Dean Arnold takes readers on a journey into the Andes, recounting the adventures of his 1960s research in the village of Quinua, Peru. Arnold’s quest to understand how contemporary pottery production reflected current Quinua society as well as its ancient Inca and pre-Inca past is one of the earliest studies in what later became known as ethnoarchaeology.
 
This first-person narrative reveals the challenges of living and working in another culture and the many obstacles one can encounter while doing field research. Arnold shares how his feelings of frustration and perceived failure led him to refocus his project, a shift that ultimately led to an entirely new perspective on pottery production in the Andes. Masterfully weaving details about Peru’s geography, ecology, history, prehistory, and culture into his story, he chronicles his change from small-town Midwesterner to a person of much broader vision, newly aware of his North American views and values.
 
Retracing Inca Steps is an excellent read for the lay person wishing to learn about the environment, prehistory, history, and culture of Peru as well as for students wanting to know more about the joys and rigors of fieldwork.

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Retreads tells the middle of the story begun in Thundering Sneakers and concluded in Sneaking Out. In this collection of essays, Prudence Mackintosh follows her sons through the "tween" years between little boyhood and adolescence. Vividly portraying the chaos that descends on a house full of active children, she also records the many first times and last times that give poignancy to the middle years of motherhood.

“A picture held us captive,” writes Wittgenstein in the Philosophical Investigations, describing the powerful image of mind that underlies the modern epistemological tradition from Descartes onward. Retrieving Realism offers a radical critique of the Cartesian epistemic picture that has captivated philosophy for too long and restores a realist view affirming our direct access to the everyday world and to the physical universe.

According to Descartes, knowledge exists in the form of ideas in the mind that purportedly represent the world. This “mediational” epistemology—internal ideas mediating external reality—continues to exert a grip on Western thought, and even philosophers such as Quine, Rorty, and Davidson who have claimed to refute Descartes remain imprisoned within its regime. As Hubert Dreyfus and Charles Taylor show, knowledge consists of much more than the explicit representations we formulate. We gain knowledge of the world through bodily engagement with it—by handling things, moving among them, responding to them—and these forms of knowing cannot be understood in mediational terms. Dreyfus and Taylor also contest Descartes’s privileging of the individual mind, arguing that much of our understanding of the world is necessarily shared.

Once we deconstruct Cartesian mediationalism, the problems that Hume, Kant, and many of our contemporaries still struggle with—trying to prove the existence of objects beyond our representations—fall away, as does the motivation for nonrealist doctrines. We can then begin to describe the background everyday world we are absorbed in and the universe of natural kinds discovered by science.

This book of essays looks at the multitude of texts and influences which converge in Ridley Scott’s film Blade Runner, especially the film’s relationship to its source novel, Philip K. Dick’s Do Androids Dream of Electric Sheep? Essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film’s psychological and mythic patterns, importance political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.

Microwave power transmission technology, which is a sub-discipline of the wireless power transmission technology, aims to transmit electrical power without using wires/cables in the microwave frequency band. The retro-reflective beamforming technique has the potential to enable efficient and safe microwave power transmission, as it includes the following two technical elements. First, a directional microwave beam is generated as the carrier of wireless power. Second, the microwave power beam could be steered in real time toward mobile wireless power receiver(s). This book offers a comprehensive narrative of retro-reflective beamforming in the context of microwave power transmission.

In Return Engagements artist and critic Việt Lê examines contemporary art in Cambodia and Việt Nam to rethink the entwinement of militarization, trauma, diaspora, and modernity in Southeast Asian art. Highlighting artists tied to Phnom Penh and Sài Gòn and drawing on a range of visual art as well as documentary and experimental films, Lê points out that artists of Southeast Asian descent are often expected to address the twin traumas of armed conflict and modernization, and shows how desirable art on these themes is on international art markets. As the global art market fetishizes trauma and violence, artists strategically align their work with those tropes in ways that Lê suggests allow them to reinvent such aesthetics and discursive spaces. By returning to and refashioning these themes, artists such as Tiffany Chung, Rithy Panh, and Sopheap Pich challenge categorizations of “diasporic” and “local” by situating themselves as insiders and outsiders relative to Cambodia and Việt Nam. By doing so, they disrupt dominant understandings of place, time, and belonging in contemporary art.

An anthropologist’s investigation of why some Brazilians choose to leave behind a booming economy and return to their villages.

