A SCHOLARLY BOOK REPOSITORY
Zuberi looks at how the sounds, images, and lyrics of English popular music generate and critique ideas of national belonging, recasting the social and even the physical landscapes of cities like Manchester and London. The Smiths and Morrissey play on romanticized notions of the (white) English working class, while the Pet Shop Boys map a "queer urban Britain" in the AIDS era. The techno-culture of raves and dance clubs incorporates both an anti-institutional do-it-yourself politics and emergent leisure practices, while the potent mix of technology and creativity in British black music includes local conditions as well as a sense of global diaspora. British Asian musicians, drawing on Afrodiasporic and South Asian traditions, seek a sense of place in Britain as commercial interests try to pin down an image of them to market.
Sounds English shows how popular music complicates cherished notions of Englishness as it activates cultural outsiders and taps into a sense of not belonging. Alert and readable, Zuberi's wide-ranging discussion includes the performers Oasis, Blur, Tricky, Massive Attack, Goldie, A Guy Called Gerald, Roni Size, Bally Sagoo, Funˆdaˆmental, Echobelly, Cornershop, Talvin Singh, and others.
A sixty-year history of Afro–South Asian musical collaborations
From Beyoncé’s South Asian music–inspired Super Bowl Halftime performance, to jazz artists like John and Alice Coltrane’s use of Indian song structures and spirituality in their work, to Jay-Z and Missy Elliott’s high-profile collaborations with diasporic South Asian artists such as the Panjabi MC and MIA, African American musicians have frequently engaged South Asian cultural productions in the development of Black music culture. Sounds from the Other Side traces such engagements through an interdisciplinary analysis of the political implications of African American musicians’ South Asian influence since the 1960s.
Elliott H. Powell asks, what happens when we consider Black musicians’ South Asian sonic explorations as distinct from those of their white counterparts? He looks to Black musical genres of jazz, funk, and hip hop and examines the work of Miles Davis, John Coltrane, Rick James, OutKast, Timbaland, Beyoncé, and others, showing how Afro–South Asian music in the United States is a dynamic, complex, and contradictory cultural site where comparative racialization, transformative gender and queer politics, and coalition politics intertwine. Powell situates this cultural history within larger global and domestic sociohistorical junctures that link African American and South Asian diasporic communities in the United States.
The long historical arc of Afro–South Asian music in Sounds from the Other Side interprets such music-making activities as highly political endeavors, offering an essential conversation about cross-cultural musical exchanges between racially marginalized musicians.
New edition available: Sounds Like Home: Growing Up Black and Deaf in the South, 20th Anniversary Edition, ISBN 978-1-944838-58-4
Features a new introduction by scholars Joseph Hill and Carolyn McCaskill
Mary Herring Wright’s memoir adds an important dimension to the current literature in that it is a story by and about an African American deaf child. The author recounts her experiences growing up as a deaf person in Iron Mine, North Carolina, from the 1920s through the 1940s. Her story is unique and historically significant because it provides valuable descriptive information about the faculty and staff of the North Carolina school for Black deaf and blind students from the perspective of a student as well as a student teacher. In addition, this engrossing narrative contains details about the curriculum, which included a week-long Black History celebration where students learned about important Blacks such as Madame Walker, Paul Laurence Dunbar, and George Washington Carver. It also describes the physical facilities as well as the changes in those facilities over the years. In addition, Sounds Like Home occurs over a period of time that covers two major events in American history, the Depression and World War II.
Wright’s account is one of enduring faith, perseverance, and optimism. Her keen observations will serve as a source of inspiration for others who are challenged in their own ways by life’s obstacles.
Timothy D. Taylor tracks the use of music in American advertising for nearly a century, from variety shows like The Clicquot Club Eskimos to the rise of the jingle, the postwar upsurge in consumerism, and the more complete fusion of popular music and consumption in the 1980s and after. The Sounds of Capitalism is the first book to tell truly the history of music used in advertising in the United States and is an original contribution to this little-studied part of our cultural history.
Four decades have passed since reports of a mysterious “gay cancer” first appeared in US newspapers. In the ensuing years, the pandemic that would come to be called AIDS changed the world in innumerable ways. It also gave rise to one of the late twentieth century’s largest health-based empowerment movements. Scholars across diverse traditions have documented the rise of the AIDS activist movement, chronicling the impassioned echoes of protestors who took to the streets to demand “drugs into bodies.”
And yet not all activism creates echoes. Included among the ranks of 1980s and 1990s-era AIDS activists were individuals whose expressions of empowerment differed markedly from those demanding open access to mainstream pharmaceutical agents. Largely forgotten today, this activist tradition was comprised of individuals who embraced unorthodox approaches for conceptualizing and treating their condition. Rejecting biomedical expertise, they shared alternative clinical paradigms, created underground networks for distributing unorthodox nostrums, and endorsed etiological models that challenged the association between HIV and AIDS. The theatre of their protests was not the streets of New York City’s Greenwich Village but rather their bodies. And their language was not the riotous chants of public demonstration but the often-invisible embrace of contrarian systems for defining and treating their disease.
The Sounds of Furious Living seeks to understand the AIDS activist tradition, identifying the historical currents out of which it arose. Embracing a patient-centered, social historical lens, it traces historic shifts in popular understanding of health and perceptions of biomedicine through the nineteenth and twentieth centuries to explain the lasting appeal of unorthodox health activism into the modern era. In asking how unorthodox health activism flourished during the twentieth century’s last major pandemic, Kelly also seeks to inform our understanding of resistance to biomedical authority in the setting of the twenty-first century’s first major pandemic: COVID-19. As a deeply researched portrait of distrust and disenchantment, The Sounds of Furious Living helps explain the persistence of movements that challenge biomedicine’s authority well into a century marked by biomedical innovation, while simultaneously posing important questions regarding the meaning and metrics of patient empowerment in clinical practice.
Wide-ranging and astute, The Sounds of Place explores high art music's role in the making of national myth and memory.
Sounds of the Modern Nation explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. Alejandro Madrid argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning.
