A SCHOLARLY BOOK REPOSITORY
As Hosokawa additionally demonstrates, since World War II, Japanese Americans have achieved exceptional social, economic, and political progress. Their efforts led to apologies by four U.S. presidents for wartime injustices and redress through the landmark Civil Liberties Act of 1988. Brought up-to-date in this newly revised edition, Nisei details the transformation of these "quiet Americans" from despised security risks to respected citizens.
This book offers an extensive description of Nivaclé, an indigenous language spoken in the Gran Chaco region of Argentina and Paraguay. Nivaclé’s phonology, morphology, and syntax are complex; the language has no tenses marked on verbs, essentially no prepositions, and a sizable number of lexical suffixes whose content is so concrete they would be expected to be independent words in most other languages. Nivaclé has a unique speech sound, /k͡ l/, known nowhere else. In some locations where it is spoken, multilingual conversations are the norm. These and other rare traits make Nivaclé an especially fascinating language for linguists, with many implications for language typology and linguistic theory. The book is based on dozens of audio and video recordings of narratives and on hundreds of hours of elicitation and analysis with native speakers. Four lengthy texts are included here to demonstrate the language in action. Scholars—whether in anthropology, folklore, geography, history, or language—will find value in the narratives included here and in the insights into Nivaclé life and culture found throughout the book.
Nixon at the Movies takes a new and often revelatory approach to looking at Nixon's career—and Hollywood's. From the obvious (All the President's Men) to the less so (Elvis Presley movies and Nixon's relationship to '60s youth culture) to several onscreen "alternate" Nixons (Fred MacMurray in Double Indemnity, Tony Curtis in The Sweet Smell of Success, Gene Hackman in The Conversation), Feeney sees aspects of Nixon's character, and the nation's, refracted and reimagined in film. Conversely, Feeney argues that Nixon can help us see the movies in a new light, making a strong case for Nixon as the movies' tutelary deity during the early '70s, playing a role in Hollywood's Silver Age comparable to FDR's during its Golden Age.
Stylishly written and bracingly eclectic, Nixon at the Movies draws on biography, politics, cultural history, and film criticism to show just how deeply in the twentieth-century American grain lies the pair of seemingly incongruous nouns in its title. As Nixon once remarked to Garry Wills: "Isn't that a hell of a thing, that the fate of a great country can depend on camera angles?"
The story begins on March 10, 1992. Nixon had written a private memo critical of president George Bush's policy toward Russia. The memo leaked and exploded on the front page of The New York Times. Why would Nixon attack Bush, a fellow party member fighting for re-election? Why on an issue of foreign affairs, which was Bush's strength? The questions are as intriguing as the answers, and distinguished journalist and scholar Marvin Kalb offers a suspenseful, eye-opening account of how our conventional wisdom on United States foreign policy is shaped by the insider's game of press/politics.
This story of Nixon's Machiavellian efforts to pressure the White House, by way of the press, into helping Boris Yeltsin and Russia sheds new light on the inner workings of the world inside the government of the United States. Marvin Kalb read the documents behind the Nixon memo and interviewed scores of journalists, scholars, and officials in and from Washington and Moscow. Drawing on his years of experience as a diplomatic correspondent, he identifies and illuminates the intersection of press and politics in the fashioning of public policy.
"An absorbing and often compelling argument that Richard Nixon directed his own political rehabilitation on the world stage, using presidents, lesser politicians, and the press as his supporting cast. This is a first-class job of unraveling a complex and usually unseen tapestry."—Ted Koppel
"With Marvin Kalb's captivating account, Richard Nixon continues to fascinate us even in death."—Al Hunt
Richard Nixon believed that history would show his administration in the forefront of civil rights progress. What does the record really say about civil rights under Nixon? In a groundbreaking new book, Dean Kotlowski offers a surprising study of an administration that redirected the course of civil rights in America.
Nixon's policymaking recast the civil rights debate from an argument over racial integration to an effort to improve the economic station of disadvantaged groups. Kotlowski examines such issues as school desegregation, fair housing, voting rights, affirmative action, and minority businesses as well as Native American and women's rights. He details Nixon's role, revealing a president who favored deeds over rhetoric and who constantly weighed political expediency and principles in crafting civil rights policy.
In moving the debate from the street to the system, Nixon set civil rights on a path whose merits and results are still debated. Nixon's Civil Rights is a revealing portrait of one of the most enigmatic figures of modern American politics and a major contribution to the study of civil rights in America.
Most analysts have deemed Richard Nixon’s challenge to the judicial liberalism of the Warren Supreme Court a failure—“a counterrevolution that wasn’t.” Nixon’s Court offers an alternative assessment. Kevin J. McMahon reveals a Nixon whose public rhetoric was more conservative than his administration’s actions and whose policy towards the Court was more subtle than previously recognized. Viewing Nixon’s judicial strategy as part political and part legal, McMahon argues that Nixon succeeded substantially on both counts.
Many of the issues dear to social conservatives, such as abortion and school prayer, were not nearly as important to Nixon. Consequently, his nominations for the Supreme Court were chosen primarily to advance his “law and order” and school desegregation agendas—agendas the Court eventually endorsed. But there were also political motivations to Nixon’s approach: he wanted his judicial policy to be conservative enough to attract white southerners and northern white ethnics disgruntled with the Democratic party but not so conservative as to drive away moderates in his own party. In essence, then, he used his criticisms of the Court to speak to members of his “Silent Majority” in hopes of disrupting the long-dominant New Deal Democratic coalition.
For McMahon, Nixon’s judicial strategy succeeded not only in shaping the course of constitutional law in the areas he most desired but also in laying the foundation of an electoral alliance that would dominate presidential politics for a generation.
“The fascinating story of arguably the greatest queen in sub-Saharan African history, who surely deserves a place in the pantheon of revolutionary world leaders.”
—Henry Louis Gates, Jr.
Though largely unknown in the West, the seventeenth-century African queen Njinga was one of the most multifaceted rulers in history, a woman who rivaled Queen Elizabeth I in political cunning and military prowess. In this landmark book, based on nine years of research and drawing from missionary accounts, letters, and colonial records, Linda Heywood reveals how this legendary queen skillfully navigated—and ultimately transcended—the ruthless, male-dominated power struggles of her time.
“Queen Njinga of Angola has long been among the many heroes whom black diasporians have used to construct a pantheon and a usable past. Linda Heywood gives us a different Njinga—one brimming with all the qualities that made her the stuff of legend but also full of all the interests and inclinations that made her human. A thorough, serious, and long overdue study of a fascinating ruler, Njinga of Angola is an essential addition to the study of the black Atlantic world.”
—Ta-Nehisi Coates
“This fine biography attempts to reconcile her political acumen with the human sacrifices, infanticide, and slave trading by which she consolidated and projected power.”
—New Yorker
“Queen Njinga was by far the most successful of African rulers in resisting Portuguese colonialism…Tactically pious and unhesitatingly murderous…a commanding figure in velvet slippers and elephant hair ripe for big-screen treatment; and surely, as our social media age puts it, one badass woman.”
—Karen Shook, Times Higher Education
Kwame Nkrumah, who won independence for Ghana in 1957, was the first African statesman to achieve world recognition. Nkrumah and his movement also brought about the end of independent chieftaincy—one of the most fundamental changes in the history of Ghana.
