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Virginia Woolf
Ira Nadel
Reaktion Books, 2016
Virginia Woolf was one of the most significant literary figures of the twentieth century—a major literary stylist and a lyrical novelist whose stream-of-consciousness approach in iconic books such as Mrs Dalloway, To the Lighthouse, and Orlando would inspire generations of writers to follow. She was also one of the first to address the injustices of gender disparity and the ravages of World War I at home. Uncovering new details about Woolf’s life and the places she inhabited, this engaging biography offers fresh insights into her works and legacy, focusing on the ways place and imagination intertwine in her writing.
            Drawing on Woolf’s letters, journals, diaries, autobiographical essays, and fiction, Ira Nadel paints a portrait of the writer in situ, whether in the enclosed surroundings of Hyde Park Gate or the open and free-spirited environs of Gordon Square’s Bloomsbury. He shows how Woolf’s experimental style was informed by her own reading life and how her deeply sensitive understanding of history, narrative, art, and friendship were rendered in her prose. He explores the famous Bloomsbury group of intellectuals in which she was immersed as well as her relationships with fascinating figures such as Vita Sackville-West and Lady Ottoline Morrel. Nadel looks at Woolf’s attitudes toward sex and marriage, analyzes her uncertain social and political views, and, finally, offers a sensitive examination of her mental instabilities and the nervous breakdowns that would plague her for most of her life, up until her suicide in 1941.
            A moving account of an exceptional writer who ushered in a new era of literature, this biography perfectly captures the intricate relationship between art and life. 
 
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Virginia Woolf and the Fictions of Psychoanalysis
Elizabeth Abel
University of Chicago Press, 1989
"A stunning, brilliant, absolutely compelling reading of Woolf through the lens of Kleinian and Freudian psychoanalytic debates about the primacy of maternality and paternality in the construction of consciousness, gender, politics, and the past, and of psychoanalysis through the lens of Woolf's novels and essays. In addition to transforming our understanding of Woolf, this book radically expands our understanding of the historicity and contingent construction of psychoanalytic theory and our vision of the potential of psychoanalytic feminism."—Nancy J. Chodorow, University of California at Berkeley

"Virginia Woolf and the Fictions of Psychoanalysis brings Woolf's extraordinary craftsmanship back into view; the book combines powerful claims about sexual politics and intellectual history with the sort of meticulous, imaginative close reading that leaves us, simply, seeing much more in Woolf's words than we did before. It is the most exciting book on Woolf to come along in some time."—Lisa Ruddick, Modern Philology
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Virginia Woolf Icon
Brenda R. Silver
University of Chicago Press, 1999
This is a book about "Virginia Woolf": the face that sells more postcards than any other at Britain's National Portrait Gallery, the name that Edward Albee's play linked with fear, the cultural icon so rich in meanings that it has been used to market everything from the New York Review of Books to Bass Ale. Brenda Silver analyzes Virginia Woolf's surprising visibility in both high and popular culture, showing how her image and authority have been claimed or challenged in debates about art, politics, anger, sexuality, gender, class, the canon, feminism, race, and fashion.

From Virginia Woolf's 1937 appearance on the cover of Time magazine to her current roles in theater, film, and television, Silver traces the often contradictory representations and the responses they provoke, highlighting the recurring motifs that associate Virginia Woolf with fear. By looking more closely at who is afraid and the contexts in which she is perceived to be frightening, Silver illustrates how Virginia Woolf has become the site of conflicts about cultural boundaries and legitimacy that continue to rage today.
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Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism
Jean Mills
The Ohio State University Press, 2014
In a work that re-investigates archival materials and deploys an innovative theoretical framework, Jean Mills explores the intellectual and political relationship between Virginia Woolf and the Cambridge classicist Jane Ellen Harrison. Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism discovers an intimate connection crucial to Woolf’s professional identity and intellectual and artistic development in Harrison’s controversial, feminist interpretations of Greek mythology. Mills argues that cross-reading Jane Harrison and Virginia Woolf exposes a distinctive relationship between two women intellectuals, one that does not rehearse the linearity of influence but instead demonstrates the intricacy of intertextuality—an active and transformative use of one body of writing by another writer—that makes of Virginia Woolf’s modernism a specifically feminist amplification. This cross-reading reveals a dimension of modernism that has been overlooked or minimized: Mills demonstrates that the questions preoccupying Harrison also resonated with Woolf, who adapted Harrison’s ideas to her own intellectual, political, and literary pursuits.
 
To an extent, Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism participates in an act of classical recovery. It is an effort to revive and reclaim Harrison’s work and to illustrate the degree to which her cultural, political, and scholastic example informed one of the major modernist voices of the twentieth century.
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Virginia Woolf’s Mythic Method
Amy C. Smith
The Ohio State University Press, 2022
In Virginia Woolf’s Mythic Method, Amy C. Smith reinvigorates scholarly analysis of myth in Virginia Woolf’s fiction by examining how Woolf engaged social and political issues in her work. Through close readings of Mrs. Dalloway, To the Lighthouse, and Between the Acts, Smith argues that Woolf develops a paratactic method of alluding to Greek myth that is shaped by the style of archaic oral literature and her intersectional feminist insights. By revising such famously paradoxical figures as the Great Goddess, the Eleusinian deities, Dionysus, Odysseus, and the Sirens, Woolf illustrates the links between epistemological and metaphysical assumptions and war, empire, patriarchy, capitalism, and fascism. At the same time, her use of parataxis to invoke ancient myth unsettles authorial control and empowers readers to participate in making meaning out of her juxtaposed fragments. In contrast to T. S. Eliot’s more prominent mythic method, which seeks to control the anarchy of modern life, Woolf’s paratactic method envisions more livable forms of sociality by destabilizing meaning in her novels, an agenda that aligns better with our contemporary understandings of modernism.
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Virgin-Kayenta Cultural Relationships
UUAP 79
C. Melvin Aikens
University of Utah Press, 1966
AKA Glen Canyon Series Number 29. This paper reports on the prehistory of the Virgin branch of the Anasazi in the Southwest. It incorporates information from sites excavated in the early 1960s in southwest Utah to reassess earlier studies of Virgin Anasazi culture that were based primarily on pottery. 
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The Virgin's Children
Life in an Aztec Village Today
By William Madsen
University of Texas Press, 1960

An absorbing account of the descendants of the ancient Aztecs and of the survival of their culture into the twentieth century in the Valley of Mexico is presented in this fascinating volume. Focusing on San Francisco Tecospa—a village of some eight hundred Indians who still spoke Nahuatl, whose lives were dominated by supernaturalism, and who observed with only slight modification much of their Aztec heritage—this story bears out the anthropological principle that innovations are most likely to be accepted when they are useful, communicable, and compatible with established tradition.

Nowhere is the Indian genius for combining the old and the new better exemplified than in the story of how the Virgin of Guadalupe came to fulfill the role formerly played by the pagan goddess Tonantzin and of how Christian saints replaced the Aztec gods. At the time of this study, the Tecospans still called the Catholic Virgin Tonantzin, but their concept of the mother goddess had changed profoundly since Aztec times.

Tonantzin the Pagan, a hideous goddess with claws on her hands and feet and with snakes entwining her face, wore a necklace of hearts, hands, and skulls to represent her insatiable appetite for corpses. Tonantzin the Catholic—also called Guadalupe—is a beautiful and benevolent mother deity who repeatedly stays God’s anger against her Mexican children and answers the prayers of the poorest Indian, with no thought of return.

In Tecospa the road to social recognition lay in the performance of religious works, and the neglect of ritual obligation subjected both the individual and the community to the anger of supernaturals who punished with illness or other misfortune. Religion was inextricably a part of every phase of life, and it is the whole life of the Aztecan that is recorded here: fiesta, clothing, food, agricultural practices, courtship, marriage, pregnancy and childbirth, death, witchcraft and its cures, medical practices and attitudes, houses and home life, ethics, and the hot-cold complex that classifies everything in the Tecospan universe from God to Bromo-Seltzer.

With a marked simplicity of style and language William Madsen has produced a profoundly significant anthropological study that is delightful reading from the first sentence to the last. The drawings, the work of a ten-year-old Tecospan lad, are remarkable for their penetrating insight into the culture.

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Virtual Americas
Transnational Fictions and the Transatlantic Imaginary
Paul Giles
Duke University Press, 2002
Arguing that limited nationalist perspectives have circumscribed the critical scope of American Studies scholarship, Virtual Americas advocates a comparative criticism that illuminates the work of well-known literary figures by defamiliarizing it—placing it in unfamiliar contexts. Paul Giles looks at a number of canonical nineteenth- and twentieth-century American writers by focusing on their interactions with British culture. He demonstrates how American authors from Herman Melville to Thomas Pynchon have been compulsively drawn to negotiate with British culture so that their nationalist agendas have emerged, paradoxically, through transatlantic dialogues. Virtual Americas ultimately suggests that conceptions of national identity in both the United States and Britain have emerged through engagement with—and, often, deliberate exclusion of—ideas and imagery emanating from across the Atlantic.

Throughout Virtual Americas Giles focuses on specific examples of transatlantic cultural interactions such as Frederick Douglass’s experiences and reputation in England; Herman Melville’s satirizing fictions of U.S. and British nationalism; and Vladimir Nabokov’s critique of European high culture and American popular culture in Lolita. He also reverses his perspective, looking at the representation of San Francisco in the work of British-born poet Thom Gunn and Sylvia Plath’s poetic responses to England. Giles develops his theory about the need to defamiliarize the study of American literature by considering the cultural legacy of Surrealism as an alternative genealogy for American Studies and by examining the transatlantic dimensions of writers such as Henry James and Robert Frost in the context of Surrealism.

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Virtual Competition
The Promise and Perils of the Algorithm-Driven Economy
Ariel Ezrachi and Maurice E. Stucke
Harvard University Press, 2016

“A fascinating book about how platform internet companies (Amazon, Facebook, and so on) are changing the norms of economic competition.”
Fast Company


Shoppers with a bargain-hunting impulse and internet access can find a universe of products at their fingertips. But is there a dark side to internet commerce? This thought-provoking exposé invites us to explore how sophisticated algorithms and data-crunching are changing the nature of market competition, and not always for the better. Introducing into the policy lexicon terms such as algorithmic collusion, behavioral discrimination, and super-platforms, Ariel Ezrachi and Maurice E. Stucke explore the resulting impact on competition, our democratic ideals, our wallets, and our well-being.

“We owe the authors our deep gratitude for anticipating and explaining the consequences of living in a world in which black boxes collude and leave no trails behind. They make it clear that in a world of big data and algorithmic pricing, consumers are outgunned and antitrust laws are outdated, especially in the United States.”
Science

“A convincing argument that there can be a darker side to the growth of digital commerce. The replacement of the invisible hand of competition by the digitized hand of internet commerce can give rise to anticompetitive behavior that the competition authorities are ill equipped to deal with.”
—Burton G. Malkiel, Wall Street Journal

“A convincing case for the need to rethink competition law to cope with algorithmic capitalism’s potential for malfeasance.”
—John Naughton, The Observer

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Virtual Gender
Fantasies of Subjectivity and Embodiment
Mary Ann O'Farrell and Lynne Vallone, Editors
University of Michigan Press, 1999
This collection breaks new ground in the area of gender studies both because it creates a name for gender fantasy--virtual gender--that introduces a new understanding of the concept, and in expanding the idea of virtuality to include people and events in history. The essays in Virtual Gender help identify and name the persistent cultural desire for an imaginative space in which to "put on" alternative gender identities, while examining as well the equally persistent and consequent critique of that desire.
The sweep of the volume's coverage is impressive, ranging across historical periods and academic disciplines, as contributors consider the place of the body in gender fantasy and the consequences of gender fantasy for real people and real bodies. The essays investigate figures and topics including Amelia Earhart, soap-opera chat groups, Elizabeth I, mesmerism, lesbianism in the early modern period, cybergames, women in the federalist period, the transgendered body, and performance art. Also examined are the status of embodiment, the origins of gender, gender politics, the pains of subjectivity, the uses of utopian fantasy, technological advances and information technology, the experience of gendered communities, and the role of gender in global politics.
Contributors include Harriette Andreadis, Seyla Benhabib, Charlotte Canning, Bernice Hausman, Janel Mueller, Mary Ann O'Farrell, Kay Schaffer, Sidonie Smith, Carroll Smith-Rosenberg, Helen F. Thompson, Lynne Vallone, and Robyn Warhol. The book will appeal to an interdisciplinary audience of scholars, critics, and students with interests in gender, identity, and cyberculture.
Mary Ann O'Farrell is Associate Professor of English, Texas A & M University. Lynne Vallone is Associate Professor of English, Texas A & M University.
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Virtual Hallyu
Korean Cinema of the Global Era
Kyung Hyun Kim
Duke University Press, 2011
“[T]his fine book . . . . enlarges our vision of one of the great national cinematic flowerings of the last decade.”—Martin Scorsese, from the foreword

In the late 1990s, South Korean film and other cultural products, broadly known as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of Korean cinema’s success over the past decade. Arguing that state film policies and socioeconomic factors cannot fully explain cinema’s true potentiality, Kim draws on Deleuze’s concept of the virtual—according to which past and present and truth and falsehood coexist—to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host), a postmodern Chosun-era wizard (Jeon Woo-chi), a schizo man-child (Oasis), a weepy North Korean terrorist (Typhoon), a salary man turned vengeful fighting machine (Oldboy), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea’s ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.

