A SCHOLARLY BOOK REPOSITORY
In his introduction, Arthur F. Kinney discusses the significance of these works as protonovels and their influence on such writers as Shakespeare. He also explores the social, political, and economic conditions of a time that spawned a community of renegades who conned their way to fame, fortune, and, occasionally, the rope at Tyburn.
Every day the narrator of this gripping novel hurries from one terminal to another in Charles de Gaulle Roissy airport, Paris, pulling her suitcase behind her, talking to people she meets—but she never boards an airplane. She becomes an “unnoticeable,” a homeless woman disguised as a passenger, protected by her anonymity. When a man who comes to the airport every day to await the Rio-to-Paris flight—the same route on which a plane crashed into the sea a few years earlier—attempts to approach her, she flees, terrified. But eventually, she accepts his kindness and understands his loss, and she gives in to the grief they share, forming a bond with him that becomes more than friendship. A magnificent portrait of a woman who rediscovers herself through a chance connection, Roissy is a powerful, polyphonic book, a glimpse at the infinite capacity of the human spirit to be reborn.
Stafford argues that Barthes is best classified as a journalist, essayist, and critic, and he emphasizes the social preoccupations in his work—how Barthes continually worked to analyze the self and society, as well as the self in society. In doing so, Stafford paints a fascinating picture not just of Barthes, but of the entire intellectual scene of postwar France. As Barthes continues to find new readers today, this book will make the perfect introduction, even as it offers new avenues of thought for specialists.
At the center of the debate over complementary and alternative medicine—from acupuncture and chiropractic treatments to homeopathy and nutritional supplements—is how to scientifically measure the effectiveness of a particular treatment. Fourteen scholars from the fields of medicine, philosophy, sociology, and cultural and folklore studies examine that debate, and the clash between growing public support and the often hostile stance of clinicians and medical researchers.
Proponents and critics have different methodologies and standards of evidence—raising the question of how much pluralism is acceptable in a medical context—particularly in light of differing worldviews and the struggle to define medicine in the modern world. The contributors address both the methodological problems of assessment and the conflicting cultural perspectives at work in a patient's choice of treatment. Sympathetic to CAM, the contributors nonetheless offer careful critiques of its claims, and suggest a variety of ways it can be taken seriously, yet subject to careful scrutiny.
We live in an era in which innovation and entrepreneurship seem ubiquitous, particularly in regions like Silicon Valley, Boston, and the Research Triangle Park. But many metrics of economic growth, such as productivity growth and business dynamism, have been at best modest in recent years. The resolution of this apparent paradox is dramatic heterogeneity across sectors, with some industries seeing robust innovation and entrepreneurship and others seeing stagnation. By construction, the impact of innovation and entrepreneurship on overall economic performance is the cumulative impact of their effects on individual sectors. Understanding the potential for growth in the aggregate economy depends, therefore, on understanding the sector-by-sector potential for growth. This insight motivates the twelve studies of different sectors that are presented in this volume. Each study identifies specific productivity improvements enabled by innovation and entrepreneurship, for example as a result of new production technologies, increased competition, or new organizational forms. These twelve studies, along with three synthetic chapters, provide new insights on the sectoral patterns and concentration of the contributions of innovation and entrepreneurship to economic growth.
This book describes and contrasts various psychiatric teaching programs in medical schools. After an examination of the differing and frequently unsatisfactory states of these programs, it also proposes a comprehensive plan for the future.
In preparing this study the author visited numerous medical schools, observing a wide range of teaching methods, goals, and facilities. His aim here is fourfold: to describe and compare existing medical school psychiatry programs in detail; to illustrate by example and anecdote the relation of teachers and students to these programs; to construct a synthesis of existing psychiatry programs that will offer optimum training and to outline a new program based on this synthesis and some additional proposals; and finally to show how methodology is a crucial but as yet unappreciated part of many psychiatry programs.
Dr. Werkman attempts to be a reporter in depth to his psychiatric colleagues about new and important developments in modern psychiatric teaching. The great scope and variety which the field of psychiatry has acquired since the Second World War has often meant that psychiatrists know little in detail of what their colleagues are doing. The author finds as well that there is often a lack of communication both within a single department and between departments in different medical schools, and that the attitude of many non-psychiatrists on the faculties ranges from ignorance to hostility--an attitude often reflected by the students.
Through a series of qualitative interviews and quantitative questionnaires with district administrators, school administrators, general education teachers, and teachers of the deaf, Fitzmaurice documents their perceptions of educational interpreters. Findings from the data reveal the perceptions of administrators and teachers set the stage for role ambiguity, role conflicts, and subsequent role overload for educational interpreters. Fitzmaurice elaborates on the implications of the research, and also provides concrete recommendations for researchers and practitioners, including an emphasis on the importance of involving the Deaf community in this work. This volume aims to offer clarity on the role of the educational interpreter, and dispel the confusion and conflicts created by divergent perspectives. A shared understanding of the role of the educational interpreter will allow administrators, teachers, and interpreters to work collaboratively to improve educational outcomes for deaf students.