Kwame Nkrumah’s Convention Peoples’ Party was committed not only to the rapid termination of British colonial rule but also to the elimination of chiefly power. This book is an account of Kwame Nkrumah and his government’s long struggle to wrest administrative control of the Ghanaian countryside from the chiefs. Based largely upon previously unstudied documentation in Ghana, this study charts the government’s frustrated attempts to democratize local government and the long and bitter campaigns mounted by many southern chiefs to resist their political marginalization.
Between 1951 and the creation of the First Republic in 1960, Ghanaian governments sought to discard the chiefly principle in local government, then to weaken chieftaincy by attrition and eventually, by altering the legal basis of chieftaincy, to incorporate and control a considerably altered chieftaincy. The book demonstrates that chieftaincy was consciously and systematically reconstructed in the decade of the 1950s with implications which can still be felt in modern Ghana.
Written by Number 10’s first ever ‘Researcher in Residence,’ with unprecedented access to people and papers, No. 10: The Geography of Power at Downing Street sheds new light on unexplored aspects of Prime Ministers’ lives. Jack Brown tells the story of the intimately entwined relationships between the house and its post-war residents, telling how each occupant’s use and modification of the building reveals their own values and approaches to the office of Prime Minister. The book reveals how and why Prime Ministers have stamped their personalities and philosophies upon Number 10 and how the building has directly affected the ability of some Prime Ministers to perform the role. Both fascinating and extremely revealing, No. 10 offers an intimate account of British political power and the building at its core. It is essential reading for anyone interested in the nature and history of British politics.
Richter seasons her work with irony from the start, titling the book’s opening poem, “Pleasant, healthy-appearing adult white female in no acute distress.” As the collection progresses, the speaker’s growing children bring new, wider perspective to the poems; the heart of the book opens up to embrace the adolescents’ increasing self-sufficiency and the body’s vibrant re-emergence into health.
No Acute Distress offers readers fresh language grounded in a masterful use of form, speaking with an urgency that acknowledges chronic pain’s cumulative damage to the body and spirit, and with an openness that allows for hope and the inexplicable on the path to victorious recovery.
Recent anthropological scholarship on “new midwifery” centers on how professional midwives in various countries are helping women reconnect with “nature,” teaching them to trust in their bodies, respecting women’s “choices,” and fighting for women’s right to birth as naturally as possible. In No Alternative, Rosalynn A. Vega uses ethnographic accounts of natural birth practices in Mexico to complicate these narratives about new midwifery and illuminate larger questions of female empowerment, citizenship, and the commodification of indigenous culture, by showing how alternative birth actually reinscribes traditional racial and gender hierarchies.
Vega contrasts the vastly different birthing experiences of upper-class and indigenous Mexican women. Upper-class women often travel to birthing centers to be delivered by professional midwives whose methods are adopted from and represented as indigenous culture, while indigenous women from those same cultures are often forced by lack of resources to use government hospitals regardless of their preferred birthing method. Vega demonstrates that women’s empowerment, having a “choice,” is a privilege of those capable of paying for private medical services—albeit a dubious privilege, as it puts the burden of correctly producing future members of society on women’s shoulders. Vega’s research thus also reveals the limits of citizenship in a neoliberal world, as indigeneity becomes an object of consumption within a transnational racialized economy.
What form does the crisis of modernity take in Latin America when societies are politically demobilized and there is no revolutionary agenda in sight? How does postmodern criticism reflect on enlightenment and utopia in a region marked by incomplete modernization, new waves of privatization, great masses of excluded peoples, and profound sociocultural heterogeneity? In No Apocalypse, No Integration Martín Hopenhayn examines the social and philosophical implications of the triumph of neoliberalism and the collapse of leftist and state-sponsored social planning in Latin America.
With the failure of utopian movements that promised social change, the rupture of the link between the production of knowledge and practical intervention, and the defeat of modernization and development policy established after World War II, Latin American intellectuals and militants have been left at an impasse without a vital program of action. Hopenhayn analyzes these crises from a theoretical perspective and calls upon Latin American intellectuals to reevaluate their objects of study, their political reality, and their society’s cultural production, as well as to seek within their own history the elements for a new collective discourse. Challenging the notion that strict adherence to a single paradigm of action can rescue intellectual and cultural movements, Hopenhayn advocates a course of epistemological pluralism, arguing that such an approach values respect for difference and for cultural and theoretical diversity and heterodoxy.
This essay collection will appeal to readers of sociology, public policy, philosophy, cultural theory, and Latin American history and culture, as well as to those with an interest in Latin America’s current transition.
For Alan Schneider, directing Endgame, Samuel Beckett lays out the play’s philosophy, then adds: “Don’t mention any of this to your actors!”
He claimed he couldn’t talk about his work, but Beckett proves remarkably forthcoming in these pages, which document the thirty-year working relationship between the playwright and his principal producer in the United States. The correspondence between Beckett and Schneider offers an unparalleled picture of the art and craft of theater in the hands of two masters. It is also an endlessly enlightening look into the playwright’s ideas and methods, his remarks a virtual crib sheet for his brilliant, eccentric plays.
Alan Schneider premiered five of Beckett’s plays in the United States, including Waiting for Godot, Krapp’s Last Tape, and Endgame, and directed a number of revivals. Preparing for each new production, the two wrote extensive letters—about intended tone, conception of characters, irony and verbal echoes, staging details for scenes, delivery of individual lines. From such details a remarkable sense of the playwright’s vision emerges, as well as a feel for the director’s task. Of Godot, Beckett wrote to Schneider, “I feel my monster is in safe keeping.” His confidence in the director, and Schneider’s persistent probing for a surer understanding of each play, have produced a marvelous resource: a detailed map of Beckett’s work in conception and in production.
The correspondence starts in December 1955, shortly after their first meeting, and continues to Schneider’s accidental death in March 1984 (when crossing a street to mail a letter to Beckett). The 500 letters capture the world of theater as well as the personalities of their authors. Maurice Harmon’s thorough notes provide a helpful guide to people and events mentioned throughout.
The Civil War was barely over before Southerners and other students of the war began to examine the Confederate high command in search of an explanation for the South's failure. Although years of research failed to show that the South's defeat was due to a single, overriding cause, the actions of the Southern leaders during the war were certainly among the reasons the South lost the war.
In No Band of Brothers, Steven Woodworth explores, through a series of essays, various facets of the way the Confederacy waged its unsuccessful war for secession. He examines Jefferson Davis and some of his more important generals, including Pierre G. T. Beauregard, Leonidas Polk, Joseph E. Johnston, Robert E. Lee, James Longstreet, and Thomas J. "Stonewall" Jackson; the Confederacy's strategic plans; and the South's success in making competent officers out of men with very little military preparation.
Woodworth particularly looks at the personalities and personal relationships that affected the course and outcome of the war. What made a good general? What could make an otherwise able man a failure as a general? What role did personal friendships or animosities play in the Confederacy's top command assignments and decisions? How successful was the Confederacy in making competent generals out of its civilian leaders? In what ways did Jefferson Davis succeed or fail in maximizing the chances for the success of his cause?
In analyzing the Confederate leadership, Woodworth reveals some weaknesses, many strengths, and much new information. No Band of Brothers will be an important addition to Civil War scholarship and will be welcomed by professional historians, amateur historians, students, and the general reader alike.
