Founded in 1919, the Communist Party (CP) in San Francisco survived an ineffectual early period to become a force in the trade union heyday of the 1930s. Robert Cherny uses the lives and careers of more than fifty members to tell the story of the city’s CP from its founding through 1958.
Cherny draws on FBI files, the records of the CP at the Russian State Archive for Social and Political History, interviews, and memoirs to follow male and female party and union leaders, rank-and-file members, and others. His history reveals why people joined the CP while charting the frequent changes in policy, constant member turnover, and disruptive factionalism that limited party aims and successes. Cherny also follows his subjects through their resignations, expulsions, or other reasons for departure and looks at the CP’s influence on their lives in subsequent years.
Vivid and exhaustively researched, San Francisco Reds is a long view account of the personal motivations and activism of an Old Left generation in a West Coast city.
A significant work of neotropical archaeology presenting evidence of early hunter-gatherers who produced fiber-tempered ceramics.
Few topics in the development of humans have prompted as much interest and debate as those of the origins of pottery and agriculture. The first appearance of pottery in any area of the world is heralded as a new stage in the progress of humans toward a more complex arrangement of thought and society. Cultures are defined and separated by the occurrence of pottery types, and the association of pottery with mobility and agriculture continues to drive research in anthropology. For these reasons, the discovery of the earliest fiber-tempered pottery in the New World and carbonized remains identified as maize kernels is exciting.
San Jacinto 1 is the archaeological site located in the savanna region of the north coast of Colombia, South America, where excavations by led by the authors have revealed evidence of mobile hunter-gatherers who made pottery and who collected and processed plants from 6000 to 5000 B.P. The site is believed to show an early human adaptation to the tropics in the context of significant environmental changes that were taking place at the time.
This volume presents the data gathered and the interpretations made during excavation and analysis of the San Jacinto 1 site. By examining the social activities of a human population in a highly seasonal environment, it adds greatly to our contemporary understanding of the historical ecology of the tropics. Study of the artifacts excavated at the site allows a window into the early processes of food production in the New World. Finally, the data reveals that the origins of ceramic technology in the tropics were tied to a reduction in mobility and an increase in territoriality and are widely applicable to similar studies of sedentism and agriculture worldwide.
The village of San José de Gracia is not mentioned in any history of Mexico, nor is it referred to in any of the annals of the state of Michoacán. It is not to be found at all on most maps, and almost none show its correct location. It is an unknown point in space, in time, and in the consciousness of the Mexican republic.
In Luis González's classic history of the world of San José, he turns his attention in every direction: toward what is lasting and what is ephemeral, everyday and unusual, material and spiritual. The story is, to some extent, the story of rural life anywhere, in any age; to some extent it is peculiar to the world of the peasant all through Mexico's history; and to some extent it can be said to be true only of San José.
The history of San José is also the history of the village as victim of the megalopolis, not only in Mexico but everywhere in our time. With the small community will be lost traditions and a sense of continuity that may prove irreplaceable and essential to human wellbeing. While Luis González does not suggest that he knows what the fate of San José will be, one feels that he knows all too well, and that his questions are only "How?" and "How soon?"
Winner, Presidio La Bahia Award, Sons of the Republic of Texas, 1978
In their efforts to assert dominion over vast reaches of the (now U.S.) Southwest in the seventeenth century, the Spanish built a series of far-flung missions and presidios at strategic locations. One of the most important of these was San Juan Bautista del Río Grande, located at the present-day site of Guerrero in Coahuila, Mexico.
Despite its significance as the main entry point into Spanish Texas during the colonial period, San Juan Bautista was generally forgotten until the first publication of this book in 1968. Weddle's narrative is a fascinating chronicle of the many religious, military, colonial, and commerical expeditions that passed through San Juan and a valuable addition to knowledge of the Spanish borderlands. It won the Texas Institute of Letters Amon G. Carter Award for Best Southwest History in 1969.
This comprehensive, interdisciplinary collection illuminates many previously unexplored aspects of the Basilica of San Lorenzo’s history, extending from its Early Christian foundation to the modern era. Brunelleschi’s rebuilt Basilica, the center of liturgical patronage of the Medici and their grand-ducal successors until the nineteenth century, is today one of the most frequently studied churches in Florence. Modern research has tended, however, to focus on the remarkable art and architecture from ca. 1400–1600.
