A SCHOLARLY BOOK REPOSITORY
This new bibliography of Nevada's newspapers supersedes and greatly expands on previous works. More than 800 publications are now included: traditional newspapers, penny shoppers, comic and campaign sheets, entertainment and matrimonial guides, and fictitious newspapers that had life only in the columns of other papers. Also included is a brief appendix of early newspapers from boarder states that reported regularly on Nevada. The authors have provided a brief historical sketch of each publication, together with a list and location of known copies of the original papers, plus current microfilm holdings. The bibliography also documents frequency of publication, proprietorship, title changes, printing locations, and political affiliation. This volume will be of value to historians ranging from scholars to genealogy buffs who need access to the information only newspapers can provide.
Lucile Morris Upton landed her first newspaper job out West in the early 1920s, then returned home to spend half a century reporting on the Ozarks world she knew best. Having come of age just as women gained the right to vote, she took advantage of opportunities that presented themselves in a changing world. During her years as a journalist, Upton rubbed shoulders with presidents, flew with aviation pioneer Wiley Post, covered the worst single killing of US police officers in the twentieth century, wrote an acclaimed book on the vigilante group known as the Bald Knobbers, charted the growth of tourism in the Ozarks, and spearheaded a movement to preserve iconic sites of regional history. Following retirement from her newspaper job, she put her experience to good use as a member of the Springfield City Council and community activist.
Told largely through Upton’s own words, this insightful biography captures the excitement of being on the front lines of newsgathering in the days when the whole world depended on newspapers to find out what was happening.
Since 2001, Media Lens has encouraged thousands of readers to challenge the filtered and distorted version of the world provided by major newspapers and broadcasters. The media responses, collected in Newspeak, are an exposé of the arrogance and servility to power of our leading journalists and editors, starring Andrew Marr, Alan Rusbridger, Roger Alton, Jon Snow, Jeremy Bowen and even George Monbiot.
Picking up where the highly acclaimed and successful Guardians of Power (2006) left off, Newspeak is packed with forensic media analysis, revealing the lethal bias in "balanced" reporting. Even the "best" UK media -- the Guardian, the Independent, Channel 4 News and the BBC -- turn out to be cheerleaders for government, business and war.
Alongside an A-Z of BBC propaganda and chapters on Iraq and climate change, Newspeak focuses on the demonisation of Iran and Venezuela, the Israel-Palestine conflict, the myth of impartial reporting and the dark art of smearing dissidents.
At the turn of the twentieth century, ambitious publishers like Joseph Pulitzer, William Randolph Hearst, and Robert McCormick produced the most spectacular newspapers Americans had ever read. Alongside current events and classified ads, publishers began running comic strips, sports sections, women’s pages, and Sunday magazines. Newspapers’ lavish illustrations, colorful dialogue, and sensational stories seemed to reproduce city life on the page.
Yet as Julia Guarneri reveals, newspapers did not simply report on cities; they also helped to build them. Metropolitan sections and civic campaigns crafted cohesive identities for sprawling metropolises. Real estate sections boosted the suburbs, expanding metropolitan areas while maintaining cities’ roles as economic and information hubs. Advice columns and advertisements helped assimilate migrants and immigrants to a class-conscious, consumerist, and cosmopolitan urban culture.
Newsprint Metropolis offers a tour of American newspapers in their most creative and vital decades. It traces newspapers’ evolution into highly commercial, mass-produced media, and assesses what was gained and lost as national syndicates began providing more of Americans’ news. Case studies of Philadelphia, New York, Chicago, and Milwaukee illuminate the intertwined histories of newspapers and the cities they served. In an era when the American press is under attack, Newsprint Metropolis reminds us how papers once hosted public conversations and nurtured collective identities in cities across America.
News is “one of the few things that connects us as a nation” observes the protagonist in the title story of Newsworld, a new collection by Todd James Pierce that explores America’s obsession with news and entertainment culture. The characters in “Newsworld” seek to design realistic theme park attractions, such “OJ’s Bronco: The Ride” and “Seige at Waco,” that allow park guests to experience the complexities of contemporary news events for themselves. In the story “Columbine: The Musical,” high school students stage a musical written as a means of discussing school violence, while their vice principal wrangles a 10 percent discount on a school security system in exchange for corporate sponsorship of the play. In “Wrestling Al Gore,” a national wrestling federation uses costumed wrestlers to cast the Gore/Bush election recount into the ring. In an ironic twist, fans become sympathetic to the underdog Gore, champion his cause, and ultimately reflect on the fate of the real politician. In “The Yoshi Compound: A Story of Post-Waco Texas,” the followers of the Dalai Yoshi amass weapons and riot gear in hopes of attracting media attention in order to spread their message of love and world peace.
The characters in Newsworld, like many Americans, are engulfed in a life-imitating-art phenomenon caused by the hyperreality presented in the media, and they struggle with this overwhelming influence trying to understand whether their own lives fall within or outside its domain.
A comprehensive study of public culture, The Newton Wars and the Beginning of the French Enlightenment digsbelow the surface of the commonplace narratives that link Newton with Enlightenment thought to examine the actual historical changes that brought them together in eighteenth-century time and space. Drawing on the full range of early modern scientific sources, from studied scientific treatises and academic papers to book reviews, commentaries, and private correspondence, J. B. Shank challenges the widely accepted claim that Isaac Newton’s solitary genius is the reason for his iconic status as the father of modern physics and the philosophemovement.
A Guardian “Favourite Reads—as Chosen by Scientists” Selection
“Tackles some of science’s most enduring misconceptions.”
—Discover
A falling apple inspired Isaac Newton’s insight into the law of gravity—or did it really?
Among the many myths debunked in this refreshingly irreverent book are the idea that alchemy was a superstitious pursuit, that Darwin put off publishing his theory of evolution for fear of public reprisal, and that Gregor Mendel was ahead of his time as a pioneer of genetics. More recent myths about particle physics and Einstein’s theory of relativity are discredited too, and a number of dubious generalizations, like the notion that science and religion are antithetical, or that science can neatly be distinguished from pseudoscience, go under the microscope of history.
Newton’s Apple and Other Myths about Science brushes away popular fictions and refutes the widespread belief that science advances when individual geniuses experience “Eureka!” moments and suddenly grasp what those around them could never imagine.
“Delightful…thought-provoking…Every reader should find something to surprise them.”
—Jim Endersby, Science
“Better than just countering the myths, the book explains when they arose and why they stuck.”
—The Guardian
Isaac Newton’s classic writings on light and optics are the heart of this volume in the series, Masterworks of Discovery: Guided Studies of Great Texts in Science. The innovative series is aimed at making the great works of scientific discovery accessible to students and lay readers. For each volume, distinguished historians of science have carefully selected original texts (or extracts) and accompanied them with interpretive commentary, explanatory notes, and bio-bibliographical material. These volumes are not synopses or histories to take the place of the original works. Instead, they enable non-specialists to read these classics for themselves and take an active part in discovering the excitement of scientific discovery.
Newton first revealed his scientific genius in his pathbreaking work on optics and the properties of light. Through Newton’s early 1672 letter to the Royal Society and long extracts from his mature work, Opticks (1704), the reader can follow Newton’s own descriptions of his experiments on prisms and films, his arguments about white and colored light and the “particle” nature of light, and his influential remarks on scientific method. Dennis Sepper’s deft commentaries, diagrams, and notes help clarify difficulties that modern readers are apt to encounter in Newton’s language and science. Sepper also provides an engaging sketch of Newton’s life, the scientific background to these discoveries, and their aftermath.
