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Vital Signs 2005
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This much-anticipated edition of Vital Signs covers 35 global trends that are shaping our future. From carbon emissions to loss of wetlands, each trend provides a brief status report on the topic plus graphs and charts that offer a visual comparison over time. Categories include Food, Economics, Transportation, Health, Governance, Energy and Climate, and Conflict and Peace.
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Vital Signs 2006-2007
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This report tracks and analyzes 44 trends that are shaping our future, and includes graphs and charts to provide a visual comparison over time. Categories of trends include: Food, Agricultural Resources, Energy and Climate, Global Economy, Resource Economics, Environment, War and Conflict, Communications and Transportation, Population and Society, and Health and Disease.
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Vital Signs 2007-2008
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This report tracks and analyzes 44 trends that are shaping our future, and includes graphs and charts to provide a visual comparison over time. Categories of trends include: Food, Agricultural Resources, Energy and Climate, Global Economy, Resource Economics, Environment, Conflict and Peace, Communications and Transportation, Population and Society, and Health and Disease.
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Vital Signs 2009
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This sixteenth volume of Worldwatch’s Vital Signs series makes it clear that climate change is both a growing driver of and an increasingly important motivator behind the world’s leading economic, social, and environmental trends.
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Vital Signs 2010
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This seventeenth edition of the Worldwatch Institute series shows that climate change continues to cast a long shadow over the world’s leading economic, social, and environmental trends.
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Vital Signs 2011
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
This eighteenth volume of the Worldwatch Institute series makes it clear that the Great Recession affects many of the world’s leading economic, social, and environmental trends—but that the impact can be very different by country.
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Vital Signs 2012
The Trends that are Shaping Our Future
The Worldwatch Institute
Island Press, 2012
Just as people schedule regular check-ups with physicians, our planet needs regular check-ups to catch issues as early as possible, before they become more serious and harder to heal. That is the much-needed service provided on a global scale by the Worldwatch Institute in this new book, Vital Signs 2012.
 
By taking stock of global consumption, Vital Signs 2012 offers the facts that need to guide our stewardship of the Earth's resources-and some of these facts are shocking. The report covers topics from obesity to ecosystem services, from grain production to nuclear power. Taken as a whole, it paints a picture of skyrocketing population, disappearing forests, and increasing consumption peppered with bright spots like growing investment in high-speed trains and other efficient transportation systems.
 
Vital Signs 2012 is based on Worldwatch's online project of the same name, which provides up-to-date figures on important global concerns, as well as the Institute's own additional research. The book compiles the most important of these into an accessible, informative resource for policymakers and anyone who wants a realistic look at the state of our planet.
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Vital signs
contemporary American poetry from the university presses
Ronald Wallace
University of Wisconsin Press, 1989

The selections in this anthology represent the full range and vitality of contemporary American poetry--from minimalism to epic, from free verse to traditional form, from plain conversation to richly embroidered tapestry, form passionate political utterance to intense personal drama, from light verse to tough lyricism. Since 1950 university presses have published more than 900 volumes of original poetry , opening the canon to a wide range of rich and exciting voices. Nearly 200 of the those volumes are represented here.

Vital Signs features poems by such well established poets as John Ashbery, Marge Piercy, Adrienne Rich, and James Wright. Because the presses have also played a role in discovering and promoting the work of new poets, the reader will find here poems by many younger writers as well.

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Vital Signs
The Deadly Costs of Health Inequality
Lee Humber
Pluto Press, 2019
Nature is no longer the leading cause of death; society is. This makes health care one of the most important political issues today. This book looks at the reasons behind the declining condition of our bodies, as governments across the world choose to neglect the health of the majority of their citizens. Using hard data taken from service users, Lee Humber constructs a sharp analysis that gets to the heart of inequality in health care today, showing that 'wealthy means healthy'. Life expectancy for many in the UK and US is worse than it was 100 years ago, and more and more communities across the world can expect shorter and less healthy lives than their parents. Humber also suggests radical strategies for tackling this degenerative situation, providing a compelling vision for how we can shape our health and that of future generations.
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Vital Signs Volume 20
The Trends that are Shaping Our Future
The Worldwatch Institute
Island Press, 2013
From meat consumption to automobile production to hydropower, Vital Signs, Volume 20 documents over two dozen trends that are shaping our future in concise analyses and clear tables and graphs. The twentieth volume of the Worldwatch Institute series demonstrates that while remarkable progress has been made over the past year, much remains to be done to get the planet on a more sustainable track.
 
Worldwide, people are waking up to the realities of a resource-constrained planet: investments and subsidies for renewable energy have reached new heights, consumers are slowly shifting away from meat-heavy diets, and new employment structures like co-operatives are democratizing the global economy. Yet with over 1 billion people lacking access to electricity, natural disasters that are more costly than ever before, and an adherence to the factory farm model of food production, it is clear that many obstacles loom on the horizon. 
 
Covering a wide range of environmental, economic, and social themes, Vital Signs, Volume 20 is the go-to source for straightforward data and analyses on the latest issues facing an increasingly crowded planet. By placing each trend within a global framework, Vital Signs, Volume 20 identifies the solutions we need to transition toward a more sustainable world. 
 
This book will be especially useful for policymakers, environmental nonprofits, and students of environmental studies, sustainability, or economics.
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Vital Signs Volume 21
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
Vital Signs Volume 21 is all about growth. From natural disasters to cars to organic farming, the two dozen trends examined here indicate both increasing pressure on natural resources and scaled up efforts to live more sustainably.
 
In 2012, world auto production set yet another record with passenger-car production rising to 66.7 million. That same year, the number of natural disasters climbed to 905, roughly one hundred more than the 10-year annual average, and 90 percent were weather related. Alongside these mounting pressures come investments in renewable energy and sustainable agriculture. The number of acres of land farmed organically has tripled since 1999, though it still makes up less than 1% of total farmland.
 
Not all the statistics are going up. Key measures of development aid have fallen, as have global commodity prices. Yet the overall trend is expansion, both for the good and ill of the planet. Vital Signs provides the latest data available, but its value goes beyond simple numbers. Through insightful analysis of global trends, it offers a starting point for those seeking solutions to the future’s intensifying challenges.
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Vital Signs Volume 22
The Trends That Are Shaping Our Future
The Worldwatch Institute
Island Press, 2015
What we make and buy is a major indicator of society’s collective priorities. Among twenty-four key trends, Vital Signs Volume 22 explores significant global patterns in production and consumption. The result is a fascinating snapshot of how we invest our resources and the implications for the world’s well-being.
 
The book examines developments in six main areas: energy, environment and climate, transportation, food and agriculture, global economy and resources, and population and society.  Readers will learn how aquaculture is making gains on wild fish catches, where high speed rail is accelerating, why plastic production is on the rise, who is escaping chronic hunger, and who is still suffering.
 
Researchers at the Worldwatch Institute not only provide the most up-to-date statistics, but put them in context. The analysis in Vital Signs teaches us both about our current priorities and how they could be shaped to create a better future. 
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The Vital South
How Presidents are Elected
Earl Black and Merle Black
Harvard University Press, 1992

Once again a southern governor has shown Democrats the road to the White House. As a native southerner, President Bill Clinton has the opportunity to rebuild Democratic strength in the region. For the Republicans, carrying the entire South still remains a crucial imperative.

The Vital South is the first book to chronicle the massive shift of southern electoral power to Republican presidential candidates, while also showing how Democrats can again become competitive in the region. Deftly combining political narrative, in-depth analysis, and telling anecdotes, this book will be a definitive source on southern presidential politics for years to come.

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The VITAL SYSTEM
Poems
CM Burroughs
Tupelo Press, 2012
The Vital System is the first published book by a poet already setting off sparks among readers across the globe. In these poems, the body is always at stake — vulnerable — and the poet dares to try and illuminate what she has called “the protective capability of violence.” Burroughs’s compression of phrasing, subverted syntax, and ability to release a story through cinematically sequenced images allow her to expose particular tensions that are gendered and racial as well as essentially human.
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Vital Voids
Cavities and Holes in Mesoamerican Material Culture
By Andrew Finegold
University of Texas Press, 2021

The Resurrection Plate, a Late Classic Maya dish, is decorated with an arresting scene. The Maize God, assisted by two other deities, emerges reborn from a turtle shell. At the center of the plate, in the middle of the god’s body and aligned with the point of emergence, there is a curious sight: a small, neatly drilled hole.

Art historian Andrew Finegold explores the meanings attributed to this and other holes in Mesoamerican material culture, arguing that such spaces were broadly understood as conduits of vital forces and material abundance, prerequisites for the emergence of life. Beginning with, and repeatedly returning to, the Resurrection Plate, this study explores the generative potential attributed to a wide variety of cavities and holes in Mesoamerica, ranging from the perforated dishes placed in Classic Maya burials, to caves and architectural voids, to the piercing of human flesh. Holes are also discussed in relation to fire, based on the common means through which both were produced: drilling. Ultimately, by attending to what is not there, Vital Voids offers a fascinating approach to Mesoamerican cosmology and material culture.

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Vitality And Dynamism
Interstitial Dialogues of Language, Politics, and Religion in Morocco's Literary Tradition
Kirstin Bratt
Amsterdam University Press
Anti-colonial literature is not necessarily ‘combat literature’ as Fanon and Déjeux have both suggested in their own writings. While it is often combative, there is also anti-colonial literature that emphasizes the human and the humane rather than the oppositional and contentious; it cannot be fair to label all anti-colonial literature as combative, even if one were to expand the definition of “combat” to include peaceful struggles against oppression or dehumanization. This book suggests that the relationship between the West and the rest of the world has been imagined as a relationship of Self (the West) to Other (the rest of the world), ordered and bordered geographically by the whims of Europeans and creating a Center-Periphery paradigm. These invented boundaries of humanity serve to separate geographical sites, but more, they serve to enclose the Empire and exoticize other cultures. Boundaries are often spatial, but more often, they are related to relationships and colonialization.
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The Vitality of Allegory
Figural Narrative in Modern and Contemporary Fiction
Gary Johnson
The Ohio State University Press, 2012
In The Vitality of Allegory Gary Johnson argues that the rumors of allegory’s death have been greatly exaggerated. Surveying the broad landscape of modern and contemporary narrative fiction, including works from Europe, Africa, and North America, Johnson demonstrates that, although wholly allegorical narratives have become relatively rare, allegory itself remains a vibrant presence in the ongoing life of the novel, a presence that can manifest itself in a variety of ways.
Working from the premise that conventional conceptions of allegory have been inadequate, Johnson takes a rhetorical approach, defining allegory as the transformation of some phenomenon into a figural narrative for some larger purpose. This reconception allows us to recognize that allegory can govern a whole narrative—and can do so strongly or weakly—or be an embedded part or a thematic subject of a narrative and that it can even be used ironically. By developing these theoretical points through careful and insightful analysis of works such as Jackson’s “The Lottery,” Orwell’s Animal Farm, Kafka’s The Metamorphosis and The Trial, Achebe’s Things Fall Apart, Roth’s American Pastoral, Mann’s Death in Venice, Coetzee’s Elizabeth Costello, and several works by John Barth, Johnson himself transforms our understanding of allegory and of the history of the modern and contemporary novel.
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The Vitality of Democracy
Gisela Stuart
Haus Publishing, 2022
A reflection on the current state of and challenges to British democracy.
 
In The Vitality of Democracy, British-German politician Gisela Stuart argues for the urgency of expanded participation in the democratic process and considers the risks democracy currently faces. Although democracy is rife with difficult choices, she shows that if the people do not appreciate what makes this system work, they risk losing it. While no individual holds the answers, democracy allows for power to change hands, giving opportunities for different sides to have a chance at improving government for all.
 