In this wide-ranging collection, scholars investigate: the urban setting of the church and its parish; San Lorenzo’s relations with other ecclesiastical institutions; the genesis of individual major buildings of the complex and their decorations; the clergy, chapels and altars; the chapter’s administration and financial structure; lay and clerical patronage; devotional furnishings, music, illuminated liturgical manuscripts, and preaching; as well as the annual or ephemeral festal practices on the site. Each contribution offers a profound exploration of its topic, wide-ranging in its chronological scope. One encounters here fresh archival research, the publication of relevant documents, and critical assessments of the historiography. San Lorenzo is represented in this volume as a living Florentine institution, continually reshaped by complex historical forces.
In this sparkling new edition of The San Luis Valley: Land of the Six-Armed Cross, Virginia McConnell Simmons lays before the reader the stories and voices of this multicultural land. Ranging from prehistoric peoples and historic Indians to early Spanish settlers, trappers, American explorers, railroads, and Euro-American pioneers, this book is a comprehensive volume covering the geography and social history of Colorado's San Luis Valley.
New to the second edition is additional material on Hispanic culture (in particular a description of their fiber arts) and a lengthy appendix cataloging and describing all of the San Luis Valley's Hispanic place names. In addition, the notes and bibliography have been expanded, and the book contains a new introduction by David Fridtjof Halaas, Chief Historian of the Colorado Historical Society. Acclaimed as the standard history for the south-central region of Colorado, The San Luis Valley: Land of the Six-Armed Cross is a book for students, scholars, and others interested in the history of this fascinating and culturally rich corner of the state.
The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the Myths of Venice, the authors assess the significance of the embellishment of the church and its immediate surroundings, especially during the thirteenth and fourteenth centuries, when most of the Byzantine material was acquired, largely from Constantinople. The church and its decoration are studied in relation to Venice’s interests abroad and on mainland Italy. The authors address the diverse styles, sources, meanings, and significance of this art, both individually and as an ensemble.
Building upon developments in scholarship since Otto Demus’s masterly studies of the church, the book offers new insights into the inspiration, purposes, and mutability of San Marco and the myths that inspired and motivated Venetians.
San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery.
Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived their world. It also details the European encounter with rock art as well as the contentious European interaction with the artists’ descendants, the contemporary San people.
How do people acquire political consciousness, and how does that consciousness transform their behavior? This question launched the scholarly career of David Montejano, whose masterful explorations of the Mexican American experience produced the award-winning books Anglos and Mexicans in the Making of Texas, 1836–1986, a sweeping outline of the changing relations between the two peoples, and Quixote’s Soldiers: A Local History of the Chicano Movement, 1966–1981, a concentrated look at how a social movement “from below” began to sweep away the last vestiges of the segregated social-political order in San Antonio and South Texas. Now in Sancho’s Journal, Montejano revisits the experience that set him on his scholarly quest—“hanging out” as a participant-observer with the South Side Berets of San Antonio as the chapter formed in 1974.
Sancho’s Journal presents a rich ethnography of daily life among the “batos locos” (crazy guys) as they joined the Brown Berets and became associated with the greater Chicano movement. Montejano describes the motivations that brought young men into the group and shows how they learned to link their individual troubles with the larger issues of social inequality and discrimination that the movement sought to redress. He also recounts his own journey as a scholar who came to realize that, before he could tell this street-level story, he had to understand the larger history of Mexican Americans and their struggle for a place in U.S. society. Sancho’s Journal completes that epic story.
Master of mojo storytelling, spinner of over-the-top yarns of horror, suspense, humor, mystery, science fiction, and even the Old West, Joe R. Lansdale has attracted a wide and enthusiastic following. His genre-defying work has brought him numerous awards, including the Grand Master of Horror from the World Horror Convention, the Edgar Award, the American Horror Award, seven Bram Stoker awards, the British Fantasy Award, Italy's Grinzane Prize for Literature, as well as Notable Book of the Year recognition twice from the New York Times.
