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Unmaking Waste
New Histories of Old Things
Sarah Newman
University of Chicago Press, 2023
Explores the concept of waste from fresh historical, cultural, and geographical perspectives.
 
Garbage is often assumed to be an inevitable part and problem of human existence. But when did people actually come to think of things as “trash”—as becoming worthless over time or through use, as having an end?
 
Unmaking Waste tackles these questions through a long-term, cross-cultural approach. Drawing on archaeological finds, historical documents, and ethnographic observations to examine Europe, the United States, and Central America from prehistory to the present, Sarah Newman traces how different ideas about waste took shape in different times and places. Newman examines what people consider to be “waste” and how they interact with it, as well as what happens when different perceptions of trash come into conflict. Conceptions of waste have shaped forms of reuse and renewal in ancient Mesoamerica, early modern ideas of civility and forced religious conversion in New Spain, and even the modern discipline of archaeology. Newman argues that centuries of assumptions imposed on other places, times, and peoples need to be rethought. This book is not only a broad reconsideration of waste; it is also a call for new forms of archaeology that do not take garbage for granted. Unmaking Waste reveals that waste is not—and never has been—an obvious or universal concept.
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Unmanageable Revolutionaries
Women and Irish Nationalism
Margaret Ward
Pluto Press, 1996

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Unmanaged Landscapes
Voices For Untamed Nature
Edited by Bill Willers
Island Press, 1999

The idea that humans can effectively "manage" nature -- that we can successfully manipulate and control our environment to meet our needs and satisfy our desires -- is almost universally accepted in today's society. While we may be aware that nearly all significant environmental problems are caused by human actions, we remain convinced that the key to solving these problems is "better management."

In Unmanaged Landscapes, editor Bill Willers brings together an insightful and thought-provoking selection of writings that challenge that assumption. Written between the mid-nineteenth century and the late 1990s, the pieces range from two paragraphs written in response to an exam question to tightly reasoned philosophical arguments. They offer the thoughts, stories, and analysis of scientists, journalists, philosophers, historians, educators, and others who have considered the effects and implications of "resource management," and have found themselves in favor of keeping some landscapes free from human interference.

The collection is divided into three sections: one that focuses on biology and ecology, one that examines the idea of wildness from the standpoint of human society and its economic concerns, and a third that considers philosophical and spiritual aspects of wildness. Featured are works from leading environmental thinkers including Rachel Carlson, George Wuerthner, Joanna Macy, Paul Shepard, David Orr, John Burroughs, David Ehrenfeld, Arne Naess, Bill McKibben, Donald Worster, Carolyn Merchant, Rick Bass, and many others.

As Willers explains in his introduction, "If wildness and wild creatures are to survive on Earth, so then must unmanaged landscapes, for they are the fountainheads of the wildness that Henry Thoreau taught is the preservation of the world. They are the blank spots on the map longed for by Aldo Leopold." Unmanaged Landscapes presents a compelling argument for protecting and restoring that wildness.

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Unmanly Grief
Poems
Jess Williard
University of Arkansas Press, 2019

Finalist, 2019 Miller Williams Poetry Prize

“Poems that lead us to striking insights and strange destinations.”
—Billy Collins

The men who recur as characters throughout Jess Williard’s Unmanly Grief perform their masculinity in a variety of ways: boxing, theater, brotherhood, labor, and familial and romantic love. Marked by a sharp nostalgia, Williard’s poems move from Wisconsin to New York City and back, tracing the geographic movement of the speaker and his family: a teenage sister who disappears and returns, changed irrevocably; an older brother dismantled in adulthood; an ever-sacrificing father. Woven through the musculature of this varied and exciting collection, music appears as readily in dexterous formal verse as in lean, scrappy storytelling. What results is a crooning celebration of struggle and tenderness in this world, “where to be small and furious is enough.”

Finalist, 2020 Milt Kessler Poetry Book Award from the Binghamton Center for Writers

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Unmanning
How Humans, Machines and Media Perform Drone Warfare
Katherine Fehr Chandler
Rutgers University Press, 2020
Unmanning studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone—including machine-like control, enmity and remoteness—are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to “man” and the paradoxes at their basis.
 
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Unmapping the City
Perspectives of Flatness
Edited by Alfredo Cramerotti
Intellect Books, 2010

Unmapping the City, the first title in the new Intellect series Critical Photography, features photographs shot between 2004 and 2008 in different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation, ritual, and urbanity through art. In representing the cityscape through a flat texture of lines and bold colors, the reader is drawn into a conversation about the interplay between reality and its representation. This volume significantly challenges and expands the critical discourse on photography and text and will be of interest to artists, curators, photographers, architects, and critical theorists.

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Unmarried Couples with Children
Paula England
Russell Sage Foundation, 2007
Today, a third of American children are born outside of marriage, up from one child in twenty in the 1950s, and rates are even higher among low-income Americans. Many herald this trend as one of the most troubling of our time. But the decline in marriage does not necessarily signal the demise of the two parent family—over 80 percent of unmarried couples are still romantically involved when their child is born and nearly half are living together. Most claim they plan to marry eventually. Yet half have broken up by their child's third birthday. What keeps some couples together and what tears others apart? After a breakup, how do fathers so often disappear from their children's lives? An intimate portrait of the challenges of partnering and parenting in these families, Unmarried Couples with Children presents a variety of unique findings. Most of the pregnancies were not explicitly planned, but some couples feel having a child is the natural course of a serious relationship. Many of the parents are living with their child plus the mother's child from a previous relationship. When the father also has children from a previous relationship, his visits to see them at their mother's house often cause his current partner to be jealous. Breakups are more often driven by sexual infidelity or conflict than economic problems. After couples break up, many fathers complain they are shut out, especially when the mother has a new partner. For their part, mothers claim to limit dads' access to their children because of their involvement with crime, drugs, or other dangers. For couples living together with their child several years after the birth, marriage remains an aspiration, but something couples are resolutely unwilling to enter without the financial stability they see as a sine qua non of marriage. They also hold marriage to a high relational standard, and not enough emotional attention from their partners is women's number one complaint. Unmarried Couples with Children is a landmark study of the family lives of nearly fifty American children born outside of a marital union at the dawn of the twenty-first century. Based on personal narratives gathered from both mothers and fathers over the first four years of their children's lives, and told partly in the couples' own words, the story begins before the child is conceived, takes the reader through the tumultuous months of pregnancy to the moment of birth, and on through the child's fourth birthday. It captures in rich detail the complex relationship dynamics and powerful social forces that derail the plans of so many unmarried parents. The volume injects some much-needed reality into the national discussion about family values, and reveals that the issues are more complex than our political discourse suggests.
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Unmarried Women
Stories
Matilde Serao
Northwestern University Press, 2007
Matilde Serao is widely regarded as the most successful Italian woman journalist of the nineteenth century as well as being an important writer of fiction. A great observer of life, Serao focused her writing directly on the most pressing problems of a newly unified Italy, urban poverty, and the North/South divide. Historian and critic Benedetto Croce said of her that she had an "imagination that is limpid and alive"; Nobel Laureate Giosuè Carducci called her the greatest woman writer in Italy; and Gabriele D'Annunzio dedicated a novel to her. She was apparently on the short list for the Nobel Prize in 1926, which ultimately went to the Sardinian writer Grazia Deledda.

This collection, the first to make Serao’s short stories available in English translation, reflects this naturalistic writer’s interest in the everyday drama of the lives of women in the Italy of her day.  In Serao’s spare and simple prose, the young women of turn-of-the-century Naples come to life, negotiating the details of school and work, church and marriage, in a world circumscribed by fathers and chaperones, fiancés and bosses.  Infused with the writer’s deep sense of humanity, their quietly involving stories—at once so poetic and so ordinary—attest to the transformative power of literature, and to the promise that even the most humble life holds.
 
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Unmasking Class, Gender, and Sexuality in Nicaraguan Festival
Katherine Borland
University of Arizona Press, 2006
Masaya, a provincial capital of Nicaragua, cultivates an aggressively traditional identity that contrasts with Managua’s urban modernity. In 2001 the city was officially designated Capital of Nicaraguan Folklore, yet residents have engaged in a vibrant folk revival since at least the 1960s. This book documents the creative innovations of Masaya’s performing artists.

The first extended study in English of Nicaraguan festival arts, Unmasking Class, Gender, and Sexuality in Nicaraguan Festival is an ethnographically and historically grounded inquiry into three festival enactments during the Somoza, Sandinista, and Neoliberal periods: the carnivalesque torovenado masquerades, the transvestite Negras marimba dances, and the wagon pilgrimage to Popoyuapa. Through a series of interlinked essays, Katherine Borland shows that these enactments constitute a people’s theater, articulating a range of perspectives on the homegrown and the global; on class, race, and ethnicity; on gender and sexuality; and on religious sensibilities.

Borland’s book is a case study of how the oppositional power of popular culture resides in the process of cultural negotiation itself as communities deploy cherished traditions to assert their difference from the nation and the world. It addresses both the gendered dimensions of a particular festival masquerade and the ways in which sexuality is managed in traditional festival transvestism. It demonstrates how performativity and theatricality interact to negotiate certain crucial realities in a festival complex. By showing how one locale negotiates, incorporates, and resists globally circulating ideas, identities, and material objects, it makes a major contribution to studies of ritual and festival in Latin America.
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Unmasking the African Dictator
Essays on Postcolonial African Literature
Gichingiri Ndigirigi
University of Tennessee Press, 2014
In Africa, the development of “dictatorship fiction” as a vehicle for depicting the authoritarian state arose more slowly than in other parts of the world. The dictator novel emerged earlier in Latin America, as the region’s anticolonial disengagement preceded that of Africa. Thus, the Latin American variant of this literary genre has been extensively studied, but until now there has been no comparable exploration of the fictional and dramatic representations of tyrannical regimes in Africa. In Unmasking the African Dictator, Gĩchingiri Ndĩgĩrĩgĩ redresses that imbalance with a collection of essays that fully examine the figure of the “Big Man” in African arts.
            This volume features twelve articles from both established and emerging scholars who undertake representative readings of the African despot in fiction, drama, films, and music. Arranged chronologically, these essays cover postcolonial realities in a wide range of countries: Mali, Cote d’Ivoire, Senegal, the Congo, Nigeria, the Central African Republic, Somalia, Kenya, and Uganda. Included here are a variety of voices that illuminate the different aspects of dictator fiction in Africa and in the process enrich our understanding of the continent’s literature, politics, and culture.
            This work features a foreword by formerly exiled Kenyan novelist, poet, and critic Ngũgĩ wa Thiong’o. Ndĩgĩrĩgĩ’s own extended introduction reviews the overarching themes found in the collection and summarizes each of the artistic works being examined while placing the individual essays in context. A pioneering study, Unmasking the African Dictator examines the works of several major authors of dictator fictions like Achebe, Ngugi, Farah, and Tamsi, among others. It is an ideal resource for both undergraduate and graduate courses on African literature, culture, and politics.
 
Gĩchingiri Ndĩgĩrĩgĩ is an associate professor of English at the University of Tennessee. He is the author of Ngũgĩ wa Thiongʼo’s Drama and the Kamĩrĩĩthũ Popular Theater Experiment.
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Unmasking the State
Making Guinea Modern
Mike McGovern
University of Chicago Press, 2012
When the Republic of Guinea gained independence in 1958, one of the first policies of the new state was a village-to-village eradication of masks and other ritual objects it deemed “fetishes.” The Demystification Program, as it was called, was so urgent it even preceded the building of a national road system. In Unmasking the State, Mike McGovern attempts to understand why this program was so important to the emerging state and examines the complex role it had in creating a unified national identity. In doing so, he tells a dramatic story of cat and mouse where minority groups cling desperately to their important— and outlawed—customs.
 