Shortly after 1600, the organist and choir director of the cathedral collected, organized, and copied into choirbooks all of the then-extant music used by the choir. The manuscript presented here in modern edition, one of at least five choirbooks prepared at the time, contains a number of otherwise unknown works by such major Old World composers as Francisco Guerrero and Cristóbal de Morales. Significant works by Hernando Franco and Pedro Bermúdez, choirmasters of the Guatemala City Cathedral, are also included. The manuscript presents a unified repertory for Holy Week and for the Salve services in Lent, including four settings of the Passion, for which the Spanish were famous throughout Christendom. Some of the works predate the sixteenth-century reform of the Roman Breviary and Missal, among them the original versions of several Vespers hymns and Magnificat settings by Guerrero that are otherwise known only in later versions found in Spanish sources. An extensive historical introduction by Robert J. Snow discusses the formation of the cathedral's musical repertory and illuminates both Old and New World practices of sixteenth-century Spanish liturgical music.
A digital anthropologist examines the online lives of millions of people in China, India, Brazil, and across the Middle East—home to most of the world’s internet users—and discovers that what they are doing is not what we imagine.
New-media pundits obsess over online privacy and security, cyberbullying, and revenge porn, but do these things really matter in most of the world? The Next Billion Users reveals that many assumptions about internet use in developing countries are wrong.
After immersing herself in factory towns, slums, townships, and favelas, Payal Arora assesses real patterns of internet usage in India, China, South Africa, Brazil, and the Middle East. She finds Himalayan teens growing closer by sharing a single computer with common passwords and profiles. In China’s gaming factories, the line between work and leisure disappears. In Riyadh, a group of young women organizes a YouTube fashion show.
Why do citizens of states with strict surveillance policies appear to care so little about their digital privacy? Why do Brazilians eschew geo-tagging on social media? What drives young Indians to friend “foreign” strangers on Facebook and give “missed calls” to people? The Next Billion Users answers these questions and many more. Through extensive fieldwork, Arora demonstrates that the global poor are far from virtuous utilitarians who mainly go online to study, find jobs, and obtain health information. She reveals habits of use bound to intrigue everyone from casual internet users to developers of global digital platforms to organizations seeking to reach the next billion internet users.
Since November’s election, conservative columnists have filled the op-ed pages with calls for a new conservative agenda. In The Next Conservatism, two of the conservative movement’s best-known thinkers, Paul M. Weyrich and William S. Lind, offer exactly that. More, they offer a new kind of conservative agenda, one that reaches far beyond politics to grapple with the sources of our nation’s cultural decay.
The Next Conservatism recognizes that culture is more powerful than politics. Nevertheless, it offers an engaging menu of political reforms, all under the rubric of “Restore the Republic!” No enthusiasts of Imperial America at home or abroad, Weyrich and Lind seek limited government, jealous guardianship of civil liberties, and a Washington liberated from the power of the New Class, the interests that feed off our nation’s decay. To these frequent conservative themes, Weyrich and Lind offer something new: a warning of a general crisis of legitimacy of the state itself, which can lead to a Hobbesian state of anarchy. How might we save the state while avoiding the jaws of Leviathan? The Next Conservatism offers innovative ways to thread that needle.
Meanwhile, what of America’s culture? Did its decay over the past half-century “just happen”? Weyrich and Lind argue no; rather, much of our degradation was deliberate, the work of the poisonous ideology of cultural Marxism, aka “Political Correctness.” The Next Conservatism takes the reader on a fascinating historical tour of the origins of Political Correctness in the infamous Frankfurt School, a gathering of heretical Marxists whose goal from the outset was the destruction of Western culture.
Weyrich and Lind then proceed to “deconstruct” the left’s program for America, debunking Feminism, “racism,” and environmentalism along the way. Reflecting the thought of Russell Kirk, The Next Conservatism condemns ideologies left and right, calling instead for a return to traditional ways of living, ways that reflect wisdom accumulated generation by generation. Only thus, they argue, can conservatives win a culture war many regard as hopelessly lost.
Old ways, in turn, lead to a Next Conservatism appropriate for hard times. Virtue, Weyrich and Lind offer, is to be found in modest living, not conspicuous consumption. The Next Conservative agenda rejects environmentalism but includes conservation, the return of the family farm, New Urbanism and the revival of such ‘oldies but goodies” as streetcars and passenger trains. A new theme, Retroculture, sums up a conservatism that recognizes that what worked in the past can work again today, and in the future as well. Our ancestors were no fools, the authors suggest, and “Back to the Future!” can serve as a powerful conservative rallying cry.
Having laid the political and cultural groundwork, The Next Conservatism then turns to conservative governance. In foreign policy, the authors call for minimizing foreign entanglements, though with a strong national defense and a military reform to adapt to face Fourth Generation warfare rather than the Second Generation America adheres to. For the economy, the authors call for repairing and expanding our national infrastructure, sound money, and protecting American industry, seeing labor as a potential ally. In both national security and economic security, the authors insist that good governance include moral security; drawing from the New Urbanism, they offer a “moral transect” that allows everyone to do what he wants, but not always where he wants. The public square, they suggest, should be safe for families.
Respecting the careful limits on government power a restored republic would embody, The Next Conservatism calls for redeeming America not through legislation but through a new conservative movement. Unlike the old movement, the next conservative movement would be a league of people who pledged to live their lives by the old rules. While conservatives would remain engaged in politics, they would rely on a vastly more powerful force of example, the examples of lives lived well in traditional ways. This next conservative movement would appeal far beyond the ranks of political conservatives, to all Americans who know that something has gone tragically wrong in the life of our nation.
The Next Conservatism offers a vision of vast sweep, far beyond anything coming out of Washington. At a time when most Americans find life growing more difficult, it proposes a path to a new America that is also the old America, the good, comfortable America we had and have lost.
For decades, top scientists in colleges and universities pursued a clear path to success: enroll in a prestigious graduate program, conduct research, publish papers, complete the PhD, pursue postdoctoral work. With perseverance and a bit of luck, a tenure-track professorship awaited at the end. In today’s academic job market, this scenario represents the exception. As the number of newly conferred science PhDs keeps rising, the number of tenured professorships remains stubbornly stagnant.
“Next Gen PhD: A Guide to Career Paths in Science is a practical and thorough manual for the entire career transition process, from defining personal interests and deciding on a career path all the way to day one of a new job. Written by experienced career counselor Melanie Sinche, it is geared toward postdocs and graduate students who may not have access to effective career counseling or mentorship or are not satisfied with what they have received thus far.”
—Teegan A. Dellibovi-Ragheb, Science
“With its focus on PhD level scientists, this book fills a gap in job search and career information literature. It’s a must-read for those contemplating or actively pursuing studies in the subject area, as well as those who provide guidance to undergraduates, graduate students, and postdoctoral scholars.”
—Alan Farber, Library Journal (starred review)
How can our complex, interdependent utilities support an urbanizing world, subject to carbon constraints and the impacts of climate change? How might these critical networks be made more efficient, less environmentally damaging, and more resilient? Such questions are at the heart of the approaches and initiatives explored in Next Generation Infrastructure. With a better understanding of the possible connections between different services, not only can inadvertent disruptions be reduced, but crosscutting benefits and lower costs will be possible. Next Generation Infrastructure highlights hopeful examples from around the world, ranging from the Mount Poso cogeneration plant in California to urban rainwater harvesting in Seoul, South Korea, to the multi-purpose Marina Barrage project in Singapore. Five bold organizing objectives are proposed that, in the hands of decision-makers and designers, will help bring about a future of multipurpose, low-carbon, resilient infrastructure that is tightly coordinated with natural and social systems.
In their conception and design, the innovative projects highlighted in Next Generation Infrastructure encourage us to envision infrastructure within a larger economic, environmental, and social context, and to share resources across systems, reducing costs and extending benefits. Through this systems approach to lifeline services, we can begin to move toward a more resilient future.
Scientists who specialize in the study of Mississippi Valley earthquakes say that the region is overdue for a powerful tremor that will cause major damage and undoubtedly some casualties.
The inevitability of a future quake and the lack of preparation by both individuals and communities provided the impetus for this book. Atkinson brings together applicable information from many disciplines: history, geology and seismology, engineering, zoology, politics and community planning, economics, environmental science, sociology, and psychology and mental health to provide the most comprehensive perspective to date of the myriad impacts of a major earthquake on the Mississippi Valley.