Sanctified and Chicken-Fried is the first "true best of Lansdale" anthology. It brings together a unique mix of well-known short stories and excerpts from his acclaimed novels, along with new and previously unpublished material. In this collection of gothic tales that explore the dark and sometimes darkly humorous side of life and death, you'll meet traveling preachers with sinister agendas, towns lost to time, teenagers out for a good time who get more than they bargain for, and gangsters and strange goings-on at the end of the world. Out of the blender of Lansdale's imagination spew tall tales about men and mules, hogs and races, that are, in his words, "the equivalent of Aesop meets Flannery O'Connor on a date with William Faulkner, the events recorded by James M. Cain."
Whether you're a long-time fan of Joe R. Lansdale or just discovering his work, this anthology brings you the best of a writer whom the New York Times Book Review has praised for having "a folklorist's eye for telling detail and a front-porch raconteur's sense of pace."
With new research on building programs in political, religious, and domestic settings in the United States and Europe, this collection of essays offers a fresh look at postwar modernism and the role that architecture played in constructing modern identities.
In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be “modern,” what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture.
This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.
Heated debates are not unusual when confronting tough medical issues where it seems that moral and religious perspectives often erupt in conflict with philosophical or political positions. In The Sanctity of Human Life, Jewish theologian David Novak acknowledges that it is impossible not to take into account the theological view of human life, but the challenge is how to present the religious perspective to nonreligious people. In doing so, he shows that the two positions—the theological and the philosophical—aren't as far apart as they may seem.
Novak digs deep into Jewish scripture and tradition to find guidance for assessing three contemporary controversies in medicine and public policy: the use of embryos to derive stem cells for research, socialized medicine, and physician-assisted suicide. Beginning with thinkers like Plato, Aristotle, Kant, and Nietsche, and drawing on great Jewish figures in history—Maimonides, Rashi, and various commentators on the Torah (written law) and the Mishnah (oral law)—Novak speaks brilliantly to these modern moral dilemmas.
The Sanctity of Human Life weaves a rich and sophisticated tapestry of evidence to conclude that the Jewish understanding of the human being as sacred, as the image of God, is in fact compatible with philosophical claims about the rights of the human person—especially the right to life—and can be made intelligible to secular culture. Thus, according to Novak, the use of stem cells from embryos is morally unacceptable; the sanctity of the human person, and not capitalist or socialist approaches, should drive our understanding of national health care; and physician-assisted suicide violates humankind's fundamental responsibility for caring for one another.
Novak's erudite argument and rigorous scholarship will appeal to all scholars and students engaged in the work of theology and bioethics.
Howard Ensign Evans was a brilliant ethologist and systematist for whom the joy of science included lying on his belly in some remote location, digging out and diagramming a wasp’s nest. During his career, Evans described over 900 species and authored more than a dozen books, both technical and popular, on a wide range of entomological and natural history subjects. Upon his death in 2002, he left behind an unfinished manuscript, intended as an update (though not a revision) of his classic 1966 work, The Comparative Ethology and Evolution of the Sand Wasps. Kevin O’Neill, Evans’s former student and coauthor, has completed and enlarged Evans’s manuscript to provide coverage of all sand-wasp tribes in Evan’s earlier book. The result is a tribe-by-tribe, species-by-species review of studies of the Bembicinae that have appeared over the last four decades.
The Sand Wasps: Natural History and Behavior already has been hailed by specialists as a new bible for those working on solitary wasps and an essential reference for scientists more broadly interested in insect behavioral evolution.
Luther Cressman's 1938 discovery of a 9,000-year-old sandal in Fort Rock Cave revolutionized accepted theories of western prehistory. The recovery of the woven sagebrush-bark sandal, found buried under a layer of volcanic ash from the eruption of Mount Mazama, established a human presence in the Oregon Country much earlier than previously thought.
Through six decades of scientific investigation, Cressman worked to uncover the history of the first Oregonians. In The Sandal and the Cave, he offers a brief, lucid introduction to the prehistory of Oregon Indians. Cressman describes their diverse cultures, highlighting similarities and differences between the peoples of various regions: the Oregon Coast, the Klamath Highland, the Northern Great Basin, and the Columbia Plateau.
