Health, safety, and environmental regulations have been traditionally perceived as distinct entities from trade policy, yet today they have become intertwined on a global scale. In this pioneering work, David Vogel integrates environmental, consumer, and trade policy, and explicitly challenges the conventional wisdom that trade liberalization and agreements to promote free trade invariably undermine national health, safety, and environmental standards. Vogel demonstrates that liberal trade policies often produce precisely the opposite effect: that of strengthening regulatory standards.
The most comprehensive account of trade and regulation on a global scale, this book analyzes the regulatory dimensions of all major international and regional trade agreements and treaties, including GATT, NAFTA, the Free Trade Agreement between Canada and the United States, and the treaties that created the European Community and Union. He explores in depth some of the most important trade and regulatory conflicts, including the GATT tuna-dolphin dispute, the EC's beef hormone ban, the Danish bottle case, and the debate in the United States over the regulatory implications of both NAFTA and GATT.
This timely book unravels the increasingly important and contentious relationship between trade and environmental, health, and safety standards, paying particular attention to the politics that underlie trade and regulatory linkages. Trading Up is essential reading for the business community, policymakers, environmentalists, consumer interest groups, political scientists, lawyers, and economists.
Our emerging world system is bringing the great traditions and cultures it has spawned into ever more intimate and dangerous contact. Langan argues that we must struggle toward a unity of discourse respectful of genuine experiences of varying civilizations if we are to live peacefully on one planet.
Rediscovered at the end of the nineteenth century in Coptic and Ethiopic versions, the Epistle of the Apostles (Epistula Apostolorum) is a "revelation dialogue," in which the risen Jesus converses with his disciples before his ascension and delivers instructions for strengthening the young church. In the first major study in English of this ancient document, Julian V. Hills probes its remarkable witness to the traditions that circulated in Jesus' name in the second century.
Hills tackles the document's literary framework, collecting and assessing signals to its composition. In detailed analyses of passages about Jesus' miracles, the first appearance of the risen Lord, the second advent, and the commissioning of the Apostles, Hills shows how older traditions were reshaped and interpreted according to the distinctive communal situation and theological vision of the author.
In Hills's careful and insightful work, scholars and students of early Christianity will find clues to the elusive reality of Christianity in the second century. This ancient Epistle can now become a prominent conversation partner among many newly accessible early post-resurrection traditions.
This expanded edition of the out-of-print original, published in 1990, includes a new preface and bibliography.
Explore the opportunities and challenges of Septuagint studies
Recent research into the Septuagint has revealed numerous examples of modifications of the meaning of the Hebrew text in the course of its translation into Greek. This collection of essays by one of the leading scholars on the Septuagint shows how complex the translation of individual books was, provides reasons for differences between the Hebrew and Greek Bibles, and paves the way for a theology of the Septuagint. Articles introduce the field of Septuagint studies, the problem of the Letter of Aristeas, and the Hellenistic environment and the hermeneutics of Hellenistic Judaism.
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Tradition and Modernity focuses on how Christians and Muslims connect their traditions to modernity, looking especially at understandings of history, changing patterns of authority, and approaches to freedom. The volume includes a selection of relevant texts from 19th- and 20th-century thinkers, from John Henry Newman to Tariq Ramadan, accompanied by illuminating commentaries.
Relations between the Chosŏn and Qing states are often cited as the prime example of the operation of the “traditional” Chinese ”tribute system.” In contrast, this work contends that the motivations, tactics, and successes (and failures) of the late Qing Empire in Chosŏn Korea mirrored those of other nineteenth-century imperialists. Between 1850 and 1910, the Qing attempted to defend its informal empire in Korea by intervening directly, not only to preserve its geopolitical position but also to promote its commercial interests. And it utilized the technology of empire—treaties, international law, the telegraph, steamships, and gunboats.
Although the transformation of Qing–Chosŏn diplomacy was based on modern imperialism, this work argues that it is more accurate to describe the dramatic shift in relations in terms of flexible adaptation by one of the world’s major empires in response to new challenges. Moreover, the new modes of Qing imperialism were a hybrid of East Asian and Western mechanisms and institutions. Through these means, the Qing Empire played a fundamental role in Korea’s integration into regional and global political and economic systems.
This book identifies a major problem facing developing nations and the countries and sources that fund them: the lack of attention and/or effective strategies available to prevent farmers in underdeveloped and poorly endowed regions from sinking still deeper into poverty while avoiding further degradation of marginal environments. The contributors propose an alliance of scientific knowledge with native skill as the best way to proceed, arguing that folk systems can often provide effective management solutions that are not only locally effective, but which may have the potential for spatial diffusion. While this has been said before, the volume makes one of the best articulated statements of how to implement such an approach.
As a major hunting tool and weapon, the bow changed human history around the world, and its diverse forms reflect the cultures that adopted it. Those variations can be seen in the Charles E. Grayson Archery Collection housed at the University of Missouri–Columbia Museum of Anthropology, one of the largest and most comprehensive assemblages of archery-related materials in the world. This handsome book offers a unique look at archery as it has been practiced through the ages.
