The literary career of Uchida Hyakken (1889–1971) encompassed a wide variety of styles and genres, including fiction, ­zuihitsu (essays), war diaries, poetry, travelogues, and children’s stories. In discussing his oeuvre, critics have circumscribed Hyakken to a private literary realm detached from the era in which he wrote.

Rachel DiNitto provides a critical corrective by locating in Hyakken’s simple yet powerful literary language a new way to appreciate the various literary reactions to the modernization of the early decades of the twentieth century and a means to open up a literary space of protest, an alternate intellectual response to the era of militarism.

This book takes up Hyakken’s fiction and essays written during Japan’s prewar years to investigate the intersection of his literature with the material and discursive surroundings of the time: a consumer-oriented print culture; the popular entertainment of film; the capitalist and cultural force of an emergent middle class; a planned, yet sprawling metropolis; and the war machine of an expanding Japanese ­empire. Emerging from this analysis is a writer who relied on the quotidian language of the everyday and the symbols of cultural modernism to counter the harsh realities of modernization and imperialism and to express sentiments contrary to the mainstream ideological rhetoric of the time.

The history of the Institute of Education at University College London from 1902 to 2020.

From its founding in 1902 as the London Day Training College to its establishment as a university institute and merger with University College London, the Institute of Education (IOE) has constantly grown into new areas of learning and social research. As a locus for leadership, it has exerted an influence upon the nature and direction of education nationally and internationally. Drawing upon a wide range of sources, the authors carefully develop the connections between the organization’s internal history and external historical developments. The result is an elegantly written history, characterized by substantial scholarship and analysis, and enlivened by illustrations and anecdotes. The pages of this book are studded with appearances by some of the most influential—and at times controversial—figures of education, including Sidney Webb, Cyril Burt, Susan Isaacs, Sophie Bryant, Richard Peters, Basil Bernstein, Ann Oakley, Celia Hoyles, and Stephen Ball. This edition extends Richard Aldrich’s text with two new chapters that speak to the extraordinary years of growth in the last two decades. The IOE is unique in successfully pursuing a world-leading research agenda while also supporting a wide range of teacher education, having an impact in London, across Britain, and the world.
 

Envy, irritation, paranoia—in contrast to powerful and dynamic negative emotions like anger, these non-cathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosing the character of late modernity.

Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called “animatedness,” and a paradoxical synthesis of shock and boredom called “stuplimity.” She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late-twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening.

Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature—with a particular focus on those inflected by gender and race—but also blind spots in contemporary literary and cultural criticism. Her work maps a major intersection of literary studies, media and cultural studies, feminist studies, and aesthetic theory.

In Ugly Freedoms Elisabeth R. Anker reckons with the complex legacy of freedom offered by liberal American democracy, outlining how the emphasis of individual liberty has always been entangled with white supremacy, settler colonialism, climate destruction, economic exploitation, and patriarchy. These “ugly freedoms” legitimate the right to exploit and subjugate others. At the same time, Anker locates an unexpected second type of ugly freedom in practices and situations often dismissed as demeaning, offensive, gross, and ineffectual but that provide sources of emancipatory potential. She analyzes both types of ugly freedom at work in a number of texts and locations, from political theory, art, and film to food, toxic dumps, and multispecies interactions. Whether examining how Kara Walker’s sugar sculpture A Subtlety, Or the Marvelous Sugar Baby reveals the importance of sugar plantations to liberal thought or how the impoverished neighborhoods in The Wire blunt neoliberalism’s violence, Anker shifts our perspective of freedom by contesting its idealized expressions and expanding the visions for what freedom can look like, who can exercise it, and how to build a world free from domination.

Scholars and politicians often assume a significant gap between the ways that Americans and Europeans think about race. According to this template, in the U.S. race is associated with physical characteristics, while in Western Europe race has disappeared, and discrimination is based on insurmountable cultural differences. However, little research has addressed how average Americans and Europeans actually think and talk about race. In An Ugly Word, sociologists Ann Morning and Marcello Maneri examine American and Italian understandings of group difference in order to determine if and how they may differ.
 
Morning and Maneri interviewed over 150 people across the two countries about differences among what they refer to as “descent-based groups.” Using this concept allowed them to sidestep the language of “race” and “ethnicity,” which can be unnecessarily narrow, poorly defined, or even offensive to some. Drawing on these interviews, the authors find that while ways of speaking about group difference vary considerably across the Atlantic, underlying beliefs about it do not. The similarity in American and Italian understandings of difference was particularly evident when discussing sports. Both groups relied heavily on traditional stereotypes of Black physicality to explain Black athletes’ overrepresentation in sports like U.S. football and their underrepresentation in sports like swimming – contradicting the claims that a biological notion of race is a distinctly American phenomenon.
 
