The Light Crust Doughboys are one of the most long-lived and musically versatile bands in America. Formed in the early 1930s under the sponsorship of Burrus Mill and Elevator Company of Fort Worth, Texas, with Bob Wills and Milton Brown (the originator of western swing) at the musical helm and future Texas governor W. Lee "Pappy" O'Daniel as band manager and emcee, the Doughboys are still going strong in the twenty-first century. Arguably the quintessential Texas band, the Doughboys have performed all the varieties of music that Texans love, including folk and fiddle tunes, cowboy songs, gospel and hymns, commercial country songs and popular ballads, honky-tonk, ragtime and blues, western swing and jazz, minstrel songs, movie hits, and rock 'n' roll.
In this book, Jean Boyd draws on the memories of Marvin "Smokey" Montgomery and other longtime band members and supporters to tell the Light Crust Doughboys story from the band's founding in 1931 through the year 2000. She follows the band's musical evolution and personnel over seven decades, showing how band members and sponsors responded to changes in Texas culture and musical tastes during the Great Depression, World War II, and the postwar years. Boyd concludes that the Doughboys' willingness to change with changing times and to try new sounds and fresh musical approaches is the source of their enduring vitality. Historical photographs of the band, an annotated discography of their pre-World War II work, and histories of some of the band's songs round out the volume.
One of the best loved of the American spirituals is here interpreted by an artist whose birthright is an authentic understanding of the spirituals. He gives us that understanding in terms of an art having all the appeal of the Negro's conception of religion in its narrative quality, its close emotional identification with religious ideas and events, and its simplicity of feeling.
The thirty-nine black-and-white drawings which compose the drama are not "illustrations" in the usual sense of visual elaborations of a text, but are rather a translation from musical rhythm into visual rhythm. Where the sung spiritual creates cumulative dramatic tension by repeated variations of a musical phrase, the artist lays increasing stress on the central idea of a pictorial sequence, each drawing dependent for its full power on its relation to those preceding and following it. Human figures have been used as symbols depicting the various shadings and accents of the great story as it is suggested by the words and music of the spiritual. The main motif is that of Christ; the secondary motifs or accompaniments are the Blessed Virgin Mary and St. John, with the chorus in the background. Throughout, the spirit is reverent, and there is, as the changing text of the spiritual demands, a subtle and inevitable change from realism to symbolism.
Artistically the drawings are simple, with an unusual vitality and strength characteristic of this artist's skillful brushwork, which is bold or delicate as the subject matter demands. Crite's work has been exhibited extensively throughout the country and is represented in many collections.
Joshua Lund offers the first systematic interpretation of Werner Herzog's Americas-themed works, illuminating the director's career as a political filmmaker—a label Herzog himself rejects. Lund draws on materialist and post-colonial approaches to argue that Herzog's American work confronts us with the circulation, distribution, accumulation, application, and negotiation of power that resides, quietly, at the center of his films. By operating beyond conventional ideological categories, Herzog renders political ideas in radically unfamiliar ways while fearlessly confronting his viewers with questions of world-historical significance. His maddeningly opaque viewpoint challenges us to rethink discovery and conquest, migration and exploitation, resource extraction, slavery, and other foundational traumas of the contemporary human condition.
Donna Kornhaber approaches Anderson's style as the necessary product of the narrative and thematic concerns that define his body of work. Using Anderson's focus on collecting, Kornhaber situates the director as the curator of his filmic worlds, a prime mover who artfully and conscientiously arranges diverse components into cohesive collections and taxonomies. Anderson peoples each mise-en-scéne in his ongoing ""Wesworld"" with characters orphaned, lost, and out of place amidst a riot of handmade clutter and relics. Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despite being muted, cries out for attention. As Kornhaber shows, Anderson's films offer nothing less than a fascinating study in the sensation of belonging--told by characters who possess it the least.
This compilation of Moore's publications on western and central Florida provides all of his archaeological data on the region's mounds and prehistoric canals in a single volume.