Madrid challenges the view that Latin American modernist music and other art were mere imitations of European trends, advancing instead the argument that Latin American artists resignified European ideas according to their specific historical and cultural circumstances. His work shows how microtonal and futurist music, modernist and avant-garde aesthetics, as well as indigenist and indianist ideas, entered a process of negotiation that ultimately shaped the ideological framework of twentieth-century Mexico.
From the onset, administrators and artists debated whether to represent highbrow, popular, or folk music in FMP activities. Though the administration privileged using "good" music to educate the public, in the West local preferences regularly trumped national priorities and allowed diverse vernacular musics to be heard. African American and Hispanic music found unprecedented popularity while the cultural mosaic illuminated by American folksong exemplified the spirit of the Popular Front movement. These new musical expressions combined the radical sensibilities of an invigorated Left with nationalistic impulses. At the same time, they blended traditional patriotic themes with an awareness of the country's varied ethnic musical heritage and vast--but endangered--store of grassroots music.
"Sounds of the South"—a 1989 conference that gathered record collectors, folklorists, musicians, record producers, librarians, archivists, and traditional music lovers—celebrated the official opening of the Southern Folklife Collection with the John Edwards Memorial Collection at the library of the University of North Carolina, Chapel Hill. Based on that conference, Sounds of the South includes Bill Malone's account of his own career as fan and scholar of country music, Paul Oliver on European blues scholarship, and Ray Funk on researching Black Gospel Quartets.
The contributors look at a number of topics related to the role of the archivist/folklorist in recording and documenting the music of the South—evaluating past fieldwork and current needs in documentation, archival issues, prospects for the publication of recordings, and changes in music and technology. Written in an accessible style, this volume will be of interest to all those concerned with preserving the music of the American South.
Sounds of Tohi: Cherokee Health and Well-Being in Southern Appalachia is the result of almost two decades of work by medical anthropologist Lisa J. Lefler and Cherokee elder and traditionalist Thomas N. Belt. The narrative consists of a dialogue between them that displays traditional Indigenous knowledge as well as the importance of place for two people from cultures and histories that intersect in the mountains of Southern Appalachia. Together, Lefler and Belt decolonize thinking about health, well-being, and environmental issues through the language and experiences of people whose identity is inextricably linked to the mountains and landscape of western North Carolina.
Lefler and Belt discuss several critical cultural concepts that explain the science of relationships with this world, with the spirit world, and with people. They explore tohi, the Cherokee concept of health, which offers a more pervasive understanding of relationships in life as balanced and moving forward in a good way. They converse about the importance of matrilineality, particularly in light of community healing, the epistemologies of Cherokee cosmography, and decolonizing counseling approaches.
The discussions here offer a different way of approaching the issues that face Americans in this difficult time of division. Lefler and Belt share their urgency to take action against the wholesale exploitation of public lands and the shared environment, to work to perpetuate tribal languages, to preserve the science that can make a difference in how people treat one another, and to create more forums that are inclusive of Native and marginalized voices and that promote respect and appreciation of one another and the protection of sacred places. Throughout, they rely on the preservation of traditional knowledge, or Native science, via Native language to provide insight as to why people should recognize a connection to the land.
Contributors. Jerome Camal, Steven Feld, Francio Guadeloupe, Jocelyne Guilbault, Jordi Halfman, Susan Harewood, Percy C. Hintzen, Timothy Rommen
With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both “nondiegetic” music in film—the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience—and “diegetic” music—music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack.
Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi
From the restorative powers of chicken soup on a sick day to the warmth of a bowl of chowder on a wintry night, there is no food quite as comforting and emblematic of home as soup. Soup, as Janet Clarkson tells us, is the first true culinary creation of humanity, and it has made a long journey from the prehistoric cave to the kitchen table and the white linens of Michelin-starred restaurants.
Tracing its myriad reinventions through history and across the globe, Clarkson argues in Soup that it is the only truly universal dish—every culture in the world makes soup, and it is widely valued as a dish adaptable for any situation. From the swill of the poorhouse to the most delicately crafted consommé, Clarkson explores how soup got its name and describes the different roles of soup in Eastern and Western cuisine. Featuring the national soups of many countries and including an assortment of anecdotes and recipes taken from seven centuries of culinary history, Soup entertains as much as it informs, telling of how the history of the restaurant itself is intricately interwoven with the very concept of soup.
“With enthusiasm and detailed research, Clarkson’s entertaining history is a nutrient-rich meal for the mind, sure to be devoured as happily as its subject”—Publishers Weekly, on Clarkson’s Pie
The two main aims of this book are to increase the general availability of classical contributions to animal biology and to present the development of thought in this field in the words of those who produced it.
The first of these aims is realized by assembling in one volume works previously scattered and, in some cases, rather rare.
The second object, that of tracing the principal patterns of development in the field, is made possible through the selection of appropriate materials and the inclusion of brief critical comments indicating the historical position of each work and its author.
The phenomenal growth of modern astronomy, including the invention of the coronagraph and major developments in telescope design and photographic technique, is unparalleled in many centuries. Theories of relativity, the concept and measurement of the expanding universe, the location of sun and planets far from the center of the Milky Way, the exploration of the interiors of stars, the pulsation theory of Cepheid variation, and investigations of interstellar space have profoundly altered the astronomer's approach.
These fundamental discoveries are reported in papers by such eminent scientists as Albert Einstein, Sir Arthur S. Eddington, Henry Norris Russell, Sir James Jeans, Meghnad Saha, Otto Struve, Fred L. Whipple, Bernard Lyot, Jan H. Oort, and George Ellery Hale. The Source Book's 69 contributions represent all fields of astronomy. For example, there are reports on the equivalence of mass and energy (E = mc²) of the special theory of relativity; building the 200-inch Palomar telescope; the scattering of galaxies suggesting a rapidly expanding universe; stellar evolution; and the Big Bang and Steady State theories of the universe's origin.
When at the beginning of this century, new instrumentation in astronomy came together with innovative concepts in physics, a science was born that has yielded not only staggering quantities of information about the universe but an elegant and useful conception of its origins and behavior. This volume in Harvard’s distinguished series of Source Books serves to record the achievements of this science and illuminate its brief history by bringing together the major contributions through the year 1975.