The book develops along three lines: the first a search for cases submitted to the WTO where the judge exceeded its authority; the second a comparison of the WTO with the operations of national judicial systems having different levels of integration, specifically the United States (federal level) and the EC (quasi-federal level); and the third an exploration of directions for the future of dispute settlement in the WTO.
Reflecting the diversity of its contributors, this book addresses questions of economics, political science, and law, bringing an unusual level of multidisciplinarity to this topic and context. It is designed for both academic readers and practitioners, who will find it full of practical insights as well as rich and detailed analysis.
Thomas Cottier is Professor of European and International Economic Law, University of Bern, and Managing Director, World Trade Institute, University of Bern.
Petros C. Mavroidis is Professor of Law, University of Neuchâtel. He formerly worked in the Legal Affairs Division of the World Trade Organization.
Patrick Blatter is Mavroidiss scientific collaborator.
Since 1935, roller derby has thrilled fans and skaters with its constant action, hard hits, and edgy attitude. However, though its participants’ athleticism is undeniable, roller derby has never been accepted as a “real” sport. Michella M. Marino, herself a former skater, tackles the history of a sport that has long been a cultural mainstay for one reason both utterly simple and infinitely complex: roller derby has always been coed.
Richly illustrated and drawing on oral histories, archival materials, media coverage, and personal experiences, Roller Derby is the first comprehensive history of this cultural phenomenon, one enjoyed by millions yet spurned by mainstream gatekeepers. Amid the social constraints of the mid-twentieth century, roller derby’s emphasis on gender equality attracted male and female athletes alike, producing gender relations and gender politics unlike those of traditional sex-segregated sports. In an enlightening feminist critique, Marino considers how the promotion of pregnancy and motherhood by roller derby management has simultaneously challenged and conformed to social norms. Finally, Marino assesses the sport’s present and future after its resurgence in the 2000s.
The longtime political columnist for the Chicago Sun-Times, Neal covered Jane M. Byrne's election in 1979 as the city's first woman mayor and Harold Washington's 1983 triumph as Chicago's first African American mayor. Even people who are not interested in politics are drawn to Neal's column because of his hard-hitting style and lucid insights. Rolling on the River is the first published collection of his work.
In these pages, you'll meet the state legislator who never met a special interest he did not like, an alderman groveling to a mob boss, and the prosecutor who gained notoriety as a publicity hound. Of a junketing congressman, Neal writes: "Instead of sending out a congressional newsletter, [he] ought to be sending his constituents 'Wish you were here' postcards of sandy beaches."
Neal's beat is politics, but his interests are rich and varied. He also writes about sports, music, literature, and film with a point of view that is fresh and original. Neal shows how Muhammad Ali became the heavyweight champion who transcended sports and how Sid Luckman changed football. He writes of Kenny Washington's importance in breaking professional football's color barrier and Steve Prefontaine's courage in taking on the little gray men of the sports establishment. Neal chronicles Paul Robeson's struggles: "His name became a great whisper. . . . The injustices against Paul Robeson have not been righted."
Nobel laureate Saul Bellow tells Neal that comedy is the bright hope of American fiction because it is too difficult for writers in this country to grasp the worst of the human condition. Neal tells why Frank Sinatra called Chicago his kind of town and also shows how the city inspires the poetry of Gwendolyn Brooks.
Neal, a former White House correspondent, shares his perspective as one of the few reporters to have interviewed Ronald Reagan in four different decades. He recalls spending an evening with Richard M. Nixon, defends Harry Truman's most controversial decision, and writes from Ireland of John F. Kennedy's enduring legacy in the nation of his ancestors. Neal portrays William Jefferson Clinton as the "world's oldest teenager."
With vivid imagery, Neal makes his subjects come alive. Mayor Richard M. Daley is likened to Forrest Gump, and the legendary boxing announcer Ben Bentley is hailed as the last of the Damon Runyon characters.
Tough but fair. Illuminating. Compassionate. That's the best of Steve Neal.
Jonathan Barnett and Larry Beasley seek to demonstrate that a sustainable built and natural environment can be achieved through ecodesign, which integrates the practice of planning and urban design with environmental conservation, through normal business practices and the kinds of capital programs and regulations already in use in most communities. Ecodesign helps adapt the design of our built environment to both a changing climate and a rapidly growing world, creating more desirable places in the process.