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The Virtual Haydn
Paradox of a Twenty-First-Century Keyboardist
Tom Beghin
University of Chicago Press, 2015
Haydn’s music has been performed continuously for more than two hundred years. But what do we play, and what do we listen to, when it comes to Haydn? Can we still appreciate the rich rhetorical nuances of this music, which from its earliest days was meant to be played by professionals and amateurs alike?

With The Virtual Haydn, Tom Beghin—himself a professional keyboard player—delves deeply into eighteenth-century history and musicology to help us hear a properly complex Haydn. Unusually for a scholarly work, the book is presented in the first person, as Beghin takes us on what is clearly a very personal journey into the past. When a discussion of a group of Viennese sonatas, for example, leads him into an analysis of the contemporary interest in physiognomy, Beghin applies what he learns about the role of facial expressions during his own performance of the music. Elsewhere, he analyzes gesture and gender, changes in keyboard technology, and the role of amateurs in eighteenth-century musical culture.

The resulting book is itself a fascinating, bravura performance, one that partakes of eighteenth-century idiosyncrasy while drawing on a panoply of twenty-first-century knowledge.
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Virtual Homelands
Indian Immigrants and Online Cultures in the United States
Madhavi Mallapragada
University of Illinois Press, 2014
The internet has transformed the idea of home for Indians and Indian Americans. In Virtual Homelands: Indian Immigrants and Online Cultures in the United States, Madhavi Mallapragada analyzes home pages and other online communities organized by diasporic and immigrant Indians from the late 1990s through the social media period. Engaging the shifting aspects of belonging, immigrant politics, and cultural citizenship by linking the home page, household, and homeland as key sites, Mallapragada illuminates the contours of belonging and reveals how Indian American struggles over it trace back to the web's active mediation in representing, negotiating, and reimagining "home."

As Mallapragada shows, ideologies around family and citizenship shift to fit the transnational contexts of the online world and immigration. At the same time, the tactical use of the home page to make gender, racial, and class struggles visible and create new modes for belonging implicates the web within complex political and cultural terrain. On e-commerce, community, and activist sites, the recasting of home and homeland online points to intrusion by public agents such as the state, the law, and immigration systems in the domestic, the private, and the familial. Mallapragada reveals that the home page may mobilize to reproduce conservative narratives of Indian immigrants' familial and citizenship cultures, but the reach of a website extends beyond the textual and discursive to encompass the institutions shaping it, as the web unmakes and remakes ideas of "India" and "America."

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Virtual Inequality
Beyond the Digital Divide
Karen Mossberger, Caroline J. Tolbert, and Mary Stansbury
Georgetown University Press, 2003

That there is a "digital divide"—which falls between those who have and can afford the latest in technological tools and those who have neither in our society—is indisputable. Virtual Inequality redefines the issue as it explores the cascades of that divide, which involve access, skill, political participation, as well as the obvious economics. Computer and Internet access are insufficient without the skill to use the technology, and economic opportunity and political participation provide primary justification for realizing that this inequality is a public problem and not simply a matter of private misfortune.

Defying those who say the divide is growing smaller, this volume, based on a unique national survey that includes data from over 1800 respondents in low-income communities, shows otherwise. In addition to demonstrating why disparities persist in such areas as technological abilities, the survey also shows that the digitally disadvantaged often share many of the same beliefs as their more privileged counterparts. African-Americans, for instance, are even more positive in their attitudes toward technology than whites are in many respects, contrary to conventional wisdom. The rigorous research on which the conclusions are based is presented accessibly and in an easy-to-follow manner.

Not content with analysis alone, nor the untangling of the complexities of policymaking, Virtual Inequality views the digital divide compassionately in its human dimensions and recommends a set of practical and common-sense policy strategies. Inequality, even in a virtual form this book reminds us, is unacceptable and a situation that society is compelled to address.

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The Virtual Life of Film
D. N. Rodowick
Harvard University Press, 2007

As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of “watching a film” is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema—and to cinema studies? In the first of two books exploring this question, D. N. Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.

Here Rodowick proposes and examines three different critical responses to the disappearance of film in relation to other time-based media, and to the study of contemporary visual culture. Film, he suggests, occupies a special place in the genealogy of the arts of the virtual: while film disappears, cinema persists—at least in the narrative forms imagined by Hollywood since 1915. Rodowick also observes that most so-called “new media” are fashioned upon a cinematic metaphor. His book helps us see how digital technologies are serving, like television and video before them, to perpetuate the cinematic as the mature audiovisual culture of the twentieth century—and, at the same time, how they are preparing the emergence of a new audiovisual culture whose broad outlines we are only just beginning to distinguish.

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Virtual Lotus
Modern Fiction of Southeast Asia
Teri Shaffer Yamada, Editor
University of Michigan Press, 2002
Virtual Lotus is the first anthology to represent diverse writers throughout Southeast Asia. Their short stories reflect the tremendous social, political, and cultural changes experienced in the region during an age of rapid modernization. Both award-winning writers and new talent are represented, including Pramoedya Ananta Toer (Indonesia), Shahnon Ahmad (Malaysia), and Duong Thu Huong (Vietnam). With keen wit, satire, and pathos their stories poignantly illustrate contemporary life and literary currents in Southeast Asia during the twentieth century.
Short introductions to each story provide a sketch of the country's literary history, revealing the interaction between individual writers and their sociopolitical situations. Many of the stories are ethnographic and provide snapshots of cultures at a specific historical moment. The stories also reflect gender balance, diversity of style, and quality of literary expression. Exploring everything from the realities of being a middle-aged woman in Burma in the witty drama "An Umbrella" to the difficult choice between appeasing a troubled Vietnamese community or tending to an ailing father in "Tu Ben the Actor," this collection is sure to appeal to a variety of readers the world over.
This anthology will be useful in courses in comparative translation and culture, postcolonial studies, political science, Asian history, and gender studies. It is also appropriate for a literary reading public interested in comparative world literature.
Teri Shaffer Yamada is Associate Professor, California State University, Long Beach.
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Virtual Memory
Time-Based Art and the Dream of Digitality
Homay King
Duke University Press, 2015
In Virtual Memory, Homay King traces the concept of the virtual through the philosophical works of Henri Bergson, Gilles Deleuze, and Giorgio Agamben to offer a new framework for thinking about film, video, and time-based contemporary art. Detaching the virtual from its contemporary associations with digitality, technology, simulation, and speed, King shows that using its original meaning—which denotes a potential on the cusp of becoming—provides the means to reveal the "analog" elements in contemporary digital art. Through a queer reading of the life and work of mathematician Alan Turing, and analyses of artists who use digital technologies such as Christian Marclay, Agnès Varda, and Victor Burgin, King destabilizes the analog/digital binary. By treating the virtual as the expression of powers of potential and change and of historical contingency, King explains how these artists transcend distinctions between disembodiment and materiality, abstraction and tangibility, and the unworldly and the earth-bound. In so doing, she shows how their art speaks to durational and limit-bound experience more than contemporary understandings of the virtual and digital would suggest.
 
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Virtual Migration
The Programming of Globalization
A. Aneesh
Duke University Press, 2006
Workers in India program software applications, transcribe medical dictation online, chase credit card debtors, and sell mobile phones, diet pills, and mortgages for companies based in other countries around the world. While their skills and labor migrate abroad, these workers remain Indian citizens, living and working in India. A. Aneesh calls this phenomenon “virtual migration,” and in this groundbreaking study he examines the emerging “transnational virtual space” where labor and vast quantities of code and data cross national boundaries, but the workers themselves do not. Through an analysis of the work of computer programmers in India working for the American software industry, Aneesh argues that the programming code connecting globally dispersed workers through data servers and computer screens is the key organizing structure behind the growing phenomenon of virtual migration. This “rule of code,” he contends, is a crucial and underexplored aspect of globalization.

Aneesh draws on the sociology of science, social theory, and research on migration to illuminate the practical and theoretical ramifications of virtual migration. He combines these insights with his extensive ethnographic research in offices in three locations in India—in Delhi, Gurgaon, and Noida—and one in New Jersey. Aneesh contrasts virtual migration with “body shopping,” the more familiar practice of physically bringing programmers from other countries to work on site, in this case, bringing them from India to New Jersey. A significant contribution to the social theory of globalization, Virtual Migration maps the expanding transnational space where globalization is enacted via computer programming code.

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Virtual Modernism
Writing and Technology in the Progressive Era
Katherine Biers
University of Minnesota Press, 2013

In Virtual Modernism, Katherine Biers offers a fresh view of the emergence of American literary modernism from the eruption of popular culture in the early twentieth century. Employing dynamic readings of the works of Stephen Crane, Henry James, James Weldon Johnson, Djuna Barnes, and Gertrude Stein, she argues that American modernist writers developed a “poetics of the virtual” in response to the rise of mass communications technologies before World War I. These authors’ modernist formal experimentation was provoked by the immediate, individualistic pleasures and thrills of mass culture. But they also retained a faith in the representational power of language—and the worth of common experience—more characteristic of realism and naturalism. In competition with new media experiences such as movies and recorded music, they simultaneously rejected and embraced modernity.

Biers establishes the virtual poetics of these five writers as part of a larger “virtual turn” in the United States, when a fascination with the writings of Henri Bergson, William James, and vitalist philosophy—and the idea of virtual experience—swept the nation. Virtual Modernism contends that a turn to the virtual experience of language was a way for each of these authors to carve out a value for the literary, both with and against the growth of mass entertainments. This technologically inspired reengagement with experience was formative for American modernism.

Situated at the crossing points of literary criticism, philosophy, media studies, and history, Virtual Modernism provides an examination of Progressive Era preoccupations with the cognitive and corporeal effects of new media technologies that traces an important genealogy of present-day concerns with virtuality.