The volume is organized to trace the development of the basic ideas of astrophysics. The 132 selections document chronologically the changing answers to such fundamental questions as: How did the solar system originate? What makes the stars shine? What lies in the vacuous space between the stars? Are the spiral nebulae distant “island universes”? Will the universe expand forever? The articles range from Hale’s popular piece in Harper’s Magazine to the tensor calculus of Schwarzschild and Einstein. They include Chamberlain and Moulton’s account of the collision hypothesis; Edwin Hubble’s identification of the Crab Nebula with the supernova of 1054; Ralph Fowler’s work on the application of degenerate gas statistics to white dwarfs; and Jan Oort’s detection of galactic rotation. The complexity and richness of twentieth-century astrophysics is felt in these selections and a sense of discovery is provided in reading, in the words of the pioneer scientist, accounts of the first observations of the cosmic rays, the Van Allen belts, the Martian volcanoes and canyons, pulsars, interstellar hydrogen, cosmic magnetic fields, quasars and the remnant background of the primeval big bang.
About half of the papers are printed in their entirety and the others in careful abridgment. Editors Kenneth Lang and Owen Gingerich provide substantial commentary that describes related developments before, during and after the selected research. Works by Heinrich Vogt, Carl Friedrich von Weizsacker, Karl Schwarzschild, Albert Einstein, Aleksandr Friedman and many others appear for the first time in translation.
Government agencies and commissions, courts, and legislatures have during the past several decades produced reports, rendered decisions, and passed laws that have both defined the fundamental issues in the field of bioethics and established ways of managing them in our society. Providing a history of these key bioethical decisions, this Source Book in Bioethics is the first and only comprehensive collection of the critical public documents in biomedical ethics, including many hard-to-find or out-of-print materials.
Covering the period from 1947 to 1995, this volume brings together core legislative documents, court briefs, and reports by professional organizations, public bodies, and governments around the world. Sections on human experimentation, care of the terminally ill, genetics, human reproduction, and emerging areas in bioethics include such pivotal works as "The Nuremberg Code," "The Tuskegee Report," and "In the Matter of Baby M," as well less readily available documents as "The Declaration of Inuyama," the Council for International Organizations of Medical Sciences statement on genetic engineering, and "The Warnock Committee Report" on reproductive technologies from the United Kingdom. Three eminent scholars in the field provide brief introductions to each document explaining the significance of these classic sources.
This historical volume will be a standard text for courses in bioethics, health policy, and death and dying, and a primary reference for anyone interested in this increasingly relevant field.
The growing interdependence of the sciences was one of the outstanding characteristics of the first half of the twentieth century. "Inevitably," Dr. Leicester points out, "this expanded vision led to closer contacts among chemists of every speciality, and also with scientists in other fields. Physics and physical chemistry were applied to organic compounds, and new substances that could not have been foreseen by the older theories were prepared. Reaction mechanisms were generalized. New borderline sciences sprang up. Chemical physics and biochemistry became sciences in their own right. Chemistry thus became a link between physics and biology."
A continuation of A Source Book in Chemistry, 1400-1900 (HUP, 1952), this volume contains selections from ninety classic papers in all branches of chemistry -- papers upon which contemporary research and practices are based.
The topics include such chemical techniques as microanalysis, polarography, hydrogen ion concentration, chromatography, electrophoresis, and the use of the ultramicroscope, the ultracentrifuge, and radioactive tracers; modern structural theories, with emphasis on crystal structure, radioactive decay, isotopes, molecular structure, the applications of quantum mechanics to chemistry, thermodynamics, electrolytes, and kinetics; the more recent studies on artificial radioactivity and the transuranium elements; organic chemistry, with reference to general synthetic methods, polymers, the structure of proteins, nucleic acids, alkaloids, steroids, and carotenoids; and biochemistry, including the concept of hormones and vitamins, separation of enzymes and viruses, metabolism of fats, proteins and carbohydrates, and energy production.
The Source Book serves as an introduction to present-day chemistry and can also be used as supplementary reading in general chemistry courses, since, in many instances, the papers explain the circumstances under which a particular discovery was made--information that is customarily lacking in textbooks. Although the selections are classified into the usual branches of the science, it will be apparent to the reader how the discoveries in any one branch were taken up and incorporated into others.
An understanding of the developments in classical analysis during the nineteenth century is vital to a full appreciation of the history of twentieth-century mathematical thought. It was during the nineteenth century that the diverse mathematical formulae of the eighteenth century were systematized and the properties of functions of real and complex variables clearly distinguished; and it was then that the calculus matured into the rigorous discipline of today, becoming in the process a dominant influence on mathematics and mathematical physics.
This Source Book, a sequel to D. J. Struik’s Source Book in Mathematics, 1200–1800, draws together more than eighty selections from the writings of the most influential mathematicians of the period. Thirteen chapters, each with an introduction by the editor, highlight the major developments in mathematical thinking over the century. All material is in English, and great care has been taken to maintain a high standard of accuracy both in translation and in transcription. Of particular value to historians and philosophers of science, the Source Book should serve as a vital reference to anyone seeking to understand the roots of twentieth-century mathematical thought.
This remarkable volume presents a panorama of geographical writings from Hesiod to Humboldt, from the beginnings of geographical thought in the Western world to the emergence of topical specialization. It includes a wealth of material from non-Western sources, particularly Moslem and Chinese, that has not been collected before.
The selections are arranged chronologically, and contain geographical theory, descriptions of terrestrial phenomena by early observers, and excerpts from major voyages of discovery. Some are obvious classics: Socrates on the nature of the Earth, Ezekiel’s description of the commerce of Tyre, Columbus’s first glimpse of the West Indies, Buffon on the history of the Earth, and Kant’s geographical lectures. Yet more commonly, George Kish provides a sense of the discovery with such finds as the ambassador’s report to the Caliph of Baghdad on the lands and customs of the Norsemen, the study of the Tartar Empire by John of Monte Corvino, Archbishop of Peking, and Jefferson’s private memo to Alexander von Humboldt seeking information on the American West.
Each section is highlighted by a brief but engagingly written introduction by the editor. Throughout, the unique cultural and professional perspective of Kish is very much in evidence.