Primarily focused on the communities in the country’s southeastern rainforest region—people known as Forestiers—the Demystification Program operated via a paradox. At the same time it banned rituals from Forestiers’ day-to-day lives, it appropriated them into a state-sponsored program of folklorization. McGovern points to an important purpose for this: by objectifying this polytheistic group’s rituals, the state created a viable counterexample against which the Muslim majority could define proper modernity. Describing the intertwined relationship between national and local identity making, McGovern showcases the coercive power and the unintended consequences involved when states attempt to engineer culture.
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The Unmasterable Past
History, Holocaust, and German National Identity
Charles S. Maier
Harvard University Press, 1988

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The Unmasterable Past
History, Holocaust, and German National Identity, With a New Preface
Charles S. Maier
Harvard University Press, 1997
Bringing his book up to date with reflections since its first publication a decade ago, Charles S. Maier writes that the historians’ controversy gave Germany a chance to air the issues immediately before unification and, in effect, the controversy substituted for the constitutional debate that a united Germany never got around to holding. The premises of national community, whether formulated in terms of legal culture, inherited collective responsibilities, or patriotic habits of the heart, had already been subjects for vigorous discussion.
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Unmastering the Script
Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity
Sheridan Wigginton and Richard T. Middleton IV
University of Alabama Press, 2019
Analyzes textbooks in the Dominican Republic for evidence of reproducing Haitian Otherness

Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity examines how school curriculum–based representations of Dominican identity navigate black racial identity, its relatedness to Haiti, and the culturally  entrenched pejorative image of the Haitian Other in Dominican society. Wigginton and Middleton analyze how social science textbooks and historical biographies intended for young Dominicans reflect an increasing shift toward a clear and public inclusion of blackness in Dominican identity that serves to renegotiate the country’s long-standing antiblack racial master script.
 
The authors argue that although many of the attempts at this inclusion  reflect a lessening of “black denial,” when considered as a whole, the  materials often struggle to find a consistent and coherent narrative for the place of blackness within Dominican identity, particularly regarding the ways in which blackness continues to be meaningfully related to the otherness of Haitian racial identity. Unmastering the Script approaches the text materials as an example of “reconstructing” and “unburying” an African past, supporting the uneven, slow, and highly context-specific nature of the process.
 
This work engages with multiple disciplines including history, anthropology, education, and race studies, building on a new wave of Dominican scholarship that considers how contemporary perspectives of Dominican identity both accept the existence of an African past and seek to properly weigh its importance. The use of critical race theory as the framework facilitates unfolding the past political and legal agendas of governing elites in the Dominican Republic and also helps to unlock the nuance of an increasingly black-inclusive Dominican identity. In addition, this framework allows the unveiling of some of the socially damaging effects the Haitian Other master script can have on children, particularly those of Haitian ancestry, in the Dominican Republic.
 
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The Unmentionables
A Play
Bruce Norris
Northwestern University Press, 2009
Set in western equitorial Africa on the estate of a wealthy American businessman, The Unmentionables opens with a pugnacious monologue warning the audience to get out now, while they still have a chance to do something really fun, like watch cable television. For those who choose to stay despite the allure of TV, the play follows the intersecting lives of members of the local population with the various Americans who have come to "do good in the world": a young Christian missionary who brings both food and the New Testament to the local children (and whose predecessor met with a grisly fate); a disenchanted Hollywood actress in search of meaning but finding only brutality; and the aging businessman and his wife, a woman simply desperate for conversation. Over the course of one long night their humanitarian notions of themselves are called into question as they come up against the realities of money, politics, and power. As the events escalate from calm to crisis with shocking speed, the worth of one American life is measured against the worth of their so-called American values, as they become the agents of violence against one sixteen-year-old African boy.
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Unmodern Philosophy and Modern Philosophy
John Dewey, Edited by Phillip Deen, Foreword by Larry A. Hickman
Southern Illinois University Press, 2012

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In 1947 America’s premier philosopher, educator, and public intellectual John Dewey purportedly lost his last manuscript on modern philosophy in the back of a taxicab. Now, sixty-five years later, Dewey’s fresh and unpretentious take on the history and theory of knowledge is finally available. Editor Phillip Deen has taken on the task of editing Dewey’s unfinished work, carefully compiling the fragments and multiple drafts of each chapter that he discovered in the folders of the Dewey Papers at the Special Collections Research Center at Southern Illinois University Carbondale. He has used Dewey’s last known outline for the manuscript, aiming to create a finished product that faithfully represents Dewey’s original intent. An introduction and editor’s notes by Deen and a foreword by Larry A. Hickman, director of the Center for Dewey Studies, frame this previously lost work.

In Unmodern Philosophy and Modern Philosophy, Dewey argues that modern philosophy is anything but; instead, it retains the baggage of outdated and misguided philosophical traditions and dualisms carried forward from Greek and medieval traditions. Drawing on cultural anthropology, Dewey moves past the philosophical themes of the past, instead proposing a functional model of humanity as emotional, inquiring, purposive organisms embedded in a natural and cultural environment.

Dewey begins by tracing the problematic history of philosophy, demonstrating how, from the time of the Greeks to the Empiricists and Rationalists, the subject has been mired in the search for immutable absolutes outside human experience and has relied on dualisms between mind and body, theory and practice, and the material and the ideal, ultimately dividing humanity from nature. The result, he posits, is the epistemological problem of how it is possible to have knowledge at all. In the second half of the volume, Dewey roots philosophy in the conflicting beliefs and cultural tensions of the human condition, maintaining that these issues are much more pertinent to philosophy and knowledge than the sharp dichotomies of the past and abstract questions of the body and mind. Ultimately, Dewey argues that the mind is not separate from the world, criticizes the denigration of practice in the name of theory, addresses the dualism between matter and ideals, and questions why the human and the natural were ever separated in philosophy. The result is a deeper understanding of the relationship among the scientific, the moral, and the aesthetic.

More than just historically significant in its rediscovery, Unmodern Philosophy and Modern Philosophy provides an intriguing critique of the history of modern thought and a positive account of John Dewey’s naturalized theory of knowing. This volume marks a significant contribution to the history of American thought and finally resolves one of the mysteries of pragmatic philosophy.

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An Unnatural Attitude
Phenomenology in Weimar Musical Thought
Benjamin Steege
University of Chicago Press, 2021

An Unnatural Attitude traces a style of musical thought that coalesced in the intellectual milieu of the Weimar Republic—a phenomenological style that sought to renew contact with music as a worldly circumstance. Deeply critical of the influence of naturalism in aesthetics and ethics, proponents of this new style argued for the description of music as something accessible neither through introspection nor through experimental research, but rather in an attitude of outward, open orientation toward the world. With this approach, music acquires meaning in particular when the act of listening is understood to be shared with others.
 
Benjamin Steege interprets this discourse as the response of a young, post–World War I generation amid a virtually uninterrupted experience of war, actual or imminent—a cohort for whom disenchantment with scientific achievement was to be answered by reasserting the value of imaginative thought. Steege draws on a wide range of published and unpublished texts from music theory, pedagogy, criticism, and philosophy of music, some of which appear for the first time in English translation in the book’s appendixes. An Unnatural Attitude considers the question: What are we thinking about when we think about music in non-naturalistic terms?

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Unnatural Companions
Rethinking Our Love of Pets in an Age of Wildlife Extinction
Peter Christie
Island Press, 2019
"Highly compelling...page-turning read" — TNC's Cool Green Science

We love our pets. Dogs, cats, birds, reptiles, and other species have become an essential part of more families than ever before—in North America today, pets outnumber people. Pet owners are drawn to their animal companions through an innate desire to connect with other species. But there is a dark side to our domestic connection with animal life: the pet industry is contributing to a global conservation crisis for wildlife—often without the knowledge of pet owners.
 
In Unnatural Companions, journalist Peter Christie issues a call to action for pet owners. If we hope to reverse the alarming trend of wildlife decline, pet owners must acknowledge the pets-versus-conservation dilemma and concede that our well-fed and sheltered cats too often prey on small backyard wildlife and seemingly harmless reptiles released into the wild might be the next destructive invasive species. We want our pets to eat nutritionally healthy food, but how does the designer food we feed them impact the environment?
 
Christie's book is a cautionary tale to responsible pet owners about why we must change the ways we love and care for our pets. It concludes with the positive message that the small changes we make at home can foster better practices within the pet industry that will ultimately benefit our pets’ wild brethren.
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Unnatural Ecopoetics
Unlikely Spaces in Contemporary Poetry
Sarah Nolan
University of Nevada Press, 2017
What constitutes an environment in American literature is an issue that has undergone much debate across environmental humanities in the last decade. In the field, some have argued that environments are markedly natural or wild sites while others contend literary spaces can be both wild and urban, or even cultural. Yet, few of the works produced to date have addressed the pronounced influence the author of a text has on a literary environment. Despite exciting work on materiality and culture in conceptions of environments, critics have not yet fully examined the contributions of poetry’s language, form, and self-awareness in rethinking what constitutes an environment.
 
By approaching environments in a new way, Nolan closes this gap and recognizes how contemporary poets employ self-reflexive commentary and formal experimentation in order to create new natural/cultural environments on the page. She proposes a radical new direction for ecopoetics and deploys it in relation to four major American poets. Working from literal to textual spaces through the contemporary poetry of A.R. Ammons’s Garbage, Lyn Hejinian’s My Life, Susan Howe’s The Midnight, and Kenneth Goldsmith’s Seven American Deaths and Disasters, the book presents applications of unnatural ecopoetics in poetic environments, ones that do not engage with traditional ideas of nature and would otherwise remain outside the scope of ecocritical and ecopoetic studies.
 
Nolan proposes a new practical approach for reading poetic language. Ecocriticism is a very fluid and evolving discipline, and Nolan’s pioneering new book pushes the boundaries of second-wave ecopoetics—the fundamental issue being what is nature/natural, and how does poetic language, particularly self-conscious contemporary poetic agency, contribute to and complicate that question.   
 
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Unnatural Emotions
Everyday Sentiments on a Micronesian Atoll and Their Challenge to Western Theory
Catherine A. Lutz
University of Chicago Press, 1988
"An outstanding contribution to psychological anthropology. Its excellent ethnography and its provocative theory make it essential reading for all those concerned with the understanding of human emotions."—Karl G. Heider, American Anthropologist
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Unnatural Formations, Volume 69
Michael Moon
Duke University Press
“Nothing typifies the American sense of identity more,” Mark Seltzer writes at the beginning of his 1992 book Bodies and Machines, “than the love of nature (nature’s nation) except perhaps the love of technology (made in America).” The term “nature,” along with a few others—“culture,” “technology,” “nation”—has been of central importance in American literary and cultural studies throughout the past century. The essays in his special issue of American Literature explore in rich detail some of the roles of the “unnatural” in the making of American literature and culture.

Several of the essays focus on literary works—both celebrated and forgotten ones—from the turn of the century, when social Darwinism, eugenics, and other forms of the new “scientific” social thinking were being used to exclude large segments of the population from the realm of the “natural” or the “healthy.” Beginning with the treatment of the figure of the spinster in the fiction of Harriet Beecher Stowe, these essays move in provocative and refreshing ways through their reconsiderations of the “unnatural formations” to be found in the work of writers ranging from pioneering African American author Pauline Hopkins to Henry James, Florence Converse, Willa Cather, and Djuna Barnes.

Readers interested in sampling the best current scholarship on the effects on American cultural and social history of different ways of understanding gender, sexuality, and race will find this special issue of American Literature a valuable and stimulating resource.

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The Unnatural History of the Sea
Callum Roberts
Island Press, 2007
Humanity can make short work of the oceans’ creatures. In 1741, hungry explorers discovered herds of Steller’s sea cow in the Bering Strait, and in less than thirty years, the amiable beast had been harpooned into extinction. It’s a classic story, but a key fact is often omitted. Bering Island was the last redoubt of a species that had been decimated by hunting and habitat loss years before the explorers set sail.

As Callum M. Roberts reveals in The Unnatural History of the Sea, the oceans’ bounty didn’t disappear overnight. While today’s fishing industry is ruthlessly efficient, intense exploitation began not in the modern era, or even with the dawn of industrialization, but in the eleventh century in medieval Europe. Roberts explores this long and colorful history of commercial fishing, taking readers around the world and through the centuries to witness the transformation of the seas.

Drawing on firsthand accounts of early explorers, pirates, merchants, fishers, and travelers, the book recreates the oceans of the past: waters teeming with whales, sea lions, sea otters, turtles, and giant fish. The abundance of marine life described by fifteenth century seafarers is almost unimaginable today, but Roberts both brings it alive and artfully traces its depletion. Collapsing fisheries, he shows, are simply the latest chapter in a long history of unfettered commercialization of the seas.