In Return from the World, anthropologist Gregory Duff Morton traces the migrations of Brazilian workers who leave a thriving labor market and return to their home villages to become peasant farmers. Morton seeks to understand what it means to turn one’s back deliberately on the promise of economic growth.

Giving up their positions in factories, at construction sites, and as domestic workers, these migrants travel thousands of miles back to villages without running water or dependable power. There, many take up subsistence farming. Some become activists with the MST, Brazil’s militant movement of landless peasants. Bringing their stories vividly to life, Morton dives into the dreams and disputes at play in finding freedom in the shared rejection of growth.

Víctor Pérez-Díaz examines the return of civil society in Spain. He covers the transition of Spain from a preindustrial economy, an authoritarian government, and a Roman Catholic-dominated culture to a modern state based on the interaction of economic and class interests, on a market society, on voluntary associations such as trade unions and political parties, and on a culture of moral autonomy and rationality.

A pioneering book that takes us beyond economic debate to show how inequality is returning us to a past dominated by empires, dynastic elites, and ethnic divisions.

The economic facts of inequality are clear. The rich have been pulling away from the rest of us for years, and the super-rich have been pulling away from the rich. More and more assets are concentrated in fewer and fewer hands. Mainstream economists say we need not worry; what matters is growth, not distribution. In The Return of Inequality, acclaimed sociologist Mike Savage pushes back, explaining inequality’s profound deleterious effects on the shape of societies.

Savage shows how economic inequality aggravates cultural, social, and political conflicts, challenging the coherence of liberal democratic nation-states. Put simply, severe inequality returns us to the past. By fracturing social bonds and harnessing the democratic process to the strategies of a resurgent aristocracy of the wealthy, inequality revives political conditions we thought we had moved beyond: empires and dynastic elites, explosive ethnic division, and metropolitan dominance that consigns all but a few cities to irrelevance. Inequality, in short, threatens to return us to the very history we have been trying to escape since the Age of Revolution.

Westerners have been slow to appreciate that inequality undermines the very foundations of liberal democracy: faith in progress and trust in the political community’s concern for all its members. Savage guides us through the ideas of leading theorists of inequality, including Marx, Bourdieu, and Piketty, revealing how inequality reimposes the burdens of the past. At once analytically rigorous and passionately argued, The Return of Inequality is a vital addition to one of our most important public debates.

Both a history and a contemporary analysis, an illuminating investigation of the defining economic concern of our time.
 
The last year has seen the return of inflation as a preoccupation of political decision-makers, economists, and the general public. After two decades of wondering why inflation was so low, despite vast economic stimulus, economists were surprised by the recent surge in price increases. Despite disagreement about what exactly is happening in the economy, there is unanimity in one belief: slowing growth to control inflation. To focus on inflation’s return, Paul Mattick looks at both the past and present, placing current events in the context of capitalism’s history. Exploring the nature of money itself, he provides a concise, jargon-free understanding of recent inflation as well as official efforts to control it, illuminating the state of our contemporary economy.

In this first comprehensive study of the effect of Lucretius's De rerum natura on Florentine thought in the Renaissance, Alison Brown demonstrates how Lucretius was used by Florentine thinkers—earlier and more widely than has been supposed—to provide a radical critique of prevailing orthodoxies.

To answer the question of why ordinary Florentines were drawn to this recently discovered text, despite its threat to orthodox Christian belief, Brown tracks interest in it through three humanists—the most famous of whom was Machiavelli—all working not as philologists but as practical administrators and teachers in the Florentine chancery and university. Interpreting their direct use of Lucretius within the context of mercantile Florence, Brown highlights three dangerous themes that had particular appeal: Lucretius's attack on superstitious religion and an afterlife; his pre-Darwinian theory of evolution; and his atomism, with its theory of free will and the chance creation of the world.

The humanists' challenge to established beliefs encouraged the growth of a "Lucretian network" of younger, politically disaffected Florentines. Brown thus adds a missing dimension to our understanding of the "revolution" in sixteenth-century political thinking, as she enriches our definition of the Renaissance in a context of newly discovered worlds and new social networks.

The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer’s day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago.

Now a noted historian, who served as consultant for a new French film on Martin Guerre, has searched archives and lawbooks to add new dimensions to a tale already abundant in mysteries: we are led to ponder how a common man could become an impostor in the sixteenth century, why Bertrande de Rols, an honorable peasant woman, would accept such a man as her husband, and why lawyers, poets, and men of letters like Montaigne became so fascinated with the episode.

