“You might think that dancing doesn’t have a lot to do with social research, and doing social research is probably why you picked this book up in the first place. But trust me. Salsa dancing is a practice as well as a metaphor for a kind of research that will make your life easier and better.”

Savvy, witty, and sensible, this unique book is both a handbook for defining and completing a research project, and an astute introduction to the neglected history and changeable philosophy of modern social science. In this volume, Kristin Luker guides novice researchers in: knowing the difference between an area of interest and a research topic; defining the relevant parts of a potentially infinite research literature; mastering sampling, operationalization, and generalization; understanding which research methods best answer your questions; beating writer’s block.

Most important, she shows how friendships, non-academic interests, and even salsa dancing can make for a better researcher.

“You know about setting the kitchen timer and writing for only an hour, or only 15 minutes if you are feeling particularly anxious. I wrote a fairly large part of this book feeling exactly like that. If I can write an entire book 15 minutes at a time, so can you.”

This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.

Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how the trade in human bodies came to define the life of the Gold Coast. Smallwood takes us into the ports and stone fortresses where African captives were held and prepared, and then through the Middle Passage itself. In extraordinary detail, we witness these men and women cramped in the holds of ships, gasping for air, and trying to make sense of an unfamiliar sea and an unimaginable destination. Arriving in America, we see how these new migrants enter the market for laboring bodies, and struggle to reconstruct their social identities in the New World.

Throughout, Smallwood examines how the people at the center of her story-merchant capitalists, sailors, and slaves-made sense of the bloody process in which they were joined. The result is both a remarkable transatlantic view of the culture of enslavement, and a painful, intimate vision of the bloody, daily business of the slave trade.

One highly visible example of French influence on the city of Philadelphia is the Benjamin Franklin Parkway, modeled on the Champs-Élysées. In Salut!, Lynn Miller and Therese Dolan trace the fruitful, three-centuries-long relationship between the City of Brotherly Love and France. This detailed volume illustrates the effect of Huguenots settling in Philadelphia and 18-year-old William Penn visiting Paris, all the way up through more recent cultural offerings that have helped make the city the distinctive urban center it is today. 

Salut! provides a magnifique history of Philadelphia seen through a particular cultural lens. The authors chronicle the French influence during colonial and revolutionary times. They highlight the contributions of nineteenth-century French philanthropists, such as Stephen Girard and the Dupont family. And they showcase the city’s vibrant visual arts community featuring works from the Philadelphia Museum of Art, the Rodin Museum, the Barnes Foundation, and the Joan of Arc sculpture, as well as studies of artists Thomas Eakins, Mary Cassatt, and Henry Ossawa Tanner. There is also a profile of renowned Le Bec-Fin chef Georges Perrier, who made Philadelphia a renowned culinary destination in the twentieth century.

With lavish illustrations and enthusiastic text, Salut!celebrates a potpourri of all things French in the Philadelphia region.

This is a political biography of one of the 20th century’s most emblematic left-wing figures - Salvador Allende, who was president of Chile until he was ousted by General Pinochet in a US-supported coup in 1973.

Victor Figueroa Clark guides us through Allende's life and political project, answering some of the most frequently asked questions. Was he a revolutionary or a reformist? A bureaucrat or inspirational democrat? Clark argues that Allende and the Popular Unity Party created a unique fusion which was both revolutionary and democratic.

The process led by Allende was a symbol of hope for the left during his short time in power. Forty years on, and with left governments back in power across Latin America, this book looks back at the man and the process in order to draw vital lessons for the left in Latin America and around the world today.

Thousands of men and women were executed for incompatible religious views in sixteenth-century Europe. The meaning and significance of those deaths are studied here comparatively for the first time, providing a compelling argument for the importance of martyrdom as both a window onto religious sensibilities and a crucial component in the formation of divergent Christian traditions and identities.

Brad S. Gregory explores Protestant, Catholic, and Anabaptist martyrs in a sustained fashion, addressing the similarities and differences in their self-understanding. He traces the processes and impact of their memorialization by co-believers, and he reconstructs the arguments of the ecclesiastical and civil authorities responsible for their deaths. In addition, he assesses the controversy over the meaning of executions for competing views of Christian truth, and the intractable dispute over the distinction between true and false martyrs. He employs a wide range of sources, including pamphlets, martyrologies, theological and devotional treatises, sermons, songs, woodcuts and engravings, correspondence, and legal records. Reconstructing religious motivation, conviction, and behavior in early modern Europe, Gregory shows us the shifting perspectives of authorities willing to kill, martyrs willing to die, martyrologists eager to memorialize, and controversialists keen to dispute.

