The year was 1896, and nineteenth-century journalists called the murder of Pearl Bryan the "Crime of the Century." From the day Pearl's headless body was found to the execution of her murderers on the gallows, the details of the murder fascinated newspaper reporters and ballad composers alike.
Often glossing over the facts of the case, newspaper accounts presented the events according to stereotypes that were remarkably similar to those found in well-known murdered-girl ballads, such as "Pretty Polly," "Omie Wise," and "The Jealous Lover." Events, characters, motivations, and plot were presented through this framework: the simple country girl led astray by a clever degenerate. Nearly all variants of the Pearl Bryan ballad point the same moral:
Young ladies now take warning
Young men are so unjust,
It may be your best lover
But you know not whom to trust.
Representations of this formula appear in such diverse genres as the ballad "Poor Ellen Smith" and the novel An American Tragedy.
As Anne Cohen demonstrates, both newspaper accounts and ballads tell the Pearl Bryan story from the same moral stance, express the same interpretation of character, and are interested in the same details. Both distort facts to accommodate a shared pattern of storytelling. This pattern consists of a plot formula—the murdered-girl formula—that is accompanied by stereotyped scenes, actors, and phrases. The headless body—surely the most striking element in the Pearl Bryan case—is absent from those ballads that have survived. Anne Cohen contends that a decapitated heroine does not belong to the formula—a murdered heroine, yes, but not a decapitated one. Similarly, newspapers made much of Pearl's "innocence" and tended to downplay the second murderer. Only one murderer, the lover, belongs to the stereotype.
Poor Pearl, Poor Girl! is a ballad study conducted on historic- geographic lines; that is, it seeks to trace the history and interrelations of a series of ballad texts and to relate the ballads directly to their ideological and historical context in the American scene. It also compares the narrative techniques of ballad composition with the techniques of other forms of popular narrative, especially newspaper journalism.
Starting with a brief overview of the history of charity medical care, Jonathan Engel presents the debates surrounding Medicaid’s creation and the compromises struck to allow federal funding of the nascent programs. He traces the development of Medicaid through the decades, as various states attempted to both enlarge the programs and more finely tailor them to their intended targets. At the same time, he describes how these new programs affected existing institutions and initiatives such as public hospitals, community clinics, and private pro bono clinical efforts. Along the way, Engel recounts the many political battles waged over Medicaid, particularly in relation to larger discussions about comprehensive health care and social welfare reform. Poor People’s Medicine is an invaluable resource for understanding the evolution and present state of programs to deliver health care to America’s poor.
Chicago seems an ideal environment for public housing because of the city’s relatively young age among major cities and well-deserved reputation for technology, innovation, and architecture. Yet The Poorhouse: Subsidized Housing in Chicago shows that the city’s experience on the whole has been a negative one, raising serious questions about the nature of subsidized housing and whether we should have it and, if so, in what form.
Bowly, a native of the city, provides a detailed examination of subsidized housing in the nation’s third-largest city. Now in its second edition, The Poorhouse looks at the history of public housing and subsidized housing in Chicago from 1895 to the present day. Five new chapters that cover the decline and federal takeover of the Chicago Housing Authority, and its more recent “transformation,” which involved the demolition of the CHA family high-rise buildings and in some cases their replacement with low-risemixed income housing on the same sites. Fifty new photos supplement this edition.
Certificate of Excellence from the Illinois State Historical Society, 2013
Contributors. Jennifer Doyle, Jonathan Flatley, Marcie Frank, David E. James, Mandy Merck, Michael Moon, José Esteban Muñoz, Eve Kosofsky Sedgwick, Brian Selsky, Sasha Torres, Simon Watney, Thomas Waugh
Drawn from presentations at the annual Experience Music Project Pop Conference—hailed by Robert Christgau as “the best thing that’s ever happened to serious consideration of pop music”—the essays in this book include inquiries into the sonic dimension of war in Iraq; the cultural life of jazz in post-Katrina New Orleans; Isaac Hayes’s reappropriation of a country song, “By the Time I Get to Phoenix,” as a symbol of black nationalism; and punk rock pranks played on record execs looking for the next big thing in central Virginia. Offering a diverse range of voices, perspectives, and approaches, this volume mirrors the eclecticism of pop itself.