Drawing on a collection of more than five thousand bows, arrows, and associated paraphernalia, Traditional Archery from Six Continents presents color photographs and descriptions of some three hundred items—including quivers, thumb rings, and more—that represent traditional archery practices and customs from around the world. From the Chinese “monkey bow” to the English longbow, the artifacts are organized by region, taking in equipment from Asia, the Middle East, Africa, the Americas, and Europe used over the past five hundred years.
The book’s introduction provides an overview of traditional archery and its nomenclature, and chapter essays situate the items in their historical, cultural, and technological contexts. Plate descriptions note materials, construction methods, dimensions, and temporal and cultural affiliations. The sharp, detailed photographs will enable users to identify the geographic or cultural origins of other pieces by visual comparison. Additional illustrations show how archery equipment has been used in various settings such as hunting, warfare, and sport.
These superb representations from a masterful collection constitute a complete introduction to worldwide archery and mark the first wide-ranging survey of European and non-European archery equipment. Traditional Archery from Six Continents will be the standard reference work in the study of archery, indispensable for students of material culture or general readers interested in the history of this timeless art.
The world of traditional Chinese drama can be at once fascinating and bewildering to the uninitiated Western observer. Attuned to his own dramatic conventions, he is hard put to apprehend the delicate fusion of poetry, music, and subtle gesture which is the essence of Chinese theatre. Because of these difficulties, the task of translating traditional Chinese drama must go far beyond the conventional literary treatment and evoke the entire world of stagecraft and directing.
Longing for Worldly Pleasures (Ssu Fan) is a lyric monologue in which a young Buddhist laments the waning of her youth in the seclusion of the convent. The brief piece involves a complexity of mood which makes it an actor’s tour de force, undertaken only by the most highly skilled performers.
Fifteen Strings of Cash (Shih Wu Kuan), a much longer play, is a comic murder mystery satirizing bureaucratic ineptitude in the administration of justice. The comic lead role of Lou the Rat is a virtuoso part which illustrates the intricate mimetic art of the traditional comic actor and was the play’s main appeal to Chinese audiences.
Based on the author’s fieldwork among the people of Zezuru, this study focuses on children as clients and as healers in training. In Reynolds’s ethnographic investigation of possession and healing, she pays particular attention to the way healers are identified and authenticated in communities, and how they are socialized in the use of medicinal plants, dreams, and ritual healing practices. Reynolds examines spiritual interpretation and remediation of children’s problems, including women’s roles in these activities, and the Zezuru concepts of trauma, evil, illness, and death. Because this study was undertaken just after the War of Liberation in Zimbabwe, it also documents the devastating effects of the war.
"Navajo teachings provide a classic study of a land-based religion that involves every aspect of the physical world in a spiritual universe. Nothing is too big or small—everything holds a power, provides a teaching, and responds through an inner form. Beyond the material life of daily existence, there lies a world of interconnected relations made apparent in Volume II, The Natural World. This book graphically describes elements of life rooted in the Navajo philosophy of hózhǫ́. A unified harmony results. I highly recommend this book as a study in understanding the power of relationships that populate the Diné worldview."
—Clayton Long, a participant/creator of the Navajo Rosetta Stone; Bilingual Education Director (retired), San Juan School District, Utah; and curriculum developer for the Navajo Nation.
"For days after reading The Natural World, I found myself looking at my surroundings in a different way. The vibrant spirit of the earth and every plant or animal I encountered seemed to glow through a translucent shell. I have always been a nature-lover and gotten a sense of peace from being outdoors, but since reading these beautiful Navajo teachings I am filled with a profound sense of joy and gratitude every time I walk outside."
—Cindy Yurth, The Navajo Times
The Traditional Theory of Literature was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Through a study of works of the contemporary Indian scholar Ananda K. Coomaraswamy, as well as of other exponents of the ancient doctrine of the Perennial Philosophy, Professor Livingston develops and explicates a traditional theory of literature.
Coomaraswamy, who died in 1947, published widely on a broad range of subjects in art, philosophy, literature, and other fields. Although he is relatively little known, those acquainted with is work acclaim him as one of the great thinkers of our time. His study and writing were devoted primarily to bridging the gap between Oriental and Western cultures.
From the treasury of traditional learning which Coomaraswamy amassed in his profusion of books and articles, Professor Livingston has drawn those elements which contribute to an essential theory of literature. Although he quotes from some of Coomaraswamy's Oriental sources, he delineates the theory in an idiom that is more familiar to the West, as stated or implied in the works of Dante, Milton, and Blake, among others.
Pieper collects his contributions to radio programs and to a number of journals and periodicals. The book also includes a selection of notes and comments. The contributions fall into two main groups: the period which encompasses the immediate pre-war period as well as the war period itself, and the post-war period up to 1953.The reader becomes witness, first, to Pieper’s problems with the National Socialist regime and, second, to his problems with the ensuing challenges to religious life as it is exposed to increasing secularization.