Stuart reflects on challenges to British democracy since the mid-2010s. With the United Kingdom exiting the European Union and facing an overwhelming pandemic, restrictions to civil liberties were imposed that may have been unimaginable in the past. It is time to pause and reflect on the serious challenges currently posed to democracy and to the ability of the people to take part.
 
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Vitality Politics
Health, Debility, and the Limits of Black Emancipation
Stephen Knadler
University of Michigan Press, 2019
Vitality Politics focuses on a slow racial violence against African Americans through everyday, accumulative, contagious, and toxic attritions on health. The book engages with recent critical disability studies scholarship to recognize that debility, or the targeted maiming and distressing of Black populations, is a largely unacknowledged strategy of the U.S. liberal multicultural capitalist state. This politicization of biological health serves as an instrument for insisting on a racial state of exception in which African Americans’ own unhealthy habits and disease susceptibility justifies their legitimate suspension from full rights to social justice, economic opportunity, and political freedom and equality. The book brings together disability studies, Black Studies, and African American literary history as it highlights the urgent need and gives weight to a biopolitics of debilitation and medicalization to better understand how Black lives are made not to matter in our supposedly race-neutral multicultural democracy.
 
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Vitamania
Vitamins in American Culture
Rima Apple
Rutgers University Press, 1996

"Have you taken your vitamins today?" That question echoes daily through American households. Thanks to intensive research in nutrition and medicine, the importance of vitamins to health is undisputed. But millions of Americans believe that the vitamins they get in their food are not enough. Vitamin supplements have become a multibillion-dollar industry. At the same time, many scientists, consumer advocacy groups, and the federal Food and Drug Administration doubt that most people need to take vitamin pills.

Vitamania tells how and why vitamins have become so important to so many Americans. Rima Apple examines the claims and counterclaims of scientists, manufacturers, retailers, politicians, and consumers from the discovery of vitamins in the early twentieth century to the present. She reveals the complicated interests--scientific, professional, financial--that have propelled the vitamin industry and its would-be regulators. From early advertisements linking motherhood and vitamin D, to Linus Pauling's claims for vitamin C, to recent congressional debates about restricting vitamin products, Apple's insightful history shows the ambivalence of Americans toward the authority of science. She also documents how consumers have insisted on their right to make their own decisions about their health and their vitamins.

Vitamania makes fascinating reading for anyone who takes--or refuses to take--vitamins. It will be of special interest to students, scholars, and professionals in public health, the biomedical sciences, history of medicine and science, twentieth-century history, nutrition, marketing, and consumer studies.

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Vittoria Colonna
Poetry, Religion, Art, Impact
Virginia Cox
Amsterdam University Press, 2022
This edited collection presents fresh and original work on Vittoria Colonna, perhaps the outstanding female figure of the Italian Renaissance, a leading Petrarchist poet, and an important figure in the Italian Reform movement. Until recently best known for her close spiritual friendship with Michelangelo, she is increasingly recognized as a powerful and distinctive poetic voice, a cultural and religious icon, and an important literary model for both men and women. This volume comprises compelling new research by established and emerging scholars in the fields of literature, book history, religious history, and art history, including several studies of Colonna’s influence during the Counter-Reformation, a period long neglected by Italian cultural historiography. The Colonna who emerges from this new reading is one who challenges traditional constructions of women’s place in Italian literature; no mere imitator or follower, but an innovator and founder of schools in her own right.
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Vittorio Orlando
Italy
Spencer Di Scala
Haus Publishing, 2009
The Italian premier Vittorio Orlando came to Paris as one of the 'Big Four', yet in April 1919 walked out in one of the most dramatic crises of the Peace Conferences. Orlando's failure to win for Italy the territories she felt were owed to her was to have far-reaching consequences for both Italy and Europe as a whole. Italy in 1918 was in an ambivalent position: at the outbreak of war the country had been part of the Triple Alliance with Germany and Austria-Hungary, but had stayed neutral until joining the Allies in 1915 on the promise of territorial rewards. The war was a near-disaster for the Italians, culminating in the collapse of their armies at Caporetto in 1917. It was this crisis that brought Orlando to power, and he did much to restore the situation, but the Italians looked to Versailles to compensate them for the terrible losses they had suffered. In this book, the clash between Italy's territorial demands in the Balkans, which had been guaranteed by the Allies in 1915 and earned through her losses in the War, with the new Wilsonian doctrine of open diplomacy and national self-determination is detailed, and it traces the effects the failure of Orlando's delegation to satisfy their people's demands which directly to the rise of Fascism and to Mussolini's policies in the 1930s as he sought to obtain what Italy had been denied at Versailles.
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Viva Baseball!
Latin Major Leaguers and Their Special Hunger
Samuel O. Regalado
University of Illinois Press, 2007

Lively and filled with vivid anecdotes, Viva Baseball! chronicles the struggles of Latin American professional baseball players in the United States from the late 1800s to the present. 

As Latino players, managers, and owners continue to blossom into baseball's biggest stars, they have benefited from a growing Spanish-language media, a group identity, an increase in financial leverage and attention, and a burgeoning Latino culture in the United States. Although there have been several positive developments in the treatment of Latin American players, many, such as Albert Pujols, Pedro Martinez, Alex Rodriguez, and Ozzie Guillen, still face shocking racism. Samuel O. Regalado draws upon archives and rich interviews with Latin baseball stars like Felipe Alou, Orlando Cepeda, and Minnie Minoso to show the changing tenor of discrimination in the twenty-first-century game.

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Viva Cristo Rey!
The Cristero Rebellion and the Church-State Conflict in Mexico
By David C. Bailey
University of Texas Press, 1974

Between 1926 and 1929, thousands of Mexicans fought and died in an attempt to overthrow the government of their country. They were the Cristeros, so called because of their battle cry, ¡Viva Cristo Rey!—Long Live Christ the King! The Cristero rebellion and the church-state conflict remain one of the most controversial subjects in Mexican history, and much of the writing on it is emotional polemic. David C. Bailey, basing his study on the most important published and unpublished sources available, strikes a balance between objective reporting and analysis. This book depicts a national calamity in which sincere people followed their convictions to often tragic ends.

The Cristero rebellion climaxed a century of animosity between the Catholic church and the Mexican state, and this background is briefly summarized here. With the coming of the 1910 revolution the hostility intensified. The revolutionists sought to impose severe limitations on the Church, and Catholic anti-revolutionary militancy grew apace. When the government in 1926 decreed strict enforcement of anticlerical legislation, matters reached a crisis. Church authorities suspended public worship throughout Mexico, and Catholics in various parts of the country rose up in arms. There followed almost three years of indecisive guerrilla warfare marked by brutal excesses on both sides. Bailey describes the armed struggle in broad outline but concentrates on the political and diplomatic maneuvering that ultimately decided the issue.

A de facto settlement was brought about in 1929, based on the government’s pledge to allow the Church to perform its spiritual offices under its own internal discipline. The pact was arranged mainly through the intercession of U.S. Ambassador Dwight Morrow. His role in the conflict, as well as that of other Americans who decisively influenced the course of events, receives detailed attention in the study. The position of the Vatican during the conflict and its role in the settlement are also examined in detail.

With the 1929 settlement the clergy returned to the churches, whereupon the Cristeros lost public support and the rebellion collapsed. The spirit of the settlement soon evaporated, more strife followed, and only after another decade did permanent religious peace come to Mexico.

[more]

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Viva George!
Celebrating Washington's Birthday at the US-Mexico Border
By Elaine A. Peña
University of Texas Press, 2020
2021 Jim Parish Award for Documentation and Publication of Local and Regional History, Webb County Heritage Foundation

For 120 years, residents of the cross-border community of Laredo/Nuevo Laredo have celebrated George Washington's birthday together, and this account reveals the essential political work of a time-honored civic tradition.


Since 1898, residents of Laredo, Texas, and Nuevo Laredo, Tamaulipas, have reached across the US-Mexico border to celebrate George Washington's birthday. The celebration can last a whole month, with parade goers reveling in American and Mexican symbols; George Washington saluting; and “Pocahontas” riding on horseback. An international bridge ceremony, the heart and soul of the festivities, features children from both sides of the border marching toward each other to link the cities with an embrace. ¡Viva George! offers an ethnography and a history of this celebration, which emerges as both symbol and substance of cross-border community life. Anthropologist and Laredo native Elaine A. Peña shows how generations of border officials, civil society organizers, and everyday people have used the bridge ritual to protect shared economic and security interests as well as negotiate tensions amid natural disasters, drug-war violence, and immigration debates. Drawing on previously unknown sources and extensive fieldwork, Peña finds that border enactments like Washington's birthday are more than goodwill gestures. From the Rio Grande to the 38th Parallel, they do the meaningful political work that partisan polemics cannot.
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Vivaldi
Voice of the Baroque
H. C. Robbins Landon
University of Chicago Press, 1996
Vivaldi boasted that he could compose a concerto faster than a scribe could copy one. Despite his prolificacy, The Four Seasons, and the majority of his already published work had fallen into obscurity by the time of his death in poverty in 1741. Most of his music-concertos, sonatas, operas, and sacral music-has been published only recently.

Very little has been written on Vivaldi for the nonspecialist, especially in English. Landon rediscovers the composer in this accessible and musically informed biography while presenting documentation of the musician's life discovered after the Baroque revival in the 1930s. This book includes illustrations of eighteenth-century Venice and several newly translated letters, thoroughly evoking the style of the time and revealing some of the more personal aspects of Vivaldi's life.

"Belongs on the shelf of every serious music student."—Kirkus

"Gives a good feel for Vivaldi's life and times . . . and describes particularly well how Vivaldi has been revived."—Booklist

"Robbins Landon is marvelously entertaining, extravagantly learned."—The Independent




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Vivarium
Natasha Sajé
Tupelo Press, 2014
A vivarium is an enclosure for living things — plants or animals — which might likewise be said of a poem. With a vivacious sensibility and unruly leaps from elegiac to ironic, Sajé’s new book is an abecedarium, fully using the page, and challenging all manner of received wisdom. Employing lyrics, lists, arguments, narratives, and meditations, and including prose poems devoted to particular letters as well as invented visual or conceptual pieces, in Vivarium the alphabet is endowed with power far beyond usefulness. Form breathes life in this book, and the lived emotion of these poems defies death. “In Vivarium, Natasha Sajé, one of poetry’s most ludic and encyclopedic essayists, explores language — and the alphabet — in terms both acerbic and lush, exposing the roots of the world’s ills, and its many rooted pleasures. In a word, zowie!” — Mary Ruefle “Resourceful, restless, witty and substantially intelligent — what a rare combination of erudition and nimbleness this group of poems exhibits. Their range is marvelously wide in both form and tone… Each poem surprised me, taught me something, delighted and illuminated and stretched.” —Dean Young, in a citation for the Academy of American Poets’ 2008 Alice Fay di Castagnola Award
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Vivian Maier
A Photographer’s Life and Afterlife
Pamela Bannos
University of Chicago Press, 2017
Who was Vivian Maier? Many people know her as the reclusive Chicago nanny who wandered the city for decades, constantly snapping photographs, which were unseen until they were discovered in a seemingly abandoned storage locker. They revealed her to be an inadvertent master of twentieth-century American street photography. Not long after, the news broke that Maier had recently died and had no surviving relatives. Soon the whole world knew about her preternatural work, shooting her to stardom almost overnight.
 
But, as Pamela Bannos reveals in this meticulous and passionate biography, this story of the nanny savant has blinded us to Maier’s true achievements, as well as her intentions. Most important, Bannos argues, Maier was not a nanny who moonlighted as a photographer; she was a photographer who supported herself as a nanny. In Vivian Maier: A Photographer’s Life and Afterlife, Bannos contrasts Maier’s life with the mythology that strangers—mostly the men who have profited from her work—have created around her absence. Bannos shows that Maier was extremely conscientious about how her work was developed, printed, and cropped, even though she also made a clear choice never to display it. She places Maier’s fierce passion for privacy alongside the recent spread of her work around the world, and she explains Maier’s careful adjustments of photographic technique, while explaining how the photographs have been misconstrued or misidentified. As well, Bannos uncovers new information about Maier’s immediate family, including her difficult brother, Karl—relatives that once had been thought not to exist.
 