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Virtual Pedophilia
Sex Offender Profiling and U.S. Security Culture
Gillian Harkins
Duke University Press, 2020
In Virtual Pedophilia Gillian Harkins traces how by the end of the twentieth century the pedophile as a social outcast evolved into its contemporary appearance as a virtually normal white male. The pedophile's alleged racial and gender normativity was treated as an exception to dominant racialized modes of criminal or diagnostic profiling. The pedophile was instead profiled as a virtual figure, a potential threat made visible only when information was transformed into predictive image. The virtual pedophile was everywhere and nowhere, slipping through day-to-day life undetected until people learned how to arm themselves with the right combination of visually predictive information. Drawing on television, movies, and documentaries such as Law and Order: SVU, To Catch a Predator, Mystic River, and Capturing the Friedmans, Harkins shows how diverse U.S. audiences have been conscripted and trained to be lay detectives who should always be on the lookout for the pedophile as virtual predator. In this way, the perceived threat of the pedophile legitimated increased surveillance and ramped-up legal strictures that expanded the security apparatus of the carceral state.
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The Virtual Point of Freedom
Essays on Politics, Aesthetics, and Religion
Lorenzo Chiesa
Northwestern University Press, 2016
The principal motif that runs throughout The Virtual Point of Freedom is a confrontation with the discourse of freedom, or, more specifically, the falsely transgressive ideal of a total emancipation that would know no constraints. Far from delineating a supposed “subject of freedom” that would allegedly overcome alienation once and for all, the seven chapters in Chiesa’s book seek to unfold an innovative reading of the dialectical coincidence between dis-alienation and re-alienation in politics, aesthetics, and religion, using psychoanalysis as a privileged critical tool. Topics include Pier Paolo Pasolini’s attack on the visual and biological degeneration of bodies brought about by pleasure-seeking “liberal” consumerism, Giorgio Agamben’s and Slavoj Žižek’s conflicting negotiations with the Christian tradition of “poverty” and “inappropriateness” as potential redemption, and Alain Badiou’s inability to develop a philosophical anthropology that could sustain a coherent politics of emancipation. The book concludes by sketching out the figure of the partisan, a subject who makes it possible to conceive of an intersection between provisional morality and radical politics.
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Virtual Reality and Light Field Immersive Video Technologies for Real-World Applications
Gauthier Lafruit
The Institution of Engineering and Technology, 2022
Virtual reality (VR) refers to technologies that use headsets to generate realistic images, sounds and other sensations that replicate a real-world environment or create an imaginary setting. VR also simulates a user's physical presence in this environment. In virtual reality, six degrees of freedom allows users to not only look around, but also to move around the virtual world and look from above, below or behind objects. To have a true VR experience, the hardware must provide six degrees of freedom, using both orientation tracking (rotational) and positional tracking (translation).
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The Virtual Reference Service
From Competencies to Assessment - Neal-Schuman Publishers
American Library Association
American Library Association, 2008

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Virtual Reference Training
The Complete Guide to Providing Anytime, Anywhere Answers
American Library Association
American Library Association, 2004

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Virtual Voyages
Cinema and Travel
Jeffrey Ruoff, ed.
Duke University Press, 2006
Virtual Voyages illuminates the pivotal role of travelogues within the history of cinema. The travelogue dominated the early cinema period from 1895 to 1905, was central to the consolidation of documentary in the 1910s and 1920s, proliferated in the postwar era of 16mm distribution, and today continues to flourish in IMAX theaters and a host of non-theatrical venues. It is not only the first chapter in the history of documentary but also a key element of ethnographic film, home movies, and fiction films. In this collection, leading film scholars trace the intersection of technology and ideology in representations of travel across a wide variety of cinematic forms. In so doing, they demonstrate how attention to the role of travel imagery in film blurs distinctions between genres and heightens awareness of cinema as a technology for moving through space and time, of cinema itself as a mode of travel.

Some contributors take a broad view of travelogues by examining the colonial and imperial perspectives embodied in early travel films, the sensation of movement that those films evoked, and the role of live presentations such as lectures in our understanding of travelogues. Other essays are focused on specific films, figures, and technologies, including early travelogues encouraging Americans to move to the West; the making and reception of the documentary Grass (1925), shot on location in Turkey, Syria, Iraq, and Iran; the role of travel imagery in 1930s Hollywood cinema; the late-twentieth-century 16mm illustrated-lecture industry; and the panoramic possibilities presented by IMAX technologies. Together the essays provide a nuanced appreciation of how, through their representations of travel, filmmakers actively produce the worlds they depict.

Contributors. Rick Altman, Paula Amad, Dana Benelli, Peter J. Bloom, Alison Griffiths, Tom Gunning, Hamid Naficy, Jennifer Lynn Peterson, Lauren Rabinovitz, Jeffrey Ruoff, Alexandra Schneider, Amy J. Staples

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Virtual War and Magical Death
Technologies and Imaginaries for Terror and Killing
Neil L. Whitehead and Sverker Finnström, eds.
Duke University Press, 2013
Virtual War and Magical Death is a provocative examination of the relations between anthropology and contemporary global war. Several arguments unite the collected essays, which are based on ethnographic research in varied locations, including Guatemala, Uganda, and Tanzania, as well as Afghanistan, Pakistan, Iraq, and the United States. Foremost is the contention that modern high-tech warfare—as it is practiced and represented by the military, the media, and civilians—is analogous to rituals of magic and sorcery. Technologies of "virtual warfare," such as high-altitude bombing, remote drone attacks, night-vision goggles, and even music videoes and computer games that simulate battle, reproduce the imaginative worlds and subjective experiences of witchcraft, magic, and assault sorcery long studied by cultural anthropologists.

Another significant focus of the collection is the U.S. military's exploitation of ethnographic research, particularly through its controversial Human Terrain Systems (HTS) Program, which embeds anthropologists as cultural experts in military units. Several pieces address the ethical dilemmas that HTS and other counterinsurgency projects pose for anthropologists. Other essays reveal the relatively small scale of those programs in relation to the military's broader use of, and ambitions for, social scientific data.

Contributors
. Robertson Allen, Brian Ferguson, Sverker Finnström, Roberto J. González, David H. Price, Antonius Robben, Victoria Sanford, Jeffrey Sluka, Koen Stroeken, Matthew Sumera, Neil L. Whitehead

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Virtuality and the Art of Exhibition
Curatorial Design for the Multimedial Museum
Vince Dziekan
Intellect Books, 2012

Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedia museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.

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Virtually Embedded
The Librarian In An Online Env.
Elizabeth Leonard
Assoc of College & Research Libraries, 2014

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Virtually Embedded
The Librarian in an Online Environment
Elizabeth Leonard
Assoc of College & Research Libraries, 2014

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Virtue and Venom
Catalogs of Women from Antiquity to the Renaissance
Glenda McLeod
University of Michigan Press, 1991
Virtue and Venom traces the history of a previously neglected genre, the catalog of women, from its origins in Greece and Rome to the late Middle Ages, revealing the catalogs' considerable importance as cultural documents of the evolution of the Western definition of womankind. These catalogs were simple listings of past heroines, sometimes described in extended biographies, sometimes merely enumerated by name. Catalog heroines often appeared in familiar guises—anonymous mothers of great men, fascinating seductresses, self-effacing spouses, abused victims of love, strong and brilliant achievers. Written by some of the finest authors of the ages, the catalogs fulfilled important functions. By defining women typologically, they instilled stereotypes in the popular mind, and by illustrating proper and improper feminine conduct they reinforced the late medieval link between literature and ethics. Despite the repetitive form of the genre, the catalogs were extremely flexible, able to illustrate different, even antithetical views of femininity—invoking the past as authority or reinterpreting the past in an attempt to associate femininity with changing cultural values. Thus, as well as being the vehicle for the transmission of knowledge, the form could also be manipulated to contest authority, in the guise of invoking it, and present new paradigms. Glenda McLeod examines a host of catalogs, including those of Homer, Hesiod, Vergil, Ovid, Juvenal, Plutarch, St. Jerome, and Jean de Meun, but gives special attention to Boccaccio's De claris mulieribus and Chaucer's Legend of Good Women. She then shows how the tradition ultimately produced the first major defense of womankind in Christine de Pizan's Cité des Dames. This book will be of interest to classicists, medievalists, Renaissance and feminist scholars, and anyone interested in the misogynist tradition in the West and the response it engendered.
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Virtue Ethics
A Critical Reader
Daniel Statman, Editor
Georgetown University Press, 1997

This book offers a clear and systematic introduction to virtue ethics, a topic which has inspired one of the most interesting contemporary debates in ethical theory—the question of whether virtues can replace duties as the primary notion in ethical theory.

The volume comprises an introduction to virtue ethics by Daniel Statman and a collection of the most important essays published on the topic in the last decade. The essays encompass a wide range of aspects: the difference between virtue ethics and traditional duty ethics; arguments for and against virtue ethics; the practical implications of virtue ethics; and Aristotelian and Kantian attitudes towards virtue ethics.

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Virtue Ethics and Education from Late Antiquity to the Eighteenth Century
Edited by Andreas Hellerstedt
Amsterdam University Press, 2018
This book argues that pre-modern societies were characterized by a common quest for human flourishing or excellence, i.e. virtue. The history of virtue is a particularly fruitful approach when studying pre-modern periods. Systems of moral philosophy and more day-to-day moral ideas and practices in which virtue was central were incredibly important in pre-modern societies within and among diverse scholarly, literary, religious and social communities. Virtue was a cornerstone of pre-modern societies, permeating society in many different ways, and on many different levels, and it was conveyed in erudite and pedagogical texts, ritual, performance and images. The construction of virtues such as wisdom, courage, and justice helped shape identities and communities, but also served to legitimize and reinforce differences pertaining to gender, social hierarchies, and nations. On a more fundamental level, studying the history of virtue helps us understand the guiding principles of historical action. Thus, we believe that the history of virtue is central to understanding these societies, and that the history of virtue, including criticisms of virtue and virtue ethics, tells us important things about how men and women thought and acted in ages past.
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Virtue, Fortune, and Faith
A Genealogy of Finance
Marieke de Goede
University of Minnesota Press, 2005
Less than two centuries ago finance - today viewed as the center of economic necessity and epitome of scientific respectability - stood condemned as disreputable fraud. How this change in status came about, and what it reveals about the nature of finance, is the story told in Virtue, Fortune, and Faith. A unique cultural history of modern financial markets from the early eighteenth century to the present day, the book offers a genealogical reading of the historical insecurities, debates, and controversies that had to be purged from nascent credit practices in order to produce the image of today's coherent and - largely - rational global financial sphere. Marieke de Goede discusses moral, religious, and political transformations that have slowly naturalized the domain of finance. Using a deft integration of feminist and poststructuralist approaches, her book demonstrates that finance - not just its rules of personal engagement, but also its statistics, formulas, instruments, and institutions - is a profoundly cultural and politically contingent practice. When closely examined, the history of finance is one of colonial conquest, sexual imagination, constructions of time, and discourses of legitimate (or illegitimate) profit making. Regardless, this history has had a far-reaching impact on the development of the modern international financial institutions that act as the stewards of the world's economic resources. De Goede explores the political contestations over ideas of time and money; the gendered discourse of credit and credibility; differences among gambling, finance, and speculation; debates over the proper definition of the free market; the meaning of financial crisis; and the morality of speculation. In an era when financial practices are pronounced too specialized for broad-based public, democratic debate, Virtue, Fortune, and Faith questions assumptions about international finance's unchallenged position and effectively exposes its ambiguous scientific authority.
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Virtue Hoarders
The Case against the Professional Managerial Class
Catherine Liu
University of Minnesota Press, 2021

A denunciation of the credentialed elite class that serves capitalism while insisting on its own progressive heroism

Professional Managerial Class (PMC) elite workers labor in a world of performative identity and virtue signaling, publicizing an ability to do ordinary things in fundamentally superior ways. Author Catherine Liu shows how the PMC stands in the way of social justice and economic redistribution by promoting meritocracy, philanthropy, and other self-serving operations to abet an individualist path to a better world. Virtue Hoarders is an unapologetically polemical call to reject making a virtue out of taste and consumption habits.

Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

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Virtue Is Knowledge
The Moral Foundations of Socratic Political Philosophy
Lorraine Smith Pangle
University of Chicago Press, 2014
The relation between virtue and knowledge is at the heart of the Socratic view of human excellence, but it also points to a central puzzle of the Platonic dialogues: Can Socrates be serious in his claims that human excellence is constituted by one virtue, that vice is merely the result of ignorance, and that the correct response to crime is therefore not punishment but education? Or are these assertions mere rhetorical ploys by a notoriously complex thinker?

Lorraine Smith Pangle traces the argument for the primacy of virtue and the power of knowledge throughout the five dialogues that feature them most prominently—the Apology, Gorgias, Protagoras, Meno, and Laws—and reveals the truth at the core of these seemingly strange claims. She argues that Socrates was more aware of the complex causes of human action and of the power of irrational passions than a cursory reading might suggest. Pangle’s perceptive analyses reveal that many of Socrates’s teachings in fact explore the factors that make it difficult for humans to be the rational creatures that he at first seems to claim. Also critical to Pangle’s reading is her emphasis on the political dimensions of the dialogues. Underlying many of the paradoxes, she shows, is a distinction between philosophic and civic virtue that is critical to understanding them.