While American and Italian concepts of difference may overlap extensively, they are not identical. Interviews in Italy were more likely to reveal beliefs about groups’ innate, unchangeable temperaments, such as friendly Senegalese and dishonest Roma. And where physical difference was seen by Italians as superficial and unimportant, cultural difference was perceived as deeply meaningful and consequential. In contrast, U.S. interviewees saw cultural difference as supremely malleable—and often ascribed the same fluidity to racial identity, which they believed stemmed from culture as well as biology. In light of their findings, Morning and Maneri propose a new approach to understanding cross-cultural beliefs about descent-based difference that includes identifying the traits people believe differentiate groups, how they believe those traits are acquired, and whether they believe these traits can change.
 
An Ugly Word is an illuminating, cross-national examination of the ways in which people around the world make sense of race and difference.
 

The Ukraine, which had for centuries been ruled by other nations, finally gained its independence for a brief period after the First World War. During this revolutionary era, a series of Ukrainian governments were established whose political spectrum ranged from anarchism to monarchical rule. This comprehensive volume edited by Taras Hunczak includes fourteen articles by leading specialists, and is the first scholarly treatment of the problem to appear in twenty-five years.

An overview of both European and Russian objectives in Ukraine.

Peace in Ukraine seemed possible following Volodymyr Zelensky’s 2019 election. The new president reopened conversations with both the European Union and separatist authorities, bringing an end to the Donbass conflict in sight. Such an achievement promised revitalized talks between Europe and Russia, and so the nearly forgotten conflict returned to global prominence. Ukraine in the Crosshairs of Geopolitical Power Play analyzes why European and Russian objectives in Ukraine place daunting limits of any potential compromise.

From the Renaissance to the Enlightenment, the geopolitical placement of Ukraine drew the attention of some of Europe’s most influential cartographers. Many of these maps, including ones of exceptional rarity, were collected by the Ukrainian scholar and journalist Bohdan Krawciw.

Krawciw traced the physical and aesthetic depiction of Ukraine across its changing borders as a means of self-recognition and as a cultural and political history of the contested nation and its peoples. Of special interest are his maps of Ukraine from the nineteenth and twentieth centuries, at the crossroads of four empires: Habsburg, Ottoman, Russian, and Soviet.

As part of his personal archive, Krawciw’s maps were bequeathed to Harvard University upon his death in 1975. This book serves as both a catalog of his collection and a description of how the maps he collected serve as an invaluable source for Ukraine’s history and a symbol of Ukrainian national identity. The book contains nearly 100 examples from the collection, many in full color, as well as indices listing maps by cartographer and by place name.

In Ukraine, War, Love, Olena Stiazhkina depicts day-to-day developments in and around her beloved hometown Donetsk during Russia’s 2014 invasion and occupation of the Ukrainian city. An award-winning fiction writer, Stiazhkina chronicles an increasingly harrowing series of events with sarcasm, anger, humor, and love.

The diary opens on March 2, 2014, as the first wave of pro-Russian protest washes over eastern Ukraine in the wake of Euromaidan, the Revolution of Dignity, and it closes on August 18, 2014, the day a convoy of civilian Ukrainian refugees is deliberately slaughtered by Russian forces. Early on, Stiazhkina is captured by pro-Russian forces while she browses for books but is freed when one of her captors turns out to be a former student. Vignettes from her personal life intermingle with current events, and she examines ordinary people in extraordinary circumstances. We walk with local dogs and their owners; we meet a formidable apartment building manager who shames occupiers and dismantles their artillery from the roof of her building; we follow a family evacuated to Kyiv whose young son builds checkpoints out of Legos. Olena Stiazhkina’s Ukraine, War, Love: A Donetsk Diary is a fierce love letter to her country, her city, and her people.

In December 1994, Ukraine gave up the third-largest nuclear arsenal in the world and signed the Non-Proliferation Treaty, having received assurances that its sovereignty would be respected and secured by Russia, the United States, and the United Kingdom. Based on original and heretofore unavailable documents, Yuri Kostenko’s account of the negotiations between Ukraine, Russia, and the US reveals for the first time the internal debates of the Ukrainian government as well as the pressure exerted upon it by its international partners.

Kostenko presents an insider’s view on the issue of nuclear disarmament and raises the question of whether the complete and immediate dismantlement of the country’s enormous nuclear arsenal was strategically the right decision, especially in view of the 2014 annexation of Crimea by Russia, one of the guarantors of Ukraine’s sovereignty under denuclearization.

