A SCHOLARLY BOOK REPOSITORY
African American sprinters Tommie Smith and John Carlos protesting racial segregation in the United States in 1968. Hitler watching the Berlin Olympics in 1936. Michael Phelps’ photo finish in the 100-meter butterfly to win his seventh of a record eight medals in 2008. Since its creation in 1896, the Olympic Games have produced iconic images such as these, from the second the Olympic flame is lit at the lavish opening ceremony to the moment that same flame is extinguished at its close. As billions across the globe watch this showcase of fitness, strength, and skill, few understand how the pictorial legacy of the Games continues to shape the way the events are viewed today.
This second edition of Guttmann's critically acclaimed history discusses the intended and actual effects of the modern Olympic Games from 1896 to 2000. The glories and fiascoes, the triumphs and tragedies--Guttmann weaves them all into a vivid and entertaining social history. As Guttmann shows, politics has always been one of the Olympics' major events. He also delves into the colorful history of the athletics, from the Paris marathon course that invited French runners to take shortcuts to the odyssey of Egyptian gym teacher Youssef Nagui Assad, who made three different Olympic teams only to be recalled home each time due to boycotts. Guttmann also provides insight into the byzantine maneuvering involved in site selection, as well as little known facts about the Games' history and figures like longtime Olympics czar Avery Brundage.
The Olympics thrill the world with spectacle and drama. They also carry a cultural and social significance that goes beyond the stadium, athletes, and fans. The Games are arenas in which individual and team athletic achievement intersect with the politics of national identity in a global context.
The Olympics at the Millennium offers groundbreaking essays that explore the cultural politics of the Games. The contributors investigate such topics as the emergence of women athletes as cultural commodities, the orchestrated spectacles of the opening and closing ceremonies, and the alternative sport culture offered via the Gay Games. Unforgettable events and decisions are discussed: Native American athlete Jim Thorpe winning—and losing—his two gold medals in 1912. Why America was one of the few countries to actually send Jewish athletes to the “Nazi Olympics.” The disqualification of champion Ewa Klobukowska from competing as a woman, due to chromosomal testing in 1967.
With the 2000 Sydney Games imminent, several essays address concerns with which every host country must contend, such as the threat of terrorism. Highlighting the difficult issues of racism and nationalism, another article explores the efforts of this country’s aboriginal people to define a role for themselves in the 2000 Games, as they struggle with ongoing discrimination. And with the world watching, Sydney faces profound pressure to implement a successful Olympics, as a matter of national pride.
A look back at how powerful politicians, business leaders, and a diverse cast of activists used a thwarted Olympics to shape the state of Colorado and the city of Denver.
If you don’t recall the 1976 Denver Olympic Games, it’s because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States.
The ink was hardly dry on Denver’s host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realized opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanized and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organizers to take seriously competing interests from subgroups within their communities.
Omar Nelson Bradley was the youngest and last of nine men to earn five-star rank and the only army officer so honored after World War II. This new biography by Steven L. Ossad gives an account of Bradley’s formative years, his decorated career, and his postwar life.
Bradley’s decisions shaped the five Northwest European Campaigns from the D-Day landings to VE Day. As the man who successfully led more Americans in battle than any other in our history, his long-term importance would seem assured. Yet his name is not discussed often in the classrooms of either civilian or military academies, either as a fount of tactical or operational lessons learned, or a source of inspiration for leadership exercised at Corps, Army, Group, Army Chief, or Joint Chiefs of Staff levels.
The Bradley image was tailor-made for the quintessential homespun American heroic ideal and was considered by many to be a simple, humble country boy who rose to the pinnacle of power through honesty, hard work, loyalty and virtuous behavior. Even though his classmates in both high school and at West Point made remarks about his looks, and Bradley was always self-conscious about smiling because of an accident involving his teeth, he went on to command 12 Army Group, the largest body of American fighting men under a single general.
Bradley’s postwar career as administrator of the original GI Bill and first Chairman of the Joint Chiefs of Staff during the Korean War ensures his legacy. These latter contributions, as much as Bradley’s demonstrable World War II leadership, shaped U.S. history and culture in decisive, dramatic, and previously unexamined ways.
Drawing on primary sources such as those at West Point, Army War College and Imperial War Museum, this book focuses on key decisions, often through the eyes of eyewitness and diarist, British liaison officer Major Thomas Bigland. The challenges our nation faces sound familiar to his problems: fighting ideologically-driven enemies across the globe, coordinating global strategy with allies, and providing care and benefits for our veterans.
A rural area not far from the city of Cluj-Napoca, a former Hungarian province that has been part of Romania since 1920. World War II has ended and the region is under the firm clasp of Stalinist collectivization. In the atmospheric village of Kolozsvár, Omertà unfolds a riveting tale through four poignant perspectives, each peeling back the layers of its central characters’ lives against the backdrop of a tumultuous Eastern Europe in the mid-twentieth century.
Kali, a peasant woman, escapes an abusive marriage to embark on a transformative journey to Kolozsvár, seeking refuge and purpose. She is employed as a maid by Vilmos, a reluctant Communist Party member with an unwavering dedication to his garden. As Vilmos’s botanical brilliance attracts the state’s attention, a clash between personal desires and political obligations ensues. Annush, the third narrator, a lovestruck teenager, becomes entangled in a complex web of emotions, grappling with love, loss, and the evolving landscape of her homeland. The tale deepens with Eleonora, who, seeking solace in a monastery, becomes a casualty of political purges and the suppression of religious faith under Romania’s oppressive regime.
In this epic novel, Romanian-born Hungarian author Andrea Tompa skillfully intertwines these tales, shedding light on the injustices and corruption of a regime that sought to extinguish cultural identities. The lives of Kali, Vilmos, Annush, and Eleonora weave a tapestry of love, resilience, the virtue of roses, and the quiet strength required to endure in the face of political turmoil.
“It is difficult / to get the news from poems / yet men die miserably every day / for lack / of what is found there,” as the poet William Carlos Williams memorably declared. In Omnicompetent Modernists: Poetry, Politics, and the Public Sphere, Matthew Hofer examines, through a multilayered literary critique of interwar modernist poetry, what it might mean to get the news, and more, from a poet.
