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Passing Performances
Queer Readings of Leading Players in American Theater History
Robert A. Schanke and Kim Marra, Editors
University of Michigan Press
Passing Performances gathers a range of critical and biographical essays on notable personalities whose major contributions to the stage occurred before 1969, the year of the Stonewall riots that kicked off the gay rights movement in the United States. How these theater practitioners variously "passed"-- i.e., managed unconventional sexual inclinations both on- and offstage--significantly determined the course of their personal and professional lives and thus the course of U.S. theater history.
The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia.
The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography.
Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
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Passing Strange and Wonderful
Aesthetics Nature And Culture
Yi-Fu Tuan
Island Press, 1993

In this rich and rewarding work, Yi-Fu Tuan vividly demonstrates that feeling and beauty are essential components of life and society. The aesthetic is not merely one aspect of culture but its central core—both its driving force and its ultimate goal.

Beginning with the individual and his physical world, Tuan's exploration progresses from the simple to the complex. His initial evaluation of the building blocks of aesthetic experience (sight, hearing, smell, taste, touch) develops gradually into a wide-ranging examination of the most elaborate of human constructs, including art, architecture, literature, philosophy, music, and more.

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Passing the Baton
Black Women Track Stars and American Identity
Cat M. Ariail
University of Illinois Press, 2020
After World War II, the United States used international sport to promote democratic values and its image of an ideal citizen. But African American women excelling in track and field upset such notions. Cat M. Ariail examines how athletes such as Alice Coachman, Mae Faggs, and Wilma Rudolph forced American sport cultures—both white and Black—to reckon with the athleticism of African American women. Marginalized still further in a low-profile sport, young Black women nonetheless bypassed barriers to represent their country. Their athletic success soon threatened postwar America's dominant ideas about race, gender, sexuality, and national identity. As Ariail shows, the wider culture defused these radical challenges by locking the athletes within roles that stressed conservative forms of femininity, blackness, and citizenship.

A rare exploration of African American women athletes and national identity, Passing the Baton reveals young Black women as active agents in the remaking of what it means to be American.

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Passing the Torch
Does Higher Education for the Disadvantaged Pay Off Across the Generations?
Paul Attewell
Russell Sage Foundation, 2007

The steady expansion of college enrollment rates over the last generation has been heralded as a major step toward reducing chronic economic disparities. But many of the policies that broadened access to higher education—including affirmative action, open admissions, and need-based financial aid—have come under attack in recent years by critics alleging that schools are admitting unqualified students who are unlikely to benefit from a college education. In Passing the Torch, Paul Attewell, David Lavin, Thurston Domina, and Tania Levey follow students admitted under the City University of New York’s “open admissions” policy, tracking its effects on them and their children, to find out whether widening college access can accelerate social mobility across generations.

Unlike previous research into the benefits of higher education, Passing the Torch follows the educational achievements of three generations over thirty years. The book focuses on a cohort of women who entered CUNY between 1970 and 1972, when the university began accepting all graduates of New York City high schools and increasing its representation of poor and minority students. The authors survey these women in order to identify how the opportunity to pursue higher education affected not only their long-term educational attainments and family well-being, but also how it affected their children’s educational achievements. Comparing the record of the CUNY alumnae to peers nationwide, the authors find that when women from underprivileged backgrounds go to college, their children are more likely to succeed in school and earn college degrees themselves. Mothers with a college degree are more likely to expect their children to go to college, to have extensive discussions with their children, and to be involved in their children’s schools. All of these parenting behaviors appear to foster higher test scores and college enrollment rates among their children. In addition, college-educated women are more likely to raise their children in stable two-parent households and to earn higher incomes; both factors have been demonstrated to increase children’s educational success.

The evidence marshaled in this important book reaffirms the American ideal of upward mobility through education. As the first study to indicate that increasing access to college among today’s disadvantaged students can reduce educational gaps in the next generation, Passing the Torch makes a powerful argument in favor of college for all.

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Passing the Torch
Planning for the Next Generation of Leaders in Public Service
Karl Besel
University of Arkansas Press, 2016

Public-service executives, both elected and appointed within the public and nonprofit sectors, are retiring at record levels, and the number of Americans reaching age sixty-five annually will continue to rise over the next decade and is expected to surpass four million in 2020. Finding qualified, motivated leaders to fill vital public-service positions will challenge the public and nonprofit sectors.

Unfortunately, recent studies show that few proactive steps are being taken by public-service organizations to plan for the next generation. Passing the Torch: Planning for the Next Generation of Public-Service Leaders provides an outline for those who will be facing and managing these looming changes.

In this valuable guide, the factors that influence selection of a career in public service are explored through the authors’ years of experience as leaders in public-service organizations and through interviews with other public-service professionals. Passing the Torch will be essential for leaders of nonprofit organizations, university faculty, researchers in the field of nonprofit management, and students in nonprofit management courses.
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Passing
Two Publics in a Mexican Border City
Rihan Yeh
University of Chicago Press, 2017
Tijuana is the largest of Mexico’s northern border cities, and although it has struggled during the United States’ dramatic escalation of border enforcement, it nonetheless remains deeply connected with California by one of the largest, busiest international ports of entry in the world. In Passing, Rihan Yeh probes the border’s role in shaping Mexican senses of self and collectivity. Drawing on extensive fieldwork, Yeh examines a range of ethnographic evidence: public demonstrations, internet forums, popular music, dinner table discussions, police encounters, workplace banter, intensely personal interviews, and more.  Through these everyday exchanges, she shows how the promise of passage and the threat of prohibition shape Tijuana’s communal sense of “we” and throw into relief long-standing divisions of class and citizenship in Mexico.
 
Out of the nitty-gritty of quotidian talk and interaction in Tijuana, Yeh captures the dynamics of desire and denial that permeate public spheres in our age of transnational crossings and fortified borders. Original and accessible, Passing is a timely work in light of current fierce debates over immigration, Latin American citizenship, and the US-Mexico border.
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Passion according to G.H.
Clarice Lispector
University of Minnesota Press, 1988

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Passion and Craft
CONVERSATIONS WITH NOTABLE WRITERS
Edited by Bonnie Lyons and Bill Oliver
University of Illinois Press, 1998
      The twelve contemporary fiction writers interviewed in Passion and
        Craft go beyond the merely autobiographical, revealing that, despite
        their differences, they share passionate devotion and discipline for their
        craft.
      Included are Richard Ford, winner in 1995 of both the Pulitzer Prize
        and the PEN/Faulkner Award; Gina Berriault, 1997 winner of the National
        Book Critics Circle Award; Bobbie Ann Mason; T. Coraghessan Boyle; Rick
        Bass; Leonard Michaels; Christopher Tilghman; Thom Jones; Julia Alvarez;
        Andre Dubus; Jayne Anne Phillips; and Tobias Wolff.
      Their comments will interest readers devoted to their novels and stories,
        other writers, and aspiring writers.
 
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Passion And Power
Sexuality in History
Kathy Peiss
Temple University Press, 1989
"Brings together some of the most recent and innovative writing on the history of sexuality and explores the experiences, ideas and conflicts that have shaped the emergence of modern sexual identities." --Dare Passion and Power brings together some of the most recent and innovative writings on the history of sexuality and explores the experiences, ideas, and conflicts that have shaped the emergence of modern sexual identities. Arguing that sexuality is not an unchanging biological reality or a universal natural force, the essays in this volume discuss sexuality as an integral part of the history of human experience. Articles on sexual assault, homosexuality, birth control, venereal disease, sexual repression, pornography, and the AIDS epidemic examine the ways that sexuality has become a core element of modern social identity in the nineteenth- and twentieth-century United States. It is only in recent years that historians have begun to examine the social construction of sexuality. This is the first anthology that addresses this issue from a radical historical perspective, examining sexuality as a field of contention in itself and as part of other struggles rooted in divisions of gender, class, and race. Contents Part I: Sexuality and Historical Meaning 1. Passion and Power: An Introdtion - Kathy Peiss and Christina Simmons 2. Sexual Matters: On Conceptualizing Sexuality in History - Robert A. Padgug Part II: The Emergence of Modern Sexuality, 1790 to 1930 3. "The Life of a Citizen in the Hands of a Woman": Sexual Assault in New York City, 1790 to 1820 - Marybeth Hamilton Arnold 4. "Charity Girls" and City Pleasurer: Historical Notes on Working Class Sexuality, 1880-1920 - Kathy Peiss 5. Movements of Affirmation: Sexual Meanings and Homosexual Identities - Jeffrey Weeks 6. From Sexual Inversion to Homosexuality: The Changing Medical Conceptualization of Female "Deviance" - George Chauncey, Jr. 7. "We Were a Little Band of Willful Women": The Heterodoxy Club of Greenwich Village - Judith Schwartz, Kathy Peiss, and Christina Simmons 8. The Black Community and the Birth Control Movement - Jessie M. Rodrique Part III: Sexual Conflicts and Cultural Authority, 1920 to 1960 9. Modern Sexuality and the Myrh of Victorian Repression - Christina Simmons 10. Venereal Disease: The Wages of Sin? - Elizabeth Fee 11. "Uncontrolled Desires": The Response to the Sexual Psychopath, 1920-1960 - Estelle B. Freedman 12. The Homosexual Menace: The Politics of Sexuality in Cold War America - John D'Emilio 13. The Reproduction of Butch-Fern Roles: A Social Constructionist Approach - Elizabeth Lapovsky Kennedy and Madeline Davis Part IV: Private Passions and Public Debate, 1960 to the Present 14. Mass Market Romance: Pornography for Women Is Different - Ann Barr Snitow 15. (De)Constructing Pornography: Feminisms in Conflict - Duphne Read 16. Gay Villain, Gay Hero: Homosexuality and the Social Construction of AIDS - Robert A. Padgug About the Author(s) Kathy Peiss is Associate Professor of History and Women's Studies at the University of Massachusetts at Amherst and author of Cheap Amusements: Working Women and Leisure in Turn-of-the-century New York (Temple). Christina Simmons is Assistant Professor of History at the University of Cincinnati-Raymond Walters College.
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The Passion Book
A Tibetan Guide to Love and Sex
Gendun Chopel
University of Chicago Press, 2018
The PassionBook is the most famous work of erotica in the vast literature of Tibetan Buddhism, written by the legendary scholar and poet Gendun Chopel (1903-1951). Soon after arriving in India in 1934, he discovered the Kama Sutra. Realizing that this genre of the erotic was unknown in Tibet, he set out to correct the situation. His sources were two: classical Sanskrit works and his own experiences with his lovers. Completed in 1939, his “treatise on passion” circulated in manuscript form in Tibet, scandalizing and arousing its readers.
 
Gendun Chopel here condemns the hypocrisy of both society and church, portraying sexual pleasure as a force of nature and a human right for all. On page after page, we find the exuberance of someone discovering the joys of sex, made all the more intense because they had been forbidden to him for so long: he had taken the monastic vow of celibacy in his youth and had only recently renounced it. He describes in ecstatic and graphic detail the wonders he discovered. In these poems, written in beautiful Tibetan verse, we hear a voice with tints of irony, self-deprecating wit, and a love of women not merely as sources of male pleasure but as full partners in the play of passion.
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A Passion for Consumption
The Gothic Novel in America
Anna Sonser
University of Wisconsin Press, 2001
Offering a fresh perspective on the gothic novel in America, this vigorous study engages the underlying currents that define American culture as one of consumption. It rereads texts that range from Hawthorne, Poe, James, and Faulkner to the contemporary gothic novels of Toni Morrison, Joyce Carol Oates, and Anne Rice. By exposing the literary motifs of subversion and seduction inherent in these works as disruptive to the flow, circulation, and expansion of value, this book positions American literary culture as an extension of commodity economics. Its cogent yet interdisciplinary approach, supported by the work of such theorists as Jacques Lacan and Jean Baudrillard, makes this text useful to anyone interested in American literature, popular culture, and American economic thought.
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A Passion for Cooperation
Adventures of a Wide-Ranging Scientist
Robert Axelrod
University of Michigan Press, 2023
A Passion for Cooperation is the exciting autobiography of Robert Axelrod, one of the most acclaimed and wide-ranging scientists of the last fifty years. After being recognized by President Kennedy for being a promising young scientist while in high school, Axelrod built a career dedicated to collaborating with business school professors, international relations scholars, political scientists, computer scientists, and even evolutionary biologists and cancer researchers. Fifty years later, he was honored by President Obama with the National Medal of Science for scientific achievement and leadership and his work has been referred to as the gold standard of interdisciplinary research. 