Atkinson addresses such basic questions as "What, actually, are earthquakes? How do they occur? Where are they likely to occur? Can they be predicted, perhaps even prevented?" He also addresses those steps that individuals can take to improve their chances for survival both during and after an earthquake.
Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán, and José Armas’s La Familia de La Raza. Rodríguez analyzes representations of the family in the films I Am Joaquín, Yo Soy Chicano, and Chicana; the Los Angeles public affairs television series ¡Ahora!; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood, the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia’s symbolic power and a hopeful call for a more inclusive cultural politics.
Winner of the Frederick Jackson Turner Award
Winner of the Isaac and Tamara Deutscher Memorial Prize
Winner of the C. L. R. James Award
A ProMarket Best Political Economy Book of the Year
Men in hardhats were once the heart of America’s working class; now it is women in scrubs. What does this shift portend for our future?
Pittsburgh was once synonymous with steel. But today most of its mills are gone. Like so many places across the United States, a city that was a center of blue-collar manufacturing is now dominated by the service economy—particularly health care, which employs more Americans than any other industry. Gabriel Winant takes us inside the Rust Belt to show how America’s cities have weathered new economic realities. In Pittsburgh’s neighborhoods, he finds that a new working class has emerged in the wake of deindustrialization.
As steelworkers and their families grew older, they required more health care. Even as the industrial economy contracted sharply, the care economy thrived. Hospitals and nursing homes went on hiring sprees. But many care jobs bear little resemblance to the manufacturing work the city lost. Unlike their blue-collar predecessors, home health aides and hospital staff work unpredictable hours for low pay. And the new working class disproportionately comprises women and people of color.
Today health care workers are on the front lines of our most pressing crises, yet we have been slow to appreciate that they are the face of our twenty-first-century workforce. The Next Shift offers unique insights into how we got here and what could happen next. If health care employees, along with other essential workers, can translate the increasing recognition of their economic value into political power, they may become a major force in the twenty-first century.
Winner of the Frederick Jackson Turner Award
Winner of the Isaac and Tamara Deutscher Memorial Prize
Winner of the C. L. R. James Award
A New York Times Book Review Editors’ Choice
A ProMarket Best Political Economy Book of the Year
“The Next Shift is an original work of serious scholarship, but it’s also vivid and readable…Eye-opening.”
—Jennifer Szalai, New York Times
“A deeply upsetting book…Winant ably blends social and political history with conventional labor history to construct a remarkably comprehensive narrative with clear contemporary implications.”
—Scott W. Stern, New Republic
“Terrific…A useful guide to the sweeping social changes that have shaped a huge segment of the economy and created the dystopian world of contemporary service-sector work.”
—Nelson Lichtenstein, The Nation
Pittsburgh was once synonymous with steel, but today most of its mills are gone. Like so many places across the United States, a city that was a center of blue-collar manufacturing is now dominated by health care, which employs more Americans than any other industry. Gabriel Winant takes us inside the Rust Belt to show how America’s cities have weathered new economic realities.
As steelworkers and their families grew older, they required more health care. Even as the industrial economy contracted sharply, the care economy thrived. But unlike their blue-collar predecessors, home health aides and hospital staff work unpredictable hours for low pay. Today health care workers—mostly women and people of color—are on the front lines of our most pressing crises, yet we have been slow to appreciate that they are the face of our twenty-first-century workforce. The Next Shift offers unique insights into how we got here and what could happen next.
In his provocative book The Next Social Contract, Wayne Gabardi rigorously considers the fate of animals in the twenty-first century. He claims that if we are to address the challenges raised by the Anthropocene—the period where nonhuman beings tend to be mere extras, often subsumed under the umbrella notion of “nature”—we need to radically rethink our basic ethical outlook and develop a new, “more-than-human” social contract.
Gabardi’s wide-ranging and multidisciplinary analysis focuses on four principal battlegrounds of animal biopolitics in the twenty first century: the extinction of wild animals, the crisis of oceanic animals, industrialized farm animals and the future of industrial agribusiness, and the situation of contact-zone animals moving into human-occupied habitats.
In his recasting of the social contract, Gabardi envisions a culture shift in human-animal relations toward posthumanism that features the ethical and political prioritization of animal life so it is on par with that of human well-being.
For more than ten years, WAW approaches have been emerging in all these sites and scenes of college writing instruction, and Next Steps offers an original look at the breadth of ways WAW pedagogy has been taken up by writing instructors and into an array of writing courses. Organized by some of the key foci of WAW instruction—writerly identity, process, and engagement—the book takes readers into thick classroom descriptions as well as vignettes offering shorter takes on particular strategies. The classroom descriptions are fleshed out in more personal ways by student vignettes, reflections on encountering writing about writing in college writing classes. As its theoretical basis, Next Steps includes chapters on threshold concepts, transfer of writing-related learning, and the history of WAW pedagogies.
As the first extensive look into WAW pedagogies across courses and institutions, Next Steps is ideal for writing instructors looking for new approaches to college composition instruction or curious about what “writing about writing” pedagogy actually is, for graduate students in composition pedagogy and their faculty, and for those researching composition pedagogy, threshold concepts, and learning transfer.
Contributors:
Linda Adler-Kassner, Olga Aksakalova, Joy Arbor, Matthew Bryan, Shawn Casey, Gabriel Cutrufello, Jennifer deWinter, Kristen di Gennaro, Emma Gaier, Christina Grant, Gwen Hart, Kimberly Hoover, Rebecca Jackson, Frances Johnson, Elizabeth Kleinfeld, Katie Jo LaRiviere, Andrew Lucchesi, Cat Mahaffey, Michael Michaud, Rebecca S. Nowacek, Andrew Ogilvie, Sarah Read, Rebecca Robinson, Kevin Roozen, Mysti Rudd, Christian Smith, Nichole Stack, Samuel Stinson, Hiroki Sugimoto, Lisa Tremain, Valerie Vera, Megan Wallace, Elizabeth Wardle, Christy I. Wenger, Nancy Wilson, Dominique Zino
An internationally recognized scientist shows that Earth’s separate continents, once together in Pangea, are again on a collision course.
You’ve heard of Pangea, the single landmass that broke apart some 175 million years ago to give us our current continents, but what about its predecessors, Rodinia or Columbia? These “supercontinents” from Earth’s past provide evidence that land repeatedly joins and separates. While scientists debate what that next supercontinent will look like—and what to name it—they all agree: one is coming.
In this engaging work, geophysicist Ross Mitchell invites readers to remote (and sometimes treacherous) lands for evidence of past supercontinents, delves into the phenomena that will birth the next, and presents the case for the future supercontinent of Amasia, defined by the merging of North America and Asia. Introducing readers to plate tectonic theory through fieldwork adventures and accessible scientific descriptions, Mitchell considers flows deep in the Earth’s mantle to explain Amasia’s future formation and shows how this developing theory can illuminate other planetary mysteries. He then poses the inevitable question: how can humanity survive the intervening 200 million years necessary to see Amasia?
An expert on the supercontinent cycle, Mitchell offers readers a front-row seat to a slow-motion mystery and an ongoing scientific debate.
A sensitive and in-depth portrayal of the efforts to unionize Utah's coal miners, The Next Time We Strike explores the ethnic tensions and nativistic sentiments that hampered unionization efforts even in the face of mine explosions and economic exploitation. Powell utilizes oral interviews, coal company reports, newspapers, letters, and union records to tell the story from the miners' perspective.
More than twenty years passed before geologists discovered that it was neither Seaside’s first nor worst tsunami. In fact, massive tsunamis strike the Pacific coast every few hundred years, triggered not by distant temblors but by huge quakes less than one hundred miles off the Northwest coast. Not until the late 1990s would scientists use evidence like tree rings and centuries-old warehouse records from Japan to fix the date, hour, and magnitude of the Pacific Northwest coast’s last megathrust earthquake: 9 p.m., January 26, 1700, magnitude 9.0—one of the largest quakes the world has known. When the next one strikes—this year or hundreds of years from now—the tsunami it generates is likely to be the most devastating natural disaster in the history of the United States.