Since 1900, the science of geology has grown in a spectacular fashion. Not only have field studies been undertaken throughout vast areas of the earth’s surface previously unexplored or only superficially surveyed, but recent discoveries in physics, chemistry, and biology have provided geologists with new techniques of observation and experimentation, and radically new concepts and theories have been developed. This book presents source literature for the most important contributions to this remarkable expansion of geological knowledge. One of the world’s most distinguished geologists provides excerpts from sixty-five articles by sixty-three authors, selected with the advice of more than a score of leading scientists from all parts of the globe. Among the subjects discussed in this comprehensive volume are the constitution of the earth’s interior, the causes of earthquakes, radioactive timekeepers, the interpretation of submarine features and deep-sea cores, the origin and entrapment of petroleum, and crystal structure. Included are articles which led directly to the development of theories of paleomagnetism, metamorphism, cryopedology, and isostasy.
Source Book in Geology, 1900–1950 makes available several papers previously to be found in the libraries of only a few universities, and eight articles translated into English for the first time, of which four are by leading Soviet geologists.
Covering the general fields of mathematics, astronomy, mathematical geography, physics, chemistry and chemical technology, geology and meteorology, biology, medicine, and physiological psychology, the present collection surveys the field of Greek scientific achievement over a thousand-year period.
Many Greek scientific treatises were written and read by cultivated people who did not regard themselves as specialists. These works should appeal today to those readers who wish to understand not only the foundations of modern science, but also a vital element of the humanistic tradition.
The Source Book contains 75 excerpts from the writings of Western mathematics from the thirteenth to the end of the eighteenth century. The selection has been confined to pure mathematics or to those fields of applied mathematics that had a direct bearing on the development of pure mathematics.
The authors range from Al-Khwarizmi (a Latin translation of whose work was much used in Europe), Viète, and Oresme, to Newton, Euler, and Lagrange. The selections are grouped in chapters on arithmetic, algebra, geometry, and analysis. All the excerpts are translated into English. Some of the translations have been newly made by Mr. and Mrs. Struik; if a translation was already available it has been used, but in every such case it has been checked against the original and amended or corrected where it seemed necessary. The editor has taken considerable pains to put each selection in context by means of introductory comments and has explained obscure or doubtful points in footnote wherever necessary.
The Source Book should be particularly valuable to historians of science, but all who are concerned with the origins and growth of mathematics will find it interesting and useful.
Modern scholarship has exposed the intrinsic importance of medieval science and confirmed its role in preserving and transmitting Greek and Arabic achievements. This Source Book offers a rare opportunity to explore more than ten centuries of European scientific thought. In it are approximately 190 selections by about 85 authors, most of them from the Latin West. Nearly half of the selections appear here for the first time in any vernacular translation.
The readings, a number of them complete treatises, have been chosen to represent “science” in a medieval rather than a modern sense. Thus, insofar as they are relevant to medieval science, selections have been drawn from works on alchemy, astrology, logic, and theology. Most of the book, however, reflects medieval understanding of, and achievements in, the mathematical, physical, and biological sciences. Critical commentary and annotation accompany the selections. An appendix contains brief biographies of all authors.
This book will be an indispensable resource for students and scholars in the history of science.
This is a source book unique in its scope, clarity, and general interest. Its 116 excerpts range in time from Epicurus (ca. 300 B.C.) to the turn of the present century and sometimes, when continuity requires, a little beyond (as to K. S. Lashley, 1929). It includes excerpts from Kepler (1604) on the inverted retinal image, Descartes (1650) on the soul's interaction with the machine of the body, Newton (1675) on the seven colors of the spectrum, Locke (1700) on association of ideas, Whytt (1751) on the spinal reflex, Weber (1834) on Weber's law, Darwin (1859) on evolution, Sechenov (1863) on reflexology, Hughlings Jackson (1884) on nervous dissolution, William James (1890) on associationism, Thorndike, Pavlov, Wertheimer, Watson, and 70 other great figures in the history of psychology.
Arranged by topic rather than in the usual strict chronological order, each of the first fourteen chapters traces the development of one important subject in experimental and quantitative psychology. The final chapter discusses the history of thinking about the nature of psychology itself. The editors provide an introduction to each chapter and each excerpt, indicating the significance of the content to follow and establishing historical continuity.
Long considered the undisputed authority on the Indians of the southern United States, anthropologist John Swanton published this history as the Smithsonian Institution's Bureau of American Ethnology (BAE) Bulletin 103 in 1931. Swanton's descriptions are drawn from earlier records—including those of DuPratz and Romans—and from Choctaw informants. His long association with the Choctaws is evident in the thorough detailing of their customs and way of life and in his sensitivity to the presentation of their native culture.
Included are descriptions of such subjects as clans, division of labor between sexes, games, religion, war customs, and burial rites. The Choctaws were, in general, peaceful farmers living in Mississippi and southwestern Alabama until they were moved to Oklahoma in successive waves beginning in 1830, after the treaty of Dancing Rabbit Creek.
This edition includes a new foreword by Kenneth Carleton placing Swanton's work in the context of his times. The continued value of Swanton's original research makes Source Material the most comprehensive book ever published on the Choctaw people.
Later he asked, “Would you like to go for a hike sometime?” and two trains of thought left the station: He means to get to know me and we might leave the city together and it’s been a long time since I climbed a mountain. That train chugged into a wider brighter country all the time. The other train went by another route through the panicked interior. He’s a lunatic, it whistled. He’s been in and out of hospitals. He will take you to a mountaintop and throw you right off into the bright air: choo choo!
Post-divorce dating is one more cause for celebration (or a quick call in to the police) in Beth Bosworth’s revelatory new book, The Source of Life and Other Stories. The spine of this collection is a series of linked stories about Ruth Stein, a Brooklyn author whose first book has exposed her father’s abuses; while the voice here, speaking across a lifetime, ranges from bittersweet to humorous to lethal. In other stories Bosworth’s narrators—a mother left to care for her son’s suicidal dog, an editor haunted by a dog-eared manuscript—seem to grab hold of the reins and run off with their fates. Meanwhile Bosworth explores the extended family, the bonds of friendship, an apocalyptic Vermont, the rank yet redeemable Gowanus Canal; also rites of passage, race relations, divorce, middle-aged romance, dementia, funerals, alcoholism, and the Jewish religion. Reality is just another stumbling block for Bosworth’s characters, who might help themselves but don’t always choose to. There are leaps of faith here, nonetheless, as the collection dispenses a kind of narrative psychotropic for survival and redemption, with a chaser of humor mixed in.