Yet Axelrod’s autobiography is not just an account of his wide-ranging passion for cooperation. It reveals his struggles to overcome failures and experience the joys of gaining new insights into how to achieve cooperation. A Passion for Cooperation recounts Robert Axelrod’s adventures talking with the leader of the organization Hamas, the Prime Minister of Israel, and the Foreign Minister of Syria. Axelrod also shares stories of being hosted in Kazakhstan by senior Soviet retired generals and visiting China with well-connected policy advisors on issues of military aspects of cyber conflict. Through stories of the difficulties and rewards of interdisciplinary collaborations, readers will discover how Axelrod’s academic and practical work have enriched each other and demonstrated that opportunities for cooperation are much greater than generally thought. 
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A Passion for Freedom
The Life of Sharlot Hall
Margaret F. Maxwell
University of Arizona Press, 1982

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A Passion For Gold
An Autobiography
Ralph J. Roberts
University of Nevada Press, 2002

Ralph J. Roberts is not a household name in Nevada, but it should be—it was he who discovered the Carlin Belt gold deposits that created a major mining boom in the state in the last four decades of the twentieth century. But this discovery was only one episode of his remarkably eventful life. This colorful and personal account of the author's search for his passion—gold—is a story as adventurous as that of any fictional character.

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Passion for Peonies
Celebrating the Culture and Conservation of Nichols Arboretum's Beloved Flower
David Michener and Robert Grese, Editors
University of Michigan Press, 2020
There’s no more breathtaking signal of summer’s onset than the blooming of peonies. Stunningly beautiful and relatively easy to grow, peonies are a favorite flower everywhere they can be cultivated and for good reason: the heady fragrances and enchanting colors of a peony-rich display create an immersive experience that has enamored generations of garden lovers across the world. This passion is on full display each June at the historic Peony Garden of the University of Michigan’s Nichols Arboretum.

Originally planted in 1922, the Nichols Arboretum Peony Garden now boasts North America’s largest public collection of heirloom herbaceous peonies. The Peony Garden has become a sacred space for the Ann Arbor community, a not-to-be-missed sensation when it erupts each season, as the Ann Arbor Observer once wrote, in “a riot of color, of crimson, rose and shell pink intermingled with fluffy pompoms of creamy white.” The rather short period of peak bloom—about two fleeting weeks each year—only seems to intensify the garden’s appeal, drawing thousands of visitors annually to this spectacular “living museum” on campus that showcases upwards of 10,000 blossoms.

Richly illustrated with hundreds of striking color photos, Passion for Peonies collects short essays that celebrate the story of the Nichols Arboretum Peony Garden as well as the rich social history of peony gardening that it is an integral part of. Together these pieces comprise a love letter both to a magical public space at the University of Michigan and to the broader history and culture of peony gardening. The book will appeal to readers interested in the University of Michigan, the history of public gardens, and of course peonies!
 
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A Passion for Specificity
Confronting Inner Experience in Literature and Science
Caracciolo and Hurlburt
The Ohio State University Press, 2016
In an analytical yet increasingly intimate conversation, A Passion for Specificity:Confronting Inner Experience in Literature and Science investigates the differences between experience as conveyed in literature and experience as apprehended through scientific method. Can experiences be shared? How much do language and metaphor shape experiential reports? Where is the dividing line between a humanistic and a scientific approach to experience? In a series of exchanges, Marco Caracciolo and Russell Hurlburt demonstrate that those are necessarily personal issues, and they don’t flinch—they relentlessly examine whether Caracciolo’s presuppositions distort his understanding of reading experiences and whether Hurlburt’s attachment to the method he invented causes him to take an overly narrow view of experience. Delving ever more personally, they aim Hurlburt’s experience sampling methods—beeping people to discover what was in their stream of inner experience at the moment immediately before the beep—at Caracciolo’s own experiences, an exercise that puts Caracciolo’s presuppositions to the test and leads him to discover things about experience (his own and literature’s) that he had thought impossible.
               
A Passion for Specificity, with its personal revelations, unexpected twists, and confrontational style, reads like an epistolary novel, but it is a serious exploration of ideas at the heart of literature and science. It is a thoughtful attempt at advancing the emerging “cognitive humanities,” clarifying a number of core issues in the cross-pollination of literature, psychology, philosophy, and consciousness science.
 

 
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A Passion for the True and Just
Felix and Lucy Kramer Cohen and the Indian New Deal
Alice Beck Kehoe
University of Arizona Press, 2014
Felix Cohen, the lawyer and scholar who wrote TheHandbook of Federal Indian Law (1942), was enormously influential in American Indian policy making. Yet histories of the Indian New Deal, a 1934 program of Franklin D. Roosevelt’s New Deal, neglect Cohen and instead focus on John Collier, commissioner of Indian affairs within the Department of the Interior (DOI). Alice Beck Kehoe examines why Cohen, who, as DOI assistant solicitor, wrote the legislation for the Indian Reorganization Act (1934) and Indian Claims Commission Act (1946), has received less attention. Even more neglected was the contribution that Cohen’s wife, Lucy Kramer Cohen, an anthropologist trained by Franz Boas, made to the process.

Kehoe argues that, due to anti-Semitism in 1930s America, Cohen could not speak for his legislation before Congress, and that Collier, an upper-class WASP, became the spokesman as well as the administrator. According to the author, historians of the Indian New Deal have not given due weight to Cohen’s work, nor have they recognized its foundation in his liberal secular Jewish culture. Both Felix and Lucy Cohen shared a belief in the moral duty of mitzvah, creating a commitment to the “true and the just” that was rooted in their Jewish intellectual and moral heritage, and their Social Democrat principles.

A Passion for the True and Just takes a fresh look at the Indian New Deal and the radical reversal of US Indian policies it caused, moving from ethnocide to retention of Indian homelands. Shifting attention to the Jewish tradition of moral obligation that served as a foundation for Felix and Lucy Kramer Cohen (and her professor Franz Boas), the book discusses Cohen’s landmark contributions to the principle of sovereignty that so significantly influenced American legal philosophy.
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The Passion of David Lynch
Wild at Heart in Hollywood
By Martha P. Nochimson
University of Texas Press, 1997

Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself.

Nochimson begins with a look at Lynch's visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway.

Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.

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The Passion of Emily Dickinson
Judith Farr
Harvard University Press

"How tame and manageable are the emotions of our bards, how placid and literary their allusions!" complained essayist T. W. Higginson in the Atlantic Monthly in 1870. "The American poet of passion is yet to come." He was, of course, unaware of the great erotic love poems such as "Wild Nights--Wild Nights!" and "Struck was I, nor yet by Lightning" being privately written by his reclusive friend Emily Dickinson.

In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, and deciphers their many complex and witty references to texts and paintings of the day. In The Passion of Emily Dickinson the poet emerges, not as a cryptic proto-modern or a victim of female repression, but as a cultivated mid-Victorian in whom the romanticism of Emerson and the American landscape painters found bold expression.

Dickinson wrote two distinct cycles of love poetry, argues Farr, one for her sister-in-law Sue and one for the mysterious "Master," here convincingly identified as Samuel Bowles, a friend of the family. For each of these intimates, Dickinson crafted personalized metaphoric codes drawn from her reading. Calling books her "Kinsmen of the Shelf," she refracted elements of Jane Eyre, Antony and Cleopatra, Tennyson's Maud, De Quincey's Confessions, and key biblical passages into her writing. And, to a previously unexplored degree, Dickinson also quoted the strategies and subject matter of popular Hudson River, Luminist, and Pre-Raphaelite paintings, notably Thomas Cole's Voyage of Life and Frederic Edwin Church's Heart of the Andes. Involved in the delicate process of both expressing and disguising her passion, Dickinson incorporated these sources in an original and sophisticated manner.

Farr's superb readings of the poems and letters call on neglected archival material and on magazines, books, and paintings owned by the Dickinsons. Viewed as part of a finely articulated tradition of Victorian iconography, Dickinson's interest in the fate of the soul after death, her seclusion, her fascination with landscape's mystical content, her quest for honor and immortality through art, and most of all her very human passions become less enigmatic. Farr tells the story of a poet and her time.

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The Passion of Ingmar Bergman
Frank Gado
Duke University Press, 1986
Acknowledged as one of the greatest filmmakers of this or any other time, Bergman has with few exceptions written his own screenplays—an uncommon practice in the film industry—and for this practice critics refer to him as a "literary" filmmaker: In this work, Gado examines virtually the entire range of Bergman's literary output. While treating the matter of the visual presentation of Bergman's films, Gado concentrates on story and narrative and their relationship to Bergman's personal history.

Gado concludes that whatever the outward appearance of Bergman's works, they contain an elementary psychic fantasy that links them all, revealing an artist who hoped to be a dramatist, "the new Strindberg," and who saw the camera as an extension of his pen.

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The Passion of International Leadership
How Emotions Shape Transatlantic Cooperation
Philippe Beauregard
University of Michigan Press, 2022

How do international leaders emerge and why are they successful in bringing followers to converge on their positions? The Passion of International Leadership draws on recent advances in political psychology and state-of-the-art research in International Relations to go beyond current knowledge and simplistic accounts of international leadership. It tells surprising and intense stories of policymakers at the head of great powers attempting to cooperate during crisis moments, and uses these stories to challenge commonly held beliefs and intuitions about international leadership.

Beauregard explores international leadership in four cases of transatlantic cooperation when Western policymakers were confronted with foreign conflicts, like civil or secessionist wars. He provides a fascinating study of the recognition of Slovenia, Croatia, and Bosnia during the wars in Yugoslavia; the peace mediation during the Russia-Georgia war in 2008; the adoption of economic sanctions against Russia over the conflict in Ukraine; and finally, cooperation on striking against the Islamic State in Iraq and Syria. The book argues that leaders are driven by their convictions, and that they must strike a balance between the intense emotions associated with their beliefs and their need to represent a broader community. At the same time as they seek to bring followers on board by persuading them, they need to pay attention to emotionally contagious and resonant events that can alter the course of international cooperation.

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Passion of Israel
Jacques Maritain, Catholic Conscience, and the Holocaust
Richard Francis Crane
University of Scranton Press, 2010

In his lifetime, French philosopher Jacques Maritain (1882–1973) achieved a reputation as both a leading Catholic intellectual and as an outspoken critic of antisemitism. Here historian Richard Francis Crane traces the development of Maritain’s opposition toward antisemitism and analyzes the Catholic appreciation of Judaism that animated his stance. Crane probes the writings and teachings of Maritain—from before, during, and after the Holocaust—and illuminates how his ideas altered Christian perceptions of Jews and Judaism during his lifetime and continue to do so today.