Ultimately, Pangle offers a radically unconventional way of reading Socrates’s views of human excellence: Virtue is not knowledge in any ordinary sense, but true virtue is nothing other than wisdom.
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Virtue Politics
Soulcraft and Statecraft in Renaissance Italy
James Hankins
Harvard University Press, 2019

Winner of the Helen and Howard Marraro Prize
A Times Literary Supplement Book of the Year


“Perhaps the greatest study ever written of Renaissance political thought.”
—Jeffrey Collins, Times Literary Supplement

“Magisterial…Hankins shows that the humanists’ obsession with character explains their surprising indifference to particular forms of government. If rulers lacked authentic virtue, they believed, it did not matter what institutions framed their power.”
Wall Street Journal

“Puts the politics back into humanism in an extraordinarily deep and far-reaching way…For generations to come, all who write about the political thought of Italian humanism will have to refer to it; its influence will be…nothing less than transformative.”
—Noel Malcolm, American Affairs

“[A] masterpiece…It is only Hankins’s tireless exploration of forgotten documents…and extraordinary endeavors of editing, translation, and exposition that allow us to reconstruct—almost for the first time in 550 years—[the humanists’] three compelling arguments for why a strong moral character and habits of truth are vital for governing well. Yet they are as relevant to contemporary democracy in Britain, and in the United States, as to Machiavelli.”
—Rory Stewart, Times Literary Supplement

“The lessons for today are clear and profound.”
—Robert D. Kaplan

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Everywhere they saw problems. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; religious leaders preoccupied with self-advancement while feuding armies waged endless wars. Their solution was at once simple and radical. “Men, not walls, make a city,” as Thucydides so memorably said. They would rebuild the fabric of society by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

A landmark reappraisal of Renaissance political thought, Virtue Politics challenges the traditional narrative that looks to the Renaissance as the seedbed of modern republicanism and sees Machiavelli as its exemplary thinker. James Hankins reveals that what most concerned the humanists was not reforming institutions so much as shaping citizens. If character mattered more than laws, it would have to be nurtured through a new program of education they called the studia humanitatis: the precursor to our embattled humanities.

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The Virtues
John H. Garvey
Catholic University of America Press, 2022
An ancient question asks what role moral formation ought to play in education. It leads to such questions as, do intellectual and moral formation belong together? Is it possible to form the mind and neglect the heart? Is it wise? These perennial questions take on new significance today, when education — especially, higher education — has become a defining feature in the lives of young people. Throughout his more than 40 years in academia, John Garvey has reflected on the relationship between intellectual and moral formation, especially in Catholic higher education. For 12 years as the President of The Catholic University of America, he made the cultivation of moral virtue a central theme on campus, highlighting its significance across all aspects of University culture, from University policy to campus architecture. During his two decades of presiding at commencement exercises, first as Dean of Boston College Law School and then as President of The Catholic University of America, Garvey made a single virtue the centerpiece of his remarks each year. The Virtues is the fruit of those addresses. More reflective than analytical, its purpose is to invite conversation about what it means to live well. Following Catholic tradition, The Virtues places the theological virtues of faith, hope, and love at the center of the moral life, and the cardinal virtues — justice, temperance, fortitude, and prudence — with them. Alongside these major virtues, Garvey considers a collection of “little virtues,” habits that assist and accompany us in small but important ways on the path to goodness. Though he treats each virtue individually, a common thread unites his reflections. “The intellectual life depends on the moral life,” Garvey writes. “Without virtue we cannot sustain the practices necessary for advanced learning. In fact, without virtue, it’s hard to see what the purpose of the university is. Learning begins with love (for the truth). If we don’t have that, it’s hard to know why we would bother with education at all.” The Virtues invites its readers, especially students, to appreciate that the cultivation of virtue is indispensable to success, academic or otherwise, and more importantly, essential to their ultimate aim, a life well lived.
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The Virtues and Vices of Speech
Giovanni Gioviano Pontano
Harvard University Press, 2019
Giovanni Pontano, who adopted the academic sobriquet “Gioviano,” was prime minister to several kings of Naples and the most important Neapolitan humanist of the quattrocento. Best known today as a Latin poet, he also composed dialogues depicting the intellectual life of the humanist academy of which he was the head, and, late in life, a number of moral essays that became his most popular prose works. The De sermone (On Speech), translated into English here for the first time, aims to provide a moral anatomy, following Aristotelian principles, of various aspects of speech such as truthfulness and deception, flattery, gossip, loquacity, calumny, mercantile bargaining, irony, wit, and ridicule. In each type of speech, Pontano tries to identify what should count as the virtuous mean, that which identifies the speaker as a person of education, taste, and moral probity.
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The Virtues of Hypocrisy
An Essay on Toleration
Andrew Sabl
Harvard University Press

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Virtues of Thought
Essays on Plato and Aristotle
Aryeh Kosman
Harvard University Press, 2014

Virtues of Thought is an excursion through interconnecting philosophical topics in Plato and Aristotle, under the expert guidance of Aryeh Kosman. Exploring what these two foundational figures have to say about the nature of human awareness and understanding, Kosman concludes that ultimately the virtues of thought are to be found in the joys and satisfactions that come from thinking philosophically, whether we engage in it ourselves or witness others’ participation.

Kosman examines Aristotle’s complex understanding of the role that reason plays in practical choice and moral deliberation, and the specific forms of thinking that are involved in explaining the world and making it intelligible to ourselves and others. Critical issues of consciousness and the connection between thinking and acting in Aristotle’s philosophical psychology lead to a discussion of the importance of emotion in his theory of virtue. Theories of perception and cognition are highlighted in works such as Aristotle’s Posterior Analytics. When his focus turns to Plato, Kosman gives original accounts of several dialogues concerning Plato’s treatment of love, self-knowledge, justice, and the complex virtue known as sophrosyne in such texts as Charmides and the Republic.

Bringing together in a single volume previously unpublished essays along with classics in the field, Virtues of Thought makes a significant contribution to our study of ancient Greek philosophy.

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The Virtues of Underwear
Modesty, Flamboyance and Filth
Nina Edwards
Reaktion Books, 2024
Laced with illustrations of undergarments both prosaic and exotic, a global exposé of the hidden meaning of knickers, lingerie, and everything in between.
 
This book unravels the intimate narratives woven into the fabric of our most personal garments. From the first loincloths to the intricate layers of shapewear, the narrative explores the concealed world of underwear as a silent communicator of individual desire and societal affiliation. As an indicator of the pulse of fashion, underwear has evolved from minimalism to intricate designs with new materials. Beyond its role in denying our corporeal nature, underwear safeguards and exposes, reflecting our innermost desires and past experiences.
 
From clean underclothing resisting carnal urges to the protective embrace of fabric, this book illuminates the profound, often hidden stories told by the garments beneath our outer layers. It rewards the reader with historical insights into both women’s and men’s underwear and global cultures of dress.
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The Virtuous and Violent Women of Seventeenth-Century Massachusetts
Emily C.K. Romeo
University of Massachusetts Press, 2020
Dismantling the image of the peaceful and serene colonial goodwife and countering the assumption that New England was inherently less violent than other regions of colonial America, Emily C. K. Romeo offers a revealing look at acts of violence by Anglo-American women in colonial Massachusetts, from the everyday to the extraordinary. Using Essex County as a case study, Romeo deftly utilizes seventeenth- and eighteenth-century sources to demonstrate that Puritan women, both "virtuous" and otherwise, learned to negotiate the shifting boundaries between acceptable and unacceptable violence in their daily lives and communities.

The Virtuous and Violent Women of Seventeenth-Century Massachusetts shows that more dramatic violence by women—including infanticide, the scalping of captors during the Indian Wars, and even witchcraft accusations—was not necessarily intended to challenge the structures of authority but often sprung from women's desire to protect property, safety, and standing for themselves and their families. The situations in which women chose to flout powerful social conventions and resort to overt violence expose the underlying, often unspoken, priorities and gendered expectations that shaped this society.
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Virtuous Citizens
Counterpublics and Sociopolitical Agency in Transatlantic Literature
Kendall McClellan
University of Alabama Press, 2021
Demonstrates how contemporary manifestations of civic publics trace directly to the early days of nationhood

 The rise of the bourgeois public sphere and the contemporaneous appearance of counterpublics in the eighteenth century deeply influenced not only how politicians and philosophers understood the relationships among citizens, disenfranchised subjects, and the state but also how members of the polity understood themselves. In Virtuous Citizens: Counterpublics and Sociopolitical Agency in Transatlantic Literature, Kendall McClellan uncovers a fundamental and still redolent transformation in conceptions of civic identity that occurred over the course of the eighteenth and nineteenth centuries. Literature of this period exposes an emotional investment in questions of civic selfhood born out of concern for national stability and power, which were considered products of both economic strength and a nation’s moral fiber. McClellan shows how these debates traversed the Atlantic to become a prominent component of early American literature, evident in works by James Fenimore Cooper, Catharine Maria Sedgwick, Sarah Josepha Hale, and Harriet Beecher Stowe, among others.

Underlying popular opinion about who could participate in the political public, McClellan argues, was an impassioned rhetorical wrestling match over the right and wrong ways to demonstrate civic virtue. Relying on long-established tropes of republican virtue that lauded self-sacrifice and disregard for personal safety, abolitionist writers represented loyalty to an ideals-based community as the surest safeguard of both private and public virtue. This evolution in civic virtue sanctioned acts of protest against the state, offered disenfranchised citizens a role in politics, and helped usher in the modern transnational public sphere.

Virtuous Citizens shows that the modern public sphere has always constituted a vital and powerful space for those invested in addressing injustice and expanding democracy. To illuminate some of the fundamental issues underlying today’s sociopolitical unrest, McClellan traces the transatlantic origins of questions still central to the representation of movements like Black Lives Matter, the Women’s March, and the Alt-Right: What is the primary loyalty of a virtuous citizen? Are patriots those who defend the current government against attacks, external and internal, or those who challenge the government to fulfill sociopolitical ideals?
 
 
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Virtuous Necessity
Conduct Literature and the Making of the Virtuous Woman in Early Modern England
Jessica C. Murphy
University of Michigan Press, 2015
While many scholars find the early modern triad of virtues for women—silence, chastity, and obedience—to be straightforward and nonnegotiable, Jessica C. Murphy demonstrates that these virtues were by no means as direct and inflexible as they might seem. Drawing on the literature of the period—from the plays of Shakespeare to a conduct manual written for a princess to letters from a wife to her husband—as well as contemporary gender theory and philosophy, she uncovers the multiple meanings of behavioral expectations for sixteenth- and seventeenth-century women. Through her renegotiation of cultural ideals as presented in both literary and nonliterary texts of early modern England, Murphy presents models for “acceptable” women’s conduct that lie outside of the rigid prescriptions of the time.