In six comprehensively illustrated chapters, the authors explain ecodesign concepts, including the importance of preserving and restoring natural systems while also adapting to climate-change; minimizing congestion on highways and at airports by making development more compact, and by making it easier to walk, cycle and take trains and mass transit; crafting and managing regulations to insure better placemaking and fulfill consumer preferences, while incentivizing preferred practices; creating an inviting and environmentally responsible public realm from parks to streets to forgotten spaces; and finally how to implement these ecodesign concepts.
Throughout the book, the ecodesign framework is demonstrated by innovative practices that are already underway or have been accomplished in many cities and suburbs—from Hammarby Sjöstad in Stockholm to False Creek North in Vancouver to Battery Park City in Manhattan, as well as many smaller-scale examples that can be adopted in any community.
Ecodesign thinking is relevant to anyone who has a part in shaping or influencing the future of cities and suburbs – designers, public officials, and politicians.
Romaine Brooks: A Life introduces much fresh information from Langer's decades of research on Brooks and establishes this groundbreaking artist's centrality to feminism and contemporary sexual politics as well as to visual culture.
early Christian and later European literature. Ninety-five entries
by leading scholars cover subjects such as sacrificial cults and rites
in pre-Roman Italy, Roman religion and its origins, the mythologies of
paganism, the survival of the ancient gods in the Middle Ages and the
Renaissance, gypsy myths and rituals, romanticism and myth in Blake,
Nerval, and Balzac, and myth in twentieth-century English literature.
Mythologies offers illuminating examples of the workings of
myth in the structure of societies past and present—how we create,
use, and are guided by systems of myth to answer fundamental questions
about ourselves and our world.
Many of the sections in Mythologies, originally published as a
two-volume cloth set, will soon be available in four paperback volumes
(two are announced here; two more are scheduled for 1993). These
volumes will reproduce the articles, introductory essays, and
illustrations as they appeared in the full Mythologies set.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Roman history for a Greek audience.
Dionysius of Halicarnassus was born before 53 BC and went to Italy before 29 BC. He taught rhetoric in Rome while studying the Latin language, collecting material for a history of Rome, and writing. His Roman Antiquities began to appear in 7 BC.
Dionysius states that his objects in writing history were to please lovers of noble deeds and to repay the benefits he had enjoyed in Rome. But he wrote also to reconcile Greeks to Roman rule. Of the twenty books of Roman Antiquities (from the earliest times to 264 BC) we have the first nine complete; most of Books 10 and 11; and later extracts and an epitome of the whole. Dionysius studied the best available literary sources (mainly annalistic and other historians) and possibly some public documents. His work and that of Livy are our only continuous and detailed independent narratives of early Roman history.
Dionysius was author also of essays on literature covering rhetoric, Greek oratory, Thucydides, and how to imitate the best models in literature.
The Loeb Classical Library publishes a two-volume edition of the critical essays; the edition of Roman Antiquities is in seven volumes.
Skin-clad barbarians ransacking Rome remains a popular image of the "decline and fall" of the Roman Empire, but why, when, and how the Empire actually fell are still matters of debate among students of classical history. In this pioneering study, Ralph W. Mathisen examines the "fall" in one part of the western Empire, Gaul, to better understand the shift from Roman to Germanic power that occurred in the region during the fifth century AD.
Mathisen uncovers two apparently contradictory trends. First, he finds that barbarian settlement did provoke significant changes in Gaul, including the disappearance of most secular offices under the Roman imperial administration, the appropriation of land and social influence by the barbarians, and a rise in the overall level of violence. Yet he also shows that the Roman aristocrats proved remarkably adept at retaining their rank and status. How did the aristocracy hold on?
Mathisen rejects traditional explanations and demonstrates that rather than simply opposing the barbarians, or passively accepting them, the Roman aristocrats directly responded to them in various ways. Some left Gaul. Others tried to ignore the changes wrought by the newcomers. Still others directly collaborated with the barbarians, looking to them as patrons and holding office in barbarian governments. Most significantly, however, many were willing to change the criteria that determined membership in the aristocracy. Two new characteristics of the Roman aristocracy in fifth-century Gaul were careers in the church and greater emphasis on classical literary culture.
These findings shed new light on an age in transition. Mathisen's theory that barbarian integration into Roman society was a collaborative process rather than a conquest is sure to provoke much thought and debate. All historians who study the process of power transfer from native to alien elites will want to consult this work.
---Classical Review
---Classical World
The essays treat works of art that belonged to every major Roman housing type: the single-family atrium houses and the insula apartment blocks in Italian cities, the dramatically sited villas of the Campanian coast and countryside, and the palatial mansions of late antique provincial aristocrats.