It was here that both the Union and Confederate armies lost over one-quarter of their forces in battle casualties. The Confederacy's defeat at Stones River unleashed a wave of dissension that crippled the army's high command and ultimately closed Tennessee to the South for two years. The loss deterred the British and French from coming to the aid of the South in the Civil War, with tragic effects for the Southern cause.
In the 126 years since the guns fell silent at Stones River, few books have examined the bloody clash and its impact on the war's subsequent outcome. No Better Place to Die recounts the events and strategies that brought the two armies to the banks of this central Tennessee river on December 31, 1862. Cozzens re-creates the battle itself, following the movements and performance of individual regiments. A series of maps clarifies the combat activity.
Cozzens frequently lets the men who fought the battle speak for themselves, through letters, diaries, memoirs, and battlefield communications. Here we learn about such critical moments as General Philip Sheridan's gallant defense along the Wilkinson Pike, one of the war's most tenacious stands against overwhelming odds, and the bravery in battle exemplified by Brekenridge's attack on the Union left, a doomed assault with the poignancy of Pickett's charge.
Over twenty thousand Union and Confederate soldiers were killed, wounded, or captured in the bloody New Year's battle of Stone's River. The impact of their struggle extended far beyond the thousands of shattered human lives, ultimately imperiling the fortunes of the Confederacy. No Better Place to Die pays tribute to the heroes, the scoundrels, the mistakes, the bravery, and the grief at Stone's River.
A sweeping account of three Gujarati Muslim trading communities, whose commercial success over nearly two centuries sheds new light on the history of capitalism, Islam, and empire in South Asia.
During the nineteenth century, three Gujarati Muslim commercial castes—the Bohras, Khojas, and Memons—came to dominate Muslim business in South Asia. Although these communities constitute less than 1 percent of South Asia’s Muslim population, they are still disproportionately represented among the region’s leading Muslim-owned firms today. In No Birds of Passage, Michael O’Sullivan argues that the conditions enabling their success have never been understood, thanks to stereotypes—embraced equally by colonial administrators and Muslim commentators—that estrange them from their religious identity. Yet while long viewed as Hindus in all but name, or as “Westernized” Muslims who embraced colonial institutions, these groups in fact entwined economic prerogatives and religious belief in a distinctive form of Muslim capitalism.
Following entrepreneurial firms from Gujarat to the Hijaz, Hong Kong, Mombasa, Rangoon, and beyond, O’Sullivan reveals the importance of kinship networks, private property, and religious obligation to their business endeavors. This paradigm of Muslim capitalism found its highest expression in the jamaats, the central caste institutions of each community, which combined South Asian, Islamicate, and European traditions of corporate life. The jamaats also played an essential role in negotiating the position of all three groups in relation to British authorities and Indian Muslim nationalists, as well as the often-sharp divisions within the castes themselves.
O’Sullivan’s account sheds light on Gujarati Muslim economic life from the dawn of colonial hegemony in India to the crisis of the postcolonial state, and provides fascinating insights into the broader effects of capitalist enterprise on Muslim experience in modern South Asia.
No Bond but the Law reveals the longstanding and intimate relationship between state formation and private punishment. The construction of a dense, state-organized system of prisons began not with emancipation but at the peak of slave-based wealth in Jamaica, in the 1780s. Jamaica provided the paradigmatic case for British observers imagining and evaluating the emancipation process. Paton’s analysis moves between imperial processes on the one hand and Jamaican specificities on the other, within a framework comparing developments regarding punishment in Jamaica with those in the U.S. South and elsewhere. Emphasizing the gendered nature of penal policy and practice throughout the emancipation period, Paton is attentive to the ways in which the actions of ordinary Jamaicans and, in particular, of women prisoners, shaped state decisions.
“Tom Diaz has worn out some shoe leather, much like a good detective, in gathering facts, not myths or urban legends. As a result he has produced an accurate and comprehensive look at a grave and present danger to our society.”
—From the Foreword by Chris Swecker, former Assistant Director of the FBI and former head of the FBI’s Criminal Investigation Division
No Boundaries is a disturbing account of what many consider the “next Mafia”—Latino crime gangs. Like the Mafia, these gangs operate an international network, consider violence a routine matter, and defy U.S. law enforcement at every level. Also, the gangs spawn kingpins such as the notorious Nelson Varela Martinez Comandari, who nearly became the first “Latin godfather” in the United States.
Focusing on the Los Angeles–based Mara Salvatrucha (MS-13) and the 18th Street Gang, and the Chicago-based Latin Kings, Tom Diaz describes how neighborhood gangs evolved into extremely brutal, sophisticated criminal enterprises and how local and federal authorities have struggled to suppress them. As he makes clear, the problem of transnational Latino gangs involves complex national and international issues, such as racial tensions, immigration policy, conflict in Latin America, and world economic pressures.
In No Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection.
Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. No Caption Needed is a compelling demonstration of photojournalism’s vital contribution to public life.
Griffin has spent many decades in the high desert trying to find the way forward—when what he knows has been challenged and still there is breath on the horizon. One day an ancient Chinese poet comes to visit: "Snow deepens/ to quiet what I once believed, and Wang Wei stoops from the spine:/ this is how you become silence." Even if you doubt the old poet's counsel, like Griffin, you want to journey with him into the wilderness.
“A powerful, detailed, and exceptionally balanced critique of NCLB. It offers some hope for how we might overcome its faults. No legislator or educational expert should be allowed to get away with not reading it—whether to agree or disagree. It’s a must learning experience.”
—Deborah Meier, Senior Scholar and Adjunct Professor, Steinhardt School of Education, New York University, and author of In Schools We Trust
“A concise, highly readable, and balanced account of NCLB, with insightful and realistic suggestions for reform. Teachers, professors, policymakers, and parents—this is the one book about NCLB you ought to read.”
—James E. Ryan, William L. Matheson and Robert M. Morgenthau Distinguished Professor, University of Virginia School of Law
This far-reaching new study looks at the successes and failures of one of the most ambitious and controversial educational initiatives since desegregation—the No Child Left Behind Act of 2001.
NCLB’s opponents criticize it as underfunded and unworkable, while supporters see it as a radical but necessary educational reform that evens the score between advantaged and disadvantaged students. Yet the most basic and important question remains unasked: “Can we ever really know if a child’s education is good?”
Ultimately, Scott Franklin Abernathy argues, policymakers must begin from this question, rather than assuming that any test can accurately measure the elusive thing we call “good” education.
Imagine, staring into the sun, then,
how the clouds spread out and open like wallets
over a few corrugated roofs.
While teaching at an all-Black middle school in Atlanta, Meira Levinson realized that students’ individual self-improvement would not necessarily enable them to overcome their profound marginalization within American society. This is because of a civic empowerment gap that is as shameful and antidemocratic as the academic achievement gap targeted by No Child Left Behind. No Citizen Left Behind argues that students must be taught how to upend and reshape power relationships directly, through political and civic action. Drawing on political theory, empirical research, and her own on-the-ground experience, Levinson shows how de facto segregated urban schools can and must be at the center of this struggle.
Recovering the civic purposes of public schools will take more than tweaking the curriculum. Levinson calls on schools to remake civic education. Schools should teach collective action, openly discuss the racialized dimensions of citizenship, and provoke students by engaging their passions against contemporary injustices. Students must also have frequent opportunities to take civic and political action, including within the school itself. To build a truly egalitarian society, we must reject myths of civic sameness and empower all young people to raise their diverse voices. Levinson’s account challenges not just educators but all who care about justice, diversity, or democracy.