In The Next Tsunami, Bonnie Henderson shares the stories of scientists like meteorologist Alfred Wegener, who formulated his theory of continental drift while gazing at ice floes calving from Greenland glaciers, and geologist Brian Atwater, who paddled his dented aluminum canoe up coastal streams looking for layers of peat sandwiched among sand and silt. The story begins and ends with Tom Horning, who grew up to become a geologist and return to his family home at the mouth of the river in Seaside—arguably the Northwest community with the most to lose from what scientist Atwater predicts will be an “apocalyptic” disaster. No one in Seaside understands earthquake science—and the politics and complicated psychology of living in a tsunami zone—better than Horning.
Henderson’s compelling story of how scientists came to understand the Cascadia Subduction Zone—a fault line capable of producing earthquakes even larger than the 2011 Tohoku quake in Japan—and how ordinary people cope with that knowledge is essential reading for anyone interested in the charged intersection of science, human nature, and public policy
A penetrating exploration of affirmative action's continued place in 21st-century higher education, The Next Twenty-five Years assembles the viewpoints of some of the most influential scholars, educators, university leaders, and public officials. Its comparative essays range the political spectrum and debates in two nations to survey the legal, political, social, economic, and moral dimensions of affirmative action and its role in helping higher education contribute to a just, equitable, and vital society.
David L. Featherman is Professor of Sociology and Psychology and Founding Director of the Center for Advancing Research and Solutions for Society at the University of Michigan.
Martin Hall is Vice-Chancellor of the University of Salford, Greater Manchester, and previously was Deputy Vice- Chancellor at the University of Cape Town.
Marvin Krislov is President of Oberlin College and previously was Vice President and General Counsel at the University of Michigan.
Drawing on his five decades of leadership experience, William Byron outlines in this volume the theory, practice, and purpose of leadership. Intuition, humility, empathy, simplicity of lifestyle, and sound speaking and writing skills are all essential for effective leadership, and Byron devotes separate, in-depth chapters to each. Aimed at an audience now largely overlooked by leadership literature, Next Generation Leadership will appeal to the business, government, religion, and nonprofit leaders of tomorrow.
In an illuminating study that blends diplomatic, military, technology, and business history, Jonathan Reed Winkler shows how U.S. officials during World War I discovered the enormous value of global communications.
At the outbreak of war in 1914, British control of the cable network affected the Americans’ ability to communicate internationally, and the development of radio worried the Navy about hemispheric security. The benefits of a U.S. network became evident during the war, especially in the gathering of intelligence. This led to the creation of a peacetime intelligence operation, later termed the “Black Chamber,” that was the forerunner of the National Security Agency.
After the war, U.S. companies worked to expand network service around the world but faced industrial limitations. Focused on security concerns, the Wilson administration objected to any collaboration with British companies that might alleviate this problem. Indeed, they went so far as to create a radio monopoly and use warships to block the landing of a cable at Miami.
These efforts set important precedents for later developments in telephony, shortwave radio, satellites—even the internet. In this absorbing history, Winkler sheds light on the early stages of the global infrastructure that helped launch the United States as the predominant power of the century.
The National Football League is one of the most significant cultural engines in contemporary American life. Yet despite intense and near ubiquitous media coverage, commentators rarely turn a critical lens on the league to ask what material and social forces have contributed to its success, and how the NFL has influenced public life in the United States.
The editors of and contributors to The NFL examine the league as a culturally, economically, and politically powerful presence in American life. The essays, by established and up-and-coming scholars, explore how the NFL is packaged for commercial consumption, the league's influence on American identity, and its relationship to state and cultural militarism.
The NFL is the first collection of critical essays to focus attention on the NFL as a cultural force. It boldly moves beyond popular celebrations of the sport and toward a fuller understanding of football's role in shaping contemporary sport, media, and everyday life.
Contributors include: David L. Andrews, Aaron Baker, Michael Butterworth, Jacob Dittmer, Dan Grano, Samantha King, Kyle Kusz, Toby Miller, Ronald L. Mower, Dylan Mulvin, Oliver J.C. Rick, Katie Rodgers, and the editors.
A multi-billion-dollar entertainment empire, the National Football League is a coast-to-coast obsession that borders on religion and dominates our sports-mad culture. But today's NFL also provides a stage for playing out important issues roiling American society.
The updated and expanded edition of NFL Football observes the league's centennial by following the NFL into the twenty-first century, where off-the-field concerns compete with touchdowns and goal line stands for headlines. Richard Crepeau delves into the history of the league and breaks down the new era with an in-depth look at the controversies and dramas swirling around pro football today:
- Tensions between players and Commissioner Roger Goodell over collusion, drug policies, and revenue;
- The firestorm surrounding Colin Kaepernick and protests of police violence and inequality;
- Andrew Luck and others choosing early retirement over the threat to their long-term health;
- Paul Tagliabue's role in covering up information on concussions;
- The Super Bowl's evolution into a national holiday.
Probing and learned, NFL Football tells an epic American success story peopled by larger-than-life figures and driven by ambition, money, sweat, and dizzying social and technological changes.
Angelo effuses about his meeting with the larger-than-life Jim Brown and appreciates the trash talking John Randle. He poignantly reflects on “Bullet” Bob Hayes, the world's fastest man who “could not outrun his demons,” and showcases the mercurial Duane Thomas and the free-wheeling Tony Siragusa. The NFL Off-Camera reveals why Angelo sparred with Hall-of-Fame player turned broadcaster Frank Gifford and demonstrates why Super Bowl champion head coach Sean Payton is his “least favorite person in pro football.”
From Jared Allen to Jim Zorn, The NFL Off-Camera explores nearly 100 of the game’s outsized personalities and debunks some of football's most enduring myths. Angelo’s original, unfiltered look at Pro Football is as hard-hitting and exciting as any one of his NFL Films.
Photographer and filmmaker Nic Nicosia makes pictures. Since the late 1970s, Nicosia has staged and constructed sets, objects, and situations to be photographed rather than to reproduce something that already exists. These conceptual fabrications have ranged from elaborate sets with live actors to dioramas and abstract constructions. Whether his pictures contain a disturbing suburban narrative, or are fabricated by the act of drawing, or are simply created by the use of common objects with dramatic lighting, the familiar thread of Nicosia’s unique vision and sensibility is always present.
Nic Nicosia is the first major publication of the artist’s work and covers his entire oeuvre through 2011. The catalog presents images from all of Nicosia’s major photographic series, including Domestic Dramas, Near (modern) Disasters, The Cast, Life as We Know It, Real Pictures, Love + Lust, Acts, Sex Acts, Untitled Landscapes, 365 SaFe Days, Untitled (drawing), Space Time Light, I See Light, and in the absence of others, as well as stills from the videos Middletown, Moving Picture, Middletown Morning, Cerchi E Quadratti, On Acting America, and 9 1/2 Hours to SaFe. Accompanying the catalog is an overview of Nicosia’s career by Michelle White, an interview with the artist by Sue Graze, and an original short story by Philipp Meyer that powerfully resonates with the sense of wonder and menace in Nicosia’s art.
This volume of seven essays on the 1987 Nicaraguan constitution does not accept a priori the judgment that Latin American constitutions are as fragile as egg shells, easily broken and discarded if found to be inconvenient to the interests of the rulers. Rather, they are viewed as being central to understanding political life in contemporary Nicaragua.
The perspectives of the analysts and their conclusions are not consensual. They prohibit glib and facile general conclusions. Some find the constitution to be nothing more than a façade for arbitrary and capricious rule; others that the document reflects clear commitments to the democratic rule of law. Thus far the implementation of the constitution has resulted in the peaceful transition of power from the Sandinistas to the National Opposition Union.