As with his later works, Pieper draws on traditional wisdom which, for him, dates back to Plato and Aristotle, and in these contributions we also see his early preoccupation with the wisdom of St. Thomas Aquinas. The normal boundaries between philosophy and theology are here not clearly drawn. Pieper is preoccupied with the mystery of our world and its importance as a source of symbols signifying deeper levels of reality. He sees the sacraments as achieving their fundamental effect from divine intervention, but he also highlights the need for careful observance of the rituals, so that their meaning is not obscured. Proper execution of the sacrament should enable the faithful to enjoy the existential fruits of their participation in the ritual.
This work manifests the organic cohesion of Pieper’s thinking, and it reflects his profound awareness of the role to be played not so much by the professional (academic) philosopher as by the existential Philosophizer.
Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions—national, regional, and global—all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those of emerging significance, such as Danish Dogma, postcommunist cinema, Brazilian post–Cinema Novo, new Argentine cinema, pre-independence African film traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, and global found-footage cinema.
The essays, all written by recognized experts in the field, are jargon free and accessible to both general readers and students. In addition, each chapter is followed by a list of suggested films and readings, offering readers pathways to further viewing and study.
Bringing fresh insights to those movements that have provided significant and noteworthy alternatives to Hollywood, this book is an essential introduction to the rich diversity of world cinema.
James Kugel's The Bible As It Was (1997) has been welcomed with universal praise. Here now is the full scholarly edition of this wonderfully rich and illuminating work, expanding the author's findings into an incomparable reference work.
Focusing on two dozen core stories in the Pentateuch--from the Creation and Tree of Knowledge through the Exodus from Egypt and journey to the Promised Land--James Kugel shows us how the earliest interpreters of the scriptures radically transformed the Bible and made it into the book that has come down to us today. Kugel explains how and why the writers of this formative age of interpretation--roughly 200 B.C.E. to 150 C.E.--assumed such a significant role. Mining their writings--including the Dead Sea Scrolls, works of Philo and Josephus and letters of the Apostle Paul, and writings of the Apostolic Fathers and the rabbinic Sages--he quotes for us the seminal passages that uncover this crucial interpretive process.
For this full-scale reference work Kugel has added a substantial treasury of sources and passages for each of the 24 Bible stories. It will serve as a unique guide and sourcebook for biblical interpretation.
Although laws governing moving-traffic violations are fairly uniform throughout the United States, the effective levels of enforcement of these laws vary dramatically from city to city. Basing this study on statistics from nearly seven hundred police departments, census data, personal interviews, on-the-spot observation, and detailed case studies of four Massachusetts cities--Lynn, Waltham, Malden, and Cambridge--Mr. Gardiner identifies and discusses the factors that determine police decisionmaking in relation to traffic violations.
After a brief description of the role of various state and local agencies in settling traffic-enforcement policy, the author analyzes in depth the traffic activities of the four Massachusetts cities. He examines in particular the extent of public pressure in seeking modification of enforcement standards, intradepartmental practices, or "norms," and the role of traffic enforcement in the total spectrum of police activities.
Following the case studies, the author discusses the variations among the traffic policies of municipal police departments, and questions the "public pressure" interpretation of police policies. Mr. Gardiner finds that, although citizens and city officials frequently seek to influence individual decisions, they seldom know how strict or lenient their department's general policies are, and seldom care. In addition, the author finds no significant connection between the severity of ticketing policies and such factors as income, race, or education, but does find some correlation with the geographical stability of a city's population.
Finally, the author concludes that the chief source of departmental traffic policy is an internally established set of norms concerning the importance of traffic work and the frequency with which officers should write tickets. Evidence from cities that change their traffic policies indicates that individual preferences on the part of chiefs or ranking officers are the primary source of these norms.
This book is an important contribution to the growing area in social sciences that deals with law enforcement and, more broadly, local political systems.
Recently, there has been a renewed concern with highway safety, reflected in wide media coverage and new laws aimed at reducing highway deaths and injuries. Legge examines three initiatives that have been studied only in isolation: stricter drinking-age laws, mandated use of seat belts, and deterrents to drunk driving. His research covers three large industrial states-New York, California, and Michigan, as well as Great Britain, each of which uses a different mix of these initiatives. Using a combination of theory and research methodology, Legge tests a number of models on how traffic fatalities might be reduced and offers valuable suggestions for policy makers, researchers, and activists.
Women and children have been bartered, pawned, bought, and sold within and beyond Africa for longer than records have existed. This important collection examines the ways trafficking in women and children has changed from the aftermath of the “end of slavery” in Africa from the late nineteenth century to the present.
The formal abolition of the slave trade and slavery did not end the demand for servile women and children. Contemporary forms of human trafficking are deeply interwoven with their historical precursors, and scholars and activists need to be informed about the long history of trafficking in order to better assess and confront its contemporary forms. This book brings together the perspectives of leading scholars, activists, and other experts, creating a conversation that is essential for understanding the complexity of human trafficking in Africa.