Natalie Zemon Davis reconstructs the lives of ordinary people, in a sparkling way that reveals the hidden attachments and sensibilities of nonliterate sixteenth-century villagers. Here we see men and women trying to fashion their identities within a world of traditional ideas about property and family and of changing ideas about religion. We learn what happens when common people get involved in the workings of the criminal courts in the ancien régime, and how judges struggle to decide who a man was in the days before fingerprints and photographs. We sense the secret affinity between the eloquent men of law and the honey-tongued village impostor, a rare identification across class lines.

Deftly written to please both the general public and specialists, The Return of Martin Guerre will interest those who want to know more about ordinary families and especially women of the past, and about the creation of literary legends. It is also a remarkable psychological narrative about where self-fashioning stops and lying begins.

Charts the long history of resentment, from its emergence to its establishment as the word of the moment.
 
The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?
 
In The Return of Resentment, Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, The Return of Resentment challenges us to think critically about the roles different emotions play in politics.

In this new volume, Michael A. Pagano curates essays focusing on the neighborhood's role in urban policy solutions. The papers emerged from dynamic discussions among policy makers, researchers, public intellectuals, and citizens at the 2014 UIC Urban Forum. As the writers show, the greater the city, the more important its neighborhoods and their distinctions.

The topics focus on sustainable capital and societal investments in people and firms at the neighborhood level. Proposed solutions cover a range of possibilities for enhancing the quality of life for individuals, households, and neighborhoods. These include everything from microenterprises to factories; from social spaces for collective and social action to private facilities; from affordable housing and safety to gated communities; and from neighborhood public education to cooperative, charter, and private schools.

Contributors: Andy Clarno, Teresa Córdova, Nilda Flores-González, Pedro A. Noguera, Alice O'Connor, Mary Pattillo, Janet Smith, Nik Theodore, Elizabeth S. Todd-Breland, Stephanie Truchan, and Rachel Weber.

As individuals and as a nation we believe that if we recycle and buy fuel-efficient cars we have done our part to protect the environment. Yet an important element is missing. If we don't conserve the still-undeveloped places of the earth, human life will be disconnected from its fellow animals and torn from its roots. Humans will still exist, but as Ted Kerasote explains in his insightful introduction, "we'll be like potted trees in the foyers of great skyscrapers -- alone and not part of a wider forest."Our efforts to recycle and conserve energy must be augmented with advocacy for the protection of wild spaces, and Return of the Wild is an important underpinning for that endeavor: a guide through the issues of the day, a history, a forum for debate, a source of information. Sponsored by the Pew Wilderness Center, the book brings together leading thinkers and writers to examine why nature in its most untrammeled state is vitally important to all of us; what currently threatens wild country; and what can be done not merely to conserve more of it, but also to return it to our lives and consciousness.Contributors including Vine Deloria, Jr., Chris Madson, Mike Matz, Richard Nelson, Thomas M. Power, Michael Soule, Jack Turner, and Florence Williams consider a wide range of topics relating to wildlands, and explore the varied economic, spiritual, and ecological justifications for preserving wilderness areas. The book also features a completely new four-color mapping of the remaining roadless areas on federal lands, as well as the National Wilderness Preservation System, now measuring 106 million acres, in which much of this roadless land could one day be included.This first annual edition is both an inspiring and thoughtful introduction to wilderness subjects for the general public and an invaluable reference for legislators, the media, and conservation organizations. It is an essential new contribution to wilderness preservation efforts.

In the glory days of high modernist formalism it was anathema to speak about the content of a work of art. Those days are gone, and critical practice now is largely thematic practice. A focus on the themes of literature informs feminist, new historicist, ethnic, and even second-generation deconstructionist approaches. However, such practice is not always recognized. The specter of theoretically impoverished positivism still haunts thematic analysis, making it the approach to literature that dare not speak its name. This volume brings together for the first time an international group of writers, critics, and theoreticians who have thought deeply about this issue.

How can we determine the theme of a given text? May the focus on form be the theme of a certain moment? Can the motif be understood as a formal category? What operations permit us to say that three or four texts constitute variants of the same theme? The contributors challenge the conventional dismissal of “merely” thematic approaches and offer the reader different ways of tackling the issue of what a piece of writing is “about.”

The work here comes out of such diverse intellectual traditions as Russian film theory, French phenomenology, Foucault, narratology, the Frankfurt School, intellectual history (Geistesgeschichte), psychoanalytic criticism, linguistics, ideological criticism, Proppian folklore studies, and computerized plot summary models. In addition to a collection of aphorisms from Plato to Robert Coover and a group of general and theoretical essays, this volume contains examples of practical engagement with such topics as literary history, Shakespeare, autumn poetry, anti-Semitism, fading colors, bachelors, Richard Wagner, and the Mexican Revolution. No comparable volume exists.