Using pragmatist ideas about the public sphere as a tool, Hofer reveals how Langston Hughes, Ezra Pound, and Mina Loy sought to use literature to both express and enable thought. In Hughes, Pound, and Loy, Hofer attends to poets whose work vigorously imagined possible new relationships between language, thinking, and public society. Each poet had different goals and used different methods, but all found both inspiration and encouragement in popular political theory. Hughes advocated for a more just vision of color and class in the United States. Pound sought to condemn those whom he associated with public harm, linguistically, socially, economically, and politically. Loy championed the “psycho-democratic” representation of women, in both public and private life.
Although Hughes, Pound, and Loy are rarely considered together, what unites these three writers is how each reconceived the public realm, and revolutionized aesthetic form to articulate those visions. Hofer combines sharp intellectual historiography with rigorous literary criticism and the result is a study that reinvigorates both the poems and poets under consideration and speaks to the immense power of language in manipulating public opinion—with pertinent implications for the politics of the present.
In this gustatory tour of human history, John S. Allen demonstrates that the everyday activity of eating offers deep insights into human beings’ biological and cultural heritage.
We humans eat a wide array of plants and animals, but unlike other omnivores we eat with our minds as much as our stomachs. This thoughtful relationship with food is part of what makes us a unique species, and makes culinary cultures diverse. Not even our closest primate relatives think about food in the way Homo sapiens does. We are superomnivores whose palates reflect the natural history of our species.
Drawing on the work of food historians and chefs, anthropologists and neuroscientists, Allen starts out with the diets of our earliest ancestors, explores cooking’s role in our evolving brain, and moves on to the preoccupations of contemporary foodies. The Omnivorous Mind delivers insights into food aversions and cravings, our compulsive need to label foods as good or bad, dietary deviation from “healthy” food pyramids, and cross-cultural attitudes toward eating (with the French, bien sûr, exemplifying the pursuit of gastronomic pleasure).
To explain, for example, the worldwide popularity of crispy foods, Allen considers first the food habits of our insect-eating relatives. He also suggests that the sound of crunch may stave off dietary boredom by adding variety to sensory experience. Or perhaps fried foods, which we think of as bad for us, interject a frisson of illicit pleasure. When it comes to eating, Allen shows, there’s no one way to account for taste.
Whitman praised its "good-natured style." But many reviewers doubted Melville's veracity, and some objected to his "raciness" and "indecencies." Some also denounced his criticism of missionary endeavors, for his attacks on missionaries were more polemical than those undertaken in the earlier book. Omoo, however, influenced later visitors to Tahiti such as Pierre Loti, Henry Adams, John La Farge, and Jack London; it was the book that sent Robert Louis Stevenson to the South Seas.
This scholarly edition aims to present a text as close to the author's intention as surviving evidence permits. Based on collations of all editions publishing during Melville's lifetime, it incorporates author corrections and many emendations made by the present editors. This edition of Omoo is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
Combining elements of the personal and the universal, these essays chart the passage of time from childhood to adulthood, sickness to health, working life to retirement, parenthood to grandparenthood, and everything in between. These sharply observed vignettes highlight the importance of taking time to appreciate the ordinary occurrences that profoundly shape our lives and the places we call home.
Service manages, none hold more national appeal and recognition than Gettysburg National
Military Park. Welcoming more than one million visitors annually from across the
nation and around the world, the National Park Service at Gettysburg holds the enormous
responsibility of preserving the war’s “hallowed ground” and educating the public, not
only on the battle, but also about the Civil War as the nation’s defining moment. Although
historians and enthusiasts continually add to the shelves of Gettysburg scholarship, they
have paid only minimal attention to the battlefield itself and the process of preserving,
interpreting, and remembering the bloodiest battle of the Civil War. In On a Great Battlefield,
Jennifer M. Murray provides a critical perspective to Gettysburg historiography by
offering an in-depth exploration of the national military park and how the Gettysburg
battlefield has evolved since the National Park Service acquired the site in August 1933.
As Murray reveals, the history of the Gettysburg battlefield underscores the complexity
of preserving and interpreting a historic landscape. After a short overview of early
efforts to preserve the battlefield by the Gettysburg Battlefield Memorial Association
(1864–1895) and the United States War Department (1895–1933), Murray chronicles the
administration of the National Park Service and the multitude of external factors—including
the Great Depression, the New Deal, World War II, the Civil War Centennial, and
recent sesquicentennial celebrations—that influenced operations and molded Americans’
understanding of the battle and its history. Haphazard landscape practices, promotion of
tourism, encouragement of recreational pursuits, ill-defined policies of preserving cultural
resources, and the inevitable turnover of administrators guided by very different
preservation values regularly influenced the direction of the park and the presentation
of the Civil War’s popular memory. By highlighting the complicated nexus between preservation,
tourism, popular culture, interpretation, and memory, On a Great Battlefield
provides a unique perspective on the Mecca of Civil War landscapes.
Jennifer M. Murray, assistant professor of history at the University of Virginia’s College
at Wise, is the author of The Civil War Begins. Her articles have appeared in Civil War
History, Civil War Times, and Civil War Times Illustrated.
Service manages, none hold more national appeal and recognition than Gettysburg National
Military Park. Welcoming more than one million visitors annually from across the
nation and around the world, the National Park Service at Gettysburg holds the enormous
responsibility of preserving the war’s “hallowed ground” and educating the public, not
only on the battle, but also about the Civil War as the nation’s defining moment. Although
historians and enthusiasts continually add to the shelves of Gettysburg scholarship, they
have paid only minimal attention to the battlefield itself and the process of preserving,
interpreting, and remembering the bloodiest battle of the Civil War. In On a Great Battlefield,
Jennifer M. Murray provides a critical perspective to Gettysburg historiography by
offering an in-depth exploration of the national military park and how the Gettysburg
battlefield has evolved since the National Park Service acquired the site in August 1933.
As Murray reveals, the history of the Gettysburg battlefield underscores the complexity
of preserving and interpreting a historic landscape. After a short overview of early
efforts to preserve the battlefield by the Gettysburg Battlefield Memorial Association
(1864–1895) and the United States War Department (1895–1933), Murray chronicles the
administration of the National Park Service and the multitude of external factors—including
the Great Depression, the New Deal, World War II, the Civil War Centennial, and
recent sesquicentennial celebrations—that influenced operations and molded Americans’
understanding of the battle and its history. Haphazard landscape practices, promotion of
tourism, encouragement of recreational pursuits, ill-defined policies of preserving cultural
resources, and the inevitable turnover of administrators guided by very different
preservation values regularly influenced the direction of the park and the presentation
of the Civil War’s popular memory. By highlighting the complicated nexus between preservation,
tourism, popular culture, interpretation, and memory, On a Great Battlefield
provides a unique perspective on the Mecca of Civil War landscapes.