In a complementary fashion the essays consider domestic art in relation to questions of decorum, status, wealth, social privilege, and obligation. Patrons emerge as actively interested in the character of their surroundings; artists appear as responsive to the desire of their patrons. The evidence in private art of homosexual conduct in high society is also set forth.
Originality of subject matter, sophisticated appreciation of stylistic and compositional nuance, and philosophical perceptions of the relationship of humanity and nature are among the themes that the essays explore. Together they demonstrate that Roman domestic art must be viewed on its own terms.
Elaine K. Gazda is Professor of the History of Art and Curator of Hellenistic and Roman Antiquities at the Kelsey Museum of Archaeology, University of Michigan.
The work gathered in Roman Artists, Patrons, and Public Consumption displays the breadth and depth of scholarship in the field made possible by these fundamental changes. The first five essays approach individual objects and artistic tropes, as well as their cultural contexts and functions, from fresh and dynamic angles. The latter essays focus on case studies in Pompeii, demonstrating how close visual analysis firmly rooted in local and temporal contexts not only strengthens understanding of ancient interactions with monuments but also sparks a reconsideration of long-held assumptions reinforced by earlier scholarship.
These rigorous essays reflect and honor the groundbreaking scholarship of Elaine K. Gazda. In addition to volume editors Brenda Longfellow and Ellen E. Perry, contributors include Bettina Bergmann, Elise Friedland, Barbara Kellum, Diana Y. Ng, Jessica Powers, Melanie Grunow Sobocinski, Lea M. Stirling, Molly Swetnam-Burland, Elizabeth Wolfram Thill, and Jennifer Trimble.
In AD 43 the emperor Claudius ordered an army of 40,000 to invade Britain. In AD 410 the emperor Honorius informed the population of Britain that they now had to defend themselves; there was no longer any Roman army to protect them, nor a Roman authority to administer the country.
The four centuries during which the Roman presence in Britain rose, flourished, and then declined changed every aspect of life. Industry, trade, government, the arts and learning--even the physical appearance of the country--were all revolutionized, and the effects are still apparent nearly 2000 years later.
This revised and updated edition of Roman Britain outlines with clarity and authority this critical period of history, and illustrates it fully with pictures of the surviving objects of the period, largely from the incomparable collections of the British Museum.
The second Vatican Council, which concluded in December 1965, inaugurated a reformation process in the Catholic Church that continues to this day. Grounding his discussion in the documents that came out of Vatican II, Robert Burns addresses four critical questions that face the Church largely as an outcome of this first truly global Church council.
First, Burns presents an overview of the evolving Roman Catholic understanding of Jesus Christ. He follows with an analysis of authority within the Church, a matter of some contention in today's democratic societies, and a discussion of Catholicism as a global church incorporating people and practices from many cultures. Finally, Burns examines the validity of other religions in relation to the Christian claim that salvation through Jesus is unique and final.
A readable introduction for all Catholics interested in learning more about their church, the book includes features such as chapter summaries and study questions that also make it an ideal textbook for undergraduates or parish study.
Roman Cities provides the first comprehensive study in English of major Roman cities, including an excellent coverage of the Roman legacy which was transmitted to medieval and modern trends in architecture and urban planning..
Coins are a unique source of information about the Roman world. In the case of the Roman Empire they were issued by or with the approval of the ruling power. The representations and legends they show therefore present an official view of contemporary affairs. The coins themselves, minted for official purposes such as paying the army, when studied carefully can help reconstruct official policies. They can also occasionally reveal what monuments now lost may have looked like.
It is not infrequent to come across pleas that the ancient historian should make more frequent use of numismatic evidence. These essays make clear that efforts are being made both by numismatists and by historians to bring the two disciplines together. At the same time the papers reveal that the task is by no means a straightforward one. The survival of Roman coins is variable, and so attempts to reconstruct the size and distribution of issues calls for skilled and experienced analysis. This collection of papers provides evidence for the kind of deductions that the historian may make from Roman coins as well as the illustrations of the pitfalls that await the unwary.
Those interested in Roman history, amateur coin collectors, and professional numismatists will all find much here to widen their knowledge of the public context of Roman coins.
George Paul is Professor of Classics, McMaster University. Michael Ierardi is Lecturer in Classics, McMaster University.
This expanded edition of Donahue’s work includes significant new material on current trends in food studies, including the archaeology and bioarchaeology of ancient food and drink; an additional collection of inscriptions on public banquets from the Roman West; and an extensive bibliography of scholarship produced in the last ten years. It will be of interest not only to classicists and historians of the ancient world, but also to anthropologists and sociologists interested in food and social group dynamics.
Examining a wealth of archaelogical and literary evidence in light of central place theory, and using sound statistical techniques, Engels reconstructs the human geography of the Corinthia, including an estimate of the population. He shows that—given the amount of cultivatable land—rents and taxes levied onthe countryside could not have supported a highly populated city like Corinth. Neither could its inhabitants have supported themselves directly by farming.