In a new introduction to Cressman's classic work, Dennis Jenkins provides a short biographical profile of the "father of Oregon archaeology" and discusses the importance of Cressman's excavation results and interpretations. Jenkins also offers a concise summary of recent archaeological research in the Northern Great Basin, bringing readers the most up-to-date information about the oldest known sites in Oregon.
Listen to a short interview with David L. KirpHost: Chris Gondek | Producer: Heron & Crane
The rich have always valued early education, and for the past forty years, millions of poor kids have had Head Start. Now, more and more middle class parents have realized that a good preschool is the smartest investment they can make in their children's future in a competitive world. As The Sandbox Investment shows, their needs are key to the growing call for universal preschool.
Writing with the verve of a magazine journalist and the authority of a scholar, David L. Kirp makes the ideal guide to this quiet movement. He crouches in classrooms where committed teachers engage lively four-year-olds, and reveals the findings of an extraordinary longitudinal study that shows the life-changing impact of preschool. He talks with cutting-edge researchers from neuroscience and genetics to economics, whose findings increasingly show how powerfully early childhood shapes the arc of children's lives.
Kids-first politics is smart economics: paying for preschool now can help save us from paying for unemployment, crime, and emergency rooms later. As Kirp reports from the inside, activists and political leaders have turned this potent idea into campaigns and policies in red and blue states alike.
The Sandbox Investment is the first full story of a campaign that asks Americans to endorse a vision of society that does well by doing good. For anyone who is interested in politics or the social uses of research--for anyone who's interested in the children's futures--it's a compelling read.
Sandinista is the first English-language biography of Carlos Fonseca Amador, the legendary leader of the Sandinista National Liberation Front of Nicaragua (the FSLN) and the most important and influential figure of the post–1959 revolutionary generation in Latin America. Fonseca, killed in battle in 1976, was the undisputed intellectual and strategic leader of the FSLN. In a groundbreaking and fast-paced narrative that draws on a rich archive of previously unpublished Fonseca writings, Matilde Zimmermann sheds new light on central themes in his ideology as well as on internal disputes, ideological shifts, and personalities of the FSLN.
The first researcher ever to be allowed access to Fonseca’s unpublished writings (collected by the Institute for the Study of Sandinism in the early 1980s and now in the hands of the Nicaraguan Army), Zimmermann also obtained personal interviews with Fonseca’s friends, family members, fellow combatants, and political enemies. Unlike previous scholars, Zimmermann sees the Cuban revolution as the crucial turning point in Fonseca’s political evolution. Furthermore, while others have argued that he rejected Marxism in favor of a more pragmatic nationalism, Zimmermann shows how Fonseca’s political writings remained committed to both socialist revolution and national liberation from U.S. imperialism and followed the ideas of both Che Guevara and the earlier Nicaraguan leader Augusto César Sandino. She further argues that his philosophy embracing the experiences of the nation’s workers and peasants was central to the FSLN’s initial platform and charismatic appeal.
Drawing on previously unknown or unassimilated sources, Donald C. Hodges here presents an entirely new interpretation of the politics and philosophy of Augusto C. Sandino, the intellectual progenitor of Nicaragua's Sandinista revolution.
The first part of the book investigates the political sources of Sandino's thought in the works of Babeuf, Buonarroti, Blanqui, Proudhon, Bakunin, Most, Malatesta, Kropotkin, Ricardo Flores Magón, and Lenin—a mixed legacy of pre-Marxist and non-Marxist authoritarian and libertarian communists.
The second half of the study scrutinizes the philosophy of nature and history that Sandino made his own. Hodges delves deeply into this philosophy as the supreme and final expression of Sandino's communism and traces its sources in the Gnostic and millenarian occult undergrounds. This results in a rich study of the ways in which Sandino's revolutionary communism and communist spirituality intersect—a spiritual politics that Hodges presents as more realistic than the communism of Karl Marx.
While accepting the current wisdom that Sandino was a Nicaraguan liberal and social reformer, Hodges also makes a persuasive case that Sandino was first and foremost a communist, although neither of the Marxist nor anarchist variety. He argues that Sandino's eclectic communist spirituality was more of an asset than a liability for understanding the human condition, and that his spiritual politics promises to be more relevant than Marxism-Leninism for the twenty-first century. Indeed, Hodges believes that Sandino's holistic communism embraces both deep ecology and feminist spirituality—a finding that is sure to generate lively and productive debate.
Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong — and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.
Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.
"A collection of varied and amazing lives, all bent on shaping history. Together, these experienced, undeterred Nicaraguan women offer powerful clues about a truly revolutionary and democratizing feminism."––Adrienne Rich
"If it were not for writers like Margaret, how would women around the world find each other when there is such an institutional effort to keep us apart and silent? Here Margaret brings us the voice of Sandino's daughters, honoring his hat and wearing their own, wiser now, having been part of political and personal revolution."––Holly Near
"Powerful, moving, and challenging. Everyone interested in decency and justice will want to read Sandino's Daughters Revisited."––Blanche Wiesen Cook
Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong––and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.
Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of a employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women. This is a moving account of the relationship between feminism and revolution as it is expressed in the daily lives of Nicaraguan women.
Before Arnold Schwarzenegger, Steve Reeves, or Charles Atlas, there was German-born Eugen Sandow (1867-1925), a muscular vaudeville strongman who used his good looks, intelligence, and business savvy to forge a fitness empire.
David L. Chapman tells the story of the immensely popular showman who emphasized physique display rather than lifting prowess. But he also looks at Sandow's success off-stage, where the entertainer helped found the fitness movement by establishing a worldwide chain of gyms, publishing a popular magazine, selling exercise equipment, and pioneering the use of food supplements. Chapman explains physical culture's popularity in terms of its wider social implications while delving into how Sandow, by making exercise fashionable, ushered in the fitness craze that continues today.
This new edition has been revised and enlarged with an afterword that includes unpublished information, new photographs of Sandow and his contemporaries, and an updated index.
The humble peanut butter and jelly or bologna and cheese or corned beef on rye—no matter your cooking expertise, chances are you’ve made and eaten countless sandwiches in your lifetime. It’s quick, it’s simple, and it’s open to infinite variety and inventiveness. If there’s something bread- or bun-like in your cupboard, there is a sandwich waiting to happen.
Though sandwiches are a near-universal food, their origin can be traced to a very precise historical figure: John Montagu, the Fourth Earl of Sandwich, who, sometime before 1762 being too busy to stop for dinner, asked for some cold beef to be brought to him between two slices of bread. In Sandwich,award-winning food writer Bee Wilson unravels the mystery of how the Earl invented this most elementary but delicious way of eating. Wilson explores what sandwiches might have been like before the eighteenth century, why the name sandwich stuck, and how the Earl’s invention took off so quickly around the globe.
Wilson brings together a wealth of material to trace how the sandwich has evolved, looking at sandwiches around the world, from the decadent meatball hoagie to the dainty cucumber tea sandwich. Loved the world over, this popular food has surprisingly never before been the subject of a book-length history until now.
When Abraham Lincoln moved to Illinois’ Sangamo Country in 1831, he found a pioneer community transforming from a cluster of log houses along an ancient trail to a community of new towns and state roads. But two of the towns vanished in a matter of years, and many of the activities and lifestyles that shaped them were almost entirely forgotten. In The Sangamo Frontier, archaeologist Robert Mazrim unearths the buried history of this early American community, breathing new life into a region that still rests in Lincoln’s shadow.
Named after a shallow river that cuts through the prairies of central Illinois, the Sangamo Country—an area that now encompasses the capital city of Springfield and present-day Sangamon County—was first colonized after the War of 1812. For the past fifteen years, Mazrim has conducted dozens of excavations there, digging up pieces of pioneer life, from hand-forged iron and locally made crockery to pewter spoons and Staffordshire teacups. And here, in beautifully illustrated stories of each dig, he shows how each of these small artifacts can teach us something about the lifestyles of people who lived on the frontier nearly two hundred years ago. Allowing us to see past the changed modern landscape and the clichés of pioneer history, Mazrim deftly uses his findings to portray the homes, farms, taverns, and pottery shops where Lincoln’s neighbors once lived and worked.
Drawing readers into the thrill of discovery, The Sangamo Frontier inaugurates a new kind of archaeological history that both enhances and challenges our written history. It imbues today’s landscape with an authentic ghostliness that will reawaken the curiosity of anyone interested in the forgotten people and places that helped shape our nation.
