This companion volume to Siri von Reis's previous exploration of ethnobotanical notes in the Harvard herbaria brings to light a new array of plants with drug or food potential, offering wide-ranging possible applications for pharmacologists, chemists, botanists, and even anthropologists. Following the same criteria as in earlier investigations, the authors have examined the vast holdings of The New York Botanical Garden Herbarium to select little-known plant uses and to record any note suggesting biodynamic constituents--i.e., those having effects on living tissue--from skin irritants and poisons and medications of any kind to foods, beverages, and spices. They have also included species whose applications suggest other kinds of unreported chemical activity, plants associated with magic or ritual which affected people in some unusual way.

Listing the notes in the order in which the species were found in the collection, family by family, the authors call attention to similar characteristics in related species and families having biodvnamic properties in common. Each entry begins with the Latin name of the specimen, cites the country in which it was collected, the collector's name, and his held number for the plant, and then quotes the ethnobotanical or other note of interest.

While in itself a valuable reference work in the search for clues to useful plants, New Plant Source for Drugs and Foods also will enhance the value of the first volume by allowing a comparison of entries.

Forty lessons designed to introduce beginning students to the basic patterns and structures of Classical Chinese are taken from a number of pre-Han and Han texts selected to give students a grounding in exemplary Classical Chinese style. Two additional lessons use texts from later periods to help students appreciate the changes in written Chinese over the centuries.

Each lesson consists of a text, a vocabulary list featuring discussions of meaning and usage, explanations of grammar, and explications of difficult passages. The standard modern Chinese, Japanese, and Korean pronunciations are indicated for each character, making this a learning tool for native speakers of those languages as well.

Appendices give suggestions for further readings, review common and significant words, explain the radical system, and provide Japanese kanbun readings for all the selections. Glossaries of all vocabulary items and pronunciation indexes for modern Chinese and Korean are also included.

Essays on the rise of community-focused art projects and anti-monuments in Mexico since the 1980s.

Mexico has long been lauded and studied for its post-revolutionary public art, but recent artistic practices have raised questions about how public art is created and for whom it is intended. In The New Public Art, Mara Polgovsky Ezcurra, together with a number of scholars, artists, and activists, looks at the rise of community-focused art projects, from collective cinema to off-stage dance and theatre, and the creation of anti-monuments that have redefined what public art is and how people have engaged with it across the country since the 1980s.

The New Public Art investigates the reemergence of collective practices in response to privatization, individualism, and alienating violence. Focusing on the intersection of art, politics, and notions of public participation and belonging, contributors argue that a new, non-state-led understanding of "the public" came into being in Mexico between the mid-1980s and the late 2010s. During this period, community-based public art bore witness to the human costs of abuses of state and economic power while proposing alternative forms of artistic creation, activism, and cultural organization.

What impulse prompted some newspapers to attribute the murder of 77 Norwegians to Islamic extremists, until it became evident that a right-wing Norwegian terrorist was the perpetrator? Why did Switzerland, a country of four minarets, vote to ban those structures? How did a proposed Muslim cultural center in lower Manhattan ignite a fevered political debate across the United States? In The New Religious Intolerance, Martha C. Nussbaum surveys such developments and identifies the fear behind these reactions. Drawing inspiration from philosophy, history, and literature, she suggests a route past this limiting response and toward a more equitable, imaginative, and free society.

Fear, Nussbaum writes, is "more narcissistic than other emotions." Legitimate anxieties become distorted and displaced, driving laws and policies biased against those different from us. Overcoming intolerance requires consistent application of universal principles of respect for conscience. Just as important, it requires greater understanding. Nussbaum challenges us to embrace freedom of religious observance for all, extending to others what we demand for ourselves. She encourages us to expand our capacity for empathetic imagination by cultivating our curiosity, seeking friendship across religious lines, and establishing a consistent ethic of decency and civility. With this greater understanding and respect, Nussbaum argues, we can rise above the politics of fear and toward a more open and inclusive future.