Jennifer M. Murray, assistant professor of history at the University of Virginia’s College
at Wise, is the author of The Civil War Begins. Her articles have appeared in Civil War
History, Civil War Times, and Civil War Times Illustrated.
The Hemenway Southwestern Archaeological Expedition (1886–1889), directed by Frank Hamilton Cushing, was the first privately funded expedition to the American Southwest. This volume examines the expedition through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge, and the expedition artist, Margaret Magill—who was also Cushing’s sister-in-law. It also presents the first biographical treatment of Hodge, who became a major figure in early twentieth-century anthropology. The book’s first two sections chronicle the field operations of the expedition, while the third describes the long anthropological career of Hodge after the end of the expedition. Through deep research in primary and secondary sources and archival materials, the book details both the daily operations of the expedition and the growing romantic relationship between Hodge and Magill.
For those interested in settlements in early Arizona and Zuni Pueblo, the book provides rare insights into the lives of both men and women, offering an intimate view of an enterprise that is now considered a foundation of Hohokam archaeology—even as it reveals deep love and persistent personal conflicts.
Cultivated farming advice.
Cato (M. Porcius Cato) the elder (234–149 BC) of Tusculum, statesman and soldier, was the first important writer in Latin prose. His speeches, works on jurisprudence and the art of war, his precepts to his son on various subjects, and his great historical work on Rome and Italy are lost. But we have his De Agricultura; terse, severely wise, grimly humorous, it gives rules in various aspects of a farmer’s economy, including even medical and cooking recipes, and reveals interesting details of domestic life.
Varro (M. Terentius) of Reate (116–27 BC), renowned for his vast learning, was an antiquarian, historian, philologist, student of science, agriculturist, and poet. He was a republican who was reconciled to Julius Caesar and was marked out by him to supervise an intended national library. Of Varro’s more than seventy works involving hundreds of volumes we have only one on agriculture and country affairs (Rerum Rusticarum) and part of his work on the Latin language (De Lingua Latina; LCL 333, 334), though we know much about his Satires. Each of the three books on country affairs begins with an effective mise en scene and uses dialogue. The first book deals with agriculture and farm management, the second with sheep and oxen, the third with poultry and the keeping of other animals large and small, including bees and fish ponds. There are lively interludes and a graphic background of political events.
A Roman farmer on farming.
Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.
Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.
The Loeb Classical Library edition of Columella is in three volumes.
A Roman farmer on farming.
Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.
Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.
The Loeb Classical Library edition of Columella is in three volumes.
A Roman farmer on farming.
Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.
Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.
The Loeb Classical Library edition of Columella is in three volumes.
Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions.
Sartre’s engagement with the literature of his day extended well beyond the works of his French contemporaries. This short volume testifies to his astonishing grasp of the nuances of American fiction, as he analyzes three of the most important twentieth-century writers: John Dos Passos, Vladimir Nabokov, and William Faulkner, whose “humanism,” writes Sartre, “is the only acceptable sort.”
Anger is an emotion that affects everyone regardless of culture, class, race, or gender—but at the same time, being angry always results from the circumstances in which people find themselves. In On Anger, Sue J. Kim opens a stimulating dialogue between cognitive studies and cultural studies to argue that anger is always socially and historically constructed and complexly ideological, and that the predominant individualistic conceptions of anger are insufficient to explain its collective, structural, and historical nature.
On Anger examines the dynamics of racial anger in global late capitalism, bringing into conversation work on political anger in ethnic, postcolonial, and cultural studies with recent studies on emotion in cognitive studies. Kim uses a variety of literary and media texts to show how narratives serve as a means of reflecting on experiences of anger and also how we think about anger—its triggers, its deeper causes, its wrongness or rightness. The narratives she studies include the film Crash, Maxine Hong Kingston’s The Woman Warrior, Tsitsi Dangarembga’s Nervous Conditions and The Book of Not, Ngugi wa Thiong’o’s Devil on the Cross and Wizard of the Crow, and the HBO series The Wire. Kim concludes by distinguishing frustration and outrage from anger through a consideration of Stéphane Hessel’s call to arms, Indignez-vous! One of the few works that focuses on both anger and race, On Anger demonstrates that race—including whiteness—is central to our conceptions and experiences of anger.
Occasionally zany zoological lore.
Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.
Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.
The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.
Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.
Occasionally zany zoological lore.
Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.
Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.
The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.
Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.
Occasionally zany zoological lore.
Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.
Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.
The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.
Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.
Bell, who arguably saved the league from bankruptcy by conceiving the idea for the annual player draft, later made the historic decision to introduce “sudden death” overtime—a move that propelled professional football into the national consciousness. He coined the phrase “on any given sunday” and negotiated the league’s first national TV contract. Lyons also describes in fascinating detail Bell’s relationships with leading figures ranging from such Philadelphia icons as Walter Annenberg and John B. Kelly to national celebrities and U.S. Presidents. He also provides insight into Bell’s colorful personal life—including his hell-raising early years and his secret marriage to Frances Upton, a golden name in show business.
On Any Given Sunday is being published on the 50th anniversary of Bell’s death.
The Renaissance man avant la lettre.
Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.
In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.
The Renaissance man avant la lettre.
Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.
In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.
Devoted to themes that range from the “cosmism” of pre-Revolutionary Russian modernism to the philosophical implications of Moscow’s garbage, Kabakov’s handmade booklets were typed out on paper, then stapled or sewn together using rough butcher paper for their covers. Among these writings are faux Socialist Realist verses, theoretical explorations, art historical analyses, accompaniments to installation projects, and transcripts of dialogues between the artist and literary theorists, critics, journalists, and other artists.
This volume offers for the first time in English the most significant texts written by Kabakov. The writings have been expressly selected for this English-language volume and there exists no equivalent work in any language.
Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture.
This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.