In 2004 the Roman Catholic Archdiocese of Boston announced plans to close or merge more than eighty parish churches. Scores of Catholics—28,000, by the archdiocese’s count—would be asked to leave their parishes. The closures came just two years after the first major revelations of clergy sexual abuse and its cover up. Wounds from this profound betrayal of trust had not healed.
In the months that followed, distraught parishioners occupied several churches in opposition to the closure decrees. Why did these accidental activists resist the parish closures, and what do their actions and reactions tell us about modern American Catholicism? Drawing on extensive fieldwork and with careful attention to Boston’s Catholic history, Seitz tells the stories of resisting Catholics in their own words, and illuminates how they were drawn to reconsider the past and its meanings. We hear them reflect on their parishes and the sacred objects and memories they hold, on the way their personal histories connect with the history of their neighborhood churches, and on the structures of authority in Catholicism.
Resisters describe how they took their parishes and religious lives into their own hands, and how they struggled with everyday theological questions of respect and memory; with relationships among religion, community, place, and comfort; and with the meaning of the local church. No Closure is a story of local drama and pathos, but also a path of inquiry into broader questions of tradition and change as they shape Catholics’ ability to make sense of their lives in a secular world.
In 1959, a Black man named Eldrewey Stearns was beaten by Houston police after being stopped for a traffic violation. He was not the first to suffer such brutality, but the incident sparked Stearns’s conscience and six months later he was leading the first sit-in west of the Mississippi River. No Color Is My Kind, first published in 1997, introduced readers to Stearns, including his work as a civil rights leader and lawyer in Houston’s desegregation movement between 1959 and 1963. This remarkable and important history, however, was nearly lost to bipolar affective disorder. Stearns was a fifty-two-year-old patient in a Galveston psychiatric hospital when Thomas Cole first met him in 1984. Over the course of a decade, Cole and Stearns slowly recovered the details of Stearns’s life before his slide into mental illness, writing a story that is more relevant today than ever.
In this new edition, Cole fills in the gaps between the late 1990s and now, providing an update on the progress of civil rights in Houston and Stearns himself. He also reflects on his tumultuous and often painful collaboration with Stearns, challenging readers to be part of his journey to understand the struggles of a Black man’s complex life. At once poignant, tragic, and emotionally charged, No Color Is My Kind is essential reading as the current movement for racial reconciliation gathers momentum.
No Communication with the Sea is a journey through this urbanizing Great Basin landscape. Here, the land fosters illusions of limitless space and resources, but its space and resources are severely limited; its people live clustered in cities but are often reluctant to embrace urbanity. These tensions led journalist and urban planner Tim Sullivan to explore the developing centers and edges of the Great Basin cities and the ways some are trying to build livable and sustainable urban environments.
In this highly readable book of creative nonfiction, Sullivan employs a variety of methods—including interviews, research, travelogues, and narrative—to survey the harsh landscape for clues to the ways cities can adapt to their geography, topography, ecology, hydrography, history, and culture. No Communication with the Sea embarks on a quest for a livable future for the heart of the interior West. In the process, it both unearths the past and ponders the present and future Great Basin cities.
“No condition is permanent,” a popular West African slogan, expresses Sara S. Berry’s theme: the obstacles to African agrarian development never stay the same. Her book explores the complex way African economy and society are tied to issues of land and labor, offering a comparative study of agrarian change in four rural economies in sub-Saharan Africa, including two that experienced long periods of expanding peasant production for export (southern Ghana and southwestern Nigeria), a settler economy (central Kenya), and a rural labor reserve (northeastern Zambia).
The resources available to African farmers have changed dramatically over the course of the twentieth century. Berry asserts that the ways resources are acquired and used are shaped not only by the incorporation of a rural area into colonial (later national) and global political economies, but also by conflicts over culture, power, and property within and beyond rural communities. By tracing the various debates over rights to resources and their effects on agricultural production and farmers’ uses of income, Berry presents agrarian change as a series of on-going processes rather than a set of discrete “successes” and “failures.”
No Condition Is Permanent enriches the discussion of agrarian development by showing how multidisciplinary studies of local agrarian history can constructively contribute to development policy. The book is a contribution both to African agrarian history and to debates over the role of agriculture in Africa’s recent economic crises.
In a vibrant and passionate exploration of the twentieth-century civil rights and black power eras in American history, Waldo Martin uses cultural politics as a lens through which to understand the African-American freedom struggle.
In black culture, argues Martin, we see the debate over the profound tension at the core of black identity: the duality of being at once both American and African. And in the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold’s exploration of race and sexuality, the personal and social became the political.
Martin explores the place of black culture in this vision and examines the multiple ways in which various forms of expressive culture and African-American cultural figures influenced consciousness and helped effect social action. From the music of John Coltrane and James Brown to the visual art of Jacob Lawrence and Betye Saar to the dance movements of Alvin Ailey and Arthur Mitchell, Martin discusses how, why, and with what consequences culture became a critical battle site in the freedom struggle. And in a fascinating epilogue, he draws the thread of black cultural politics into today’s hip-hop culture.
This engaging book brings a new perspective to the civil rights and black power eras, while illuminating the broader history of American and global freedom struggles.
By turns playfully philosophical and bracingly open hearted, Brehm’s engagement with the specters of memory, pride, yearning, gain, and loss illuminate the human condition with humor and empathy.
Some maps help us find our way; others restrict where we go and what we do. These maps control behavior, regulating activities from flying to fishing, prohibiting students from one part of town from being schooled on the other, and banishing certain individuals and industries to the periphery. This restrictive cartography has boomed in recent decades as governments seek regulate activities as diverse as hiking, building a residence, opening a store, locating a chemical plant, or painting your house anything but regulation colors. It is this aspect of mapping—its power to prohibit—that celebrated geographer Mark Monmonier tackles in No Dig, No Fly, No Go.
Rooted in ancient Egypt’s need to reestablish property boundaries following the annual retreat of the Nile’s floodwaters, restrictive mapping has been indispensable in settling the American West, claiming slices of Antarctica, protecting fragile ocean fisheries, and keeping sex offenders away from playgrounds. But it has also been used for opprobrium: during one of the darkest moments in American history, cartographic exclusion orders helped send thousands of Japanese Americans to remote detention camps. Tracing the power of prohibitive mapping at multiple levels—from regional to international—and multiple dimensions—from property to cyberspace—Monmonier demonstrates how much boundaries influence our experience—from homeownership and voting to taxation and airline travel. A worthy successor to his critically acclaimed How to Lie with Maps, the book is replete with all of the hallmarks of a Monmonier classic, including the wry observations and witty humor.
In the end, Monmonier looks far beyond the lines on the page to observe that mapped boundaries, however persuasive their appearance, are not always as permanent and impermeable as their cartographic lines might suggest. Written for anyone who votes, owns a home, or aspires to be an informed citizen, No Dig, No Fly. No Go will change the way we look at maps forever.
In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.
When the Nobel Peace Prize was awarded on December 10, 2010, its recipient, Liu Xiaobo, was in Jinzhou Prison, serving an eleven-year sentence for what Beijing called “incitement to subvert state power.” In Oslo, actress Liv Ullmann read a long statement the activist had prepared for his 2009 trial. It read in part: “I stand by the convictions I expressed in my ‘June Second Hunger Strike Declaration’ twenty years ago—I have no enemies and no hatred. None of the police who monitored, arrested, and interrogated me, none of the prosecutors who indicted me, and none of the judges who judged me are my enemies.”