The story does not end with an empty ocean. Instead, Roberts describes how we might restore the splendor and prosperity of the seas through smarter management of our resources and some simple restraint. From the coasts of Florida to New Zealand, marine reserves have fostered spectacular recovery of plants and animals to levels not seen in a century. They prove that history need not repeat itself: we can leave the oceans richer than we found them.
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The Unnatural Lottery
Character and Moral Luck
Claudia Card
Temple University Press, 1996

The opportunities to become a good person are not the same for everyone. Modern European ethical theory, especially Kantian ethics, assumes the same virtues are accessible to all who are capable of rational choice. Character development, however, is affected by circumstances, such as those of wealth and socially constructed categories of gender, race, and sexual orientation, which introduce factors beyond the control of individuals. Implications of these influences for morality have, since the work of Williams and Nagel in the seventies, raised questions in philosophy about the concept of moral luck. In The Unnatural Lottery, Claudia Card examines how luck enters into moral character and considers how some of those who are oppressed can develop responsibility.

Luck is often best appreciated by those who have known relatively bad luck and have been unable to escape steady comparison of their lot with those of others. The author takes as her paradigms the luck of middle and lower classes of women who face violence and exploitation, of lesbians who face continuing pressure to hide or self-destruct, of culturally Christian whites who have ethnic privilege, and of adult survivors of child abuse. How have such people been affected by luck in who they are and can become, the good lives available to them, the evils they may be liable to embody? Other philosophers have explored the luck of those who begin from privileged positions and then suffer reversals of fortune. Claudia Card focuses on the more common cases of those who begin from socially disadvantaged positions, and she considers some who find their good luck troubling when its source is the unnatural lottery of social injustice.

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Unnatural Narrative
Theory, History, and Practice
Brian Richardson
The Ohio State University Press, 2015
Unnatural Narrative: Theory, History, and Practice provides the first extended account of the concepts and history of unnatural narrative. In this book, Brian Richardson, founder of unnatural narrative studies, offers a theoretical model that can encompass antirealist and antimimetic works from Aristophanes to postmodernism. Unnatural Narrative begins with a sustained critique of contemporary narratology, diagnosing its mimetic bias and establishing the need for a more comprehensive account. This new approach results in original theoretical insights into the basic elements of story, such as beginnings, sequencing, temporality, endings, and narrative itself.
 
Applying these theoretical insights, Richardson also provides a compelling alternative view of the history of narrative. He traces a genealogy of unnatural narratives from ancient Greek and Sanskrit works through medieval and renaissance fiction to eighteenth-century and romantic fiction. The study continues through the twentieth century, discussing the unnatural elements of Ulysses and other early twentieth-century texts, and engages with contemporary fiction by offering an alternative account of postmodernism. Unnatural Narrative makes an essential intervention in narrative theory and an important contribution to the history of the novel.
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Unnatural Narratology
Extensions, Revisions, and Challenges
Jan Alber and Brian Richardson
The Ohio State University Press, 2020
Unnatural Narratology: Extensions, Revisions, and Challenges offers a number of developments, refinements, and defenses of key aspects of unnatural narrative studies. The first section applies unnatural narrative theory and analysis to ideologically charged areas such as feminism, postcolonial studies, cultural alterity, and subaltern discourse. The book goes on to engage with and intervene in theoretical debates in several areas of both critical theory and narrative theory, including affect studies, immersion, narration, character theory, frames, and theories of reception and interpretation. Antimimetic perspectives are also extended to additional fields, including autobiography, graphic narratives, drama and film, performance studies, and interactive gamebooks. Written by an international assemblage of distinguished and emerging narrative scholars and theorists, this collection promises to greatly enhance the study of narrative and further advance the frontiers of narrative theory.
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The Unnatural Nature of Science
Lewis Wolpert
Harvard University Press, 1993

How is it that nobody—except maybe scientists—sees science for what it is? In this entertaining and provocative book, Lewis Wolpert draws on the entire history of science, from Thales of Miletus to Watson and Crick, from the study of eugenics to the discovery of the double helix. The result is a scientist’s view of the culture of science, authoritative and informed and at the same time mercifully accessible to those who find cohabiting with this culture a puzzling experience.

Science is arguably the defining feature of our age. For anyone who hopes to understand its nature, this lively and thoughtful book provides the perfect starting point.

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Unnatural Resources
Energy and Environmental Politics in Appalachia after the 1973 Oil Embargo
Michael Camp
University of Pittsburgh Press, 2019

Unnatural Resources explores the intersection of energy production and environmental regulation in Appalachia after the oil embargo of 1973. The years from 1969 to 1973 saw the passage of a number of laws meant to protect the environment from human destruction, and they initially enjoyed broad public popularity. However, the oil embargo, which caused lines and fistfights at gasoline stations, refocused Americans’ attention on economic issues and alerted Americans to the dangers of relying on imported oil. As a drive to increase domestic production of energy gained momentum, it soon appeared that new environmental regulations were inhibiting this initiative. A backlash against environmental regulations helped inaugurate a bipartisan era of market-based thinking in American politics and discredited the idea that the federal government had a constructive role to play in addressing energy issues. This study connects political, labor, and environmental history to contribute to a growing body of literature on the decline of the New Deal and the rise of pro-market thinking in American politics. 

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Unnatural Selection
A Memoir of Adoption and Wilderness
Andrea Ross
CavanKerry Press, 2021
Adopted at birth, Andrea Ross grew up inhabiting two ecosystems: one was her tangible, adoptive family, the other her birth family, whose mysterious landscape was hidden from her. In this coming-of-age memoir, Ross narrates how in her early twenties, while working as a ranger in Grand Canyon National Park, she embarked on a journey to discover where she came from and, ultimately, who she was. After many missteps and dead ends, Ross uncovered her heartbreaking and inspiring origin story and began navigating the complicated turns of reuniting with her birth parents and their new families. Through backcountry travel in the American West, she also came to understand her place in the world, realizing that her true identity lay not in a choice between adopted or biological parents, but in an expansion of the concept of family.
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Unnatural Selection
How We Are Changing Life, Gene by Gene
Emily Monosson
Island Press, 2015
Gonorrhea. Bed bugs. Weeds. Salamanders. People. All are evolving, some surprisingly rapidly, in response to our chemical age. In Unnatural Selection, Emily Monosson shows how our drugs, pesticides, and pollution are exerting intense selection pressure on all manner of species. And we humans might not like the result.

Monosson reveals that the very code of life is more fluid than once imagined. When our powerful chemicals put the pressure on to evolve or die, beneficial traits can sweep rapidly through a population. Species with explosive population growth—the bugs, bacteria, and weeds—tend to thrive, while bigger, slower-to-reproduce creatures, like ourselves, are more likely to succumb.

Monosson explores contemporary evolution in all its guises. She examines the species that we are actively trying to beat back, from agricultural pests to life-threatening bacteria, and those that are collateral damage—creatures struggling to adapt to a polluted world. Monosson also presents cutting-edge science on gene expression, showing how environmental stressors are leaving their mark on plants, animals, and possibly humans for generations to come. 

Unnatural Selection is eye-opening and more than a little disquieting. But it also suggests how we might lessen our impact: manage pests without creating super bugs; protect individuals from disease without inviting epidemics; and benefit from technology without threatening the health of our children.
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Unnatural Selection
The Yanomami, the Kayapo & the Onslaught of Civilisation
Linda Rabben
Pluto Press, 1998

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The Un-Natural State
Arkansas and the Queer South
Brock Thompson
University of Arkansas Press, 2010
The Un-Natural State is a one-of-a-kind study of gay and lesbian life in Arkansas in the twentieth century, a deft weaving together of Arkansas history, dozens of oral histories, and Brock Thompson's own story. Thompson analyzes the meaning of rural drag shows, including a compelling description of a 1930s seasonal beauty pageant in Wilson, Arkansas, where white men in drag shared the stage with other white men in blackface, a suggestive mingling that went to the core of both racial transgression and sexual disobedience. These small town entertainments put on in churches and schools emerged decades later in gay bars across the state as a lucrative business practice and a larger means of community expression, while in the same period the state's sodomy law was rewritten to condemn sexual acts between those of the same sex in language similar to what was once used to denounce interracial sex. Thompson goes on to describe several lesbian communities established in the Ozark Mountains during the sixties and seventies and offers a substantial account of Eureka Springs's informal status as the "gay capital of the Ozarks." Through this exploration of identity formation, group articulation, political mobilization, and cultural visibility within the context of historical episodes such as the Second World War, the civil rights movement, and the AIDS epidemic, The Un-Natural State contributes not only to our understanding of gay and lesbian history but also to our understanding of the South.
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UNNATURAL VOICES
EXTREME NARRATION IN MODERN AND CONTEMPO
BRIAN RICHARDSON
The Ohio State University Press, 2006

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Unorganized Women
Repetitive Rhetorical Labor and Low/No-Wage Workers
Jane Greer
University of Pittsburgh Press, 2023
Across a range of industrial, domestic, and agricultural sites, Greer shows how repetitive discursive performances served as rhetorical tools as women workers sought to rescript power relations in their workplaces and to resist narratives about their laboring lives. The case studies reveal noteworthy patterns in how these women’s words helped to construct the complex web of class relations in which they were enmeshed. Rather than a teleological narrative of economic empowerment over the course of a century, Unorganized Women speaks to the enduring obstacles low- and no-wage women face, their creativity and resilience in the face of adversity, and the challenges that impede the creation of meaningful coalitions. By focusing on repetitive rhetorical labor, this book affords a point of entry for analyzing the discursive productions of a range of women workers and for constructing a richer history of women’s rhetoric in the United States. 
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Unoriginal Genius
Poetry by Other Means in the New Century
Marjorie Perloff
University of Chicago Press, 2010

What is the place of individual genius in a global world of hyper-information— a world in which, as Walter Benjamin predicted more than seventy years ago, everyone is potentially an author? For poets in such a climate, "originality" begins to take a back seat to what can be done with other people’s words—framing, citing, recycling, and otherwise mediating available words and sentences, and sometimes entire texts. Marjorie Perloff here explores this intriguing development in contemporary poetry: the embrace of "unoriginal" writing. Paradoxically, she argues, such citational and often constraint-based poetry is more accessible and, in a sense, "personal" than was the hermetic poetry of the 1980s and 90s.

Perloff traces this poetics of "unoriginal genius" from its paradigmatic work, Benjamin’s encyclopedic Arcades Project, a book largely made up of citations. She discusses the processes of choice, framing, and reconfiguration in the work of Brazilian Concretism and Oulipo, both movements now understood as precursors of such hybrid citational texts as Charles Bernstein’s opera libretto Shadowtime and Susan Howe’s documentary lyric sequence The Midnight. Perloff also finds that the new syncretism extends to language: for example, to the French-Norwegian Caroline Bergvall writing in English and the Japanese Yoko Tawada, in German. Unoriginal Genius concludes with a discussion of Kenneth Goldsmith’s conceptualist book Traffic—a seemingly "pure’" radio transcript of one holiday weekend’s worth of traffic reports. In these instances and many others, Perloff shows us "poetry by other means" of great ingenuity, wit, and complexity.

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Unorthodox Beauty
Russian Modernism and Its New Religious Aesthetic
Martha M. F. Kelly
Northwestern University Press, 2016

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writers developed an entire poetics that drew on liturgical tradition. Specifically, Russian Orthodoxy held out the possibility of unifying spirit and matter, as well as a host of other dichotomies—subject and object, empirical and irrational, noumena and phenomena. The artist could produce a work of transformative and regenerative power. Using a range of crossdisciplinary tools, Kelly reads key works by Blok, Kuzmin, Akhmatova, and Pasternak in ways that illustrate how profoundly religious traditions and ideas shaped Russian modernist literature.

[more]

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Unpackaging Art of the 1980s
Alison Pearlman
University of Chicago Press, 2003
American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art.

Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art.

Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
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Unpacking Tourism
Daniel Bender, Steven Fabian, Jason Ruiz, and Daniel Walkowitz, special issue editors
Duke University Press, 2017
Tourism shapes popular fantasies of adventure, structures urban and natural space, creates knowledge around difference, and demands an array of occupations servicing the insatiable needs of those who travel for leisure. Even as migrants and refugees have become targets of ire from far-right parties, international tourism has grown worldwide. This issue posits a radical approach to the study of tourism, highlighting how tourism as a paradigmatic modern encounter bleeds into diplomacy, militarism, and empire building. Contributors investigate, among other topics, how the United States has used tourism in Latin America as a tool of interventionist foreign policy, how Bethlehem’s Manger Square has become a contested space between Palestinians and the Israeli state, how Spain's economy increasingly relies on northern European tourists, and how the US military's Cold War–era guidebooks attempted to convert soldiers stationed abroad into "ambassadors of goodwill."