The name Clarence B. Moore is familiar to every archaeologist interested in the southeastern United States. This amateur archaeologist's
numerous scientific expeditions to the region resulted in dozens of well-illustrated publications, the value of which increases daily as many of the sites he investigated continue to be destroyed by modern development.
Moore invested considerable time and effort exploring Florida's archaeological sites, devoting more pages of published reports and articles to Florida than to any other state. Because of the wealth of material on Florida, Moore's Florida expedition publications have been
collected in three separate volumes, all published within the Classics in Southeastern Archaeology series. The thirteen papers reproduced in this
volume present the results of Moore's research in West and Central Florida.
Moore's first and last expeditions were to Florida and spanned almost fifty years of archaeological investigations. Following the eastern river drainages to central and western Florida, in 1900 Moore concentrated his efforts along the Florida Gulf Coast, spurred by the exciting
discoveries of Frank Hamilton Cushing at Key Marco in 1896. Although this region is rich in mound sites, many sites located by Moore in the early
years of this century had already been destroyed by construction and lime processing. In addition to mound groupings—some containing masses of skeletal remains—Moore found a number of sites connected by a network of prehistoric canals. Several of the sites located by Moore contained European trade goods and have been used to trace the early wanderings of the conquistadores in the New World.
Moore's early work on the Florida Gulf Coast succeeded in preserving much of the archaeological record in this area. He is to be credited with remarkable insights concerning mound and earthwork construction, artifact trade networks, and chronology development.
What is the purpose of the West Bank Wall? Since Israel began its construction in 2002, it has sparked intense debate, being condemned as illegal by the International Court of Justice. Israel claims it is a security measure to protect Israeli citizens from terrorist attacks. Opponents point to the serious impact on the rights of Palestinians, depriving them of their land, mobility and access to health and educational services.
In The West Bank Wall, Dolphin explores the Palestinian experience of the Wall and places the debate in its international context. Dolphin's writing is informed by his work for the UN, where for three years he monitored and compiled reports on the Wall's impact on the humanitarian conditions in refugee camps, towns and villages. With an introduction by Graham Usher, who has worked as Palestine correspondent for major international publications including the Economist, Middle East International, al Ahram English Weekly, the Guardian and Le Monde Diplomatique, this book puts the purpose of the Wall to the test.
What are the real intentions behind the Israeli security argument? Is it a means of securing territory permanently through an illegal annexation of East Jerusalem? Ray Dolphin provides some answers, offering a unique critical account of the impact of the wall and how it affects plans for a Palestinian state and for future peace in the Middle East.
What does it mean to be a westerner? With all the mythology that has grown up about the American West, is it even possible to describe "how it was, how it is, here, in the West—just that," in the words of Lynn Stegner? Starting with that challenge, Stegner and Russell Rowland invited several dozen members of the western literary tribe to write about living in the West and being a western writer in particular. West of 98 gathers sixty-six literary testimonies, in essays and poetry, from a stellar collection of writers who represent every state west of the 98th parallel—a kind of Greek chorus of the most prominent voices in western literature today, who seek to "characterize the West as each of us grew to know it, and, equally important, the West that is still becoming."
In West of 98, western writers speak to the ways in which the West imprints itself on the people who live there, as well as how the people of the West create the personality of the region. The writers explore the western landscape—how it has been revered and abused across centuries—and the inescapable limitations its aridity puts on all dreams of conquest and development. They dismantle the boosterism of manifest destiny and the cowboy and mountain man ethos of every-man-for-himself, and show instead how we must create new narratives of cooperation if we are to survive in this spare and beautiful country. The writers seek to define the essence of both actual and metaphoric wilderness as they journey toward a West that might honestly be called home.
A collective declaration not of our independence but of our interdependence with the land and with each other, West of 98 opens up a whole new panorama of the western experience.