This authoritative and engrossing biography shows that the real story of Vivian Maier, a true visionary artist, is even more compelling than the myth.
 
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Vivid and Continuous
Essays and Exercises for Writing Fiction
John McNally
University of Iowa Press, 2013
Taking off from The Creative Writer’s Survival Guide, John McNally’srelentlessly blunt, bracingly cheerful, and immensely helpful map to being a writer, Vivid and Continuousis an equally blunt, cheerful, and helpful map to learning to be a writer. While acknowledging that many fine books cover such essentials of fiction writing as point of view, characterization, and setting, McNally sets out in this new book—intended as a supplement to beginning fiction-writing classes or as the sole text for upper-level or graduate courses—to solve the tricky second-tier problems that those books cover only in footnotes.
Vivid and Continuous takes its inspiration from John Gardner, whose essential truths in On Becoming a Novelist clarified McNally’s goal of communicating a “vivid and continuous dream” with his own writing. In fifteen concise, energizing chapters, he dispenses advice gained from almost thirty years of studying, writing, and teaching. How do you avoid the pitfalls inherent in the most common subjects for stories? How do you create memorable minor characters? What about managing references to pop culture without distracting your readers, revising a story to bring its subtext into focus, or exploring the twenty most common craft-related quirks that lessen immediacy for your readers? How do you keep from overdosing on similes and metaphors or relying on too many flashbacks to provide necessary backstory? How do you learn to listen when your story tries to talk to you? Finally, how can you resist “John McNally’s Sure-Fire Formula for Becoming Funnier in 30 Days”?
McNally cites many novels and short stories as examples that best illustrate the lessons he wants to impart, the writer’s life, or the writer’s craft, as well as his own favorite authors’ novels and short story collections. Exercises at the end of each chapter reinforce its point and serve as practical catalysts for new writings and directions.
Just blunt enough to get your attention but not blunt enough to crush you, challenging but not discouraging, personal but not ego-ridden, snarky but not mean, John McNally will prompt you to think more deeply about a variety of issues that will push you toward writing more meaningful, more accomplished work. 
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VIVID COMPANION
Irene McKinney
West Virginia University Press, 2004

This fifth collection of poetry from West Virginia's poet laureate and author of Six O'Clock Mine Report is an extraordinary set of poems which reflects the complexity, the magnanimity, and the resilience of the human spirit. McKinney writes with candor, precision, and compassion; most importantly, though, her poems are accessible to all types of readers.

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Vixen
Cherene Sherrard
Autumn House Press, 2017
Cherene Sherrard’s poetry collection Vixen takes to task the historical narratives and artistic mediums that have shaped racial and gender identity. She asks her readers to closely examine the hand that guides the pen, the photographer behind the lens, and the star on stage. In powerful, finely crafted lines, Sherrard’s poems interrupt and redirect the conversation. Sherrard’s voice-driven poems are accessible to any reader interested in work that examines racial and black female representation within a historical, cultural, and artistic framework.
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Vladimir Nabokov
Barbara Wyllie
Reaktion Books, 2010

Best known for his deeply controversial 1955 novel, Lolita, Vladimir Nabokov (1899-1977) is celebrated as one of the most distinctive literary stylists of the twentieth century. In Vladimir Nabokov, Barbara Wyllie presents a comprehensive account of the life and works of the writer, from his childhood and earliest stories in pre-revolutionary Russia, to The Original of Laura—a novel written almost entirely on index cards published for the first time in 2009, perhaps against Nabokov’s wishes.

            This literary biography investigates the author’s poetry and prose, in both Russian and English, and examines the relationship between Nabokov’s extraordinary erudition and the themes that recur throughout his works.  His expertise as a specialist in butterflies complemented his wide knowledge of Russian and Western European culture, philosophy, and history, and informed the themes of transformation and transcendence that dominate his work. Wyllie traces his lifelong preoccupations with time, memory, and mortality across both his Russian and English works, and she illuminates his distinctive through detailed analysis of his major novels. Wyllie assesses his poetry and prose style alongside Nabokov’s own autobiography, letters, and critical writings—as well as the only recently-published The Original of Laura—in order to create a complete and updated picture of the writer in the context of his works.

            Vladimir Nabokov presents a fascinating portrait of one of the twentieth century’s most eclectic, prolific, and controversial authors. It is an essential read for fans of Nabokov and scholars of twentieth century English and Russian literature.

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Vladimir Nabokov - American Writers 96
University of Minnesota Pamphlets on American Writers
Julian Moynahan
University of Minnesota Press, 1971

Vladimir Nabokov - American Writers 96 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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Vladimir Nabokov and the Art of Moral Acts
Dana Dragunoiu
Northwestern University Press, 2022
Winner, 2022 Brian Boyd Prize for Best Second Book on Nabokov

This book shows how ethics and aesthetics interact in the works of one of the most celebrated literary stylists of the twentieth century: the Russian American novelist Vladimir Nabokov. Dana Dragunoiu reads Nabokov’s fictional worlds as battlegrounds between an autonomous will and heteronomous passions, demonstrating Nabokov’s insistence that genuinely moral acts occur when the will triumphs over the passions by answering the call of duty.
 
Dragunoiu puts Nabokov’s novels into dialogue with the work of writers such as Alexander Pushkin, William Shakespeare, Leo Tolstoy, and Marcel Proust; with Kantian moral philosophy; with the institution of the modern duel of honor; and with the European traditions of chivalric literature that Nabokov studied as an undergraduate at Cambridge University. This configuration of literary influences and philosophical contexts allows Dragunoiu to advance an original and provocative argument about the formation, career, and legacies of an author who viewed moral activity as an art, and for whom artistic and moral acts served as testaments to the freedom of the will.

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Vladimir Nabokov and the Poetics of Liberalism
Dana Dragunoiu
Northwestern University Press, 2011
Alongside the puzzles contained in Nabokov’s fiction, scholars have been unable to untangle the seemingly contradictory relationship between, on one hand, the fiction and the beliefs and principles suggested by Nabokov’s biography and, on the other hand, the statements he made outside of his work. Through a close examination of Nabokov’s father’s political, moral, and aesthetic values and, more generally, Russian liberalism as it existed in the first few decades of the twentieth century, Dragunoiu provides persuasive answers to many long-standing questions in this deeply researched, innovative study. 

Showing the particular influence of the thought of Kant and Berkeley, she focuses on what she calls Nabokov’s “most deceptively apolitical novels”: The Gift, Lolita, Pale Fire, and Ada. In bringing to them a more extensive context than previous Nabokov scholars, Dragunoiu argues that their treatment of various moral and political subjects can be more clearly understood in the light of ideas inherited by Nabokov from his father and his father’s generation.
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Vladimir's Carrot
Modern Drama and the Modern Imagination
John Peter
University of Chicago Press, 1987
What is modern in modern drama? What defines it, unmistakably, as being of our time? This quality if the subject of John Peter's inquiry.

For Peter, Beckett's Waiting for Godot makes such a radical break with dramatic tradition that it prompts the question: Is this play the single most important event in the theater since Aeschylus? Or is it the fulfillment of forces at work long before Beckett wrote it? Peter shows how Beckett's work represents a change in the very subject matter of drama, a fundamental revision of concepts of character, plot, and meaning, which in turn requires a new way of responding to drama. Where plays have traditionally engaged audiences in critical and moral dialogue, theater like Beckett's, according to Peter, is closed to questioning; it presents a vision of the world which can only be accepted or rejected. As such, it not only signals a new form of drama, but also posits a fundamentally changed audience.

Peter views this change—essentially, a change of mind—in its wider context. The times and the thought that contribute to the modern imagination are represented here by novels, paintings, and music—works by Wagner, Kafka, Proust, Picasso, and Braque—as well as plays. Peter shows how the depiction of the world by these artists echoes—and is echoed by—the work of modern thinkers such as Schopenhauer, Nietzsche, and Freud.

Vladimir's Carrot will provoke and stimulate readers who find themselves either lost or perfectly at home in "modern" culture.
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VLSI and Post-CMOS Devices, Circuits and Modelling
Rohit Dhiman
The Institution of Engineering and Technology, 2019
VLSI, or Very-Large-Scale-Integration, is the practice of combining billions of transistors to create an integrated circuit. At present, VLSI circuits are realised using CMOS technology. However, the demand for ever smaller, more efficient circuits is now pushing the limits of CMOS. Post-CMOS refers to the possible future digital logic technologies beyond the CMOS scaling limits. This book addresses the current state of the art in VLSI technologies and presents potential options for post-CMOS approaches.
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VLSI and Post-CMOS Electronics
Design, modelling and simulation, Volume 1
Rohit Dhiman
The Institution of Engineering and Technology, 2019
VLSI, or Very-Large-Scale-Integration, is the practice of combining billions of transistors to create an integrated circuit. At present, VLSI circuits are realised using CMOS technology. However, the demand for ever smaller, more efficient circuits is now pushing the limits of CMOS. Post-CMOS refers to the possible future digital logic technologies beyond the CMOS scaling limits. This 2-volume set addresses the current state of the art in VLSI technologies and presents potential options for post-CMOS processes.
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VLSI and Post-CMOS Electronics
Devices, circuits and interconnects, Volume 2
Rohit Dhiman
The Institution of Engineering and Technology, 2019
VLSI, or Very-Large-Scale-Integration, is the practice of combining billions of transistors to create an integrated circuit. At present, VLSI circuits are realised using CMOS technology. However, the demand for ever smaller, more efficient circuits is now pushing the limits of CMOS. Post-CMOS refers to the possible future digital logic technologies beyond the CMOS scaling limits. This 2-volume set addresses the current state of the art in VLSI technologies and presents potential options for post-CMOS processes.
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VLSI Architectures for Future Video Coding
Maurizio Martina
The Institution of Engineering and Technology, 2019
This book addresses future video coding from the perspective of hardware implementation and architecture design, with particular focus on approximate computing and the energy-quality scalability paradigm. Challenges in deploying VLSI architectures for video coding are identified and potential solutions postulated with reference to recent research in the field. The book offers systematic coverage of the designs, techniques and paradigms that will most likely be exploited in the design of VLSI architectures for future video coding systems.
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VLSI Testing
Digital and mixed analogue/digital techniques
Stanley L. Hurst
The Institution of Engineering and Technology, 1998
The importance of testing integrated circuits (ICs) has escalated with the increasing complexity of circuits fabricated on a single IC chip. No longer is it possible to design a new IC and then think about testing: such considerations must be part of the initial design activity, and testing strategies should be part of every circuit and system designer's education. This book is a comprehensive introduction and reference for all aspects of IC testing. It includes all of the basic concepts and theories necessary for advanced students, from practical test strategies and industrial practice, to the economic and managerial aspects of testing. In addition to detailed coverage of digital network testing, VLSI testing also considers in depth the growing area of testing analogue and mixed analogue/digital ICs, used particularly in signal processing.
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Vocabulary and Second Language Writing
David Hirsh
University of Michigan Press, 2021
In this volume, David Hirsh compellingly makes the case for why vocabulary should be a necessary component of L2 writing proficiency and L2 writing instruction. He examines why vocabulary size and context matter, how productive use of vocabulary can be scaffolded, how to treat vocabulary errors, and the ways that technology like corpora and concordances can support teachers and improve students’ independent vocabulary acquisition. In fact, one chapter is devoted to fostering learner autonomy, an important contribution to pedagogy that is often neglected in similar texts.  
 