Immersed in their on-demand, highly consumptive, and disposable lifestyles, most urban Americans take for granted the technologies that provide them with potable water, remove their trash, and process their wastewater. These vital services, however, are the byproduct of many decades of development by engineers, sanitarians, and civic planners.
In The Sanitary City, Martin V. Melosi assembles a comprehensive, thoroughly researched and referenced history of sanitary services in urban America. He examines the evolution of water supply, sewage systems, and solid waste disposal during three distinct eras: The Age of Miasmas (pre-1880); The Bacteriological Revolution (1880-1945); and The New Ecology (1945 to present-day).
Originally published in 2000, this abridged edition includes updated text and bibliographic materials. The Sanitary City is an essential resource for those interested in environmental history, environmental engineering, science and technology, urban studies, and public health.
Winner of:
George Perkins Marsh Prize from the American Society for Environmental History Urban History Association Prize for the best book in North American Urban History
Abel Wolman Prize from the Public Works Historical Society
Sidney Edelstein Prize from the Society for the History of Technology
Undocumented migration is a huge global phenomenon, yet little is known about the reality of life for those involved. Sans Papiers combines a contemporary account of the theoretical and policy debates with an in-depth exploration of the lived experiences of undocumented migrants in the UK from Zimbabwe, China, Brazil, Ukraine and Turkish Kurdistan.
Built around their voices, the book provides a unique understanding of migratory processes, gendered experiences and migrant aspirations. Moving between the uniqueness of individual experience and the search for commonalities, the book explores the ambiguities and contradictions of being an undocumented migrant.
With its insights into personal experiences alongside analysis of wider policy issues, Sans Papiers will have wide appeal for students, academics, policy-makers and practitioners.
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar.
Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
Runner-up, Bronze Medal, Independent Publishers Book Awards: Memoir/Autobiography Category, 2009
Unclear about his future career path, Steve Reifenberg found himself in the early 1980s working at a small orphanage in a poor neighborhood in Santiago, Chile, where a determined single woman was trying to create a stable home for a dozen or so children who had been abandoned or abused. With little more than good intentions and very limited Spanish, the 23-year-old Reifenberg plunged into the life of the Hogar Domingo Savio, becoming a foster father to kids who stretched his capacities for compassion and understanding in ways he never could have imagined back in the United States.
In this beautifully written memoir, Reifenberg recalls his two years at the Hogar Domingo Savio. His vivid descriptions create indelible portraits of a dozen remarkable kids—mature-beyond-her-years Verónica; sullen, unresponsive Marcelo; and irrepressible toddler Andrés, among them. As Reifenberg learns more about the children's circumstances, he begins to see the bigger picture of life in Chile at a crucial moment in its history.
The early 1980s were a time of economic crisis and political uprising against the brutal military dictatorship of Augusto Pinochet. Reifenberg skillfully interweaves the story of the orphanage with the broader national and international forces that dramatically impact the lives of the kids. By the end of Santiago's Children, Reifenberg has told an engrossing story not only of his own coming-of-age, but also of the courage and resilience of the poorest and most vulnerable residents of Latin America.
Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art.
Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.
The Yanomami people of Brazil first attracted anthropological and popular attention in the 1960s, when they were portrayed as essentially primitive and violent in the widely read book Yanomamo: The Fierce People. To this image of the Yanomami another has recently been added: that of victims of the economic rapacity devouring the Amazon.
Sanumá Memories moves beyond these images to provide the first anthropologically sophisticated account of the Yanomami and their social organization, kinship, and marriage, capturing both individual experiences and the broader sociological trends that engulf them. A poignant personal story as well, it draws on Alcida Ramos's extensive fieldwork among the Sanumá (the northernmost Yanomami subgroup) from 1968 to 1992, as she reports on the brutal impact of many invasions—from road construction to the gold rush that brought the Yanomami social chaos, thousands of deaths, devastation of gardens and forest, and a disquietingly uncertain future.
At the cutting edge of anthropological description and analysis, Sanumá Memories ponders the importance of "otherness" to the Sanumá; describes Sanumá spaces, from the grandiosity of the rain forest to cozy family compartments; analyzes their notions of time, from the minute reckoning of routine village life to historical and metaphysical macro-time; shows how power and authority are generated and allocated in space and time; and examines the secrecy of personal names and the all-pervading consequences of disclosing them.