That statement is one of the pieces in this book, which includes writings spanning two decades, providing insight into all aspects of Chinese life. These works not only chronicle a leading dissident’s struggle against tyranny but enrich the record of universal longing for freedom and dignity. Liu speaks pragmatically, yet with deep-seated passion, about peasant land disputes, the Han Chinese in Tibet, child slavery, the CCP’s Olympic strategy, the Internet in China, the contemporary craze for Confucius, and the Tiananmen massacre. Also presented are poems written for his wife, Liu Xia, public documents, and a foreword by Václav Havel.
This collection is an aid to reflection for Western readers who might take for granted the values Liu has dedicated his life to achieving for his homeland.
By closely following the remarkable career of Arab existentialism, Yoav Di-Capua reconstructs the cosmopolitan milieu of the generation that tried to articulate a political and philosophical vision for an egalitarian postcolonial world. He tells this story by touring a fascinating selection of Arabic and Hebrew archives, including unpublished diaries and interviews. Tragically, the warm and hopeful relationships forged between Arab intellectuals, Sartre, Simone de Beauvoir, and others ended when, on the eve of the 1967 war, Sartre failed to embrace the Palestinian cause. Today, when the prospect of global ethical engagement seems to be slipping ever farther out of reach, No Exit provides a timely, humanistic account of the intellectual hopes, struggles, and victories that shaped the Arab experience of decolonization and a delightfully wide-ranging excavation of existentialism’s non-Western history.
No Farms, No Food traces the development of this powerful coalition responsible for landmark achievements in farmland preservation and conservation practices. It all began with Peggy Rockefeller’s determination to stop the inexorable urban sprawl that was threatening the nation’s agriculture. From this humble start grew a small but astute organization, and more importantly, a formidable constituency of farmers and environmentalists united around a common cause.
With leadership from AFT, that constituency drove through Congress the first “Conservation Title” in the history of the U.S. Farm Bill; oversaw the development of agriculture conservation easement programs throughout the country; and continues to develop innovative approaches to sustainable agriculture.
No Farms, No Food takes readers inside the political and policy battles that determine the fate of our nation’s farmland. And it illustrates the tactics needed to unify fractured interest groups for the common good. No Farms, No Food is both an inspiring history of agricultural conservation and a practical guide to creating an effective advocacy organization. This is an essential read for everyone who cares about the future of our food, farms, and environment.
Snake charmers, bards, acrobats, magicians, trainers of performing animals, and other nomadic artisans and entertainers have been a colorful and enduring element in societies throughout the world. Their flexible social system, based on highly specialized individual skills and spatial mobility, contrasts sharply with the more rigid social system of sedentary peasants and traditional urban dwellers. Joseph Berland brings into focus the ethnographic and psychological differences between nomadic and sedentary groups by examining how the experiences of South Asian gypsies and their urban counterparts contribute to basic perceptual habits and skills.
No Five Fingers Are Alike, based on three years of participant research among rural Pakistani groups, provides the first detailed description in print of Asian gypsies. By applying methods of anthropological observation as well as psychological experimentation, Berland develops a theory about the relationship between social experience and mental growth. He suggests that there are certain social conditions under which mental growth can be accelerated. His work promises to stand as an important contribution to the cross-cultural literature on cognitive development.
Closely engaging with literary texts, Edelman makes a compelling case for imagining Scrooge without Tiny Tim and Silas Marner without little Eppie. Looking to Alfred Hitchcock’s films, he embraces two of the director’s most notorious creations: the sadistic Leonard of North by Northwest, who steps on the hand that holds the couple precariously above the abyss, and the terrifying title figures of The Birds, with their predilection for children. Edelman enlarges the reach of contemporary psychoanalytic theory as he brings it to bear not only on works of literature and film but also on such current political flashpoints as gay marriage and gay parenting. Throwing down the theoretical gauntlet, No Future reimagines queerness with a passion certain to spark an equally impassioned debate among its readers.
AIDS, tuberculosis, hepatitis, chickenpox, malaria, Lyme disease, salmonella, strep throat-no matter where you go or where you live, you are at risk from infectious disease. But there are ways you can protect yourself and your family!
The revised and expanded edition of this classic guide explains what you need to know to keep the germs away. From the infections of daily life, like the common cold and traveler's diarrhea, to dangerous, rare diseases such as plague, hantavirus, and invasive strep bacteria, to recent threats of mad cow disease, West Nile virus, SARS, and bioterrorism, this unique guide tells you:
- your chances of getting sick
- simple precautions you can take
- which vaccinations and shots are worthwhile
- how to avoid catching infections in the hospital
- special precautions to take if you are pregnant
- how to ward off infections even if you have chronic health problems or are HIV positive
- how to keep well while traveling
- what to eat-and not eat-on the road
- symptoms that signal trouble
- what illnesses you can get from bug bites and animals
- how to prevent sexually transmitted diseases
- who should get flu shots and why
- why you should see your doctor before you get sick
Dr. Winkler G. Weinberg lets you know what you need to worry about and what you don't.
The first new biography of America's foremost woman of letters in twenty years, No Gifts from Chance presents an Edith Wharton for our times. Far from the emotionally withdrawn and neurasthenic victim of earlier portraits, she is revealed here as an ambitious, disciplined, and self-determined woman who fashioned life to her own desires. Drawing on government records, legal and medical documents, and recently opened collections of Wharton's letters, Shari Benstock's biography offers new information on what have been called the key mysteries of her life: the question of her paternity, her troubled relations with her mother and older brothers, her marriage to manic-depressive Teddy Wharton, and her extramarital affair with Morton Fullerton.
—Helena Goscilo
Chair and Professor of Slavic, The Ohio State University
This book, an in-depth study of Nationalist tariff policy, fundamentally challenges the widely accepted idea that the key to the Communist seizure of power in China lay in the incompetence of Chiang Kai-shek’s Nationalist government. It argues instead that during the second Sino-Japanese War, China’s international trade, the Nationalist government’s tariff revenues, and hence its fiscal policy and state-making project all collapsed.
Because tariffs on China’s international trade produced the single greatest share of central government revenue during the Nanjing decade, the political existence of the Nationalist government depended on tariff revenue. Therefore, Chinese economic nationalism, both at the official and popular levels, had to be managed carefully so as not to jeopardize the Nationalist government’s income. Until the outbreak of war in 1937, the Nationalists’ management of international trade and China’s government finances was largely successful in terms of producing increasing and sustainable revenues. Within the first year of war, however, the Nationalists lost territories producing 80 percent of tariff revenue. Hence, government revenue declined just as war-related expenditure increased, and the Nationalist government had to resort to more rapacious forms of revenue extraction—a decision that had disastrous consequences for both its finances and its political viability.
Alicia Suskin Ostriker's voice has long been acknowledged as a major force in American poetry. In No Heaven, her eleventh collection, she takes a hint from John Lennon's "Imagine" to wrestle with the world as it is: "no hell below us, / above us only sky."