Each chapter concludes with a list of key points and tasks and discussion questions for pre- and in-service instructors. Several chapters also include sample activities for teaching vocabulary at various instructional levels, designed to encourage readers to consider more deeply how they will include vocabulary instruction in their classrooms.
 
Vocabulary and Second Language Writing will be an excellent guide for all college-level writing instructors and help them understand the critical role that vocabulary plays in writing quality—something that is often disregarded in favor of holistic features like genre and rhetoric. The volume may also be useful for writing center administrators and those who train writing tutors.
 
 
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Vocabulary Building in Indonesian
An Advanced Reader
Soenjono Dardjowidjojo
Ohio University Press, 1984
An outstanding advanced text intended to complement and supplement Indonesian language materials now available. The author takes the student through a series of original essays and previously published material on a variety of subjects, not merely explaining grammatical and vocabulary matters, but offering detailed discussions of nuances, alternative meanings, synonyms and antonyms. This unique vocabulary exploration device forms about one–third of the book, and makes the lessons powerful aids to efficient and in–depth language learning.
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Vocabulary Myths
Applying Second Language Research to Classroom Teaching
Keith S. Folse
University of Michigan Press, 2004

In Vocabulary Myths, Keith S. Folse breaks down the teaching of second language vocabulary into eight commonly held myths. In debunking each myth, he introduces the myth with a story based on his 25 years of teaching experience (in the United States and abroad), continues with a presentation of what empirical research has shown on the topic, and finishes with a list of what teachers can do in their classrooms to facilitate true vocabulary acquisition.

The goal of Vocabulary Myths is to foster a paradigm shift that correctly views vocabulary as fundamental in any second language learning process and demonstrates that research supports this goal-that in fact there is a wealth of empirical evidence to support these views. In addition, an important theme is that teachers have overestimated how much vocabulary students really understand, and as a result, the so-called "comprehensible input" is neither comprehensible nor input.

The second language vocabulary acquisition myths reexamined in this book are:
*In learning another language, vocabulary is not as important as grammar or other areas.
*Using word lists to learn L2 vocabulary is unproductive.
*Presenting new vocabulary in semantic sets facilitates learning.
*The use of translations to learn new vocabulary should be discouraged.
*Guessing words from context is an excellent strategy for learning L2 vocabulary.
*The best vocabulary learners make use of one or two really specific vocabulary learning strategies.
*The best dictionary for L2 learners is a monolingual dictionary.
*Teachers, textbooks, and curricula cover L2 vocabulary adequately.
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Vocabulary of Soviet Society and Culture
A Selected Guide to Russian Words, Idioms, and Expressions of the Post-Stalin Era, 1953–1991
Irina H. Corten
Duke University Press, 1992
Irina H. Corten's Vocabulary of Soviet Society and Culture is an experiment in what Soviet scholars call lingvostranovedenie—the study of a country and its culture through the peculiarities of its language. Not a conventional dictionary, Corten's lexicon is selective, offering a broad sampling of culturally significant words in the areas of politics, ideology, the economy, education, arts and letters, social problems and everyday life as well as language associated with the personalities and activities of individual Soviet leaders.
The entries are listed alphabetically in English transliteration followed by the Cyrillic, although readers familiar with Russian may prefer to use the Cyrillic alphabet listing included in this volume. In each entry, the author provides a succinct but full explanation of the term and, whenever possible, cross-references to other entries, authentic examples of its use, and samples of relevant Soviet jokes. A reader may approach the lexicon either sequentially or with the aid of a subject thesaurus that divides the material into specific topics. A listing of complementary sources of reference appears in a useful bibliography.
With this fascinating lexicon of "Sovietisms," Corten provides an invaluable and easily accessible medium for those general readers and scholars of the Russian language and Soviet culture interested in understanding contemporary Soviet life.

Selected entries from the Vocabulary of Soviet Society and Culture

Anekdótchik (anekdótchitsa) (cyrillic spelling) (n.)
1: A person who tells jokes (anekdoty); 2: coll. since the late Stalin era, a person arrested and given a prison sentence for the telling of political jokes. The phenomenon indicates the important role of the political joke in Soviet culture and, specifically, in the dissident movement. See iazychnik; sident.

The following jokes were popular during the Brezhnev era:
1. "Comrade Brezhnev, what is your hobby?"
"Collecting jokes about myself."
"And how many have you collected so far?"
"Two and a half labor camps."
2. Question: What is a marked-down joke?
Answer: A joke which, under Stalin, got you ten years in a labor camp, and now gets you only five.

egoístiki (cyrillic) (n.; pl.). Lit., little egotists; coll. since the 1970s referring to headsets worn by music lovers, especially teenage fans of rock music. The idea is that, by wearing headsets, one shuts out the world and becomes indifferent to everything except oneself.

zhrál'nia (cyrillic) (n.). Der. zhrat', to gorge, devour (vulg.); coll. since the 1970s denoting an eating establishment with inexpensive and often bad-tasting food. In the late 1980s, the term also has been applied to new fast-food restaurants which have been built in Soviet cities by Western concerns, for example, McDonald's. See amerikanka; stekliashka; stoiachka.

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A Vocabulary of Thinking
Gertrude Stein and Contemporary North American Women's Innnovative Writing
Deborah M. Mix
University of Iowa Press, 2007
Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors.
    Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation.
    Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing.
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The Vocal Songs in the Plays of Shakespeare
A Critical History
Peter J. Seng
Harvard University Press

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The Vocation of a Teacher
Rhetorical Occasions, 1967-1988
Wayne C. Booth
University of Chicago Press, 1989
This critically acclaimed collection is both a passionate celebration of teaching as a vocation and an argument for rhetoric as the center of liberal education. While Booth provides an eloquent personal account of the pleasures of teaching, he also vigorously exposes the political and economic scandals that frustrate even the most dedicated educators.

"[Booth] is unusually adept at addressing a wide variety of audiences. From deep in the heart of this academic jungle, he shows a clear eye and a firm step."—Alison Friesinger Hill, New York Times Book Review

"A cause for celebration. . . . What an uncommon man is Wayne Booth. What an uncommon book he has provided for our reflection."—James Squire, Educational Leadership

"This book stands as a vigorous reminder of the traditional virtues of the scholar-teacher."—Brian Cox, Times Literary Supplement
 
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Vocation to Virtue
Christian Marriage as a Consecrated Life
Kent Lasnoski
Catholic University of America Press, 2014
Vocation to Virtue seeks to answer a perennial difficulty in the Catholic theology of marriage: how do the practice and bond of marriage lead to Christian perfection in spouses and their children? If the Second Vatican Council is correct in saying that all in the church are called to Christian perfection, we need an account of how those consecrated in the sacrament of marriage can fulfill that vocation. If the perfection of charity consists in Christ himself, then couples must imitate Christ. But how? If Christ is the poor, chaste, and obedient bridegroom of the church, then spouses achieve holiness inasmuch as they participate in Christ's own virtues: poverty, chastity, and obedience. The thesis is that the language of the evangelical virtues (poverty, chastity, and obedience), a rule of life, and robust preparation (maybe a novitiate) belongs as properly to marriage as to consecrated religious life. Both states are specifications of a common baptismal consecration to Christ himself. Lasnoski seeks to establish this fact and constructively apply this language to conjugal life. The book begins by explaining our marriage crisis and theological paradigms for speaking about Christian marriage as "relationship" or as "practice," and considers modern scholarly attempts to relate conjugal life and consecrated religious life. The book then offers a theological groundwork in Christ and the Trinity for a deeper, noncompetitive relationship between the consecrated religious life and married life. It offers an Augustinian account of the relationship between marriage and consecrated life, and develops the ecclesial connection between the states with recourse to John's Gospel, which sees Christian life in terms of "householding." The church's tradition has a dialogical relationship between the consecrated and married - a mutual sharing of both "monastic" and "domestic" language. The final chapter develops practices of Christian householding for conjugal life using the language of poverty, chastity, and obedience, a rule of life, and a kind of novitiate preparation.
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Vocational Interest Measurement
Theory and Practice
John G. Darley and Theda Hagenah
University of Minnesota Press, 1955

Vocational Interest Measurement was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Many years of clinical experience at the University of Minnesota, using the Strong Vocational Interest Bank in counseling services, form the basis for this book. The work will help other counselors to understand the meaning of the interest scores which they obtain with this test. In successive chapters, the authors discuss the meaning of work and jobs in our society, deal with the anatomy of interests, analyze interest patterns and outline a normative framework for their system of analysis, discuss personality factors as related to interests, review theories of origin and development of interests, and illustrate the use of interest measurement in counseling through a series of case studies. A volume in the Minnesota Library on Student Personnel Work.

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Vocational Interests 18 Years After College
Edward K. Strong Jr.
University of Minnesota Press, 1955

Vocational Interests 18 Years After College was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A pioneer in scientific vocational counseling, Edward K. Strong, Jr., devised the Strong Vocational Interest Blank some years ago as a tool to help the counselor find out what kind of work a young person is best suited for. In this volume Mr. Strong reports on a study which he undertook to determine the validity of the interest blank in predicting the future vocations of individuals.

For this study, the interest scores of several hundred former college students were compared with the occupations in which these men were engaged 18 years later. The results provide answers to basic questions regarding the use of interest scores in vocational counseling. The findings also serve to confirm or modify the conclusions published earlier by Mr. Strong in his book Vocational Interests in Men and Women (a volume for which he was awarded the Butler Silver Medal by Columbia University).

The original group whim the present study is based consisted of 884 Stanford University graduates whose interests had been revealed by the use of the Vocational Interest Blank while they were in college. Follow-up data on their actual careers are presented and analyzed for approximately three fourths of this number, the remainder being eliminated because they were engaged in occupations for which no specific scales were available.

In addition to revising and amplifying Mr. Strong's earlier work on the subject, this volume outlines a number of developments which provoke new problems and point the way for future research.

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Vocational Interests of NonProfessional Men
Kenneth Clark
University of Minnesota Press, 1961
Vocational Interests of Non-Professional Men was first published in 1961.In contrast to most psychological research about occupational interests and related achievement, which has centered on professional and managerial occupations, the study reported here deals with the vocational interests of skilled trades workers. The study is important because, among young people not planning to go to college, many each year select occupations when they have only fragmentary information about the occupation and its requirements and about their own characteristics and needs; the findings of this study will contribute to better counseling of such young people in the future.Dr. Clark’s investigation is based on the responses of approximately 25,000 persons to the Minnesota Vocational Interest Inventory. About 6,000 of the subjects were civilians and the rest were enlisted personnel in the U.S. Navy. He describes the development of the Minnesota Vocational Interest Inventory and of scoring keys for use with it, examines the characteristics of these keys, and summarizes various studies of the psychometric characteristics of keys developed by different methods. He discusses use of keys in classifying individuals into occupational groups, then turns to the use of interest measures in predicting achievement and choice of specialty. In conclusion he suggests ways in which improved interest measures may be developed to the end that there may be not only better counseling of individuals but also greater understanding of the processes by which occupational choices occur.Vocational counselors, industrial psychologists, personnel managers, and psychometrists will find the book especially useful.
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Vocations Of Political Theory
Jason A. Frank
University of Minnesota Press, 2000

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Voces Femeninas de Hispanoamerica
Gloria Bautista Gutiérrez
University of Pittsburgh Press, 1996
Voces Femeninas de Hispanoamerica presents in one volume a selection of the most representative and outstanding writing by Latin American women writers from the seventeenth century to the present.  Designed as a text for third and fourth-year students, the selections, writers’ biographies, historical introduction, and appendixes are entirely in Spanish, with notes to help students with difficult words or passages.
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Vodka
A Global History
Patricia Herlihy
Reaktion Books, 2012

Vodka is the most versatile of spirits. While people in Eastern Europe and the Baltic often drink it neat, swallowing it in one gulp, others use it in cocktails and mixed drinks—bloody marys, screwdrivers, white russians, and Jell-O shots—or mix it with tonic water or ginger beer to create a refreshing drink. Vodka manufacturers even infuse it with flavors ranging from lemon and strawberry to chocolate, bubble gum, and bacon. Created by distilling fermented grains, potatoes, beets, or other vegetables, this colorless, tasteless, and odorless liquor has been enjoyed by both the rich and the poor throughout its existence, but it has also endured many obstacles along its way to global popularity.