Rather, the city constituted a thriving market for domestic, regional, and overseas raw materials, agricultural products, and manufactured goods, at the same time satisfying the needs of those who plied the various land and sea routes that converged there. Corinth provided key governmental and judicial services to the province of Achaea, and its religious festivals, temples, and monuments attracted numerous visitors from all corners of the Roman world. In accounting for the large portion of residents who participated in these various areas outside of the traditional consumer model, Engels reveals the depth and sophistication of the economics of ancient cities.
Roman Corinth is a much-needed critique of the currently dominant approach of ancient urbanism. It will be of crucial interest to scholars and students in classics, ancient history, and urban studies.
In keeping with the nature of the collection, Roman Decorative Stone Collections focuses on archaeological contexts and object biographies, from the stones’ first use to their eventual display in the Kelsey Museum. Entries are accompanied by rich photographs detailing the stones’ appearances, environmental factors, and their collectors. The fully illustrated catalog includes essays deriving from Kelsey’s original notes on sources, buildings, sites, and dealers. As the first formal catalog of these items, Roman Decorative Stone Collections is an accessible resource of Roman archaeology, antiquities, and the decorative arts.
A millennium and a half after the end of the period of its unquestioned dominance, Rome remains a significant presence in western culture. This book explores what the empire meant to its subjects.
The idea of Rome has long outlived the physical empire that gave it form, and now holds sway over vastly more people and a far greater geographical area than the Romans ever ruled. It continues to shape our understanding of the nature of imperialism, and thus, however subtly, to influence the workings of the world. Unlike most works on Roman history, this book does not offer a simplistic narrative, with military triumph followed by decline and fall. Instead, it analyses the origins and nature of Roman imperialism, its economic, social and cultural impact on the regions it conquered, and its continuing influence in discussions and debates about modern imperialism.
One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. Though a highpoint on the tourist route around Rome, for many visitors the site can be a baffling disappointment. Several of the monuments turn out to be nineteenth- or twentieth-century reconstructions, while the rubble and the holes made by archaeologists have an unclear relationship to the standing remains, and, to all but the most skilled Romanists, the Forum is an unfortunate mess.
David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embody—including the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own. Watkin asks the reader to look through the veneer of archaeology to rediscover the site as it was famous for centuries. This involves offering a remarkable and engaging new vision of a well-visited, if often misunderstood, wonder. It will be enjoyed by readers at home and serve as a guide in the Forum.
Interest in goddess worship is growing in contemporary society, as women seek models for feminine spirituality and wholeness. New cults are developing around ancient goddesses from many cultures, although their modern adherents often envision and interpret the goddesses very differently than their original worshippers did.
In this thematic study of the Roman goddess Ceres, Barbette Spaeth explores the rich complexity of meanings and functions that grew up around the goddess from the prehistoric period to the Late Roman Empire. In particular, she examines two major concepts, fertility and liminality, and two social categories, the plebs and women, which were inextricably linked with Ceres in the Roman mind. Spaeth then analyzes an image of the goddess in a relief of the Ara Pacis, an important state monument of the Augustan period, showing how it incorporates all these varied roles and associations of Ceres. This interpretation represents a new contribution to art history.
With its use of literary, epigraphical, numismatic, artistic, and archaeological evidence, The Roman Goddess Ceres presents a more encompassing view of the goddess than was previously available. It will be important reading for all students of Classics, as well as for a general audience interested in New Age, feminist, or pagan spirituality.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Appian (Appianus) was a Greek official of Alexandria. He saw the Jewish rebellion of 116 CE, and later became a Roman citizen and advocate and received the rank of eques (knight). In his older years he held a procuratorship. He died during the reign of Antoninus Pius who was emperor 138161 CE. Honest admirer of the Roman empire though ignorant of the institutions of the earlier Roman republic, he wrote, in the simple 'common' dialect, 24 books of 'Roman affairs', in fact conquests, from the beginnings to the times of Trajan (emperor 98117 CE). Eleven have come down to us complete, or nearly so, namely those on the Spanish, Hannibalic, Punic, Illyrian, Syrian, and Mithridatic wars, and five books on the Civil Wars. They are valuable records of military history.
The Loeb Classical Library edition of Appian is in four volumes.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Appian (Appianus) was a Greek official of Alexandria. He saw the Jewish rebellion of 116 CE, and later became a Roman citizen and advocate and received the rank of eques (knight). In his older years he held a procuratorship. He died during the reign of Antoninus Pius who was emperor 138161 CE. Honest admirer of the Roman empire though ignorant of the institutions of the earlier Roman republic, he wrote, in the simple 'common' dialect, 24 books of 'Roman affairs', in fact conquests, from the beginnings to the times of Trajan (emperor 98117 CE). Eleven have come down to us complete, or nearly so, namely those on the Spanish, Hannibalic, Punic, Illyrian, Syrian, and Mithridatic wars, and five books on the Civil Wars. They are valuable records of military history.