It is a world of cities, including New York, London, Jerusalem, and Berlin, where the poet can celebrate pickup basketball, peace marches, and the energy of graffiti. It is also a world of families, generations coming and going, of love, love affairs, and friendship. Then it is a world full of art and music, of Rembrandt and Bonnard, Mozart and Brahms. Finally, it is a world haunted by violence and war. <I>No Heaven</I> rises to a climax with elegies for Yitzhak Rabin, assassinated by an Israeli zealot, and for the poet's mother, whose death is experienced in the context of a post-9/11 impulse to destroy that seems to seduce whole nations.
Yet Ostriker's ultimate stance is to "Try to praise the mutilated world," as the poet Adam Zagajewski has counseled. At times lyric, at times satiric, Ostriker steadfastly pursuesin No Heaven her poetics of ardor, a passion for the here and now that has chastened and consoled her many devoted readers.
Patinkin writes about the infancy of the musical--the revues, operettas, and early musical comedies, as well as the groundbreaking shows like Oklahoma!, and Show Boat that brought the form to its "golden age" during World War II. With insightful references to how history, literature, theater, fashion, popular music, and movies influenced musical theater generally and certain shows in particular, he traces a direct lineage from older forms to contemporary musicals. The result is a broad, clear, and detailed picture of American musicals within both an aesthetic and a historical context. Patinkin conveys the pleasure of the ever-changing forms of musical theater even as he gives readers the analytical tools and terms to understand and better appreciate this uniquely American art. The book features a selection of black and white photographs from historical musical productions, and each chapter includes suggestions for materials to watch and listen to at home or in the classroom.
No Lonesome Road allows Don West to speak for himself. It provides the most comprehensive collection of his poetry ever published, spanning five decades of his literary career. It also includes the first comprehensive and annotated collection of West's nonfiction essays, articles, letters, speeches, and stories, covering his role at the forefront of Southern and Appalachian history, and as a pioneer researcher and writer on the South's little-known legacy of radical activism.
Drawing from both primary and secondary sources, including previously unknown documents, correspondence, interviews, FBI files, and newspaper clippings, the introduction by Jeff Biggers stands as the most thorough, insightful biographical sketch of Don West yet published in any form.
The afterword by George Brosi is a stirring personal tribute to the contributions of West and also serves as a thoughtful reflection on the interactions between the radicals of the 1930s and the 1960s.
The best possible introduction to his extraordinary life and work, this annotated selection of Don West's writings will be inspirational reading for anyone interested in Southern history, poetry, religion, or activism.
In No Longer Outsiders, Minta provides a comprehensive account of the effectiveness of minority civil rights organizations and their legislative allies. He finds that the organizations’ legislative priorities are consistent with black and Latino preferences for stronger enforcement of civil rights policy and immigration reform. Although these groups focus mainly on civil rights for blacks and immigration issues for Latinos, their policy agendas extend into other significant areas. Minta concludes with an examination of how diversity in Congress helps groups gain greater influence and policy success despite many limits placed upon them.
Historian Shawn McGhee offers a fresh perspective on the origins of American political identity. No Longer Subjects of the British King: The Political Transformation of Royal Subjects to Republican Citizens, 1774-1776reveals the crucial process by which the Continental Association organized American towns and counties into a protonational community of suffering to protect political identities they felt under threat. This work further demonstrates how those sacrificing for the common cause severed their bonds of allegiance to the British king and separated from the broader imperial nation. In this crucible of austerity, they formed an American political community, completing the political transformation from subject to citizen.
The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva’s life and work, told from the point of view of her daughter. This wrenching story about the difficulty of living with genius charts Efron’s relationship with her parents as they navigate art and exile.
Efron’s rapport with her mother, already intense, became strained under the hardships imposed by early twentieth century Russian political upheaval. Efron recounts the family’s travels from Moscow to Germany, to Czechoslovakia, and finally to France, where, against her mother’s advice, Efron decided to return to Russia. Diane Nemec Ignashev draws on Efron’s short stories and her mother’s notebooks to supplement the original memoirs. Haunting and poignant, No Love without Poetry completes extant historical records on Tsvetaeva—and showcases Efron as a literary force in her own right.
On July 22, 2011, a white supremacist killed eight people at Oslo’s Government Center in Norway and then terrorized the idyllic island of Utøya, where he executed sixty-nine more people, mostly teenagers. The country had never suffered such a massacre, and in the aftermath, the entire population was reeling.
Utøya, the Norwegian Labor Party’s summer camp for youth, a beloved place where many Norwegians learned about democratic values and processes, made lifelong friendships, and developed a vision for a just society, became mired in grief and discord. When Jørgen Watne Frydnes took on the daunting task of rebuilding the island and charting its future, he had to figure out a compassionate and just way forward. He made a radical decision: he set out to talk with each family of a murdered person, seeking to understand their needs and their hopes so that the future of the island could include their wishes and concerns. This emotionally grueling work, which was never considered in the scholarly literature on commemoration, led to a true renewal of Utøya, resulting in a meaningful memorial to those who were lost as well as beautiful surroundings for campers who come there to study democracy and peace.
Frydnes’s narrative, originally published in Norwegian, is structured around the seasons of the year and the landscape of the island, and tracks one person’s account of learning how to remember, commemorate, and honor the dead, and acknowledge a mass tragedy, and yet also create a nurturing, aspirational space for hope.
Founded by Mexican American men in 1929, the League of United Latin-American Citizens (LULAC) has usually been judged according to Chicano nationalist standards of the late 1960s and 1970s. Drawing on extensive archival research, including the personal papers of Alonso S. Perales and Adela Sloss-Vento, No Mexicans, Women, or Dogs Allowed presents the history of LULAC in a new light, restoring its early twentieth-century context.
Cynthia Orozco also provides evidence that perceptions of LULAC as a petite bourgeoisie, assimilationist, conservative, anti-Mexican, anti-working class organization belie the realities of the group's early activism. Supplemented by oral history, this sweeping study probes LULAC's predecessors, such as the Order Sons of America, blending historiography and cultural studies. Against a backdrop of the Mexican Revolution, World War I, gender discrimination, and racial segregation, No Mexicans, Women, or Dogs Allowed recasts LULAC at the forefront of civil rights movements in America.
“This is a fascinating book. It is one of the best studies of the ways that parties and politics get conducted in any American state. Masket shows that legislators can be perfectly content without parties that control agendas and does a terrific job of explaining the transition from free-wheeling legislators to rigidly partisan voting blocs.”
—Sam Popkin, University of California at San Diego
“No Middle Ground makes a significant contribution to the study of American parties and legislative politics.”
—Matthew Green, Catholic University of America
Despite concerns about the debilitating effects of partisanship on democratic government, in recent years political parties have gained strength in state governments as well as in Washington. In many cases these parties function as machines. Unlike machines of the past that manipulated votes, however, today’s machines determine which candidates can credibly compete in a primary.
Focusing on the history and politics of California, Seth E. Masket reveals how these machines evolved and how they stay in power by directing money, endorsements, and expertise to favored candidates, who often tend toward the ideological extreme. In a provocative conclusion, Masket argues that politicians are not inherently partisan. Instead, partisanship is thrust upon them by actors outside the government with the power to manipulate primary elections.