Contributors: Larry Blumenfeld , Austin Bunn, Nate Chinen, J. Martin Daughtry, Brian Goedde, Michelle Habell-Pallán, Jonathan Lethem, Eric Lott, Kembrew McLeod, Elena Passarello, Diane Pecknold, David Ritz, Carlo Rotella, Scott Seward, Tom Smucker, Greg Tate, Karen Tongson, Alexandra T. Vazquez, Oliver Wang, Eric Weisbard, Carl Wilson
The Vatican’s dealings with the Weimar Republic and the Third Reich have long been swathed in myth and speculation. After almost seventy years, the crucial records for the years leading up to 1939 were finally opened to the public, revealing the bitter conflicts that raged behind the walls of the Holy See. Anti-Semites and philo-Semites, adroit diplomats and dogmatic fundamentalists, influential bishops and powerful cardinals argued passionately over the best way to contend with the intellectual and political currents of the modern age: liberalism, communism, fascism, and National Socialism. Hubert Wolf explains why a philo-Semitic association was dissolved even as anti-Semitism was condemned, how the Vatican concluded a concordat with the Third Reich in 1933, why Hitler’s Mein Kampf was never proscribed by the Church, and what factors surrounded the Pope’s silence on the persecution of the Jews.
In rich detail, Wolf presents astonishing findings from the recently opened Vatican archives—discoveries that clarify the relations between National Socialism and the Vatican. He illuminates the thinking of the popes, cardinals, and bishops who saw themselves in a historic struggle against evil. Never have the inner workings of the Vatican—its most important decisions and actions—been portrayed so fully and vividly.
A call to reform Catholic health care ethics, inspired by the teachings of Pope Francis
Since its first edition in 1948, the US Conference of Catholic Bishops’ Ethical and Religious Directives for Catholic Health Care Services (ERD) has guided Catholic institutions in the provision of health care that reflects both the healing ministry of Jesus and the Church’s understanding of human dignity. However, while the papacy of Pope Francis and the clerical sex-abuse scandal both profoundly impacted the Catholic Church, the latest edition of the ERD does not address or reflect these transformations.
Now for the first time, Todd A. Salzman and Michael G. Lawler present an extended critical commentary on the 2018 ERD. They argue that it is problematic in a number of ways. First, the revised ERD continues to prioritize a rule-based over a personalist-based ethical method, with an emphasis on absolute norms that proscribe specific medical acts. Further, it does not take into account Pope Francis’s transforming ecclesiological, methodological, and anthropological visions, neither internally in Catholic health care institutions nor externally in collaborations between Catholic and non-Catholic health care institutions. Finally, the revised ERD provides no evidence that the bishops grasp how the clerical sex-abuse scandal and its cover-up have fundamentally undermined episcopal authority and credibility.
Salzman and Lawler propose new ways forward for US Catholic health care ethics that prioritize human dignity as their guiding principle. As there is pluralism in Catholic definitions of human dignity, there must be pluralism in the norms and directives that facilitate realizing human dignity. Pope Francis’s emphasis on the virtues of mercy and care should move the ERD forward from a focus on absolute norms in medical ethics to a focus on virtues and principles to guide both patients and health care professionals in their discerned conscientious health care decisions.
This study of Renaissance adventures and struggles against fate brings to life a brilliant age and its exemplars. It is a story of how several men, including Julius II, worked, intrigued, and made business deals against the backdrop of an Italy invaded by continental countries and England. The future of the once great Republic of Venice was at stake as it was besieged and in desperate need of allies. The Papacy switched sides, breaking the seemingly invincible and mostly foreign League of Cambrai, and saw that Venice was offered a loan by Agostino Chigi, the richest man of his time. The Pope's banker, as daring as Julius II, negotiated with the formidable communal rulers of Venice and Italy was kept from further dismemberment.