In this collection JoAnn Scurlock assembles and translates medical texts that provided instructions for ancient doctors and pharmacists. Scurlock unpacks the difficult, technical vocabulary that describes signs and symptoms as well as procedures and plants used in treatments. This fascinating material shines light on the development of medicine in the ancient Near East, yet these tablets were essentially inaccessible to anyone without an expertise in cuneiform. Scurlock’s work fills this gap by providing a key resource for teaching and research.
Features:
- Accessible translations and transliterations for both specialists and non-specialists
- Texts include a range of historical periods and regions
- Therapeutic, pharmacological, and diagnostic texts
Beginning with an introduction to various philosophies and perspectives, the Sourcebook examines major elements of the environment and selected case studies of human alteration of our surroundings. The essential references in each field are carefully presented, and directions are given for examining more advanced and specialized works. Appendixes on selected periodicals, the latest relevant federal legislation, and environmental organizations point to further areas of investigation. To maintain its value in this volatile area, this indispensable work will be periodically revised and updated.
Technological advance is the key driving force behind economic growth, argues Richard Nelson. Investments in physical and human capital contribute to growth largely as handmaidens to technological advance. Technological advance needs to be understood as an evolutionary process, depending much more on ex post selection and learning than on ex ante calculation. That is why it proceeds much more rapidly under conditions of competition than under monopoly or oligopoly.
Nelson also argues that an adequate theory of economic growth must incorporate institutional change explicitly. Drawing on a deep knowledge of economic and technological history as well as the tools of economic analysis, Nelson exposes the intimate connections among government policies, science-based universities, and the growth of technology. He compares national innovation systems, and explores both the rise of the United States as the world’s premier technological power during the first two-thirds of the twentieth century and the diminishing of that lead as other countries have largely caught up.
Lucid, wide-ranging, and accessible, the book examines the secrets of economic growth and why the U.S. economy has been anemic since the early 1970s.
How can human beings, who are liable to error, possess knowledge? The skeptic finds this question impossible to answer. If we can err, then it seems the grounds on which we believe do not rule out that we are wrong. Most contemporary epistemologists agree with the skeptic that we can never believe on grounds that exclude error. Sources of Knowledge moves beyond this predicament by demonstrating that some major problems of contemporary philosophy have their roots in the lack of a metaphysical category that is fundamental to our self-understanding: the category of a rational capacity for knowledge.
Andrea Kern argues that we can disarm skeptical doubt by conceiving knowledge as an act of a rational capacity. This enables us to appreciate human fallibility without falling into skepticism, for it allows us to understand how we can form beliefs about the world on grounds that exclude error. Knowledge is a fundamental capacity of the human mind. Human beings, as such, are knowers. In this way, Sources of Knowledge seeks to understand knowledge from within our self-understanding as knowers. It develops a metaphysics of the human mind as existing through knowledge of itself, which knowledge—as the human being is finite—takes the form of a capacity.
Regaining the concept of a rational capacity for knowledge, Kern makes a powerful and original contribution to philosophy that reinvigorates the tradition of Aristotle and Kant—thinkers whose relevance for contemporary epistemology has yet to be fully appreciated.
In this extensive inquiry into the sources of modern selfhood, Charles Taylor demonstrates just how rich and precious those resources are. The modern turn to subjectivity, with its attendant rejection of an objective order of reason, has led—it seems to many—to mere subjectivism at the mildest and to sheer nihilism at the worst. Many critics believe that the modern order has no moral backbone and has proved corrosive to all that might foster human good. Taylor rejects this view. He argues that, properly understood, our modern notion of the self provides a framework that more than compensates for the abandonment of substantive notions of rationality.
The major insight of Sources of the Self is that modern subjectivity, in all its epistemological, aesthetic, and political ramifications, has its roots in ideas of human good. After first arguing that contemporary philosophers have ignored how self and good connect, the author defines the modern identity by describing its genesis. His effort to uncover and map our moral sources leads to novel interpretations of most of the figures and movements in the modern tradition. Taylor shows that the modern turn inward is not disastrous but is in fact the result of our long efforts to define and reach the good. At the heart of this definition he finds what he calls the affirmation of ordinary life, a value which has decisively if not completely replaced an older conception of reason as connected to a hierarchy based on birth and wealth. In telling the story of a revolution whose proponents have been Augustine, Montaigne, Luther, and a host of others, Taylor’s goal is in part to make sure we do not lose sight of their goal and endanger all that has been achieved. Sources of the Self provides a decisive defense of the modern order and a sharp rebuff to its critics.
For most of our existence, humans have manipulated stone into tools that are essential for survival. Generally resistant to degradation, stone tools comprise a large portion of the material culture found at archaeological sites worldwide. Recovery of stone tools during archaeological excavation indicates the location where they were discarded, often tied to where they were used. “Sourcing” refers to attempts to determine the origin of the raw materials used to produce these tools. Knowing the beginning and end points of a tool’s use-life, as well as the likely paths it took between those two locations, can offer insight into trade and procurement patterns. The scholars gathered in this volume employ a variety of unique approaches to real-life contexts in multiple geographic regions. These studies illustrate the numerous, robust options available to archaeologists and researchers today, as well as the problems that must be faced and resolved.
Part 1 of the book explores technological approaches to sourcing in conjunction with innovative survey strategies. The chapters describe a particular method while often offering suggestions for improving the chemical analysis. Part 2 focuses on region-specific and methodological sourcing applications. In a concluding review, Michael D. Glascock critiques each of the chapters and presents his views, developed across 40 years of work in the field, on sourcing raw materials. Broadly, these contributions demonstrate how knowledge of lithic sources, geologic processes, the nature of variation, and regional availability can provide a more thorough understanding of past peoples.
A vivid and insightful look at the culture and terrain of Antarctica, as well as the people who choose to live and work there, South × South celebrates and explores life at the extreme edge of our planet. Blending travel narrative, historical research, and the surprises of magical realism, Hood presents life in Antarctica and the history of polar aviation as both a miracle of achievement yet also as a way to understand humanity’s longing to be creatures of the heavens as well as the earth. South × South is poetry at its most inventive and surprising, insisting that the world is stranger and more glorious than we ever might have guessed.