Contributors. Ryvka Barnard, Daniel Bender, Julio Capo Jr., Rüstem Ertuğ Altinay, Steven Fabian, Vernadette Vicuña Gonzalez, Max Holleran, Rebecca J. Kinney, Scott Laderman, Katrina Phillips, Mark Rice, Jason Ruiz, Daniel Walkowitz, Kim Warren
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The Unpast
Elite Violence and Social Control in Brazil, 1954–2000
R. S. Rose
Ohio University Press, 2005

Portuguese and Brazilian slave-traders shipped at least four million slaves to Brazil—in contrast to the five hundred thousand slaves that English vessels brought to the Americas. Controlling the vast number of slaves in Brazil became of primary importance. The Unpast: Elite Violence and Social Control in Brazil, 1954–2000 documents the ways in which the brutal methods used on plantations led directly to the phenomenon of Brazilian death squads.

The Unpast examines how and why, after the abolition of slavery, elites in Brazil imported new methods of killing, torturing, or disfiguring dissidents and the poor to maintain dominance. Bringing a critical-historical analysis to events following the 1954 suicide of President Getúlio Vargas, R. S. Rose takes the reader along a fifty-year path that helped to shape a nation’s morals. He covers the misunderstood presidency of João Goulart; the overthrow of his government by a U.S.-assisted military; the appalling dictatorship that followed; the efforts to rid the countryside of troublemakers; and the ongoing attempt to cleanse the urban environment of the needy, an endeavor that produced 32,675 victims in just two Brazilian states between 1954 and 2000.

The largest and most comprehensive documentation of suspected death-squad victims ever undertaken, The Unpast is an exposé of practices and attitudes toward the poor in Latin America’s largest country.

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The Unplanned Lesson
How to Stop Searching for Activities and Start Engaging Students
Ian Roth and Paul Wicking
University of Michigan Press, 2023
The complexities of language education demand that teachers have the flexibility to be able to adapt their plans during lessons in order to meet the needs of their students. Yet teachers are trained to meticulously prepare lesson plans and numerous activities to keep their students engaged. This can lead to teachers feeling locked into the plan they spent time preparing. The Unplanned Lesson suggests a new paradigm for how to prepare for and conduct language lessons based on curating what the authors term “structures.” By focusing on structures that are flexible, evolvable, repeatable, and memorable, teachers can reduce the amount of time they spend planning and increase the amount of time students are engaged in deliberate practice. Designed to integrate with any syllabus or textbook, The Unplanned Lesson approach aims to allow teachers to transform their classrooms by giving them more time to focus on supporting their students’ learning. 
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An Unplanned Life
A Memoir
George McKee Elsey
University of Missouri Press, 2005
An Unplanned Life is the scintillating memoir of George Elsey, a small-town kid from western Pennsylvania who, at age twenty-four, was assigned to Franklin Roosevelt’s top-secret intelligence and communications center in the White House. As an officer in the U.S. Naval Reserve, Elsey helped brief the president and his senior associates on war events. He and his map room colleagues acted as the secretariat for Roosevelt’s cabled exchanges with Winston Churchill, Joseph Stalin, and Chiang Kai-shek; filed records of “summit conferences”; and stored in safes plans for future operations. He also traveled with the president in order to code and decode the classified messages that flowed between the presidential train or ship and the White House.

Elsey’s duties continued with Harry Truman’s succession to the presidency. He decoded the famous message from Secretary of War Henry Stimson reporting the dropping of the atomic bomb on Hiroshima and carried it to President Truman. In 1947, he shed his Naval Reserve uniform and joined the White House’s civilian staff as assistant to the special counsel to the president. In 1949, he became administrative assistant to the president, and, in 1952, he became a member of the Mutual Security Agency staff. During those years, he grew very close to Harry Truman, and thus, a major portion of An Unplanned Life relates to his experiences then.

In the first postwar winter, Elsey was frequently the only staff member who accompanied President Truman on the USS Williamsburg. In September 1946, Elsey submitted a report to Truman on U.S.-Soviet relations, which came to be well known as the “Clifford-Elsey Report.” Providing Truman with notes for some two hundred of his “back-of-the-train” informal talks, Elsey played a part in the best remembered feature of the “Whistle-Stop Campaign” that resulted in “the political upset of the century.” In addition to his years at the White House, Elsey also touches on his post–White House years—his time in private industry, his months with Clark Clifford when Clifford was trying unsuccessfully to extricate America from Vietnam, and his long association with the American Red Cross.

An Unplanned Life is a fascinating look at the life of an extraordinary individual who played an important and unprecedented part in two different presidents’ decisions and affected the course of our nation. Anyone with an interest in history will find this memoir fascinating and invaluable.
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Unpopular Culture
Martin Luthe
Amsterdam University Press, 2016
This volume introduces a new concept that boldly breaks through the traditional dichotomy of high and low culture while offering a fresh approach to both: unpopular culture. From the works of David Foster Wallace and Ernest Hemingway to fanfiction and The Simpsons, from natural disasters to 9/11 and beyond, the essays find the unpopular across media and genres, analysing the politics and aesthetics of a side to culture that has been overlooked by previous theories and methods in cultural studies.
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Unpopular Culture
The Ritual of Complaint in a British Bank
John R. Weeks
University of Chicago Press, 2003
When you start a new job, you learn how things are done in the company, and you learn how they are complained about too. Unpopular Culture considers why people complain about their work culture and what impact those complaints have on their organizations. John Weeks based his study on long-term observations of the British Armstrong Bank in the United Kingdom. Not one person at this organization, he found, from the CEO down to the junior clerks, had anything good to say about its corporate culture. And yet, despite all the griping—and despite high-profile efforts at culture change—the way things were done never seemed fundamentally to alter. The organization was restructured, jobs redefined, and processes redesigned, but the complaining remained the same.

As Weeks demonstrates, this is because the everyday standards of behavior that regulate complaints curtail their effectiveness. Embarrass someone by complaining in a way that is too public or too pointed, and you will find your social standing diminished. Complain too loudly or too long, and your coworkers might see you as contrary. On the other hand, complain too little and you may be seen as too stiff or just too strange to be trusted. The rituals of complaint, Weeks shows, have powerful social functions.
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Unpopular Essays on Technological Progress
Nicholas Rescher
University of Pittsburgh Press, 1980
Nicholas Rescher examines a number of controversial social issues using the intellectual tools of the philosopher, in an attempt to clarify some of the complexities of modern society, technology, and economics. He elucidates his thoughts on topics such as: whether technological progress leads to greater happiness; environmental problems; endangered species, costly scientific research on the frontiers of knowledge, medical/moral issues on the preservation of life; and crime and justice, among others.
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Unpopular Sovereignty
Rhodesian Independence and African Decolonization
Luise White
University of Chicago Press, 2015
In 1965 the white minority government of Rhodesia (after 1980 Zimbabwe) issued a unilateral declaration of independence from Britain, rather than negotiate a transition to majority rule. In doing so, Rhodesia became the exception, if not anathema, to the policies and practices of the end of empire. In Unpopular Sovereignty, Luise White shows that the exception that was Rhodesian independence did not, in fact, make the state that different from new nations elsewhere in Africa: indeed, this history of Rhodesian political practices reveals some of the commonalities of mid-twentieth-century thinking about place and race and how much government should link the two.  

White locates Rhodesia’s independence in the era of decolonization in Africa, a time of great intellectual ferment in ideas about race, citizenship, and freedom. She shows that racists and reactionaries were just as concerned with questions of sovereignty and legitimacy as African nationalists were and took special care to design voter qualifications that could preserve their version of legal statecraft. Examining how the Rhodesian state managed its own governance and electoral politics, she casts an oblique and revealing light by which to rethink the narratives of decolonization.
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The Unpredictability of the Past
Memories of the Asia-Pacific War in U.S.–East Asian Relations
Marc Gallicchio, ed.
Duke University Press, 2007
In The Unpredictability of the Past, an international group of historians examines how collective memories of the Asia-Pacific War continue to affect relations among China, Japan, and the United States. The contributors are primarily concerned with the history of international relations broadly conceived to encompass not only governments but also nongovernmental groups and organizations that influence the interactions of peoples across the Pacific. Taken together, the essays provide a rich, multifaceted analysis of how the dynamic interplay between past and present is manifest in policymaking, popular culture, public commemorations, and other arenas.

The contributors interpret mass media sources, museum displays, monuments, film, and literature, as well as the archival sources traditionally used by historians. They explore how American ideas about Japanese history shaped U.S. occupation policy following Japan’s surrender in 1945, and how memories of the Asia-Pacific War influenced Washington and Tokyo policymakers’ reactions to the postwar rise of Soviet power. They investigate topics from the resurgence of Pearl Harbor images in the U.S. media in the decade before September 11, 2001, to the role of Chinese war museums both within China and in Chinese-Japanese relations, and from the controversy over the Smithsonian Institution’s Enola Gay exhibit to Japanese tourists’ reactions to the USS Arizona memorial at Pearl Harbor. One contributor traces how a narrative commemorating African Americans’ military service during World War II eclipsed the history of their significant early-twentieth-century appreciation of Japan as an ally in the fight against white supremacy. Another looks at the growing recognition and acknowledgment in both the United States and Japan of the Chinese dimension of World War II. By focusing on how memories of the Asia-Pacific War have been contested, imposed, resisted, distorted, and revised, The Unpredictability of the Past demonstrates the crucial role that interpretations of the past play in the present.

Contributors. Marc Gallicchio, Waldo Heinrichs, Haruo Iguchi, Xiaohua Ma, Frank Ninkovich, Emily S. Rosenberg, Takuya Sasaki, Yujin Yaguchi, Daqing Yang

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Unquenchable
America's Water Crisis and What To Do About It
Robert Glennon
Island Press, 2010
In the middle of the Mojave Desert, Las Vegas casinos use billions of gallons of water for fountains, pirate lagoons, wave machines, and indoor canals. Meanwhile, the town of Orme, Tennessee, must truck in water from Alabama because it has literally run out.
 
Robert Glennon captures the irony—and tragedy—of America’s water crisis in a book that is both frightening and wickedly comical. From manufactured snow for tourists in Atlanta to trillions of gallons of water flushed down the toilet each year, Unquenchable reveals the heady extravagances and everyday inefficiencies that are sucking the nation dry.
 
The looming catastrophe remains hidden as government diverts supplies from one area to another to keep water flowing from the tap. But sooner rather than later, the shell game has to end. And when it does, shortages will threaten not only the environment, but every aspect of American life: we face shuttered power plants and jobless workers, decimated fi sheries and contaminated drinking water.
 
We can’t engineer our way out of the problem, either with traditional fixes or zany schemes to tow icebergs from Alaska. In fact, new demands for water, particularly the enormous supply needed for ethanol and energy production, will only worsen the crisis. America must make hard choices—and Glennon’s answers are fittingly provocative. He proposes market-based solutions that value water as both a commodity and a fundamental human right.
 
One truth runs throughout Unquenchable: only when we recognize water’s worth will we begin to conserve it.
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Unquiet Americans
U.S. Catholics, Moral Truth, and the Preservation of Civil Liberties
Gerard V. Bradley
St. Augustine's Press, 2013

Before the Second Vatican Council, America’s Catholics operated largely as a coherent voting bloc, usually in connection with the Democratic Party. Their episcopal leaders generally spoke for Catholics in political matters; at least, where America’s bishops asserted themselves in public affairs there was little audible dissent from the faithful. 

More than occasionally, the immigrant Church’s eagerness to demonstrate its patriotic bona fides furthered its tendency to speak with one voice about national matters, and in line with the broader societal consensus. And, notwithstanding the considerable conflict which Catholics encountered, and generated, in American political life, there was before the Council broad agreement in American culture about the centrality of Biblical morality to the success of Americans’ experiment with republican government.

In other words: before the Council, American Catholics’ relationship to the political common good was mediated, somewhat uncritical, and insulated from conflict (both within and without the Church) over such fundamental matters as protection of innocent life, marriage and family life, and (to a lesser extent) religious liberty.

This has all changed since the mid-1960s. For the first time in the Church’s pilgrimage on these shores, controversial questions about the basic moral requirements of the political common good are front and center for America’s Catholics. These questions require Catholics to confront matters which heretofore they either took for granted, read off from the background culture, or which they left to the bishops to handle. But the Council Fathers rightly recognized that Jesus calls upon a formed and informed laity to act as leaven in the public realm, to bring Gospel values to the temporal sphere. In this book of essays touching upon Catholic social doctrine, the truth about human equality and political liberty, and religious faith as it bears upon public life and the public engagement of lay Catholics, Gerard Bradley supplies indispensable aid to those seeking to answer Jesus’ call.