A manifesto for the humanities in the digital age, A New Republic of Letters argues that the history of texts, together with the methods by which they are preserved and made available for interpretation, are the overriding subjects of humanist study in the twenty-first century. Theory and philosophy, which have grounded the humanities for decades, no longer suffice as an intellectual framework. Jerome McGann proposes we look instead to philology—a discipline which has been out of fashion for many decades but which models the concerns of digital humanities with surprising fidelity.

For centuries, books have been the best way to preserve and transmit knowledge. But as libraries and museums digitize their archives and readers abandon paperbacks for tablet computers, digital media are replacing books as the repository of cultural memory. While both the mission of the humanities and its traditional modes of scholarship and critical study are the same, the digital environment is driving disciplines to work with new tools that require major, and often very difficult, institutional changes. Now more than ever, scholars need to recover the theory and method of philological investigation if the humanities are to meet their perennial commitments. Textual and editorial scholarship, often marginalized as a narrowly technical domain, should be made a priority of humanists’ attention.

After World War II dozens of non-governmental organizations (NGOs) emerged on the global scene, committed to improving the lives of the world's most vulnerable people. Some focused on protecting human rights; some were dedicated to development, aimed at satisfying basic economic needs. Both approaches had distinctive methods, missions, and emphases. In the 1980s and 90s, however, the dividing line began to blur.

In the first book to track the growing intersection and even overlap of human rights and development NGOs, Paul Nelson and Ellen Dorsey introduce a concept they call "new rights advocacy." New rights advocacy has at its core three main trends: the embrace of human rights-based approaches by influential development NGOs, the adoption of active economic and social rights agendas by major international human rights NGOs, and the surge of work on economic and social policy through a human rights lens by specialized human rights NGOs and social movement campaigns.

Nelson and Dorsey draw on rich case studies of internationally well-known individual NGOs such as Amnesty International, Human Rights Watch, Oxfam, CARE, ActionAid, and Save the Children, and employ perspectives from fields of human rights, international relations, the sociology of social movements and of complex organizations, and development theory, in order to better understand the changes occurring within NGOs.

In questioning current trends using new theoretical frameworks, this book breaks new ground in the evolution of human rights-development interaction. The way in which NGOs are reinventing themselves has great potential for success—or possibly failure—and profound implications for a world in which the enormous gap between the wealthiest and poorest poses a persistent challenge to both development and human rights.

A comprehensive new history of the Eastern Roman Empire based on the science of the human past.

As modern empires rise and fall, ancient Rome becomes ever more significant. We yearn for Rome’s power but fear Rome’s ruin—will we turn out like the Romans, we wonder, or can we escape their fate? That question has obsessed centuries of historians and leaders, who have explored diverse political, religious, and economic forces to explain Roman decline. Yet the decisive factor remains elusive.

In New Rome, Paul Stephenson looks beyond traditional texts and well-known artifacts to offer a novel, scientifically minded interpretation of antiquity’s end. It turns out that the descent of Rome is inscribed not only in parchments but also in ice cores and DNA. From these and other sources, we learn that pollution and pandemics influenced the fate of Constantinople and the Eastern Roman Empire. During its final five centuries, the empire in the east survived devastation by natural disasters, the degradation of the human environment, and pathogens previously unknown to the empire’s densely populated, unsanitary cities. Despite the Plague of Justinian, regular “barbarian” invasions, a war with Persia, and the rise of Islam, the empire endured as a political entity. However, Greco-Roman civilization, a world of interconnected cities that had shared a common material culture for a millennium, did not.

Politics, war, and religious strife drove the transformation of Eastern Rome, but they do not tell the whole story. Braiding the political history of the empire together with its urban, material, environmental, and epidemiological history, New Rome offers the most comprehensive explanation to date of the Eastern Empire’s transformation into Byzantium.