Human trafficking is rapidly emerging as a core human rights issue for the twenty-first century. Trafficking in Slavery’s Wake is excellent reading for the researching, combating, and prosecuting of trafficking in women and children.
Contributors: Margaret Akullo, Jean Allain, Kevin Bales, Liza Stuart Buchbinder, Bernard K. Freamon, Susan Kreston, Benjamin N. Lawrance, Elisabeth McMahon, Carina Ray, Richard L. Roberts, Marie Rodet, Jody Sarich, and Jelmer Vos.
Human trafficking has generated intense global concern, with stories of sex slavery and images of women forced into prostitution so persuasive that states have raced to respond ahead of empirical data and clear definitions of the crime. In Trafficking Rhetoric, Annie Hill analyzes the entanglement of state veneration and state violence by tracking how the United Kingdom points to the alleged crimes of others in order to celebrate itself and conceal its own aggression. Hill compares the UK’s acclaimed rescue approach to human trafficking with its hostile approach to migration, arguing that they are two sides of the same coin—one that relies on rhetorical constructions of “trafficked women” and “illegal migrants” to materialize the UK as an Anglo-white space.
Drawing from official estimates, policy papers, NGO reports, news stories, and awareness campaigns and situating them in the broader EU context, Hill accounts for why the UK’s antitrafficking agenda emerged with such rhetorical force in the early twenty-first century. Trafficking Rhetoric reframes controversies over labor, citizenship, and migration while challenging the continued traction of race-baiting and gender bias in determining who has the right to live, work, and belong in the nation.
The history of human beings bought and sold, forced into lives of abject servitude or sexual slavery, is a story as old as civilization and yet still of global concern today. How this story is told, Julietta Hua argues, says much about our cultural beliefs. Through a critical inquiry into representations of human trafficking, she reveals the political, social, and cultural strains underlying our current preoccupation with this issue and the difficulty of framing human rights in universal terms.
In Trafficking Women’s Human Rights, Hua maps the ways in which government, media, and scholarship have described sex trafficking for U.S. consumption. As her investigation takes us from laws like the Victims of Trafficking and Violence Protection Act to political speeches and literary and media images, it uncovers dark assumptions about race, difference, and the United States’ place in the world expressed—and often promoted—by such images. The framing itself, exploiting dichotomies of victim/agent, rescued/rescuer, trafficked/smuggled, illustrates the limits of universalism in addressing human rights.
Uniquely broad in scope, this work considers the laws of human trafficking in conjunction with popular culture. In doing so, it constructively draws attention to the ways in which notions of racialized sexualities form our ideas about national belonging, global citizenship, and, ultimately, human rights.
Spectacular verse drama.
Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.
Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.
John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.
Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor's megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. Here is the first of a new two-volume edition of Seneca's tragedies, with a fully annotated translation facing the Latin text.
Seneca's plays depict intense passions and interactions in an appropriately strong rhetoric. Their perspective is much bleaker than that of his prose writings. In this new translation John Fitch conveys the force of Seneca's dramatic language and the lyric quality of his choral odes.
Spectacular verse drama.
Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.
Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.
John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.
Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor's megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. This volume completes the Loeb Classical Library's new two-volume edition of Seneca's tragedies. John Fitch's annotated translation, which faces Latin text, conveys the force of Seneca's dramatic language and the lyric quality of his choral odes.
Seneca's plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected here, in an obsessive concern with power and dominion over others. The "Octavia" is our sole surviving example of a Roman historical play; set at Nero's court, it was probably written by an admirer of Seneca as statesman and dramatist.
This major new interpretation makes use of a structuralist analysis of Greek culture to probe the meaning of Sophoclean tragedy. After developing a theoretical framework which encompasses much of early Greek literature and tragedy, Mr. Segal provides a close reading of the seven extant plays, with special attention to style, form, and character. The book yields new understanding of Sophocles' poetic and dramatic art and also achieves a coherent statement of Sophocles' view of the human condition and implicit definition of civilization. Mr. Segal shows in the plays the relation of man to his potential savagery, the suspension of the hero between the extremes of animal violence and quasi-divine greatness, the relation of tragic heroism to social norms, ritual, and communication.
This thorough rereading of Sophocles will well serve students of Greek thought and poetry as well as those interested in seeing literature against a background of myth and ritual.
In The Tragedy and Comedy of Life, Seth Benardete focuses on the idea of the good in what is widely regarded as one of Plato's most challenging and complex dialogues, the Philebus. Traditionally the Philebus is interpreted as affirming the doctrine that the good resides in thought and mind rather than in pleasure or the body. Benardete challenges this view, arguing that Socrates vindicates the life of the mind over the life of pleasure not by separating the two and advocating a strict asceticism, but by mixing pleasure and pain with mind in such a way that the philosophic life emerges as the only possible human life.
Benardete combines a probing and challenging commentary that subtly mirrors and illuminates the complexities of this dialogue with the finest English translation of the Philebus yet available. The result is a work that will be of great value to classicists, philosophers, and political theorists alike.