The Loeb Classical Library edition of Appian is in four volumes.
Rome’s foreign wars, nation by nation.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Appian (Appianus) was a Greek official of Alexandria. He saw the Jewish rebellion of 116 CE, and later became a Roman citizen and advocate and received the rank of eques (knight). In his older years he held a procuratorship. He died during the reign of Antoninus Pius who was emperor 138161 CE. Honest admirer of the Roman empire though ignorant of the institutions of the earlier Roman republic, he wrote, in the simple 'common' dialect, 24 books of 'Roman affairs', in fact conquests, from the beginnings to the times of Trajan (emperor 98117 CE). Eleven have come down to us complete, or nearly so, namely those on the Spanish, Hannibalic, Punic, Illyrian, Syrian, and Mithridatic wars, and five books on the Civil Wars. They are valuable records of military history.
The Loeb Classical Library edition of Appian is in four volumes.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
Appian (Appianus) was a Greek official of Alexandria. He saw the Jewish rebellion of 116 CE, and later became a Roman citizen and advocate and received the rank of eques (knight). In his older years he held a procuratorship. He died during the reign of Antoninus Pius who was emperor 138–161 CE. Honest admirer of the Roman empire though ignorant of the institutions of the earlier Roman republic, he wrote, in the simple “common” dialect, 24 books of “Roman affairs,” in fact conquests, from the beginnings to the times of Trajan (emperor 98–117 CE). Eleven have come down to us complete, or nearly so, namely those on the Spanish, Hannibalic, Punic, Illyrian, Syrian, and Mithridatic wars, and five books on the Civil Wars. They are valuable records of military history.
The Loeb Classical Library edition of Appian is in four volumes.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Rome’s internal conflicts, from the Gracchi to the Empire.
Appian (Appianus) is among our principal sources for the history of the Roman Republic, particularly in the second and first centuries BC, and sometimes our only source, as for the Third Punic War and the destruction of Carthage. Born circa AD 95, Appian was an Alexandrian official at ease in the highest political and literary circles who later became a Roman citizen and advocate. He apparently received equestrian rank, for in his later years he was offered a procuratorship. He died during the reign of Antoninus Pius (emperor 138–161).
Appian’s theme is the process by which the Roman Empire achieved its contemporary prosperity, and his unique method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. Although this triumph of “harmony and monarchy” was achieved through characteristic Roman virtues, Appian is unusually objective about Rome’s shortcomings along the way. His history is particularly strong on financial and economic matters, and on the operations of warfare and diplomacy.
Of the work’s original twenty-four books, only the Preface and Books 6–9 and 11–17 are preserved complete or nearly so: those on the Spanish, Hannibalic, African, Illyrian, Syrian, and Mithridatic wars, and five books on the civil wars.
This edition of Appian replaces the original Loeb edition by Horace White and adds the fragments, as well as his letter to Fronto.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
A sweeping chronicle from Aeneas to Alexander Severus.
Dio Cassius (Cassius Dio), circa AD 150–235, was born at Nicaea in Bithynia in Asia Minor. On the death of his father (Roman governor of Cilicia) he went in 180 to Rome, entered the Senate, and under the emperor Commodus was an advocate. He held high offices, becoming a close friend of several emperors; he was made governor of Pergamum and Smyrna; consul in 220; proconsul of Africa; governor of Dalmatia and then of Pannonia; and consul again in 229.
Of the eighty books of Dio's great work Roman History, covering the era from the legendary landing of Aeneas in Italy to the reign of Alexander Severus (AD 222–235), we possess Books 36–60 (36 and 55–60 have gaps), which cover the years 68 BC–AD 47. The missing portions are partly supplied, for the earlier gaps by Zonaras, who relies closely on Dio, and for some later gaps (Book 35 onwards) by John Xiphilinus (of the eleventh century). There are also many excerpts. The facilities for research afforded by Dio's official duties and his own industry make him a very vital source for Roman history of the last years of the republic and the first four emperors.
The Loeb Classical Library edition of Dio Cassius is in nine volumes.
Rome was the law-giver for much of the modern world. She was also the greatest military power of antiquity, operating her military organization with remarkable efficiency and effectiveness throughout most of the then-known world. In view of the importance of both the legal and military aspects of the Roman Empire, an account of their combination in a system of disciplinary control for the Roman armies is of considerable significance to historians in both fields—and, in fact, to scholars in general. In Roman Military Law, C. E. Brand describes this system of control.