In 2017, twenty-five years after its initial release, a new season of Mark Frost and David Lynch’s cultural touchstone Twin Peaks shook the world of television. In this volume, Franck Boulègue explores Twin Peaks: The Return through a philosophical, mythological, and spiritual lens. 

Divided into three sections, the book first examines the third season as expanded storytelling through the lens of Gene Youngblood's theory of synesthetic cinema, intertextuality, integrationist, and segregationist approaches in the realm of fiction, and focuses on the role of audio and visual superimpositions in The Return. It goes on to question the nature of the reality depicted in the seasons via scientific approaches, such as electromagnetism, time theory, and multiverses. The third and final section aims to transcend this vision by exploring the role of theosophy, the occult, and other spiritual sources. With a foreword by Matt Zoller Seitz, editor at large at RogerEbert.com and television critic for New York magazine, this book is essential reading for fans of the landmark show and anyone who studies it. 

Leila Abouzeid, whose novel Year of the Elephant has gone through six reprintings, has now translated her childhood memoir into English. Published in Rabat in 1993 to critical acclaim, the work brings to life the interlocking dramas of family ties and political conflict.

Against a background of Morocco's struggle for independence from French colonial rule, Abouzeid charts the development of personal relationships, between generations as well as between husbands and wives. Abouzeid's father is a central figure; as a strong advocate of Moroccan nationalism, he was frequently imprisoned by the French and his family forced to flee the capital. Si Hmed was a public hero, but the young daughter's memories of her famous father and of the family's plight because of his political activities are not so idyllic.

The memoir utilizes multiple voices, especially those of women, in a manner reminiscent of the narrative strategies of the oral tradition in Moroccan culture. Return to Childhood may also be classified as an autobiography, a form only now gaining respect as a valid literary genre in the Middle East. Abouzeid's own introduction and Elizabeth Fernea's foreword discuss this new development in Arabic literature.

Keynesian economics, which proposed that the government could use monetary and fiscal policy to help the economy avoid the extremes of recession and inflation, held sway for thirty years after World War II. However, it was discredited after the stagflation of the 1970s, which not only proved resistant to traditional Keynesian policies but was actually thought to be caused by them. By the 1990s, the anti-Keynesian counter-revolution seemed to reach its pinnacle with the award of several Nobel Prizes in economics to its architects at the University of Chicago.

However, with the collapse of the dot-com boom in 2000 and the attacks of 9/11 a year later, the nature of macroeconomic policy debate took a turn. The collapse prompted a major shift in macroeconomic policy, as the Bush administration and other governments around the world began to resort to Keynesian measures—both monetary and fiscal policies—to stabilize the economy. The Keynesian rebirth has been most dramatically illustrated during the past year when central banks have pumped billions of dollars of liquidity into the world’s financial system to address the crises of confidence, illiquidity, and insolvency that were triggered by the sub-prime lending crisis. The Return to Keynes puts Keynesian economics in a fresh perspective in order to assess this surprising new era in economic policy making.

The story of two women—one a hunter-gatherer in Botswana, the other an ailing American anthropologist—this powerful book returns the reader to territory that Marjorie Shostak wrote of so poignantly in the now classic Nisa: The Life and Words of a !Kung Woman. Here, however, the ground has perceptibly shifted. First published in 1981, Nisa served as a stirring introduction to anthropology’s most basic question: Can there be true understanding between people of profoundly different cultures?Diagnosed with breast cancer, and troubled by a sense of work yet unfinished, Shostak returned to Botswana in 1989. This book tells simply and directly of her rediscovery of the !Kung people she had come to know years before—the aging, blunt, demanding Nisa, her stalwart husband Bo, understanding Kxoma, fragile Hwantla, and Royal, translator and guide. In Shostak’s words, we clearly see !Kung life, the dry grasslands, the healing dances, the threatening military presence. And we see Shostak herself, passionately curious, reporting the discomforts and confusion of fieldwork along with its fascination. By turns amused and frustrated, she describes the disappointments—and chastening lessons—that inevitably follow when anthropologists (like her younger self) romanticize the !Kung.Throughout, we observe a woman of threatened health but enormous vitality as she pursues the promise she once discovered in the !Kung people and, above all, in Nisa. At the core of the book is the remarkable relationship between these two women from different worlds. They are often caught off guard by the limits of their mutual understanding. Still, their determination to reach out to each other lingers in the reader’s mind long after the story ends—providing an eloquent response to questions that Nisa so memorably posed.