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements.
Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.”
Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
To prove his sons’ treachery, Herod embellished a letter. To certify his history of Vespasian’s Judaean campaign, Josephus marshaled epistolary testimony. To alleviate a domestic problem, the Israelite king David sent a missive with a man it marks for death. Arguing for the importance of the first-century historian Josephus to the study of classical and Hellenistic literature, Tragedy, Authority, and Trickery investigates letters in Josephus’s texts.
Ryan S. Olson breaks new ground by analyzing classical, Hellenistic, and Jewish texts’ use of letters, comparing those texts to Josephus’s narratives, a virtual archive containing hundreds of letters. An external voice similar to speeches, embedded letters raise questions of authority, drive and color dramatic scenes, and function at textual and meta-textual levels to deceive their readers. Josephus, contextualized in a complex intellectual and cultural milieu, sustains and develops epistolarity in important ways that will be of interest to classicists, historians, theologians, and comparatists.
The Tragedy of a Generation is the story of the rise and fall of an ideal: an autonomous Jewish nation in Europe. It traces the origins of two influential but overlooked strains of Jewish thought—Yiddishism and Diaspora Nationalism—and documents the waning hopes and painful reassessments of their leading representatives against the rising tide of Nazism and, later, the Holocaust.
Joshua M. Karlip presents three figures—Elias Tcherikower, Yisroel Efroikin, and Zelig Kalmanovitch—seen through the lens of Imperial Russia on the brink of revolution. Leaders in the struggle for recognition of the Jewish people as a national entity, these men would prove instrumental in formulating the politics of Diaspora Nationalism, a middle path that rejected both the Zionist emphasis on Palestine and the Marxist faith in class struggle. Closely allied with this ideology was Yiddishism, a movement whose adherents envisioned the Yiddish language and culture, not religious tradition, as the unifying force of Jewish identity.
We follow Tcherikower, Efroikin, and Kalmanovitch as they navigate the tumultuous early decades of the twentieth century in pursuit of a Jewish national renaissance in Eastern Europe. Correcting the misconception of Yiddishism as a radically secular movement, Karlip uncovers surprising confluences between Judaism and the avowedly nonreligious forms of Jewish nationalism. An essential contribution to Jewish historiography, The Tragedy of a Generation is a probing and poignant chronicle of lives shaped by ideological conviction and tested to the limits by historical crisis.
A sweeping political history of the turbulent two centuries that led to the demise of the Roman Empire.
The Tragedy of Empire begins in the late fourth century with the reign of Julian, the last non-Christian Roman emperor, and takes readers to the final years of the Western Roman Empire at the end of the sixth century. One hundred years before Julian’s rule, Emperor Diocletian had resolved that an empire stretching from the Atlantic to the Euphrates, and from the Rhine and Tyne to the Sahara, could not effectively be governed by one man. He had devised a system of governance, called the tetrarchy by modern scholars, to respond to the vastness of the empire, its new rivals, and the changing face of its citizenry. Powerful enemies like the barbarian coalitions of the Franks and the Alamanni threatened the imperial frontiers. The new Sasanian dynasty had come into power in Persia. This was the political climate of the Roman world that Julian inherited.
Kulikowski traces two hundred years of Roman history during which the Western Empire ceased to exist while the Eastern Empire remained politically strong and culturally vibrant. The changing structure of imperial rule, the rise of new elites, foreign invasions, the erosion of Roman and Greek religions, and the establishment of Christianity as the state religion mark these last two centuries of the Empire.
“As Kulikowski presents it, the end of the Roman Empire in the West was mean and dirty—and thoroughly Roman…In a brilliant tour d’horizon of the West from Ireland to the Black Sea, he measures the effect of the fall of Rome on the world beyond Rome.”
—Peter Brown, New York Review of Books
“A tour de force history of the inner workings of the late Roman Empire.”
—Kyle Harper, author of The Fate of Rome
“Kulikowski writes boldly and fluently about imperial politics, incorporating the latest scholarship yet avoiding getting bogged down in academic controversies. Highly recommended.”
—Hugh Elton, author of The Roman Empire in Late Antiquity
“Weaving together…complex family affairs, rebels, battles, coups, and intrigue into engaging prose, Kulikowski’s book is an enjoyable read for anyone who is interested in late Roman history.”
—Minerva Magazine
One hundred years before the reign of Julian, the last non-Christian emperor of Rome, Diocletian had come to the conclusion that an empire stretching from the Rhine to the Euphrates could not effectively be governed by one man. He had devised a new system of governance to respond to the vastness of the Roman Empire, its new rivals, and the changing face of its citizenry.
Michael Kulikowski traces two hundred years of Roman history—from the late fourth century to the end of the sixth—during which the Western Empire ceased to exist while the Eastern Empire remained politically strong and culturally vibrant. He captures the changing structure of imperial rule, the rise of new elites, foreign invasions, the erosion of Roman and Greek religions, and the establishment of Christianity as the state religion.