Virtuous Necessity will appeal to readers interested in early modern English literature, including canonical authors such as Shakespeare, Spenser, and Milton, as well as their female contemporaries such as Amelia Lanyer and Elizabeth Cary. It will also appeal to scholars of conduct literature; of early modern drama, popular literature, poetry, and prose; of women’s history; and of gender theory.
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Virtuous Vice
Homoeroticism and the Public Sphere
Eric O. Clarke
Duke University Press, 2000
In this daring study of queer life and the public sphere, Eric O. Clarke examines the effects of inclusion within public culture. Departing from studies that emphasize homophobia and its mechanisms of exclusion, Virtuous Vice details how mainstream efforts to represent queers affirmatively continually fall short of full democratic enfranchisement. Clarke draws on contemporary writings along with late-eighteenth- and nineteenth-century English and European cultural history to investigate how concepts of value, representation, and homoeroticism have interacted and circulated in the West since the Enlightenment.
Examining the role of eroticism in citizenship and why only normalizing
constructions of homosexuality enable inclusion, Clarke reconsiders the work of Habermas and Foucault in relation to contemporary visibility politics, Kant’s moral and political theory, Marx’s analysis of value, and the sexualized dynamics of the Victorian cultural public sphere. The juxtaposition of Habermas with Foucault reveals the surprising value of reading the former in the context of queer politics and the usefulness of the theory of the public sphere for understanding contemporary identity politics and the visibility politics of the 1990s. Examining how a host of nonsexual factors impinge historically upon the constitution of sexual identities and practices, Clarke negotiates the relation between questions of publicity and categories of value. Discussions of television sitcoms (such as Ellen), marketing techniques, authenticity, and literary culture add to this daring analysis of visibility politics.
As a critique of the claim that equal representation of gays and lesbians necessarily constitutes progress, this significant intervention into social theory will find enthusiastic readers in the fields of Victorian, cultural, literary, and gay and lesbian studies, as well as other fields engaged with categories of identity.
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Virulent Zones
Animal Disease and Global Health at China's Pandemic Epicenter
Lyle Fearnley
Duke University Press, 2020
Scientists have identified southern China as a likely epicenter for viral pandemics, a place where new viruses emerge out of intensively farmed landscapes and human--animal interactions. In Virulent Zones, Lyle Fearnley documents the global plans to stop the next influenza pandemic at its source, accompanying virologists and veterinarians as they track lethal viruses to China's largest freshwater lake, Poyang Lake. Revealing how scientific research and expert agency operate outside the laboratory, he shows that the search for origins is less a linear process of discovery than a constant displacement toward new questions about cause and context. As scientists strive to understand the environments from which the influenza virus emerges, the unexpected scale of duck farming systems and unusual practices such as breeding wild geese unsettle research objects, push scientific inquiry in new directions, and throw expert authority into question. Drawing on fieldwork with global health scientists, state-employed veterinarians, and poultry farmers in Beijing and at Poyang Lake, Fearnley situates the production of ecological facts about disease emergence inside the shifting cultural landscapes of agrarian change and the geopolitics of global health.
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Virus Research in Twentieth-Century Uganda
Between Local and Global
Julia Ross Cummiskey
Ohio University Press, 2024
Virus Research in Twentieth-Century Uganda presents the stories of scientists at the Uganda Virus Research Institute (UVRI), a biomedical center founded in 1936. The book analyzes the strategies and conditions that allowed the institute to endure and thrive through successive political and scientific regimes of the interwar period, the postwar period, the transition to independence, the conflicts of the 1970s and 1980s, and the Museveni presidency. Julia Ross Cummiskey combines methods and themes from the history of medicine and public health, science and technology studies, and African studies to show that the story of the UVRI and the people who worked there transforms our understanding of the nature of local and international expertise and the evolution of global health research over the course of the twentieth century. Global health is one of the chief areas in which African and foreign institutions interact today. Billions of dollars are invested in global health projects on the continent, many involving strategically selected “local partners.” In the discourse of these projects, local and global are often framed as complementary but distinct categories of people, institutions, traditions, and practices. But the history of biomedical research at the UVRI shows that these distinctions are unstable and mutable and that people and institutions have mobilized both categories to attract funding, professional prestige, and research opportunities. The book complicates the local/global binary that is implicit (and sometimes explicit) in many studies of colonial, international, and global health and medical research, especially in Africa. Moreover, it challenges assumptions about global health as an enterprise dominated by researchers based in the Global North and recenters the history of biomedicine in Africa.
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The Virus Touch
Theorizing Epidemic Media
Bishnupriya Ghosh
Duke University Press, 2023
In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes “epidemic media” to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains her analytic gaze on these mediations as expressed in the collection and analysis of blood samples as a form of viral media; the geospatialization of data that track viral hosts like wild primates; and the use of multisensory images to trace fluctuations in viral mutations. Studying how epidemic media inscribe, store, and transmit multispecies relations attunes us to the anthropogenic drivers of pathogenicity like deforestation or illegal wildlife trading and the vulnerabilities accruing from diseases that arise from socioeconomic inequities and biopolitical neglect.
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Viruses
Agents of Evolutionary Invention
Michael G. Cordingley
Harvard University Press, 2017

Viruses are the most abundant biological entities on Earth, and arguably the most successful. They are not technically alive, but—as infectious vehicles of genetic information—they have a remarkable capacity to invade, replicate, and evolve within living cells. Synthesizing a large body of recent research, Michael Cordingley goes beyond our familiarity with viral infections to show how viruses spur evolutionary change in their hosts, shape global ecosystems, and influence every domain of life.

In the last few decades, research has revealed that viruses are fundamental to the photosynthetic capacity of the world’s oceans and the composition of the human microbiome. Perhaps most fascinating, viruses are now recognized as remarkable engines of the genetic innovation that fuels natural selection and catalyzes evolution in all domains of life. Viruses have coevolved with their hosts since the beginning of life on our planet and are part of the evolutionary legacy of every species that has ever lived.

Cordingley explains how viruses are responsible for the creation of many feared bacterial diseases and the emergence of newly pathogenic and drug-resistant strains. And as more and more viruses jump to humans from other animals, new epidemics of viral disease will threaten global society. But Cordingley shows that we can adapt, relying on our evolved cognitive and cultural capacities to limit the consequences of viral infections. Piecing together the story of viruses’ major role within and beyond human disease, Viruses creates a valuable roadmap through the rapidly expanding terrain of virology.

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Visayan Vignettes
Ethnographic Traces of a Philippine Island
Jean-Paul Dumont
University of Chicago Press, 1992
"To read the book is to appreciate the highly contingent, provisional, oblique, open-ended way in which people try to make "sense" of another culture."—Resil B. Mojares, Philippine Graphic

"This book is an interestingly complex ethnography that approaches the self-critical dialectical ethnography called for two decades ago....It is a welcome contribution to postmodernist theory and to the ethnography of the Visayas."—Ronald Provencher, Journal of Asian Studies
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The Visceral Logics of Decolonization
Neetu Khanna
Duke University Press, 2020
In The Visceral Logics of Decolonization Neetu Khanna rethinks the project of decolonization by exploring a knotted set of relations between embodied experience and political feeling that she conceptualizes as the visceral. Khanna focuses on the work of the Progressive Writers' Association (PWA)—a Marxist anticolonial literary group active in India between the 1930s and 1950s—to show how anticolonial literature is a staging ground for exploring racialized emotion and revolutionary feeling. Among others, Khanna examines novels by Mulk Raj Anand, Ahmed Ali, and Khwaja Ahmad Abbas, as well as the feminist writing of Rashid Jahan and Ismat Chughtai, who each center the somatic life of the body as a fundamental site of colonial subjugation. In this way, decolonial action comes not solely from mental transformation, but from a reconstitution of the sensorial nodes of the body. The visceral, Khanna contends, therefore becomes a critical dimension of Marxist theories of revolutionary consciousness. In tracing the contours of the visceral's role in decolonial literature and politics, Khanna bridges affect and postcolonial theory in new and provocative ways.
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The Visceral Screen
Between the Cinemas of John Cassavetes and David Cronenberg
Robert Furze
Intellect Books, 2015
Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. Instead, Robert Furze argues, the defining characteristic of these directors’ respective approaches is that of “visceral” cinema—a term that illustrates the anxiety these filmmakers provoke in their audiences. Cassavetes demonstrates this through disregard for plot structure and character coherence, while Cronenberg's focus is on graphic depictions of mutilation, extreme forms of bodily transformation, and violence.

The Visceral Screen sets out to articulate alternative ways of appreciating film aesthetics outside the narrative/spectacle continuum. Cassavetes and Cronenberg are established auteurs, but the elements of their films that appear to be barriers to their artistic status—for example, slipshod method and lingering violence or pre-digital special effects—are reassessed here as other indicators of creativity. In this way, Furze encourages debates of what makes a film good or bad—beyond how much it is seen to adhere to particular, established models of filmmaking. 
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Vise and Shadow
Essays on the Lyric Imagination, Poetry, Art, and Culture
Peter Balakian
University of Chicago Press, 2015
Peter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond." And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something—a person, an event, an object, a form in nature."

Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.
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Visibility Interrupted
Rural Queer Life and the Politics of Unbecoming
Carly Thomsen
University of Minnesota Press, 2021

A questioning of the belief in the power of LGBTQ visibility through the lives of queer women in the rural Midwest

Today most LGBTQ rights supporters take for granted the virtue of being “out, loud, and proud.” Most also assume that it would be terrible to be LGBTQ in a rural place. By considering moments in which queerness and rurality come into contact, Visibility Interrupted argues that both positions are wrong. In the first monograph on LGBTQ women in the rural Midwest, Carly Thomsen deconstructs the image of the rural as a flat, homogenous, and anachronistic place where LGBTQ people necessarily suffer. And she suggests that visibility is not liberation and will not lead to liberation. 

Far from being an unambiguous good, argues Thomsen, visibility politics can, in fact, preclude collective action. They also advance metronormativity, postraciality, and capitalism. To make these interventions, Thomsen develops the theory of unbecoming: interrogating the relationship between that which we celebrate and that which we find disdainful—the past, the rural, politics—is crucial for developing alternative subjectivities and politics. Unbecoming precedes becoming. Drawing from critical race studies, disability studies, and queer Marxism, in addition to feminist and queer studies, the insights of this book will be useful to scholars theorizing issues far beyond sexuality and place and to social justice activists who want to move beyond visibility. 

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Visible and Invisible Realms
Power, Magic, and Colonial Conquest in Bali
Margaret J. Wiener
University of Chicago Press, 1995
In 1908, the ruler of the Balinese realm of Klungkung and more than 100 members of his family and court were massacred when they marched deliberately into the fire of the Dutch colonial army. The question of what their action meant and its continued significance in contemporary Klungkung forms the basis of Margaret Wiener's complex anthropolological history.

Wiener challenges colonial and academic claims that Klungkung had no "real" power and argues that such claims enabled colonial domination. By focusing on Balinese discourses she makes clear the choices open to Balinese, both at the time of the Dutch conquest and in its narration. At the same time, she shows how these discourses, which revolve around magical weapons acquired from invisible agents such as gods, spirits, and ancestors, offer an alternative understanding of Klungkung's power.

Moving between Balinese and Dutch narratives and between past and present, Wiener critiques colonial accounts by recounting Balinese memories and interpretations. Her attention to history and local situations illuminates the ways in which colonialism and orientalist scholarship have obscured the power of indigenous rulers and shows how Klungkung, once Bali's paramount realm, was relegated to a peripheral corner of the Indonesian nation-state. Both as a fascinating story and as a rich example of interdisciplinary scholarship, this book will interest students of colonialism, anthropology, history, religion, and Southeast Asia.
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The Visible and the Invisible
Maurice Merleau-Ponty
Northwestern University Press, 1968
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the extraordinary "The Intertwining–The Chiasm," that reveals the central pattern of Merleau-Ponty's own thought. The working notes for the book provide the reader with a truly exciting insight into the mind of the philosopher at work as he refines and develops new pivotal concepts.
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Visible!
Attracting Customers in a Distracted World
Oliver Pott and Jan Bargfrede
Campus Verlag, 2023
A strategy guide for finding customers for your business in a distracted digital world.

The internet has fundamentally changed how businesses reach their customers. Whereas historically it took a major, expensive marketing campaign to get the attention of potential customers, now digital visibility offers similar results on a much more modest budget. Visible! illustrates how by deploying the concept of “smart visibility” to show businesses and entrepreneurs how to more easily find their audience and build a brand.
 
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Visible Borders, Invisible Economies
Living Death in Latinx Narratives
Kristy L. Ulibarri
University of Texas Press, 2022

2023 Outstanding Book Award, National Association for Ethnic Studies

A thorough examination of the political and economic exploitation of Latinx subjects, migrants, and workers through the lens of Latinx literature, photography, and film.


Globalization in the United States can seem paradoxical: free trade coincides with fortification of the southern border, while immigration is reimagined as a national-security threat. US politics turn aggressively against Latinx migrants and subjects even as post-NAFTA markets become thoroughly reliant on migrant and racialized workers. But in fact, there is no incongruity here. Rather, anti-immigrant politics reflect a strategy whereby capital uses specialized forms of violence to create a reserve army of the living, laboring dead.

Visible Borders, Invisible Economies turns to Latinx literature, photography, and films that render this unseen scheme shockingly vivid. Works such as Valeria Luiselli’s Tell Me How It Ends and Alex Rivera’s Sleep Dealer crystallize the experience of Latinx subjects and migrants subjugated to social death, their political existence erased by disenfranchisement and racist violence while their bodies still toil in behalf of corporate profits. In Kristy L. Ulibarri’s telling, art clarifies what power obscures: the national-security state performs anti-immigrant and xenophobic politics that substitute cathartic nationalism for protections from the free market while ensuring maximal corporate profits through the manufacture of disposable migrant labor.

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Visible Cities
Canton, Nagasaki, and Batavia and the Coming of the Americans
Leonard Blussé
Harvard University Press, 2008

The eighteenth century witnessed the rise of the China market and the changes that resulted in global consumption patterns, from opium smoking to tea drinking. In a valuable transnational perspective, Leonard Blussé chronicles the economic and cultural transformations in East Asia through three key cities. Canton was the port of call for foreign merchants in the Qing empire. Nagasaki was the official port of Tokugawa Japan. Batavia served as the connection site between the Indian Ocean and China seas for ships of the Dutch East India Company.