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The Passion of Love in the Summa Theologiae of Thomas Aquinas
Daniel Joseph Gordon
Catholic University of America Press, 2023
This book is an introduction to three questions on love according to St. Thomas Aquinas (Summa Theologiae I–II, qq. 26–28). These three questions reflect on the nature of love (q. 26), the causes of love (q. 27), and the effects of love (q. 28). It is thus an introduction to the entire phenomenon of love, both as a bodily passion and an act of the will. The purpose is to present the Thomistic and broadly scholastic account of human and divine love from a philosophical and theological perspective. It aims to be a theological and philosophical study of the topic, useful both for a graduate/professional audience, as part of an undergraduate or graduate course, and perhaps for the educated reader. The thesis of the book is that, contrary to contemporary conceptions, not all loves are created equal. Some loves perfect us and some loves corrupt us. The worth of a love depends on its object and end. St. Thomas thus presents an objective and teleological account of human and divine love that is of philosophical and theological interest. The method is broadly exegetical, presenting a careful reading of the text and supplying the philosophical and theological background which the text of Aquinas assumes. The scope of the work is limited to three questions (ST I–II, qq. 26–28). References to interpretative disputes of Aquinas and references to further resources in the secondary literature will be mostly limited to the footnotes, making the body of the text accessible to more readers.
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The Passion of Michel Foucault
James Miller
Harvard University Press
Based on extensive new research and a bold interpretation of the man and his texts, The Passion of Michel Foucault is a startling look at one of this century's most influential philosophers. It chronicles every stage of Foucault's personal and professional odyssey, from his early interest in dreams to his final preoccupation with sexuality and the nature of personal identity.
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Passion of the Reel
Cinematic versus Modernist Political Fictions in Cameroon
Jean-Olivier Tchouaffe
Intellect Books, 2015
Highlighting the challenges faced by a nascent national cinema with limited resources, Passion of the Reel provides an in-depth analysis of the output of the Cameroonian film industry. Jean-Olivier Tchouaffe shows that, far from an empty receptacle for colonial legacies, Cameroon—and Africa—must move beyond their colonial legacies to focus on indigenous productions of meaning informed by traditional wisdom and ordinary Cameroonian life experience. Tchouaffe’s analysis sets the stage for a film-driven exploration of postcolonialism, social construction, and modernization.
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The Passion of Tiger Woods
An Anthropologist Reports on Golf, Race, and Celebrity Scandal
Orin Starn
Duke University Press, 2012
Perhaps the best golfer ever, Tiger Woods rocketed to the top of a once whites-only sport. Endorsements made him a global brand and the world’s richest athlete. The child of a multiracial marriage, Woods and his blond, blue-eyed wife, Elin Nordegren, seemed to represent a new postracial America. Then, in late 2009, Woods became embroiled in a sex scandal that made headlines worldwide. In this concise yet far-reaching analysis, Orin Starn brings an anthropologist’s perspective to bear on Tigergate. He explores our modern media obsession with celebrity scandals and their tawdry ritualized drama, yet he offers much more than the usual banal moralizing about the rich and famous. Starn explains how Tiger’s travails and the culture of golf reflect broader American anxieties—about race and sex, scapegoating and betrayal, and the role of the sports hero. The Passion of Tiger Woods is required reading for all those interested in the high-stakes world of professional golf, the politics of sports and celebrity, and the myths and realities surrounding the flawed yet riveting figure who remains among the most famous athletes of our time.
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A Passion to Preserve
Gay Men as Keepers of Culture
Will Fellows
University of Wisconsin Press, 2005

From large cities to rural communities, gay men have long been impassioned pioneers as keepers of culture: rescuing and restoring decrepit buildings, revitalizing blighted neighborhoods, saving artifacts and documents of historical significance. A Passion to Preserve explores this authentic and complex dimension of gay men’s lives by profiling early and contemporary preservationists from throughout the United States, highlighting contributions to the larger culture that gays are exceptionally inclined to make.

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Passionate Amateurs
Theatre, Communism, and Love
Nicholas Ridout
University of Michigan Press, 2015

Passionate Amateurs tells a new story about modern theater: the story of a romantic attachment to theater’s potential to produce surprising experiences of human community. It begins with one of the first great plays of modern European theater—Chekhov’s Uncle Vanya in Moscow—and then crosses the 20th and 21st centuries to look at how its story plays out in Weimar Republic Berlin, in the Paris of the 1960s, and in a spectrum of contemporary performance in Europe and the United States. This is a work of historical materialist theater scholarship, which combines a materialism grounded in a socialist tradition of cultural studies with some of the insights developed in recent years by theorists of affect, and addresses some fundamental questions about the social function and political potential of theater within modern capitalism. Passionate Amateurs argues that theater in modern capitalism can help us think afresh about notions of work, time, and freedom. Its title concept is a theoretical and historical figure, someone whose work in theater is undertaken within capitalism, but motivated by a love that desires something different. In addition to its theoretical originality, it offers a significant new reading of a major Chekhov play, the most sustained scholarly engagement to date with Benjamin’s “Program for a Proletarian Children’s Theatre,” the first major consideration of Godard’s La chinoise as a “theatrical” work, and the first chapter-length discussion of the work of The Nature Theatre of Oklahoma, an American company rapidly gaining a profile in the European theater scene.

Passionate Amateurs contributes to the development of theater and performance studies in a way that moves beyond debates over the differences between theater and performance in order to tell a powerful, historically grounded story about what theater and performance are for in the modern world.

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Passionate and Pious
Religious Media and Black Women's Sexuality
Monique Moultrie
Duke University Press, 2018
In Passionate and Pious Monique Moultrie explores the impact of faith-based sexual ministries on black women's sexual agency to trace how these women navigate sexuality, religious authority, and their spiritual walk with God. Providing churchwomen a space to candidly discuss these issues, these popular ministries exist largely beyond the traditional church, with dialogues about sex taking place in chat rooms and through text messages, social media, email, and other media. Moultrie foregrounds televangelist Juanita Bynum's construction of the black Christian sexual identity these ministries promote while emphasizing how churchwomen reconcile these prescriptive identities with their individual experiences. What does it mean for senior women to exercise sexual agency when their church standing could be questioned? What does celibacy mean for women who experience same-sex desire while believing that such desire goes against God's will? Advancing a womanist sexual ethics, Moultrie reframes biblical interpretations and conceptions of what constitutes a healthy relationship to provide a basis for sexual decision making that does not privilege monogamy or deny female pleasure, thereby calling on black churchwomen to experience responsible and life-enhancing sex.
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Passionate Copying in Late Medieval Bohemia
The Case of Crux de Telcz (1434–1504)
Lucie Doležalová
Karolinum Press, 2021
A case study of the unusual liberties taken by the fifteenth-century Bohemian scribe Crux of Telcz.​

Passionate Copying in Late Medieval Bohemia addresses a unique case in the culture of manuscript transcription and textual transmission during the late fifteenth century, a transformative period in book history. This period is marked by the widespread intrusion of an unprecedented number of scribal paratexts—tables of contents, indices, explanatory notes, etc.—into transcribed manuscripts. To explore this development, the authors dig deep into a detailed case study of the Bohemian scribe Crux of Telč (1434–1504). Unlike most medieval copyists, who were stringent in their work even when inserting paratexts, Crux of Telč is notable for the extreme liberties he took with manuscript contents. Sometimes diligent, sometimes careless, his copies are notably rife with his own inventions and additions to the text. Crux’s life story is meticulously reconstructed in this book, relying on his colophons—the personal annotations left by medieval copyists to identify themselves and their circumstances—and other personal notes. The singularity of his approach to manuscripts is reinforced by the authors’ inclusion of a study of another late medieval scribe, Johannes Sintram of Würtzburg (d. 1450), whose scrivening is compared with that of Crux of Telč.
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Passionate Discontent
Creativity, Gender, and French Symbolist Art
Patricia Mathews
University of Chicago Press, 2000
Passionate Discontent is an erudite study of the relationship between gender and genius in late nineteenth-century French Symbolism. Born in an era of crisis, the Symbolist art movement was characterized by withdrawal to a mystical, antibourgeois world of the mind and spirit. While Symbolists idealized the "poète maudit," a creative, mad genius exhibiting an emotional state of heightened awareness and "passionate discontent," female artists displaying similar symptoms were dismissed as hysterical.

Art historian Patricia Mathews traverses the artistic, social, and scientific discourses of fin-de-siècle France in order to illuminate the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. Along the way, Mathews proffers important new readings of the art of such Symbolists as Gauguin, van Gogh and Moreau, as well as that of their female contemporaries Camille Claudel and Suzanne Valadon. Passionate Discontent is an important contribution to art historical and women's studies.

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Passionate Doubts
Designs of Interpretation in Contemporary American Fiction
Patrick O'Donnell
University of Iowa Press, 1986
This absorbing new study discusses theories of interpretation and construction of the self in six important contemporary novels. In semiotic analyses of John Barth's LETTERS, Vladimir Nabokov's Pale Fire, John Hawkes' Travesty, Thomas Pynchon's Gravity's Rainbow, Stanley Elkin's The Franchiser, and Flannery O'Connor's Wise Blood, Patrick O'Donnell argues that contemporary fiction takes interpretation as its subject and as the very impetus for its making.

In an introductory dialogue and a closing chapter on the reader in contemporary fiction, O'Donnell shows that the formation of the reader's self, like character, plot, or any other element in fiction, is also part of the experience of the text, requiring a distinctive conception of interpretation. Calling upon a wide assemblage of modern theorists including Foucault, Derrida, Serres, Binswanger, Geertz, and Gadamer, O'Donnell elicits a broad range of interpretive possibilities—philosophical, psychological, archaeological, and linguistic—which speak to each novel's central concern with the act of reading as a form of signification.

While Passionate Doubts is broadly a hermeneutic study of contemporary fiction, the heart of this intriguing work resides in the close scrutiny of six modern novels which so richly evoke the very elements from which theories derive: language, form, and impulse. It is this specific application of theory that sets Passionate Doubts apart from other works in the field, yielding a series of important insights on the subject of language, sign, and the self in modern literature.
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Passionate Fictions
Gender, Narrative, and Violence in Clarice Lispector
Marta Peixoto
University of Minnesota Press, 1994

Passionate Fictions was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

"Clarice Lispector is the premiere Latin American woman prose writer of this century," Suzanne Ruta noted in the New York Times Book Review, "but because she is a woman and a Brazilian, she has remained virtually unknown in the United States." Passionate Fictions provides American readers with a critical introduction to this remarkable writer and offers those who already know Lispector's fiction a deeper understanding of its complex workings.

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Passionate Journeys
Why Successful Women Joined a Cult
Marion S. Goldman
University of Michigan Press, 2001

Passionate Journeys explores the fascinating stories behind the Bhagwan Rajneesh phenomenon of the 1970s and 1980s, focusing on women who left families, careers, and identities to join the community of Rajneeshpuram. Rajneesh was a spiritual leader for thousands of young Americans, and in rural Oregon his devotees established a thriving community. Marion S. Goldman's extensive interviews with women who participated at Rajneeshpuram provide a fascinating picture of the cultural and social climate that motivated successful, established women to join such a movement.

Passionate Journeys will appeal to specialists in feminist theory and women's studies, sociology, religious studies, American studies, and the history of the Northwest.

Marion S. Goldman is Professor of Sociology, University of Oregon. She is also the author of Gold Diggers and Silver Miners: Prostitution and Social Life on the Comstock Lode.

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Passionate Nation
The Epic History of Texas
James L. Haley
University of North Texas Press, 2006

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Passionate Politics
Emotions and Social Movements
Edited by Jeff Goodwin, James M. Jasper, and Francesca Polletta
University of Chicago Press, 2001
Emotions are back. Once at the center of the study of politics, emotions have receded into the shadows during the past three decades, with no place in the rationalistic, structural, and organizational models that dominate academic political analysis.

With this new collection of essays, Jeff Goodwin, James M. Jasper, and Francesca Polletta reverse this trend, reincorporating emotions such as anger, indignation, fear, disgust, joy, and love into research on politics and social protest. The tools of cultural analysis are especially useful for probing the role of emotions in politics, the editors and contributors to Passionate Politics argue. Moral outrage, the shame of spoiled collective identities, or the joy of imagining a new and better society, are not automatic responses to events. Rather, they are related to moral institutions, felt obligations and rights, and information about expected effects, all of which are culturally and historically variable.

With its look at the history of emotions in social thought, examination of the internal dynamics of protest groups, and exploration of the emotional dynamics that arise from interactions and conflicts among political factions and individuals, Passionate Politics will lead the way toward an overdue reconsideration of the role of emotions in social movements and politics generally.

Contributors:
Rebecca Anne Allahyari
Edwin Amenta
Collin Barker
Mabel Berezin
Craig Calhoun
Randall Collins
Frank Dobbin
Jeff Goodwin
Deborah B. Gould
Julian McAllister Groves
James M. Jasper
Anne Kane
Theodore D. Kemper
Sharon Erickson Nepstad
Steven Pfaff
Francesca Polletta
Christian Smith
Arlene Stein
Nancy Whittier
Elisabeth Jean Wood
Michael P. Young
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Passionate Revolutions
The Media and the Rise and Fall of the Marcos Regime
Talitha Espiritu
Ohio University Press, 2017

In the last three decades, the dictatorship of Ferdinand Marcos has commanded the close scrutiny of scholars. These studies have focused on the political repression, human rights abuses, debt-driven growth model, and crony capitalism that defined Marcos’ so-called Democratic Revolution in the Philippines. But the relationship between the media and the regime’s public culture remains underexplored.