When it comes to questions of religion, legal scholars face a predicament. They often expect to resolve dilemmas according to general principles of equality, neutrality, or the separation of church and state. But such abstractions fail to do justice to the untidy welter of values at stake. Offering new views of how to understand and protect religious freedom in a democracy, The Tragedy of Religious Freedom challenges the idea that matters of law and religion should be referred to far-flung theories about the First Amendment. Examining a broad array of contemporary and more established Supreme Court rulings, Marc DeGirolami explains why conflicts implicating religious liberty are so emotionally fraught and deeply contested.
Twenty-first-century realities of pluralism have outrun how scholars think about religious freedom, DeGirolami asserts. Scholars have not been candid enough about the tragic nature of the conflicts over religious liberty—the clash of opposing interests and aspirations they entail, and the limits of human reason to resolve intractable differences. The Tragedy of Religious Freedom seeks to turn our attention from abstracted, absolute values to concrete, historical realities. Social history, characterized by the struggles of lawyers engaged in the details of irreducible conflicts, represents the most promising avenue to negotiate legal conflicts over religion. In this volume, DeGirolami offers an approach to understanding religious liberty that is neither rigidly systematic nor ad hoc, but a middle path grounded in a pluralistic and historically informed perspective.
Humane ideals were central to the image Athenians had of themselves and their city during the classical period. Tragic plays, which formed a part of civic education, often promoted pity and compassion. But it is less clear to what extent Athenians embraced such ideals in daily life. How were they expected to respond, emotionally and pragmatically, to the suffering of other people? Under what circumstances? At what risk to themselves?
In this book, Rachel Hall Sternberg draws on evidence from Greek oratory and historiography of the fifth and fourth centuries BCE to study the moral universe of the ancient Athenians: how citizens may have treated one another in times of adversity, when and how they were expected to help. She develops case studies in five spheres of everyday life: home nursing, the ransom of captives, intervention in street crimes, the long-distance transport of sick and wounded soldiers, and slave torture. Her close reading of selected narratives suggests that Athenians embraced high standards for helping behavior—at least toward relatives, friends, and some fellow citizens. Meanwhile, a subtle discourse of moral obligation strengthened the bonds that held Athenian society together, encouraging individuals to bring their personal behavior into line with the ideals of the city-state.
Following the most solemn moments in recent American history, comedians have tested the limits of how soon is “too soon” to joke about tragedy. Comics confront the horrifying events and shocking moments that capture national attention and probe the acceptable, or “sayable,” boundaries of expression that shape our cultural memory. In Tragedy Plus Time, Philip Scepanski examines the role of humor, particularly televised comedy, in constructing and policing group identity and memory in the wake of large-scale events.
Tragedy Plus Time is the first comprehensive work to investigate tragedy-driven comedy in the aftermaths of such traumas as the JFK assassination and 9/11, as well as during the administration of Donald Trump. Focusing on the mass publicization of television comedy, Scepanski considers issues of censorship and memory construction in the ways comedians negotiate emotions, politics, war, race, and Islamophobia. Amid the media frenzy and conflicting expressions of grief following a public tragedy, comedians provoke or risk controversy to grapple publicly with national traumas that all Americans are trying to understand for themselves.
The first book to argue for the concept of tragic dilemmas in Christian ethics
Moral dilemmas arise when individuals are unable to fulfill all of their ethical obligations. Tragic dilemmas are moral dilemmas that involve great tragedy. The existence of moral and tragic dilemmas is debated in philosophy and often dismissed in theology based on the notion that there are effective strategies that completely solve hard ethical situations. Yet cases from real-life events in war and bioethics offer compelling evidence for the existence of tragic dilemmas.
In Tragic Dilemmas in Christian Ethics, Jackson-Meyer expertly explores the thought of Augustine and Aquinas to show the limits of their treatment of hard cases, as well as where their thought can be built on and expanded in relation to tragic dilemmas. She recognizes and develops a new theological understanding of tragic dilemmas rooted in moral philosophy, contemporary case studies, and psychological literature on moral injury. Jackson-Meyer argues that in tragic dilemmas moral agents choose between conflicting nonnegotiable moral obligations rooted in Christian commitments to protect human life and the vulnerable. Personal culpability is mitigated due to constrained situations and society is also culpable when tragic dilemmas are a result of structural sin. In response, Jackson-Meyer implores Christian communities to offer individual and communal healing after tragic dilemmas and to acknowledge their own participation in injustice.
Tragic Dilemmas in Christian Ethics offers practical strategies that Christian communities can use to provide healing to those who have acted in tragic dilemmas and to transform the unjust structures that often cause these tragedies.
Tragic Effects: Ethics and Tragedy in the Age of Translation confronts the peculiar fascination with Greek tragedy as it shapes the German intellectual tradition, with particular focus on the often controversial practice of translating the Greeks. Whereas the tradition of emulating classical ideals in German intellectual life has generally emerged from the impulse to identify with models, the challenge of translating the Greeks underscores the linguistic and historical discontinuities inherent in the recourse to ancient material and inscribes that experience of disruption as fundamental to modernity.