The effects of global change were wrenching. The monopolies suffered challenges, trade corridors shifted, and new players appeared. Yankee traders in their fast clipper ships made great inroads. As Dutch control declined, Batavia lost its premier position. Nagasaki became a shadow of its former self. Canton, however, surged to become the foremost port of East Asia. But on the horizon were new kinds of port cities, not controlled from above and more attuned to the needs of the overseas trading network. With the establishment of the free port of Singapore and the rise of the treaty ports—Hong Kong, Shanghai, Yokohama—the nature of the China seas trade, and relations between East Asia and the West, changed forever.

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Visible Dissent
Latin American Writers, Small U.S. Presses, and Progressive Social Change
Teresa V. Longo
University of Iowa Press, 2018

As Teresa Longo’s groundbreaking examination reveals, North America’s dissident literature has its roots in the Latin American literary tradition. From Pablo Neruda’s Canto General to Eduardo Galeano’s Open Veins of Latin America to Gabriel García Márquez’s One Hundred Years of Solitude—among others—contemporary writers throughout the Americas have forced us to reconsider the United States’s relationship with Latin America, and more broadly with the Global South. Highlighting the importance of reading and re-reading the Latin American canon in the United States, Longo finds that literature can be an instrument of progressive social change, and argues that small literary presses—City Lights, Curbstone, and Seven Stories—have made that dissent visible in the United States. In the book’s final two chapters on the Robert F. Kennedy Center’s Speak Truth to Power initiative and the publication of Marc Falkoff’s Poems from Guantánamo, the author turns our attention further outward, probing the role poetry, theater, and photography play in global human rights work. 

Locating the work of artists and writers alongside that of scholars and legal advocates, Visible Dissent not only unveils the staying-power of committed writing, it honors the cross-currents and the on-the-ground implications of humane political engagement. 

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Visible Empire
Botanical Expeditions and Visual Culture in the Hispanic Enlightenment
Daniela Bleichmar
University of Chicago Press, 2012

Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now.

In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.

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The Visible Hand
The Managerial Revolution in American Business
Alfred D. Chandler Jr.
Harvard University Press, 1977

The role of large-scale business enterprise—big business and its managers—during the formative years of modern capitalism (from the 1850s until the 1920s) is delineated in this pathmarking book. Alfred Chandler, Jr., the distinguished business historian, sets forth the reasons for the dominance of big business in American transportation, communications, and the central sectors of production and distribution.

The managerial revolution, presented here with force and conviction, is the story of how the visible hand of management replaced what Adam Smith called the “invisible hand” of market forces. Chandler shows that the fundamental shift toward managers running large enterprises exerted a far greater influence in determining size and concentration in American industry than other factors so often cited as critical: the quality of entrepreneurship, the availability of capital, or public policy.

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Visible Histories, Disappearing Women
Producing Muslim Womanhood in Late Colonial Bengal
Mahua Sarkar
Duke University Press, 2008
In Visible Histories, Disappearing Women, Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marginalized than Hindu women in nationalist discourse and subsequent historical accounts. She also considers how their near-invisibility except as victims has underpinned the construction of the ideal citizen-subject in late colonial India. Through critical engagements with significant feminist and postcolonial scholarship, Sarkar maps out when and where Muslim women enter into the written history of colonial Bengal. She argues that the nation-centeredness of history as a discipline and the intellectual politics of liberal feminism have together contributed to the production of Muslim women as the oppressed, mute, and invisible “other” of the normative modern Indian subject.

Drawing on extensive archival research and oral histories of Muslim women who lived in Calcutta and Dhaka in the first half of the twentieth century, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu nationalist, and liberal Muslim writings, as well as in the memories of Muslim women themselves. The oral accounts provide both a rich source of information about the social fabric of urban Bengal during the final years of colonial rule and a glimpse of the kind of negotiations with stereotypes that even relatively privileged, middle-class Muslim women are still frequently obliged to make in India today. Sarkar concludes with some reflections on the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.

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Visible Librarian
Judith A. Siess
American Library Association, 2003

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Visible Nations
Latin American Cinema and Video
Chon A. Noriega
University of Minnesota Press, 2000

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Visible Ruins
The Politics of Perception and the Legacies of Mexico's Revolution
Mónica M. Salas Landa
University of Texas Press, 2024

An examination of the failures of the Mexican Revolution through the visual and material records.

The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings. Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility.

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The Visible Wall
Jews and Other Ethnic Outsiders in Swedish Film
Rochelle Wright
Southern Illinois University Press, 1998

Rochelle Wright provides the first historical overview and analysis of the manner in which Jews and other ethnic outsiders have been depicted in Swedish film from 1930 to the present.

Focusing on films produced in Sweden for primarily Swedish audiences, Wright analyzes how the portrayal of the relatively small Jewish minority has evolved over the years. She compares the images of Jews in Swedish film with those of other ethnic subcultures: long-term resident communities such as tattare (‘travelers’, an indigenous pariah group often confused with gypsies), Finns, the Sami, and recent immigrant populations such as Greeks, Italians, Turks, and Yugoslavians.

Wright’s cross-disciplinary approach to interrelated issues of ethnicity and national identity enables her to take advantage of the methodologies of historians and sociologists as well as those of literary and film critics. She bases her study on a detailed analysis of the films, but, by way of comparison, she examines filmscripts and literary sources. She also consults contemporary reviews, interviews with actors and directors, and biographies and memoirs as well as critical discussion among film historians.

Wright confronts important—and exceedingly difficult—social questions. She deals head-on with xenophobia, anti-Semitism, immigration, assimilation, ethnicity, multiculturalism, and the national self-image of Swedes as reflected in their cinema. She also analyzes the manner in which Swedish film represents the persecution of Jews in Nazi-dominated Europe.

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Visible Women
New Essays on American Activism
Edited by Nancy A. Hewitt and Suzanne Lebsock
University of Illinois Press, 1993

In this collection, fifteen leading historians of women and American history explore women's political action from 1830 to the present. Together, their contributions illustrate the tremendous scope and racial, ethnic, and class diversity of women's public activism while also clarifying various conceptual issues. Essays include an analysis of ideologies and strategies; suffrage militance in 1870s; ideas for a feminist approach to public life; labor feminism in the urban South; women's activism in Tampa, Florida; black women and economic nationalism; black women's clubs; the YMCA's place in the community; the role of Southern churchwomen in racial reform and transformation; and other topics.

"Establishes important links between citizenship, race, and gender following the Reconstruction amendments and the Dawes Act of 1887."--Sharon Hartmann Strom, American Historical Review

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The Visible Word
Experimental Typography and Modern Art, 1909-1923
Johanna Drucker
University of Chicago Press, 1994
Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary.

Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara.

Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century.
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Visible Writings
Cultures, Forms, Readings
Dalbello, Marija
Rutgers University Press, 2011
Exploring the concept and history of visual and graphic epistemologies, this engrossing collection of essays by artists, curators, and scholars provides keen insights into the many forms of connection between visibility and legibility. With more than 130 color and black-and-white photographs, Visible Writings sheds new light on the visual dimensions of writing as well as writing's interaction with images in ways that affect our experiences of reading and seeing.

Multicultural in character and historical in range, essays discuss pre-Colombian Mesoamerican scripts, inscriptions on ancient Greek vases, medieval illuminations, Renaissance prints, Enlightenment concepts of the legible, and the Western "reading" of Chinese ideograms. A rich array of modern forms, including comics, poster art, typographic signs, scribblings in writers' manuscripts, anthropomorphic statistical pictograms, the street writings of 9/11, intersections between poetry and painting, the use of color in literary texts, and the use of writing in visual art are also addressed.

Visible Writings
reaches outside the traditional venues of literature and art history into topics that consider design, history of writing, philosophy of language, and the emerging area of visual studies. Marija Dalbello, Mary Shaw, and the other contributors offer both scholars and those with a more casual interest in literature and art the opportunity, simply stated, to see the writing on the wall.
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The Visigothic Kingdom
The Negotiation of Power in Post-Roman lberia
Paulo Panzram
Amsterdam University Press, 2020
How did the breakdown of Roman rule in the Iberian peninsula eventually result in the formation of a Visigothic kingdom with authority centralised in Toledo? This collection of essays challenges the view that local powers were straightforwardly subjugated to the expanding central power of the monarchy. Rather than interpret countervailing events as mere 'delays' in this inevitable process, the contributors to this book interrogate these moments to uncover the hidden agency of individuals and local authorities. What emerges is a story of contested interests seeking cooperation through institutions and social practices that were flexible enough to stabilise a system that was hierarchical yet mutually beneficial for multiple social groups. By examining the Visigothic settlement, the interplay between central and local power, the use of ethnic identity, projections of authority, and the role of the Church, this book articulates a model for understanding the formation of a large and important early medieval kingdom.
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Vision and Enterprise
Exploring the History of Phelps Dodge Corporation
Carlos A. Schwantes
University of Arizona Press, 2000

Phelps Dodge Corporation has shaped the landscape of America from the industrial revolution to the information technology revolution. A name synonymous with copper, Phelps Dodge has grown from a cotton and metal trading firm founded in 1834 to its present position as the world's largest publicly traded copper company.

Carlos Schwantes has written a sweeping corporate history of Phelps Dodge. Using landscape as an organizing concept to underscore the company's impact and accomplishments, he offers a close look at this corporate giant within the context of American technological and social history. In tracing the progress of Phelps Dodge through its 165-year history, Schwantes takes readers from the streets of Bisbee, Arizona, to the boardrooms of New York and Phoenix in order to examine the impact the company has had on the many landscapes in which it figures so prominently. Considering factors ranging from the environment to labor, he examines how Phelps Dodge has influenced, and has been influenced by, such forces as the global economy, technological innovation, urban growth, and social change.

Exhaustively researched and profusely illustrated with over 200 photographs, Vision and Enterprise makes a unique contribution to the history of the United States and the evolution of industry by considering the changing face of labor, the environment, and technology from one dynamic company's point of view.

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Vision and Stagecraft in Sophocles
David Seale
University of Chicago Press, 1982
In this study, David Seale argues that Sophocles’s use of stagecraft, which has thus far received little attention, was as sophisticated as that of Aeschylus or Euripides. His discussions of the physical and visual elements of Sophocles's seven plays center around the theme of sight; he demonstrates that each play is staged to maximize the implications and effects of “seeing” and not “seeing,” of knowledge and ignorance. This emphasis on visual perception, Seale maintains, harmonizes with Sophocles’s use of verbal and thematic techniques to create dramatic movements from delusion to truth, culminating in climaxes that are revelations—moments when things are truly “seen” by both audience and characters.
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Vision and Textuality
Stephen Melville and Bill Readings, eds.
Duke University Press, 1995
The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. Vision and Textuality brings together essays by many of the most influential scholars in the field—both young and more established writers from the United States, England, and France—to address the emergent terms and practices of contemporary art history.
With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt’s Danae to Jorge Immendorf’s Café Deutschland, from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin’s novel Caleb Williams. Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors’ general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities.

Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg

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Vision and Values
Ethical Viewpoints in the Catholic Tradition
Judith A. Dwyer, Editor
Georgetown University Press, 1999

A concise introduction to Christian ethics, this book surveys the moral values of the Catholic tradition and applies them to contemporary issues. Prominent authors address such topics as scriptural sources, reverence for human life, sexuality and intimacy, family responsibilities, the concept of peace in the modern world, economics, and Catholic higher education.

Vision and Values is both an overview of the major perspectives which inform moral decisions and a guide to how these principles interrelate. It can help readers determine how to make complex moral judgments in a Christian context as it demonstrates the vitality of the Catholic theological tradition.