In No Minor Accomplishment, sports historian and New Jersey native Bob Golon tells the story of the state's baseball scene since the Trenton Thunder arrived in 1994. Drawing on interviews with team owners and employees, industry executives and fans, Golon goes behind the scenes to show how maintaining a minor league ball club can be a risky business venture. Stadiums cost millions to build, and a team full of talented players does not immediately guarantee success. Instead, each of the eight minor league and independent professional teams in the state must tailor themselves to the communities in which they are situated. Shrewd marketing is necessary to attract fans, but Golon also explains how, unlike Major League Baseball, the business aspect of the minor and independent leagues is not something the average spectator notices. For the fans, baseball in New Jersey is wholesome, exciting family entertainment.
The Cleveland Indians of 1928 were a far cry from the championship team of 1920. They had begun the decade as the best team in all of baseball, but over the following eight years, their owner died, the great Tris Speaker retired in the face of a looming scandal, and the franchise was in terrible shape. Seeing opportunity in the upheaval, Cleveland real estate mogul Alva Bradley purchased the ball club in 1927, infused it with cash, and filled its roster with star players such as Bob Feller, Earl Averill, and Hal Trosky. He aligned himself with civic leaders to push for a gigantic new stadium that—along with the team that played in it—would be the talk of the baseball world.
Then came the stock market crash of 1929. Municipal Stadium was built, despite the collapse of the industrial economy in Rust Belt cities, but the crowds did not follow. Always the shrewd businessman, Bradley had engineered a lease agreement with the city of Cleveland that included an out clause, and he exercised that option after the 1934 season, leaving the 80,000-seat, multimillion-dollar stadium without a tenant.
In No Money, No Beer, No Pennants, Scott H. Longert gives us a lively history of the ups and downs of a legendary team and its iconic players as they persevered through internal unrest and the turmoil of the Great Depression, pursuing a pennant that didn’t come until 1948. Illustrated with period photographs and filled with anecdotes of the great players, this book will delight fans of baseball and fans of Cleveland.
Frequently cited and just as often disputed, Elizabeth Anscombe’s “Modern Moral Philosophy” (1958) and “The First Person” (1975) are touchstones of twentieth-century analytic philosophy. Though the arguments Anscombe advances in these papers are familiar to philosophers, their significance remains widely misunderstood, says James Doyle.
No Morality, No Self offers a fresh interpretation of Anscombe’s still-controversial theses about ethical reasoning and individual identity, specifically, her argument that the term “moral” (as it occurs in such contexts as “moral obligation”) is literally meaningless, and that “I” does not refer to some special entity called a “self”—a pair of claims that philosophers have responded to with deep skepticism. However unsettling Anscombe’s conclusions may be, Doyle shows the underlying seriousness of the British philosopher’s reasoning, exposing with clarity and concision how the counterarguments of Anscombe’s detractors are based on a flawed or incomplete understanding of her ideas.
Doyle zeroes in on the central conundrum Anscombe posed to the referentialist school: namely, that it is impossible to give a noncircular explanation of how “I” refers to the person who utters it. He shows where the refutations of philosophers including Lucy O’Brien, Gareth Evans, and Ian Rumfitt fall short, and throws light on why “I” developed features that make it look as if it functions as a referring expression. Reconciling seemingly incompatible points of view, Doyle argues that “I” does refer to a self, but not in a way anyone suspected—a surprising conclusion that is entirely à propos of Anscombe’s provocative thought.
Explores ecological impasses and opportunities of our fossil-fueled civilization
It is more and more obvious that our fossilized civilization has no sustainable future. It is an ecological Ponzi scheme stealing away the lives of countless species and the wellbeing of future generations in exchange for contemporary conveniences and the luxuries of a small subset of the human population. Yet a civilization wholly beyond fossils still seems difficult to grasp.
In No More Fossils, Dominic Boyer tells the story of the rise of fossil civilization through successive phases of sucropolitics (plantation sugar), carbopolitics (industrial coal), and petropolitics (oily automobility and plasticity), showing what tethers us to the ecocidal trajectory of petroculture today and what it will take to overcome the forces that mire us in place. He also looks ahead toward the world that the rapid electrification of vehicles, buildings, and power is creating. What can we do to make electroculture more just and sustainable than the petroculture we are leaving behind?
The “invisible men” of sociologist Adia Harvey Wingfield’s urgent and timely No More Invisible Man are African American professionals who fall between extremely high status, high-profile black men and the urban underclass. Her compelling interview study considers middle-class, professional black men and the challenges, obstacles, and opportunities they encounter in white male–dominated occupations.
No More Invisible Man chronicles these men’s experiences as a tokenized minority in the workplace to show how issues of power and inequality exist—especially as they relate to promotion, mobility, and developing occupational networks. Wingfield’s intersectional analysis deftly charts the ways that gender, race, and class collectively shape black professional men’s work experiences.
In its examination of men’s interactions with women and other men, as well as men’s performances of masculinity and their emotional demeanors in these jobs, No More Invisible Man extends our understanding of racial- and gender-based dynamics in professional work.
With characteristic intelligence, wit, and feminist insight, Ellen Willis addresses democracy as she sees it: “a commitment to individual freedom and egalitarian self-government in every area of social, economic, and cultural life.” Moving between scholarly and down-to-earth activist writing styles, Willis confronts the conservative backlash that has slowly eroded democratic ideals and advances of the 1960s as well as the internal debates that have frequently splintered the left.
Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, María Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category.
By bringing together essays from the influential special issue of American Literature of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom.
Contributors. José F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace
In No More Separate Spheres! both established and new scholars look at the changing categories of analysis—from seventies feminism to nineties postcolonialism—that have shaped this discussion. In her introduction, Cathy N. Davidson assesses the state of criticism with regard to the separate spheres debate, and sets a constructive and often provocative tone for the rest of the volume. While one essay provides an overview of the multiple fronts on which the post-separate spheres model of criticism has been engaged, others offer perspectives that either support of directly confront and critique this model. Rather than seeking to establish yet another critical formula based on the opposition of binary terms, this special issue of American Literature will help move the debate to the next level.
Contributors. José F. Aranda, Lauren Berlant, Lawrence Buell, Judith Fetterley, Amy Kaplan, You-me Park, Marjorie Pryse, Gail Wald
From burying scurvy victims up to their necks in the earth to drinking kerosene mixed with sugar to treat influenza, mid-nineteenth century medicine in the mining communities of the West usually consisted of home remedies that were often remarkable for their inventiveness but tragically random in their effectiveness. Only as a desperate last resort would people turn to the medical community, which had developed a deplorable reputation for quackery and charlatanism because of its lack of licensing regulations and uniform educational standards. No One Ailing Except a Physician takes readers back to those free-wheeling days in the mining towns and the dark recesses of the mines themselves, a time when illness or injury was usually survived more due to sheer luck than the interventions of medicine.
In this important new contribution to both mining and medical history, historians Duane A. Smith and Ronald C. Brown present a detailed analysis of the ailments that confronted the miners and the methods with which they and their doctors attempted to "cure" them. The occupational hazards of mining, with its strenuous labor and exposure to the elements, contributed to the miners' vulnerability to disease and injury, which was further worsened by the typical miner's refusal to heed prevailing medical wisdom and common sense, often leading to easily preventable diseases such as scurvy. And because medical science of the era had not progressed much beyond that of the ancient Greeks, such debilitating diseases such as cholera, influenza, dysentery, and malaria proved to be virtual death sentences, to say nothing of occupational accidents with fires and explosions, mine collapses, and safety cage mishaps.