“Ramos’s study is anthropologically sophisticated and ethnographically fascinating. She has been able to construct a particularly refined and compelling account of important problems presented by one of the most interesting indigenous groups in South America, an account that reflects her years of careful and insightful thinking about Sanumá.”—Donald Pollock, State University of New York at Buffalo
In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett’s revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.
Revised and enlarged, the second edition of Sappho to Valéry includes both the originals and translations of ninety-eight poems from nine different languages. Nims offers new and lively interpretations of a number of poems that have been translated and others available in no other English translation.
A former editor of Poetry, John Frederick Nims has published several volumes of his own poetry, poetry in translation, and essays on the form.
She lived on the island of Lesbos around 600 B.C.E. She composed lyric poetry, only fragments of which survive. And she was--and is--the most highly regarded woman poet of Greek and Roman antiquity.
Little more than this can be said with certainty about Sappho, and yet a great deal more is said. Her life, so little known, is the stuff of legends; her poetry, the source of endless speculation. This book is a search for Sappho through the poetry she wrote, the culture she inhabited, and the myths that have risen around her. It is an expert and thoroughly engaging introduction to one of the most enduring and enigmatic figures of antiquity.Margaret Williamson conducts us through ancient representations of Sappho, from vase paintings to appearances in Ovid, and traces the route by which her work has reached us, shaped along the way by excavators, editors, and interpreters. She goes back to the poet's world and time to explore perennial questions about Sappho: How could a woman have access to the public medium of song? What was the place of female sexuality in the public and religious symbolism of Greek culture? What is the sexual meaning of her poems? Williamson follows with a close look at the poems themselves, Sappho's "immortal daughters." Her book offers the clearest picture yet of a woman whose place in the history of Western culture has been at once assured and mysterious.
Sarah Angelina Acland (1849–1930) is one of the most important photographers of the late Victorian and early Edwardian periods. Born to a preeminent English family, Acland first gained note as a portraitist whose illustrious subjects—among them two prime ministers, the physicist Lord Kelvin, and the noted art critic John Ruskin—were visitors to her family’s Oxford home. Yet it was through her work in the thenfledgling field of color photography that Acland achieved her greatest acclaim. When her color photographs were shown at the Royal Photographic Society in 1905, many considered them to be among the finest work produced in the new medium.
An introduction to Acland’s entire body of work, this volume contains more than two hundred previously unpublished examples of her photographs, spanning portraiture, studies of Oxford architecture, and landscape and garden photographs captured in Madeira, Portugal. Additional images include four unrecorded portraits by Lewis Carroll of Acland and her brothers—shed light on the work of her contemporaries, including acquaintances and artistic influences like Carroll and Julia Margaret Cameron. A fascinating look at the earliest days of color photography, this book also offers a glimpse into the lives of an influential English family and its circle of friends.
Sarah Orne Jewett - American Writers 61 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
English actress Sarah Siddons (1755–1831) was an international celebrity widely acclaimed for her performances of tragic heroines.We know what Siddons looked like—an endless number of artists asked her to sit for portraits and sculptures—but what of her famous voice? In lively and engaging prose, Judith Pascoe journeys to discover how the celebrated romantic actor’s voice sounded and to understand its power to move audiences to a state of emotional collapse. The author’s quixotic endeavor leads her to enroll in a “Voice for Actors” class, to collect Lady Macbeth voice prints, and to listen more carefully to the soundscape of her own life.
The Sarah Siddons Audio Files is the first full-scale attempt to address the importance of the voice in romantic culture. Bringing together archival discoveries, sound recording history, and media theory, the book shows how the romantic poets’ preoccupation with voices is linked to a larger cultural anxiety about the voice’s ephemerality. The Sarah Siddons Audio Files contributes to a growing body of work on the fascinating history of sound, and will engage a broad audience interest in how recording technology has altered human experience.
Situated in a remote outpost in West Virginia at the turn of the last century, the story that Lenore McComas Coberly tells in Sarah’s Girls is one of place, people, and unquenchable spirit. In this fictionalized account of her recent ancestors, Coberly masterfully traces the journeys of their lives, their dreams, and their hardships over the course of the twentieth century.