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Vision and Violence
Arthur P. Mendel
University of Michigan Press, 1999
Vision and Violence argues that throughout Western history, the Apocalypse has changed nothing but its guise--from God to Reason, to History, and then to Nature--all the while holding us rapt with its prophecy of universal devastation. While in Judaism and Christianity it inspires efforts to uplift societies spiritually, the apocalyptic fantasy serves in secular thought--as in today's environmental movement--to bring about much-needed policy reforms.
Much of the book is devoted to an examination of the persistence of the apocalyptic heritage from ancient Greek and Hebrew civilizations, through the religious revivals of the Middle Ages and the Enlightenment belief in progress, to its importance in Hegelian and Bolshevik thought, and finally to its expression today in the resurgence of religious fundamentalism in Judaism, Christianity, and Islam.
Mendel concludes his remarkable book with an appeal for the more modest and humane philosophy of the "repair of the world," which, he argues, is central to biblical teaching.
The late Arthur P. Mendel was Professor of History, University of Michigan, specializing in Russian intellectual history. His first book, Dilemmas of Progress in Tsarist Russia: Legal Marxism and Legal Populism, established him as one of the outstanding historians of his generation. Richard Landes is co-founder, with Stephen O'Leary, of the Center for Millennial Studies. He is also Associate Professor of History, Boston University, and author of Relics, Apocalypse, and the Deceits of History: Ademar of Chabannes, 989-1034.
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Vision
Awakening Your Potential to Create a Better World
Peter Benson
Templeton Press, 2009

According to Peter L. Benson, the capacity to generate vision is among life's most beautiful and unheralded gifts. To him, a vision is more than just a goal, more than just a dream of what could be—it is a summons, a pull towards the future, an inspired call to make real that which should be. In Vision: Awakening Your Potential to Create a Better World, Benson takes readers on an uplifting exploration of this powerful concept.

Starting with examples of great visionary moments in history, such as the drafting of the Declaration of Independence and Martin Luther King Jr.'s "I Have a Dream" speech, he crafts a working definition of "vision" and what it means to be visionary. He proceeds by profiling the personalities behind some of the great visions that have shaped our world, covering a diverse set of individuals ranging from presidents who pulled the country through tough times to children whose efforts helped put an end to child labor. Throughout, Benson shares personal insights on his own "big picture" vision and offers instructive questions and exercises that will help reflective readers craft their own visions.
 
This little book of practical inspiration makes it clear that vision is a necessary ingredient of meaningful change. Readers will appreciate Benson's warm and personal approach as well as his interactive approach, which will help anyone come to understand his or her own social and spiritual potential. Vision will be useful to those seeking to find their place and purpose in the world, whether they are new graduates, professionals, parents, or retirees.

 

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Vision in Motion
Streams of Sensation and Configurations of Time
Edited by Michael F. Zimmermann
Diaphanes, 2015
Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of “seeing” even as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cézanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time.
           
Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of “vision in motion” that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.
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Vision of a Storm Cloud
William Olsen
Northwestern University Press, 1996
William Olsen's newest work is the harbinger of a new wave of American poetry. His poems are a rich, dense, and polished example of the voice of a strong new poet.
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The Vision of the Priestly Narrative
Its Genre and Hermeneutics of Time
Suzanne Boorer
SBL Press, 2016

A fresh look at the Priestly narrative that places less weight on linguistic criteria alone in favor of narrative coherence

Boorer explores the theology of an originally independent Priestly narrative (Pg), extending through Genesis–Numbers, as a whole. In this book she describes the structure of the Priestly narrative, in particular its coherent sequential and parallel patterns. Boorer argues that at every point in the narrative’s sequential and parallel structure, it reshapes past traditions, synthesizing these with contemporary and unique elements into future visions, in a way that is akin to the timelessness of liturgical texts. The book sheds new light on what this material might have sought to accomplish as a whole, and how it might have functioned for, its original audience.

  • Solid arguments based on genre and themes, with regard to a once separate Priestly narrative (Pg) that concludes in Numbers 27*
  • Thorough discussion of the overall interpretation of the Priestly narrative (Pg), by bringing together consideration of its structure and genre
  • Clear illustration of how understanding the genre of the material and its hermeneutics of time is vital for interpreting Pg as a whole
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The Vision of the Soul
James Matthew Wilson
Catholic University of America Press, 2017
Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that claims mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western— or Christian Platonist—tradition, he argues, tells us that man is an intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. Wilson begins by reconceiving the intellectual conservatism born of Edmund Burke’s jeremiad against the French Revolution as an eff­ort to preserve the West’s vision of man and the cosmos as ordered by and to beauty. After defining the achievement of that vision and its tradition, Wilson off­ers an extended study of the nature of beauty and the role of the fine arts in shaping a culture but above all in opening the human intellect to the perception of the form of reality. Through close studies of Theodor W. Adorno and Jacques Maritain, he recovers the classical vision of beauty as a revelation of truth and being. Finally, he revisits the ancient distinction between reason and story-telling, between mythos and logos, in order to rejoin the two.

Story-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form—a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition.
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Vision, Rhetoric, and Social Action in the Composition Classroom
Kristie S. Fleckenstein
Southern Illinois University Press, 2009

In this innovative volume, Kristie S. Fleckenstein explores how the intersection of vision, rhetoric, and writing pedagogy in the classroom can help students become compassionate citizens who participate in the world as they become more critically aware of the world. Fleckenstein argues that all social action—behavior designed to increase human dignity, value, and quality of life—depends on a person’s repertoire of visual and rhetorical habits. To develop this repertoire in students, the author advocates the incorporation of visual habits—or ways of seeing—into a language-based pedagogical approach in the writing classroom. According to Fleckenstein, interweaving the visual and rhetorical in composition pedagogy enables students to more readily perceive the need for change, while arming them with the abilities and desire to enact it.

 The author addresses social action from the perspective of three visual habits: spectacle, which fosters disengagement; animation, or fusing body with meaning; and antinomy, which invites the invention of new realities. Fleckenstein then examines the ways in which particular visual habits interact with rhetorical habits and with classroom methods, resulting in the emergence of various forms of social action.  To enhance the understanding of the concepts she discusses, the author represents the intertwining relationships of vision, rhetoric, and writing pedagogy graphically as what she calls symbiotic knots. In tracing the modes of social action privileged by a visual habit and a teacher’s pedagogical choices, Fleckenstein attends particularly to the experiences of students who have been traditionally barred from participation in the public sphere because of gender, race, or class.  The book culminates in a call for visually and rhetorically robust writing pedagogies.

In Vision, Rhetoric, and Social Action in the Composition Classroom, Fleckenstein combines classic methods of rhetorical teaching with fresh perspectives to provide a unique guide for initiating important improvements in teaching social action. The result is a remarkable volume that empowers teachers to best inspire students to take part in their world at that most crucial moment when they are discovering it.

 

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Vision, Science and Literature, 1870-1920
Ocular Horizons
Martin Willis
University of Pittsburgh Press, 2011
Winner of the British Society for Literature and Science Annual Prize, 2011

Winner of the Cultural Studies in English Prize, 2012

This book explores the role of vision and the culture of observation in Victorian and modernist ways of seeing. Willis charts the characterization of vision through four organizing principles—small, large, past and future—to survey Victorian conceptions of what vision was. He then explores how this Victorian vision influenced twentieth-century ways of seeing, when anxieties over visual "truth" became entwined with modernist rejections of objectivity.

 
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The Visionary Betrayed
Aesthetic Discontinuity in Henry James’s The American Scene
David L. Furth
Harvard University Press, 1979
David Furth identifies the significance of The American Scene in James’s artistic career and offers a penetrating analysis of the work in terms of the difficulties that arose in the course of its composition. Centering on the conflict between expectation and observation, between the provincial past and the transformed present, this broadly informed study provides a fresh and stimulating view of James’s last (and finally unconcluded) effort to state the meaning of America.
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Visionary Experience in the Golden Age of Spanish Art
Victor Stoichita
Reaktion Books, 1995
In this original and lucid account of how Spanish painters of the 16th and 17th centuries dealt with mystic visions in their art, and of how they attempted to "represent the unrepresentable", Victor Stoichita aims to establish a theory of visionary imagery in Western art in general, and one for the Spanish Counter-Reformation in particular. He reveals how the spirituality of the Counter-Reformation was characterized by a rediscovery of the role of the imagination in the exercise of faith. This had important consequences for painters such as Velazquez, Zurbaran and El Greco, leading to the development of ingenious solutions for visual depictions of mystical experience. This was to crystallize into an overtly meditative and didactic pictorial language.

That Spanish painting is both cerebral and passionate is due to the particular historical forces which shaped it. Stoichita's account will be of crucial interest not just to scholars of Spanish art but to anyone interested in how art responds to ideological pressures.
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Visionary Journeys
Travel Writings from Early Medieval and Nineteenth-Century China
Xiaofei Tian
Harvard University Press, 2011

This book explores the parallel and yet profoundly different ways of seeing the outside world and engaging with the foreign at two important moments of dislocation in Chinese history, namely, the early medieval period commonly known as the Northern and Southern Dynasties (317–589 CE), and the nineteenth century. Xiaofei Tian juxtaposes literary, historical, and religious materials from these two periods in comparative study, bringing them together in their unprecedentedly large-scale interactions, and their intense fascination, with foreign cultures.

By examining various cultural forms of representation from the two periods, Tian attempts to sort out modes of seeing the world that inform these writings. These modes, Tian argues, were established in early medieval times and resurfaced, in permutations and metamorphoses, in nineteenth-century writings on encountering the Other. This book is for readers who are interested not only in early medieval or nineteenth-century China but also in issues of representation, travel, visualization, and modernity.

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Visionary of the Word
Melville and Religion
Edited by Jonathan A. Cook and Brian Yothers
Northwestern University Press, 2017
Visionary of the Word brings together the latest scholarship on Herman Melville’s treatment of religion across his long career as a writer of fiction and poetry. The volume suggests the broad range of Melville’s religious concerns, including his engagement with the denominational divisions of American Christianity, his dialogue with transatlantic currents in nineteenth-century religious thought, his consideration of theological and philosophical questions related to the problem of evil and determinism versus free will, and his representation of the global contact among differing faiths and cultures. These essays constitute a capacious response to the many avenues through which Melville interacted with religious faith, doubt, and secularization throughout his career, advancing our understanding of Melville as a visionary interpreter of religious experience who remains resonant in our own religiously complex era.
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Visionary Pragmatism
Radical and Ecological Democracy in Neoliberal Times
Romand Coles
Duke University Press, 2016
As neoliberal capitalism destroys democracy, commonwealth, and planetary ecology, the need for radically rethinking and generating transformative responses to these catastrophes is greater than ever. Given that, Romand Coles presents an invigorating new mode of scholarship and political practice he calls "visionary pragmatism." Coles explores the profound interrelationships among everyday micropractices of grassroots politics and pedagogy, institutional transformation, and political protest through polyfocal lenses of political and social theory, neuroscience research, complex systems theory, and narratives of his cutting-edge action research. Visionary Pragmatism offers a theory of revolutionary cooptation that, in part, selectively employs practices and strategies of the dominant order to radically alter the coordinates of power and possibility. Underscoring the potential, vitality, and power of emerging democratic practices to change the world, Visionary Pragmatism's simultaneous theoretical rigor and grounding in actual political and ecological practices provokes and inspires new ways of cocreating knowledge and action in dark times. 
 
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The Visionary Queen
Justice, Reform, and the Labyrinth in Marguerite de Navarre
Theresa Brock
University of Delaware Press, 2024
The Visionary Queen affirms Marguerite de Navarre’s status not only as a political figure, author, or proponent of nonschismatic reform but also as a visionary. In her life and writings, the queen of Navarre dissected the injustices that her society and its institutions perpetuated against women. We also see evidence that she used her literary texts, especially the Heptaméron, as an exploratory space in which to generate a creative vision for institutional reform. The Heptaméron’s approach to reform emerges from statistical analysis of the text’s seventy-two tales, which reveals new insights into trends within the work, including the different categories of wrongdoing by male, institutional representatives from the Church and aristocracy, as well as the varying responses to injustice that characters in the tales employ as they pursue reform. Throughout its chapters, The Visionary Queen foregrounds the trope of the labyrinth, a potent symbol in early modern Europe that encapsulated both the fallen world and redemption, two themes that underlie Marguerite's project of reform.
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VISIONARY SCIENTIST
THE EFFECTS OF SCIENCE & PHILOSOPHY ON SWEDENBORG'S COSMOLOGY
INGE JONSSON
Swedenborg Foundation Publishers, 1999

Most of the books written on eighteenth-century theologian and mystic Emanuel Swedenborg analyze his theology, detail his remarkable mystical travels, or investigate his influence on philosophers and artists who succeeded him. Distinguished Swedish scholar Inge Jonsson approaches Swedenborg’s oeuvre from the standpoint of the history of ideas and relates it to the intellectual milieu of the time. From the impact of Cartesian philosophy on eighteenth-century thinkers to the effect of Leibniz and his disciples on Swedenborg’s emerging views of science and spirit, Jonsson recreates the debates that electrified the Enlightenment.