Nicaragua’s Mosquito Shore provides a general history of eastern Nicaragua from the time of the first British entry in 1633 to the present. The territory is populated chiefly by Mosquito Indians, who speak their own language and some Mosquito.
A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy.
Lorenz Böninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccolò di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccolò established his business there and published a number of influential books. Among these were Marsilio Ficino’s De christiana religione, Leon Battista Alberti’s De re aedificatoria, Cristoforo Landino’s commentaries on Dante’s Commedia, and Francesco Berlinghieri’s Septe giornate della geographia. Many of these books were printed in vernacular Italian.
Despite his prominence, Niccolò has remained an enigma. A meticulous historical detective, Böninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccolò’s life but also the Italian printing revolution generally. Combining Renaissance studies’ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Böninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccolò di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.
Zammito shows how problems that Quine and Kuhn saw in the philosophy of the natural sciences inspired a turn to the philosophy of language for resolution. This linguistic turn led to claims that science needs to be situated in both historical and social contexts, but the claims of recent "science studies" only deepened the philosophical quandary. In essence, Zammito argues that none of the problems with positivism provides the slightest justification for denigrating empirical inquiry and scientific practice, delivering quite a blow to the "discipline" postmodern science studies.
Filling a gap in scholarship to date, A Nice Derangement of Epistemes will appeal to historians, philosophers, philosophers of science, and the broader scientific community.
“I believe in rules. Sure I do. If there weren't any rules, how could you break them?”
The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo “the Lip” Durocher. Following a five-decade career as a player and manager for baseball’s most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success—and an outsized celebrity.
Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him “the All-American Out.” But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious “Gashouse Gang” Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers—and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson’s “shot heard ’round the world,” which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets.
All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials—not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day—kept his name in the headlines and spread his fame far beyond the confines of the diamond.
A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball’s greatest era to vivid life, earning a place on every baseball fan’s bookshelf.
How did tourism gain a central role in the postwar American Rustbelt city? And how did tourism development reshape the meaning and function of these cities? These are the questions at the heart of Aaron Cowan’s groundbreaking book, A Nice Place to Visit.
Cowan provides an insightful, comparative look at the historical development of Cincinnati, St. Louis, Pittsburgh, and Baltimore in the post–World War II period to show how urban tourism provided a potential solution to the economic woes of deindustrialization. A Nice Place to Visit chronicles the visions of urban leaders who planned hotels, convention centers, stadiums, and festival marketplaces to remake these cities as tourist destinations. Cowan also addresses the ever-present tensions between tourist development and the needs and demands of residents in urban communities.
A Nice Place to Visit charts how these Rustbelt cities adapted to urban decline and struggled to meet the challenge of becoming an appealing place to visit, as well as good and just communities in which to live.
Russian painter, explorer, and mystic Nicholas Roerich (1874–1947) ranks as one of the twentieth century’s great enigmas. Despite mystery and scandal, he left a deep, if understudied, cultural imprint on Russia, Europe, India, and America. As a painter and set designer Roerich was a key figure in Russian art. He became a major player in Diaghilev’s Ballets Russes, and with Igor Stravinsky he cocreated The Rite of Spring, a landmark work in the emergence of artistic modernity. His art, his adventures, and his peace activism earned the friendship and admiration of such diverse luminaries as Albert Einstein, Eleanor Roosevelt, H. G. Wells, Jawaharlal Nehru, Raisa Gorbacheva, and H. P. Lovecraft.
But the artist also had a darker side. Stravinsky once said of Roerich that “he ought to have been a mystic or a spy.” He was certainly the former and close enough to the latter to blur any distinction. His travels to Asia, supposedly motivated by artistic interests and archaeological research, were in fact covert attempts to create a pan-Buddhist state encompassing Siberia, Mongolia, and Tibet. His activities in America touched Franklin Delano Roosevelt’s cabinet with scandal and, behind the scenes, affected the course of three US presidential elections.
In his lifetime, Roerich baffled foreign affairs ministries and intelligence services in half a dozen countries. He persuaded thousands that he was a humanitarian and divinely inspired thinker—but convinced just as many that he was a fraud or a madman. His story reads like an epic work of fiction and is all the more remarkable for being true. John McCannon’s engaging and scrupulously researched narrative moves beyond traditional perceptions of Roerich as a saint or a villain to show that he was, in many ways, both in equal measure.
Grosz develops her argument by juxtaposing the work of three major figures in Western thought: Charles Darwin, Friedrich Nietzsche, and Henri Bergson. She reveals that in theorizing time as an active, positive phenomenon with its own characteristics and specific effects, each of these thinkers had a profound effect on contemporary understandings of the body in relation to time. She shows how their allied concepts of life, evolution, and becoming are manifest in the work of Gilles Deleuze and Luce Irigaray. Throughout The Nick of Time, Grosz emphasizes the political and cultural imperative to fundamentally rethink time: the more clearly we understand our temporal location as beings straddling the past and the future without the security of a stable and abiding present, the more transformation becomes conceivable.
This new and annotated edition of A Nickel and a Prayer includes the final chapter, “Fireside Musings,” that Hunter added to the second, limited printing of her autobiography and an introduction that lauds her as a multifaceted social activist who not only engaged in racial uplift work, but impacted African American cultural production, increased higher education opportunities for women, and invigorated African American philanthropy. This important text restores Jane Edna Harris Hunter to her rightful place among prominent African American race leaders of the twentieth century.
Nickelodeon City provides a detailed view inside the city's early film trade, with insights into the politics and business dealings of the burgeoning industry. Drawing from the pages of the Pittsburgh Moving Picture Bulletin, the first known regional trade journal for the movie business, Michael Aronson profiles the major promoters in Pittsburgh, as well as many lesser-known ordinary theater owners, suppliers, and patrons. He examines early film promotion, distribution, and exhibition, and reveals the earliest forms of state censorship and the ensuing political lobbying and manipulation attempted by members of the movie trade. Aronson also explores the emergence of local exhibitor-based cinema, in which the exhibitor assumed control of the content and production of film, blurring the lines between production, consumption, and local and mass media.
Nickelodeon City offers a fascinating and intimate view of a city and the socioeconomic factors that allowed an infant film industry to blossom, as well as the unique cultural fabric and neighborhood ties that kept nickelodeons prospering even after Hollywood took the industry by storm.
Movie theater entrepreneurs like Thorp, who got her start at her Wonderland Theater in Bucyrus, Ohio, helped create our culture’s insatiable appetite for film. But it was after she established the Dixie in Richmond, that Thorp—a White woman—also saw a market for providing Black-centric entertainment. She converted the Dixie to all-Black patronage and began to bring in scores of Black vaudeville acts. Later, she built the Hippodrome Theater, in the heart of Richmond’s now-historic Jackson Ward, expressly for Black entertainment. Though she eventually left the field of Black entertainment behind, Thorp developed other movie venues in Richmond that brought in tens of thousands of (White) moviegoers over the years and which were widely admired for their elaborate trappings.
Thanks to Wong’s research, contemporary readers can now benefit from the story of Amanda Thorp, a woman who amidst severe gender role constraints not only claimed social capacity on the crest of a rapidly growing industry but also, almost inadvertently, contributed to the success of early Black vaudeville, a subject which thus far has not received the scholarly attention it deserves.
Told from the point of view of a young boy, this account shows how a family “faced the 1930s head on and lived to tell the story.” It is the story of growing up in southern Illinois, specifically the Marion, area during the Great Depression. But when it was first published in 1972 the book proved to be more than one writer’s memories of depression-era southern Illinois.
“People started writing me from all over the country,” Hastings notes. “And all said much the same: ‘You were writing about my family, as much as your own. That’s how I remember the 1930s, too.’”
As he proves time and again in this book, Hastings is a natural storyteller who can touch upon the detail that makes the tale both poignant and universal. He brings to life a period that marked every man, woman, and child who lived through it even as that national experience fades into the past.
Antiquity’s most influential account of life’s Supreme Good.