The turmoil and brutality of the twentieth century have made it increasingly difficult to maintain faith in the ability of reason to fashion a stable and peaceful world. After the ravages of global conflict and a Cold War that divided the world's loyalties, how are we to master our doubts and face the twenty-first century with hope?

In Return to Reason, Stephen Toulmin argues that the potential for reason to improve our lives has been hampered by a serious imbalance in our pursuit of knowledge. The centuries-old dominance of rationality, a mathematical mode of reasoning modeled on theory and universal certainties, has diminished the value of reasonableness, a system of humane judgments based on personal experience and practice. To this day, academic disciplines such as economics and professions such as law and medicine often value expert knowledge and abstract models above the testimony of diverse cultures and the practical experience of individuals.

Now, at the beginning of a new century, Toulmin sums up a lifetime of distinguished work and issues a powerful call to redress the balance between rationality and reasonableness. His vision does not reject the valuable fruits of science and technology, but requires awareness of the human consequences of our discoveries. Toulmin argues for the need to confront the challenge of an uncertain and unpredictable world, not with inflexible ideologies and abstract theories, but by returning to a more humane and compassionate form of reason, one that accepts the diversity and complexity that is human nature as an essential beginning for all intellectual inquiry.

The redesign and revitalization of traditional urban centers is the cutting edge of contemporary urban planning, as evidenced by the intense public and professional attention to the rebuilding of city cores from Berlin to New York City's "Ground Zero." Spanish and Latin American cities have never received the recognition they deserve in the urban revitalization debate, yet they offer a very relevant model for this "return to the center." These cultures have consistently embraced the notion of a city whose identity is grounded in its organic public spaces: plazas, promenades, commercial streets, and parks that invite pedestrian traffic and support a rich civic life. This groundbreaking book explores Spanish, Mexican, and Mexican-American border cities to learn what these urban areas can teach us about effectively using central public spaces to foster civic interaction, neighborhood identity, and a sense of place.

Herzog weaves the book around case studies of Madrid and Barcelona, Spain; Mexico City and Querétaro, Mexico; and the Tijuana-San Diego border metropolis. He examines how each of these urban areas was formed and grew through time, with attention to the design lessons of key public spaces. The book offers original and incisive discussions that challenge current urban thinking about politics and public space, globalization, and the future of privatized communities, from gated suburbs to cyberspace. Herzog argues that well-designed, human-scaled city centers are still vitally necessary for maintaining community and civic life. Applicable to urban renewal projects around the globe, Herzog's book will be important reading for planners, architects, designers, and all citizens interested in creating more livable cities.

A novel that tells the story of a Jewish family in World War II and reaches deep into Jewish history.
 
Born in Brittany on the threshold of World War II, novelist Michèle Sarde had long been silent about her origins. After her mother, Jenny, finally shared their family history, Sarde decided to reconstruct Jenny’s journey, including her exile from Salonica, move to Paris in 1921, and assimilation in France. The Nazi occupation then forced her and her family to hide and conceal their Jewish identity, and in this retelling, Sarde shows how Jenny fights with everything she has to survive the Holocaust and protect her daughter.
 
Returning from Silence is a powerful saga that reaches deep into Jewish history, opening with the Expulsion of the Jews from Spain in 1492 and their settlement in a more tolerant Ottoman Empire. Sephardi culture and language flourished in Salonica for four centuries, but with the fall of the Ottoman Empire in the 1920s, and the sense of troubling times to come, Jenny’s family felt impelled to leave their much-loved city and rebuild their lives in France. Their years in France led to change that none could have fully expected, and then, the Holocaust. The trauma lasts well into the post-war period, silencing both mother and daughter in unanticipated ways.
 
Through this family history, Sarde sensitively raises questions about identity, migration, and assimilation while weaving fiction together with history, research, and testimony to bring the characters’ stories to life.
 

Returns explores homecomings—the ways people recover and renew their roots. Engaging with indigenous histories of survival and transformation, James Clifford opens fundamental questions about where we are going, separately and together, in a globalizing, but not homogenizing, world.