A Times of London Book of the Year
Longlisted for the Runciman Award

“The most compelling fusion yet of narrative history with the recent findings of environmental research and scientific data. It will change the way we understand key events and transformations in the Eastern Empire.”—Anthony Kaldellis, author of Romanland

“[A] major contribution…Brings the world of New Rome alive with exceptional learning and a magnificent openness to modern scientific methods that breathe life into conventional narratives of political and social history.”—Peter Brown, New York Review of Books

“A sweeping survey of the disintegration of the western Roman empire and the emergence of Byzantium…This impressive chronicle offers an eye-opening perspective on a period of dramatic change.”—Publishers Weekly

Long before Rome fell to the Ostrogoths in 476 AD, a new city had risen to take its place as the beating heart of the empire, the glittering Constantinople, known as New Rome. In this strikingly original account of the collapse of the Western Roman Empire and emergence of Byzantium, Paul Stephenson offers a new interpretation of the forces that coalesced—dynastic, religious, climactic—to shift the center of power to the east. His novel, scientifically minded interpretation of antiquity's end presents evidence found not only in parchments and personalities, but also in ice cores and DNA.

From 395 to 700 AD, the empire in the east was subjected to a series of invasions and pandemics, confronting natural disasters and outbreaks in pathogens previously unknown to the empire’s densely populated, unsanitary cities. Politics, war, and religious strife sparked by the rise of Islam drove the transformation of Eastern Rome, but they do not tell the whole story. Deftly braiding the political history of the empire together with its material, environmental, and epidemiological history, New Rome offers a surprising new explanation of why Rome fell and how the Eastern Empire became Byzantium.

In an increasingly complex and interdependent world, states resort to a bewildering array of regulatory agreements to deal with problems as disparate as climate change, nuclear proliferation, international trade, satellite communications, species destruction, and intellectual property. In such a system, there must be some means of ensuring reasonably reliable performance of treaty obligations. The standard approach to this problem, by academics and politicians alike, is a search for treaties with "teeth"--military or economic sanctions to deter and punish violation.

The New Sovereignty argues that this approach is misconceived. Cases of coercive enforcement are rare, and sanctions are too costly and difficult to mobilize to be a reliable enforcement tool. As an alternative to this "enforcement" model, the authors propose a "managerial" model of treaty compliance. It relies on the elaboration and application of treaty norms in a continuing dialogue between the parties--international officials and nongovernmental organizations--that generates pressure to resolve problems of noncompliance. In the process, the norms and practices of the regime themselves evolve and develop.

The authors take a broad look at treaties in many different areas: arms control, human rights, labor, the environment, monetary policy, and trade. The extraordinary wealth of examples includes the Iran airbus shootdown, Libya's suit against Great Britain and the United States in the Lockerbie case, the war in Bosnia, and Iraq after the Gulf War.

The authors conclude that sovereignty--the status of a recognized actor in the international system--requires membership in good standing in the organizations and regimes through which the world manages its common affairs. This requirement turns out to be the major pressure for compliance with treaty obligations. This book will be an invaluable resource and casebook for scholars, policymakers, international public servants, lawyers, and corporate executives.

New States in the Modern World is probably the first book to consider new states in relationship to their effect on world political order. This volume of original essays focuses on the origins and current status of the new African states and one Arab-African state, Egypt.

Despite their many distinguishing features, the new nations all have in common the colonial experience, which has formulated their major political attributes. The eminent authors of these studies describe the structural problems of new states, particularly the role of ideology, the patterns of internal conflict, and the character of political cleavages. Of special concern are the ways in which international organization induced the formation of new states and, conversely, the impact the new nations have had on the international system. The resulting conflicts require redefinition of the international order, a new kind of regulation. This book takes a major step on the road to such redefinition.

A timely philosophical treatment of the current wave of international terrorism and armed conflicts around the world, New Terror, New Wars explores the ethical significance of September 11, and its aftermath. From the nationalistic violence that reigned over the last century, to the amorphous terrors without national boundaries characterizing the opening of this new century, Gilbert leads the way through some of the difficult terrain that has brought the world to these troubling crossroads. He examines the causes of new wars as they are made manifest in the politics of identity, he questions when military force is justified in the pursuit of political goals. He asks whether the "just war" theory is adequate for evaluating and then regulating contemporary conflicts. He deals with the core issues of traditional conflict: self-defense, the conduct of war, hatred and revenge, but also with newer forms, such as conflict in the guise of "humanitarian intervention."