Constantine Bohachevsky was not a typical bishop. On the eve of his unexpected nomination as bishop to the Ukrainian Catholics in America, in March 1924, the Vatican secretly whisked him from Warsaw to Rome to be ordained. He arrived in America that August to a bankrupt church and a hostile clergy. He stood his ground, and chose to live а simple missionary life. He eschewed public pomp, as did his immigrant congregations. He regularly visited his scattered churches. He fought a bitter fight for the independence of the church from outside interference – a kind of struggle between the Church and the state, absent both. He refashioned a failing immigrant church in America into a self-sustaining institution that half a century after his death could help resurrect the underground Catholic Church in Ukraine, which became the largest Eastern Catholic church today. This trailblazing biography, based on recently opened sources from the Vatican, Ukraine and the United States, brings the reader from the placid life of the married Catholic Ukrainian clergy in the Habsburg Empire to industrial America.

Ukrainian nationalism made worldwide news after the Euromaidan revolution and the outbreak of the Russo-Ukrainian war in 2014. Invoked by regional actors and international commentators, the “integral” Ukrainian nationalism of the 1930s has moved to the center of debates about Eastern Europe, but the history of this divisive ideology remains poorly understood.

This timely book by Trevor Erlacher is the first English-language biography of the doctrine’s founder, Dmytro Dontsov (1883–1973), the “spiritual father” of the Organization of Ukrainian Nationalists. Organizing his research of the period around Dontsov’s life, Erlacher has written a global intellectual history of Ukrainian integral nationalism from late imperial Russia to postwar North America, with relevance for every student of the history of modern Europe and the diaspora.

Thanks to the circumstances of Dontsov’s itinerant, ninety-year life, this microhistorical approach allows for a geographically, chronologically, and thematically broad yet personal view on the topic. Dontsov shaped and embodied Ukrainian politics and culture as a journalist, diplomat, literary critic, publicist, and ideologue, progressing from heterodox Marxism, to avant-garde fascism, to theocratic traditionalism.

Drawing upon archival research in Ukraine, Poland, and Canada, this book contextualizes Dontsov’s works, activities, and identity formation diachronically, reconstructing the cultural, political, urban, and intellectual milieus within which he developed and disseminated his worldview.

In 1990, months before crowds in Moscow and other major cities dismantled their monuments to Lenin, residents of the western Ukrainian city of Lviv toppled theirs. William Jay Risch argues that Soviet politics of empire inadvertently shaped this anti-Soviet city, and that opposition from the periphery as much as from the imperial center was instrumental in unraveling the Soviet Union.

Lviv’s borderlands identity was defined by complicated relationships with its Polish neighbor, its imperial Soviet occupier, and the real and imagined West. The city’s intellectuals—working through compromise rather than overt opposition—strained the limits of censorship in order to achieve greater public use of Ukrainian language and literary expression, and challenged state-sanctioned histories with their collective memory of the recent past. Lviv’s post–Stalin-generation youth, to which Risch pays particular attention, forged alternative social spaces where their enthusiasm for high culture, politics, soccer, music, and film could be shared.

The Ukrainian West enriches our understanding not only of the Soviet Union’s postwar evolution but also of the role urban spaces, cosmopolitan identities, and border regions play in the development of nations and empires. And it calls into question many of our assumptions about the regional divisions that have characterized politics in Ukraine. Risch shines a bright light on the political, social, and cultural history that turned this once-peripheral city into a Soviet window on the West.

This history of Ukrainian immigrants in Michigan and their American descendants examines both the choices people made and the social forces that impelled their decisions to migrate and to make new homes in the state. Michigan’s Ukrainians came in four waves, each unique in time and character, beginning in the late nineteenth century and continuing in the twenty-first. Detroit attracted many of them with the opportunities it offered in its booming automobile industry. Yet others put down roots in cities and towns across the state. Wherever they settled, they established churches and community centers and continued to practice the customs of their homeland. Many Ukrainian Americans have made significant contributions to Michigan and the United States, including those who are showcased in this book. This comprehensive text also highlights cultural practices and traditional foods cherished by community members.

A critical biography of the early modern Italian naturalist.
 
The Bolognese naturalist Ulisse Aldrovandi was a prolific writer, polymath, and prodigious collector who amassed the largest collection of naturalia in sixteenth-century Europe, as well as hundreds of colored drawings detailing them. Many of these drawings found their way into his illustrated publications, most of which were published posthumously.

This book provides a concise yet comprehensive portrait of Aldrovandi, paying particular attention to two aspects: the role that the newly discovered continent of America played in his research interests, and his study of abnormalities of physiological development in organisms. Peter Mason gives insight into Aldrovandi’s fascinating life, his early work on antiquities, his natural history and other collecting activities, his network of correspondents and patrons, and the influence and legacy of his collection and publications.
 