In Passionate Revolutions, Talitha Espiritu evaluates the role of political emotions in the rise and fall of the Marcos government. Focusing on the sentimental narratives and melodramatic cultural politics of the press and the cinema from 1965 to 1986, she examines how aesthetics and messaging based on heightened feeling helped secure the dictator’s control while also galvanizing the popular struggles that culminated in “people power” and government overthrow in 1986.

In analyzing news articles, feature films, cultural policy documents, and propaganda films as national allegories imbued with revolutionary power, Espiritu expands the critical discussion of dictatorships in general and Marcos’s in particular by placing Filipino popular media and the regime’s public culture in dialogue. Espiritu’s interdisciplinary approach in this illuminating case study of how melodrama and sentimentality shape political action breaks new ground in media studies, affect studies, and Southeast Asian studies.

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The Passionate Spectator
Essays on Art and Poetry
John Yau
University of Michigan Press, 2006
The Passionate Spectator collects essays, reviews, and art criticism by John Yau, an internationally lauded poet, critic, and curator. In this wide-ranging collection, Yau explores the intersection of art and poetry, dissolving boundaries between the artistic traditions and reimagining what it means to see and to write. Whether he is interpreting the poetic use of titles in Jessica Stockholder’s paintings, reviewing the collaborative book project between American poet Robert Creeley and German artist Georg Baselitz, or considering the significance of Frank O’Hara’s decision to have his portrait drawn wearing nothing but army boots, Yau is consistently daring, original, and contemporary.

Yau’s diverse critical sensibilities permeate The Passionate Spectator as he moves seamlessly between the visual and literary arts. Highlights of this collection include an essay on the poet as art critic, a study of the relationship between Kevin Young’s poetry and the paintings of Jean-Michel Basquiat, and an imaginative piece in which Yau speculates about what Jorge Luis Borges would have created had he been a visual artist. In the title essay, Yau lays out the duty of the spectator—a duty shared by viewer, reader, critic, and artist: “it is up to us to experience art, to engage and believe in its power.”
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The Passionate Triangle
Rebecca Zorach
University of Chicago Press, 2011

Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art?

In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, The Passionate Triangle opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.

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Passionate Work
Endurance after the Good Life
Renyi Hong
Duke University Press, 2022
In Passionate Work, Renyi Hong theorizes the notion of being “passionate about your work” as an affective project that encourages people to endure economically trying situations like unemployment, job change, repetitive and menial labor, and freelancing. Not simply a subject of aspiration, passion has been deployed as a means to build resilience and mend disappointments with our experiences of work. Tracking the rise of passion in nineteenth-century management to trends like gamification, coworking, and unemployment insurance, Hong demonstrates how passion can emerge in instances that would not typically be understood as passionate. Gamification numbs crippling boredom by keeping call center workers in an unthinking, suspensive state, pursuing even the most banal tasks in hope of career advancement. Coworking spaces marketed toward freelancers combat loneliness and disconnection at the precise moment when middle-class sureties are profoundly threatened. Ultimately, Hong argues, the ideal of passionate work sustains a condition of cruel optimism in which passion is offered as the solution for the injustices of contemporary capitalism.
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Passions and Constraint
On the Theory of Liberal Democracy
Stephen Holmes
University of Chicago Press, 1995
In this collection of essays on the core values of liberalism, Stephen Holmes—noted for his scathing reviews of books by liberalism's opponents—challenges commonly held assumptions about liberal theory. By placing it into its original historical context, Passions and Constraints presents an interconnected argument meant to fundamentally change the way we conceive of liberalism.

According to Holmes, three elements of classical liberal theory are commonly used to attack contemporary liberalism as antagonistic to genuine democracy and the welfare state: constitutional constraints on majority rule, the identification of individual freedom with an absence of government involvement, and a strong emphasis on the principle of self-interest. Through insightful essays on Hobbes's analysis of the English Civil War in Behemoth, Bodin's writings on the benefits of limited government, and Mill's views on science and politics, Holmes shows that these basic principles provide, to the contrary, a necessary foundation for the development of democratic, regulatory, and redistributionist politics in the modern era.

Holmes argues that the aspirations of liberal democracy—including individual liberty, the equal dignity of citizens, and a tolerance for diversity—are best understood in relation to two central themes of classical liberal theory: the psychological motivations of individuals and the necessary constraint on individual passions provided by institutions. Paradoxically, Holmes argues that such institutional restraints serve to enable, rather than limit, effective democracy.

In explorations of subjects ranging from self-interest to majoritarianism to "gag rules," Holmes shows that limited government can be more powerful than unlimited government—indeed, that liberalism is one of the most effective philosophies of state building ever contrived. By restricting the arbitrary powers of government officials, Holmes states, a liberal constitution can increase the state's capacity to focus on specific problems and mobilize collective resources for common purposes.

Passions and Constraint is an assessment of what that tradition has meant and what it can mean today.
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Passions and Virtue
Servais Pinckaers
Catholic University of America Press, 2015
This book, the last that noted moral theologian Servais Pinckaers, OP, wrote before his death, was conceived as a follow-up to his previous work Plaidoyer pour la vertu (An Appeal for Virtue) (2007) Pinckaers' aim in Passions and Virtue was to show the positive and essential role that our emotions play in the life of virtue. His purpose is part of a larger project of renewing moral theology, a theology too often experienced as an ethics of obligation rather than as a practical guide to living virtuously. To this end, Pinckaers sketches a positive psychology of the passions as found in the biblical tradition, in the writings of the Fathers of the Church, in pagan authors and, especially, in the writings of Saint Thomas Aquinas.
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The Passions of Peter Sellars
Staging the Music
Susan McClary
University of Michigan Press, 2019
Recognized as one of the most innovative and influential directors of our time, Peter Sellars has produced acclaimed—and often controversial—versions of many beloved operas and oratorios. He has also collaborated with several composers, including John C. Adams and Kaija Saariaho, to create challenging new operas. The Passions of Peter Sellars follows the development of his style, beginning with his interpretations of the Mozart-Da Ponte operas, proceeding to works for which he assembled the libretti and even the music, and concluding with his celebrated stagings of Bach’s passions with the Berlin Philharmonic.

Many directors leave the musical aspects of opera entirely to the singers and conductor. Sellars, however, immerses himself in the score, and has created a distinctive visual vocabulary to embody musical gesture on stage, drawing on the energies of the music as he shapes characters, ensemble interaction, and large-scale dramatic trajectories. As a leading scholar of gender and music, and the history of opera, Susan McClary is ideally positioned to illuminate Sellars’s goal to address both the social tensions embodied in these operas as well as the spiritual dimensions of operatic performance. McClary considers Sellars’s productions of Mozart’s Le nozze di Figaro, Don Giovanni, and Così fan tutte; Handel’s Theodora; Messiaen’s Saint François d’Assise; John C. Adams’s Nixon in China, The Death of Klinghoffer, El Niño, and Doctor Atomic; Kaija Saariaho’s L’amour de loin, La Passion de Simone, and Only the Sound Remains; Purcell’s The Indian Queen; and Bach’s passions of Saint Matthew and Saint John. Approaching Sellars’s theatrical strategies from a musicological perspective, McClary blends insights from theater, film, and literary scholarship to explore the work of one of the most brilliant living interpreters of opera.
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Passions Pedagogies and 21st Century Technologies
edited by Gail E. Hawisher & Cynthia L. Selfe
Utah State University Press, 1999

Gail Hawisher and Cynthia Selfe created a volume that set the agenda in the field of computers and composition scholarship for a decade. The technology changes that scholars of composition studies faced as the new century opened couldn't have been more deserving of passionate study. While we have always used technologies (e.g., the pencil) to communicate with each other, the electronic technologies we now use have changed the world in ways that we have yet to identify or appreciate fully. Likewise, the study of language and literate exchange, even our understanding of terms like literacy, text, and visual, has changed beyond recognition, challenging even our capacity to articulate them.

As Hawisher, Selfe, and their contributors engage these challenges and explore their importance, they "find themselves engaged in the messy, contradictory, and fascinating work of understanding how to live in a new world and a new century." The result is a broad, deep, and rewarding anthology of work still among the standard works of computers and composition study.

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Passive Radars on Moving Platforms
Diego Cristallini
The Institution of Engineering and Technology, 2023
This book collects, reviews and analyses recent research on passive radars on moving platforms. Due to the nature of the typical radar applications performed by moving platforms and the signals of opportunity typically exploited for passive radar purposes, which are not designed for reception while in motion, the special case of passive radar mounted on moving platforms is highly challenging.
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Passive Sentences in English and Portuguese
Milton M. Azevedo
Georgetown University Press, 1980

This study analyzes passive sentences in English and Portuguese which result from a post-semantic transformation applied when a nound, which does not play the semantic role of actor, is chosen as syntactic subject. Choice between a passive and its non-passive or active counterpart reflects differences in the distribution of information in the sentence as regards the relative importance of the latter's constituents for communication. Such distribution is analyzed in terms of Praque school theory, especially that involving the notions of communicative dynamism and the distribution of theme and rheme.

The book concludes with a contrastive analysis of English and Portuguese passive sentence patterns which serves as the basis for observations on the teaching of Portuguese passives to native speakers of English.

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A Passover Haggadah
Rabbi Herbert Bronstein
Central Conference of American Rabbis
This classic Haggadah has sold over 1 million copies since its introduction. Illustrated with twenty-three original full-color watercolors by Leonard Baskin and written in contemporary, gender-inclusive language, it contains a complete Passover home service, an extensive song section, and supplemental readings and meditations from which participants can choose during the course of the Seder. All optional selections are printed in color.
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A Passover Haggadah - Russian-Hebrew Edition
Rabbi Herbert Bronstein
Central Conference of American Rabbis
This black and white edition follows the same design, format and layout as its English counterpart: Russian passages exactly follow the placement of their English equivalents, including transliterations of all blessings.
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The Passport That Does Not Pass Ports
African Literature of Travel in the Twenty-First Century
Isabel Balseiro
Michigan State University Press, 2020
These seventeen pieces on travel in Africa by leading African authors take readers to places at once homelike and foreign. Against the tropes of travel writing, this book offers the acuity of vision of particular types of travelers. These are travelers whose mother tongue may find the hint of familiarity across otherwise unintelligible languages and for whom a foreign land isn’t necessarily strange; in it they perceive vestiges of the familiar. For them, the act of traveling extends a canvas on which to depict someone else’s reality—a reality never too distant from their own. What makes these writings coalesce is a reflection about the act of being in motion, about reconfiguring place; a consciousness of how geography redirects the focus of one’s gaze and, in turn, how that altered gaze filters inward. Having absorbed the landscape, inhaled the scents, paid heed to accents, and accepted the condition of being out of place, these travelers reconstitute individual consciousness and join a collective sense of existing beyond borders. Place inhabits this renewed sense of self; literature enables its expression. An inviting introduction to travel writing on Africa, The Passport That Does Not Pass Ports is absorbing reading for travelers and students of literature alike.
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Passwords
Philology, Security, Authentication
Brian Lennon
Harvard University Press, 2018

Cryptology, the mathematical and technical science of ciphers and codes, and philology, the humanistic study of natural or human languages, are typically understood as separate domains of activity. But Brian Lennon contends that these two domains, both concerned with authentication of text, should be viewed as contiguous. He argues that computing’s humanistic applications are as historically important as its mathematical and technical ones. What is more, these humanistic uses, no less than cryptological ones, are marked and constrained by the priorities of security and military institutions devoted to fighting wars and decoding intelligence.

Lennon’s history encompasses the first documented techniques for the statistical analysis of text, early experiments in mechanized literary analysis, electromechanical and electronic code-breaking and machine translation, early literary data processing, the computational philology of late twentieth-century humanities computing, and early twenty-first-century digital humanities. Throughout, Passwords makes clear the continuity between cryptology and philology, showing how the same practices flourish in literary study and in conditions of war.