The sermon as crafted by the early New England preachers was the most prominent literary form of its day, yet the earliest Puritan texts have as a rule been available only in rare-book collections. This anthology of sermons of the first generation of preachers fills a serious gap in American literature. The preachers collected here, the most widely published of their time, were among the eighty or more who emigrated to Massachusetts Bay during the 1630s. They are John Cotton of Boston, Thomas Shepard of Cambridge, and Thomas Hooker of Hartford, the three foremost "lights of the western churches," and two eminent colleagues, Peter Bulkeley of Concord and John Davenport, first of New Haven and later of Boston.
The selections are chosen to be representative of the lengthy works from which they are drawn, to reflect the major concerns and styles of the preachers' work as a whole, and to demonstrate the genre of the sermon as developed by the early American Puritans. Not only does this anthology represent an important contribution to literary history, but the sermons also illustrate a doctrine uniquely elaborated in this period—a consistent and emphatic narrative, mythlike in its repetition and heroics, of the progress of the soul from a state of nature to a state of salvation. This theme may be seen as a three-stage-development, although individual sermons may vary. These stages—preparation, vocation, and regeneration—determine the order of the selections.

The editors' introductory material supplies a comprehensive and thorough discussion of the early New England sermons, concentrating on their role, history, structure, style, and subject matter. A separate essay on the texts of the sermons describes the relationship between the early printed versions and their form as delivered in the pulpit. The introduction preceding each selection presents original research on the historical circumstances of the preaching and publication of the work from which the sermon is drawn. The editors have also provided brief biographies of the preacfiers represented here, an annotated list of recommended background reading, and the most exhaustive checklist available of authoritative editions of the sermons of these five preachers.

This book will be useful to colonial specialists as well as to students of early American literature, religion, and history. The texts are critically edited for readability, with modernized spelling and annotations of unfamiliar phrases and allusions.

This biography of Sam Houston goes beyond the romantic frontier life of the "buckskin hero from Tennessee" to examine seriously his role as an American statesman.

When Sam Houston crossed the Red River for the first time in 1832, he termed Texas the "finest portion of the Globe that has ever blessed my vision." He soon made it his "abiding place" and became a lifelong traveller in his adopted country. By carriage and muleback his diplomatic, military, political, and personal activities took him over what is now the eastern half of the state—and he fell in love with every foot of it. With panoramic vision and broad descriptive power, he expressed his lasting affection for the country in everything he said and wrote.

Sue Flanagan, having read every available word by and about Houston and having followed the trail of every trip he made in Texas, here presents the Texas which Houston knew—through his picturesque language and through the camera's carefully focused lens. Her story provides continuity for Houston's activities and perspective for her photographs; it also provides an expression of Houston's views in his own forthright and emphatic manner.

But the essence of this book is its 113 photographs. The face of Texas east of San Antonio is pictured in all its varied features. With great patience and discernment, Sue Flanagan brought to bear all the skills of her artistic photography to capture the landscapes, buildings, and objects in the most revealing light and in the best atmospheric conditions for catching the appropriate mood. These spots in nature which Houston saw, these objects which he knew, these houses where he was entertained and where he lived—all are tangible reminders of "this colorful, cagey, and controversial man," this Texas hero whose life was a tragedy in divided loyalties.

In this genial and challenging overview of endless debates over school reform, Rick Hess shows that even bitter opponents in debates about how to improve schools agree on much more than they realize—and that much of it must change radically. Cutting through the tangled thickets of right- and left-wing dogma, he clears the ground for transformation of the American school system.

Whatever they think of school vouchers or charter schools, teacher merit pay or bilingual education, most educators and advocates take many other things for granted. The one-teacher–one-classroom model. The professional full-time teacher. Students grouped in age-defined grades. The nine-month calendar. Top-down local district control. All were innovative and exciting—in the nineteenth century. As Hess shows, the system hasn’t changed since most Americans lived on farms and in villages, since school taught you to read, write, and do arithmetic, and since only an elite went to high school, let alone college.

Arguing that a fundamentally nineteenth century system can’t be right for a twenty-first century world, Hess suggests that uniformity gets in the way of quality, and urges us to create a much wider variety of schools, to meet a greater range of needs for different kinds of talents, needed by a vastly more complex and demanding society.

Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti.

Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

Samuel Bell Maxey was an important political figure in nineteenth-century Texas, but no previous book-length study of his life and career has been published. Louise Horton has utilized his private papers as well as numerous other sources in preparing this biography, which includes many of Maxey's own comments on his contemporaries. The letters also provide new information on the development of railroads across the Southwest.

An emigrant from Kentucky, Samuel Bell Maxey practiced law in North Texas, raised a regiment at the beginning of the Civil War, returned to Texas to defend the Indian Territory during 1863-1865, and was elected on his first candidacy to be the first Democratic senator from Texas after the Civil War. After two years in office he became Texas's senior senator and held that position until defeated by John H. Reagan in 1887. Maxey's term of office spanned the turbulent period immediately following Reconstruction, and a great deal of his influence derived from his moderation. He was concerned that the breach caused by the Civil War be healed. He was influential among Republican congressmen from the North and aided substanially in Texas's regaining its status in the Union. Louise Horton's biography of Maxey emphasizes the contribution he made to the state and the nation and fills a gap in the history of the post-Civil War period.