As bad as they are, why aren't terrorists worse? With biological, chemical, and nuclear weapons at hand, they easily could be. And, as this chilling book suggests, they soon may well be. A former member of the National Security Council staff, Jessica Stern guides us expertly through a post-Cold War world in which the threat of all-out nuclear war, devastating but highly unlikely, is being replaced by the less costly but much more imminent threat of terrorist attacks with weapons of mass destruction.

According to SternThe Ultimate Terrorists depicts a not-very-distant future in which both independent and state-sponsored terrorism using weapons of mass destruction could actually occur. But Stern also holds out hope for new technologies that might combat this trend, and for legal and political remedies that would improve public safety without compromising basic constitutional rights.

This volume gathers studies by prominent scholars and philosophers about the question how have major figures from the history of philosophy, and some contemporary philosophers, addressed "the ultimate why question": why is there anything at all rather than nothing whatsoever?

Energy storage and in particular electrical storage of energy has become a very talked about topics in circles, ranging from lay person in regard to hybrid and battery electric vehicles, to professional and certainly by legislators and energy policy makers in government. But even to professional the distinction between physical and chemical forms of electric energy storage are unclear and at times poorly understood, if at all. This book takes a critical look at physical storage of electricity in the devices known collectively as electrochemical capacitors and particularly as ultracapacitors. In its 12 chapters, this text covers ultracapacitors and advances battery topics with emphasis on clear understanding of fundamental principles, models and applications. The reader will appreciates the case studies ranging from commercial to industrial to automotive applications of not only ultracapacitors but these power device components in combination with energy dense battery technologies.

The needs of future digital data and computer systems are expected to be two to three orders of magnitude larger than for today's systems, to take account of unprecedented amounts of heterogeneous hardware, lines of source code, numbers of users, and volumes of data. Ultrascale computing systems (UCS) are a solution. Envisioned as large-scale complex systems joining parallel and distributed computing systems, which can be located at multiple sites and cooperate to provide the required resources and performance to the users, these technologies will extend individual systems to provide the resources that are very much needed.

Interest in the applications of ultrawideband (UWB) radar systems is increasing rapidly all over the world. This is evident from the number of monographs recently published on the subject and from the many papers presented at international conferences on the general problems involved in UWB radar and on its promising new applications. Conventional (classical) methods seem to have exhausted their potential and studies in the field are undergoing a profound change. This book presents some of the novel approaches to radar system analysis now being investigated.

Ultra-Wideband Surveillance Radar is an emerging technology for detecting and characterizing targets and cultural features for military and geosciences applications. To characterize objects near and under severe clutter, it is necessary to have fine range and cross range resolution. The resultant wide bandwidth classifies the systems as ultra-wideband, requiring special treatment in system technology and frequency allocation.

In his description of Ulysses in Canto XXVI of the Inferno, Dante subjected the legendary Greek hero to a thoroughgoing revision. The Homeric Ulysses, after ten years of war and a further ten of fabulous adventures throughout the Mediterranean, returns home to Ithaca and resumes his position as son, father, husband, and king of the island. In contrast, Dante’s Ulysses—and that of Tennyson, inspired by Dante and so beloved in America—is an ingenious but profoundly restless character who, in his unceasing quest for knowledge, novelty, and happiness, finds not fulfillment but death. His tragic story embodies the dilemma that human intelligence poses for our civilization today, torn between the endless pursuit of innovation and its ever more catastrophic risks. Ulysses and the Limits of Dante’s Humanism / Ulisse o dei limiti dell’umanesimo dantesco offers a bilingual English and Italian examination of that revision.

A twist on the Irish literary classic Ulysses, told through Nicolas Mahler’s distinctive graphic novel style.
 
Dublin, 16 June 1904: through a day in the life of the advertising agent Leopold Bloom and the sensations of the ordinary, James Joyce created a maximal book from a minimum of matter. Ulysses, the most important novel of modernity, is a defining book of the twentieth century. Joyce’s creation—also spectacularly innovative in form—inspired Nicolas Mahler to attempt a literary retelling that is not a mere illustration or adaption of the novel but an independent and equally as inventive work. Using comics, Mahler transforms the various literary techniques of the original. He assembles his images with humorous and philosophical verve, quoting and rambling along in the spirit of Joyce.
 
With this graphic interpretation of the modern classic, which also constitutes a homage to the golden era of the newspaper comic strip, Ulysses can be newly discovered in a delightfully unexpected form.

An expansive illustrated history of the historic Umayyad Mosque in Damascus.