Lynn M. Hudson deepens our understanding of the practices that African Americans in the West deployed to dismantle Jim Crow in the quest for civil rights prior to the 1960s. Faced with institutionalized racism, black Californians used both established and improvised tactics to resist and survive the state's color line. Hudson rediscovers forgotten stories like the experimental all-black community of Allensworth, the California Ku Klux Klan's campaign of terror against African Americans, the bitter struggle to integrate public swimming pools in Pasadena and elsewhere, and segregationists' preoccupation with gender and sexuality.
Sex can be an oppressive force, a tool to shame, divide, and control a population. But it can also be a force for change, for the legal and physical challenge of inequity and injustice. In West of Sex, Pablo Mitchell uses court transcripts and criminal cases to provide the first coherent picture of Mexican-American sexuality at the turn of the twentieth century, and a truly revelatory look at sexual identity in the borderlands.
As Mexicans faced a rising tide of racial intolerance in the American West, some found cracks in the legal system that enabled them to assert their rights as full citizens, despite institutional hostility. In these chapters, Mitchell offers a rare glimpse into the inner workings of ethnicity and power in the United States, placing ordinary Mexican women and men at the center of the story of American sex, colonialism, and belonging.
Other chapters discuss topics like prostitution, same-sex intimacy, sexual violence, interracial romance, and marriage with an impressive level of detail and complexity. Written in vivid and accessible prose, West of Sex offers readers a new vision of sex and race in American history.
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”
James P. Beckwourth, a half-black fur trader; Sarah Winnemucca Hopkins, a Paiute translator; Salishan author Mourning Dove; Cherokee novelist John Rollin Ridge; Sui Sin Far, an Anglo-Chinese short story writer, and her sister, romance novelist Onoto Watanna; and Mary Austin, a white southwestern writer- each of these intercultural writers faces a rite of passage into a new social order. Their writings negotiate their various frontier ordeals: the encroachment of pioneers on the land; reservation life; assimilation; Christianity; battles over territories and resources; exclusion; miscegenation laws; and the devastation of the environment.
In West of the Border, Noreen Groover Lape raises issues inherent in American pluralism today by broaching timely concerns about American frontier politics, conceptualizing frontiers as intercultural contact zones, and expanding the boundaries of frontier literary studies by giving voice to minority writers.
In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.
In contrast to nature poets of the past who tended more toward the bucolic and pastoral, many contemporary nature poets are taking up radical environmental and ecological themes. In the last few years, interesting and evocative work that examines this poetry has begun to lay the foundation for studies in ecopoetics.
Informed in general by current thinking in environmental theory and specifically by the work of cultural geographer Yi-Fu Tuan, The West Side of Any Mountain participates in and furthers this scholarly attention by offering an overarching theoretical framework with which to approach the field.
One area that contemporary theorists have found problematic is the dualistic civilization/wilderness binary that focuses on the divisions between culture and nature, thereby increasing the modern sense of alienation. Tuan’s place-space framework offers a succinct vocabulary for describing the attitudes of ecological poets and other nature writers in a way that avoids setting up an adversarial relationship between place and space. Scott Bryson describes the Tuanian framework and employs it to offer fresh readings of the work of four major ecopoets: Wendell Berry, Joy Harjo, Mary Oliver, and W. S. Merwin.
The West Side of Any Mountain will be of great interest to scholars and teachers working in the field of contemporary nature poetry. It is recommended for nature-writing courses as well as classes dealing with 20th-century poetry, contemporary literary criticism, and environmental theory.
John Alexander Williams's West Virginia: A History is widely considered one of the finest books ever written about our state. In his clear, eminently readable style, Williams organizes the tangled strands of West Virginia's past around a few dramatic events-the battle of Point Pleasant, John Brown's insurrection in Harper's Ferry, the Paint Creek labor movement, the Hawk's Nest and Buffalo Creek disasters, and more. Williams uses these pivotal events as introductions to the larger issues of statehood, Civil War, unionism, and industrialization. Along the way, Williams conveys a true feel for the lives of common West Virginians, the personalities of the state's memorable characters, and the powerful influence of the land itself on its own history.