Aristotle, great Greek philosopher, researcher, reasoner, and writer, born at Stagirus in 384 BC, was the son of a physician. He studied under Plato at Athens and taught there (367–347); subsequently he spent three years at the court of a former pupil in Asia Minor. After some time at Mitylene, in 343–342 he was appointed by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip’s death in 336, Aristotle became head of his own school (of “Peripatetics”), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander’s death in 323, he withdrew to Chalcis in Euboea, where he died in 322.
Nearly all the works Aristotle prepared for publication are lost; the priceless ones extant are lecture-materials, notes, and memoranda (some are spurious). They can be categorized as follows:
I Practical: Nicomachean Ethics; Great Ethics (Magna Moralia); Eudemian Ethics; Politics; Economics (on the good of the family); On Virtues and Vices.
II Logical: Categories; Analytics (Prior and Posterior); Interpretation; Refutations used by Sophists; Topica.
III Physical: Twenty-six works (some suspect) including astronomy, generation and destruction, the senses, memory, sleep, dreams, life, facts about animals, etc.
IV Metaphysics: on being as being.
V Art: Rhetoric and Poetics.
VI Other works including the Constitution of Athens; more works also of doubtful authorship.
VII Fragments of various works such as dialogues on philosophy and literature; and of treatises on rhetoric, politics, and metaphysics.
The Loeb Classical Library edition of Aristotle is in twenty-three volumes.
Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works.
Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche."
Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart.
George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson.
Nietzsche and Emerson makes us see Emerson’s writings in a new, more intensified light and presents a new perspective on Nietzsche’s philosophy. Stack traces how the rich theoretical ideas and literary images of Emerson entered directly into the existential dimension of Nietzsche’s thought and hence into the stream of what has been considered a distinctively European intellectual movement.
The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.
"Exemplary. Its comparative approach is incisive yet accessible. I consider it a 'must read'"—Kathleen Marie Higgins, Philosophy East and West
"An excellent introduction to the broad ranging reception of Nietzsche among Asian thinkers."—James R. Watson, Canadian Philosophical Review
"The essays in this welcome collection are invariably thought-provoking and genuinely cross-disciplinary."—Kenneth Surin, Religious Studies Review
"A worthy and undogmatic introduction to several fascinating questions concerning the relations between Nietzschean thought and certain traditions of thought in India, China, and Japan."—Don Miller, Asian Studies Review
In his youth, Friedrich Nietzsche yearned to become a great composer and wrote many pieces of music. He later claimed to be "the most musical of all philosophers." Yet most books on Nietzsche fail to explore the importance of music for his thought.
Nietzsche and Music provides the first in-depth examination of the fundamental significance of music for Nietzsche's life and work. Nietzsche's views on music are essential for understanding his philosophy as a whole. Part biography and part critical examination, Georges Liébert brilliantly demonstrates that despite failed attempts at a professional career as composer, Nietzsche never fully removed himself from the world of music, but instead, became a composer of philosophy, utilizing the musical form as a template for his own writings and creative thought. Liébert's study surveys Nietzsche's opinions about particular composers and compositions, as well as his more theoretical writings on music and its relation to the other arts. He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness.
A virtuoso exploration of this little-known but crucial aspect of Nietzsche's life and work, this volume will be of enormous value to scholars of philosophy, music, aesthetics, and literature.
The caricature of Friedrich Nietzsche as a proto-Nazi is still with us, having originated with his own Nazi sister, Elisabeth Förster, who curated Nietzsche’s disparate texts to suit her own purposes. In Nietzsche and Race, Marc de Launay deftly counters this persistent narrative in a series of concise and highly accessible reflections on the concept of race in Nietzsche’s publications, notebooks, and correspondence. Through a fresh reading of Nietzsche’s core philosophical project, de Launay articulates a new understanding of race in Nietzsche’s body of work free from the misunderstanding of his detractors.
nature of the individual. Richard White shows how Nietzsche was inspired
and guided by the question of personal "sovereignty" and how
through his writings he sought to provoke the very sovereignty he described.
White argues that Nietzsche is a philosopher our contemporary age must
therefore come to understand if we are ever to secure a genuinely meaningful
direction for the future. Profoundly relevant to our era, Nietzsche's
philosophy addresses a version of individuality that allows us to move
beyond the self-dispossession of mass society and the alternative of selfish
individualism--to fully understand how one becomes what one is.
A volume in the International Nietzsche Studies series, edited by
Richard Schacht
Bergo and Farah’s clear translation introduces this work to an English-speaking audience for the first time.
In recent years, both analytic thinkers and postmodern theorists have looked at Friedrich Nietzsche's epistemology from the perspectives of their philosophical traditions. Michael Steven Green's penetrating study tries instead to do justice to Nietzsche's views on truth and knowledge by looking at them from the perspective of his contemporaries, particularly the Neo-Kantian philosopher Afrikan Spir, whose ideas exerted a tremendous influence on Nietzsche's thought.
Despite his generally naturalist outlook, Nietzsche was committed to an antinaturalist theory of cognition inherited from Kant and Spir. Green shows how this fundamental tension in Nietzsche's thought led him to present not only the antirealism that has commonly been attributed to him in the past, but two other epistemological positions. These are a denial of the possibility of human thought entirely, and an error theory–-the argument that all of our judgments are false–-that has strong parallels in Spir's thought and Kant's antinomies.
Viewing Nietzsche's error theory in light of Kantian transcendental idealism, Green makes sense of arguments that have previously confounded Nietzsche interpreters. Green also provides the first English translations of many passages from Spir's writings and Nietzsche's notebooks.
In examining Nietzsche's thought through the lens of the philosophical influences upon him–-the philosophers that Nietzsche himself read–-Green establishes a significant new foundation from which to assess Nietzsche's place in modern philosophy and culture.
Nietzsche's ideas did not stem from personal pathology, according to Klossowski. Rather, he made a pathological use of his best ideas, anchoring them in his own fluctuating bodily and mental conditions. Thus Nietzsche's belief that questions of truth and morality are at base questions of power and fitness resonates dynamically and intellectually with his alternating lucidity and delirium.
The only English translation of a crucial interpretation of Nietzsche
First published in 1918, Ernst Bertram's Nietzsche: Attempt at a Mythology substantially shaped the image of Nietzsche for the generation between the wars. It won the Nietzsche Society's first prize and was admired by luminous contemporaries including André Gide, Hermann Hesse, Gottfried Benn, and Thomas Mann. Although translated into French in 1932, the book was never translated into English following the decline of Nietzsche's and Bertram's reputations after 1945. Now, with Nietzsche's importance for twentieth-century thought undisputed, the work by one of his most influential interpreters can at last be read in English.Employing a perspectival technique inspired by Nietzsche himself, Bertram constructs a densely layered portrait of the thinker that shows him riven by deep and ultimately irresolvable cultural, historical, and psychological conflicts. At once lyrical and intensely probing, richly complex yet thematically coherent, Bertram's book is a masterpiece in a forgotten tradition of intellectual biography.
Included for the first time in any language is an extensive account of Nietzsche's finances and his relationships with his publishers. Schaberg reveals a man who was obsessed with money, fought bitterly with his publishers, complained about his readers, and all the while continued to produce more and more books that went unread. He also reveals the influential role of Nietzsche's sister Elizabeth, who provoked disputes between Nietzsche and his publisher during her brother's lifetime and deliberately falsified information after his death.
Smith argues that, while much of postmodern thought is rooted in Nietzsche and Heidegger, it has ironically attempted, whether unwittingly or by design, to deflect their philosophy back onto a modern path. Other alternative paths emanating from both Nietzschean and Heideggerian thought that might more powerfully speak to postmodern culture have been ignored. Nietzsche and Heidegger, Smith suggests, have made possible a far more revolutionary critique of modernity then even their most ardent postmodern admirers have realized.