The Umayyad Mosque of Damascus is one of the oldest continuously used religious sites in the world. The mosque we see today was built in 705 CE by the Umayyad caliph al-Walid on top of a fourth-century Christian church that had been erected over a temple of Jupiter. Incredibly, despite the recent war, the mosque has remained almost unscathed, but over the centuries has been continuously rebuilt after damage from earthquakes and fires. In this comprehensive biography of the Umayyad Mosque, Alain George explores a wide range of sources to excavate the dense layers of the mosque’s history, also uncovering what the structure looked like when it was first built with its impressive marble and mosaic-clad walls. George incorporates a range of sources, including new information he found in three previously untranslated poems written at the time the mosque was built, as well as in descriptions left by medieval scholars. He also looks carefully at the many photographs and paintings made by nineteenth-century European travelers, particularly those who recorded the building before the catastrophic fire of 1893.

This volume examines the most spectacular struggle for democracy in post-handover Hong Kong. Bringing together scholars with different disciplinary focuses and comparative perspectives from mainland China, Taiwan and Macau, one common thread that stitches the chapters is the use of first-hand data collected through on-site fieldwork. This study unearths how trajectories can create favourable conditions for the spontaneous civil resistance despite the absence of political opportunities and surveys the dynamics through which the protestors, the regime and the wider public responses differently to the prolonged contentious space. *The Umbrella Movement: Civil Resistance and Contentious Space in Hong Kong* offers an informed analysis of the political future of Hong Kong and its relations with the authoritarian sovereignty as well as sheds light on the methodological challenges and promises in studying modern-day protests.

This volume examines the most spectacular struggle for democracy in post-handover Hong Kong. Bringing together scholars with different disciplinary focuses and comparative perspectives from mainland China, Taiwan and Macau, one common thread that stitches the chapters is the use of first-hand data collected through onsite fieldwork. This study unearths how trajectories can create favourable conditions for the spontaneous civil resistance despite the absence of political opportunities and surveys the dynamics through which the protestors, the regime and the wider public responses differently to the prolonged contentious space. The Umbrella Movement: Civil Resistance and Contentious Space in Hong Kong offers an informed analysis of the political future of Hong Kong and its relations with the authoritarian sovereignty as well as sheds light on the methodological challenges and promises in studying modern-day protests. This new edition includes a preface on Hong Kong’s ‘summer of dissent’ in 2019, arguing that the movement’s dynamics and resilience cannot be detached from the learning curve of the protesters and the hidden networks developed after the Umbrella Movement.

Up until a few years ago there were many different modelling languages available to software developers. However, this vast array of choice only served to hinder communication and as a result the Unified Modelling Language (UML) was born. Although the UML has its roots firmly in the software world, the benefits of adopting a standard visual notation have been recognised in many other fields, not least of which is the field of systems engineering. This book concentrates on systems-based applications, rather than the traditional software applications that are more usually associated with the UML. Now fully updated to reflect the changes to UML for its version 2.0 release, this new edition has been substantially re-written and includes new material on systems architectures and life cycle management.

Umm al-Biyara, the highest mountain in Petra, southern Jordan, was the first Iron Age Edomite site to be extensively excavated. It was a domestic, unwalled site of stone-built longhouses dating to the 7th-6th centuries BCE. The stratigraphy, pottery, small finds and inscribed material, including the important bulla of Qos-Gabr, King of Edom are described, supplemented by chapters on the use of space and a landscape study of mountain-top sites in the Petra region. The later Nabataean remains on the edge of the summit indicate a major Nabataean complex of buildings, possibly a palace, which would make this the first Nabataean palace in Petra to be explicitly identified.

This second edition, translated into Spanish, streamlines some of the editing from the first addition, and more importantly, includes material from Pope Francis's encyclical, Laudato Si’, and his apostolic exhortation, Evangelii Gaudium. A Catechism for Business presents the teachings of the Catholic Church as they relate to more than one hundred specific and challenging moral questions as they have been asked by business leaders. Andrew V. Abela and Joseph E. Capizzi have assembled the relevant quotations from recent Catholic social teaching as responses to these questions. Questions and answers are grouped together under major topics such as marketing, finance and investment. The book's easy-to-use question and answer approach invites quick reference for tough questions and serves as a basis for reflection and deeper study in the rich Catholic tradition of social doctrine.

Un giorno di regno, which premiered at Milan’s Teatro alla Scala in September 1840, is Verdi’s second opera and one of only two comedies (with Falstaff) ever written by the composer. Rooted in Felice Romani’s libretto Il finto Stanislao, Un giorno di regno experienced a tumultuous history: the opera’s first performance was poorly received, a result that has been often attributed to a personal tragedy—the sudden death of his first wife—that befell Verdi during the work’s composition. Research for this edition, however, reveals that Verdi worked on it with the utmost care. In recent times, new audiences have embraced revivals of Un giorno di regno, and the opera is now celebrated as a fine expression of Verdi’s robust style, offering enticing glimpses into the world of comedy at mid-century.