In this book, Patricia Herlihy takes us for a ride through vodka’s history, from its mysterious origins in a Slavic country in the fourteenth century to its current transatlantic reign over Europe and North America. She reveals how it continued to flourish despite hurdles like American Prohibition and being banned in Russia on the eve of World War I. On its way to global domination, vodka became ingrained in Eastern European culture, especially in Russia, where standards in vodka production were first set. Illustrated with photographs, paintings, and graphic art, Vodka will catch the eye of any reader intrigued by how “potato juice” became an international industry.
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Vodou Nation
Haitian Art Music and Cultural Nationalism
Michael Largey
University of Chicago Press, 2006
While the Haitian musical tradition is probably best known for the Vodou-inspired roots music that helped topple the two-generation Duvalier dictatorship, the nation’s troubled history of civil unrest and its tangled relationship with the United States is more intensely experienced through its art music, which combines French and German elements of classical music with Haiti's indigenous folk music. Vodou Nation examines art music by Haitian and African American composers who were inspired by Haiti’s history as a nation created by slave revolt. 

Around the time of the United States’s occupation of Haiti in 1915, African American composers began to incorporate Vodou-inspired musical idioms to showcase black artistry and protest white oppression. Together with Haitian musicians, these composers helped create what Michael Largey calls the “Vodou Nation,” an ideal vision of Haiti that championed its African-based culture as a bulwark against America’s imperialism. Highlighting the contributions of many Haitian and African American composers who wrote music that brought rhythms and melodies of the Vodou ceremony to local and international audiences, Vodou Nation sheds light on a black cosmopolitan musical tradition that was deeply rooted in Haitian culture and politics.
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Vodou Songs in Haitian Creole and English
Benjamin Hebblethwaite
Temple University Press, 2011

Vodou songs constitute the living memory of Haitian Vodou communities, and song texts are key elements to understanding Haitian culture. Vodou songs form a profound religious and cultural heritage that traverses the past and refreshes the present. Offering a one-of-a-kind research tool on Vodou and its cultural roots in Haiti and pre-Haitian regions, Vodou Songs in Haitian Creole and English provides a substantial selection of hard to find or unpublished sacred Vodou songs in a side-by-side bilingual format.

Esteemed scholar Benjamin Hebblethwaite introduces the language, mythology, philosophy, origins, and culture of Vodou through several chapters of source songs plus separate analytical chapters. He guides readers through songs, chants, poems, magical formulae, invocations, prayers, historical texts and interviews, as well as Haitian Creole grammar and original sacred literature. An in-depth dictionary of key Vodou terms and concepts is also provided.

This corpus of songs and the research about them provide a crucial understanding of the meaning of Vodou religion, language, and culture.

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Voegelin Recollected
Conversations on a Life
Edited by Barry Cooper & Jodi Bruhn
University of Missouri Press, 2007

Although his contributions to philosophy are revered and his writings have been collected, Eric Voegelin’s persona will inevitably fade with the memories of those who knew him. This book preserves the human element of Voegelin by capturing those valuable personal recollections.

            Barry Cooper and Jodi Bruhn conducted intensive interviews with Voegelin’s wife, his closest friends, and his first-generation students—many of whom have since passed on—in order to bring to print everything important about his life and personality. American scholars will especially appreciate the glimpses provided by Voegelin’s German colleagues into his life in Munich, as well as the thoughts of his students in Vienna. Reflections of people such as Paul Caringella, Bruno Schlesinger, and Heinz Barazon capture Voegelin’s greatness and shortcomings alike and also shed new light on his philosophical quest for truth.

By descending progressively further into the past, the book takes readers deeper into the essence of Voegelin as reminiscences become more dramatic. Ranging widely from America back to Germany—with recollections of Gestapo intimidation and eventual emigration—the accounts interweave episodes of pathos, humor, fear, rivalry, and ambition. We witness Voegelin’s persistent and partly self-imposed communication problems and impatience with administrative duties, his respect for prudent political actors and public servants, and his genuine affection not only for his colleagues and best students but also for diligent secretaries and empathetic nurses. Through these recollections, key elements of his personality repeatedly emerge: his intelligence, optimism, and integrity, combined with an acute perception of the significance of his work.

            This is the most revealing and comprehensive biographical work yet available on a man known to be captivating as a thinker—and now shown to be equally fascinating as a human being. His own publications attest to his mind and methods; Voegelin Recollected provides a deeper understanding of the man himself. 

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Voegelin, Schelling, and the Philosophy of Historical Existence
Jerry Day
University of Missouri Press, 2003
In this important new work, Jerry Day brings to light the need for an extensive reinterpretation of the mature philosophy of Eric Voegelin, based on Voegelin’s published and unpublished appreciation for nineteenth-century German philosopher F. W. J. Schelling.
Schelling, whom Day maintains was one of the most important guides to Voegelin’s mature philosophy of consciousness and historiography, has been described as the father of several disparate movements and schools of continental philosophy—chief among them being “Hegelian” idealism and existentialism. This characterization implies that Schelling was a scattered thinker with little or no appreciation for philosophy as a disciplined inquiry into the nature of human affairs.
Voegelin was critical of this portrayal of Schelling. He argued that it lacked proper sensitivity for the impressive extent to which this giant of continental thought was able to rise above the “creed communities” of his time and recover the abiding concern of mature philosophers everywhere: the philosophia perennis. Those who claim that Schelling was scattered have failed, according to Voegelin, to appreciate the nonideological breadth of this great philosopher, misled by the splinter movements and schools that arose from mere fragments of his thought. In truth, Schelling founded no school and launched no movement. Instead, he reasoned with the disciplined integrity and wonder of a “spiritual realist.”
Day argues that Voegelin was a fine interpreter of Schelling, particularly during the decisive years when the central orientation of Voegelin’s mature thought was beginning to take hold—between the writing of his History of Political Ideas and its eventual transformation into Order and History. Day gathers an impressive array of evidence to interpret Voegelin’s little-known support for Schelling’s achievements, while offering detailed analyses and helpful summaries of a vast body of literature that has yet to be translated into English.
Day’s partial agreement with Voegelin’s uncommon assessment of Schelling provides him with the point of departure that leads to one of this book’s most distinctive contributions to contemporary thought. It has the rare ability to help clear the way for philosophical realists to make peace with many of their contemporaries, giving them further grounds for accepting the strongest anthropological and psychological insights of recent continental philosophy, while helping them to avoid its tendencies toward nihilistic despair or fideistic historicism.
By reading each philosopher through the eyes of the other, Day provides an analysis that will be illuminating for Voegelin scholars and Schelling scholars alike. The book will also appeal to readers with more general interests in the history and development of continental philosophy, political theory, and comparative religion over the past century.
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Voegelinian Readings of Modern Literature
Edited by Charles R. Embry
University of Missouri Press, 2011
The work of renowned thinker Eric Voegelin is largely rooted in his literary sensibility. Voegelin’s contributions to the field of philosophy grew from the depths of his knowledge of history’s most important texts, from ancient to modern times. Many of the concepts he emphasized, such as participatory experience and symbolization in philosophy, have long been significant to literary criticism as well as philosophical study. Voegelin himself even ventured into the field of criticism, publishing a critical examination of Henry James’s The Turn of the Screw in 1971. Since it is so strongly influenced by the written record of man’s search for meaning, Voegelinian thought makes an ideal framework for the study of twentieth-century literature.

For Voegelinian Readings of Modern Literature, scholar Charles R. Embry has collected essays that consider particular pieces of literature in light of the philosopher’s work. These essays supply a theoretical grounding for the reading of novels, poems, and plays and reveal how the Voegelinian perspective exposes the existential and philosophical dimensions of the literary works themselves. As a unit, this collection of essays shows how modern pieces of literature can symbolize their creators’ participation in the human search for the truth of existence—just as myths, philosophical works, and religious texts always have.

Voegelin’s primary concern as a philosopher was to expose the roots of the disturbances of the modern era—religious conflict, imperialism, war—so that the sources of order leading to meaning are revealed.  The openness of Voegelinian thought and the many ways he considered the levels of reality generate intriguing themes for literary criticism. In these essays, noted Voegelin scholars focus on American and European literary artists from the 1700s through the late twentieth century, including Emily Dickinson, Henrik Ibsen, Thomas Carlyle, D. H. Lawrence, Marcel Proust, and Hermann Broch.

While the intersection of the work of Eric Voegelin and literature has been a part of Voegelin scholarship for decades, this book explores that relationship in an extended form. Through a broad collection of thoughtful essays, Voegelinian Readings of Modern Literature reveals how much Voegelin did to break down the barriers between literature and philosophy and makes an engaging contribution to Voegelin scholarship.
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Voice and Equality
Civic Voluntarism in American Politics
Sidney Verba, Kay Lehman Schlozman, and Henry E. Brady
Harvard University Press, 1995

This book confirms Alexis de Tocqueville’s idea, dating back a century and a half, that American democracy is rooted in civil society. Citizens’ involvement in family, school, work, voluntary associations, and religion has a significant impact on their participation as voters, campaigners, donors, community activists, and protesters.

The authors focus on the central issues of involvement: how people come to be active and the issues they raise when they do. They find fascinating differences along cultural lines, among African-Americans, Latinos, and Anglo-Whites, as well as between the religiously observant and the secular. They observe family activism moving from generation to generation, and they look into the special role of issues that elicit involvement, including abortion rights and social welfare.

This far-reaching analysis, based on an original survey of 15,000 individuals, including 2,500 long personal interviews, shows that some individuals have a greater voice in politics than others, and that this inequality results not just from varying inclinations toward activity, but also from unequal access to vital resources such as education. Citizens’ voices are especially unequal when participation depends on contributions of money rather than contributions of time. This deeply researched study brilliantly illuminates the many facets of civic consciousness and action and confirms their quintessential role in American democracy.

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Voice and Grammatical Functions in Austronesian Languages
Edited by Peter K. Austin and Simon Musgrave
CSLI, 2005
This volume explores various problems in the syntax of Austronesian languages, which are found primarily in Malaysia and the Polynesian islands. Using the framework of constraint-based theories of syntax, contributors discuss the nature of these voice systems, the function of their verbal morphology, valence, verbal diathesis and transitivity in such languages, and the nature of their lexical categories. Each analysis is presented within the frameworks of lexical-functional grammar and head-driven phrase structure grammar.
[more]

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The Voice and Its Doubles
Media and Music in Northern Australia
Daniel Fisher
Duke University Press, 2016
Beginning in the early 1980s Aboriginal Australians found in music, radio, and filmic media a means to make themselves heard across the country and to insert themselves into the center of Australian political life. In The Voice and Its Doubles Daniel Fisher analyzes the great success of this endeavor, asking what is at stake in the sounds of such media for Aboriginal Australians. Drawing on long-term ethnographic research in northern Australia, Fisher describes the close proximity of musical media, shifting forms of governmental intervention, and those public expressions of intimacy and kinship that suffuse Aboriginal Australian social life. Today’s Aboriginal media include genres of country music and hip-hop; radio requests and broadcast speech; visual graphs of a digital audio timeline; as well as the statistical media of audience research and the discursive and numerical figures of state audits and cultural policy formation. In each of these diverse instances the mediatized voice has become a site for overlapping and at times discordant forms of political, expressive, and institutional creativity. 
 