Smith contends that the influences on the postmodern in the thought of Nietzsche and Heidegger are founded in a new vision of praxis liberated from theory. Ultimately, these philosophers do transcend the nihilism often found in the guise of postmodernism. Their thought is, moreover, consistent with the possibility of limited constitutional government and the rule of law. Smith's book takes the first step toward recovering these possibilities and posing the fundamental questions of politics and ethics in ways that have heretofore been closed off by late-modern thought.
Müller-Lauter has remained at the forefront of German Nietzsche studies throughout the quarter century since this book first appeared. This long-awaited translation, containing two substantial subsequent essays, is a major addition to the English-language Nietzsche literature
More than eighty years after his death, Nietzsche’s writings and his career remain disquieting, disturbing, obscure. His most famous views—the will to power, the eternal recurrence, the Übermensch, the master morality—often seem incomprehensible or, worse, repugnant. Yet he remains a thinker of singular importance, a great opponent of Hegel and Kant, and the source of much that is powerful in figures as diverse as Wittgenstein, Derrida, Heidegger, and many recent American philosophers.
Alexander Nehamas provides the best possible guide for the perplexed. He reveals the single thread running through Nietzsche’s views: his thinking of the world on the model of a literary text, of people as if they were literary characters, and of knowledge and science as if they were literary interpretation. Beyond this, he advances the clarity of the concept of textuality, making explicit some of the forces that hold texts together and so hold us together. Nehamas finally allows us to see that Nietzsche is creating a literary character out of himself, that he is, in effect, playing the role of Plato to his own Socrates.
Nehamas discusses a number of opposing views, both American and European, of Nietzsche’s texts and general project, and reaches a climactic solving of the main problems of Nietzsche interpretation in a step-by-step argument. In the process he takes up a set of very interesting questions in contemporary philosophy, such as moral relativism and scientific realism. This is a book of considerable breadth and elegance that will appeal to all curious readers of philosophy and literature.
Emden situates Nietzsche’s writings on language and rhetoric within their wider historical context. He demonstrates that Nietzsche is not as radical in his thinking as has been often supposed, and that a number of problems with Nietzsche disappear when Nietzsche’s works are compared to works on the same subjects by writers of the 18th and 19th centuries. Further, the relevance of rhetoric and the history of rhetoric to philosophy and the history of philosophy is reasserted, in consonance with Nietzsche’s own statements and practices. Important in this regard are the role of fictions, descriptions, and metaphor.
Friedrich Nietzsche is one of the most elusive thinkers in the philosophical tradition. His highly unusual style and insistence on what remains hidden or unsaid in his writing make pinning him to a particular position tricky. Nonetheless, certain readings of his work have become standard and influential. In this major new interpretation of Nietzsche’s work, Robert B. Pippin challenges various traditional views of Nietzsche, taking him at his word when he says that his writing can best be understood as a kind of psychology.
Pippin traces this idea of Nietzsche as a psychologist to his admiration for the French moralists: La Rochefoucauld, Pascal, Stendhal, and especially Montaigne. In distinction from philosophers, Pippin shows, these writers avoided grand metaphysical theories in favor of reflections on life as lived and experienced. Aligning himself with this project, Nietzsche sought to make psychology “the queen of the sciences” and the “path to the fundamental problems.” Pippin contends that Nietzsche’s singular prose was an essential part of this goal, and so he organizes the book around four of Nietzsche’s most important images and metaphors: that truth could be a woman, that a science could be gay, that God could have died, and that an agent is as much one with his act as lightning is with its flash.
Expanded from a series of lectures Pippin delivered at the Collège de France, Nietzsche, Psychology, and First Philosophy offers a brilliant, novel, and accessible reading of this seminal thinker.
Nietzsche advocated for a post-theistic “philosophy of the future”—a new approach to human reality that would bend Western thought away from nihilism in a life-affirming, value-creative direction. His early demise left this endeavor only just begun. In Nietzsche Pursued, Richard Schacht examines Nietzsche’s revisionist approach to familiar philosophical topics, exploring how some may be further pursued in Nietzschean ways.
Each chapter focuses on one topic that is central to Nietzsche's vision of what philosophy can and should be and do. Among them: his kind of naturalism, humanity, perspectivism, morality, and music. Building on his analysis in Nietzsche’s Kind of Philosophy, Schacht invites readers to see with new appreciation the ongoing significance of Nietzsche’s thought for philosophy’s future.
Once regarded as a conservative critic of culture, then enlisted by the court theoreticians of Nazism, Nietzsche has come to be revered by postmodern thinkers as one of their founding fathers, a prophet of human liberation who revealed the perspectival character of all knowledge and broke radically with traditional forms of morality and philosophy.
In Nietzsche: The Ethics of an Immoralist, Peter Berkowitz challenges this new orthodoxy, asserting that it produces a one-dimensional picture of Nietzsche's philosophical explorations and passes by much of what is provocative and problematic in his thought. Berkowitz argues that Nietzsche's thought is rooted in extreme and conflicting opinions about metaphysics and human nature. Discovering a deep unity in Nietzsche's work by exploring the structure and argumentative movement of a wide range of his books, Berkowitz shows that Nietzsche is a moral and political philosopher in the Socratic sense whose governing question is, "What is the best life?"
Nietzsche, Berkowitz argues, puts forward a severe and aristocratic ethics, an ethics of creativity, that demands that the few human beings who are capable acquire a fundamental understanding of and attain total mastery over the world. Following the path of Nietzsche's thought, Berkowitz shows that this mastery, which represents a suprapolitical form of rule and entails a radical denigration of political life, is, from Nietzsche's own perspective, neither desirable nor attainable.
Out of the colorful and richly textured fabric of Nietzsche's books, Peter Berkowitz weaves an interpretation of Nietzsche's achievement that is at once respectful and skeptical, an interpretation that brings out the love of truth, the courage, and the yearning for the good that mark Nietzsche's magisterial effort to live an examined life by giving an account of the best life.
Waite advances his argument by bringing Marxist—especially Gramscian and Althusserian—theories to bear on the concept of Nietzsche/anism. But he also goes beyond ideological convictions to explore the vast Nietzschean influence that proliferates throughout the marketplace of contemporary philosophy, political and literary theory, and cultural and technocultural criticism. In light of a philological reconstruction of Nietzsche’s published and unpublished texts, Nietzsche’s Corps/e shuttles between philosophy and everyday popular culture and shows them to be equally significant in their having been influenced by Nietzsche—in however distorted a form and in a way that compromises all of our best interests.
Controversial in its “decelebration” of Nietzsche, this remarkable study asks whether the postcontemporary age already upon us will continue to be dominated and oriented by the haunting spectre of Nietzsche’s corps/e. Philosophers, intellectual historians, literary theorists, and those interested in western Marxism, popular culture, Friedrich Nietzsche, and the intersection of French and German thought will find this book both appealing and challenging.
Shapiro explores Nietzsche’s rejection of historical inevitability and its idea of the end of history. He highlights Nietzsche’s prescient vision of today’s massive human mobility and his criticism of the nation state’s desperate efforts to sustain its exclusive rule by declaring emergencies and states of exception. Shapiro then explores Nietzsche’s vision of a transformed garden earth and the ways it sketches an aesthetic of the Anthropocene. He concludes with an explanation of the deep political structure of Nietzsche’s “philosophy of the Antichrist,” by relating it to traditional political theology. By triangulating Nietzsche between his time and ours, between Bismarck’s Germany and post-9/11 America, Nietzsche’s Earth invites readers to rethink not just the philosopher himself but the very direction of human history.
Cutting against the grain of most current Nietzsche scholarship, Michael Allen Gillespie presents the thought of the late Nietzsche as Nietzsche himself intended, drawing not only on his published works but on the plans for the works he was unable to complete, which can be found throughout his notes and correspondence. Gillespie argues that the idea of the eternal recurrence transformed Nietzsche’s thinking from 1881 to 1889. It provided both the basis for his rejection of traditional metaphysics and the grounding for the new logic, ontology, theology, and anthropology he intended to create with the aim of a fundamental transformation of European civilization, a “revaluation of all values.” Nietzsche first broached the idea of the eternal recurrence in Thus Spoke Zarathustra, but its failure to gain attention or public acceptance led him to present the idea again through a series of works intended to culminate in a never-completed magnum opus. Nietzsche believed this idea would enable the redemption of humanity. At the same time, he recognized its terrifying, apocalyptic consequences, since it would also produce wars of unprecedented ferocity and destruction.