This critical edition, based on Verdi’s autograph manuscript, offers the first publication of the opera in full score. Editor Francesco Izzo contextualizes Un giorno di regno in his introductory discussion of the work’s origins, sources, and performances. In addition, appendices provide alternative musical readings and reconstruct lost versions of segments of the musical numbers, while the critical commentary explores editorial problems and answers.

Once described by Trygve Lie as the "most impossible job on earth," the position of UN Secretary-General is as frustratingly constrained as it is prestigious. The Secretary-General's ability to influence global affairs often depends on how the international community regards his moral authority. In relation to such moral authority, past office-holders have drawn on their own ethics and religious backgrounds—as diverse as Lutheranism, Catholicism, Buddhism, and Coptic Christianity—to guide the role that they played in addressing the UN's goals in the international arena, such as the maintenance of international peace and security and the promotion of human rights. In The UN Secretary-General and Moral Authority, contributors provide case studies of all seven former secretaries-general, establishing a much-needed comparative survey of each office-holder's personal religious and moral values. From Trygve Lie's forbearance during the UN's turbulent formative years to the Nobel committee's awarding Kofi Annan and the United Nations the prize for peace in 2001, the case studies all follow the same format, first detailing the environmental and experiential factors that forged these men's ethical frameworks, then analyzing how their "inner code" engaged with the duties of office and the global events particular to their terms.

Balanced and unbiased in its approach, this study provides valuable insight into how religious and moral leadership functions in the realm of international relations, and how the promotion of ethical values works to diffuse international tensions and improve the quality of human life around the world.

The first work to systematically investigate the potential for a dialogue between postcolonial studies and the history of Zionism.
 
There is an “unacknowledged kinship” between studies of Zionism and post-colonial studies, a kinship that deserves to be both discovered and acknowledged. Unacknowledged Kinships strives to facilitate a conversation between the historiography of Zionism and postcolonial studies by identifying and exploring possible linkages and affiliations between their subjects as well as the limits of such connections. The contributors to this volume discuss central theoretical concepts developed within the field of postcolonial studies, and they use these concepts to analyze crucial aspects of the history of Zionism while contextualizing Zionist thought, politics, and culture within colonial and postcolonial histories. This book also argues that postcolonial studies could gain from looking at the history of Zionism as an example of not only colonial domination but also the seemingly contradictory processes of national liberation and self-empowerment.
 
Unacknowledged Kinships is the first work to systematically investigate the potential for a dialogue between postcolonial studies and Zionist historiography. It is also unique in suggesting that postcolonial concepts can be applied to the history of European Zionism just as comprehensively as to the history of Zionism in Palestine and Israel or Arab countries. Most importantly, the book is an overture for a dialogue between postcolonial studies and the historiography of Zionism.
 

“Make a fence, said the rabbis, around the Torah,” reads the first line of Jessica Jacobs' unalone. By the end of this opening poem, however, Jacobs has defined her engagement with religious texts as an act of devotion to living fully in the world’s complexity: “Here, love, is fruit with the sun still inside it. Let me // thumb the juice from your chin. Let us honor what we love / by taking it in.” Structured around the twelve parshiyot (portions) of Genesis, the trajectory of unalone parallels immersion in Jewish teachings with the contemporary world. Whether conversing with the sacred texts she reads or writing from her subjects' perspectives, Jacobs navigates an abundance of experiences: growing up queer, embracing one's sexuality, reversing roles as the adult child of aging parents, wrestling with religious history and the imposed roles of womanhood, exploring how the past foreshadows our current climate crisis, and revisiting the blush of new love while cataloging the profound, though more familiar, joys of a long relationship. 


Deeply personal and yet universal in its truths, unalone draws on the Book of Genesis as a living document whose stories, wisdom, and ethical knots can engage us more fully with our own lives — whatever your religious tradition or spiritual beliefs. In this stunning and ambitious book, Jacobs reminds us that all poetry serves as a kind of prayer – a recognition of beauty, a spoken bid for connection, a yearning toward an understanding that might better guide us through our days. When you “dive / from the twin heights of your eyes,” “that tiny pool below” isn’t God. “Well, not exactly,” Jacobs comforts us. “It’s you. One breath deeper than you’ve / ever been, one breath closer to the heeded, heedful world.” 

Brian De Palma is perhaps best known as the director behind the gangster classic Scarface. Yet as ingrained as Scarface is in American popular culture, it is but one of a sizeable number of controversial films—many of which are consistently misread or ignored—directed by De Palma over his more than four-decade career.

Un-American Womanhood studies the Red Scare of the 1920s through the lens of gender. Kim Nielsen describes the methods antifeminists used to subdue feminism and other movements they viewed as radical. By tapping into widespread anxieties about Bolshevism and the expansion of the state, antifeminist women fought against certain social welfare programs such as the Sheppard-Towner Act and the Children’s Bureau and resisted efforts to legitimize the female citizen as an autonomous political figure. The book also considers the seeming contradictions of outspoken antifeminists who broke with traditional gender norms to assume forceful and public roles in their efforts to denounce feminism.