After apartheid, South Africa established a celebrated new political order that imagined the postcolonial nation as belonging equally to the descendants of indigenous people, colonizing settlers, transported slaves, indentured laborers, and immigrants. Its constitution, adopted in 1996, was the first in the world to include gays and lesbians as full citizens. Brenna M. Munro examines the stories that were told about sexuality, race, and nation throughout the struggle against apartheid in order to uncover how these narratives ultimately enabled gay people to become imaginable as fellow citizens. She also traces how the gay, lesbian, or bisexual person appeared as a stock character in the pageant of nationhood during the transition to democracy. In the process, she offers an alternative cultural history of South Africa.
Munro asserts that the inclusion of gay people made South Africans feel “modern”—at least for a while. Being gay or being lesbian was reimagined in the 1990s as distinctly South African, but the “newness” that made these sexualities apt symbols for a transformed nation can also be understood as foreign and un-African. Indeed, a Western-style gay identity is often interpreted through the formula “gay equals modernity equals capitalism.” As South Africa’s reentrance into the global economy has failed to bring prosperity to the majority of its citizens, homophobic violence has been on the rise.
Employing a wide array of texts—including prison memoirs, poetry, plays, television shows, photography, political speeches, and the postapartheid writings of Nobel Laureates Nadine Gordimer and J. M. Coetzee—Munro reports on how contemporary queer activists and artists are declining to remain ambassadors for the “rainbow nation” and refusing to become scapegoats for the perceived failures of liberation and liberalism.
This special issue of Poetics Today explores the development of a South African literary identity in the face of its staggering cultural, historical, and linguistic diversity. The collection uses the idea of the "global imaginary" to explore the ways the outside world has constructed ideas about South African literature as well as the way South Africans themselves have fashioned their literary selfhood. Articles address the legacy of colonialism and apartheid and wrestle with the fact that in spite of the fact that there are eleven official languages in South Africa and that many of the cultures have historically relied on an oral tradition, the dominant works continue to be those that are written down, in English. As de Kock writes in his introduction, the collection "raises a multiplicity of questions about the colonization of culture." There has been a "trope of binary pairing," he writes, between white and black, civilized and backward, home and exile, colonizer and colonized, which obscures the richness and complexity of the South African literary tradition. This collection promises to at least begin to correct that oversimplification.
Contributors: Louise Bethlehem, Jonathan Crewe, Dirk Klopper, Leon de Kock, Loren Kruger, Sonja Laden, Simon Lewis, Peter Merrington, Patricia Watson Shariff, Pippa Skotnes
Taking an inclusive approach to South African film history, this volume represents an ambitious attempt to analyze and place in appropriate sociopolitical context the aesthetic highlights of South African cinema from 1896 to the present. Thoroughly researched and fully documented by renowned film scholar Martin Botha, the book focuses on the many highly creative uses of cinematic form, style, and genre as set against South Africa’s complex and often turbulent social and political landscape. Included are more than two hundred illustrations and a look at many aspects of South African film history that haven’t been previously documented.
The human rights movement in South Africa’s transition to a postapartheid democracy has been widely celebrated as a triumph for global human rights. It was a key aspect of the political transition, often referred to as a miracle, which brought majority rule and democracy to South Africa. The country’s new constitution, its Truth and Reconciliation Commission, and the moral authority of Nelson Mandela stand as exemplary proof of this achievement. Yet, less than a generation after the achievement of freedom, the status of human rights and constitutionalism in South Africa is uncertain. In government the ANC has displayed an inconsistent attitude to the protection, and advancement, of hard-won freedoms and rights, and it is not at all clear that a broader civic and political consciousness of the importance of rights is rooting itself more widely in popular culture.
South Africa’s Suspended Revolution tells the story of South Africa’s democratic transition and the prospects for the country to develop a truly inclusive political system. Beginning with an account of the transition in the leadership of the African National Congress from Thabo Mbeki to Jacob Zuma, the book then broadens its lens to examine the relationship of South Africa’s political elite to its citizens. It also examines the evolution of economic and social policies through the democratic transition, as well as the development of a postapartheid business community and a foreign policy designed to re-engage South Africa with the world community.
Written by one of South Africa’s leading scholars and political commentators, the book combines historical and contemporary analysis with strategies for an alternative political agenda. Adam Habib connects the lessons of the South African experience with theories of democratic transition, social change, and conflict resolution. Political leaders, scholars, students, and activists will all find material here to deepen their understanding of the challenges and opportunities of contemporary South Africa.
When Shawn Doubiago graduated from high school, she and her mother Sharon, embarked on a journey through Colombia, Ecuador, and Peru. In Cuzco, Peru, standing before an alter where the Incas had sacrifced their female virgins, the daughter asked, “Are there any good men?” South American Mi Hija is Sharon Doubiago’s reply.
Set amidst the mysteries and tragedies of South American culture, this book-length narrative poem is both an account of their journey and a feminist exploration of the struggle between the sexes.
Originally issued in hardcover in 1996 by Garland Publishing, this important reference work is now available in paperback for a wider audience. A distinguished team of contributors has compiled entries on 140 significant South American feature films from the silent era until 1994. The entries discuss each film's subject matter, critical reception, and social and political contexts, as well as its production, distribution, and exhibition history, including technical credits. The entries are grouped by country and arranged chronologically. Both fiction and documentary films (some no longer in existence) are included, as well as extensive title, name, and subject indexes and glossaries of film and foreign terms.
This book fills the crucial need for a single volume that gives broad coverage and synthesizes findings for both the general reader and the specialist. This collection of twenty-two essays from fifteen well-known scholars presents linguistic research on the indigenous languages of South America, surveying past research, providing data and analysis gathered from past and current research, and suggesting prospects for future investigation.
Of interest not only to linguists but also to anthropologists, historians, and geographers, South American Indian Languages offers a wide perspective, both temporal and regional, on an area noted for its enormous linguistic diversity and for the lack of knowledge of its indigenous languages. An invaluable source book and reference tool, its appearance is especially timely when exploitation of the rich natural resources in a number of areas in South America must surely result in the demise and/or acculturation of some indigenous groups.