Lennon emphasizes the convergence of cryptology and philology in the modern digital password. Like philologists, hackers use computational methods to break open the secrets coded in text. One of their preferred tools is the dictionary, that preeminent product of the philologist’s scholarly labor, which supplies the raw material for computational processing of natural language. Thus does the historic overlap of cryptology and philology persist in an artifact of computing—passwords—that many of us use every day.

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The Past and Future City
How Historic Preservation is Reviving America's Communities
Stephanie Meeks with Kevin C. Murphy
Island Press, 2016
At its most basic, historic preservation is about keeping old places alive, in active use, and relevant to the needs of communities today. As cities across America experience a remarkable renaissance, and more and more young, diverse families choose to live, work, and play in historic neighborhoods, the promise and potential of using our older and historic buildings to revitalize our cities is stronger than ever.
 
This urban resurgence is a national phenomenon, boosting cities from Cleveland to Buffalo and Portland to Pittsburgh. Experts offer a range of theories on what is driving the return to the city—from the impact of the recent housing crisis to a desire to be socially engaged, live near work, and reduce automobile use. But there’s also more to it. Time and again, when asked why they moved to the city, people talk about the desire to live somewhere distinctive, to be some place rather than no place. Often these distinguishing urban landmarks are exciting neighborhoods—Miami boasts its Art Deco district, New Orleans the French Quarter. Sometimes, as in the case of Baltimore’s historic rowhouses, the most distinguishing feature is the urban fabric itself.

While many aspects of this urban resurgence are a cause for celebration, the changes have also brought to the forefront issues of access, affordable housing, inequality, sustainability, and how we should commemorate difficult history. This book speaks directly to all of these issues.
 
In The Past and Future City, Stephanie Meeks, the president of the National Trust for Historic Preservation, describes in detail, and with unique empirical research, the many ways that saving and restoring historic fabric can help a city create thriving neighborhoods, good jobs, and a vibrant economy. She explains the critical importance of preservation for all our communities, the ways the historic preservation field has evolved to embrace the challenges of the twenty-first century, and the innovative work being done in the preservation space now.
 
This book is for anyone who cares about cities, places, and saving America’s diverse stories, in a way that will bring us together and help us better understand our past, present, and future. 
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Past and Future Presence
Approaches for Implementing XR Technology in Humanities and Art Education
Lissa Crofton-Sleigh
Amherst College Press, 2024
While uses and studies of XR technology within STEM-based education have been plentiful in recent years, there has been lesser or even, at times, a lack of coverage for this novel learning tool in the arts and humanities. Past and Future Presence aims to bridge some of that gap by presenting research-based theory and case studies of successful application and implementation of XR technology into postsecondary educational settings, ranging in topics from ancient to modern languages, classical and contemporary art, and reenvisioned historical scenes and events presented in ways never seen before. The studies also contemplate how this novel medium can enhance and supplement learning in classrooms and other formal or informal learning environments. The volume as a whole is intended to demonstrate to educators, scholars, and researchers in higher education the potential value of integrating XR technology into their classrooms and to provide a strong argument for college and university administrators to invest in training and development of new research and content for classrooms inside and outside of STEM. The authors of these chapters come from a diverse range of backgrounds at different stages of their careers, providing a broad crosssection of scholastic work within the humanities and arts. Each chapter offers a different angle or approach to incorporating XR technology into teaching or research within different subject areas. As the volume suggests, this technology also places additional emphasis on the humanity within the humanities, by focusing on increasing connection between users and different cultures, time periods, and perspectives.
 
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The Past as Present in the Drama of August Wilson
Harry J. Elam, Jr.
University of Michigan Press, 2004

Pulitzer-prizewinning playwright August Wilson, author of Fences, Ma Rainey's Black Bottom, and The Piano Lesson, among other dramatic works, is one of the most well respected American playwrights on the contemporary stage. The founder of the Black Horizon Theater Company, his self-defined dramatic project is to review twentieth-century African American history by creating a play for each decade.
Theater scholar and critic Harry J. Elam examines Wilson's published plays within the context of contemporary African American literature and in relation to concepts of memory and history, culture and resistance, race and representation. Elam finds that each of Wilson's plays recaptures narratives lost, ignored, or avoided to create a new experience of the past that questions the historical categories of race and the meanings of blackness.
Harry J. Elam, Jr. is Professor of Drama at Stanford University and author of Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka (The University of Michigan Press).
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The Past Before Us
Historical Traditions of Early North India
Romila Thapar
Harvard University Press, 2013

The claim, often made, that India--uniquely among civilizations--lacks historical writing distracts us from a more pertinent question, according to Romila Thapar: how to recognize the historical sense of societies whose past is recorded in ways very different from European conventions. In The Past Before Us, a distinguished scholar of ancient India guides us through a panoramic survey of the historical traditions of North India. Thapar reveals a deep and sophisticated consciousness of history embedded in the diverse body of classical Indian literature.

The history recorded in such texts as the Ramayana and the Mahabharata is less concerned with authenticating persons and events than with presenting a picture of traditions striving to retain legitimacy and continuity amid social change. Spanning an epoch of nearly twenty-five hundred years, from 1000 BCE to 1400 CE, Thapar delineates three distinct historical traditions: an Itihasa-Purana tradition of Brahman authors; a tradition composed mainly by Buddhist and Jaina scholars; and a popular bardic tradition. The Vedic corpus, the epics, the Buddhist canon and monastic chronicles, inscriptions, regional accounts, and royal biographies and dramas are all scrutinized afresh--not as sources to be mined for factual data but as genres that disclose how Indians of ancient times represented their own past to themselves.

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Past Climates
Tree Thermometers, Commodities, and People
By Leona Marshall Libby
University of Texas Press, 1983

Leona Marshall Libby was a pioneer in modern climatic research, a field that gained great impetus in the late twentieth century because of the promise it holds for predicting future climatic trends. Libby’s work led to remarkable new procedures for investigating long-term changes in precipitation and temperature and thereby greatly expanding our knowledge of past climates.

As Professor Rainer Berger writes in his foreword:

 “In recent years, tree ring–based temperature data have been collected which go far beyond the records available to historians. These data can be analyzed by Fourier transforms which identify certain periodicities. . . . Climatic changes detected by tree rings have been checked against historic records. . . . The correspondence is astonishing. . . .  

“At present weather forecasting is becoming more accurate for periods on the order of days, weeks, and months. Climatic prognoses have also been attempted for very long times of tens of thousands of years. But the intermediate range in the decades and centuries has so far been an enigma. It is here where tree ring thermometry plays its trump cards.

 “. . . Its potential is enormous in assessing worldwide crop yields, water inventory, heating requirements, stockpiling policies, and construction planning as well as political and military prospects.”

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Past Disquiet
Artists, International Solidarity and Museums in Exile
Edited by Kristine Khouri and Rasha Salti
Museum of Modern Art in Warsaw, 2018
The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. In that era, individual artists and artist collectives assembled collections; organized touring exhibitions, public interventions and actions; and collaborated with institutions and political movements. Their aim was to lend support and bring artistic engagement to protests against the ongoing war in Vietnam, the Pinochet dictatorship in Chile, and the apartheid regime in South Africa, and they were aligned in international solidarity for anti-colonial struggles. Past Disquiet brings together contributions from scholars, curators and writers who reflect on these marginalized histories and undertakings that took place in Baghdad, Beirut, Belgrade, Damascus, Paris, Rabat, Tokyo, and Warsaw. The book also offers translations of primary texts and recent interviews with some of the artists involved.
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Past Forward
French Cinema and the Post-Colonial Heritage
Dayna Oscherwitz
Southern Illinois University Press, 2010

In Past Forward: French Cinema and the Post-Colonial Heritage, author Dayna Oscherwitz focuses on the world of French films with a new lens. Drawing upon a wealth of research and the examination of popular French movies, Oscherwitz offers fresh perspectives not only on the unique importance of motion pictures and their indelible influence on French character, but on current debates regarding individual and collective memory.
            Past Forward traces the development and ascension of the French heritage film—those historical and costume dramas focusing on prestigious French subjects, events, and settings. These motion pictures, preeminent during a period of globalization and fear over the affects of immigration in 1980s France, quickly came to embody a specific version of French national and collective identity: one that idealized the past, condemned the present, and created an institutional form of memory. Oscherwitz presents the intriguing notion that French heritage films are not exclusively expressions of nationalism and nostalgia as has commonly been asserted. On the contrary, although these movies were born out of a perceived loss of French culture, their ambivalence toward traditional hallmarks of nationalism opens them up to new interpretation. Also in contrast to typical conceptions, the author suggests that these heritage films are far from cinematic bastions of multicultural backlash; instead, she argues, popular culture has in its own fashion reinserted the history of colonialism and immigration into the national past, thus reimagining heritage itself.

            Against this backdrop, Oscherwitz goes on to investigate the multicultural worlds of beur and banlieue movies—cinema seemingly in direct contrast with the heritage film—offering the theory that these films serve as a “countermemory” to an institutionalized one and provide alternative models of collective memory and identity. Through careful analysis of several examples, Oscherwitz demonstrates how these two seemingly different realms—heritage and multicultural cinema—are far from mutually exclusive in the construction of French identity.

            Throughout the volume, numerous well-known French movies are reexamined, inviting new interpretations of and challenging old views through investigations of familiar cinematic works. Past Forward is arevolutionary volume that boldly reimagines our ideas about French film and its role in communicating history and memory.

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Past Imperfect
Essays on History, Libraries, and the Humanities
Lawrence W. Towner
University of Chicago Press, 1993
Lawrence W. Towner was head of one of the country's largest independent research libraries. He was also an eloquent spokesman for the needs of scholars and institutions in the humanities. While at the Newberry Library, he built and focused its prestigious collections, pioneered in the preservation of books, and created major research centers. His efforts established the library as a community of scholars while encouraging its use by students and the general public.

Towner's essays and talks cover a broad range of topics of continuing relevance to scholarship and the humanities. His writings gathered in Past Imperfect are concerned with such issues as the role of independent research libraries and the politics of funding. A section of historical essays on the common people of New England reveal his concern with neglected fields of history, a theme that guided his career as a librarian. Spanning the range of his experience and expertise, this volume expresses Towner's coherent vision of the place of humanities, libraries, and scholarship in American life.

Lawrence W. Towner (1921-92) taught history at M.I.T., the College of William and Mary, and Northwestern University. In 1962 he was appointed librarian of the Newberry Library and directed the library for the next twenty-four years.
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The Past in Ruins
Tradition and the Critique of Modernity
David Gross
University of Massachusetts Press, 2009
We are currently updating our website and have not yet posted complete information for this title. Many of our books are in the Google preview program, which allows readers to view up to 20% of the book. If this title is active in the program, you will find the Google Preview button in the sidebar below.
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The Past in the Present
Women's Higher Education in the Twentieth-Century American South
Amy T. McCandless
University of Alabama Press, 1999
The history of higher education in the 20th-century South, like the history of the region, both mirrors and diverges from the national pattern. Not surprisingly the region’s demographic, economic, social, political, and cultural characteristics have accounted for many of the variations between the education of southern women and women in the rest of the nation.
 
Southern students, McCandless finds, have generally been more Protestant, more rural, more conservative, and less affluent than their northern and western counterparts. Southern institutions have been slower to raise matriculation and graduation standards and to revise the classical curriculum. Southern administrators and legislators have opposed coeducation and integration longer and harder than college officials elsewhere. Certain types of institutions, such as all-black colleges, public women’s colleges, and separate agricultural colleges, have been more prevalent in the South. Although many of these differences are not gender-specific, all have contributed to the distinctive educational experience of women in this region.
 