 
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Voice and Phenomenon
Introduction to the Problem of the Sign in Husserl's Phenomenology
Jacques Derrida, Translated from the French by Leonard Lawlor
Northwestern University Press, 2011
Published in 1967, when Derrida is 37 years old, Voice and Phenomenon appears at the same moment as Of Grammatology and Writing and Difference. All three books announce the new philosophical project called “deconstruction.” Although Derrida will later regret the fate of the term “deconstruction,” he will use it throughout his career to define his own thinking. While Writing and Difference collects essays written over a 10 year period on diverse figures and topics, and Of Grammatology aims its deconstruction at “the age of Rousseau,” Voice and Phenomenon shows deconstruction engaged with the most important philosophical movement of the last hundred years: phenomenology. 

Only in relation to phenomenology is it possible to measure the importance of deconstruction. Only in relation to Husserl’s philosophy is it possible to understand the novelty of Derrida’s thinking. Voice and Phenomenon therefore may be the best introduction to Derrida’s thought in general. To adapt Derrida’s comment on Husserl’s Logical Investigations, it contains “the germinal structure” of Derrida’s entire thought. Lawlor’s fresh translation of Voice and Phenomenon brings new life to Derrida’s most seminal work.
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Voice and Vision
A Guide to Writing History and Other Serious Nonfiction
Stephen J. Pyne
Harvard University Press, 2009

It has become commonplace these days to speak of “unpacking” texts. Voice and Vision is a book about packing that prose in the first place. While history is scholarship, it is also art—that is, literature. And while it has no need to emulate fiction, slump into memoir, or become self-referential text, its composition does need to be conscious and informed.

Voice and Vision is for those who wish to understand the ways in which literary considerations can enhance nonfiction writing. At issue is not whether writing is scholarly or popular, narrative or analytical, but whether it is good. Fiction has guidebooks galore; journalism has shelves stocked with manuals; certain hybrids such as creative nonfiction and the new journalism have evolved standards, esthetics, and justifications for how to transfer the dominant modes of fiction to topics in nonfiction. But history and other serious or scholarly nonfiction have nothing comparable.

Now this curious omission is addressed by Stephen Pyne as he analyzes and teaches the craft that undergirds whole realms of nonfiction and book-based academic disciplines. With eminent good sense concerning the unique problems posed by research-based writing and with a wealth of examples from accomplished writers, Pyne, an experienced and skilled writer himself, explores the many ways to understand what makes good nonfiction, and explains how to achieve it. His counsel and guidance will be invaluable to experts as well as novices in the art of writing serious and scholarly nonfiction.

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The Voice as Something More
Essays toward Materiality
Edited by Martha Feldman and Judith T. Zeitlin
University of Chicago Press, 2019
In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object.
 
Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.
[more]

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Voice Biometrics
Technology, trust and security
Carmen García-Mateo
The Institution of Engineering and Technology, 2021
Voice biometrics are being implemented globally in large scale applications such as remote banking, government e-services, transportation and building security access, autonomous vehicles, and healthcare. They have been integrated in numerous apps, often coupled with face biometrics and artificial intelligence methods. Voice biometrics products and solutions must meet three key requirements for the success in their deployment: they must be highly trustable regarding privacy protection; easy to use and always be available.
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A Voice but No Power
Organizing for Social Justice in Minneapolis
David Forrest
University of Minnesota Press, 2022

Examining the work of social justice groups in Minneapolis following the 2008 recession

Since the Great Recession, even as protest and rebellion have occurred with growing frequency, many social justice organizers continue to displace as much as empower popular struggles for egalitarian and emancipatory change. In A Voice but No Power, David Forrest explains why this is the case and explores how these organizers might better reach their potential as advocates for the abolition of exploitation, discrimination, and other unjust conditions.

Through an in-depth study of post-2008 Minneapolis—a center of progressive activism—Forrest argues that social justice organizers so often fall short of their potential largely because of challenges they face in building what he calls “contentious identities,” the public identities they use to represent their constituents and counteract stigmatizing images such as the “welfare queen” or “the underclass.” In the process of assembling, publicizing, and legitimating contentious identities, he shows, these organizers encounter a series of political hazards, each of which pushes them to make choices that weaken movements for equality and freedom. Forrest demonstrates that organizers can achieve better outcomes, however, by steadily working to remake their hazardous political terrain.

The book’s conclusion reflects on the 2020 uprising that followed the police killing of George Floyd, assessing what it means for the future of social justice activism. Ultimately, Forrest’s detailed analysis contributes to leading theories about organizing and social movements and charts possibilities for further emboldening grassroots struggles for a fairer society.

[more]

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Voice, Choice, and Action
The Potential of Young Citizens to Heal Democracy
Felton Earls and Mary Carlson
Harvard University Press, 2020

Compiling decades of fieldwork, two acclaimed scholars offer strategies for strengthening democracies by nurturing the voices of children and encouraging public awareness of their role as citizens.

Voice, Choice, and Action is the fruit of the extraordinary personal and professional partnership of a psychiatrist and a neurobiologist whose research and social activism have informed each other for the last thirty years. Inspired by the 1989 United Nations Convention on the Rights of the Child, Felton Earls and Mary Carlson embarked on a series of international studies that would recognize the voice of children. In Romania they witnessed the consequences of infant institutionalization under the Ceaușescu regime. In Brazil they encountered street children who had banded together to advocate effectively for themselves. In Chicago Earls explored the origins of prosocial and antisocial behavior with teenagers. Children all over the world demonstrated an unappreciated but powerful interest in the common good.

On the basis of these experiences, Earls and Carlson mounted a rigorous field study in Moshi, Tanzania, which demonstrated that young citizens could change attitudes about HIV/AIDS and mobilize their communities to confront the epidemic. The program, outlined in this book, promoted children’s communicative and reasoning capacities, guiding their growth as deliberative citizens. The program’s success in reducing stigma and promoting universal testing for HIV exceeded all expectations.

Here in vivid detail are the science, ethics, and everyday practice of fostering young citizens eager to confront diverse health and social challenges. At a moment when adults regularly profess dismay about our capacity for effective action, Voice, Choice, and Action offers inspiration and tools for participatory democracy.

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Voice, Choice, and Action
The Potential of Young Citizens to Heal Democracy
Felton Earls and Mary Carlson
Harvard University Press

“A book for these times as we confront the fault lines in our democracy…A deeply provocative work about the place of children in strengthening our sense of community.”
—Alex Kotlowitz, author of There Are No Children Here

“Earls and Carlson have discovered…an aspect of development previously unrecognized: how children and youth can find their voice, feel empowered to use that voice, and translate that voice into political action. This is a remarkable book.”
—Gordon Harper, Journal of the American Academy of Child & Adolescent Psychiatry

“An inspiring vision of a newly inclusive democracy.”
Kirkus Reviews (starred review)

Voice, Choice, and Action is the fruit of the extraordinary personal and professional partnership between a psychiatrist and neurobiologist whose research and social activism have informed each other for the last thirty years. Inspired by the UN Convention on the Rights of the Child, Felton Earls and Mary Carlson embarked on a series of studies to help children find their voice in the adult world. In Romania, they saw the devastating consequences of infant institutionalization. In Brazil, they found street children who had banded together to advocate for themselves. In Chicago, Earls sought to understand the origins of antisocial behavior in teenagers, and in Tanzania, they piloted a program to guide children’s growth as deliberative citizens.

Here in vivid detail are the science, ethics, and everyday practices needed to foster young citizens eager to confront social challenges. At a moment when adults regularly decry the state of our democracy, Voice, Choice, and Action offers invaluable tools to build a new generation of active citizens.

[more]

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A Voice for Justice
Writings of David Schuman
Sharon Schuman
Oregon State University Press, 2021
As an educator, speaker, deputy attorney general, and judge, David Schuman was known for his ability to clarify difficult legal concepts. According to James Egan, chief judge of the Oregon Court of Appeals, he was the “intellectual giant of our generation.” A Voice for Justice reveals how David Schuman’s unique jurisprudence came to be.

His friends and associates knew that Oregon Supreme Court Justice Hans Linde convinced Schuman to turn to the Oregon Constitution rather than the federal one to protect individual rights. But even some of Schuman’s closest friends were unaware of his fiction, which provides a window into his deep capacity for empathy and casts new light on his ability to write elegant, sometimes funny, judicial opinions. His legal thinking also had deep roots in literature and political theory.
         
Schuman’s 672 judicial opinions are not just brilliant, but written so that anyone can understand them. Like Ruth Bader Ginsburg, he knew there was nothing to gain by communicating only to specialists. He wanted citizens to be able to make up their own minds about important issues.
         
A Voice for Justice brings together for the first time writings that span over fifty years. Lawyers and laypeople alike will appreciate Schuman’s lucid, engaging observations, which are highly relevant to our current anxieties about institutional racism and democracy under stress. The short stories, speeches, op-eds, articles, legal opinions, and dissents selected for this volume constitute a call to action for everyone to become voices for justice.

 
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A Voice from the River
A Novel
Dan Gerber
Michigan State University Press, 2005

This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.

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The Voice Imitator
Thomas Bernhard
University of Chicago Press, 1997
The Austrian playwright, novelist, and poet Thomas Bernhard (1931-89) is acknowledged as among the major writers of our times. At once pessimistic and exhilarating, Bernhard's work depicts the corruption of the modern world, the dynamics of totalitarianism, and the interplay of reality and appearance.

In this stunning translation of The Voice Imitator, Bernhard gives us one of his most darkly comic works. A series of parable-like anecdotes—some drawn from newspaper reports, some from conversation, some from hearsay—this satire is both subtle and acerbic. What initially appear to be quaint little stories inevitably indict the sterility and callousness of modern life, not just in urban centers but everywhere. Bernhard presents an ordinary world careening into absurdity and disaster. Politicians, professionals, tourists, civil servants—the usual victims of Bernhard's inspired misanthropy—succumb one after another to madness, mishap, or suicide. The shortest piece, titled "Mail," illustrates the anonymity and alienation that have become standard in contemporary society: "For years after our mother's death, the Post Office still delivered letters that were addressed to her. The Post Office had taken no notice of her death."

In his disarming, sometimes hilarious style, Bernhard delivers a lethal punch with every anecdote. George Steiner has connected Bernhard to "the great constellation of Kafka, Musil, and Broch," and John Updike has compared him to Grass, Handke, and Weiss. The Voice Imitator reminds us that Thomas Bernhard remains the most caustic satirist of our age.
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Voice in the Drum
Music, Language, and Emotion in Islamicate South Asia
Richard Wolf
University of Illinois Press, 2017
Based on extensive research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation in which the fictional protagonist Muharram Ali, a man obsessed with finding music he believes will dissolve religious and political barriers, interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The result is a daring narrative that follows Muharram Ali on a journey that explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing.
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The Voice in the Drum
Music, Language, and Emotion in Islamicate South Asia
Richard K. Wolf
University of Illinois Press, 2014
Based on extensive field research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation, in which a fictional protagonist interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The narrative explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing. Wolf weaves in the story of a family led by Ahmed Ali Khan, a North Indian ruler who revels in the glories of 19th century life, when many religious communities joined together harmoniously in grand processions. His journalist son Muharram Ali obsessively scours the subcontinent in pursuit of a music he naively hopes will dissolve religious and political barriers. The story charts the breakdown of this naiveté. A daring narrative of music, religion and politics in late twentieth century South Asia, The Voice in the Drum delves into the social and religious principles around which Muslims, Hindus, and others bond, create distinctions, reflect upon one another, or decline to acknowledge differences.
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The Voice in the Garden
Andrei Bolotov and the Anxieties of Russian Pastoral 1738-1833
Thomas Newlin
Northwestern University Press, 2001
A groundbreaking study of the pastoral ideal in eighteenth- and nineteenth-century Russia.
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The Voice in the Headphones
David Grubbs
Duke University Press, 2020
The voice in the headphones says, “you’re rolling” . . .