Friedrich Hölderlin’s translations are a case in point. Regarded in his own time as the work of a madman, his renditions of Sophoclean tragedy intensify dramatic effect with the unsettling experience of familiar language slipping its moorings. His attention to marking the distances between ancient source text and modern translation has granted his Oedipus and Antigone a distinct longevity as objects of discussion, adaptation, and even retranslation. Cited by Walter Benjamin, Martin Heidegger, Bertolt Brecht, and others, Hölderlin’s Sophocles project follows a path both marked by various contexts and tinged by persistent quandaries of untranslatability.
Tragedy has long functioned as a cornerstone for questions about ethical life. By placing emphasis on processes of translation and adaptation, however, Tragic Effects approaches the question of ethics from a perspective informed by recent discourse in translation studies. Reconstructing an ancient text in this context requires negotiating the difficult tension between comprehending the distant past and preserving its radical singularity.
The ancient Greek tragedies of Aeschylus, Sophocles, and Euripides have long been considered foundational works of Western literature, revered for their aesthetic perfection and timeless truths. Under the microscope of recent scholarship, however, the presumed universality of Greek tragedy has started to fade, as the particularities of Athenian culture have come into sharper focus. The world revealed is so far removed from modern sensibilities that, in the eyes of many, tragedy’s viability as a modern art form has been fatally undermined. Tragic Modernities steers a new course between the uncritical appreciation and the resolute historicism of the past two centuries, to explore the continuing relevance of tragedy in contemporary life.
Through the writings of such influential figures as Hegel, Marx, Nietzsche, and Freud, tragedy became a crucial reference point for philosophical and intellectual arguments. These thinkers turned to Greek tragedy in particular to support their claims about history, revolution, gender, and sexuality. From Freud’s Oedipus complex to Nietzsche’s Dionysiac, from Hegel’s dialectics to Marx’s alienation, tragedy provided the key terms and mental architecture of the nineteenth and twentieth centuries. By highlighting the philosophical significance of tragedy, Miriam Leonard makes a compelling case for the ways tragedy has shaped the experience of modernity and elucidates why modern conceptualizations of tragedy necessarily color our understanding of antiquity. Exceptional in its scope and argument, Tragic Modernities contests the idea of the death of tragedy and argues powerfully for the continued vitality of Greek tragic theater in the central debates of contemporary culture.
Since its inception, the United States has been intensely preoccupied with interracialism. The concept is embedded everywhere in our social and political fabric, including our sense of national identity. And yet, in both its quantitative and symbolic forms, interracialism remains an extremely elusive phenomenon, causing policy makers and census boards to wrangle over how to delineate it and, on an emblematic level, stirring intense emotions from fear to fascination.
In The “Tragic Mulatta” Revisited, Eve Allegra Raimon focuses on the mixed-race female slave in literature, arguing that this figure became a symbolic vehicle for explorations of race and nation—both of which were in crisis in the mid-nineteenth century. At this time, judicial, statutory, social, and scientific debates about the meaning of racial difference (and intermixture) coincided with disputes over frontier expansion, which were never merely about land acquisition but also literally about the “complexion” of that frontier. Embodying both northern and southern ideologies, the “amalgamated” mulatta, the author argues, can be viewed as quintessentially American, a precursor to contemporary motifs of “hybrid” and “mestizo” identities.
Where others have focused on the gendered and racially abject position of the “tragic mulatta,” Raimonreconsiders texts by such central antislavery writers as Lydia Maria Child, William Wells Brown, Harriet Beecher Stowe, and Harriet Wilson to suggest that the figure is more usefully examined as a way of understanding the volatile and shifting interface of race and national identity in the antebellum period.
Prior to the First World War, more people learned of evolutionary theory from the voluminous writings of Charles Darwin’s foremost champion in Germany, Ernst Haeckel (1834–1919), than from any other source, including the writings of Darwin himself. But, with detractors ranging from paleontologist Stephen Jay Gould to modern-day creationists and advocates of intelligent design, Haeckel is better known as a divisive figure than as a pioneering biologist. Robert J. Richards’s intellectual biography rehabilitates Haeckel, providing the most accurate measure of his science and art yet written, as well as a moving account of Haeckel’s eventful life.
This edition of The Trail Book includes an afterword by Austin scholar Melody Graulich that addresses Austin’s motives in writing the book and its significance as an early example of interdisciplinary multicultural literature. The illustrations by Milo Winter that enlivened the original edition are included, as are Austin’s appendix giving historical background and a glossary of Indian and Spanish names.
These are the chronicles of the trail drivers of Texas—those rugged men and, sometimes, women who drove cattle and horses up the trails from Texas to northern markets in the late 1800s. Gleaned from members of the Old Time Trail Drivers' Association, these hundreds of real-life stories—some humorous, some chilling, some rambling, all interesting—form an invaluable cornerstone to the literature, history, and folklore of Texas and the West. First published in the 1920s and reissued by the University of Texas Press in 1985, this classic work is now available in a handsome paperback edition that contains the full text, historical illustrations, and name index of the hardcover edition.