Since a characterization of such a system can be made most meaningful only against a background of Roman constitutional government and in the light of ideologies current at the time, Brand follows his initial “Note on Sources” with a sketch of the contemporary Roman scene. This first section includes a discussion of the Roman constitution and an examination of Roman criminal law.
The history of Rome, as a republic, principate, and empire, extended over a period of a thousand years, so any attempt to represent a generalized picture must be essentially a matter of extraction and condensation from the voluminous literature of the whole era. Nevertheless, from the fantastic evolution that is the history of Rome, Brand has been able to construct a more or less static historical mosaic that may be considered typically “Roman.” This comes into sharpest focus during the period of the Punic Wars, when the city and its people were most intensely Roman. The picture of the Roman armies is set into this basic framework, in chapters dealing with military organization, disciplinary organization, religion and discipline, and offenses and punishments.
The final section of the book considers briefly the vast changes in Roman institutions that came about under the armies of the Empire, and then concludes with the Latin text and an English translation of the only known code of Roman military justice, promulgated sometime during the later Empire, preserved in Byzantine literature, and handed down to medieval times in Latin translations of Byzantine Greek law, which it has heretofore been confused.
The mosaics in the collection of the J. Paul Getty Museum span the second through the sixth centuries AD and reveal the diversity of compositions found throughout the Roman Empire during this period. Elaborate floors of stone and glass tesserae transformed private dwellings and public buildings alike into spectacular settings of vibrant color, figural imagery, and geometric design. Scenes from mythology, nature, daily life, and spectacles in the arena enlivened interior spaces and reflected the cultural ambitions of wealthy patrons. This online catalogue documents all of the mosaics in the Getty Museum’s collection, presenting their artistry in new color photography as well as the contexts of their discovery and excavation across Rome's expanding empire—from its center in Italy to provinces in southern Gaul, North Africa, and ancient Syria.
The free online edition of this open-access catalogue, available at www.getty.edu/publications/romanmosaics/, includes zoomable high-resolution photography, embedded glossary terms and additional comparative images, and interactive maps drawn from the Digital Atlas of the Roman Empire. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, CSV and JSON downloads of the object data from the catalogue, and JPG and PPT downloads of the main catalogue images.
From Augustus to Constantine, the Roman Empire in the Near East expanded step by step, southward to the Red Sea and eastward across the Euphrates to the Tigris. In a remarkable work of interpretive history, Fergus Millar shows us this world as it was forged into the Roman provinces of Syria, Judaea, Arabia, and Mesopotamia. His book conveys the magnificent sweep of history as well as the rich diversity of peoples, religions, and languages that intermingle in the Roman Near East. Against this complex backdrop, Millar explores questions of cultural and religious identity and ethnicity—as aspects of daily life in the classical world and as part of the larger issues they raise.
As Millar traces the advance of Roman control, he gives a lucid picture of Rome’s policies and governance over its far-flung empire. He introduces us to major regions of the area and their contrasting communities, bringing out the different strands of culture, communal identity, language, and religious belief in each. The Roman Near East makes it possible to see rabbinic Judaism, early Christianity, and eventually the origins of Islam against the matrix of societies in which they were formed. Millar’s evidence permits us to assess whether the Near East is best seen as a regional variant of Graeco-Roman culture or as in some true sense oriental.
A masterful treatment of a complex period and world, distilling a vast amount of literary, documentary, artistic, and archaeological evidence—always reflecting new findings—this book is sure to become the standard source for anyone interested in the Roman Empire or the history of the Near East.
Meshing her own wit, verve, and gusto with that of the Roman poets she translates, Dorothea Wender strips both the cloak of awe and the dusty mantle of boredom from the classics.
Available for the first time in paper, these English verse translations of the major classical Roman poets feature hefty selections from the savage urban satire of Juvenal, the moving philosophy of Lucretius, the elegance of Horace, the grace and humor of Catullus, the grave music of Virgil, the passion of Propertius, the sexy sophistication of Ovid, and the obscenity of Martial.
Noting Wender’s “candor,” the Classical Outlook reported that in “20th-century terms, she makes the poems lively and pertinent.”
The Boston Globe said, “The conciseness is astonishing, the information [in the introductions to each poet] provocative. The freshness of the selections should do much to augment the audience for these poets and may even inspire examination of the originals.”
The best advice came from Wender herself: “Read these good poems.”
James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work. Tracing the filmmaker's remarkably diverse career from its beginnings to 2007, the book provides commentary on all of Polanski's major films in their historical, cultural, social, and artistic contexts. Morrison locates Polanski's work within the genres of comedy and melodrama, arguing that he is not merely obsessed with the theme of repression, but that his true interest is in the concrete—what is out in the open—and why we so rarely see it.