It was once widely assumed that native, or tribal, societies were destined to disappear. Sooner or later, irresistible economic and political forces would complete the work of destruction set in motion by culture contact and colonialism. But many aboriginal groups persist, a reality that complicates familiar narratives of modernization and progress. History, Clifford invites us to observe, is a multidirectional process, and the word “indigenous,” long associated with primitivism and localism, is taking on new, unexpected meanings.

In these probing and evocative essays, native people in California, Alaska, and Oceania are understood to be participants in a still-unfolding process of transformation. This involves ambivalent struggle, acting within and against dominant forms of cultural identity and economic power. Returns to ancestral land, performances of heritage, and maintenance of diasporic ties are strategies for moving forward, ways to articulate what can paradoxically be called “traditional futures.” With inventiveness and pragmatism, often against the odds, indigenous people today are forging original pathways in a tangled, open-ended modernity. The third in a series that includes The Predicament of Culture (1988) and Routes (1997), this volume continues Clifford’s signature exploration of late-twentieth-century intercultural representations, travels, and now returns.

The contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. Among other topics, the contributors extend McLuhan’s discussion of transportation technology to the attics and cargo boxes that moved Black women through the Underground Railroad, apply McLuhan’s concept of media as extensions of humans to analyze Tupperware as media of containment, and take up 3D printing as a feminist and decolonial practice. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.

Contributors. Nasma Ahmed, Morehshin Allahyari, Sarah Banet-Weiser, Wendy Hui Kyong Chun, Brooke Erin Duffy, Ganaele Langlois, Sara Martel, Shannon Mattern, Cait McKinney, Jeremy Packer, Craig Robertson, Sarah Sharma, Ladan Siad, Rianka Singh, Nicholas Taylor, Armond R. Towns, and Jennifer Wemigwans

This is a travel story of trees and shrubs—as rousing as the adventures of Marco Polo. Stephen Spongberg’s vividly written and lavishly illustrated account tells of intrepid and extraordinary explorers who journeyed to the far corners of the globe and brought back to Europe and North America a wealth of exotic plant species. It constitutes a veritable history of ornamental trees and shrubs.

In the seventeenth century, gardening in England and Europe was in the throes of revolution. Plants—no longer cultivated solely for their practical value as a source of food or medicinal herbs—were woven into the landscape for architectural effects. Flowers were grown and arranged to beautify banquet tables, and the gardens surrounding palaces and country estates became pleasure grounds, their design vying with the genius of the houses themselves. Where did these hundreds of trees and shrubs originate? Virginia creepers, American sycamores, Washington thorns, black walnuts, umbrella trees. Franklin trees, and even poison ivy are just a few of the many species that were brought to European gardens by adventurous plantsmen exploring colonial America.

Following the Revolutionary War, scientific and agricultural societies were formed in Boston and Philadelphia, botanical gardens were established in New York and Cambridge, and scientific expeditions were organized for the purpose of fostering the discovery of new plants throughout the world that could be grown in the North American climate.

Without doubt, the most fertile plant explorations by Americans and Europeans were conducted in the mysterious Orient. With the opening of Japanese and Chinese ports to foreign trade in the middle of the nineteenth century, European plantsmen were able to indulge their insatiable appetite for some of the most astounding ornamental plants the Western world had ever seen: ginkgo trees, lacebark pines, Japanese yew, honeysuckles, lilacs, crabapples, magnolias, cherry trees, to name only a few.

A Reunion of Trees focuses on the particular contribution of the Arnold Arboretum, which was established in Boston in 1872 for the purpose of displaying and studying exotic plants from around the globe. Scores of trees and shrubs on the Arboretum grounds are described and illustrated in this handsomely produced volume. The landscape designer interested in recreating period gardens will find this book a treasure trove of information about the eighteenth and nineteenth centuries, while amateur and professional gardeners alike will discover a unique resource book for many unusual plants.

In the second decade of the twenty-first century, an increasing number of children from El Salvador, Honduras, and Guatemala began arriving without parents at the U.S.-Mexico border. In many cases, the parents had left for the United States years earlier to earn money that they could send back home. In Reunited sociologists Ernesto Castañeda and Daniel Jenks explain the reasons for Central American youths’ migration, describe the journey, and document how the young migrants experience separation from and subsequent reunification with their families.
 
In interviews with Central American youth, their sponsors, and social services practitioners in and around Washington, D.C., Castañeda and Jenks find that Central American minors migrate on their own mainly for three reasons: gang violence, lack of educational and economic opportunity, and a longing for family reunification. The authors note that youth who feel comfortable leaving and have feelings of belonging upon arrival integrate quickly and easily while those who experience trauma in their home countries and on their way to the United States face more challenges.
 