John Shelton Reed is one of today’s most knowledgeable authors on the subject of barbecue. Holy Smoke: The Big Book of North Carolina Barbecue, written with his wife, Dale Volberg Reed, won the National Barbecue Association Award of Excellence in 2017 and was a finalist for the 2009 International Associate of Culinary Professionals Cookbook Award. In this collection, On Barbecue, Reed compiles reviews, essays, magazine articles, op-eds, and book extracts from his many-year obsession with the history and culture of barbecue. Brought together, these pieces constitute a broad look at the cultural, culinary, historical, and social aspects of this American institution.
Reed’s original and provocative voice carries through this collection, which spans more than twenty years of barbecue lore. A lover of tradition whose study of regional distinctions has made him prize and defend them, Reed writes with conviction on what “real” barbecue looks, smells, and tastes like. He delves into the history of barbecue and even the origins of the word barbecue itself. Other topics include present-day barbecue, Carolina ’cue and other regional varieties, and even the role of "barbeculture" in the 2016 U.S. presidential elections.
Anyone with an interest in this signature American food will find themselves immersed in this book’s accessible, conversational, and frequently tart pages. From one of the wittiest and most knowledgeable authors writing on the subject, On Barbecue is essential reading.
Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions.
“There is a crisis of the essay,” begins Sartre as he ventures into a long analysis of the work of one of his contemporaries who he argues might save this form: Georges Bataille. From there, Sartre moves on in this compact volume to consider Aminadab, the most important work of another hugely influential philosopher, Maurice Blanchot, through whom, writes Sartre, “the literature of the fantastic continues the steady progress that will inevitably unite it, ultimately, with what it has always been.”
Winner, 2020 NCA Top Single-Author Book of the Year Award
Fred Rogers is an American cultural and media icon, whose children’s television program, Mister Rogers’ Neighborhood, ran for more than thirty years (1967-2001) on the Public Broadcasting System. In this highly original book, communication scholar Alexandra C. Klarén shows how Rogers captured the moral, social, and emotional imaginations of multiple generations of Americans. She explores the nuanced complexity of the thought behind the man and the program, the dialogical integration of his various influences, and the intentional ethic of care behind the creation of a program that spoke to the affective, cultural, and educational needs of children (and adults) during a period of cultural and political upheaval. Richly informed by newly available archival materials, On Becoming Neighbors chronicles the evolution of Rogers’ thought on television, children, pedagogy, and the family through a rhetorical, cultural, and ethical lens. Klarén probes how Rogers creates the conditions for dialogue in which participants explore possibilities and questions relating to the social and material world.
Focusing on women in four national farm organizations in Iowa—the Farm Bureau, the Farmers Union, the National Farm Organization, and the Porkettes—Devine highlights specific moments in time when farm women had to reassess their roles and strategies for preserving and improving their way of life. Rather than retreat from the male-dominated world of agribusiness and mechanized production, postwar women increasingly asserted their identities as agricultural producers and demanded access to public spaces typically reserved for men.
The book explores how Ek’Balam villagers negotiate and maneuver through a web of social programs, tourists, volunteers, and expectations while living their daily lives. Focusing on the active processes in which residents choose to participate, author Sarah R. Taylor provides insights into how the ideological conflicts surrounding economic development play out in the negotiations between internal community politics and external social actors. The conflicts implicit to conceptions of “community” as a target for development are made explicit through the systematic questioning of what exactly it means to be a member of a local, indigenous, or sustainable community in the process of being developed.
On Being Maya and Getting By is a rich description of how one community is actively negotiating with tourism and development and also a call for a more complex analysis of how rural villages are connected to greater urban, national, and global forces.
Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and advisor to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities.
On Benefits, written between 56 and 64 CE, is a treatise addressed to Seneca’s close friend Aebutius Liberalis. The longest of Seneca’s works dealing with a single subject—how to give and receive benefits and how to express gratitude appropriately—On Benefits is the only complete work on what we now call “gift exchange” to survive from antiquity. Benefits were of great personal significance to Seneca, who remarked in one of his later letters that philosophy teaches, above all else, to owe and repay benefits well.
Adultery, treason, and apostasy no longer carry the weight they once did. Yet we constantly see and hear stories of betrayal, and many people have personally experienced a destructive breach of loyalty. Avishai Margalit argues that the tension between the ubiquity of betrayal and the loosening of its hold is a sign of the strain between ethics and morality, between thick and thin human relations. On Betrayal offers a philosophical account of thick human relations—relationships with friends, family, and core communities—through their pathology, betrayal.
Judgments of betrayal often shift unreliably. A whistle-blower to some is a backstabber to others; a traitor to one side is a hero to the other. Yet the notion of what it means to betray is remarkably consistent across cultures and eras. Betrayal undermines thick trust, dissolving the glue that holds our most meaningful relationships together. Recently, public attention has lingered on trust between strangers—on relations that play a central role in the globalized economy. These, according to Margalit, are guided by morality. On Betrayal is about ethics: what we owe to the people and groups that give us our sense of belonging.
Margalit’s clear-sighted account draws on literary, historical, and personal sources, including stories from his childhood during the 1948 Arab-Israeli War. Through its discussion of betrayal, it examines what our thick relationships are and should be and revives the long-discarded notion of fraternity.
Dunn kept a day-to-day diary during his spare time on board the Mason. Such diaries are a rarity, for the navy (and other armed services) forbade the keeping of diaries, fearful lest secret information fall into enemy hands. The diary chronicles the Mason’s wartime activities, from the first convoy to the final return to the United States. It captures the feeling and meaning of life on board with an immediacy not fully found in retrospective accounts. The diary accurately records the mortal danger Dunn and his shipmates were in while attacking enemy submarines or dealing with extreme weather conditions in the North Atlantic. It conveys the boredom the men encountered while confined on long, tedious convoys and the joy of shore leaves. Here is the daily life aboard ship—the duties and the pastimes that made shipboard life endurable.
Equally interesting, the diary reveals what it meant to be an African American in a white navy within a segregated American society, the shipboard tensions, and the shipboard cooperation and sense of unity. It also portrays the life of an African American onshore in the United States, Great Britain, and North Africa and the love story that unfolded between James and his wife, Jane.
Supplemented by additional sources, including interviews with Dunn, this diary is a personal view into an important part of American history. Like the Tuskegee airmen, the men of the USS Mason paved the way for desegregation in America’s armed forces, contributing to a civil rights movement that changed the face of a nation.