In Unani Medicine in the Making, Kira Schmidt Stiedenroth examines the contemporary institutions and practices of Graeco-Islamic healing in India. Drawing on interviews with practitioners, clinical observations, and Urdu sources, the book focuses on Unani's multiplicity, scrutinizing apparent tensions between the understanding of Unani as a system of medicine and its multiple enactments as Islamic medicine, medical science, or alternative medicine. Ethnographic details provide vivid descriptions of the current practices of Unani in India and invite readers to rethink the idea that humoral medicine is incommensurable with modern science. Ultimately, the book also discusses the relationship of Unani with Muslim communities, examining the growing practice of Prophetic Medicine in Urban India and the increasing representation of Unani as Islamic Medicine.

“A summation of his beliefs about music as he looked into the final quarter of the 20th century…Bernstein’s talks still seem surprisingly fresh. But words were nearly as much Bernstein’s métier as music.” —New York Times

The varied forms of Leonard Bernstein’s musical creativity have been recognized and enjoyed by millions. These lectures, Mr. Bernstein’s most recent venture in musical explication, will make fascinating reading as well. Virgil Thomson says of the lectures: “Nobody anywhere presents this material so warmly, so sincerely, so skillfully. As musical mind-openers they are first class; as pedagogy they are matchless.”

Mr. Bernstein considers music ranging from Hindu ragas through Mozart and Ravel, to Copland, suggesting a worldwide, innate musical grammar. Folk music, pop songs, symphonies, modal, tonal, atonal, well-tempered and ill-tempered works all find a place in these discussions. Each, Mr. Bernstein suggests, has roots in a universal language central to all artistic creation. Using certain linguistic analogies, he explores the ways in which this language developed and can be understood as an aesthetic surface. Drawing on his insights as a master composer and conductor, Mr. Bernstein also explores what music means below the surface: the symbols and metaphors which exist in every musical piece, of whatever sort. And, finally, Mr. Bernstein analyzes twentieth century crises in the music of Schoenberg and Stravinsky, finding even here a transformation of all that has gone before, as part of the poetry of expression, through its roots in the earth of human experience.

These talks, written and delivered when Leonard Bernstein was Charles Eliot Norton Professor of Poetry at Harvard University, are the newest of the author’s literary achievements. In addition to a distinguished career as conductor, pianist, and composer, Mr. Bernstein is the recipient of many television Emmys for the scripts of his Young People’s Concerts, Omnibus programs, and others, and is the author of The Infinite Variety of Music and The Joy of Music, for which he received the Christopher Award.

Isabella Bird’s best-selling book on Japan is republished here, but with a difference: for the first time, it is now fully annotated with supporting commentaries, providing the twenty-first century reader with an enhanced informed view of the new ‘modern Japan’ as Bird experienced it in 1878. Originally published as a two-volume work in 1880, this later abridged version, first published in 1885 and promoted as ‘a tale of travel and adventure’, became one of the best-selling travel books published by John Murray; it was reprinted numerous times and by different publishers. This volume is the original 1885 edition. It is not a facsimile, but has been reprocessed digitally to enable the annotations to be inserted, as well as the 40 copperplate illustrations to be restored to their original quality. The commentaries and notes have been written by Kiyonori Kanasaka, Japan’s leading expert on Isabella Bird who, over the past nearly 30 years, has retraced Isabella Bird’s footsteps in all the parts of the world she visited, and knows her travels in Japan intimately. (See Isabella Bird and Japan: A Reassessment>, Renaissance Books 2017.) This book will be essential reading for all those interested in the Bird legacy, the birth of modern Japan, travel writings of the Far East, the topography of Japan and Japan’s social and political history.

In the glittering intellectual world of 1920s Paris expatriates, Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley in a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker.

Pauline forged a strong bond with Hemingway, and in 1927, shortly after his divorce from Hadley, she became his second wife. Pauline also became her husband’s devoted editor, and her wealthy family provided moral and financial support, even converting a barn at the family home in Piggott, Arkansas into a dedicated writing studio, where much of his 1929 novel A Farewell to Arms was written. The thirteen years the two were married were some of Hemingway’s most productive.

The marriage eventually ended in the way it began: with an affair. Hemingway left Pauline for Martha Gellhorn, the third of his four wives, in 1940. Unbelievable Happiness and Final Sorrow is the story of the Hemingway-Pfeiffer marriage, a narrative of Pauline Pfeiffer’s fascinating life and her influence on one of America’s most enigmatic literary icons.