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Unquiet Tropes
Form, Race, and Asian American Literature
Elda E Tsou
Temple University Press, 2015
Until quite recently, Asian American literary criticism had little to do with form. Instead, the tendency was to bind the literary tradition to identity formation. For Elda Tsou, however, the distinctions of ethnic writing extend beyond such facile referential practices to incorporate form and aesthetics. 
 
In Unquiet Tropes, Tsou reconceptualizes the literature as a set of highly particular classical rhetorical tropes including antanaclasis, rhetorical question, apophasis, catachresis, and allegory. Looking at five canonical works—Aiiieeeee!, No-No Boy, China Men, Blu’s Hanging, and Native Speaker—Tsou shows how these texts use figurative means to confront the problem of race. She also explores how traces of Asian American history live on through these figures.
 
Each case study in Unquiet Tropes considers a different scenario—defiance, coercion, necessity, error, and deceit—to show how literary representation from the 1950s through 1997 has responded to a specific political condition.
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Unraveling
Remaking Personhood in a Neurodiverse Age
Matthew J. Wolf-Meyer
University of Minnesota Press, 2020

Developing a cybernetic model of subjectivity and personhood that honors disability experiences to reconceptualize the category of the human

Twentieth-century neuroscience fixed the brain as the basis of consciousness, the self, identity, individuality, even life itself, obscuring the fundamental relationships between bodies and the worlds that they inhabit. In Unraveling, Matthew J. Wolf-Meyer draws on narratives of family and individual experiences with neurological disorders, paired with texts by neuroscientists and psychiatrists, to decenter the brain and expose the ableist biases in the dominant thinking about personhood. 

Unraveling articulates a novel cybernetic theory of subjectivity in which the nervous system is connected to the world it inhabits rather than being walled off inside the body, moving beyond neuroscientific, symbolic, and materialist approaches to the self to focus instead on such concepts as animation, modularity, and facilitation. It does so through close readings of memoirs by individuals who lost their hearing or developed trauma-induced aphasia, as well as family members of people diagnosed as autistic—texts that rethink modes of subjectivity through experiences with communication, caregiving, and the demands of everyday life.

Arguing for a radical antinormative bioethics, Unraveling shifts the discourse on neurological disorders from such value-laden concepts as “quality of life” to develop an inclusive model of personhood that honors disability experiences and reconceptualizes the category of the human in all of its social, technological, and environmental contexts.

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Unraveling the Garment Industry
Transnational Organizing and Women’s Work
Ethel C. Brooks
University of Minnesota Press, 2007
Unraveling the Garment Industry is an ambitious investigation of the politics of labor and protest within an industry that has come to define the possibilities and abuses of globalization and its feminized labor: the garment industry. Focusing on three labor rights movements—against GAP clothing in El Salvador, child labor in Bangladesh, and sweatshops in New York City—Ethel C. Brooks examines how transnational consumer protest campaigns effect change, sometimes with unplanned penalties for those they intend to protect.

Brooks analyzes a two-pronged problem in consumer boycott campaigns against labor abuse in the garment industry. First, how are we to understand the political necessities of local protest such as the right to unionize against the emphasis placed on consumer boycotts? Second, what and whose agency is privileged or obscured within the symbolic economies and the politics of information deployed by these campaigns? Tying both of these questions together is a commitment to seeing globalization as embedded in the everyday realities of the local. 

Drawing attention to the race, class, and gender assumptions central to powerful consumer boycotts, Brooks reveals how these movements unintentionally reinforce the global economic forces they denounce.

Ethel C. Brooks is assistant professor of women’s and gender studies and sociology at Rutgers University.

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Unraveling the Real
The Fantastic in Spanish-American Ficciones
Authored by Cynthia Duncan
Temple University Press, 2010

In literary and cinematic fictions, the fantastic blurs the lines between reality and fantasy. Lacking a consensus on definition, critics often describe the fantastic as supernatural, or similar to, but quite different from fantasy, science fiction, and magical realism.

In Unraveling the Real Cynthia Duncan provides a new theoretical framework for discussing how the fantastic explores both metaphysical and socially relevant themes in Spanish American fictions. Duncan deftly shows how authors and artists have used this literary genre to convey marginalized voices as well as critique colonialism, racism, sexism, and classism. Selecting examples from the works of such noted writers as Jorge Luis Borges, Julio Cortázar, and Carlos Fuentes, among others, she shows how capacious the concept is, and why it eludes standard definition.

Challenging the notion that the fantastic is escapist in nature, Unraveling the Real shows how the fantastic has been politically engaged throughout the twentieth century, often questioning what is real or unreal. Presenting a mirror image of reality, the fantastic does not promoting a utopian parallel universe but rather challenges the way we think about the world around us and the cultural legacy of colonialism.

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Unraveling Time
Thirty Years of Ethnography in Cuenca, Ecuador
Ann Miles
University of Texas Press, 2022

Ann Miles has been chronicling life in the Ecuadorian city of Cuenca for more than thirty years. In that time, she has witnessed change after change. A large regional capital where modern trains whisk residents past historic plazas, Cuenca has invited in the world and watched as its own citizens risk undocumented migration abroad. Families have arrived from rural towns only to then be displaced from the gentrifying city center. Over time, children have been educated, streetlights have made neighborhoods safer, and remittances from overseas have helped build new homes and sometimes torn people apart. Roads now connect people who once were far away, and talking or texting on cell phones has replaced hanging out at the corner store.

Unraveling Time traces the enduring consequences of political and social movements, transnational migration, and economic development in Cuenca. Miles reckons with details that often escape less committed observers, suggesting that we learn a good deal more when we look back on whole lives. Practicing what she calls an ethnography of accrual, Miles takes a long view, where decades of seemingly disparate experiences coalesce into cultural transformation. Her approach not only reveals what change has meant in a major Latin American city but also serves as a reflection on ethnography itself.

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Unravelling Gramsci
Hegemony and Passive Revolution in the Global Political Economy
Adam David Morton
Pluto Press, 2007
Unravelling Gramsci makes extensive use of Antonio Gramsci's writings, including his pre-prison journalism, prison letters, and prison notebooks, to provide a fresh approach to understanding his contemporary relevance in the current neoliberal world order. Adam David Morton examines in detail the themes of  hegemony, passive revolution, and uneven development to provide a useful way of analyzing the contemporary global political economy, neoliberalism, state formation, and practices of resistance. The book explores the theoretical and practical limitations to the use of Gramsci's ideas today.



"Powerful and clarifying . . . a landmark volume."
---John Agnew, University of California, Los Angeles



"Morton draws upon an impressive knowledge of Gramsci's writings to provide new insights into key processes in today's world order."
---Anne Showstack Sassoon, Kingston University and Birbeck College, University of London.

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The Unreal City
Mike Lala
Tupelo Press, 2023
A complex and multifaceted reckoning with literary and cultural lineage, Mike Lala’s The Unreal City locates our moment, and reimagines what we might make of it, by subjecting the history of literature to a radical détournement.
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The Unreal Estate Guide to Detroit
Andrew Herscher
University of Michigan Press, 2012

Intense attention has been paid to Detroit as a site of urban crisis. This crisis, however, has not only yielded the massive devaluation of real estate that has so often been noted; it has also yielded an explosive production of seemingly valueless urban property that has facilitated the imagination and practice of alternative urbanisms. The first sustained study of Detroit’s alternative urban cultures, The Unreal Estate Guide to Detroit initiates a new focus on Detroit as a site not only of urban crisis but also of urban possibility.

The Guide documents art and curatorial practices, community and guerilla gardens, urban farming and forestry, cultural platforms, living archives, evangelical missions, temporary public spaces, intentional communities, furtive monuments, outsider architecture, and other work made possible by the ready availability of urban space in Detroit. The Guide poses these spaces as “unreal estate”: urban territory that has slipped through the free- market economy and entered other regimes of value, other contexts of meaning, and other systems of use. The appropriation of this territory in Detroit, the Guide suggests, offers new perspectives on what a city is and can be, especially in a time of urban crisis.
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Unreal Houses
Character, Gender, and Genealogy in the Tale of Genji
Edith Sarra
Harvard University Press, 2020

The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word.

Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel.

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The Unrealizable
Towards a Politics of Ontology
Giorgio Agamben
Seagull Books, 2024
A patient, genealogical investigation of the dichotomies that are foundational to the Western philosophical tradition.

We are so used to distinguishing between the possible and the real, between essence and existence that we do not realize that these distinctions, which seem so obvious to us, are the result of a long and laborious process that has led to the splitting of being—the “matter” of thought—into two fragments that are both conflicting and intimately intertwined.

This book argues that the ontological-political machine of the West is based on the splitting of this “matter,” without which neither science nor politics would be possible. Without the partition of reality into essence and existence and into possibility and actuality, neither scientific knowledge nor the ability to control human action—which characterizes the historical power of the West—would have been possible.

If we could not suspend the exclusive concentration of our attention on what immediately exists (as animals seem to do), to think and define its essence, Western science and technology would not have experienced the advances that characterize them. And if the dimension of possibility disappeared entirely, neither plans nor projects would be thinkable, and human actions could be neither directed nor controlled. The incomparable power of the West has one of its essential presuppositions in this ontological machine.
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Unreasonable Doubt
Circumstantial Evidence and an Ordinary Murder in New Haven
Norma Thompson
University of Missouri Press, 2006
It was to all appearances an ordinary murder—many might have said that it was an open-and-shut case. But some jurors were not convinced, and the taint of reasonable doubt led one of them to question the very future of our legal system.
            For many Americans, the civic responsibility of jury duty might seem an inconvenience; for Norma Thompson, it was a unique opportunity to bring her expertise to bear on the state of trial procedures in America today. With a background in political science, literature, and the classics, Thompson served as jury foreman in a trial of an “ordinary” murder in New Haven, Connecticut. Deliberations were buffeted by crosswinds of common sense and strong emotion. The trial ended in a hung jury because of what Thompson calls the “unreasonable doubts” of two fellow jurors concerning circumstantial evidence in an age when DNA testing holds out the promise of irrefutable proof.
In a compelling tale of contrasting rhetoric, Thompson takes readers into the courtroom to hear a streetwise convict verbally sparring with the D.A., then brings us into the confines of the jury room to have us witness nervous chatter over the meaning of evidence. She also contrasts this ordinary murder with the concurrent brutal stabbing of a Yale student, a case that attracted considerably more police and media attention.
            Thompson argues that the indeterminate results of the trial are symptomatic of larger problems in the justice system and society and that the reluctance of most people today to be judgmental is damaging the criminal justice system. As an antidote, she suggests that great literary and historical texts can help us develop the capacity for prudential judgment. Gleaning insights from an imaginary jury of Tocqueville and Plato, Jane Austen and William Faulkner, among other writers and thinkers, Thompson shows how confrontation with the works of such authors can help model more proper habits of deliberation.
            Blending personal memoir, social analysis, and literary criticism, Unreasonable Doubt is a challenging book that deals squarely with the evasion of judgment in contemporary political, social, and legal affairs. Brimming with brilliant insights, it suggests that the foundations for thought and action in our time have been neglected as a result of the wall erected between the social sciences and the humanities and invites readers to consider jury duty in a new light. Through real-world drama and literary reflection, it shows us that there is more to politics than power—and more of value to be found in the humanities than we may have supposed.
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Unreasonable Histories
Nativism, Multiracial Lives, and the Genealogical Imagination in British Africa
Christopher J. Lee
Duke University Press, 2015
In Unreasonable Histories, Christopher J. Lee unsettles the parameters and content of African studies as currently understood. At the book's core are the experiences of multiracial Africans in British Central Africa—contemporary Malawi, Zimbabwe, and Zambia—from the 1910s to the 1960s. Drawing on a spectrum of evidence—including organizational documents, court records, personal letters, commission reports, popular periodicals, photographs, and oral testimony—Lee traces the emergence of Anglo-African, Euro-African, and Eurafrican subjectivities which constituted a grassroots Afro-Britishness that defied colonial categories of native and non-native. Discriminated against and often impoverished, these subaltern communities crafted a genealogical imagination that reconfigured kinship and racial descent to make political claims and generate affective meaning. But these critical histories equally confront a postcolonial reason that has occluded these experiences, highlighting uneven imperial legacies that still remain. Based on research in five countries, Unreasonable Histories ultimately revisits foundational questions in the field, to argue for the continent's diverse heritage and to redefine the meanings of being African in the past and present—and for the future.
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Unreconciled
From Racial Reconciliation to Racial Justice in Christian Evangelicalism
Andrea Smith
Duke University Press, 2019
In the 1990s, many evangelical Christian organizations and church leaders began to acknowledge their long history of racism and launched efforts at becoming more inclusive of people of color. While much of this racial reconciliation movement has not directly confronted systemic racism's structural causes, there exists a smaller countermovement within evangelicalism, primarily led by women of color who are actively engaged in antiracism and social justice struggles. In Unreconciled Andrea Smith examines these movements through a critical ethnic studies lens, evaluating the varying degrees to which evangelical communities that were founded on white supremacy have addressed racism. Drawing on evangelical publications, sermons, and organization statements, as well as ethnographic fieldwork and participation in evangelical events, Smith shows how evangelicalism is largely unable to effectively challenge white supremacy due to its reliance upon discourses of whiteness. At the same time, the work of progressive evangelical women of color not only demonstrates that evangelical Christianity can be an unexpected place in which to find theoretical critique and social justice organizing but also shows how critical ethnic studies' interventions can be applied broadly across political and religious divides outside the academy.
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The Unremarkable Wordsworth
Geoffrey H. HartmanForeword by Donald G. Marshall
University of Minnesota Press, 1987