As a dramatic account that brings together diplomacy, war, business, and politics, viewed through one long entrepreneurial venture, this book is unique. It juxtaposes differing institutional structures and the various political ways among Italy's city states; it also brings into sharp focus the new men of the Renaissance. Their dealings and lifestyles were original and bold. They were successful against great odds and flaunted their new wealth and position in society in building great palaces and estates and becoming patrons of art. Felix Gilbert is a master teacher of history, and his new work is as luminous as the men and events he tells about.
Popular Abstracts is a reference tool providing access to information appearing in past issues of three journals published by the Bowling Green Popular Press. Abstracts are included for each article appearing in the first ten volumes of The Journal of Popular Culture (1967–1977), the first five volumes of The Journal of Popular Film (1972–1977), and the first four volumes of Popular Music and Society (1971–1975).
A radical reconceptualization of modernism, this book traces the appearance of the modern artist to the Paris of the 1830s and links the emergence of an enduring modernist aesthetic to the fleeting forms of popular culture. Contrary to conventional views of a private self retreating from history and modernity, Popular Bohemia shows us the modernist as a public persona parodying the stereotypes of commercial mass culture. Here we see how the modern artist—alternately assuming the roles of the melodramatic hero, the urban flâneur, the female hysteric, the tribal primitive—created his own version of an expressive, public modernity in opposition to an increasingly repressive and conformist bourgeois culture. And here we see how a specifically modern aesthetic culture in nineteenth-century Paris came about, not in opposition to commercial popular culture, but in close alliance with it.
Popular Bohemia revises dominant historical narratives about modernism from the perspective of a theoretically informed cultural history that spans the period between 1830 and 1914. In doing so, it reconnects the intellectual history of avant-garde art with the cultural history of bohemia and the social history of the urban experience to reveal the circumstances in which a truly modernist culture emerged.
Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.
Between 1750 and 1840 ordinary British people abandoned such time-honored forms of protest as collective seizures of grain, the sacking of buildings, public humiliation, and physical abuse in favor of marches, petition drives, public meetings, and other sanctioned routines of social movement politics. The change created--perhaps for the first time anywhere--mass participation in national politics.
Charles Tilly is the first to address the depth and significance of the transmutations in popular collective action during this period. As he unravels the story of thousands of popular struggles and their consequences, he illuminates the dynamic relationships of an industrializing, capitalizing, proletarianizing economy; a war-making, growing, increasingly interventionist state; and an internal history of contention that spawned such political entrepreneurs as Francis Place and Henry Hunt. Tilly's research rests on a catalog of more than 8,000 "contentious gatherings" described in British periodicals, plus ample documentation from British archives and historical monographs.
The author elucidates four distinct phases in the transformation to mass political participation and identifies the forms and occasions for collective action that characterized and dominated each. He provides rich descriptions not only of a wide variety of popular protests but also of such influential figures as John Wilkes, Lord George Gordon, William Cobbett, and Daniel O'Connell. This engaging study presents a vivid picture of the British populace during a pivotal era.
Popular Culture in America was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This book collects some of the best work from the journal Cultural Correspondence (1975–83), which editor Paul Buhle calls "the first political journal of culture to assume its readers (and writers) watched television." The twenty-four contributors are part of a new generation of cultural critics and historians who are self-conscious products of the mass culture of the fifties and sixties. Their work attempts to update an elementary democratic principle - that people seek understanding and solutions, real or fanciful, through the mechanisms available to them. Although these writers condemn the manipulative qualities of commercial culture, they just as vehemently reject most of what has passed for Marxist (or liberal or conservative) orthodoxy on popular culture. Americans, they argue, have had a unique opportunity as well as a unique need to make the most of popular culture; the collective cultural experience is our only shared past. The richness and vitality of that culture is the focus of this book.