The Voice in the Headphones is an experiment in music writing in the form of a long poem centered on the culture of the recording studio. It describes in intricate, prismatic detail one marathon day in a recording studio during which an unnamed musician struggles to complete a film soundtrack. The book extends the form of Grubbs's previous volume Now that the audience is assembled, sharing its goal of musicalizing the language of writing about music. Mulling the insight that “studio is the absence of pushback”—now that no audience is assembled—The Voice in the Headphones details one musician's strategies for applying the requisite pressure to the proceedings, for making it count. The Voice in the Headphones is both a literary work and a meditation on sound recording, delivered at a moment in which the commercial recording studio shades into oblivion. It draws upon Grubbs's own history of several decades as a recording artist, and its location could be described as every studio in which he has set foot.
[more]

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Voice in the Wilderness
Conversations with Terry Tempest Williams
edited by Michael Austin
Utah State University Press, 2006
With her distinctive, impassioned voice and familiar felicity of language, Terry Tempest Williams talks about wilderness and wildlife, place and eroticism, art and literature, democracy and politics, family and heritage, Mormonism and religion, writing and creativity, and other subjects that engage her agile mind—in a set of interviews gathered and introduced by Michael Austin to represent the span of her career as a naturalist, author, and activist.
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A Voice in Their Own Destiny
Reagan, Thatcher, and Public Diplomacy in the Nuclear 1980s
Anthony M. Eames
University of Massachusetts Press, 2023

On June 8, 1982, Ronald Reagan delivered a historic address to the British Parliament, promising that the United States would give people around the world “a voice in their own destiny” in the struggle against Soviet totalitarianism. While British Prime Minister Margaret Thatcher celebrated Reagan’s visit and thanked him for putting “freedom on the offensive,” over 100,000 Britons marched from Hyde Park to Trafalgar Square to protest his arrival and call for nuclear disarmament. Reagan’s homecoming was equally eventful, with 1,000,000 protesters marking his return with a rally for nuclear disarmament in Central Park—the largest protest in American history up to that point.

Employing a wide range of previously unexamined primary sources, Anthony M. Eames demonstrates how the Reagan and Thatcher administrations used innovations in public diplomacy to build back support for their foreign policy agendas at a moment of widespread popular dissent. A Voice in Their Own Destiny traces how competition between the governments of Reagan and Thatcher, the Anglo-American antinuclear movement, and the Soviet peace offensive sparked a revolution in public diplomacy.

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Voice Lessons
By Alice Embree
University of Texas Press, 2021

Voice Lessons explores the rich personal and political terrain of Alice Embree, a 1960s activist and convert to the women’s liberation movement of the 1970s, bringing a woman’s perspective to a transformational time in US history. This riveting memoir traces the author’s roots in segregated Austin and her participation in efforts to integrate the University of Texas. It follows her antiwar activism from a vigil in front of President Lyndon Johnson’s ranch in 1965 to a massive protest after the shootings at Kent State in 1970. Embree’s activism brought her and the Students for a Democratic Society into conflict with Frank Erwin, the powerful chairman of the UT Board of Regents, and inspired a campus free speech movement. She recounts her experiences living in New York during the tumultuous years of 1968 and 1969, including the Columbia University strike and the Woodstock music festival. She also tells about protesting at the Chicago Democratic Convention, her interactions with Yippies and poets, and her travels to Chile, Cuba, and Mexico. Embree highlights the radical roots of the women’s liberation movement in Austin and the audacious women’s community that challenged gender roles, fought for reproductive justice, and inspired a lifetime of activism.

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Voice Machines
The Castrato, the Cat Piano, and Other Strange Sounds
Bonnie Gordon
University of Chicago Press, 2023
An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine.

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.
 
Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldviews, the printing press, gunpowder, and the telescope—participated in making castrati. In Bonnie Gordon’s revealing study, castrati serve as a critical provocation to ask questions about the voice, the limits of the body, and the stories historians tell.
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Voice Message
Katherine Barrett Swett
Autumn House Press, 2020
Through the poems of Voice Message, Katherine Barrett Swett reflects on her personal tragedy and the fragility of human lives and bodies with a tender care. Her debut collection explores the powers of art and poetry to participate in the processing of catastrophic grief, speaking through both the consolation and devastation these creative works can offer. Swett’s formal verse provides a lens through which sadness, destruction, and loss appear as aberrant and inevitable. In tragic lyric, the poet searches poetry, art, mythology, and her own memory for the fleeting image of her lost daughter “in music, painting, or a carved stone name.” Frequently looking to visual arts for inspiration, she finds that Vermeer’s paintings of distant rooms guide and contextualize pain, offering motivation, comfort, and release. Through villanelles, sonnets, quatrains, and free verse, Swett invokes the voices, narratives, and images, both personal and cultural, that haunt her speakers. Suspended in the aftermath of the unexpected and unspeakable death of her college-age daughter, the poet’s language is held together in a somber and necessary restraint. But this restraint does not signal the peace of closure. Rather, these poems quietly and steadily remind readers it is still “the open wound / not the scar,” that “all we have are words and flesh,” and that we are forever vulnerable. The rhythm of and echoes of sonnets and songs lead us to the sticky intersections of tragedy, recovery, and strange forms of beauty.
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Voice Message
Katherine Barrett Swett
Autumn House Press, 2020
Through the poems of Voice Message, Katherine Barrett Swett reflects on her personal tragedy and the fragility of human lives and bodies with a tender care. Her debut collection explores the powers of art and poetry to participate in the processing of catastrophic grief, speaking through both the consolation and devastation these creative works can offer. Swett’s formal verse provides a lens through which sadness, destruction, and loss appear as aberrant and inevitable. In tragic lyric, the poet searches poetry, art, mythology, and her own memory for the fleeting image of her lost daughter “in music, painting, or a carved stone name.” Frequently looking to visual arts for inspiration, she finds that Vermeer’s paintings of distant rooms guide and contextualize pain, offering motivation, comfort, and release. Through villanelles, sonnets, quatrains, and free verse, Swett invokes the voices, narratives, and images, both personal and cultural, that haunt her speakers. Suspended in the aftermath of the unexpected and unspeakable death of her college-age daughter, the poet’s language is held together in a somber and necessary restraint. But this restraint does not signal the peace of closure. Rather, these poems quietly and steadily remind readers it is still “the open wound / not the scar,” that “all we have are words and flesh,” and that we are forever vulnerable. The rhythm of and echoes of sonnets and songs lead us to the sticky intersections of tragedy, recovery, and strange forms of beauty.
[more]

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"The Voice of Egypt"
Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century
Virginia Danielson
University of Chicago Press, 1997
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career.

Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her.

This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time.

"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
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Voice of Glory
The Life and Work of Davis Grubb
Thomas E. Douglass
University of Tennessee Press, 2017

Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.

Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.

In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.

THOMAS E. DOUGLASS, an associate professor of English at East Carolina University, is the author of A Room Forever: The Life, Work, and Letters of Breece D’J PancakeHe is also the fiction editor for the University of Tennessee Press’s Appalachian Echoes series.

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Voice of Glory
The Life and Work of Davis Grubb
Thomas E. Douglass
University of Tennessee Press, 2017

Hailing from the small river town of Moundsville, West Virginia, Davis Grubb (1919–1980) became a key figure in the canon of Appalachian literature. The author of ten novels and dozens of short stories and radio plays, Grubb’s writings, as Tom Douglass observes, “catalogued his life”—and a turbulent life it was, marked by the traumatic loss of both the family home and his father during the Great Depression, the overbearing affections of his mother, the fear of failure, painful struggles with alcohol and drug abuse, profligate spending, and a conflicted sexuality.

Grubb originally aspired to be a visual artist but, thwarted by color blindness, turned to writing instead, honing his skills in the advertising industry. Today he is best remembered for his first novel, The Night of the Hunter (1953), a gripping story of a Depression-era serial killer and his pursuit of two young children along the Ohio River. This book spent twenty-eight weeks on The New York Times best-seller list and became the basis for a classic film directed by Charles Laughton, starring Robert Mitchum, Shelley Winters, and Lillian Gish. While his subsequent work never achieved that same level of popularity, the fierce thematic oppositions he set forth in his debut novel—between love and hate, good and evil, the corrupt and the pure, the rich and the poor—would inform his entire oeuvre. Although Grubb’s career took him to the great cities of New York, Philadelphia, and Los Angeles, his work was always rooted in key emblems of his Appalachian childhood—the river, the state penitentiary, and the largest Indian mound east of the Mississippi, all in his native Moundsville.

In his works, Douglass asserts, Grubb was “an avenging angel, righting the wrongs of the past in his own life, in his own country, and putting trust in his own vision of divine love.” Off the page, he was riven by personal demons, “more than once in danger of losing his life to self-annihilation and to the self-accusation that he was a fallen angel.” This biography, the first ever written of Grubb, captures his life and work in all their intriguing complexity.

[more]

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The Voice of Science
British Scientists on the Lecture Circuit in Gilded Age America
Diarmid A. Finnegan
University of Pittsburgh Press, 2021

For many in the nineteenth century, the spoken word had a vivacity and power that exceeded other modes of communication. This conviction helped to sustain a diverse and dynamic lecture culture that provided a crucial vehicle for shaping and contesting cultural norms and beliefs. As science increasingly became part of public culture and debate, its spokespersons recognized the need to harness the presumed power of public speech to recommend the moral relevance of scientific ideas and attitudes. With this wider context in mind, The Voice of Science explores the efforts of five celebrity British scientists—John Tyndall, Thomas Henry Huxley, Richard Proctor, Alfred Russel Wallace, and Henry Drummond—to articulate and embody a moral vision of the scientific life on American lecture platforms. These evangelists for science negotiated the fraught but intimate relationship between platform and newsprint culture and faced the demands of audiences searching for meaningful and memorable lecture performances. As Diarmid Finnegan reveals, all five attracted unrivaled attention, provoking responses in the press, from church pulpits, and on other platforms. Their lectures became potent cultural catalysts, provoking far-reaching debate on the consequences and relevance of scientific thought for reconstructing cultural meaning and moral purpose.

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Voice Of Southern Labor
Radio, Music, And Textile Strikes, 1929-1934
Vincent J. Roscigno
University of Minnesota Press, 2004

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The Voice of That Singing
Juliet Rodeman
Tupelo Press, 2017
Juliet Rodeman creates a visionary world in which the here and now—each remembered place, historical or mythical landscape, and moment alive with casual gesture—is redeemed by intimacy. Whimsical and sometimes shocking, these poems are filled with the heartbreak of what happens to our bodies. In a series of “anticipatory elegies” the poet journeys to the Underworld, moving through incantations and harmonies, hypnogogic terrors and quiet conversations under the stars, transforming individual grief with tenderness.
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The Voice of the Dawn
An Autohistory of the Abenaki Nation
Frederick Matthew Wiseman
University Press of New England, 2001
"[My] story is a sash woven of many strands of language. The first strand is the remembered wisdom of the Abenaki community. The second strand is our history and that of our relatives, written down by European, Native American, and Euroamerican observers. The third strand is what our Mother the Earth has revealed to us through the studies and writings of those who delve in her, the archaeologists and paleoecologists. The fourth strand is my own family history and its stories. The fifth strand is, of course, that which has come to me alone, stories which I create with my own beliefs and visions." So begins the first book about Abenaki history and culture written from the inside. Frederick Matthew Wiseman's extensive research and personal engagement breathe life into Voice of the Dawn, making it truly unique. Colin Calloway, Chair of Native American Studies at Dartmouth College, writes, "Going beyond all previous works on the Abenakis, Wiseman draws on family and community knowledge in a way that none of those authors could, speaks from an avowedly Abenaki perspective, and addresses aspects and issues ignored in other works. Moreover, no one that I know of has done as much work in locating and regathering items of Western Abenaki material culture. The quality and quantity of illustrations alone make this an attractive book, as well as a valuable visual record of change and persistence over time. As someone personally and pivotally involved in the Abenaki renaissance, Wiseman brings the story up to date without closing it."
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The Voice of the Masters
Writing and Authority in Modern Latin American Literature
By Roberto González Echevarría
University of Texas Press, 1985

By one of the most original and learned critical voices in Hispanic studies— a timely and ambitious study of authority as theme and authority as authorial strategy in modern Latin American literature.