Castañeda and Jenks recount these young migrants’ journey from Central America to the U.S. border, detailing the youths’ difficulties passing through Mexico, proving to U.S. Customs and Border Protection officials that they have a legitimate fear of returning or are victims of trafficking, and staying in shelters while their sponsorship, placement, and departure are arranged. The authors also describe the tensions the youth face when they reunite with family members they may view as strangers. Despite their biological, emotional, and financial bonds to these relatives, the youth must learn how to relate to new authority figures and decide whether or how to follow their rules.
 
The experience of migrating can have a lasting effect on the mental health of young migrants, Castañeda and Jenks note. Although the authors find that Central American youths’ mental health improves after migrating to the United States, the young migrants remain at risk of further problems. They are likely to have lived through traumatizing experiences that inhibit their integration. Difficulty integrating, in turn, creates new stressors that exacerbate PTSD, depression, and anxiety. Consequently, schools and social service organizations are critical, the authors argue, for enhancing youth migrants’ sense of belonging and their integration into their new communities. Bilingual programs, Spanish-speaking PTA groups, message boards, mentoring of immigrant children, and after-school programs for members of reunited families are all integral in supporting immigrant youth as they learn English, finish high school, apply to college, and find jobs.
 
Offering a complex exploration of youth migration and family reunification, Reunited provides a moving account of how young Central American migrants make the journey north and ultimately reintegrate with their families in the United States.
 

When the first X-ray detectors revealed many places in the universe that are too hot to be seen by optical and radio telescopes, pioneering X-ray astronomers realized they were onto something big. They knew that a large X-ray observatory must be created if they were ever to understand such astonishing phenomena as neutron stars, supernovas, black holes, and dark matter. What they could not know was how monumental in time, money, and effort this undertaking would be. Revealing the Universe tells the story of the Chandra X-ray Observatory.

From the first proposal for a large X-ray telescope in 1970 to the deployment of Chandra by the Space Shuttle Columbia in 1999, this book chronicles the technical feats, political struggles, and personal dramas that transformed an inspired vision into the world's supreme X-ray observatory. With an insider's knowledge and a storyteller's instincts, Wallace and Karen Tucker describe the immense challenges that this project posed for such high-tech industry giants as TRW, Eastman Kodak, and Hughes Danbury Optical Systems (now Raytheon Optical Systems). Their portrayal of the role of NASA is itself an extraordinary case study of multibillion-dollar government decisionmaking, and a cautionary tale for future large space astronomy missions.Revealing the Universe is primarily the story of the men and women whose discoveries, skills, failures, and successes made the Chandra X-ray Observatory possible.

Collected articles on Iranian art from the Qajar dynasty.

The thirteen articles in this volume were originally given as presentations at the symposium of the same name organized in June 2018 by the Musée du Louvre and the Musée du Louvre-Lens in conjunction with the exhibition The Empire of Roses: Masterpieces of 19th Century Persian Art. The exhibition explored the art of Iran in the nineteenth and early twentieth centuries, while the nation was under the rule of the Qajar dynasty. The symposium set out to present research on previously unknown and unpublished objects from this rich period of art history.
 
This volume, published with the Louvre Museum in France, is divided into four sections. The first, “Transitions and Transmissions,” is dedicated to the arts of painting, illumination, and lithography. The focus of the second section, entitled “The Image Revealed,” also considers works on paper, looking at new themes and techniques. “The Material World” examines the use of materials such as textiles, carpets, and armor. The articles in the final section discuss the history of two groups of artifacts acquired by their respective museums.
 

Revelation & Convergence brings together professors of literature, theology, and history to help both critics and readers better understand Flannery O’Connor’s religious imagination.

The Revelation of Your Words, a collection of essays, treats the role of the seminary professor of sacred Scripture within the context of the New Evangelization. Some of the essays concern principally the imparting of knowledge and best practices to accomplish this; others concern the fostering of delight in the sacred page and spiritual encounter with God. Although these essays are Catholic, written within a Catholic theological framework and with Catholic seminaries in mind, many of their conclusions can be applied to non-Catholic environments. This book provides insights that, even beyond the seminary, will benefit teachers of the Bible, regardless of their denomination and level of instruction. Readers will encounter the following authors and topics. Peter S. Williamson writes on the implications of the New Evangelization for priestly ministry and for teaching Scripture. Steven C. Smith makes a contribution concerning the role of the seminary professor of sacred Scripture in forming priests. Michael Magee treats the relevance of Johannine irony to the New Evangelization. Stephen Ryan’s chapter takes up the topic of Old Testament Wisdom literature and formation for a New Evangelization. Juana L. Manzo seeks a path to integrate modern and ancient interpretations into the seminary classroom. Kelly Anderson takes up the father of Proverbs 1–9 as a model of spiritual fatherhood for seminary professors. Scott Carl proposes a spiritual reading of sacred Scripture in the twenty-first century. Michael Magee, in his second contribution, writes on the joy of discovery in the Fourth Gospel. James Keating reflects upon the exegete as seminary formator. Finally, André Villeneuve advocates for the teaching of Biblical Hebrew in Catholic seminaries and academic institutions.