What do we mean when we say that we are bored? Contributors to this volume, which include artists, art historians, psychoanalysts, and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance, and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages—featuring Mathew Hale, Martin Creed, and Susan Morris—help turn this volume into a material expression of boredom itself. It will appeal to readers in the fields of art history, literature, cultural studies, and visual culture.
Weinrich’s analysis of the roots of the word time connects it to the temples of the skull, demonstrating that humans first experienced time in the beating of their pulses. Tracing this corporeal perception of time across literary, religious, and philosophical works, Weinrich concludes that time functions as a kind of sixth sense—the crucial sense that enables the other five.
Written with Weinrich’s customary narrative elegance, On Borrowed Time is an absorbing—and, fittingly, succinct—meditation on life’s inexorable brevity.
Social climbers have often been the core characters of novels. Their position between traditional tiers in society makes them touchstones for any political and literary moment, including our own. Morgane Cadieu’s study looks at a certain kind of social climber in contemporary French literature whom she calls the parvenant. Taken from the French term parvenu, which refers to one who is newly arrived, a parvenant is a character who shuttles between social groups. A parvenant may become part of a new social class but devises literary ways to come back, constantly undoing any fixed idea of social affiliation.
Focusing on recent French novels and autobiographies, On Both Sides of the Tracks speaks powerfully to issues of emancipation and class. Cadieu offers a fresh critical look at tales of social mobility in the work of Annie Ernaux, Kaoutar Harchi, Michel Houellebecq, Édouard Louis, and Marie NDiaye, among others, shedding fascinating light on upward mobility today as a formal, literary problem.
At a critical, transitional moment in the history of Broadway—and, by extension, of American theatre itself—former Broadway stage manager Steven Adlerenlists insider perspectives from sixty-six practitioners and artists to chronicle the recent past and glimpse the near future of the Great White Way. From marquee names to behind-the-scenes power brokers, Adler has assembled a distinctly knowledgeable cast of theatre’s elite, including Stephen Sondheim, Arthur Laurents, Des McAnuff, Frank Rich, Robin Wagner, Rocco Landesman, Robert Longbottom, Todd Haimes, Bernard Gersten, and Alan Eisenberg.
On Broadway: Art and Commerce on the Great White Way spotlights the differing vantage points of performers, artists, writers, managers, producers, critics, lawyers, theatre owners, union leaders, city planners, and other influential players. Each details his or her firsthand account of the creative and economic forces that have wrought extraordinary changes in the way Broadway theatre is conceived, produced, marketed, and executed. Once the paramount site of American theatre, Broadway today is becoming a tourist-driven, family-friendly, middle-class entertainment oasis in Midtown, an enterprise inextricably bound to the larger mosaic of national and international professional theatre.
Accounting for this transformation and presaging Broadway’s identity for the twenty-first century, Adler and his interviewees assess the impact of the advent of corporate producers, the ascendance of not-for-profit theatres on Broadway, and the growing interdependence between regional and Broadway productions. Also critiqued are the important roles of the radical urban redevelopment staged in Times Square and the changing demographics and appetites of contemporary theatre audiences in New York and around the globe.
Actors and administrators, performers and producers, theatre students and theatregoers will all benefit from the perceptive insights in this authoritative account of theatre making for the new millennium.
Late antique architecture.
Procopius, born at Caesarea in Palestine late in the fifth century, became a lawyer. In AD 527 he was made legal adviser and secretary of Belisarius, commander against the Persians, and went with Belisarius again in 533 against the Vandals and in 535 against the Ostrogoths. Sometime after 540 he returned to Constantinople. He may have been that Procopius who was prefect of Constantinople in 562, but the date of his death (after 558) is unknown.
Procopius’ History of the Wars in 8 books recounts the Persian Wars of emperors Justinus and Justinian down to 550 (2 books); the Vandalic War and after-events in Africa 532–546 (2 books); the Gothic War against the Ostrogoths in Sicily and Italy 536–552 (3 books); and a sketch of events to 554 (1 book). The whole consists largely of military history, with much information about peoples and places as well, and about special events. He was a diligent, careful, judicious narrator of facts and developments and shows good powers of description. He is just to the empire’s enemies and boldly criticizes emperor Justinian. Other works by Procopius are the Anecdota or Secret History—vehement attacks on Justinian, Theodora, and others; and the Buildings of Justinian (down to AD 558) including roads and bridges as well as churches, forts, hospitals, and so on in various parts of the empire.
The Loeb Classical Library edition of Procopius is in seven volumes.
The highly esteemed literary critic and poet Sandra M. Gilbert is best known for her feminist literary collaborations with Susan Gubar, with whom she coauthored The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, as well as the three-volume No Man's Land: The Place of the Woman Writer in the Twentieth Century.
The essays assembled in On Burning Ground display Gilbert's astonishing range and explore poetics, personal identity, feminism, and modern and contemporary literature. Among the pieces gathered here are essays on D. H. Lawrence, Robert Lowell, Sylvia Plath, and Louise Glück, as well as reviews and previously unpublished articles.
Sandra M. Gilbert is Distinguished Professor of English Emerita at the University of California, Davis. She is the recipient of Guggenheim, Rockefeller, NEH, and Soros Foundation fellowships and is the author of seven collections of poetry, including Kissing the Bread: New and Selected Poems 1969-1999 and, most recently, Belongings.
Praise for Sandra M.Gilbert
"Sandra Gilbert's poems are beautifully situated at the intersection of craft and feeling. Belongings is a stellar collection by a virtuoso with heart."
---Billy Collins
". . . brilliantly combines literary and cultural criticism with the intimacy of memoir."
---Joyce Carol Oates
"An enduring contribution to the literature of grief."
---New York Times Book Review
Poets on Poetry collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions.
Sartre met Albert Camus in Occupied France in 1943, and from the start, they were an odd pair: one from the upper reaches of French society; the other, a pied-noir born into poverty in Algeria. The love of “freedom,” however, quickly bound them in friendship, while their fight for justice united them politically. But in 1951 the two writers fell out spectacularly over their literary and political views, their split a media sensation in France. This volume holds up a remarkable mirror to that fraught relationship. It features an early review by Sartre of Camus’s The Stranger; his famous 1952 letter to Camus that begins, “Our friendship was not easy, but I shall miss it”; and a moving homage written after Camus’s sudden death in 1960.