Much has been written on the distinctiveness of this region, but virtually nothing has been published on the education of women in the South. By focusing on both black and white women at a wide variety of institutions and drawing on oral interviews and campus publications as well as traditional histories, McCandless is able to construct a more detailed picture of women’s collegiate experiences in the 20th-century South than those provided by general studies that rely primarily on materials from the North and Midwest.
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Past Is Not Dead
Facts, Fictions, and Enduring Racial Stereotypes
Allan Pred
University of Minnesota Press, 2004

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The Past Leads a Life of Its Own
Wayne Fields
University of Chicago Press, 1997
The Past Leads a Life of Its Own is a compelling collection of stories centered around one boy's childhood in the rural midwest in the 1950s, his love of nature, his family, and their often nomadic existence.

"Going through these pages quickly would be like chug-a-lugging a jar of honey fresh from the comb, or wolfing down a slow-cured, hickory-smoked country ham. It is a rich and complexly flavored work of fiction, a book to be savored."—Harper Barnes, St. Louis Post-Dispatch

"Set against the rhythms of nature, Fields's 16 luminous, interrelated stories celebrate a boy's coming-of-age. . . . The beauty of these deeply felt stories lies in their spare, ear-perfect language and in quiet epiphanies."—Publishers Weekly

"[A] beautifully subtle work. . . . Here are a series of vignettes, each capturing some moment in nature, poetic and ethereal. . . . [They] are like stones skipping on water, capturing the struggles of a family leaving one way of life behind for another, Fields remembers the feeling of a time and a place gone forever."—Library Journal
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Past Or Portal? Enhancing Undergraduate Learning Through
Eleanor Mitchell
Assoc of College & Research Libraries, 2012

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Past or Portal
Enhancing Undergraduate Learning through Special Collections and Archives
Eleanor Mitchell
Assoc of College & Research Libraries, 2012

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Past Presented
Archaeological Illustration and the Ancient Americas
Joanne Pillsbury
Harvard University Press, 2012
Illustrations remain one of the fundamental tools of archaeology, a means by which we share information and build ideas. Often treated as if they were neutral representations, archaeological illustrations are the convergence of science and the imagination. This volume, a collection of fourteen essays addressing the visual presentation of the Pre-Columbian past from the fifteenth century to the present day, explores and contextualizes the visual culture of archaeological illustration, addressing the intellectual history of the field and the relationship of archaeological illustration to other scientific disciplines and the fine arts. One of the principal questions raised by this volume is how do archaeological illustrations, which organize complex sets of information, shape the construction of knowledge? These visual and conceptual constructions warrant closer scrutiny: they matter, they shape our thinking. Archaeological illustrations are a mediation of vision and ideas, and the chapters in this volume consider how visual languages are created and how they become institutionalized. Past Presented: Archaeological Illustration and the Ancient Americas is about the ways in which representations illuminate the concerns and possibilities of a specific time and place and how these representations, in turn, shaped the field of archaeology.
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Past Scents
Historical Perspectives on Smell
Jonathan Reinarz
University of Illinois Press, 2014

In this comprehensive and engaging volume, medical historian Jonathan Reinarz offers a historiography of smell from ancient to modern times. Synthesizing existing scholarship in the field, he shows how people have relied on their olfactory sense to understand and engage with both their immediate environments and wider corporal and spiritual worlds.

This broad survey demonstrates how each community or commodity possesses, or has been thought to possess, its own peculiar scent. Through the meanings associated with smells, osmologies develop--what cultural anthropologists have termed the systems that utilize smells to classify people and objects in ways that define their relations to each other and their relative values within a particular culture. European Christians, for instance, relied on their noses to differentiate Christians from heathens, whites from people of color, women from men, virgins from harlots, artisans from aristocracy, and pollution from perfume.

This reliance on smell was not limited to the global North. Around the world, Reinarz shows, people used scents to signify individual and group identity in a morally constructed universe where the good smelled pleasant and their opposites reeked.

With chapters including "Heavenly Scents," "Fragrant Lucre," and "Odorous Others," Reinarz's timely survey is a useful and entertaining look at the history of one of our most important but least-understood senses.

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The Past That Poets Make
Harold Toliver
Harvard University Press, 1981

This is an analysis of the literary art of recapturing the past as the artist perceives it. By clearly distinguishing different ways of creating a past--in fiction, history, and other arts--Toliver enriches our understanding of literary strategies.

The Past that Poets Make examines such questions as how a fictional narrative differs from other ways of seeing a past time; to what extent literature is nontemporal, transcending its time, and to what extent it is tied to the institutions and traditions of its era; how given works conjure up a sense of time; and how fictional narratives function as transmitters of ideas to societies prepared to absorb them.

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Past Titan Rock
Journeys into an Appalachian Valley
Ellesa Clay High
West Virginia University Press, 2021
A classic book about Appalachian life and music, now updated with new material.

Past Titan Rock, a winner of the Appalachian Award for Literature, is available in a new edition as part of the series Sounding Appalachia, with an introduction by series editor Travis D. Stimeling.

In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, Past Titan Rock is a multigenre, multivocal re-creation of life in that region. With Ledford’s guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. Past Titan Rock demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.
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Pasta and Noodles
A Global History
Kantha Shelke
Reaktion Books, 2016
Pasta and noodles are so ubiquitous and popular that many nations around the world claim them as their own invention. In fact, their origins are as murky as ever, a destination that Kantha Shelke sets out for in this fascinating history. Journeying across five continents and through distant lands, she takes readers on a delicious culinary adventure in order to learn more about one of the world’s most popular—and satisfying—foods.
            Shelke traces the evolution and examines the scientific qualities of this highly adaptable staple. From there she guides us from roadside noodle stalls in Singapore to an age-old traditional pasta company in Parma, Italy; from a state-of-the-art Japanese manufacturer to pasta makers in Brazil, Mexico, and United States. She then takes the quest into our homes, offering a bonanza of recipes from around the world suitable to casual and intrepid home-cooks alike. A toothsome look at the world’s comfort food, Pasta and Noodles reveals little known facts, tasty titbits, and cultural lore that will have you feeling satiated, indeed.
 
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Pasta, Pizza and Propaganda
A Political History of Italian Food TV
Francesco Buscemi
Intellect Books, 2021
The history of Italy since the mid-1950s retold through the lens of food television.

In this dynamic interdisciplinary study at the intersection of food studies, media studies, and politics, Francesco Buscemi explores the central role of food in Italian culture through a political history of Italian food on national television. A highly original work of political history, the book tells the story of Italian food television from a political point of view: from the pioneering shows developed under strict Catholic control in the 1950s and 1960s to the left-wing political twists of the 1970s, the conservative riflusso or resurgence of the 1980s, through the disputed Berlusconian era, and into the contemporary rise of the celebrity chef. Through this lively and engaging work, we learn that cooking spaghetti in a TV studio is a political act, and by watching it, we become citizens.
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Pasternak's "Dr. Zhivago"
A Critical Companion
Edith W. Clowes
Northwestern University Press, 1995
This book, part of the acclaimed AATSEEL Critical Companions series, is designed to guide readers through Doctor Zhivago, Boris Pasternak's classic story of the Russian Revolution and its aftermath. An introduction places the novel and its author within Russian history and literature, and essays by scholars offer opinion and analysis of Pasternak's method and thought. Finally, there is correspondence relating to the novel and a bibliography chosen by the editor.
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The Pasteurization of France
Bruno Latour
Harvard University Press, 1993

What can one man accomplish, even a great man and brilliant scientist? Although every town in France has a street named for Louis Pasteur, was he alone able to stop people from spitting, persuade them to dig drains, influence them to undergo vaccination? Pasteur’s success depended upon a whole network of forces, including the public hygiene movement, the medical profession (both military physicians and private practitioners), and colonial interests. It is the operation of these forces, in combination with the talent of Pasteur, that Bruno Latour sets before us as a prime example of science in action.

Latour argues that the triumph of the biologist and his methodology must be understood within the particular historical convergence of competing social forces and conflicting interests. Yet Pasteur was not the only scientist working on the relationships of microbes and disease. How was he able to galvanize the other forces to support his own research? Latour shows Pasteur’s efforts to win over the French public—the farmers, industrialists, politicians, and much of the scientific establishment.

Instead of reducing science to a given social environment, Latour tries to show the simultaneous building of a society and its scientific facts. The first section of the book, which retells the story of Pasteur, is a vivid description of an approach to science whose theoretical implications go far beyond a particular case study. In the second part of the book, “Irreductions,” Latour sets out his notion of the dynamics of conflict and interaction, of the “relation of forces.” Latour’s method of analysis cuts across and through the boundaries of the established disciplines of sociology, history, and the philosophy of science, to reveal how it is possible not to make the distinction between reason and force. Instead of leading to sociological reductionism, this method leads to an unexpected irreductionism.

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Pastiche, Fashion, and Galanterie in Chardin’s Genre Subjects
Looking Smart
Paula Radisich
University of Delaware Press, 2014
Pastiche, Fashion and Galanterie in Chardin’s Genre Subjects seeks to understand how Chardin’s genre subjects were composed and constructed to communicate certain things to the elites of Paris in the 1730s and 1740s. The book argues against the conventional view of Chardin as the transparent imitator of bourgeois life and values so ingrained in art history since the nineteenth century. Instead, it makes the case that these pictures were crafted to demonstrate the artist’s wit (esprit) and taste, traits linked to conventions of seventeenth-century galanterie. Early eighteenth-century Moderns like Jean-Siméon Chardin (1699–1779) embraced an aesthetic grounded upon a notion of beauty that could not be put into words—the je ne sais quoi. Despite its vagueness, this model of beauty was drawn from the present, departed from standards of formal beauty, and could only be known through the critical exercise of taste. Though selecting subjects from the present appears to be a simple matter, it was complicated by the fact that the modernizers expressed themselves through the vehicles of older, established forms. In Chardin’s case, he usually adapted the forms of seventeenth-century Dutch and Flemish genre painting in his genre subjects. This gambit required an audience familiar enough with the conventions of Lowlands art to grasp the play involved in a knowing imitation, or pastiche. Chardin’s first group of enthusiasts accordingly were collectors who bought works of living French artists as well as Dutch and Flemish masters from the previous century, notably aristocratic connoisseurs like the chevalier Antoine de la Roque and Count Carl-Gustaf Tessin.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Pastimes and Politics
Culture, Community, and Identity in Post-Abolition Urban Zanzibar, 1890–1945
Laura Fair
Ohio University Press, 2001

The first decades of the twentieth century were years of dramatic change in Zanzibar, a time when the social, economic, and political lives of island residents were in incredible flux, framed by the abolition of slavery, the introduction of colonialism, and a tide of urban migration. Pastimes and Politics explores the era from the perspective of the urban poor, highlighting the numerous and varied ways that recently freed slaves and other immigrants to town struggled to improve their individual and collective lives and to create a sense of community within this new environment. In this study Laura Fair explores a range of cultural and social practices that gave expression to slaves’ ideas of emancipation, as well as how such ideas and practices were gendered.

Pastimes and Politics examines the ways in which various cultural practices, including taarab music, dress, football, ethnicity, and sexuality, changed during the early twentieth century in relation to islanders’ changing social and political identities. Professor Fair argues that cultural changes were not merely reflections of social and political transformations. Rather, leisure and popular culture were critical practices through which the colonized and former slaves transformed themselves and the society in which they lived.

Methodologically innovative and clearly written, Pastimes and Politics is accessible to specialists and general readers alike. It is a book that should find wide use in courses on African history, urbanization, popular culture, gender studies, or emancipation.

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Pastoral and Monumental
Dams, Postcards, and the American Landscape
Donald C. Jackson
University of Pittsburgh Press, 2013

In Pastoral and Monumental, Donald C. Jackson chronicles America’s longtime fascination with dams as represented on picture postcards from the late nineteenth to the mid-twentieth century. Through over four hundred images, Jackson documents the remarkable transformation of dams and their significance to the environment and culture of America.

Initially, dams were portrayed in pastoral settings on postcards that might jokingly proclaim them as “a dam pretty place.” But scenes of flood damage, dam collapses, and other disasters also captured people’s attention. Later, images of New Deal projects, such as the Hoover Dam, Grand Coulee Dam, and Norris Dam, symbolized America’s rise from the Great Depression through monumental public works and technological innovation. Jackson relates the practical applications of dams, describing their use in irrigation, navigation, flood control, hydroelectric power, milling, mining, and manufacturing. He chronicles changing construction techniques, from small timber mill dams to those more massive and more critical to a society dependent on instant access to electricity and potable water.