This classic report originally appeared as a series of articles in the Nation between July 8, 1865, and April 11, 1866. Dennett traveled in seven states—Virginia, North Carolina, South Carolina, Georgia, Alabama, Louisiana, and Mississippi—at the very beginning of Reconstruction. His remarkably prophetic account of the recently defeated South is a major source for the history of this transition.
This information is organized in accord with indigenous South Asian concepts and categories within the threefold dimensions of time, space, and topic. These units and their interrelationships are first laid out in an outline of headings that constitutes, in the aggregate, a self-contained reference outline of Indic civilization. Each unit and its subdivisions are then presented as the headings for the bibliographic sections that form the main body of the book. This conceptual structure, in combination with the author and subject indexes, offers the reader several means of access to the entries themselves, making South Asian Civilizations a work that will be of great use to a wide audience.
Contributors. Flavia Agnes, Anjali Arondekar, Firdous Azim, Anannya Bhattacharjee, Laura Brueck, Angana P. Chatterji, Malathi de Alwis, Toorjo Ghose, Amina Jamal, Ratna Kapur, Lamia Karim, Ania Loomba, Ritty A. Lukose, Vasuki Nesiah, Sonali Perera, Atreyee Sen, Mrinalini Sinha, Ashwini Sukthankar
In an age of global anxiety and suspicion, South Asian immigrants juggle multiple cultural and literate traditions in Mid-South America. In this study Iswari P. Pandey looks deeply into this community to track the migration of literacies, showing how different meaning-making practices are adapted and reconfigured for cross-language relations and cross-cultural understanding at sites as varied as a Hindu school, a Hindu women’s reading group, Muslim men’s and women’s discussion groups formed soon after 9/11, and cross-cultural presentations by these immigrants to the host communities and law enforcement agencies. Through more than seventy interviews, he reveals the migratory nature of literacies and the community work required to make these practices meaningful.
Pandey addresses critical questions about language and cultural identity at a time of profound change. He examines how symbolic resources are invented and reinvented and circulated and recirculated within and across communities; the impact of English and new technologies on teaching, learning, and practicing ancestral languages; and how gender and religious identifications shape these practices. Overall, the book offers a thorough examination of the ways individuals use interpretive powers for agency within their own communities and for cross-cultural understanding in a globalizing world and what these practices mean for our understanding of that world.
These Texas stories are among the best produced by the state's writers in the mid-twentieth century. Selected above all for their artistic excellence and their narrative mastery, they also present a vital picture of the Southwest in microcosm, as revealed in its largest state.
Texas and Texas writing moved from a Southern orientation in the 1940s—reflected here in works by William Goyen, William Humphrey, and others—to the strong Southwestern flavor of stories by such authors as Larry McMurtry and A. C. Greene to, finally, urban or Sunbelt Texas, mirrored in the edgy, sometimes experimental prose of Doug Crowell, William Harrison, and Peter LaSalle.
Here are stories by such celebrated authors as Paul Horgan and William A. Owens, as well as startling, in some cases previously unpublished work by writers like Harryette Mullen, Naomi Shihab Nye, Pat Ellis Taylor, and Thomas Zigal. A few stories may already be favorites—Larry McMurtry's "There Will Be Peace in Korea," Amado Muro's "Cecilia Rosas." Many others have become classics, such as Vassar Miller's poignantly autobiographical "Pact," Hughes Rudd's hilarious record of grade school fieldtrips, R. E. Smith's gripping story of a Houstonian's life-changing encounter with nature, and Dave Hickey's astonishing account of an old cowboy's imprisonment . . . in a bathtub.
Bill Brett, James Crumley, Linda West Eckhardt, Robert Flynn, Mary Gray Hughes, Carolyn Osborn—all are represented here by stories guaranteed to banish stereotypes and boredom and to enlarge one's vision of the Lone Star State. Anyone who thinks that oil wells and big hair define Texas will find out differently in the dazzling short fiction presented in South by Southwest.
An interdisciplinary study of Katherine Anne Porter’s troubled relationship to her Texas origins and southern roots, South by Southwest offers a fresh look at this ever-relevant author.
Today, more than thirty years after her death, Katherine Anne Porter remains a fascinating figure. Critics and biographers have portrayed her as a strikingly glamorous woman whose photographs appeared in society magazines. They have emphasized, of course, her writing— particularly the novel Ship of Fools, which was made into an award-winning film, and her collection Pale Horse, Pale Rider, which cemented her role as a significant and original literary modernist. They have highlighted her dramatic, sad, and fragmented personal life. Few, however, have addressed her uneasy relationship to her childhood in rural Texas.
Janis P. Stout argues that throughout Porter’s life she remained preoccupied with the twin conundrums of how she felt about being a woman and how she felt about her Texas origins. Her construction of herself as a beautiful but unhappy southerner sprung from a plantation aristocracy of reduced fortunes meant she construed Texas as the Old South. The Texas Porter knew and re-created in her fiction had been settled by southerners like her grandparents, who brought slaves with them. As she wrote of this Texas, she also enhanced and mythologized it, exaggerating its beauty, fertility, and gracious ways as much as the disaffection that drove her to leave. Her feelings toward Texas ran to both extremes, and she was never able to reconcile them.
Stout examines the author and her works within the historical and cultural context from which she emerged. In particular, Stout emphasizes four main themes in the history of Texas that she believes are of the greatest importance in understanding Porter: its geography and border location (expressed in Porter’s lifelong fascination with marginality, indeterminacy, and escape); its violence (the brutality of her first marriage as well as the lawlessness that pervaded her hometown); its racism (lynchings were prevalent throughout her upbringing); and its marginalization of women (Stout draws a connection between Porter’s references to the burning sun and oppressive heat of Texas and her life with her first husband).
In South Carolina Provincials: Loyalists in British Service During the American Revolution, historian Jim Piecuch provide the first comprehensive history of those South Carolinians who took up arms to assist the British during their attempt to quell the rebellion in the South. Based on primary source research including records rarely consulted, the result provides a much clearer picture of the American Revolution at the local level in Georgia, Florida, and the Carolinas.