The thirty-four essays work toward an understanding of American mass culture not through abstraction but by exploring the real pleasures of ordinary people's lives. Pulp literature (utopian and horror themes, sports and nurse novels, and contemporary science fiction); radio thrillers; TV horror movies: television evangelists; sitcoms; music (polka, country-western, blues, jazz, and rock 'n roll); comic strips (Krazy Kat, Dick Tracy, Zippy); women's humor—these and other topics are given sensitive, detailed—sometimes humorous—attention. Paul Buhle's essay, "The 1960s Meet the 1980s," discusses popular culture scholarship, drawing on a wide range of theory—the Frankfort School, art history, literary criticism, and social science approaches. Buhle argues for the importance of this scholarship as a way of understanding "that missed connection between the cultural promise of a richly diverse, democratic society and the reality at hand."
The culture of the Middle Ages was as complex, if not as various, as our own, as the essays in this volume ably demonstrate. The essays cover a wide range of tipics, from church sculpture as "advertisement" to tricks and illusions as "homeeconomics."
From the turn of the century until 1923, the year of the National Socialist putsch, popular entertainment in Munich reflected the sentiments and ideas of its largely middle-class audience. While industrialization, rapid urbanization, World War I, and the German Revolution of 1918–19 created an atmosphere of turbulent change, performances on Munich's popular stages gave voice to the continuity of several basic attitudes: patriotism; nostalgia for a preindustrial, rural community; hostility toward Jews; and increasing anxiety over social status. In songs, monologues, skits, and one-act plays, popular entertainers articulated views common to Munich's traditional middle class of tradesmen and shopkeepers and its “new” or white-collar middle class of clerks and minor officials. Folksingers Karl Valentin and Weiss Ferdl serve as examples of this relationship between politics and culture. They shared their audience's class background and sympathies, and in the cabarets and music halls their songs dealt with vexed social and political issues.
This intriguing book in cultural history adds to our understanding of social conditions preparing the way for political change. A model case study, it explores the roots of Nazism in a large urban setting.
Laurent Joubert was an important figure in the medical world of the French Renaissance. Born in 1529, he became a doctor at age 29 and shortly thereafter was appointed personal physician to Catherine de Medici and later became physician to three French monarchs. Joubert was an educator as well as a physician, and he wrote several works of medical literature, including his most controversial work, Erreurs populaires. While the work focuses on popular misconceptions concerning medicine and physicians in France in the 1500s, it also represents a wealth of information on the social, economic, political, and religious worldviews that framed and thus supported the development and conduct of medical science.
The story of Paris in the 1930s seems straightforward enough, with the Popular Front movement leading toward the inspiring 1936 election of a leftist coalition government. The socialist victory, which resulted in fundamental improvements in the lives of workers, was then derailed in a precipitous descent that culminated in France's capitulation before the Nazis in June 1940. Yet no matter how minutely recounted, this "straight story" clarifies only the political activity behind which turbulent cultural currents brought about far-reaching changes in everyday life and the way it is represented.
In this book, Dudley Andrew and Steven Ungar apply an evocative "poetics of culture" to capture the complex atmospherics of Paris in the 1930s. They highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film—technologies that converged with efforts among writers (Gide, Malraux, Céline), artists (Renoir, Dalí), and other intellectuals (Mounier, de Rougemont, Leiris) to respond to the decade's crises.
Their analysis takes them to expositions and music halls, to upscale architecture and fashion sites, to traditional neighborhoods, and to overseas territories, the latter portrayed in metropolitan exhibits and colonial cinema. Rather than a straight story of the Popular Front, they have produced something closer to the format of an illustrated newspaper whose multiple columns represent the breadth of urban life during this critical decade at the end of the Third French Republic.
With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen's study includes reassessments of the politics of Richard Wright's critical reputation and a provocative reading of class struggle in Gwendolyn Brooks' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago's black popular front: the Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.
From the work of medieval spiritualist Margery Kempe and John Foxes’ Book of Martyrs to nineteenth century American scrapbooks, Mexican ex-votos, and Italian-American cookbooks, the essays in Popular Literacy examine acts of reading, writing, and speaking that take place at the margins of official, institutionalized literacy.