The Unremarkable Wordsworth was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

William Wordsworth was attacked by the critics of his time for imposing unremarkable sights and sentiments on his audience. In this book's title essay, an exemplary reading of the Westminster Bridge sonnet, Geoffrey Hartman shows how Wordsworth's "unremarkable phrases" attain their curious vigor. Drawing upon the propositions of semiological analysis—that signs are not signs unless they become perceptible, through the contrast between "marked" and "unmarked"—Hartman, in a deft and sensitive analysis, is able to play these notions of marking and the unremarkable off against each other. Wordsworth, in the end, overcomes both his critics and the science of signs: his quiet sonnet—with its muted or near-absent signs—is itself, as epitaph for an era, a faithful sign of the times.

Hartman's capacity to open up a dialogue between contemporary theory and Wordsworth's poetry informs all of these essays, written since the 1964 publication of Wordsworth's Poetry, a book that marked an epoch in the study of that poet and of Romantic poetry in general. In the years since then, the nature of literary study has changed dramatically, and Hartman has been a leader in the turn to theoretical modes of interpretation. The fifteen essays in The Unremarkable Wordsworth draw upon a wide range of contemporary theoretical approaches, from psychoanalysis to structuralism, from deconstruction to phenomenology. Yet, as Donald Marshall points out in his foreword, "Wordsworth remains so much the focus of this book that 'critical method' is strangely transmuted." For Hartman, reading and thinking are inseparable; he has an uncanny power to convey in an intensified form the poet's own consciousness, not under the rubric of "intertextuality" but because he "has ears to hear."

Geoffrey H. Hartman is Karl Young Professor of English and Comparative Literature at Yale University. His most recent book is Easy Pieces. Donald G. Marshall is a professor of English at the University of Iowa.

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Unremembering Me
Luiz Ruffato
Tagus Press, 2018
Inspired by his own family's struggles, as well as the broader sociopolitical and economic forces that shaped Brazil in the 1970s, Luiz Ruffato's epistolary novel, Unremembering Me, traces the story of the narrator's older brother. Leaving behind his parents and younger siblings in order to assume financial responsibility for his family, Célio, a young factory hand from Cataguases, Minas Gerais, goes to work in industrial São Paulo. His letters home convey details about his work, living situation, adjustments to urban life, and fierce homesickness, even as they point to growing political unrest under the military dictatorship and Célio's increasing participation as a union organizer.
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The Unrepentant Renaissance
From Petrarch to Shakespeare to Milton
Richard Strier
University of Chicago Press, 2011
Who during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physical? These widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them. Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed.
The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier’s lively argument will stir debate throughout the field of Renaissance studies.
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Unreported Opinions of the Supreme Court of Michigan 1836-1843
Edited by William Wirt Blume
University of Michigan Press, 1945
Those who are interested in the judicial history of Michigan prior to 1863 are fortunate in having access to much of such history contained in the six volumes entitled Transactions of the Supreme Court of Michigan, edited by William Wirt Blume of the Michigan Law School faculty. In Unreported Opinions of the Supreme Court of Michigan 1836–1843, Blume brings to light and for the first time makes accessible the Michigan Supreme Court decisions that were rendered during the seven years from 1836 to 1843. The volume includes seventy of the opinions of the Michigan Territorial Court during this time period, along with other interesting material.
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Unrequited Conquests
Love and Empire in the Colonial Americas
Roland Greene
University of Chicago Press, 2000
Love poetry dominated European literature during the Renaissance. Its attitudes, conventions, and values appeared not only in courtly settings but also in the transatlantic world, where cultures were being built, power exercised, and policies made. In this major contribution to our understanding of both the Age of Exploration and early modern lyric, Roland Greene argues that love poetry was not simply a reflection of the times but a means of cultural transformation.

European encounters with the Americas awakened many forms of desire, which pervaded the writings of explorers like Columbus and his contemporaries. These experiences in turn shaped colonial society in Brazil, Peru, and elsewhere. The New World, while it could be explored, conquered, and exploited, could never really be "known"—leaving Europe's desire continually unrequited and the project of empire unfulfilled.

Using numerous poetic examples and extensive historical documentation, Unrequited Conquests rewrites the relations between the Renaissance and colonial Latin America and between poetry and history.
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Unresolved Tensions
Bolivia Past and Present
John Crabtree
University of Pittsburgh Press, 2008
The landslide election of Evo Morales in December 2005 pointed toward a process of accelerated change in Bolivia, forging a path away from globalization and the neoliberal paradigm in favor of greater national control and state intervention.  This in turn shifted the power relations of Bolivia's internal politics-beginning with greater inclusion of the indigenous population-and altered the nation's foreign relations. Unresolved Tensions engages this realignment from a variety of analytical perspectives, using the Morales election as a lens through which to reassess Bolivia's contemporary political reality and its relation to a set of deeper historical issues.

This volume brings together an expert group of commentators and participants from within the Bolivian political arena to offer diverse perspectives and competing views on issues of ethnicity, regionalism, state-society relations, constitutional reform, economic development, and globalization.  In this way, the contributors seek to reassess Bolivia's past, present, and future, consider the ways in which the nation's historical developments flow from these deeper currents, and assess the opportunities and challenges that arise within the new political context.
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Unrest in Brazil
Political-Military Crises 1955-1964
By John W. F. Dulles
University of Texas Press, 1970

… I offer my life in a holocaust … This people whose slave I was will no longer be slave to anyone. My sacrifice will remain forever in their souls and my blood will be the price of their ransom.

President Getulio Vargas' testament—written shortly before his suicide on August 24, 1954—was prophetic, for the Vargas legacy was to cast a shadow on political-military events of the next decade.

With news of Vargas' suicide, opponents of the late President, who were usually out of power, tried to organize. The military itself was split, but those favoring Kubitschek, apparent winner of the 1955 presidential election on a ticket of Vargas-created parties, gained control. To assure Kubitschek's inauguration Army leaders deposed two acting Presidents in 1955.

During Kubitschek's presidency (1956–1961 ) there were manifestations of discontent by military and political groups who ascribed numerous evils to Vargas and his followers.

In 1961, when Kubitschek's successor, Jânio Quadros, resigned after six months in office, the unrest intensified. Vice President Jango Goulart assumed the presidency and sought unsuccessfully to conciliate contending forces; his battle for reform seemed to make him an ally of "far leftists." Feeling that discipline was being undermined by men close to the President and that only military action could save Brazil from following the path favored by influential Communist labor leaders, a majority of the Army officers agreed to overthrow Goulart's administration in 1964.

Unrest in Brazil describes in exciting detail the government crises and resulting military interventions that punctuated the power struggle between supporters and opponents of Vargas in the decade following his death.

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Unruly Audience
Folk Interventions in Popular Media
Greg Kelley
Utah State University Press, 2020
Unruly Audience explores grassroots appropriations of familiar media texts from film, television, stand-up comedy, popular music, advertising, and tourism. Case studies probe the complex relationship between folklore and media, with particular attention to the dynamics of production and reception.
 
Greg Kelley examines how “folk interventions” challenge institutional media with active—often public—social engagement. Drawing on a diverse range of examples—popular music parodies of “The Colonel Bogey March,” jokes about Disney’s Snow White and the Seven Dwarfs, touristic performance at Jamaica’s haunted Rose Hall, internet memes about NBC’s The Office, children’s parodies of commercials, and jokes about joking—Kelley demonstrates how active audiences mobilize folklore to disrupt dominant modes of media discourse. With materials both historical and contemporary and compiled from print, internet archives, and original fieldwork, Kelley’s audience-centered analysis demonstrates that producers of media are not the sole arbiters of meaning. With folklore as an important tool, unruly audiences refashion mediated expression so that the material becomes more relevant to their own circumstances.
 
Unruly Audience foregrounds the fluid interplay between media production and audience reception and between forces of cultural domination and cultural resistance, bringing new analytical insights to familiar folk practices. This carefully crafted book will speak to students and scholars in folklore, popular culture, and media studies in multidisciplinary ways.
 
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Unruly Cinema
History, Politics, and Bollywood
Rini Bhattacharya Mehta
University of Illinois Press, 2020
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond.

Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.

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Unruly Complexity
Ecology, Interpretation, Engagement
Peter J. Taylor
University of Chicago Press, 2005
Ambitiously identifying fresh issues in the study of complex systems, Peter J. Taylor, in a model of interdisciplinary exploration, makes these concerns accessible to scholars in the fields of ecology, environmental science, and science studies. Unruly Complexity explores concepts used to deal with complexity in three realms: ecology and socio-environmental change; the collective constitution of knowledge; and the interpretations of science as they influence subsequent research.

For each realm Taylor shows that unruly complexity-situations that lack definite boundaries, where what goes on "outside" continually restructures what is "inside," and where diverse processes come together to produce change-should not be suppressed by partitioning complexity into well-bounded systems that can be studied or managed from an outside vantage point. Using case studies from Australia, North America, and Africa, he encourages readers to be troubled by conventional boundaries-especially between science and the interpretation of science-and to reflect more self-consciously on the conceptual and practical choices researchers make.
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Unruly Creatures
Stories
Jennifer Caloyeras
West Virginia University Press, 2017

Independent Publisher’s Book Awards, Silver Medal, Short Story Fiction

In this collection rife with humor and pathos, alienated characters struggle to subvert, contain, control, and even escape their bodies. A teenage girl grapples with pubic hair grown wild, a biologist finds herself in love with a gorilla, a prisoner yearns to escape her biological destiny.
 
 In some stories, the bodies have surrogates: a high-school girl babysits an elderly woman’s plastic doll while negotiating her own sexual awakening, and a young man finds that he can only receive affection from his father when he is in costume. Dark humor and magical realism put in sharp relief the everyday trials of Americans in a story collection that asks, in what way are we more than the sum of our parts?  
 
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The Unruly Dead
Spirits, Memory, and State Formation in Timor-Leste
Lia Kent
University of Wisconsin Press, 2024
“What might it mean to take the dead seriously?” asks Lia Kent in this exciting new contribution to critical human rights scholarship. In Timor-Leste, a new nation-state that experienced centuries of European colonialism before a violent occupation by Indonesia from 1975 to 1999, the dead are active participants in social and political life who continue to operate within familial structures of obligation and commitment. On individual, local, and national levels, Timor-Leste is invested in various forms of memory work, including memorialization, exhumation, reburial, and commemoration of the occupation’s victims. Such practices enliven the dead, allowing them to forge new relationships with the living and unsettling the state-building logics that seek to contain and control them. 

With generous, careful ethnography and incisive analysis, Kent challenges comfortable, linear narratives of transitional justice and argues that this memory work is reshaping the East Timorese social and political order—a process in which the dead are active, and sometimes disruptive, participants. Community ties and even the landscape itself are imbued with their presence and demands, and the horrific scale of mass death in recent times—at least a third of the population perished during the Indonesian occupation—means Timor-Leste’s dead have real, significant power in the country’s efforts to remember, recover, and reestablish itself. 
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Unruly Domestication
Poverty, Family, and Statecraft in Urban Peru
Kristin Skrabut
University of Texas Press, 2024

How the international war on poverty shapes identities, relationships, politics, and urban space in Peru.