In the poems of On Certainty, an unnamed woman in a strangely familiar dystopia narrates a story of power and decline, where the Tyrant has gained ascendency and the Philosopher is dying. Here, the Tyrant rules over a decimated ecology filled with android deer, burnt towns, and exhausted individuals dependent on virtual reality augmentation. In choosing whether to take the Philosopher’s place in a struggle against the Tyrant, the narrator must consider how her decision may perpetuate the currently existing catastrophic systems.
Weaving together speculative fiction, philosophical aphorism, lyric fragment, and documentary technique, On Certainty echoes the contemporary world that can feel simultaneously quotidian and strange.
Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White
Max Weber on Charisma and Institution Building is a volume in "The Heritage of Sociology," a series edited by Morris Janowitz. Other volumes deal with the writings of George Herbert Mead, William F. Ogburn, Louis Wirth, W. I. Thomas, Robert E. Park, and the Scottish Moralists—Adam Smith, David Hume, Adam Ferguson, and others.
The Stonewall Riots of 1969 and the AIDS crisis of the 1980s have been captured in minute detail, and rightly memorialized in books, on tv, and in film as pivotal and powerful moments in queer history. Yet what about the moments in between—the tumultuous decade post-Stonewall when the queer community’s vitality and creativity exploded across the country, even as the AIDS crisis emerged?
Michael Denneny was there for it all. As a founder and editor of the wildly influential magazine Christopher Street and later as the first openly gay editor at a major publishing house, Denneny critically shaped publishing around gay subjects in the 1970s and beyond. At St. Martin’s Press, he acquired a slew of landmark titles by gay authors—many for his groundbreaking Stonewall Inn Editions—propelling queer voices into the mainstream cultural conversation. On Christopher Street is Denneny’s time machine, going back to that heady period to lay out the unfolding geographies and storylines of gay lives and capturing the raw immediacy of his and his contemporaries’ daily lives as gay people in America. Through forty-one micro-chapters, he uses his journal writings, articles, interviews, and more from the 1970s and ‘80s to illuminate the twists and turns of a period of incomparable cultural ferment.
One of the few surviving voices of his generation, Denneny transports us back in time to share those vibrant in-between moments in gay lives—the joy, sorrow, ecstasy, and energy—across three decades of queer history.
This volume is a carefully chosen collection of Elias's most important writings and includes many of his most brilliant ideas. The development of Elias's thinking during the course of his long career is traced along with a discussion of how his work relates to other major sociologists and how the various selections are interconnected. The result is a consistent and stimulating look at one of sociology's founding thinkers.
At a time of debate about the future of “English” as a discipline and the fundamental methods of literary study, few terms appear more frequently than “close reading,” now widely regarded as the core practice of literary study. But what exactly is close reading, and where did it come from? Here John Guillory, author of the acclaimed Professing Criticism, takes up two puzzles. First, why did the New Critics—who supposedly made close reading central to literary study—so seldom use the term? And second, why have scholars not been better able to define close reading?
For Guillory, these puzzles are intertwined. The literary critics of the interwar period, he argues, weren’t aiming to devise a method of reading at all. These critics were most urgently concerned with establishing the judgment of literature on more rigorous grounds than previously obtained in criticism. Guillory understands close reading as a technique, a particular kind of methodical procedure that can be described but not prescribed, and that is transmitted largely by demonstration and imitation.
Guillory’s short book will be essential reading for all college teachers of literature. An annotated bibliography, curated by Scott Newstok, provides a guide to key documents in the history of close reading along with valuable suggestions for further research.
How do we use our mental images of the present to reconstruct our past? Maurice Halbwachs (1877-1945) addressed this question for the first time in his work on collective memory, which established him as a major figure in the history of sociology. This volume, the first comprehensive English-language translation of Halbwach's writings on the social construction of memory, fills a major gap in the literature on the sociology of knowledge.
Halbwachs' primary thesis is that human memory can only function within a collective context. Collective memory, Halbwachs asserts, is always selective; various groups of people have different collective memories, which in turn give rise to different modes of behavior. Halbwachs shows, for example, how pilgrims to the Holy Land over the centuries evoked very different images of the events of Jesus' life; how wealthy old families in France have a memory of the past that diverges sharply from that of the nouveaux riches; and how working class construction of reality differ from those of their middle-class counterparts.
With a detailed introduction by Lewis A. Coser, this translation will be an indispensable source for new research in historical sociology and cultural memory.
Lewis A. Coser is Distinguished Professor of Sociology Emeritus at the State University of New York and Adjunct Professor of Sociology at Boston College.
Where does consciousness exist? In the mind? In the external world? On Consciousness features the most up-to-date considerations of the subject by the internationally renowned philosopher Ted Honderich. In this series of meditations, he systematically contemplates the very nature of consciousness as well as the separate question of how consciousness is related to the brain.
His careful, if not conventional, argument begins with Anomalous Monism, a doctrine that holds that mind and brain are one thing with two kinds of properties not lawfully connected. Honderich goes on to consider the thinking of neuroscientists and functionalists who suppose conscious events are caught for us by their causes and effects. He reconsiders humble truths about the mind as well as his own Union Theory, and the anti-individualism that disconnects the mind from the brain.
Honderich examines each of these beliefs in terms of whether they satisfy agreed criteria for acceptable accounts of consciousness. Because each is found wanting, he puts forth a radically new theory of consciousness as experience. Rather than explaining consciousness in terms of awareness, he develops a new kind of materialism, which transcends the traditional labels given to it by philosophers.
On Consciousness respects the most resilient proposition in the history of the philosophy of mind-that consciousness is not just cellular. Honderich's concept of perceptual consciousness consists in a world that is not merely mental, for it is spatial and contains physical objects. This shift to a near-physicalism asserts that all of consciousness is open to science. Proceeding logically through his arguments, Honderich offers a clearly written, refreshing dose of persuasive realism.
You go into teaching with high hopes: to inspire students, to motivate them to learn, to help them love your subject. Then you find yourself facing a crowd of expectant faces on the first day of the first semester, and you think “Now what do I do?”