Concurrent to the evolution of dam technology, Jackson recounts the rise of a postcard culture that was fueled by advances in printing, photography, lowered postal rates, and America’s fascination with visual imagery. In 1910, almost one billion postcards were mailed through the U.S. Postal Service, and for a period of over fifty years, postcards featuring dams were “all the rage.” Whether displaying the charms of an old mill, the aftermath of a devastating flood, or the construction of a colossal gravity dam, these postcards were a testament to how people perceived dams as structures of both beauty and technological power.

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The Pastoral Role of the Roman Catholic Church in Pre-Famine Ireland, 1750–1850
Emmet Larkin
Catholic University of America Press, 2006

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Pastoralists at the Periphery
Herders in a Capitalist World
Claudia Chang
University of Arizona Press, 1994
A Baluch tribesman follows his goats as they search for a bit of vegetation; a Turkana youth guards his father's cattle against theft by raiders.... These pastoral inhabitants of mountain and desert waste are considered to be among the most geographically, economically, and politically peripheral of peoples, yet they are not entirely isolated from broader sociopolitical and economic forces. The lives of modern pastoralists are greatly affected by the policies of nations and the demands of world markets. They may face military control, forced settlement, stock reduction programs, or even efforts at "development" by governments claiming sovereignty over the lands they roam.

The authors of this collection of essays examine the impact of capitalism on nineteenth- and early twentieth century pastoralists and discuss the historical transformations that have occurred in the lives and societies of herding peoples around the world. They argue that pastoralists were not simply passive recipients of change imposed by capitalist polities and that historical and economic factors impinging on their societies were as important as ecological ones. Collectively, these papers demonstrate that twentieth-century pastoralists and their nineteenth-century predecessors should not be seen as immutably locked in a pastoral "mode of production" but rather as actively negotiating encounters between themselves and the expanding power of capitalist states.
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Pastplay
Teaching and Learning History with Technology
Kevin Kee, editor
University of Michigan Press, 2014

In the field of history, the Web and other technologies have become important tools in research and teaching of the past. Yet the use of these tools is limited—many historians and history educators have resisted adopting them because they fail to see how digital tools supplement and even improve upon conventional tools (such as books). In Pastplay, a collection of essays by leading history and humanities researchers and teachers, editor Kevin Kee works to address these concerns head-on. How should we use technology? Playfully, Kee contends. Why? Because doing so helps us think about the past in new ways; through the act of creating technologies, our understanding of the past is re-imagined and developed. From the insights of numerous scholars and teachers, Pastplay argues that we should play with technology in history because doing so enables us to see the past in new ways by helping us understand how history is created; honoring the roots of research, teaching, and technology development; requiring us to model our thoughts; and then allowing us to build our own understanding.

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The Past's Threshold
Essays on Photography
Siegfried Kracauer
Diaphanes, 2014
Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including his friends, the critic Walter Benjamin, and Theodor W. Adorno, who once claimed he owed more to Kracauer than any other contemporary.

This volume brings together for the first time all of Kracauer’s essays on photography that he wrote between 1927 and 1933 as a journalist for the Frankfurter Zeitung, as well as an essay that appeared in the Magazine of Art after his exile in America, where he would spend the last twenty-five years of his life. The texts show Kracauer as a pioneering thinker of the photographic medium in addition to the important historian, and theorist, of film that he is acknowledged to have been. His writings here build a cohesive theory on the affinities between photography, memory and history.

With a foreword by Philippe Despoix offering insights into Kracauer’s theories and the historical context, and a Curriculum vitae in pictures, photographs from the Kracauer estate annotated by Maria Zinfert.    
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Pastures of the Empty Page
Fellow Writers on the Life and Legacy of Larry McMurtry
George Getschow, editor
University of Texas Press, 2023

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

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Pat Mccarran
Political Boss Of Nevada
Jerome E. Edwards
University of Nevada Press, 1982
Although Patrick A. McCarran represented one of the least populated states in the country, he gained a national reputation as a U.S. Senator from Nevada. He entered the political spotlight by locking horns with the Roosevelt and Truman administrations on foreign policy, internal security, and many domestic issues. His strategic use of committee assignments, coupled with a strong backing of loyal, home-state supporters, enabled him to achieve a powerful position in the government.

Within his native state of Nevada, McCarran constructed a machine designed to dominate the state’s political and economic life. This domination, which extended to both political parties, was built on personal favors for constituents, shrewd use of patronage, rewards for friends, and inevitable punishment for those suspected of being enemies. Ironically, the Senator employed the same tactics that others had once used against him to stymie his own early political efforts.

This work discusses the Senator’s background, his rise to power, and his methods of establishing political domination. Personal correspondence, excerpts from speeches, newspaper editorials, and interviews all help bring to life a colorful account of a controversial, driven man who held the levers of political control in Nevada during the early twentieth century.

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Pat Metheny
Stories beyond Words
Bob Gluck
University of Chicago Press, 2024
An in-depth exploration of the style and influence of Pat Metheny, a truly distinctive musical voice of our time.

Guitarist and composer Pat Metheny, among the most acclaimed, visionary musicians of our time, has for five decades toured with his many creative musical projects, most prominently the Pat Metheny Group, while collaborating with celebrated artists, including Charlie Haden, Ron Carter, Herbie Hancock, Ornette Coleman, and Steve Reich.

Bob Gluck, whose perspective as pianist, composer, and educator has illuminated the music of Herbie Hancock and Miles Davis in his two previous books, now focuses his lens on the music of Metheny. Neither a biography nor chronological record of Metheny’s musical output, Pat Metheny: Stories beyond Words instead captures Metheny’s self-conception as a musician and the threads that unite and distinguish his creative process. Drawing upon a wealth of new interviews and close readings of musical examples, Gluck offers a bird’s-eye view of Metheny’s musical ideas. Among these are the metaphor of storytelling, the complementarity of simplicity and complexity, and the integrated roles of composer, performer, and band leader. Much like Metheny’s signature style, this book is accessible to a wide range of readers, presenting new clarity, musical insight, and historical perspective about the legacy of Metheny’s groundbreaking music. 

 
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Patagonian Prehistory
Human Ecology and Cultural Evolution in the Land of Giants
Raven Garvey
University of Utah Press, 2021
Generally portrayed as a windswept wasteland of marginal use for human habitation, Patagonia is an unmatched testing ground for some of the world’s most important questions about human ecology and cultural change. In this volume, archaeologist Raven Garvey presents a critical synthesis of Patagonian prehistory, bringing an evolutionary perspective and unconventional evidence to bear on enduringly contentious issues in New World archaeology, including initial human colonization of the Americas, widespread depopulation between 8,000 and 4,000 years ago, and the transition from foraging to farming.
 
Garvey’s novel hypotheses question common assumptions regarding Patagonia’s suitability for prehistoric hunter-gatherers. She makes four primary arguments: (1) the surprising lack of clothing in parts of prehistoric Patagonia supports a relatively slow initial colonization of the Americas; (2) the sparse record of human habitation during the middle Holocene may be due to prehistoric behavioral changes and archaeological sampling methods rather than population decline; (3) farming never took root in Patagonia because risks associated with farming likely outweighed potential benefits; and, finally, (4) the broad trajectory of cultural change in Patagonia owes as much to feedback between population size and technology as to conditions in the rugged Patagonian outback itself.
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The Patagonian Sublime
The Green Economy and Post-Neoliberal Politics
Mendoza, Marcos
Rutgers University Press, 2019
The Patagonian Sublime provides a vivid, accessible, and cutting-edge investigation of the green economy and New Left politics in Argentina. Based on extensive field research in Glaciers National Park and the mountain village of El Chaltén, Marcos Mendoza deftly examines the diverse social worlds of alpine mountaineers, adventure trekkers, tourism entrepreneurs, seasonal laborers, park rangers, land managers, scientists, and others involved in the green economy.
 
Mendoza explores the fraught intersection of the green economy with the New Left politics of the Néstor Kirchner and Cristina Fernández de Kirchner governments. Mendoza documents the strategies of capitalist development, national representation, and political rule embedded in the “green productivist” agenda pursued by Kirchner and Fernández. Mendoza shows how Andean Patagonian communities have responded to the challenges of community-based conservation, the fashioning of wilderness zones, and the drive to create place-based monopolies that allow ecotourism destinations to compete in the global consumer economy.  
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'Pataphysics
The Poetics of an Imaginary Science
Christian Bok
Northwestern University Press, 2002
'Pataphysics, the pseudoscience imagined by Alfred Jarry, has so far, because of its academic frivolity and hermetic perversity, attracted very little scholarly or critical inquiry, and yet it has inspired a century of experimentation. Tracing the place of 'pataphysics in the relationship between science and poetry, Christian Bök shows it is fundamental to the nature of the postmodern, and considers the work of Alfred Jarry and its influence on others.

A long overdue critical look at a significant strain of the twentieth-century avant-garde, 'Pataphysics: The Poetics of Imaginary Science raises important historical, cultural, and theoretical issues germane to the production and reception of poetry, the ways we think about, write, and read it, and the sorts of claims it makes upon our understanding.
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Patarata Pottery
Classic Period Ceramics of the South-Central Gulf Coast, Veracruz, Mexico
Barbara L. Stark
University of Arizona Press, 1989
The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
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Patches of Sunlight, Or of Shadow
Safeguarded Notes, 1952–2005
Philippe Jaccottet
Seagull Books, 2020
Philippe Jaccottet’s newest work follows in some ways the approach of Seedtime, his recent two-volume collection of notebooks. Similarly comprising on-the-spot jottings, philosophical reflections, literary commentary, dream narratives and sundry “notes,” this book nonetheless differs from the preceding volumes in that the Swiss poet includes more personal material than ever before. Drawing on unpublished notebooks from the years 1952–2005, Jacottet offers here passages about his family, the death of his father-in-law and of his mother, his encounters with other major poets—such as René Char, Francis Ponge, Jean Tardieu, and his friends Yves Bonnefoy and André du Bouchet—and his trips abroad, as well as, characteristically, his walks in the countryside around the village of Grignan, in the south of France, where he has lived since 1953. For a poet who has been notoriously discreet about his life, this book offers unexpected glimpses of the private man. Above all, the entries in this notebook show how one of the greatest European poets grapples with the discouraging elements of existence, counterbalancing them by recording fleeting perceptions in which “something else,” almost like a threshold, seems present.
 
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Patchwork Apartheid
Private Restriction, Racial Segregation, and Urban Inequality
Colin Gordon
Russell Sage Foundation, 2023
For the first half of the twentieth century, private agreements to impose racial restrictions on who could occupy property decisively shaped the development of American cities and the distribution of people within them. Racial restrictions on the right to buy, sell, or occupy property also effectively truncated the political, social, and economic citizenship of those targeted for exclusion. In Patchwork Apartheid, historian Colin Gordon examines the history of such restrictions and how their consequences reverberate today. Drawing on a unique record of property restrictions excavated from local property records in five Midwestern counties, Gordon documents the prevalence of private property restriction in the era before zoning and building codes were widely employed and before federal redlining sanctioned the segregation of American cities and suburbs. This record of private restriction—documented and mapped to the parcel level in Greater Minneapolis, Greater St. Louis, and two Iowa counties—reveals the racial segregation process both on the ground, in the strategic deployment of restrictions throughout transitional central city neighborhoods and suburbs, and in the broader social and legal construction of racial categories and racial boundaries.
 
Gordon also explores the role of other policies and practices in sustaining segregation. Enforcement of private racial restrictions was held unconstitutional in 1948, and such agreements were prohibited outright in 1968. But their premises and assumptions, and the segregation they had accomplished, were accommodated by local zoning and federal housing policies. Explicit racial restrictions were replaced by the deceptive business practices of real estate agents and developers, who characterized certain neighborhoods as white and desirable and others as black and undesirable, thereby hiding segregation behind the promotion of sound property investments, safe neighborhoods, and good schools. These practices were in turn replaced by local zoning, which systematically protected white neighborhoods while targeting “blighted” black neighborhoods for commercial and industrial redevelopment, and by a tangle of federal policies that reliably deferred to local and private interests with deep investments in local segregation. Private race restriction was thus a key element in the original segregation of American cities and a source of durable inequalities in housing wealth, housing opportunity, and economic mobility.