This readable book is the first authoritative biography of Samuel Gridley Howe, the remarkable Bostonian who actively participated in most of the major reform movements of the nineteenth century. He founded the Perkins School for the Blind which quickly became the foremost institution of its type in the world. There he developed techniques for teaching the deaf-blind, the first man in history to succeed in this field. He supported Horace Mann in reforming the public school system and Dorothea Dix in protecting the interests of the insane. After 1845, he spent most of his energies, political and literary, in abolitionist activities. Yet he found time to give his medical services in the Greek war of independence 1825-1830, and in our Civil War; and he worked on the presidential commission sent to Santo Domingo in 1871.

Schwartz traces Howe's public career, but he also describes Howe's childhood, his choice of a medical career, his membership--together with Longfellow, Cornelius Felton, Charles Sumner, and George Hillard--in the social circle called the Five of Clubs, and his marriage to Julia Ward. This book carries the full flavor of mid-nineteenth-century Boston.

Howe's own activities, the reform movements he supported, and the striking individuals with whom he was associated are merged into one integrated story. The spotlight often shifts from Howe to Horace Mann, John Brown, Theodore Parker, Laura Bridgman, and--most of all--Charles Sumner; and in the background we can see the slow development of the slavery issue, which eventually overrode all other reform movements. Here too is the story of a marriage: Julia Ward Howe led but half a life with a husband whose ideas about a woman's place did not stretch to include her talents.

Schwartz bases his admirable biography on extensive research in primary, and largely untouched, sources: these include the Howe papers--which contain many letters to Mann, Parker, and Sumner, and never used by their biographers--the Sumner and Laura Bridgman papers, and contemporary newspapers as well as Howe's own books, pamphlets, and articles. Schwartz is thus able to cast new light onthe personalities of the Bostonian reformers: harsh, sanctimonious, or unfair as they might appear to their opponents, they were, Schwartz reminds us, basically earnest men who, by acting on their faith in progress and their sense of duty to the helpless did, in fact, improve the lot of humanity.

Bewigged, muscular and for his day unusually tall, adorned in soiled, rumpled clothes, beset by involuntary tics, opinionated, powered in his conversation by a prodigious memory and intellect, Samuel Johnson (1709–1784) was in his life a literary and social icon as no other age has produced. “Johnsonianissimus,” as Boswell called him, became in the hands of his first biographers the rationalist epitome and sage of Enlightenment. These clichés—though they contain elements of truth—distort the complexity of the public and private Johnson. Peter Martin portrays a Johnson wracked by recriminations, self-doubt, and depression—a man whose religious faith seems only to have deepened his fears. His essays, scholarship, biography, journalism, travel writing, sermons, fables, as well as other forms of prose and poetry in which he probed himself and the world around him, Martin shows, constituted rational triumphs against despair and depression. It is precisely the combination of enormous intelligence and frank personal weakness that makes Johnson’s writing so compelling.

Benefiting from recent critical scholarship that has explored new attitudes toward Johnson, Martin’s biography gives us a human and sympathetic portrait of Dr. Johnson. Johnson’s criticism of colonial expansion, his advocacy for the abolition of slavery, his encouragement of women writers, his treatment of his female friends as equals, and his concern for the underprivileged and poor make him a very “modern” figure. The Johnson that emerges from this enthralling biography, published for the tercentenary of Johnson’s birth, is still the foremost figure of his age but a more rebellious, unpredictable, flawed, and sympathetic figure than has been previously known.

He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author."

A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship.

Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds--and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.

San Antonio, Texas, is unique among North American cities in having five former Spanish missions: San Antonio de Valero (The Alamo; founded in 1718), San José y San Miguel de Aguayo (1720), Nuestra Señora de la Purísima Concepción de Acuña (1731), San Juan Capistrano (1731), and San Francisco de la Espada (1731). These missions attract a good deal of popular interest but, until this book, they had received surprisingly little scholarly study. The San Antonio Missions and Their System of Land Tenure, a winner in the Presidio La Bahía Award competition, looks at one previously unexamined aspect of mission history—the changes in landownership as the missions passed from sacred to secular owners in the late eighteenth and early nineteenth centuries.

Drawing on exhaustive research in San Antonio and Bexar County archives, Félix Almaráz has reconstructed the land tenure system that began with the Spaniards' jurisprudential right of discovery and progressed through colonial development, culminating with ownership of the mission properties under successive civic jurisdictions (independent Mexico, Republic of Texas, State of Texas, Bexar County, and City of San Antonio). Several broad questions served as focus points for the research. What were the legal bases for the Franciscan missions as instruments of the Spanish Empire? What was the extent of the initial land grants at the time of their establishment in the eighteenth century? How were the missions' agricultural and pastoral lands configured? And, finally, what impact has urbanization had upon the former Franciscan foundations?

The findings in this study will be valuable for scholars of Texas borderlands and Hispanic New World history. Additionally, genealogists and people with roots in the San Antonio missions area may find useful clues to family history in this extensive study of landownership along the banks of the Río San Antonio.

"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored. 

Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.

Now back in print with a new introduction by the author, this is the classic study of America's most admired instant city, from its days as a sleepy Mexican village, through the Gold Rush and into its establishment as a major international port. Roger Lotchin examines the urbanizing influences in San Francisco and compares these to other urban centers, doing so against a colorful backdrop of opium dens and other sinful institutions.