An ideology is implicit in modern Latin American literature, argues Roberto González Echevarría, through which both the literature itself and criticism of it define what Latin American literature is and how it ought to be read. In the works themselves this ideology is constantly subjected to a radical critique, and that critique renders the ideology productive and in a sense is what constitutes the work. In literary criticism, however, too frequently the ideology merely serves as support for an authoritative discourse that seriously misrepresents Latin American literature.

In The Voice of the Masters, González Echevarría attempts to uncover the workings of modern Latin American literature by creating a dialogue of texts, a dynamic whole whose parts are seven illuminating essays on seminal texts in the tradition. As he says, "To have written a sustained, expository book ... would have led me to make the same kind of critical error that I attribute to most criticism of Latin American literature.... I would have naively assumed an authoritative voice while attempting a critique of precisely that critical gesture."

Instead, major works by Barnet, Cabrera Infante, Carpentier, Cortázar, Fuentes, Gallegos, García Márquez, Roa Bastos, and Rodó are the object of a set of independent deconstructive (and reconstructive) readings. Writing in the tradition of Derrida and de Man, González Echevarría brings to these readings both the penetrative brilliance of the French master and a profound understanding of historical and cultural context. His insightful annotation of Cabrera Infante's "Meta-End," the full text of which is presented at the close of the study, clearly demonstrates these qualities and exemplifies his particular approach to the text.

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The Voice of the Mother
Embedded Maternal Narratives in Twentieth-Century Women's Autobiographies
Jo Malin
Southern Illinois University Press, 2000

Every woman autobiographer is a daughter who writes and establishes her identity through her autobiographical narrative. In The Voice of the Mother, Jo Malin argues that many twentieth-century autobiographies by women contain an intertext, an embedded narrative, which is a biography of the writer/daughter’s mother.

Analyzing this narrative practice, Malin examines ten texts by women who seem particularly compelled to tell their mothers’ stories: Virginia Woolf, Sara Suleri, Kim Chernin, Drusilla Modjeska, Joan Nestle, Carolyn Steedman, Dorothy Allison, Adrienne Rich, Cherríe Moraga, and Audre Lorde. Each author is, in fact, able to write her own autobiography only by using a narrative form that contains her mother’s story at its core. These texts raise interesting questions about autobiography as a genre and about a feminist writing practice that resists and subverts the dominant literary tradition.

Malin theorizes a hybrid form of autobiographical narrative containing an embedded narrative of the mother. The textual relationship between the two narratives is unique among texts in the auto/biographical canon. This alternative narrative practice—in which the daughter attempts to talk both to her mother and about her—is equally an autobiography and a biography rather than one or the other. The technique is marked by a breakdown of subject/object categories as well as auto/biographical dichotomies of genre. Each text contains a “self” that is more plural than singular, yet neither.

            

In addition to being a theoretical and textual analysis, Malin’s book is also a mother-daughter autobiography and biography itself. She shares her own story and her mother’s story as a way to connect directly with readers and as a way to bridge the gap between theory and practice.

            

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The Voice of the Night
Complete Poetry and Prose of Chairil Anwar
Chairil Anwar
Ohio University Press, 1993

Chairil Anway (1922–1949) was the primary architect of the Indonesian literary revolution in both poetry and prose. In a few intense years he forged almost ingle-handedly a vital, mature literary language in Bahasa Indonesia, a language which formally came to exist in 1928. Anway led the way for the many Indonesian writers who have emerged during the past fifty years.

This volume contains all that has survived of Anwar’s writing. It not longer need the sort of introduction it did soem thirty years ago when Burton Raffel first published English translations of Anwar’s work. Raffel now presents the complete poems and the small amount of surviving prose in new translations with new interpretations.

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The Voice of the Poor
Essays in Economic and Political Persuasion
John Kenneth Galbraith
Harvard University Press, 1983
What is surprising about these essays is not the insight and grace with which they are written—we have come to expect that—but the fact that nobody has expressed matters in quite this way before. John Kenneth Galbraith writes about what advice the poor nations (as, avoiding euphemism, he calls them) ought to offer to the more fortunate countries. In this little book there are essential lessons to ponder—for the governments of the rich countries, for those of the poor lands, and for the concerned citizens of both.
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The Voice of the River
A Novel
Melanie Rae Thon
University of Alabama Press, 2011
Missing:  seventeen-year-old Kai Dionne and his dog Talia.
 
The search for these two spans a single day, morning twilight to late evening, from the time Kai leaps in a half-frozen river to save the dog to the hour he and Talia are recovered.  Each person who comes to the river brings his or her secret needs and desires; each has known loss, and all are survivors: a homeless boy tries to find himself, his lost twin, his double; a childless mother grieves for her son and daughter; a man who shot his father recalls a tender, intimate night  “when the father was kind, and not afraid, and not angry.”  Kai and Talia belong to, and are loved by, a whole community.  As strangers work together toward a single cause, they become family—bound by love not only to the ones lost, but to all who gather. 

The perceiving consciousness is oceanic and atmospheric, embracing all living beings, swirling around a person, a bird, a bear, trillium blooming in dark woods, snow, stones, pines singing—moving closer and closer, loving, finally merging, sensing and knowing as one, before lightly whirling out again to embrace and love another. This powerful current of shared memory and experience, this ceaseless prayer, is a celebration of life,  all  life, mystery and miracle within an immense animate landscape, a song of praise, the voice of the river.

Melanie Rae Thon opens a new genre: call it Eco Avant-Garde, a confession of faith, and a love song to the world.
 
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The Voice of the Rural
Music, Poetry, and Masculinity among Migrant Moroccan Men in Umbria
Alessandra Ciucci
University of Chicago Press, 2022
A moving portrait of the contemporary experiences of migrant Moroccan men.

Umbria is known to most Americans for its picturesque rolling hills and medieval villages, but to the many migrant Moroccan men who travel there, Umbria is better known for the tobacco fields, construction sites, small industries, and the outdoor weekly markets where they work. Marginalized and far from their homes, these men turn to Moroccan traditions of music and poetry that evoke the countryside they have left— l-‘arubiya, or the rural. In this book, Alessandra Ciucci takes us inside the lives of Moroccan workers, unpacking the way they share a particular musical style of the rural to create a sense of home and belonging in a foreign and inhospitable nation. Along the way, she uncovers how this culture of belonging is not just the product of the struggles of migration, but also tied to the reclamation of a noble and virtuous masculine identity that is inaccessible to Moroccan migrants in Italy.
 
The Voice of the Rural allows us to understand the contemporary experiences of migrant Moroccan men by examining their imagined relationship to the rural through sound, shedding new light on the urgent issues of migration and belonging.  
 
 
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A Voice Of Their Own
The Woman Suffrage Press, 1840-1910
Martha Solomon
University of Alabama Press, 1991
A Voice of Their Own explores the consciousness-raising role of the American Suffrage press of the latter half of the 19th century.  From the first women's rights convention--a modest gathering of three hundred sympathizers led by Elizabeth Cady Stanton--grew the ever-expanding movement for equal rights, greater protection, and improved opportunities.  Although the leaders of that and subsequent conventions realized that such public rallies, with their exhortative speeches, were crucial in gaining support for the movement, they also recognized the potentioal impact of another medium--woman's suffrage periodicals, written and published by and expressly for women.  The eleven essays of this volume demonstrate how the suffrage press-- in such works as Woman's Journal, Woman's Tribune, Woman's Exponent, and Farmer's Wife-- was able to educate an audience of women readers, crate a sense of community among them, and help alter their self-image.
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A Voice of Thunder
A BLACK SOLDIER'S CIVIL WAR
Edited by Donald Yacovone
University of Illinois Press, 1997
      George E. Stephens, the most
        important African-American war correspondent of his era, served in the
        famed black Fifty-fourth Massachusetts Regiment, subject of the film Glory.
        His letters from the front, published in the New York Weekly Anglo-African,
        brilliantly detail two wars: one against the Confederacy and one against
        the brutal, debilitating racism within his own Union Army. Together with
        Donald Yacovone's biographical introduction detailing Stephens's life
        and times, they provide a singular perspective on the greatest crisis
        in the history of the United States.
      Stephens chronicled the African-American
        quest for freedom in reports from southern Maryland and eastern Virginia
        in 1861 and 1862 that detailed, among other issues of the day, the Army
        of the Potomac's initial encounter with slavery, the heroism of fugitive
        slaves, and the brutality both Southerners and Union troops inflicted
        on them.
      From the inception of the
        Fifty-fourth early in 1863 Stephens was the unit's voice, telling of its
        struggle against slavery and its quest to win the pay it had been promised.
        His description of the July 18, 1863, assault on Battery Wagner near Charleston,
        South Carolina, and his writings on the unit's eighteen-month campaign
        to be paid as much as white troops are gripping accounts of continued
        heroism in the face of persistent insult.
      The Weekly Anglo-African
        was the preeminent African-American newspaper of its time. Stephens's
        correspondence, intimate and authoritative, takes in an expansive array
        of issues and anticipates nearly all modern assessments of the black role
        in the Civil War. His commentary on the Lincoln administration's wartime
        policy and his conviction that the issues of race and slavery were central
        to nineteenth-century American life mark him as a major American social
        critic.
 
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The Voice of Toil
Nineteenth-Century British Writings about Work
David J. Bradshaw
Ohio University Press, 1999

One of the most recurrent and controversial subjects of nineteenth–century discourse was work. Many thinkers associated work with honest pursuit of doing good, not the curse accompanying exile from Eden but rather “a great gift of God.” Sincerely undertaken work comprised a mission entailing a commitment to serve others and promote a better future for all.

Satisfaction with what work could do for individuals had its counterbalance in the anger and dismay expressed at the conditions of those whom Robert Owen, in 1817, first called the “working class.” What working–class people confronted both at the labor site and at their lodgings was construed as oppressive, and the misery of their lives became the subject of sentimental poetry, government report, popular fiction, and journalistic expose. Perhaps as heated as the discussion about conditions of lower–class workers was the conversation about separate spheres of work for men and women. This conversation, too, found its way into the literature and public discourse of the day.

In The Voice of Toil, the editors have collected the central writings from a pivotal place and time, including poems, stories, essays, and a play that reflect four prominent ways in which the subject of work was addressed: Work as Mission, Work as Opportunity, Work as Oppression, and (Separate) Spheres of Work. The resulting anthology offers a provocative text for students of nineteenth-century British literature and history and a valuable resource for scholars.

The text includes readings from John Wesley, William Blake, Elizabeth Gaskell, William Wordsworth, Charles Dickens, Florence Nightingale, William Morris, Joanna Baillie, Friedrich Engels, Matthew Arnold, Angela Burdett–Coutts, John Stuart Mill, Elizabeth Barrett Browning, Bernard Shaw and many others.

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Voice Over IP (Internet Protocol)
Systems and solutions
Richard Swale
The Institution of Engineering and Technology, 2001
Voice over Internet Protocol (VoIP) has recently evolved from a simple capability for transporting voice communications into a much more powerful technology capable of changing the way voice applications are constructed, delivered, marketed and sold. Whilst VoIP has clearly provided a focus for much debate within the telecommunications industry, there has been a clear gulf between hype and reality. However the questions now being asked have migrated from 'Will it work?' to 'What will the industry look like when it is delivered at scale?'
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