At its center is the story of Lena, who returns to care for her dead sister’s daughters, giving up the promise of a life that can spare her the adversity rural living guarantees. The author goes back to Big Ugly Creek, the place where her grandparents met—and the place whose memory she cannot leave.
Using the stories she was told in her childhood as a bridge to the past, Coberly uncovers facts about her family history from documents that have made their way from one generation to another and the truth from the inherent understanding she has of these people who are so close to her.
But Sarah’s Girls is not about the author; it is about the people and a place she loves. It is fiction written to tell the deeper truth about the hold West Virginia—its mountains and its valleys—has on its people.
This fascinating urban anthropological analysis of Sarajevo and its cultural complexities examines contemporary issues of social divisiveness, pluralism, and intergroup dynamics in the context of national identity and state formation. Rather than seeing Bosnia-Herzegovina as a volatile postsocialist society, the book presents its capital city as a vibrant yet wounded center of multicultural diversity, where citizens live in mutual recognition of difference while asserting a lifestyle that transcends boundaries of ethnicity and religion. It further illuminates how Sarajevans negotiate group identity in the tumultuous context of history, authoritarian rule, and interactions with the built environment and one another.
As she navigates the city, Fran Markowitz shares narratives of local citizenry played out against the larger dramas of nation and state building. She shows how Sarajevans' national identities have been forged in the crucible of power, culture, language, and politics. Sarajevo: A Bosnian Kaleidoscope acknowledges this Central European city's dramatic survival from the ravages of civil war as it advances into the present-day global arena.
A great metropolis of the ancient world, “golden” Sardis was the place where legendary Croesus ruled, where coinage was invented. Since 1958 an archaeological team has been working at the site to retrieve evidence of the rich Lydian culture as well as of the prehistoric Anatolian settlement and the Hellenistic and Roman civilizations that followed the Lydian kingdom. Here is a comprehensive and fully illustrated account of what the team has learned, presented by the eminent archaeologist who led the expedition.
George Hanfmann and his collaborators survey the environment of Sardis, the crops and animal life, the mineral resources, the industries for which the city was famed, and the pattern of settlement. The history of Sardis is then reconstructed, from the early Bronze Age to Late Antiquity. Archaeologists who have done the excavating contribute descriptions of shops and houses, graves, the precinct and Altar of Artemis, the Acropolis, gold-working installations and techniques, the bath and gymnasium complex, and the Synagogue. The material finds are studied in the context of other evidence, and there emerges an overall picture of the Lydian society, culture, and religion, the Greek and subsequently the Roman impact, the Jewish community, and the Christianization of Sardis. Historians of the ancient world will find this account invaluable.
Ancient Sardis, the capital of Lydia, was of outstanding importance: in the Lydian period it held the residence of the kings and subsequently, under Persian rule, the satraps. Throughout antiquity it remained an administrative center. Travelers of modern times and archaeological excavations have revealed, from the city site and its surroundings, inscriptions written mostly in Greek, some in Latin. Their texts deal with all kinds of subjects: decrees, public honors, civil and sacred laws, letters, epitaphs, and more.
In the corpus “Sardis VII 1” (1932) W. H. Buckler and D. M. Robinson published all inscriptions (228 items) known up to 1922, after which year excavation at Sardis came to a halt because of the Greek-Turkish war. Since excavation resumed in 1958, a portion of the Greek and Latin inscriptions has been published in various, widely scattered places; another portion, containing important texts discovered during the last ten years, was until now unpublished. The aim of this monograph is to present in a comprehensive corpus the entire epigraphic harvest (485 items) made in Sardis and its territory since 1958. Each inscription is accompanied by a description of the monument, bibliography, translation, and commentary; indices, concordances, photographs, and maps complement the collection.
A critical resource that traces the reign of Sargon in context
Josette Elayi's book is the only existing biography of Sargon II, the famous Assyrian king, who was a megalomaniac and a warlord. Elayi addresses such important questions, including what was his precise role in the disappearance of the kingdom of Israel; how did Sargon II succeed in enlarging the borders of the Assyrian Empire by several successful campaigns; how did he organize his empire (administration, trade, agriculture, libraries), and what was the so-called sin of Sargon?
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