Unruly Domestication investigates how Peru’s ongoing, internationally endorsed "war on poverty" shapes politics, intimate identities, and urban space in Lima. Drawing on a decade of embedded, ethnographic research in Lima’s largest and most recently founded “extreme poverty zone,” Kristin Skrabut demonstrates how Peru’s efforts to fight poverty by formalizing property, identity, and family status perpetuate environmentally unsustainable urban sprawl, deepen discrimination against single mothers, and undermine Peruvians’ faith in public officials and in one another. In the process, Skrabut reveals myriad entanglements of poverty, statecraft, and private life, exploring how families are made and unmade through political practices, how gender inequalities are perpetuated through policy, and how Peruvians’ everyday pursuits of state-sanctioned domestic ideals reproduce informality and landscapes of poverty in the urban periphery.

The only full-length ethnography written about Lima’s iconic and policy-inspiring shantytowns in thirty years, Unruly Domestication provides valuable insight into the dynamics of housing and urban development in the Global South, elucidating the most intimate and profound effects of global efforts to do good.

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Unruly Eloquence
Lucian and the Comedy of Traditions
Bracht Branham
Harvard University Press, 1989
Branham expounds with sophistication and subtlety the essential ingredients of Lucian's satirical humor. He makes frequent reference to its importance for comic theory and literary history.
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Unruly Girls, Unrepentant Mothers
Redefining Feminism on Screen
By Kathleen Rowe Karlyn
University of Texas Press, 2010
Since the 1990s, when Reviving Ophelia became a best seller and “Girl Power” a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism’s Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn’s groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism’s Third Wave. Tying feminism’s internal conflicts to negative attitudes toward mothers in the social world, she asks whether today’s seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.
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Unruly Ideas
A History of Kitawala in Congo
Nicole Eggers
Ohio University Press, 2023
Unruly Ideas: A History of Kitawala in Congo recounts the multifaceted history of the Congolese religious movement Kitawala from its colonial beginnings in the 1920s through its continued practice in some of the most conflict-riven parts of the eastern Democratic Republic of Congo today. Drawing on a rich body of original oral, ethnographic, and archival research, Nicole Eggers uses Kitawala as a lens through which to address the complex relationship between politics, religion, healing, and violence in central African history. Kitawala, which has roots in the African Watchtower (Jehovah’s Witness) movement, has long been viewed both by scholars and by popular historians as a form of male-dominated, anticolonial insurgency. But just as Kitawalists were never exclusively male, their teachings and activities were never directed solely at the Belgian colonial state, and their yearnings for self-rule were never entirely about the secular realms of authority. A more comprehensive look at the oral and archival evidence reveals they were and are concerned with the morality of power more broadly: on state, communal, and individual levels. Moreover, Kitawalist doctrine is itself unruly, and its preachers, prophets, and practitioners have articulated innumerable interpretations—most quite different from Watchtower Christianity—across space and time. More than a case study of a particular religious movement, Unruly Ideas is a conceptual history of power that investigates how communities and individuals in the region have historically imagined power, sought to access it, wielded it, and policed the morality of its uses. By focusing on power and its intellectual and social history in Congo, Unruly Ideas creates an analytical space in which readers can understand the differing manifestations of Kitawala—from its overtly political and sometimes violent moments to those more aptly characterized as individual quests for spiritual and physical therapy—as varying themes in the same story: the pursuit of wellness in the context of malady. On a more practical level, the book raises important questions about the project of writing histories of places like eastern Congo: a region where the repercussions of decades of political neglect, upheaval, and violence force us to reconsider how we can think about and use oral and archival sources. Finally, the book investigates the embodied and gendered nature of field research and interrogates the intersubjective and reciprocal nature of knowledge production.
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Unruly Immigrants
Rights, Activism, and Transnational South Asian Politics in the United States
Monisha Das Gupta
Duke University Press, 2006
In Unruly Immigrants, Monisha Das Gupta explores the innovative strategies that South Asian feminist, queer, and labor organizations in the United States have developed to assert claims to rights for immigrants without the privileges or security of citizenship. Since the 1980s many South Asian immigrants have found the India-centered “model minority” politics of previous generations inadequate to the task of redressing problems such as violence against women, homophobia, racism, and poverty. Thus they have devised new models of immigrant advocacy, seeking rights that are mobile rather than rooted in national membership, and advancing their claims as migrants rather than as citizens-to-be. Creating social justice organizations, they have inventively constructed a transnational complex of rights by drawing on local, national, and international laws to seek entitlements for their constituencies.

Das Gupta offers an ethnography of seven South Asian organizations in the northeastern United States, looking at their development and politics as well as the conflicts that have emerged within the groups over questions of sexual, class, and political identities. She examines the ways that women’s organizations have defined and responded to questions of domestic violence as they relate to women’s immigration status; she describes the construction of a transnational South Asian queer identity and culture by people often marginalized by both mainstream South Asian and queer communities in the United States; and she draws attention to the efforts of labor groups who have sought economic justice for taxi drivers and domestic workers by confronting local policies that exploit cheap immigrant labor. Responding to the shortcomings of the state, their communities, and the larger social movements of which they are a part, these groups challenge the assumption that citizenship is the necessary basis of rights claims.

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Unruly Practices
Power, Discorse, and Gender in Contemporary Social Theory
Fraser, Nancy
University of Minnesota Press, 1989
“A wonderfully rich and insightful collection of well-integrated essays on important current thinkers and social movements.” -Martin Jay
University of California, Berkeley

Unruly Practices brings together a series of widely discussed essays in feminism and social theory.  Read together, they constitute a sustained critical encounter with leading European and American approaches to social theory.  In addition, Nancy Fraser develops a new and original socialist-feminist critical theory that overcomes many of the limitations of current alternatives.  First, in a series of critical essays, she deploys philosophical and literary techniques to sort the wheat from the chaff in the work of Michel Foucault, the French deconstructionists, Richard Rorty, and Jurgen Habermas.  Then, in a group of constructive essays, she incorporates their respective strengths in a new critical theory of late-capitalist political culture.

Fraser breaks new ground methodologically by integrating the previously divergent insights of poststructuralism, critical social theory, feminist theory, and pragmatism.  Thematically, she deals with varied forms of dominance and subordination in modern, industrial, late-capitalist societies - especially gender dominance and subordination; state-bureaucratic forms of organization; the institutional politics of knowledge and expertise; and the structure and function of social-welfare programs.  In the last section of the book, these themes are integrated in an original theory of “the politics of need interpretation.”  This concept becomes the linchpin of he socialist-feminist critical theory proposed in the last chapter.
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Unruly Rhetorics
Protest, Persuasion, and Publics
Jonathan Alexander
University of Pittsburgh Press, 2018
What forces bring ordinary people together in public to make their voices heard? What means do they use to break through impediments to democratic participation? Unruly Rhetorics is a collection of essays from scholars in rhetoric, communication, and writing studies inquiring into conditions for activism, political protest, and public assembly. An introduction drawing on Jacques Rancière and Judith Butler explores the conditions under which civil discourse cannot adequately redress suffering or injustice. The essays offer analyses of “unruliness” in case studies from both twenty-first-century and historical sites of social-justice protest.  The collection concludes with an afterword highlighting and inviting further exploration of the ethical, political, and pedagogical questions unruly rhetorics raise. Examining multiple modes of expression—embodied, print, digital, and sonic—Unruly Rhetorics points to the possibility that unruliness, more than just one of many rhetorical strategies within political activity, is constitutive of the political itself.
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Unruly Souls
The Digital Activism of Muslim and Christian Feminists
Kristin M. Peterson
Rutgers University Press, 2022
Amid growing digital activism to address gender-based violence, institutional racism, and homophobia in U.S. society, Unruly Souls explores the intersectional feminist activism among young people within Islam and Evangelical Christianity. These religious misfits—marginalized from traditional religious spaces due to their sexuality, gender, or race—employ the creative tactics of digital media in their work to seek justice and to display their fundamental equality in the eyes of God. Through an analysis of various digital projects from hip-hop music videos and Instagram accounts to Twitter hashtags and podcasts, Kristin Peterson argues that the hybrid, flexible, playful, and sensory nature of digital media facilitate intersectional feminist activism within and beyond religious communities. Drawing on work from queer theory, decolonial theory, and Black feminist theory, this study explores how those who have been marginalized are able to effectively deploy their disregarded status along with digital media tactics to cultivate empathetic communities for those recovering from religious trauma.
 
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Unruly Spirits
The Science of Psychic Phenomena in Modern France
M. Brady Brower
University of Illinois Press, 2010
Unruly Spirits connects the study of séances, telepathy, telekinesis, materializations, and other parapsychic phenomena in France during the age of Sigmund Freud to an epistemological crisis that would eventually yield the French adoption of psychoanalysis. Skillfully navigating experiments conducted by nineteenth-century French psychical researchers and the wide-ranging debates that surrounded their work, M. Brady Brower situates the institutional development of psychical research at the intersection of popular faith and the emergent discipline of psychology.
 
Brower shows how spiritualist mediums were ignored by French academic scientists for nearly three decades. Only after the ideologues of the Third Republic turned to science to address what they took to be the excess of popular democracy would the marvels of mediumism begin to emerge as legitimate objects of scientific inquiry. Taken up by the most prominent physicists, physiologists, and psychologists of the last decades of the nineteenth century, psychical research would eventually stall in the 1920s as researchers struggled to come to terms with interpersonal phenomena (such as trust and good faith) that could not be measured within the framework of their experimental methods.
 
In characterizing psychical research as something other than a mere echo of popular spirituality or an anomaly among the sciences, Brower argues that the questions surrounding mediums served to sustain the scientific project by forestalling the establishment of a closed and complete system of knowledge. By acknowledging persistent doubt about the intentions of its participants, psychical research would result in the realization of a subjectivity that was essentially indeterminate and would thus clear the way for the French reception of psychoanalysis and the Freudian unconscious and its more comprehensive account of subjective uncertainty.
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Unruly Visions
The Aesthetic Practices of Queer Diaspora
Gayatri Gopinath
Duke University Press, 2018
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.
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The Unruly Voice
Rediscovering Pauline Elizabeth Hopkins
Edited by John Cullen Gruesser
University of Illinois Press, 1996

The work and times of the Black writer, editor, and intellectual

John Cullen Gruesser edits essays that explore the literary and journalistic career of Pauline Elizabeth Hopkins. A Black woman writer at the turn of the twentieth century, Hopkins worked as the unacknowledged editor-in-chief of the Colored American Magazine but also wrote short fiction, novels, nonfiction articles, and a play believed to be the first by a Black woman. Versatile and politically committed, she was fired when her strong editorial stands and non-conciliatory politics offended the new owner of Colored American Magazine.

A rare examination of an overlooked figure in Black letters, The Unruly Voice explores Hopkins’s writing and her significance for contemporary readers.

Contributors: Elizabeth Ammons; Kristina Brooks; Lois Lamphere Brown; C. K. Doreski; John Cullen Gruesser; Jennie A. Kassanoff; Kate McCullough; Nelly Y. McKay; and Cynthia D. Schrager

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The Unruly Woman
Gender and the Genres of Laughter
By Kathleen Rowe
University of Texas Press, 1995

Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman—often a voluptuous, noisy, joke-making rebel or "woman on top"—uses humor and excess to undermine patriarchal norms and authority.

At the heart of the book are detailed analyses of two highly successful unruly women—the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas.

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The Unsaddled
Pascal Quignard
Seagull Books, 2023
A captivating and wide-ranging interpretation of accidental dismounting.
 
In Pascal Quignard’s writing, philology hunts for wild game in a dark forest. The Unsaddled, which features horses as its central figure, is no exception. Taking off from puns, multifarious imagery, and metaphorical meanings—“to be baffled,” “to be thrown”—that the book’s title provides, Quignard focuses on life-changing moments. We meet George Sand (whose father died after being thrown from his horse), Saint Paul, Abelard, Agrippa d’Aubigné, and countless other writers, philosophers, theologians, or kings who fell off their horses—not to forget Jean-Jacques Rousseau, who was knocked over by a dog. Being “unsaddled” can also be associated, as Quignard shows in regard to Nietzsche, with an “overturning” of values. Scenes of war, hunting, “fleeing” or sexuality—“When lovers have a horse ride, they gallop in another world”—come before our eyes, each time from those unsettling vantage points that Quignard knows how to find. As ever, he ranges far and wide in his intense quest, taking examples from across human history, from the neolithic age to his own childhood memories of postwar Le Havre in northern France.
 