The first period of the twentieth century - that stretch of years beginning in the 1870s and ending with the United States' entry into World War I - is known as the Gilded Age. This was the era of the "Robber Barons" and the origin of modern America. These were the years in which developments in coal, steam, oil, and gas forged our national infrastructure. West Virginia and the Captains of Industry show how the excesses of the Gilded Age and the latitude our government accorded industrialists of the time created an impact on the fragile economy of our new state that accounts for much of the political and economic landscape of modern West Virginia. Gracefully written and thoroughly researched, West Virginia and the Captains of Industry has become a classic work of West Virginia history since its first publication by the West Virginia University Press in 1975. Anyone interested in the history of our state must read this revised edition; then again, so must anyone interested in the future of West Virginia.
West Virginia: Its Farms and Forests, Mines and Oil-Wells celebrates the state of West Virginia. Originally published in 1865 as a series of studies on mineral resources, observations on agriculture, and interviews with businessmen, West Virginia details the industrial statistics, terrain, and population of a state during its infancy. With no record of natural wealth or reported transactions of agriculture or geography prior to this overview, West Virginia sparked the curiosity of non-residents, enticing investment and settlement through descriptions of abundant natural resources and an agreeable industrial condition. With an introduction by Kenneth R. Bailey, this new edition reminds us of the state’s alluring beginning and rich, yet often exploited development.
Mention "Apaches," and many Anglo-Americans picture the "marauding savages" of western movies or impoverished reservations beset by a host of social problems. But, like most stereotypes, these images distort the complex history and rich cultural heritage of the Apachean peoples, who include the Navajo, as well as the Western, Chiricahua, Mescalero, Jicarilla, Lipan, and Kiowa Apaches. In this pioneering study, Richard Perry synthesizes the findings of anthropology, ethnology, linguistics, archaeology, and ethnohistory to reconstruct the Apachean past and offer a fuller understanding of the forces that have shaped modern Apache culture.
While scholars generally agree that the Apacheans are part of a larger group of Athapaskan-speaking peoples who originated in the western Subarctic, there are few archaeological remains to prove when, where, and why those northern cold dwellers migrated to the hot deserts of the American Southwest. Using an innovative method of ethnographic reconstruction, however, Perry hypothesizes that these nomadic hunters were highly adaptable and used to exploiting the resources of a wide range of mountainous habitats. When changes in their surroundings forced the ancient Apacheans to expand their food quest, it was natural for them to migrate down the "mountain corridor" formed by the Rocky Mountain chain.
This reconstruction of Apachean history and culture sheds much light on the origins, dispersions, and relationships of Apache groups. Perry is the first researcher to attempt such an extensive reconstruction, and his study is the first to deal with the full range of Athapaskan-speaking peoples. His method will be instructive to students of other cultures who face a similar lack of historical and archaeological data.
In these engaging and often gripping short stories, Fred Arroyo takes us into the lives of working-class Hispanic migrants and immigrants, who are often invisible while they work in plain sight across America. As characters intertwine and evolve across stories, Arroyo creates a larger narrative that dramatizes the choices we make to create identity, make meaning, and deal with hardships and loss. His stories are linked by a concern with borders, both real and imagined, and the power that memory and imagination have to shape and structure our lives.
Through his characters and their true-to-life situations, Arroyo makes visible both internal and external conflicts that are deeply rooted in—and affected by—place. A bodega, a university town, a factory, a Chicago street, some dusty potato fields: here is where we encounter ordinary people who work, dream, love, and persist in the face of violence, bereavement, disappointment, and loss—particularly the loss of mothers, fathers, and loved ones.