"A brilliant mixture of story, philosophy, humor and wisdom, this book reminds us that---if we are open to story, dreams, imagination, and myth---we can open doors within our soul."
—Jay O’Callahan, author, storyteller, and NPR commentator
A lifetime collection of stories, wise words, assembled musings and quotations about overcoming hurdles, elusive enlightenment, personal evolution, persistence in the face of discouragement, this pastiche is designed to encourage the downhearted, lift up the strivers, and add wings to the heels of spiritual seekers.
Trail of Footprints offers an intimate glimpse into the commission, circulation, and use of indigenous maps from colonial Mexico. A collection of sixty largely unpublished maps from the late sixteenth to the eighteenth centuries and made in the southern region of Oaxaca anchors an analysis of the way ethnically diverse societies produced knowledge in colonial settings. Mapmaking, proposes Hidalgo, formed part of an epistemological shift tied to the negotiation of land and natural resources between the region’s Spanish, Indian, and mixed-race communities. The craft of making maps drew from social memory, indigenous and European conceptions of space and ritual, and Spanish legal practices designed to adjust spatial boundaries in the New World. Indigenous mapmaking brought together a distinct coalition of social actors—Indian leaders, native towns, notaries, surveyors, judges, artisans, merchants, muleteers, collectors, and painters—who participated in the critical observation of the region’s geographic features. Demand for maps reconfigured technologies associated with the making of colorants, adhesives, and paper that drew from Indian botany and experimentation, trans-Atlantic commerce, and Iberian notarial culture. The maps in this study reflect a regional perspective associated with Oaxaca’s decentralized organization, its strategic position amidst a network of important trade routes that linked central Mexico to Central America, and the ruggedness and diversity of its physical landscape.
Written in a lively manner by one of Colorado's preeminent historians, this book honors the 2009 sesquicentennial of Colorado's gold rush. Smith's narrative will appeal to anybody with an interest in the state's fascinating mining history over the past 150 years.
As settlers moved beyond the eastern seaboard during the early nineteenth century, the government forced thousands of American Indians from their ancestral lands. The Cherokees, the largest and most important tribe in the Southeast, fought exile with a combination of passive resistance and national publicity for their plight. Because they had successfully resisted the government's efforts to move them from their homeland, their removal was particularly brutal when it finally came. The Trail of Tears across Missouri is a moving account of the 1837-1838 removal of the Cherokees from the southeastern United States to Indian Territory (now Oklahoma).
After providing an overview of the Cherokees' life in the Southeast and of the events leading up to their exile, Joan Gilbert traces the mass exodus state by state from Tennessee to Arkansas. Successive chapters highlight the experiences and the hardships endured by those forced to travel with inadequate supplies of food, clothing, and transportation. It is estimated that four thousand Cherokees, nearly a quarter of the tribe, died.
In bringing the grim realities of the forced march to life, Gilbert draws from such primary sources as letters, newspaper stories, and the writings of missionaries, guides, and doctors who accompanied them. She focuses on the Cherokees' experiences as they passed through Missouri, using the journals of Dr. W. I. I. Morrow and guide B. B. Cannon.
In addition to chronicling the removal of the Cherokees, Gilbert also brings the story up to date by describing how the nation lives today and how the Trail of Tears has been commemorated.
Eastern Massachusetts offers incredible trail-running opportunities, ranging from popular long-distance routes like the Bay Circuit Trail to lesser-known loops that run through the mountains and forests of the Quabbin watershed and Merrimack Valley region, and trails that pass alongside the shores of Cape Cod. All over the Bay State, there are trails suitable for runners of all levels waiting to be discovered and explored.
Avid trail runner Ben Kimball offers a selection of fifty-one of eastern Massachusetts’s most spectacular trail sites, including detailed trail descriptions, topographic maps, directions, parking information, safety tips, and much more. Both experienced and novice trail runners will find Trail Running Eastern Massachusetts to be an invaluable resource for exploring nature and getting a good workout, in the Boston area and beyond.
The wild and rural landscape of southern Vermont offers a true bounty of great trail-running opportunities, from out-and-back (or pointtopoint) runs on popular long-distance routes, such as segments of the Long Trail or Appalachian Trail, to quiet, little-known loops hidden away in the woods. This helpful guide is just the resource needed for trip planning or for a spontaneous run in a beautiful place.
Local expert trail runner Ben Kimball offers a range of suggested route options, sometimes even several at the same site, for runners of all skill levels. He also provides important practical information, such as the full distance of the suggested route; a difficulty rating; the trail style and type; the total ascent; and directions, along with a detailed description of the trail itself. There are also scannable codes for downloading trail maps to your smartphone. The trails included vary in difficulty and terrain type, and range from low elevations in the Connecticut River Valley to as high as 4,000 feet at Killington Peak in the Green Mountains. This indispensable book is the perfect companion for adventurous runners and hikers interested in exploring southern Vermont.
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