The contributors explore these noncanonical, unschooled, and unauthorized acts in order to explore how people make literacy popular by using whatever means of communication is at hand, to their own ends. The essays treat a range of topics, agents, and historical settings, and the contributors use a variety of theoretical frameworks and methods from a number of fields: ethnography, American studies, history, literary criticism, science studies, rhetoric, and writing studies.
The chapters examine particularly revealing historical moments and cultural conjunctures where instances of popular literacy take place in uneasy relation to the dominant institutions—the church, the state, the schools, the market. The contributors show that while the practices of popular literacy are never free from these influences, neither are they altogether encapsulated by them.
Taken as a whole, the essays are loosely aligned in a common project to study the ways ordinary (and extraordinary) readers, speakers, and writers use literacy to articulate identities and social aspirations, to produce alternative forms of cultural knowledge, and to cope with the asymmetries of power that regulate cultural life.
Do our ideas about social movements travel successfully beyond the democratic West? Unrest in China, from the dramatic events of 1989 to more recent stirrings, offers a rare opportunity to explore this question and to consider how popular contention unfolds in places where speech and assembly are tightly controlled. The contributors to this volume, all prominent scholars of Chinese politics and society, argue that ideas inspired by social movements elsewhere can help explain popular protest in China.
Drawing on fieldwork in China, the authors consider topics as varied as student movements, protests by angry workers and taxi drivers, recruitment to Protestant house churches, cyberprotests, and anti-dam campaigns. Their work relies on familiar concepts—such as political opportunity, framing, and mobilizing structures—while interrogating the usefulness of these concepts in a country with a vastly different history of class and state formation than the capitalist West. The volume also speaks to “silences” in the study of contentious politics (for example, protest leadership, the role of grievances, and unconventional forms of organization), and shows that well-known concepts must at times be modified to square with the reality of an authoritarian, non-western state.
"Williams provides a thought-provoking overview of popular religion in America that will intrigue specialist and student alike. . . . He has both answered many questions and raised important new ones on the nature and development of American popular religion." --Journal for the Scientific Study of Religion
"Pioneering. . . . I for one am glad he combined scholarship and chutzpah for this modestly immodest first word." --Catholic Historical Review
Rarely is it possible to hear the voice of the people in a revolution except as it filters through the writings of articulate individuals who may not really be representative. But on several occasions during the effort to draft a constitution for Massachusetts after 1776, the citizens of the Commonwealth were asked to convene in their 300 town meetings to debate and convey to the legislators their political theories, needs, and aspirations. This book presents the transcribed debates and the replies returned to Boston which constitute a unique body of material documenting the political thought of the ordinary citizen.
In an important, extended introduction, the editors, interpreting the American Revolution and its sustaining political framework in light of this material, analyze the forces that were singular and those that were universal in the shaping of American democracy. Comparisons are made with popular uprisings in other parts of the world and at other times, and the whole is integrated into a general discussion of the nature of revolution and its relationship to constitutional authority.
In Popular Trauma Culture, Anne Rothe argues that American Holocaust discourse has a particular plot structure—characterized by a melodramatic conflict between good and evil and embodied in the core characters of victim/survivor and perpetrator—and that it provides the paradigm for representing personal experiences of pain and suffering in the mass media. The book begins with an analysis of Holocaust clichés, including its political appropriation, the notion of vicarious victimhood, the so-called victim talk rhetoric, and the infusion of the composite survivor figure with Social Darwinism. Readers then explore the embodiment of popular trauma culture in two core mass media genres: daytime TV talk shows and misery memoirs.
Rothe conveys how victimhood and suffering are cast as trauma kitsch on talk shows like Oprah and as trauma camp on modern-day freak shows like Springer. The discussion also encompasses the first scholarly analysis of misery memoirs, the popular literary genre that has been widely critiqued in journalism as pornographic depictions of extreme violence. Currently considered the largest growth sector in book publishing worldwide, many of these works are also fabricated. And since forgeries reflect the cultural entities that are most revered, the book concludes with an examination of fake misery memoirs.