Arroyo's characters experience a strange wonder as the midwestern United States increasingly appears to be a place created by the Latinas and Latinos who remain out of the sight and minds of Anglos. In lyrical language weighted by detail, exquisite imagery, and evocative story, Arroyo imagines characters who confront the tattered connections between memory and longing, generations and geographies, place and displacement, as they begin to feel their own longings, "breathing in whatever was offered, feeling, deep in the small and fragile borders of my heart," as one character puts it, "that it came with a sorrow I could never betray."
For 150 years, the American West has been shaped by persistent conflicts over natural resources. This has given rise to a succession of strategies for resolving disputes-prior appropriation, scientific management, public participation, citizen ballot initiatives, public interest litigation, devolution, and interest-based negotiation. All of these strategies are still in play, yet the West remains mired in gridlock. In fact, these strategies are themselves a source of conflict.
The Western Confluence is designed to help us navigate through the gridlock by reframing natural resource disputes and the strategies for resolving them. In it, authors Matthew McKinney and William Harmon trace the principles of natural resource governance across the history of western settlement and reveal how they have met at the beginning of the twenty-first century to create a turbid, often contentious confluence of laws, regulations, and policies. They also offer practical suggestions for resolving current and future disputes. Ultimately, Matthew McKinney and William Harmon argue, fully integrating the values of interest-based negotiation into the briar patch of existing public decision making strategies is the best way to foster livable communities, vibrant economies, and healthy landscapes in the West.
Relying on the authors' first-hand experience and compelling case studies, The Western Confluence offers useful information and insight for anyone involved with public decision making, as well as for professionals, faculty, and students in natural resource management and environmental studies, conflict management, environmental management, and environmental policy.
Because autism is an increasingly common diagnosis, North Americans are familiar with its symptoms and treatments. But what we know and think about autism is shaped by our social relationship to health, disease, and the medical system. In The Western Disease Claire Laurier Decoteau explores the ways that recent immigrants from Somalia to Canada and the US make sense of their children’s diagnosis of autism. Having never heard of autism before migrating to North America, they often determine that it must be a Western disease. Given its apparent absence in Somalia, they view it as Western in nature, caused by environmental and health conditions unique to life in North America.
Following Somali parents as they struggle to make sense of their children's illness and advocate for alternative care, Decoteau unfolds how complex interacting factors of immigration, race, and class affect Somalis’ relationship to the disease. Somalis’ engagement with autism challenges the prevailing presumption among Western doctors that their approach to healing is universal. Decoteau argues that centering an analysis on autism within the Somali diaspora exposes how autism has been defined and institutionalized as a white, middle-class disorder, leading to health disparities based on race, class, age, and ability. The Western Disease asks us to consider the social causes of disease and the role environmental changes and structural inequalities play in health vulnerability.
In this major synthesis of cross-cultural research, 34 distinguished scientists study 25 common metabolic and degenerative diseases characteristic of all advanced Western nations and then examine their incidence in developing countries, among both hunter-gatherers and peasant agriculturalists. Thus the authors provide a unique opportunity to compare epidemiological data reflecting modern modes of life with data influenced by habits and diets dating back 400 generations to the advent of agriculture, and even 200,000 generations or more to the dawn of man.
The results confirm the view that diseases like hypertension, lung cancer, diverticular disease, and appendicitis are maladaptations to environmental factors introduced since the Industrial Revolution. They also demonstrate that such diseases become more prevalent when Western lifestyles are adopted in primitive societies. Certain studies reveal a regression of disease incidence when exercise is increased and a diet high in starch and fiber, low in fat and salt, is resumed—characteristics of a simpler way of life. Western Diseases greatly broadens our perspective on some of the most vexing health problems in our society. It will be an essential reference for epidemiologists, nutritionists, and gastroenterologists in particular.
All eight of Don Zancanella's wry, pristinely written stories have memorable settings in the historical or contemporary American West, ranging from love among abandoned missile silos to a tale of Laotian refugees in Wyoming to an account of a traveling chimpanzee show. Collectively they form a kind of alternative history of this too-often-stereotyped region.