The hopeful conclusion to all wars is, of course, the restoration of peace. Gilbert concludes with a philosophical investigation of not only how to end them, but also how to resolve the conflicts that gave rise to them in the first place and how to produce the conditions in which they are unlikely to occur again—reminding us that the end to a "just war" must be a "just peace" and outlining what the nature of that just peace should be. New Terror, New Wars will be required reading for all those concerned with the ethical issues that inevitably arise from armed conflicts in whatever dire form they may take.

The New Testament lay at the center of Byzantine Christian thought and practice. But codices and rolls were neither the sole way—nor most important way—the Byzantines understood the New Testament. Lectionaries apportioned much of its contents over the course of the liturgical calendar; its narratives structured the experience of liturgical time and shaped the nature of Christian preaching, throughout Byzantine history. A successor to The Old Testament in Byzantium (2010), this book asks: What was the New Testament for Byzantine Christians? What of it was known, how, when, where, and by whom? How was this knowledge mediated through text, image, and rite? What was the place of these sacred texts in Byzantine arts, letters, and thought?

Authors draw upon the current state of textual scholarship and explore aspects of the New Testament, particularly as it was read, heard, imaged, and imagined in lectionaries, hymns, homilies, saints’ lives, and as it was illustrated in miniatures and monuments. Framing theological inquiry, ecclesiastical controversy, and political thought, the contributions here help develop our understanding of the New Testament and its varied reception over the long history of Byzantium.

Amid gloomy forecasts of the decline of the humanities and the death of poetry, Angus Fletcher, a wise and dedicated literary voice, sounds a note of powerful, tempered optimism. He lays out a fresh approach to American poetry at large, the first in several decades, expounding a defense of the art that will resonate well into the new century.

Breaking with the tired habit of treating American poets as the happy or rebellious children of European romanticism, Fletcher uncovers a distinct lineage for American poetry. His point of departure is the fascinating English writer, John Clare; he then centers on the radically American vision expressed by Emerson and Walt Whitman. With Whitman this book insists that "the whole theory and nature of poetry" needs inspiration from science if it is to achieve a truly democratic vista. Drawing variously on Complexity Theory and on fundamentals of art and grammar, Fletcher argues that our finest poetry is nature-based, environmentally shaped, and descriptive in aim, enabling poets like John Ashbery and other contemporaries to discover a mysterious pragmatism.

Intense, resonant, and deeply literary, this account of an American poetics shows how today's consumerist and conformist culture subverts the imagination of a free people. While centering on American vision, the argument extends our horizon, striking a blow against all economically sanctioned attacks upon the finer, stronger human capacities. Poetry, the author maintains, is central to any coherent vision of life.

The New Urban Question is an exuberant and illuminating adventure through our current global urban condition, tracing the connections between radical urban theory and political activism.

From Haussmann’s attempts to use urban planning to rid 19th-century Paris of workers revolution to the contemporary metropolis, including urban disaster-zones such as downtown Detroit, Merrifield reveals how the urban experience has been profoundly shaped by class antagonism and been the battle-ground for conspiracies, revolts and social eruptions.

Going beyond the work of earlier urban theorists such as Manuel Castells, Merrifield identifies the new urban question that has emerged and demands urgent attention, as the city becomes a site of active plunder by capital and the setting for new forms of urban struggle, from Occupy to the Indignados.

Winner, National Translation Award, American Literary Translators Association, 2015

Upon the death of their leader, a group of Tuareg, a nomadic Berber community whose traditional homeland is the Sahara Desert, turns to the heir dictated by tribal custom; however, he is a poet reluctant to don the mantle of leadership. Forced by tribal elders to abandon not only his poetry but his love, who is also a poet, he reluctantly serves as leader. Whether by human design or the meddling of the Spirit World, his death inspires his tribe to settle down permanently, abandoning not only nomadism but also the inherited laws of the tribe. The community they found, New Waw, which they name for the mythical paradise of the Tuareg people, is also the setting of Ibrahim al-Koni’s companion novel, The Puppet.

For al-Koni, this Tuareg tale of the tension between nomadism and settled life represents a choice faced by people everywhere, in many walks of life, as a result of globalism. He sees an inevitable interface between myth and contemporary life.