival after Watergate
Suzanne O'Dea
University of Missouri Press, 2012
For much of her career Mary Louise Smith stood alone as a woman in a world of politics run by men. After devoting over two decades of her life to politics, she eventually became the first, and only, woman chairman of the Republican National Committee. Suzanne O’Dea examines Smith’s rise and fall within the party and analyzes her strategies for gaining the support of Republican Party leaders.
Smith’s leadership skills grew from the time she worked in rural precincts. During her twenty-eight months as chairman, Smith dealt with highs and lows as she blazed not only a trail of her own but also one for the Republican Party, including assembling the team that kept the party intact following the devastation of Watergate. She was present during the party’s shift from moderate leadership, as exemplified by Ford, to the increasingly conservative leadership still seen today. Smith was an advocate for the Equal Rights Amendment, a supporter of the pro-choice movement, and a proponent of gay rights.
Though handpicked by President Ford, Smith still found herself struggling against the party and at times even against the president himself. At one point Smith lost months of fundraising opportunities as a result of a disagreement with the president. She and her staff developed innovative strategies, still used in the party today, to attract desperately needed dollars from major donors. Even so, people within the administration as well as unnamed party leaders regularly intimated that Smith’s days as chairman were numbered. Even after leaving the chairmanship, Smith remained loyal to the party from which she felt increasingly alienated.
O’Dea uses extensive personal interviews with Smith and her staff at the RNC to recount not only Smith’s and the GOP’s changing fortunes but also the challenges Republican women faced as they worked to gain a larger party presence. These behind-the-scenes perspectives show the tactics and strategies of the Republican Party’s power struggles along with Smith’s own opinions about leadership style. With relevance to today’s political strategies and conservative shift, O’Dea highlights Mary Louise Smith’s mark on Republican history.
[more]

front cover of 'Madame Butterfly' and 'A Japanese Nightingale'
'Madame Butterfly' and 'A Japanese Nightingale'
Two Orientalist Texts
Cole, Jean Lee
Rutgers University Press, 2002
Madame Butterfly (1898) and A Japanese Nightingale (1901) both appeared at the height of American fascination with Japanese culture. These two novellas are paired here together for the first time to show how they defined and redefined contemporary misconceptions of the "Orient." This is the first reprinting of A Japanese Nightingale since its 1901 appearance, when it propelled Winnifred Eaton (using the pseudonym Onoto Watanna) to fame. John Luther Long's Madame Butterfly introduced American readers to the figure of the tragic geisha who falls in love with, and is then rejected by, a dashing American man; the opera Puccini based upon this work continues to enthrall audiences worldwide. Although Long emphasized the insensitivity of Westerners in their dealings with Asian people, the ever-faithful Cho-Cho-San typified Asian subservience and Western dominance. A Japanese Nightingale takes Long's revision several steps further. Eaton's heroine is powerful in her own right and is loved on her own terms. A Japanese Nightingale is also significant for its hidden personal nature. Although Eaton's pen name implied she was Japanese, she was, in fact, of Chinese descent. Living in a society that was virulently anti-Chinese, she used a Japanese screen for her own problematic identity, and A Japanese Nightingale tells us as much about the author's struggle to embrace her Asian heritage as it does about the stereotypes she contests.
[more]

front cover of Madame Chair
Madame Chair
A Political Autobiography of an Unintentional Pioneer
Jean Miles Westwood
Utah State University Press, 2007
Jean Westwood called herself an unintentional pioneer. Although she worked hard to achieve what she did, she did not actively seek or expect to reach what was arguably the most powerful political position any American woman had ever held, chair of the national Democratic Party.

A Utah national committeewoman and member of the reform committee that reorganized the party, Westwood answered George McGovern’s call to lead his presidential campaign. In the dramatic year of 1972, she became “chairman” of the party, McGovern lost in a landslide, Nixon was reelected, and a covert operation burglarized Democratic National Committee headquarters at the Watergate.

Westwood provides an inside account of a period that reshaped national politics. Second-wave feminism—“women’s liberation”—and the civil rights and antiwar movements opened the way. As a major player in political reform, Jean Westwood both helped build that road and traveled it.
[more]

front cover of Madame Proust
Madame Proust
A Biography
Evelyne E. Bloch-Dano
University of Chicago Press, 2007
Marcel Proust’s In Search of Lost Time opens with one of the most famous scenes in literature, as young Marcel, unable to fall asleep, waits anxiously for his mother to come to his bedroom and kiss him good night. Proust's own mother is central to the meaning of his masterpiece, and she has always held a special role in literary history, both as a character and as a decisive influence on the great writer’s career. Without knowing much about her, we think of her as the quintessential writer's mother.

Now Evelyne Bloch-Dano’s touching biography acquaints Proust fans with the real Jeanne Weil Proust. Written with the imaginative force of a novel, but firmly grounded in Jeanne and Marcel Proust’s writings, Madame Proust skillfully captures the life and times of Proust’s mother, from her German-Jewish background and her marriage to a Catholic grocer’s son to her lifelong worries about her son’s sexuality, health problems, and talent. As well as offering intimate glimpses of the Prousts’ daily life, Madame Proust also uses the family as a way to explore the larger culture of fin-de-siècle France, including high society, spa culture, Jewish assimilation, and the Dreyfus affair. Throughout, Bloch-Dano offers sensitive readings of Proust’s work, drawing out the countless interconnections between his mother, his life, and his magnum opus.

Those coming to In Search of Lost Time for the first time will find in Madame Proust a delightful primer on Marcel Proust’s life and times. For those already steeped in the pleasures of Proust, this gem of a biography will give them a fresh understanding of the rich, fascinating background of the writer and his art.
[more]

front cover of Made Free and Thrown Open to the Public
Made Free and Thrown Open to the Public
Community Libraries in Pennsylvania from the Colonial Era through World War II
Bernadette A. Lear
University of Pittsburgh Press, 2021

Made Free and Thrown Open to the Public charts the history of public libraries and librarianship in Pennsylvania. Based on archival research at more than fifty libraries and historical societies, it describes a long progression from private, subscription-based associations to publicly funded institutions, highlighting the dramatic period during the late nineteenth and early twentieth centuries when libraries were “thrown open” to women, children, and the poor. Made Free explains how Pennsylvania’s physical and cultural geography, legal codes, and other unique features influenced the spread and development of libraries across the state. It also highlights Pennsylvania libraries’ many contributions to the social fabric, especially during World War I, the Great Depression, and World War II. Most importantly of all, Made Free convincingly argues that Pennsylvania libraries have made their greatest strides when community activists and librarians, supported with state and local resources, have worked collaboratively.

[more]

front cover of Made from Bone
Made from Bone
Trickster Myths, Music, and History from the Amazon
Jonathan D. Hill
University of Illinois Press, 2008

Made-from-Bone is the first work to provide a complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking people of South America. Among the Arawak-speaking Wakuénai of southernmost Venezuela, storytellers refer to these narratives as "words from the primordial times," and they are set in an unfinished space-time before there were any clear distinctions between humans and animals, men and women, day and night, old and young, and powerful and powerless. The central character throughout these primordial times and the ensuing developments that open up the world of distinct peoples, species, and places is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks and ultimately defeats all his adversaries. 

Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America. Hill includes translations of key mythic narratives along with interpretive and ethnographic discussion that expands on the myths surrounding this fascinating and enigmatic character with broad appeal throughout various folkloric traditions.

[more]

front cover of Made in America
Made in America
A Social History of American Culture and Character
Claude S. Fischer
University of Chicago Press, 2010

Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today?

With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character.

Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs.

[more]


Send via email Share on Facebook Share on Twitter