The range of Polanski's filmmaking challenges traditional divisions between high and low culture. For example, The Ninth Gate is a brash pastiche of the horror genre, while The Pianist is an Academy Award-winner about the Holocaust. Dubbing Polanski a relentless critic of modernity, Morrison concludes that his career is representative of the fissures, victories, and rehabilitations of the last fifty years of international cinema.
A volume in the series Contemporary Film Directors, edited by James Naremore
DeBrohun finds the most striking element of Book 4 to be the apparent polarity of the poems, whose themes are split between new, aetiological subjects of Roman national significance and amatory affairs that evoke the themes of Propertius' first three books. In her compelling reassessment of Propertius' aspirations in Book 4, DeBrohun identifies the conflict between his new ambitions to produce Roman aetiological elegy and his traditional, exclusive devotion to erotic concerns as the central dynamic of his collection. Roman Propertius and the Reinvention of Elegy reveals how the poet came to find in the subcodes of the elegiac genre a medium of interaction between the opposing values of the two themes.
Roman Propertius will interest not only scholars and students of Greek and Roman Poetry but also students of later traditions who are interested in the questions of genre and the relationship between poetry and wider cultural discourses.
Jeri Blair DeBrohun is Associate Professor of Classics, Brown University.
Roman siege warfare had its own structure and customs, and expectations both by the besieged and by the attacking army. Sieges are typically sorted by the techniques and technologies that attackers used, but the more fruitful approach offered in Roman Siege Warfare examines the way a siege follows or diverges from typical narrative and operational plotlines. Author Josh Levithan emphasizes the human elements—morale and motivation—rather than the engineering, and he recaptures the sense of a siege as an event in progress that offers numerous attitudes, methods, and outcomes. Sieges involved a concentration of violent effort in space and the practical challenge posed by a high wall: unlike field battles they were sharply defined in time, in space, and in operational terms.
Chapters examine motivation and behavior during a siege and focus on examples from both the Roman Republic and the Empire: Polybius, Livy, Julius Caesar, Flavius Josephus, and Ammianus Marcellinus. Levithan examines the “gadgetary turn,” during which writers began to lavish attention on artillery and wall-damaging techniques, fetishizing technology and obscuring the centrality of the assault and of human behavior.
This volume speaks to classicists and historians of all stripes. All passages are translated, and references are accessible to nonspecialists. Military historians will also find much of interest in the volume, in its treatment both of Roman military conduct and of wider military practice.
The Roman Stoics reexamines the philosophical basis that instructed social practice in friendship, marriage, parenting, and community. From this analysis emerge Stoics who were neither cold nor detached, as the stereotype has it, but all too aware of their human weaknesses. In a valuable contribution to current discussions in the humanities on identity, autonomy, and altruism, Reydams-Schils ultimately conveys the wisdom of Stoics to the citizens of modern society.
William Slater's new volume Roman Theater and Society brings an important perspective to the much-maligned status of the Roman theater, which has only recently been reappraised and appreciated as uniquely Roman rather than criticized for not being Greek. From this point of embarkation, William Slater and the nine contributors discuss theater in Rome and the Greek east with a definition of performance incorporating not only stage performances but also dinnertime entertainment, sporting events, and political events. Contributors are T. D. Barnes, K. M. Coleman, J. C. Edmonson, E. R. Gebhard, J. R. Green, E. J. Jory, W. D. Lebek, and D. S. Potter.
Individual chapters combine literary evidence with archaeological, thereby engendering a deeper appreciation for the social and political roles of Roman theater. It becomes clear that these roles were of great influence in giving voice to the popular demands of the average Roman. In examining the roles of theater the contributors turn to the players and audience themselves for deeper understanding.
Roman Theater and Society will be of great interest to classicists, theater specialists, and anyone interested in the interplay among plays, theaters, and the people on stage and in the audience.
William J. Slater is Professor of Classics, McMaster University.
Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage.
Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete.
It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his most glamorous prisoners, as well as the booty he’d captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days.
A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side. What did it mean when the axle broke under Julius Caesar’s chariot? Or when Pompey’s elephants got stuck trying to squeeze through an arch? Or when exotic or pathetic prisoners stole the general’s show? And what are the implications of the Roman triumph, as a celebration of imperialism and military might, for questions about military power and “victory” in our own day? The triumph, Mary Beard contends, prompted the Romans to question as well as celebrate military glory.
Her richly illustrated work is a testament to the profound importance of the triumph in Roman culture—and for monarchs, dynasts and generals ever since. But how can we re-create the ceremony as it was celebrated in Rome? How can we piece together its elusive traces in art and literature? Beard addresses these questions, opening a window on the intriguing process of sifting through and making sense of what constitutes “history.”
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