 In Revelation, Resistance, and Mormon Polygamy historian Merina Smith explores the introduction of polygamy in Nauvoo, a development that unfolded amid scandal and resistance. Smith considers the ideological, historical, and even psychological elements of the process and captures the emotional and cultural detail of this exciting and volatile period in Mormon history. She illuminates the mystery of early adherents' acceptance of such a radical form of marriage in light of their dedication to the accepted monogamous marriage patterns of their day.

Revelations of Humanity brings together essays into the history and actuality of how our searches for God and for our own humanity are interwoven. They argue that the revelation of God is possible only when accompanied by a revelation of what it means to be a human being. Revelation implies that the truth is not fully evident in either case. This quest is aided in many of the essays by a recollection of the thought of Thomas Aquinas. As opposed to simple memory, recollection implies that memory has been lost or become clouded, here by the misrepresentation of Thomas’ view of humanity’s relation to God as harmonistic, at best semi-Pelagian, often even naturalistic. This difficult recovery is made possible by historical research that alone can escape the easy systematic alienation that supporters and critics of Thomas have often brought to their interpretation of his works. Thomas’s sense of a real but finite capacity of human beings for God, his grace and revelation, anticipates in more ways than is commonly known much of contemporary suspicion about human capacities, but in ways that are open to God. That programmatic insight into the historical Thomas, keenly aware of human entanglements, limits and hopes, offers on many contemporary issues a ressourcement of systematic thought. Revelations of Humanity revolves around three clusters of issues. The first asks about the reality and limits of the human capacity for truth: in metaphysical, moral and political matters and in relation to the disputed issues of analogous reason and faith. The second cluster is structured around the four involvements that the Second Vatican Council identified as the human face of genuine Christian existence: participation in the legitimate joys, hopes, sorrows and fears of the contemporary world. These are refracted in the broken light of the human proprium of risibility, the abiding uncertainty addressed by hope, the disputed question of a suffering God and the recollection of Christ’s anxiety in the face of death. The final cluster brings together anthropological dimensions of current ecumenical and interreligious disputes: the need to complement affirmation with admonition in ecumenical conversation, exemplified by the ambivalence towards sacrifice in a genuinely Catholic theology and the need to avoid the excesses of univocity, equivocity or an all too facile analogy in the determination of interreligious relationalities.

Capitalism is in a profound state of crisis. Beyond the mere dispassionate cruelty of 'ordinary' structural violence, it appears today as a global system bent on reckless economic revenge; its expression found in mass incarceration, climate chaos, unpayable debt, pharmaceutical violence and the relentless degradation of common life.

In Revenge Capitalism, Max Haiven argues that this economic vengeance helps us explain the culture and politics of revenge we see in society more broadly. Moving from the history of colonialism and its continuing effects today, he examines the opioid crisis in the US, the growth of 'surplus populations' worldwide and unpacks the central paradigm of unpayable debts - both as reparations owed, and as a methodology of oppression.

Revenge Capitalism offers no easy answers, but is a powerful call to the radical imagination.

As an industry insider and pioneering post-punk musician, Vivien Goldman’s perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes—identity, money, love, and protest—to explore what makes punk such a liberating art form for women.

With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain’s first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song “Free Money,” for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name pays homage to a Hindu goddess, describes the influence of her Gullah ancestors on her music, while the late Poly Styrene's daughter reflects on why her Somali-Scots-Irish mother wrote the 1978 punk anthem “Identity,” with the refrain “Identity is the crisis you can't see.” Other strands feature artists from farther afield (including in Colombia and Indonesia) and genre-busting revolutionaries such as Grace Jones, who wasn't exclusively punk but clearly influenced the movement while absorbing its liberating audacity. From punk's Euro origins to its international reach, this is an exhilarating world tour.