Carolan argues that building community is the key to healthy, equitable, and sustainable food. While researching No One Eats Alone, he interviewed more than 250 individuals, from flavorists to Fortune 500 executives, politicians to feedlot managers, low-income families to crop scientists, who play a role in the life of food. Advertising consultants told him of efforts to distance eaters and producers—most food firms don’t want their customers thinking about farm laborers or the people living downstream of processing plants. But he also found stories of people getting together to change their relationship to food and to each other.
There are community farms where suburban moms and immigrant families work side by side, reducing social distance as much as food miles. There are entrepreneurs with little capital or credit who are setting up online exchanges to share kitchen space, upending conventional notions of the economy of scale. There are parents and school board members who are working together to improve cafeteria food rather than relying on soda taxes to combat childhood obesity.
Carolan contends that real change only happens when we start acting like citizens first and consumers second. No One Eats Alone is a book about becoming better food citizens.
WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE
The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.
In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors.
Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.
While other writers contemplated the events of the 1968 Chicago riots from the safety of their hotel rooms, John Schultz was in the city streets, being threatened by police, choking on tear gas, and listening to all the rage, fear, and confusion around him. The result, No One Was Killed, is his account of the contradictions and chaos of convention week, the adrenalin, the sense of drama and history, and how the mainstream press was getting it all wrong.
"A more valuable factual record of events than the city’s white paper, the Walker Report, and Theodore B. White’s Making of a President combined."—Book Week
"As a reporter making distinctions between Yippie, hippie, New Leftist, McCarthyite, police, and National Guard, Schultz is perceptive; he excels in describing such diverse personalities as Julian Bond and Eugene McCarthy."—Library Journal
"High on my short list of true, lasting, inspired evocations of those whacked-out days when the country was fighting a phantasmagorical war (with real corpses), and police under orders were beating up demonstrators who looked at them funny."—Todd Gitlin, from the foreword
Winner of the Mexico National Novel Prize, Sor Juana Inés de la Cruz Prize, and IMPACT Prize
Joaquín Buitrago, a photographer in the Castaneda Insane Asylum, believes a patient is a prostitute he knew years earlier. His obsession in confirming Matilde's identity leads him to explore the clinics records, and her tragic history. Joaquín and Matilda begin to tell each other fragmented stories about a past they almost shared, and a future in which they do not believe. Set in 1920s Mexico, this novel is at once an overview of one of the most turbulent times in Mexican history, a love story, and a meditation on the ways in which medical and popular language define insanity. No One Will See Me Cry is a lyrical and startling visitation with the so-called losers of an era as they try to plumb the meaning of their lives.
A rash of small wars erupted after the Cold War ended in Africa, the Balkans, and other parts of the former communist world. The wars were in “inter-zones,” the spaces left where weak states had withdrawn or collapsed. Consequently the debate over what constitutes war has returned to basics. No Peace, No War departs from the usual analysis that considers the new wars mindless mass actions to offer the paradoxical idea that to understand war one must deny war special status. Rather than leave war to the security specialists, these writers attempt to grasp its character as one among many aspects of social reality.
Just as women changed the direction and agenda of the peace movement when they became progressively more involved in an all-male club, black women altered a cause that had previously lacked racial diversity when they were first granted admission to the Women’s International League for Peace and Freedom in 1915. As Joyce Blackwell illustrates in this first study of collective black peace activism, the increased presence of black women in the WILPF over the next sixty years brought to the movement historical experiences shaped by societal racism.
No Peace Without Freedom: Race and the Women’s International League for Peace and Freedom, 1915–1975 explores how black women, fueled by the desire to eradicate racial injustice, compelled the white leadership of the WILPF to revisit its own conceptions of peace and freedom. Blackwell offers a renewed examination of peace movements in American history, one that points out the implications of black women’s participation for the study of social activism, African American history, and women’s history. This new perspective on interracial and black female global activism helps redefine the often-covert systemic violence necessary to maintain systems of social and economic hierarchy, moving peace and war discourse away from its narrow focus on European and European-American issues.
Blackwell looks closely at the reasons why white women organized their own peace group at the start of World War I and assesses several bold steps taken by these groups in their first ten years. Addressing white peace activists’ continuous search for the “perfect” African American woman, Blackwell considers when and why black women joined the WILPF, why so few of them were interested in the organization, and what the small number who did join had in common with their white counterparts. She also shows how the WILPF, frustrated at its inability to successfully appeal to black women, established a controversial interracial committee to deal with the dilemma of recruiting black women while attempting to maintain all of its white members.
Tracing the black activists’ peace reform activities on an international level from World War I to the end of the Vietnam War, No Peace Without Freedom examines the links black activists established within the African American community as well as the connections they made with peoples of the black Diaspora and later with colonized people irrespective of race. The volume is complemented by eighteen illustrations.
A respected group of contributors from diverse generations and backgrounds argue for new chronologies, more inclusive conceptualizations of feminist agendas and participants, and fuller engagements with contestations around particular issues and practices. Race, class, and sexuality are explored within histories of women's rights and feminism as well as the cultural and intellectual currents and social and political priorities that marked movements for women's advancement and liberation. These essays question whether the concept of waves surging and receding can fully capture the complexities of U.S. feminisms and suggest models for reimagining these histories from radio waves to hip-hop.
While many of the roads on public lands provide a great service with relatively little harm, others create significant problems -- from habitat fragmentation to noise pollution to increased animal mortality -- with little or no benefit.
In No Place Distant, author David Havlick presents for the first time a comprehensive and in-depth examination of the more than 550,000 miles of roads that crisscross our national parks, national forests, Bureau of Land Management lands, and wildlife refuges, considering how they came to be; their ecological, financial, and societal costs; and what can be done to ensure that those roads are as environmentally benign and cost-effective as possible, while remaining functional and accessible. The book:
- places the profusion of roads on our public lands in historical context
- offers an overview of the ecological effects of roads
- explores the policies, politics, and economics that have fostered road-building on public lands
- considers the contentious topic of motorized recreation
- examines efforts to remove roads and restore degraded lands to health
Bringing together an impressive range and depth of information along with a thoughtful analysis of the issues, No Place Distant offers a definitive look at the debate over roads on public lands. With its well-crafted prose and extensive documentation, it is an unparalleled resource for anyone concerned with the health or management of public lands in the United States.
Writers have created fictions of social perfection at least since Plato’s Republic. Sir Thomas More gave this thread of intellectual history a name when he called his contribution to it Utopia, Greek for noplace.
With each subsequent author cognizant of his predecessors and subject to altered real-world conditions which suggest ever-new causes for hope and alarm, “no place” changed. The fourteen essays presented in this book critically assess man’s fascination with and seeking for “no place.”
“In discussing these central fictions, the contributors see ‘no place’ from diverse perspectives: the sociological, the psychological, the political, the aesthetic. In revealing the roots of these works, the contributors cast back along the whole length of utopian thought. Each essay stands alone; together, the essays make clear what ‘no place’ means today. While it may be true that ‘no place’ has always seemed elsewhere or elsewhen, in fact all utopian fiction whirls contemporary actors through a costume dance no place else but here.”—from the Preface
The contributors are Eric S. Rabkin, B. G. Knepper, Thomas J.Remington, Gorman Beauchamp, William Matter, Ken Davis, Kenneth M. Roemer, William Steinhoff, Howard Segal, Jack Zipes, Kathleen Woodward, Merritt Abrash, and James W. Bittner.
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