Patchwork Apartheid exhaustively documents the history of private restriction in urban settings and demonstrates its crucial role in the ideas and assumptions that have sustained racial segregation in the United States into the twenty-first century.
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The Patchwork City
Class, Space, and Politics in Metro Manila
Marco Z. Garrido
University of Chicago Press, 2019
In contemporary Manila, slums and squatter settlements are peppered throughout the city, often pushing right up against the walled enclaves of the privileged, creating the complex geopolitical pattern of Marco Z. Garrido’s “patchwork city.” Garrido documents the fragmentation of Manila into a mélange of spaces defined by class, particularly slums and upper- and middle-class enclaves. He then looks beyond urban fragmentation to delineate its effects on class relations and politics, arguing that the proliferation of these slums and enclaves and their subsequent proximity have intensified class relations. For enclave residents, the proximity of slums is a source of insecurity, compelling them to impose spatial boundaries on slum residents. For slum residents, the regular imposition of these boundaries creates a pervasive sense of discrimination. Class boundaries then sharpen along the housing divide, and the urban poor and middle class emerge not as labor and capital but as squatters and “villagers,” Manila’s name for subdivision residents. Garrido further examines the politicization of this divide with the case of the populist president Joseph Estrada, finding the two sides drawn into contention over not just the right to the city, but the nature of democracy itself.

The Patchwork City illuminates how segregation, class relations, and democracy are all intensely connected.  It makes clear, ultimately, that class as a social structure is as indispensable to the study of Manila—and of many other cities of the Global South—as race is to the study of American cities.
 
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Patchwork
Iowa Quilts and Quilters
Jacqueline Andre Schmeal
University of Iowa Press, 2003
Frugal, thrifty, enduring, colorful, comforting, warm. These words capture both the spirit of Iowa quilters through the centuries and the fabrics they stitched together. In Patchwork, Jacqueline Schmeal celebrates the lives of Iowa quilters and the enduring beauty of historic Iowa quilts.
Drawing on written records by and interviews with contemporary quilters, many of whom were born in the early years of the twentieth century, Schmeal presents the life histories of these hard-working yet inspired artists. Sisters Elsie Ball and Mary Ball Jay of Fairfield—charging one and a quarter cents per yard of thread—kept meticulous records of each of the 135 quilts they stitched between 1935 and 1970. Ivan Johnson plowed his fields by day and quilted vivid designs by night. Cloth scraps were so precious to Barbara Chupp, an Amish quilter, that she became known for her mosaic piecing. Members of the Sunshine Circle, organized in 1912 in a Quaker church in Earlham, still quilt together today. Mennonite quilter Sara Miller became famous nationwide for her fabric store, Kalona Kountry Kreations. Their stories—of impoverished childhoods, hardscrabble work, and strong families—are enhanced by over seventy color photographs of an unbelievably rich collection of historic quilts ranging from the early 1800s to the 1950s.
Offering both a glimpse into the daily lives of twentieth-century quiltmakers and an amazing treasury of Iowa's historic quilts, Patchwork is a loving tribute to the creative spirit that links modern-day quilters to the patterns and traditions of their predecessors.
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Patchwork Nation
Sectionalism and Political Change in American Politics
James G. Gimpel and Jason E. Schuknecht
University of Michigan Press, 2004
The unprecedented geographic and socioeconomic mobility of twentieth-century America was accompanied by a major reshuffling of political support in many parts of the country. Yet at the dawn of the new century these local and regional movements are still poorly understood. How can we account for persistent political regionalism and the sectional changes that have radically altered the nation's political landscape, from the Sun Belt to the Rust Belt? Patchwork Nation retrieves this lost knowledge, restoring geography to its central role in our nation's political behavior.


"A primer on the importance of regional identity in the electoral system. ... [A]nyone interested in learning more about how America's diversity drives its political systems would do well to take a spin through Patchwork Nation."
---Meg Kinnard, NationalJournal.com

"Location, location, location. What matters in politics is not just who the voters are, but where they are. Just ask Al Gore. Or read this book, a compelling demonstration that geography is often destiny."
---Bill Schneider, Senior Political Analyst, CNN

"This accessible and well-written book challenges us to reflect on the role that political context plays in shaping the vote. By tracing how regional politics evolves over time within and across states, Gimpel and Schuknecht have revived the important but often neglected field of political geography."
---Donald Green, Yale University

"In the spirit of V. O. Key, Gimpel and Schuknecht make a fundamental contribution. They demonstrate that states and regions are not simply important as units of aggregation, but rather as complex political arenas with profound consequences for processes of democratic politics both within and beyond their boundaries."
---Robert Huckfeldt, University of California, Davis
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A Patchwork Shawl
Chronicles of South Asian Women in America
Das Dasgupta, Shamita
Rutgers University Press, 1998

A Patchwork Shawl sheds light on the lives of a segment of the U.S. immigrant population that has long been relegated to the margins. It focuses on women's lives that span different worlds: Bangladesh, India, Pakistan, and the United States. This collection of essays by and about South Asian women in America challenges stereotypes by allowing women to speak in their own words. Together they provide discerning insights into the reconstruction of immigrant patriarchy in a new world, and the development of women's resistance to that reconstruction. Shamita Das DasGupta's introduction also acquaints readers with the psychological topography of the South Asian community.

A Patchwork Shawl considers topics from re-negotiation of identity to sexuality, violence to intimacy, occupations to organizing within the community. The essays bear witness to women's negotiations for independent identities, their claim to their own bodies, and the right to choose relationships based on their own histories and truths. They bring new understanding to the intersection of gender, ethnicity, race, sexuality, and class.


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The Pate Chronicle
Marina Tolmacheva
Michigan State University Press, 1993

In late October 1890, a British force led by Admiral Fremantle assaulted and subdued the East African town of Witu, the mainland capital of the Nabahani rulers of Pate; five years later, the entire region and the adjacent coastal islands came under British administration. One of the great tragedies suffered as a result of Admiral Fremantle's initial attack was the loss of the original manuscript of the history of Pate, The Book of the Kings of Pate.
     This historical work in its various forms is representative of a living historical tradition developed in the coastal city-states of East Africa and is considered one of the important literary treasures of their culture and society. It also stands as the most important indigenous source for Swahili history, the history of the Swahili language, its dialects, and its written tradition. The four Arabic-Swahili versions (manuscripts 177, 321, 344, and 358 of the Library of the University of Dar es Salaam) presented here in The Pate Chronicle add significantly to the growing pool of information available about Pate and East Africa before the era of European colonialism.

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The Patent Crisis and How the Courts Can Solve It
Dan L. Burk and Mark A. Lemley
University of Chicago Press, 2009

Patent law is crucial to encourage technological innovation. But as the patent system currently stands, diverse industries from pharmaceuticals to software to semiconductors are all governed by the same rules even though they innovate very differently. The result is a crisis in the patent system, where patents calibrated to the needs of prescription drugs wreak havoc on information technologies and vice versa. According to Dan L. Burk and Mark A. Lemley in The Patent Crisis and How the Courts Can Solve It, courts should use the tools the patent system already gives them to treat patents in different industries differently. Industry tailoring is the only way to provide an appropriate level of incentive for each industry.

Burk and Lemley illustrate the barriers to innovation created by the catch-all standards in the current system. Legal tools already present in the patent statute, they contend, offer a solution—courts can tailor patent law, through interpretations and applications, to suit the needs of various types of businesses. The Patent Crisis and How the Courts Can Solve It will be essential reading for those seeking to understand the nexus of economics, business, and law in the twenty-first century.

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Patent Politics
Life Forms, Markets, and the Public Interest in the United States and Europe
Shobita Parthasarathy
University of Chicago Press, 2017
Over the past thirty years, the world’s patent systems have experienced pressure from civil society like never before. From farmers to patient advocates, new voices are arguing that patents impact public health, economic inequality, morality—and democracy. These challenges, to domains that we usually consider technical and legal, may seem surprising. But in Patent Politics, Shobita Parthasarathy argues that patent systems have always been deeply political and social.
 
To demonstrate this, Parthasarathy takes readers through a particularly fierce and prolonged set of controversies over patents on life forms linked to important advances in biology and agriculture and potentially life-saving medicines. Comparing battles over patents on animals, human embryonic stem cells, human genes, and plants in the United States and Europe, she shows how political culture, ideology, and history shape patent system politics. Clashes over whose voices and which values matter in the patent system, as well as what counts as knowledge and whose expertise is important, look quite different in these two places. And through these debates, the United States and Europe are developing very different approaches to patent and innovation governance. Not just the first comprehensive look at the controversies swirling around biotechnology patents, Patent Politics is also the first in-depth analysis of the political underpinnings and implications of modern patent systems, and provides a timely analysis of how we can reform these systems around the world to maximize the public interest.
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Patents for Power
Intellectual Property Law and the Diffusion of Military Technology
Robert M. Farley and Davida H. Isaacs
University of Chicago Press, 2020
In an era when knowledge can travel with astonishing speed, the need for analysis of intellectual property (IP) law—and its focus on patents, trade secrets, trademarks, and issues of copyright—has never been greater. But as Robert M. Farley and Davida H. Isaacs stress in Patents for Power, we have long overlooked critical ties between IP law and one area of worldwide concern: military technology. This deft blend of case studies, theoretical analyses, and policy advice reveals the fundamental role of IP law in shaping how states create and transmit defense equipment and weaponry.
 
The book probes two major issues: the effect of IP law on innovation itself and the effect of IP law on the international diffusion, or sharing, of technology. Discussing a range of inventions, from the AK-47 rifle to the B-29 Superfortress bomber to the MQ-1 Predator drone, the authors show how IP systems (or their lack) have impacted domestic and international relations across a number of countries, including the United States, Russia, China, and South Korea. The study finds, among other results, that while the open nature of the IP system may encourage industrial espionage like cyberwarfare, increased state uptake of IP law is helping to establish international standards for IP protection. This clear-eyed approach to law and national security is thus essential for anyone interested in history, political science, and legal studies.
 
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Patents, Invention, and Economic Change
Data and Selected Essays
Jacob Schmookler
Harvard University Press, 1972

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Patents, Trademarks, and Related Rights
National and International Protection
Stephen P. Ladas
Harvard University Press, 1975

Lawyers and corporations have a vital interest in the regulation and protection of industrial property—patents, designs, trademarks, trade names, and repression of unfair competition—and in the problems raised by agreements between enterprises, nationally and internationally. Since World War II, there has been increasing ferment for changes in the whole system of industrial property. Pressures have been building up from administrations concerned with the functioning of the patent and trademark system; from private enterprises affected by delays, costs, and insecurities of the system; from developing countries anxious to receive and adapt foreign technology at reasonable cost and without excessive restriction; and from the increasing tendency of antitrust law to curb even legal monopolies in order to ensure free competition.

This major work describes the national and international regime of patents, trademarks, technological know-how, and related rights of industrial property; the conflicting interests and demands for recognition and satisfaction in this field; the international efforts and arrangements achieved for harmonization of law and procedure; the problems involved in the transfer of technology for the technical and economic development of countries pressing for assistance; and the controls established by statutory and decisional law against restriction of competition by the exercise of industrial property rights.

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Paternal Tyranny
Arcangela Tarabotti
University of Chicago Press, 2004
Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.

Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.

An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.
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Paternalism
Rolf Sartorius, Editor
University of Minnesota Press, 1984

Paternalism was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Over a hundred years of controversy have established that the antipaternalistic principle so passionately argued by Mill in On Liberty is anything but simple. There are difficulties in interpreting the principle, in reconciling it with Mill's general utilitarian position, and defending it under any particular interpretation. The fourteen essays collected in Paternalism represent the shape philosophical discussions have taken in the past decade and include the classical contemporary statements as well as important new work. This book will provide philosophers, policymakers, doctors, lawyers, and students with all the major arguments that are part of the current controversy.

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