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Unsafe for Democracy
World War I and the U.S. Justice Department's Covert Campaign to Suppress Dissent
William H. Thomas Jr.
University of Wisconsin Press, 2009
During World War I it was the task of the U.S. Department of Justice, using the newly passed Espionage Act and its later Sedition Act amendment, to prosecute and convict those who opposed America’s entry into the conflict. In Unsafe for Democracy, historian William H. Thomas Jr. shows that the Justice Department did not stop at this official charge but went much further—paying cautionary visits to suspected dissenters, pressuring them to express support of the war effort, or intimidating them into silence. At times going undercover, investigators tried to elicit the unguarded comments of individuals believed to be a threat to the prevailing social order.
    In this massive yet largely secret campaign, agents cast their net wide, targeting isolationists, pacifists, immigrants, socialists, labor organizers, African Americans, and clergymen. The unemployed, the mentally ill, college students, schoolteachers, even schoolchildren, all might come under scrutiny, often in the context of the most trivial and benign activities of daily life.
    Delving into numerous reports by Justice Department detectives, Thomas documents how, in case after case, they used threats and warnings to frighten war critics and silence dissent. This early government crusade for wartime ideological conformity, Thomas argues, marks one of the more dubious achievements of the Progressive Era—and a development that resonates in the present day.

Best Books for Special Interests, selected by the American Association of School Librarians

“Recommended for all libraries.”—Frederic Krome, Library Journal

“A cautionary tale about what can happen to our freedoms if we take them too lightly.”—Dave Wood, Hudson Star-Observer
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Unsafe Words
Queering Consent in the #MeToo Era
Shantel Gabrieal Buggs
Rutgers University Press, 2023
Queer people may not have invented sex, but queers have long been pioneers in imagining new ways to have it. Yet their voices have been largely absent from the #MeToo conversation. What can queer people learn from the #MeToo conversation? And what can queer communities teach the rest of the world about ethical sex? This provocative book brings together academics, activists, artists, and sex workers to tackle challenging questions about sex, power, consent, and harm. While responding to the need for sex to be consensual and mutually pleasurable, these chapter authors resist the heteronormative assumptions, class norms, and racial privilege underlying much #MeToo discourse. The essays reveal the tools that queer communities themselves have developed to practice ethical sex—from the sex worker negotiating with her client to the gay man having anonymous sex in the back room. At the same time, they explore how queer communities might better prevent and respond to sexual violence without recourse to a police force that is frequently racist, homophobic, and transphobic. 
 
Telling a queerer side of the #MeToo story, Unsafe Words dares to challenge dogmatic assumptions about sex and consent while developing tools and language to promote more ethical and more pleasurable sex for everyone.
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Unsecular Media
MAKING NEWS OF RELIGION IN AMERICA
Mark Silk
University of Illinois Press, 1995
Writing in the New York Times Magazine, Max Frankel characterized Unsecular Media as a book that "leaves you thinking about the saintly role that religion has acquired in our allegedly irreligious media."

Mark Silk's book is the first to offer a comprehensive description and analysis of how American news media cover religion.
 
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Unseeing Empire
Photography, Representation, South Asian America
Bakirathi Mani
Duke University Press, 2020
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.
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Unseen Art
Making, Vision, and Power in Ancient Mesoamerica
Claudia Brittenham
University of Texas Press, 2023

In Unseen Art, Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

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Unseen Flesh
Gynecology and Black Queer Worth-Making in Brazil
Nessette Falu
Duke University Press, 2023
In Unseen Flesh Nessette Falu explores how Black lesbians in Brazil define and sustain their well-being and self-worth against persistent racial, sexual, class, and gender-based prejudice. Focusing on the trauma caused by interactions with gynecologists, Falu draws on in-depth ethnographic work among the Black lesbian community to reveal their profoundly negative affective experiences within Brazil’s deeply biased medical system. In the face of such entrenched, intersectional intimate violence, Falu’s informants actively pursue well-being in ways that channel their struggle for self-worth toward broader goals of social change, self care, and communal action. Demonstrating how the racist and heteronormative underpinnings of gynecology erase Black lesbian subjecthood through mental, emotional, and physical traumas, Falu explores the daily resistance and abolitionist practices of worth-making that claim and sustain Black queer identity and living. Falu rethinks the medicalization of race, sex, and gender in Brazil and elsewhere while offering a new perspective on Black queer life through well-being grounded in relationships, socioeconomic struggles, the erotic, and freedom strivings.
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The Unseen Truth
When Race Changed Sight in America
Sarah Lewis
Harvard University Press, 2024

The award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime.

In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.

The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.

To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.

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An Unseen Unheard Minority
Asian American Students at the University of Illinois
Sharon S. Lee
Rutgers University Press, 2022
Higher education hails Asian American students as model minorities who face no educational barriers given their purported cultural values of hard work and political passivity. Described as “over-represented,” Asian Americans have been overlooked in discussions about diversity; however, racial hostility continues to affect Asian American students, and they have actively challenged their invisibility in minority student discussions. This study details the history of Asian American student activism at the University of Illinois Urbana-Champaign, as students rejected the university’s definition of minority student needs that relied on a model minority myth, measures of under-representation, and a Black-White racial model, concepts that made them an “unseen unheard minority.” This activism led to the creation on campus of one of the largest Asian American Studies programs and Asian American cultural centers in the Midwest. Their histories reveal the limitations of understanding minority student needs solely along measures of under-representation and the realities of race for Asian American college students.
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Unselfishness
The Role of the Vicarious Affects in Moral Philosophy and Social Theory
Nicholas Rescher
University of Pittsburgh Press, 1975
In Unselfishness, Nicholas Rescher criticizes the stance of many contemporary moral philosophers and social theorists-that rationality conflicts with morality, and instead defends the position of historical thinkers who believed that the worth of altruism is irreducible and that its rationalization does not require recourse to prudential self-interest. To support his position, Rescher provides detailed examples, and a theoretical critique of utilitarian morality.
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An Unsentimental Education
Writers and Chicago
Molly McQuade
University of Chicago Press, 1995
"Writers are both born and made, and their teachers share in the making of them, but in what ways?" Molly McQuade asks in An Unsentimental Education, a collection of candid interviews with twenty-one of our leading novelists and poets. Presented as first-person essays, the interviews are with contemporary writers who have studied, taught at, or cultivated other ties with the University of Chicago. The book provides an occasion for the writers to reflect on their Chicago experiences and on ideas about education in general. What education does a writer need? How can formal learning impel the writing life? What school stories or tales told out of school do Philip Roth, Hayden Carruth, Marguerite Young, George Steiner, Charles Simic, Susan Sontag, and Saul Bellow have in store and want to share.

Interviews with:Saul Bellow, Paul Carroll, Hayden Carruth, Robert Coover, Leon Forrest, June Jordan, Janet Kauffman, Morris Philipson, M. L. Rosenthal, Philip Roth, Susan Fromberg Shaeffer, Charles Simic, Susan Sontag, George Starbuck, George Steiner, Richard Stern, Nathaniel Tarn, Douglas Unger, Kurt Vonnegut, and Marguerite Young.
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Unsentimental Reformer
The Life of Josephine Shaw Lowell
Joan Waugh
Harvard University Press, 1997

If the poor are always with us, how we have perceived and treated them has changed like the seasons. Such was the massive and pitiless industrialization of the nation after the Civil War that Josephine Shaw Lowell (1843-1905) recoiled and sought a new way to approach poverty. She rationalized charity toward hapless families and children in ways that established social responsibility for the welfare of the poor. This introduction of "scientific" methods in social work bridged two great eras of social reform, creating a civic maternalism only denied in law in 1996.

A Brahmin, member of an illustrious family, sister of the martyred Robert Gould Shaw, who led his proud black troops against Fort Wagner, and, later, a war widow, Lowell constantly responded to changing ideological and economic conditions affecting the poor. From an emphasis on the regeneration of the individual, she soon showed an appreciation of the importance of social conditions.

This book challenges all previous interpretations of Lowell as a "genteel" reformer mostly interested in social control of the underclass. Rather, her aim was to cure pauperism, and her strategies eventually led her to support higher wages and full employment.

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Unsettled Accounts
Poems
Will Wells
Ohio University Press, 2010

To take the mess of life and make meaning from it is what all poets seek to do. For Will Wells, recipient of the thirteenth annual Hollis Summers Poetry Prize, this includes reaching across centuries and continents, into the minds and hearts of disparate individuals—Albert Einstein, Andrea Yates, the traveler from Porlock, Dante, or Holocaust survivors, including his own grandmother—to extract the personal value embedded there for him.

By turns funny, shocking, gentle, and musing, the poems of Unsettled Accounts reflect Will Wells’s constant attention to his environment and to his past—and to our environment and our past—and his persistent effort to keep them real and whole by turning them into art.

Ping-Pong with the Nazis

Bored couriers have kicked off boots and set
their pipes aside, a Dutch interior.
The slapped ball clacks over the table
like a telegraphic code, then trickles
like faint hope across the marble floor.
How quickly he bends to retrieve it
and puts it back in play, the Jewish boy
living with false papers in a villa
owned by his mother’s Gentile friends, and now
commandeered by retreating Germans
as divisional headquarters. The young
blond soldiers, deferential to a social
better, muss his blond locks like the kid
brothers back in the fatherland, like big
brothers steeped in genial menace.
He begs another game, so they relent.
As the ball resumes its chatter across
the no-man’s-land strung with a net,
he calculates the risk that each shot brings.
And so do they. He holds his pee and serves.


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Unsettled Belonging
Educating Palestinian American Youth after 9/11
Thea Renda Abu El-Haj
University of Chicago Press, 2015
Unsettled Belonging tells the stories of young Palestinian Americans as they navigate and construct lives as American citizens. Following these youth throughout their school days, Thea Abu El-Haj examines citizenship as lived experience, dependent on various social, cultural, and political memberships. For them, she shows, life is characterized by a fundamental schism between their sense of transnational belonging and the exclusionary politics of routine American nationalism that ultimately cast them as impossible subjects.
           
Abu El-Haj explores the school as the primary site where young people from immigrant communities encounter the central discourses about what it means to be American. She illustrates the complex ways social identities are bound up with questions of belonging and citizenship, and she details the processes through which immigrant youth are racialized via everyday nationalistic practices. Finally, she raises a series of crucial questions about how we educate for active citizenship in contemporary times, when more and more people’s lives are shaped within transnational contexts. A compelling account of post-9/11 immigrant life, Unsettled Belonging is a steadfast look at the disjunctures of modern citizenship. 
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Unsettled Borders
The Militarized Science of Surveillance on Sacred Indigenous Land
Felicity Amaya Schaeffer
Duke University Press, 2022
In Unsettled Borders Felicity Amaya Schaeffer examines the ongoing settler colonial war over the US-Mexico border from the perspective of Apache, Tohono O’odham, and Maya who fight to protect their sacred land. Schaeffer traces the scientific and technological development of militarized border surveillance across time and space from Spanish colonial lookout points in Arizona and Mexico to the Indian wars, when the US cavalry hired Native scouts to track Apache fleeing into Mexico, to the occupation of the Tohono O’odham reservation and the recent launch of robotic bee swarms. Labeled “Optics Valley,” Arizona builds on a global history of violent dispossession and containment of Native peoples and migrants by branding itself as a profitable hub for surveillance. Schaeffer reverses the logic of borders by turning to Indigenous sacredsciences: ancestral land-based practices that are critical to reversing the ecological and social violence of surveillance, extraction, and occupation.
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Unsettled
Cambodian Refugees in the New York City Hyperghetto
Eric Tang
Temple University Press, 2015

After surviving the Khmer Rouge genocide, followed by years of confinement to international refugee camps, as many as 10,000 Southeast Asian refugees arrived in the Bronx during the 1980s and ‘90s. Unsettled chronicles the unfinished odyssey of Bronx Cambodians, closely following one woman and her family for several years as they survive yet resist their literal insertion into concentrated Bronx poverty.  

Eric Tang tells the harrowing and inspiring stories of these refugees to make sense of how and why the displaced migrants have been resettled in the “hyperghetto.” He argues that refuge is never found, that rescue discourses mask a more profound urban reality characterized by racialized geographic enclosure, economic displacement and unrelenting poverty, and the criminalization of daily life

Unsettled views the hyperghetto as a site of extreme isolation, punishment, and confinement. The refugees remain captives in late-capitalist urban America. Tang ultimately asks: What does it mean for these Cambodians to resettle into this distinct time and space of slavery’s afterlife?

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