Practical and lively, On Course is full of experience-tested, research-based advice for graduate students and new teaching faculty. It provides a range of innovative and traditional strategies that work well without requiring extensive preparation or long grading sessions when you’re trying to meet your own demanding research and service requirements. What do you put on the syllabus? How do you balance lectures with group assignments or discussions—and how do you get a dialogue going when the students won’t participate? What grading system is fairest and most efficient for your class? Should you post lecture notes on a website? How do you prevent cheating, and what do you do if it occurs? How can you help the student with serious personal problems without becoming overly involved? And what do you do about the student who won’t turn off his cell phone?
Packed with anecdotes and concrete suggestions, this book will keep both inexperienced and veteran teachers on course as they navigate the calms and storms of classroom life.
![front cover of On Creation [Quaestiones Disputatae de Potentia Dei, Q. 3]](https://www.bibliovault.org/thumbs/978-0-8132-1798-7-thumb.jpg)
Santner traces this theme of creaturely life from its poetic and philosophical beginnings in the first half of the twentieth century to the writings of the enigmatic German novelist W. G. Sebald. Sebald’s entire oeuvre, Santner argues, can be seen as an archive of creaturely life. For Sebald, the work on such an archive was inseparable from his understanding of what it means to engage ethically with another person’s history and pain, an engagement that transforms us from indifferent individuals into neighbors.
An indispensable book for students of Sebald, On Creaturely Life is also a significant contribution to critical theory.
Goldfarb—who examines conditions in the Soviet Union, the United States, and their respective European allies—focuses most closely upon Poland and the United States. He investigates a wide range of concrete cases, including the Polish opposition movement and Solidarity, the migration of artists, the American television and magazine industries, American philanthropy, and communist cultural conveyor belts.
From these cases, Goldfarb derives a definitive set of sociological conditions for cultural freedom: critical creativity which resists systematic constraints, continuity of cultural tradition, and a relatively autonomous public realm for the reception of culture. Cultural freedom, Goldfarb shows, is not a static state but a process of achievement. Its parameters and content are determined by social practice in cultural institutions and by their relations with other components and the totality of social structure.
So defined, cultural freedom is transformed from an ideological concept into one with real critical and analytical power. Through it we can appreciate the invisible nature of constraint in the West and the unapparent but acting supports of cultural freedom existing in socialist countries. Most importantly, Goldfarb's conclusions provide a framework for understanding more clearly than before the circumstance of cultural freedom in both East and West so that citizens may utilize their full creative abilities as they address the problems of the present day.
In 1972 Anne Lawrence came to West Virginia at the invitation of the Miners for Democracy movement to conduct interviews with participants in, and observers of, the Battle of Blair Mountain and other Appalachian mine wars of the 1920s and ’30s. The set of oral histories she collected—the only document of its kind—circulated for many years as an informal typescript volume, acquiring an almost legendary status among those intrigued by the subject. Key selections from it appear here for the first time as a published book, supplemented with introductory material, maps, and photographs. The volume’s vivid, conversational mode invites readers into miners’ lived experiences and helps us understand why they took up arms to fight anti-union forces in some of the nation’s largest labor uprisings.
Published to coincide with the celebration of the Blair Mountain centennial in 2021, On Dark and Bloody Ground includes a preface by public historian Catherine Venable Moore and an afterword by Cecil E. Roberts of the United Mine Workers of America.
Expertly translated by Jeffrey Kosky, this work will appeal to historians of philosophy, students of religion, and anyone interested in the genealogy of contemporary thought and its contradictions.
Descartes has long been associated with mind-body dualism, but Marion argues here that this is a historical misattribution, popularized by Malebranche and popular ever since both within the academy and with the general public. Actually, Marion shows, Descartes held a holistic conception of body and mind. He called it the meum corpus, a passive mode of thinking, which implies far more than just pure mind—rather, it signifies a mind directly connected to the body: the human being that I am. Understood in this new light, the Descartes Marion uncovers through close readings of works such as Passions of the Soul resists prominent criticisms leveled at him by twentieth-century figures like Husserl and Heidegger, and even anticipates the non-dualistic, phenomenological concepts of human being discussed today. This is a momentous book that no serious historian of philosophy will be able to ignore.
Bowen draws on a wide range of sources, including the first archaeological field work ever conducted on the islands, written accounts dating back to the sixteenth century, oral histories of native people, contemporary interviews, and his own firsthand experiences. Among those cast in the islands’ historical drama are the Seri (Comcaac) people of Sonora, the extinct Cochimís of Baja California, Spanish explorers, Jesuit missionaries, pearl fishers, egg collectors, guano miners, hydrographers, cartographers, small-scale Mexican fishermen, recreational anglers, writers, photographers, ecotourists, shipwreck victims, and, most importantly, scientists. The final chapter documents the impact of this human activity on the islands’ ecosystems and examines conservation efforts now underway. Compelling and richly illustrated, this broadly based work provides a unique picture of these extraordinary islands.
On Development is, as John Tyler Bonner says, “a book on ideas,” the ideas at stake in the contest to unravel the mechanisms of life. This fluent discussion of developmental biology synthesizes decades of intensive progress in specialized areas of the science: from the dramatic deciphering of the genetic code to detailed analyses of animal behavior patterns. Placing these discoveries in an evolutionary context, Bonner explores the continuities and the transitoriness of individual lives and individual forms.
He begins by discussing the ubiquity among organisms of developmental cycles and their universal properties, including senescence and death. He argues that the life cycle itself is an object of natural selection and shows how, in any species, it reflects the evolutionary tradeoff between energy requirements of the individual and reproductive efficiency of the species. Although nucleic acids are thought to be the ultimate and fundamental source of genetic regulation, Bonner points out that a massive amount of information required for normal development is not directly controlled by nuclear DNA during the life cycle. Each life cycle is governed by some immediate instructions from the genes and by many gene-initiated instructions that were given in previous life cycles and have accumulated in various parts of the fertilized egg. All of these instructions taken together govern the development of a new organism.
Acknowledging the great value of reductionist theories in biology, Bonner constructs his synthetic view of development without resorting to vitalist concepts or to hand-waving explanations. He draws examples and evidence from more than half a century of biological research, from sources as diverse as Spemann and Spiegelman. Certain organisms, such as the cellular slime molds, upon which Bonner himself has conducted a number of original experiments, and the social insects provide crucial examples of dramatic evolutionary increments in biological complexity and offer insight into the control mechanisms that make such advances possible.