Contemporary scholarship illustrates the law’s increasingly powerful role in American life; legal education, in turn, has focused on the problems and techniques of communication. This book addresses these interests through critical study of eight popular trials: the 17th-century trial of Dr. Henry Sacheverell, and the 20th-century trials of Scopes, the Rosenbergs, the Chicago Seven, the Catonsville Nine, John Hinckley, Claus von Bulow, and San Diego Mayor Larry Hedgecock. Such trials spark major public debates, become symbols of public life, and legitimize particular beliefs and institutions. Despite high visibility and drama, however, the popular trial has not received sufficient study as persuasive event. Lying at the intersection of the institutional practices of law and the mass media, the popular trial has confounded study according to the conventional assumptions of scholarship in both law and communication studies.
The nature of authority and rulership was a central concern in ancient Greece, where the figure of the king or tyrant and the sovereignty associated with him remained a powerful focus of political and philosophical debate even as Classical Athens developed the world's first democracy. This collection of essays examines the extraordinary role that the concept of tyranny played in the cultural and political imagination of Archaic and Classical Greece through the interdisciplinary perspectives provided by internationally known archaeologists, literary critics, and historians.
The book ranges historically from the Bronze and early Iron Age to the political theorists and commentators of the middle of the fourth century B.C. and generically across tragedy, comedy, historiography, and philosophy. While offering individual and sometimes differing perspectives, the essays tackle several common themes: the construction of authority and of constitutional models, the importance of religion and ritual, the crucial role of wealth, and the autonomy of the individual. Moreover, the essays with an Athenian focus shed new light on the vexed question of whether it was possible for Athenians to think of themselves as tyrannical in any way. As a whole, the collection presents a nuanced survey of how competing ideologies and desires, operating through the complex associations of the image of tyranny, struggled for predominance in ancient cities and their citizens.
The Middle English romance has elicited throughout the centuries a curious mixture of indifference,hostile apprehension, and contempt that perhaps no other literature—except its most likely offspring, modern best-sellers—has provoked.
This is an auto-narrated audiobook edition of this book.
Popularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation’s history.
What’s the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historians—Richard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lerner—who, in the decades after World War II, published widely read books of national history.
Witham compellingly argues that we should understand historians’ efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how these authors’ efforts could not have succeeded without a publishing industry and a reading public hungry to engage with the cutting-edge ideas then emerging from American universities. As Witham’s book makes clear, before we can properly understand the heated controversies about American history so prominent in today’s political culture, we must first understand the postwar effort to popularize the past.
The Population Ahead was first published in 1958. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This volume brings together the thinking and viewpoints of specialists from various pertinent fields for a discussion of factors bearing on the quality of future populations of the world. The discussions center around three fundamental questions: Is the human population growing at a rate which threatens the standards of living to which most of tits individuals aspire? Is the genetic composition of the population tending in directions which are harmful to the common good? What can and should be done, if the answer to either of the foregoing questions is yes?
The chapters, by nine different contributors, are based on the papers given at a conference on population problems held at the University of Minnesota in 1957. In addition, discussion and comments by six other participants in the conference are included.
Because nearly all aspects of culture depend on the movement of bodies, objects, and ideas, mobility has been a primary topic during the past forty years of archaeological research on small-scale societies. Most studies have concentrated either on local moves related to subsistence within geographically bounded communities or on migrations between regions resulting from pan-regional social and environmental changes. Gregson Schachner, however, contends that a critical aspect of mobility is the transfer of people, goods, and information within regions. This type of movement, which geographers term "population circulation," is vitally important in defining how both regional social systems and local communities are constituted, maintained, and—most important—changed.
Schachner analyzes a population shift in the Zuni region of west-central New Mexico during the thirteenth century AD that led to the inception of major demographic changes, the founding of numerous settlements in frontier zones, and the initiation of radical transformations of community organization. Schachner argues that intraregional population circulation played a vital role in shaping social transformation in the region and that many notable changes during this period arose directly out of peoples' attempts to create new social mechanisms for coping with frequent and geographically extensive residential mobility. By examining multiple aspects of population circulation and comparing areas that were newly settled in the thirteenth century to some that had been continuously occupied for hundreds of years, Schachner illustrates the role of population circulation in the formation of social groups and the creation of contexts conducive to social change.