South End Shout: Boston’s Forgotten Music Scene in the Jazz Age details the power of music in the city’s African American community, spotlighting the era of ragtime culture in the early 1900s to the rise of big band orchestras in the 1930s. This story is deeply embedded in the larger social condition of Black Bostonians and the account is brought to life by the addition of 20 illustrations of musicians, theaters, dance halls, phonographs, and radios used to enjoy the music.
South End Shout is part of an emerging field of studies that examines jazz culture outside of the major centers of music production. In extensive detail, author Roger R. House covers the activities of jazz musicians, jazz bands, the places they played, the relationships between Black and white musicians, the segregated local branches of the American Federation of Musicians (AFL-CIO), and the economics of Boston’s music industry. Readers will be captivated by the inclusion of vintage local newspaper reports, classified advertisements, and details of hard-to-access oral history accounts by musicians and residents. These precious documentary materials help to understand how jazz culture evolved as a Boston art form and contributed to the national art form between the world wars.
With this book, House makes an important contribution to American studies and jazz history. Scholars and general readers alike who are interested in jazz and jazz culture, the history of Boston and its Black culture, and 20th century American and urban studies will be enlightened and delighted by this book.
The South Korean Film Industry is the first detailed scholarly overview of the South Korean film industry. The thirteen chapters discuss topics from short films to popular television series that have engaged global audiences. Contributors explore the major changes in South Korean film making, marketing, and in the international growth and popularity of South Korean films. By bringing together a wide range of academic specialists on the South Korean film industry, The South Korean Film Industry situates the current scholarship on South Korean cinema within the ongoing theoretical debates in contemporary global film studies. This volume offers invigorating discussions of the South Korean film industry, as well as its economic, political, and artistic impact on global, local, and regional film industries and cultures.
Drawing on her experience during the crisis as an employee in a public works program in Seoul, Song provides an ethnographic assessment of the efforts of the state and civilians to regulate social insecurity, instability, and inequality through assistance programs. She focuses specifically on efforts to help two populations deemed worthy of state subsidies: the “IMF homeless,” people temporarily homeless but considered employable, and the “new intellectuals,” young adults who had become professionally redundant during the crisis but had the high-tech skills necessary to lead a transformed post-crisis South Korea.
Hoping there are enough miles between the Twin Cities and dusty Milltown, Milo sets about trying to make the most of life without running water and electricity while trying to better understand his own place in the world and what it all means. His tough-guy act softens as he blends into the community and befriends an endearing group of small-town folks. And that’s lucky for him, because to stay safe, he’s going to need all the help he can get.
In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
Leane details the important challenges that the South Pole poses to humanity, asking what it can teach us about ourselves and our relationship with our planet. She examines its allure for explorers such as Robert F. Scott and Roald Amundsen, not to mention the myriad writers and artists who have attempted to capture its strange, inhospitable blankness. She considers the Pole’s advantages for climatologists and other scientists as well as the absurdities and banalities of human interaction with this place. Ranging from the present all the way back to the ancient Greeks, she offers a fascinating—and lavishly illustrated—story about one of the strangest and most important places on Earth.
Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created.
A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
As Mary Ann Cain's South Side Venus: The Legacy of Margaret Burroughs reveals, the primary motivations for these efforts were love and hope. Burroughs was spurred by her love for Chicago's African American community—largely ill served by mainstream arts organizations—and by her hope that these new, black-run cultural centers would welcome many generations of aspiring artists and art lovers.
This first, long–awaited biography of Burroughs draws on interviews with peers, colleagues, friends, and family, and extensive archival research at the DuSable Museum, the Art Institute of Chicago, and the Chicago Public Library. Cain traces Burroughs's multifaceted career, details her work and residency on Chicago's South Side, and highlights her relationships with other artists and culture makers. Here, we see Burroughs as teacher and mentor as well as institution builder.
Anchored by the author's talks with Burroughs as they stroll through her beloved Bronzeville, and featuring portraits of Burroughs with family and friends, South Side Venus will enlighten anyone interested in Chicago, African American history, social justice, and the arts.
The South Slavs of Michigan—Slovenes, Croats, Serbs, Macedonians, and Bosnian Muslims—are a microcosm of the immigration waves of southern and eastern Europeans who came to the United States between 1880 and 1924. History has almost forgotten these immigrants, who were instrumental in developing the large urban centers of Michigan and the United States, and who specifically contributed to development of the auto industry and struck in 1913–1914 for better working conditions in the copper mines of the Upper Peninsula. While labor problems were the primary obstacles confronting Michigan’s South Slavs, the painful process of acculturation has since dimmed their very real accomplishments. As Daniel Cetinich shows, South Slavs helped shape both a regional and national civilization in North America with their hands, backs, feet, and the labor organizations they helped create.
Africa’s newest nation has a long history. Often considered remote and isolated from the rest of Africa, and usually associated with the violence of slavery and civil war, South Sudan has been an arena for a complex mixing of peoples, languages, and beliefs. The nation’s diversity is both its strength and a challenge as its people attempt to overcome the legacy of decades of war to build a new economic, political, and national future.
Most recent studies of South Sudan’s history have a foreshortened sense of the past, focusing on current political issues, the recently ended civil war, or the ongoing conflicts within the country and along its border with Sudan. This brief but substantial overview of South Sudan’s longue durée, by one of the world’s foremost experts on the region, answers the need for a current, accessible book on this important country.
Drawing on recent advances in the archaeology of the Nile Valley, new fieldwork as well as classic ethnography, and local and foreign archives, Johnson recovers South Sudan’s place in African history and challenges the stereotypes imposed on its peoples.
Dr. Nguyen Anh Tuan, former Minister of Finance of the Republic of South Vietnam, addresses a common perception of Vietnam: that South Vietnam was a fragmented society which did not deserve to succeed because of its internal weaknesses. According to Tuan, however, South Vietnam in the last decade of its life developed considerable governmental cohesion and internal social strength. Before the final failure of will, the South and its defenders were well on the way to becoming a viable society that had managed with American assistance to lift itself by its bootstraps to the point to economic take-off. Tuan argues that South Vietnam’s fall was not inevitable. This controversial book will be of great interest to all those concerned with the Vietnamese experience during the period 1954-1975.
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