Despite Swedenborg’s enduring fame as a mystic, his early reputation was firmly based on scientific treatises that he wrote during years when new theories of life were exploding through microscopic and anatomical research. In the first part of this study, Jonsson examines Swedenborg’s philosophy of nature, his cosmology, and physiological and psychological theories and shows how Swedenborg’s unique spiritual perspective was rooted in his early scientific endeavors and in agreement with contemporary science.

However, after a spiritual crisis in the years 1744-1745, detailed in the remarkable document The Journal of Dreams, Swedenborg turned his intellectual energies and scientific precision toward biblical exegesis and examination of spiritual nature. In the second half of this work, Jonsson investigates Swedenborg’s detailed and sensitive rendering of spiritual life in such works as Arcana Coelestia, Heaven and Hell, and Conjugial Love.

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Vision/Re-Vision
Adapting Contemporary American Fiction To Film
Barbara Tepa Lupack
University of Wisconsin Press, 1996

The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.

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Visions and Divisions
American Immigration Literature, 1870-1930
Prchal, Timothy
Rutgers University Press, 2008
For many years, America cherished its image as a Golden Door for the world’s oppressed. But during the Progressive Era, mounting racial hostility along with new national legislation that imposed strict restrictions on immigration began to show the nation in a different light. The literature of this period reflects the controversy and uncertainty that abounded regarding the meaning of “American.” Literary output participated in debates about restriction, assimilation, and whether the idea of the “Melting Pot” was worth preserving. Writers advocated—and also challenged—what emerged as a radical new way of understanding the nation’s ethnic and racial identity: cultural pluralism.

From these debates came such novels as Willa Cather’s My Ántonia and Upton Sinclair’s The Jungle. Henry James, Charlotte Perkins Gilman, and Carl Sandburg added to the diversity of viewpoints of native born Americans while equally divergent immigrant perspectives were represented by writers such as Anzia Yezierska, Kahlil Gibran, and Claude McKay. This anthology presents the writing of these authors, among others less well known, to show the many ways literature participated in shaping the face of immigration. The volume also includes an introduction, annotations, a timeline, and historical documents that contextualize the literature.
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Visions and Revisions
Continuity and Change in Rhetoric and Composition
Edited by James D. Williams
Southern Illinois University Press, 2002

A history of contemporary rhetoric, Visions and Revisions: Continuity and Change in Rhetoric and Composition examines the discipline’s emergence and development from the rise of new rhetoric in the late 1960s through the present. Editor James D. Williams has assembled nine essays from leading scholars to trace the origins of new rhetoric and examine current applications of genre studies, the rhetoric of science, the rhetoric of information, and the influence of liberal democracy on rhetoric in society.

Given the field’s diversity, a historical sketch cannot adopt a single perspective. Part one of Visions and Revisions therefore offers the detailed reminiscences of four pioneers in new rhetoric, while the essays in part two reflect on a variety of issues that have influenced (and continue to influence) current theory and practice. In light of the recent shift in focus of scholarly investigation toward theory, Williams’s collection contextualizes the underlying tension between theory and practice while stressing instruction of students as the most important dimension of rhetoric and composition today. Together, these chapters from some of the most influential scholars in the field provide a range of perspectives on the state of rhetoric and composition and illuminate the discipline’s development over the course of the last forty years.

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Visions and Victims
Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
University of Wisconsin Press, 2024
Danish film director Carl Th. Dreyer, one of the twentieth century’s most famous filmmakers, is best known for his masterpiece, The Passion of Joan of Arc, and his midcentury classics, Day of Wrath and Ordet. Both viewers and scholars largely leave his early work, for Nordisk Film, on the shelf, dismissing it as immature melodramatic fare produced for a company known for superficial, popular entertainment. In the received historiography, Dreyer broke with Nordisk in the pursuit of developing his film as a high art, eventually succeeding on the world stage as an auteur and eschewing melodrama in favor of austere art film.

Amanda Doxtater offers a necessary corrective to this narrative of his bifurcated career. Close readings of Dreyer’s Nordisk films alongside his mature work reveal a stylistic throughline Doxtater terms “art melodrama,” a form combining the ambiguity, stylization, and consciousness of art cinema with the heightened emotional expressivity and dramatic embodiments characteristic of melodrama. She argues that Dreyer’s major artistic concerns known from his later work—pathos, authenticity, the embodiment of psychological duress, and so on—find their first expression in his Nordisk melodramas, complicating our understanding not only of his later films but also of his early works, and even our understanding of the melodramatic mode in general. Indeed, extending well beyond the career of a singular director, this book challenges assumptions about the relationship between “low-brow” melodrama and “high-brow” art cinema.
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Visions of Annihilation
The Ustasha Regime and the Cultural Politics of Fascism, 1941–1945
Rory Yeomans
University of Pittsburgh Press, 2013

The fascist Ustasha regime and its militias carried out a ruthless campaign of ethnic cleansing that killed an estimated half million Serbs, Jews, and Gypsies, and ended only with the defeat of the Axis powers in World War II.

In Visions of Annihilation, Rory Yeomans analyzes the Ustasha movement’s use of culture to appeal to radical nationalist sentiments and legitimize its genocidal policies. He shows how the movement attempted to mobilize poets, novelists, filmmakers, visual artists, and intellectuals as purveyors of propaganda and visionaries of a utopian society. Meanwhile, newspapers, radio, and speeches called for the expulsion, persecution, or elimination of “alien” and “enemy” populations to purify the nation. He describes how the dual concepts of annihilation and national regeneration were disseminated to the wider population and how they were interpreted at the grassroots level.

Yeomans examines the Ustasha movement in the context of other fascist movements in Europe. He cites their similar appeals to idealistic youth, the economically disenfranchised, racial purists, social radicals, and Catholic clericalists. Yeomans further demonstrates how fascism created rituals and practices that mimicked traditional religious faiths and celebrated martyrdom.

Visions of Annihilation chronicles the foundations of the Ustasha movement, its key actors and ideologies, and reveals the unique cultural, historical, and political conditions present in interwar Croatia that led to the rise of fascism and contributed to the cataclysmic events that tore across the continent.

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Visions of Beirut
The Urban Life of Media Infrastructure
Hatim El-Hibri
Duke University Press, 2021
In Visions of Beirut Hatim El-Hibri explores how the creation and circulation of images have shaped the urban spaces and cultural imaginaries of Beirut. Drawing on fieldwork and texts ranging from maps, urban plans, and aerial photographs to live television and drone-camera footage, El-Hibri traces how the technologies and media infrastructure that visualize the city are used to consolidate or destabilize regimes of power. Throughout the twentieth century, colonial, economic, and military mapping projects helped produce and govern Beirut's spaces. In the 1990s, the imagery of its post-civil war downtown reconstruction cast Beirut as a site of financial investment in ways that obscured its ongoing crises. During and following the 2006 Israel/Hizbullah war, Hizbullah's use of live television broadcasts of fighting and protests along with its construction of a war memorial museum at a former secret military bunker demonstrate the tension between visualizing space and the practices of concealment. Outlining how Beirut's urban space and public life intertwine with images and infrastructure, El-Hibri interrogates how media embody and exacerbate the region's political fault lines.
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Visions of Cell Biology
Reflections Inspired by Cowdry's "General Cytology"
Edited by Karl S. Matlin, Jane Maienschein, and Manfred D. Laubichler
University of Chicago Press, 2017
Although modern cell biology is often considered to have arisen following World War II in tandem with certain technological and methodological advances—in particular, the electron microscope and cell fractionation—its origins actually date to the 1830s and the development of cytology, the scientific study of cells. By 1924, with the publication of Edmund Vincent Cowdry’s General Cytology, the discipline had stretched beyond the bounds of purely microscopic observation to include the chemical, physical, and genetic analysis of cells. Inspired by Cowdry’s classic, watershed work, this book collects contributions from cell biologists, historians, and philosophers of science to explore the history and current status of cell biology.

Despite extraordinary advances in describing both the structure and function of cells, cell biology tends to be overshadowed by molecular biology, a field that developed contemporaneously. This book remedies that unjust disparity through an investigation of cell biology’s evolution and its role in pushing forward the boundaries of biological understanding. Contributors show that modern concepts of cell organization, mechanistic explanations, epigenetics, molecular thinking, and even computational approaches all can be placed on the continuum of cell studies from cytology to cell biology and beyond. The first book in the series Convening Science: Discovery at the Marine Biological Laboratory, Visions of Cell Biology sheds new light on a century of cellular discovery.
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VISIONS OF EDEN
ENVIROMENTALISM, URBAN PLANNING, AND CIT
R. BRUCE STEPHENSON
The Ohio State University Press, 1997
"Stephenson's story of the rise, fall, and resurrections of a good idea takes the reader on a whirlwind tour through planning, political, and public works history. It also contains several messages we should all bear in mind. One is that any city planning should be truly comprehensive and environmentally responsible, considering both what we have built and what we have inherited, and balancing what we want with what we need. Another is that planners and zoning officers must share the same goals. The third is a timely and painful reminder to those of us who frequently lose patience with the way things work, and that is that no one really cares about the future when the present is glittering so brightly." --Environmental History "This study is the first book-length treatment of St. Petersburg's development and is a major contribution to American urban and urban-planning history." --Choice Florida enjoys the only subtropical climate in the continental United States. Its burgeoning population and robust tourist economy attest to the state's special allure. Innovative new towns like Miami Lakes and Seaside, along with established communities such as Winter Park and Coral Gables, exemplify Florida's beauty and potential. St. Petersburg, the largest city in Florida's most urbanized county, epitomizes the best and the worst of the state's city planning history. Enterprise and technology transformed this once struggling backwater into an air-conditioned vision of Eden, but a heavy debt was accumulated in the process. Paradise is under siege: wetlands have been drained, mangroves cleared, sand dunes leveled, bays degraded and filled; water must be imported from inland wells. Although the city now has an innovative growth management system, it was perilously late in coming. In Visions of Eden, R. Bruce Stephenson examines how St. Petersburg learned to control its development. Since the turn of the century, the opportunity to design a city nestled in a subtropical garden has attracted the nation's preeminent planners to St. Petersburg. The most ambitious plan was developed in 1923 by John Nolen, who believed that an interconnected system of preserves and parks would enhance the city's development and attract tourists for generations. His initiative failed miserably at the polls, however, because it threatened the conflicting notion of paradise held by hundreds of investors, who were profiting from the greatest real estate boom in the nation's history and feared that planning would curtail speculation. As Stephenson points out, a half century would pass until a series of ecological disasters in the 1970s finally compelled city officials to adopt an environmentally sound development plan that reflected Nolen's original vision. Stephenson carefully explores St. Petersburg's slow awakening to ecological responsibility--to the importance of designing a community that meets both human needs and economic demands. As the debate over the "New Urbanism" moves forward, this book will serve as a useful guide for those who will plan, build, and inhabit the cities of the twenty-first century. R. Bruce Stephenson is an associate professor and chair of the environmental studies department at Rollins College in Winter Park, Florida.
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Visions of Electric Media
Television in the Victorian and Machine Ages
Ivy Roberts
Amsterdam University Press, 2019
*Visions of Electric Media* is an historical examination into the early history of television, as it was understood during the Victorian and Machine ages. How did the television that we use today develop into a functional technology? What did Victorians expect it to become? How did the 'vision' of television change once viewers could actually see pictures on a screen? We will journey through the history of 'television': from the first indications of live communications in technology and culture in the late nineteenth century, to the development of electronic televisual systems in the early twentieth century. Along the way, we will investigate the philosophy, folklore, engineering practices, and satires that went into making television a useful medium.
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Visions Of Excess
Selected Writings, 1927-1939
Georges Bataille
University of Minnesota Press, 1985
Since the publication of Visions of Excess in 1985, there has been an explosion of interest in the work of Georges Bataille. The French surrealist continues to be important for his groundbreaking focus on the visceral, the erotic, and the relation of society to the primeval. This collection of prewar writings remains the volume in which Batailles’s positions are most clearly, forcefully, and obsessively put forward.This book challenges the notion of a “closed economy” predicated on utility, production, and rational consumption, and develops an alternative theory that takes into account the human tendency to lose, destroy, and waste. This collection is indispensible for an understanding of the future as well as the past of current critical theory.Georges Bataille (1897-1962), a librarian by profession, was founder of the French review Critique. He is the author of several books, including Story of the Eye, The Accused Share, Erotism, and The Absence of Myth.
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