From tax and household registers, law codes, and other primary sources, as well as recent Japanese sources, William Wayne Farris has developed the first systematic, scientific analysis of early Japanese population, including the role of disease in economic development. This work provides a comprehensive study of land clearance, agricultural technology, and rural settlement. The function and nature of ritsuryō institutions are reinterpreted within the revised demographic and economic setting.
Farris’s text is illustrated with maps, population pyramids for five localities, and photographs and translations of portions of tax and household registers, which throw further light on the demography and economy of Japan in the seventh, eighth, and ninth centuries.
The earth’s five billion people are linked in a complex web that serves to shape population movements and patterns of births and deaths. In this book, nine experts illuminate the nature of this interplay linking rich and poor countries.
The demographic experience of each nation occurs in a larger context of social, political, economic, cultural, religious, military, and biological forces. On the premise that local population trends cannot be understood apart from such structural and historical factors, the book explores both the highly visible and the more subtle forms of demographic interplay, from the large recent flows of migrants and refugees to smaller yet still important flows such as those of tourists and governments-in-exile, from international shifts in the terms of trade to international programs of population control. It examines the historical roots and contemporary trends of these developments and probes their likely future courses.
The distinguished contributors present here some of the best writing to date on the topic: William H. McNeill on population flows in premodern times, Orlando Patterson on interactions in the West Atlantic region, the late Hedley Bull on the relation between migration and present world structure, Aristide R. Zolberg on guestworker programs, Juergen B. Donges on trade policies and economic migration, William Alonso on changing definitions of the identity of populations, Hans-Joachim Hoffmann-Nowotny on social and cultural dilemmas facing northern Europe, Francis X. Sutton on government policy issues, Myron Weiner on emigration and Third World development. Also discussed are the effects of medical advances on population growth, the implications of differing fertility rates, and the impact of the post-1945 transition from colonial empires to nation-states.
Too often such issues have been treated in disconnected fashion and viewed only as problems of the moment. As this outstanding book shows, they are richly intertwined, both with one another and with the history of world development.
The expression “the New South” was introduced by Henry Grady, editor of the Atlanta Constitution, to a New York audience in 1886; every generation of writers since has used the term. The southern population, unique in its socioeconomic and cultural characteristics, has always been a topic of major interest with U.S. demographers.
The articles in this book, the majority of which were originally presented at the Southern Regional Demographic Group meeting in 1976, deal with fertility, mortality, migration, and the factors that influence these components. A number of the contributors trace patterns of demographic change in the South showing convergence with the rest of the United States. Questions are raised about whether the convergence represents a permanent trend—possibly due to increased communication—or whether further divergence may be expected in the future.
The contributors include Dudley L. Poston, Jr., William J. Serow, Robert H. Weller, Ronald R. Rindfuss, Harry M. Rosenberg, Drusilla Burnham, David F. Sly, Omer R. Galle, Robert N. Stern, Joachim Singelmann, Susan E. Clarke, and George C. Myers.
Law plays a crucial role in protecting the health of populations. Whether the public health threat is bioterrorism, pandemic influenza, obesity, or lung cancer, law is an essential tool for addressing the problem. Yet for many decades, courts and lawyers have frequently overlooked law’s critical importance to public health. Populations, Public Health, and the Law seeks to remedy that omission. The book demonstrates why public health protection is a vital objective for the law and presents a new population-based approach to legal analysis that can help law achieve its public health mission while remaining true to its own core values.
By looking at a diverse range of topics, including food safety, death and dying, and pandemic preparedness, Wendy E. Parmet shows how a population-based legal analysis that recalls the importance of populations and uses the tools of public health can enhance legal decision making while protecting both public health and the rights and liberties of individuals and their communities.
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