Through his careful analysis, Gillespie reveals a more radical and more dangerous Nietzsche than the humanistic or democratic Nietzsche we commonly think of today, but also a Nietzsche who was deeply at odds with the Nietzsche imagined to be the forefather of Fascism. Gillespie’s essays examine Nietzsche’s final teaching—its components and its political, philosophical, and theological significance. The book concludes with a critical examination and a reflection on its meaning for us today.
Nietzsche first voyaged to the south in the autumn of 1876, upon the invitation of his friend, Malwida von Meysenbug. The trip was an immediate success, reviving Nietzsche’s joyful and trusting sociability and fertilizing his creative spirit. Walking up and down the winding pathways of Sorrento and drawing on Nietzsche’s personal notebooks, D’Iorio tells the compelling story of Nietzsche’s metamorphosis beneath the Italian skies. It was here, D’Iorio shows, that Nietzsche broke intellectually with Wagner, where he decided to leave his post at Bâle, and where he drafted his first work of aphorisms, Human, All Too Human, which ushered in his mature era. A sun-soaked account of a philosopher with a notoriously overcast disposition, this book is a surprising travelogue through southern Italy and the history of philosophy alike.
In Nietzsche’s Kind of Philosophy, Richard Schacht provides a holistic interpretation of Friedrich Nietzsche’s distinctive thinking, developed over decades of engagement with the philosopher’s work. For Schacht, Nietzsche’s overarching project is to envision a “philosophy of the future” attuned to new challenges facing Western humanity after the “death of God,” when monotheism no longer anchors our understanding of ourselves and our world. Schacht traces the developmental arc of Nietzsche’s philosophical efforts across Human, All Too Human, Daybreak, Joyful Knowing (The Gay Science), Thus Spoke Zarathustra, Beyond Good and Evil, and On the Genealogy of Morality. He then shows how familiar labels for Nietzsche—nihilist, existentialist, individualist, free spirit, and naturalist—prove insufficient individually but fruitful if refined and taken together. The result is an expansive account of Nietzsche’s kind of philosophy.
A reappraisal of Ecce Homo and The Antichrist within Nietzsche’s oeuvre.
Nietzsche's Legacy takes on the most challenging and misunderstood works in Nietzsche’s oeuvre to illuminate his view of what a philosopher is and what constitutes a philosophic life. Interpreting Ecce Homo and The Antichrist as twin books meant to replace the abandoned Will to Power project, Heinrich Meier recovers them from the stigma of Nietzsche’s late mental collapse, showing that these works are, above all, a lucid self-assessment. The carefully written pair contains both the highest affirmation—the Yes of the “revaluation of all values”—and the most resolute negation—the No to Christianity. How the Yes and the No go together, how the relation between nature and politics is to be determined, how Nietzsche’s intention is governing the political-philosophical double-face: this is the subject of Nietzsche’s Legacy, which opens up a new understanding of Nietzsche’s philosophy as a whole.
Hales and Welshon present Nietzsche's treatment of perspectivism as both more complex and more fruitful than the common view of it as a doctrine that truth is not objective. Neither a metaphor nor a methodology, perspectivism emerges as a protean concept akin to a unifying theme; an alternative to the absolutism that recurs in science, philosophy, and religion; and a technique for revealing the unimagined possibilities open to every individual.
Friedrich Nietzsche was immensely influential and, counter to most expectations, also very well read. An essential new reference tool for those interested in his thinking, Nietzsche’s Philosophical Context identifies the chronology and huge range of philosophical books that engaged him. Rigorously examining the scope of this reading, Thomas H. Brobjer consulted over two thousand volumes in Nietzsche’s personal library, as well as his book bills, library records, journals, letters, and publications. This meticulous investigation also considers many of the annotations in his books. In arguing that Nietzsche’s reading often constituted the starting point for, or counterpoint to, much of his own thinking and writing, Brobjer’s study provides scholars with fresh insight into how Nietzsche worked and thought; to which questions and thinkers he responded; and by which of them he was influenced. The result is a new and much more contextual understanding of Nietzsche's life and thinking.
A timely and trenchant commentary on the centrality of Nietzsche’s thought for our time
While many posthumanists claim Nietzsche as one of their own, rarely do they engage his philosophy in any real depth. Nietzsche’s Posthumanism addresses this need by exploring the continuities and disagreements between Nietzsche’s philosophy and contemporary posthumanism. Focusing specifically on Nietzsche’s reception of the life sciences of his day and his reflections on technology—research areas as central to Nietzsche’s work as they are to posthumanism—Edgar Landgraf provides fresh readings of Nietzsche and a critique of post- and transhumanist philosophies.
Through Landgraf’s inquiry, lesser-known aspects of Nietzsche’s writings emerge, including the neurophysiological basis of his epistemology (which anticipates contemporary debates on embodiment), his concerns with insects and the emergent social properties they exhibit, and his reflections on the hominization and cultivation effects of technology. In the process, Landgraf challenges major commonplaces about Nietzsche’s philosophy, including the idea that his social theory asserts the rights of “the strong” over “the weak.” The ethos of critical posthumanism also offers a new perspective on key ethical and political contentions of Nietzsche’s writings.
Nietzsche’s Posthumanism presents a uniquely framed introduction to tenets of Nietzsche’s thought and major trends in posthumanism, making it an essential exploration for anyone invested in Nietzsche and his contemporary relevance, and in posthumanism and its genealogy.
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In 1901, a year after her brother Friedrich's death, Elisabeth Förster-Nietzsche published The Will to Power, a hasty compilation of writings he had never intended for print. In Nietzsche's Sister and the Will to Power, Carol Diethe contends that Förster-Nietzsche's own will to power and her desire to place herself--not her brother--at the center of cultural life in Germany are centrally responsible for Nietzsche's reputation as a belligerent and proto-Fascist thinker.
Offering a new look at Nietzsche's sister from a feminist perspective, this spirited and erudite biography examines why Elisabeth Förster-Nietzsche recklessly consorted with anti-Semites, from her own husband to Hitler himself, out of convenience and a desire for revenge against a brother whose love for her waned after she caused the collapse of his friendship with Lou Salomé. The book also examines their family dynamics, Nietzsche's dismissal of his sister's early writing career, and the effects of limited education on intelligent women. Diethe concludes by detailing Förster-Nietzsche's brief marriage and her subsequent colonial venture in Paraguay, maintaining that her sporadic anti-Semitism was, like most things in her life, an expedient tool for cultivating personal success and status.
A volume in the series International Nietzsche Studies, edited by Richard Schacht
"The book and not the title is the thing," James Weldon Johnson insisted with regard to Nigger Heaven, and the book is indeed a nuanced and vibrant portrait of "the great black walled city" of Harlem. Opening on a scene of tawdry sensationalism, Nigger Heaven shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.
Here is a Harlem where upper-class elites discuss art in well-appointed drawing rooms; rowdy and lascivious drunks spend long nights in jazz clubs and speakeasies; and politically conscious young intellectuals drink coffee and debate "the race problem" in walk-up apartments. At the center of the story, two young people--a quiet, serious librarian and a volatile aspiring writer--struggle to love each other as their dreams are slowly suffocated by racism.
This reissue is based on the seventh printing, which included poetry composed by Langston Hughes especially for the book. Kathleen Pfeiffer's astute introduction investigates the controversy surrounding the shocking title and shows how the novel functioned in its time as a site to contest racial violence. She also signals questions of racial authenticity and racial identity raised by a novel about black culture written by a white admirer of that culture.
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