“How has unbelief come to dominate so many Western societies? The usual account invokes the advance of science and rational knowledge. Ryrie’s alternative, in which emotions are the driving force, offers new and interesting insights into our past and present.”
—Charles Taylor, author of A Secular Age

Why have societies that were once overwhelmingly Christian become so secular? We think we know the answer, pointing to science and reason as the twin culprits, but in this lively, startlingly original reconsideration, Alec Ryrie argues that people embraced unbelief much as they have always chosen their worldviews: through the heart more than the mind.

Looking back to the crisis of the Reformation and beyond, he shows how, long before philosophers started to make the case for atheism, powerful cultural currents were challenging traditional faith. As Protestant radicals eroded time-honored certainties and ushered in an age of anger and anxiety, some defended their faith by redefining it in terms of ethics, setting in motion secularizing forces that soon became transformational. Unbelievers tells a powerful emotional history of doubt with potent lessons for our own angry and anxious times.

“Well-researched and thought-provoking…Ryrie is definitely on to something right and important.”
—Christianity Today

“A beautifully crafted history of early doubt…Unbelievers covers much ground in a short space with deep erudition and considerable wit.”
—The Spectator

“Ryrie traces the root of religious skepticism to the anger, the anxiety, and the ‘desperate search for certainty’ that drove thinkers like…John Donne to grapple with church dogma.”
—New Yorker

A Choice Outstanding Academic Title for 2022

Hearing southern women in the pauses of history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.

A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.

A Financial Times Book of the Year

“The strongest documentation I have seen for the many ways in which inequality is harmful to economic growth.”
—Jason Furman

“A timely and very useful guide…Boushey assimilates a great deal of recent economic research and argues that it amounts to a paradigm shift.”
—New Yorker

Do we have to choose between equality and prosperity? Decisions made over the past fifty years have created underlying fragilities in our society that make our economy less effective in good times and less resilient to shocks, such as today’s coronavirus pandemic. Many think tackling inequality would require such heavy-handed interference that it would stifle economic growth. But a careful look at the data suggests nothing could be further from the truth—and that reducing inequality is in fact key to delivering future prosperity.

Presenting cutting-edge economics with verve, Heather Boushey shows how rising inequality is a drain on talent, ideas, and innovation, leading to a concentration of capital and a damaging under-investment in schools, infrastructure, and other public goods. We know inequality is fueling social unrest. Boushey shows persuasively that it is also a serious drag on growth.

“In this outstanding book, Heather Boushey…shows that, beyond a point, inequality damages the economy by limiting the quantity and quality of human capital and skills, blocking access to opportunity, underfunding public services, facilitating predatory rent-seeking, weakening aggregate demand, and increasing reliance on unsustainable credit.”
—Martin Wolf, Financial Times

“Think rising levels of inequality are just an inevitable outcome of our market-driven economy? Then you should read Boushey’s well-argued, well-documented explanation of why you’re wrong.”
—David Rotman, MIT Technology Review

A study of religion through the lens of Peter Shaffer’s play Equus.
 
In Unbridled, William Robert uses Equus, Peter Shaffer’s enigmatic play about a boy passionately devoted to horses, to think differently about religion. For several years, Robert has used Equus to introduce students to the study of religion, provoking them to conceive of religion in unfamiliar, even uncomfortable ways. In Unbridled, he is inviting readers to do the same.
 
A play like Equus tangles together text, performance, practice, embodiment, and reception. Studying a play involves us in playing different roles, as ourselves and others, and those roles, as well as the imaginative work they require, are critical to the study of religion. By approaching Equus with the reader, turning the play around and upside-down, Unbridled transforms standard approaches to the study of religion, engaging with themes including ritual, sacrifice, worship, power, desire, violence, and sexuality, as well as thinkers including Judith Butler, Sigmund Freud, Karl Marx, Friedrich Nietzsche, and Jonathan Z. Smith. As Unbridled shows, the way themes and theories play out in Equus challenges us to reimagine the study of religion through open questions, contrasting perspectives, and alternative modes of interpretation and appreciation.
 

The Uncanny Child in Transnational Cinema illustrates how global horror film depictions of children re-conceptualised childhood at the turn of the twenty-first century. By analysing an influential body of transnational horror films, largely stemming from Spain, Japan, and the US, Jessica Balanzategui shows how millennial uncanny child characters resist embodying growth and futurity, unravelling concepts to which the child's symbolic function is typically bound. The book proposes that complex cultural and industrial shifts at the turn of the millennium resulted in these potent cinematic renegotiations of the concept of childhood. By demonstrating both the culturally specific and globally resonant properties of these frightening visions of children who refuse to grow up, the book outlines the conceptual and aesthetic mechanisms by which long entrenched ideologies of futurity, national progress, and teleological history started to waver at the turn of the twenty-first century.