Maximos the Confessor (580–662) occupies a unique position in the history of Byzantine philosophy, theology, and spirituality. His profound spiritual experiences and penetrating theological vision found complex and often astonishing expression in his unparalleled command of Greek philosophy, making him one of the most challenging and original Christian thinkers of all time. So thoroughly did his thought come to influence the Byzantine theological tradition that it is impossible to trace the subsequent history of Orthodox Christianity without knowledge of his work.
The Ambigua (or “Book of Difficulties”) is Maximos’s greatest philosophical and doctrinal work, in which his daring originality, prodigious talent for speculative thinking, and analytical acumen are on lavish display. In the Ambigua, a broad range of theological topics—cosmology, anthropology, the philosophy of mind and language, allegory, asceticism, and metaphysics—are transformed in a synthesis of Aristotelian logic, Platonic metaphysics, Stoic psychology, and the arithmetical philosophy of a revived Pythagoreanism. The result is a labyrinthine map of the mind’s journey to God that figured prominently in the Neoplatonic revival of the Komnenian Renaissance and the Hesychast Controversies of the Late Byzantine period.
This remarkable work has never before been available in a critically-based edition or English translation.
Maximos the Confessor (580–662) occupies a unique position in the history of Byzantine philosophy, theology, and spirituality. His profound spiritual experiences and penetrating theological vision found complex and often astonishing expression in his unparalleled command of Greek philosophy, making him one of the most challenging and original Christian thinkers of all time. So thoroughly did his thought come to influence the Byzantine theological tradition that it is impossible to trace the subsequent history of Orthodox Christianity without knowledge of his work.
The Ambigua (or “Book of Difficulties”) is Maximos’s greatest philosophical and doctrinal work, in which his daring originality, prodigious talent for speculative thinking, and analytical acumen are on lavish display. In the Ambigua, a broad range of theological topics—cosmology, anthropology, the philosophy of mind and language, allegory, asceticism, and metaphysics—are transformed in a synthesis of Aristotelian logic, Platonic metaphysics, Stoic psychology, and the arithmetical philosophy of a revived Pythagoreanism. The result is a labyrinthine map of the mind’s journey to God that figured prominently in the Neoplatonic revival of the Komnenian Renaissance and the Hesychast Controversies of the Late Byzantine period.
This remarkable work has never before been available in a critically-based edition or English translation.
The ethics of a statesman.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
On Duty in the Pacific Northwest during the Civil War introduces readers to the first regiment from the Pacific Northwest to serve the Union cause. James Robbins Jewell offers a glimpse into the lives of these soldiers, presenting their wartime letters to various northwesterners to share their experiences with loved ones at home.
Complete with a series of reminiscences and excerpts from memoirs by First Oregon Cavalry officers and soldiers, On Duty in the Pacific Northwest during the Civil War is the first collection of primary source materials from soldiers serving in this Far Western territory. Jewell’s first-rate collection enables readers to step directly into the Pacific Northwest of the early 1860s and experience the Civil War from a different perspective.
Finalist, Sheikh Zayed Book Award
“With extraordinary linguistic range, Calderwood brings us the voices of Arabs and Muslims who have turned to the distant past of Spain to imagine their future.”
—Hussein Fancy, Yale University
How the memory of Muslim Iberia shapes art and politics from New York and Cordoba to Cairo and the West Bank.
During the Middle Ages, the Iberian Peninsula was home not to Spain and Portugal but rather to al-Andalus. Ruled by a succession of Islamic dynasties, al-Andalus came to be a shorthand for a legendary place where people from the Middle East, North Africa, and Europe; Jews, Christians, and Muslims lived together in peace. That reputation is not entirely deserved, yet, as On Earth or in Poems shows, it has had an enduring hold on the imagination, especially for Arab and Muslim artists and thinkers in Europe, the Middle East, and North Africa.
From the vast and complex story behind the name al-Andalus, Syrians and North Africans draw their own connections to history’s ruling dynasties. Palestinians can imagine themselves as “Moriscos,” descended from Spanish Muslims forced to hide their identities. A Palestinian flamenco musician in Chicago, no less than a Saudi women’s rights activist, can take inspiration from al-Andalus. These diverse relationships to the same past may be imagined, but the present-day communities and future visions those relationships foster are real.
Where do these notions of al-Andalus come from? How do they translate into aspiration and action? Eric Calderwood traces the role of al-Andalus in music and in debates about Arab and Berber identities, Arab and Muslim feminisms, the politics of Palestine and Israel, and immigration and multiculturalism in Europe. The Palestinian poet Mahmud Darwish once asked, “Was al-Andalus / Here or there? On earth … or in poems?” The artists and activists showcased in this book answer: it was there, it is here, and it will be.
Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
Available again in English, with a new foreword by John J. Drummond that situates Meinong’s account within contemporary discussions of the emotions, this translation will be welcome to those interested in Meinong and his theory of objects as well as those interested in the philosophy of the emotions and values.
The philosopher-statesman on Epicureanism, Stoicism, and the Old Academy.
Cicero (Marcus Tullius, 106–43 BC), Roman lawyer, orator, politician, and philosopher, of whom we know more than of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, fifty-eight survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction.
Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
Though Wallace Stevens’ shorter poems are perhaps his best known, his longer poems, Helen Vendler suggests in this book, deserve equal fame and equal consideration. Stevens’ central theme—the worth of the imagination—remained with him all his life, and Mrs. Vendler therefore proposes that his development as a poet can best be seen, not in description—which must be repetitive—of the abstract bases of his work, but rather in a view of his changing styles.
The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens’ experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens’s work in long forms, and providing at the same time a coherent reading of these difficult poems. She concludes, “Stevens was engaged in constant experimentation all his life in an attempt to find the appropriate vehicle for his expansive consciousness; he found it in his later long poems, which surpass in value the rest of his work.”
Rotenstreich's phenomenological study will be of great importance for religious scholars as well as for philosophers.
Nathan Rotenstreich (1913-93) was professor of philosophy at the Hebrew University of Jerusalem. He was elected to the Israel Academy of Sciences and Humanities, and his works include Jews and German Philosophy and Reason and Its Manifestations: A Study of Kant and Hegel.
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