Some of the stories take as their theme the coming of technology to the western wilderness—television, telephones, telescopes, missiles, even an imaginative account of a visit by inventor Thomas Edison to the Rocky Mountains. Others focus on small-town intolerance, calling into question the myth of individualism and heroic self-reliance set forth in Hollywood.
There is a vivid strain of the fantastic in these stories, a beguiling, offbeat quality that links them. However, despite some extraordinary events and quirky exteriors, most of the characters are typical of the kind of people one might meet in small towns anywhere—schoolteachers, career soldiers, Native American teenagers, telephone line workers, ranchers, cooks, wagon masters. Almost all of them have very mixed feelings about the time and place in which they find themselves. For them the West is not a promised land but a place they have to make the best of. It is these human copings that unite Zancanella's prize-winning collection.
This anthology interrogates two salient concepts in studying the black experience. Ushered in with the age of New World encounters, modernity emerged as brutal and complex, from its very definition to its manifestations. Equally challenging is blackness, which is forever dangling between the range of uplifting articulations and insidious degradation. The essays in Western Fictions address the conflicting confluences of these two terms. Questioning Eurocentric and mainstream American interpretations, they reveal the diverse meanings of modernities and blackness from a wide range of milieus of the black experience. Interdisciplinary and wide-ranging in thematic and epochal scope, they use theoretical and empirical studies of a range of subjects to demonstrate that, indeed, blackness is relevant for understanding modernities and vice versa.
The Monroe Doctrine, "dollar diplomacy," the policy of the Good Neighbor—these well-known terms indicate the spectrum of the United States's relationships with its neighbors of the Western Hemisphere. Hemisphere thinking in the "Yankee" nation, founded on economic, political, and strategic needs, has come to encompass an appreciation of social and intellectual aspects as a vital part of a unified international unit.
In The Western Hemisphere: Its Influence on United States Policies to the End of World War II, Wilfrid Hardy Callcott traces the rise of this awareness of the essential unity of the Western Hemisphere in international affairs. Although Callcott concentrates on the United States, he discusses all hemisphere countries, and his inclusion of Canada adds an additional dimension to previous studies on the subject.
From the early days of the Republic to the end of World War I, the relations of the United Stales with its neighbors gradually developed from mere curiosity and from on-the-spot decision-making into policy. During the eighteenth century the persons entrusted with United States foreign policy pressed forward with their own country's westward expansion, while they expressed only an academic interest in the affairs of other Western Hemisphere nations from Canada to Brazil.
By the end of the nineteenth century the United States had enthusiastically joined the imperialist nations. Although it soon replaced the use of force with economic controls, its military and economic manipulations naturally generated more fear and antagonism in the neighboring nations than cooperation and sympathy.
After World War I, attention to the hemisphere was fostered by the need for strategic raw materials that were to be found from Canada to South America, and by Old World rivalries and needs that endangered New World interests. Canadian and Latin American views of Europe and the League of Nations became much like those of the United States. The new conditions that arose called forth the Good Neighbor policy to combine economic and strategic values in a complex program that included intellectual, social, and cultural elements. World War II accentuated the new consciousness and compelled recognition of the significance of hemisphere relationships in all of the New World nations.
In Western Journeys, Teow Lim Goh charts her journeys immigrating from Singapore and spending the last fifteen years living in and exploring the American West. Goh chronicles her lived experiences while building on the longer history of immigrants from Asia during the nineteenth and twentieth centuries, bringing new insights to places, the historical record, and memory. These vital essays consider how we access truth in the face of erasure. In exploring history, nature, politics, and art, Goh asks, “What does it mean for an immigrant to be at home?”
Looking beyond the captivating landscapes of the American West, Goh uncovers stories of the Chinese people who came to America during the era of Chinese Exclusion Act, as well as the stories of the Indigenous peoples who have been written out of popular narratives, and various others. She examines the links between the transcontinental railroad, the cowboy myth, and the anti-Chinese prejudice that persists today. These essays explore the early efforts to climb Colorado’s highest peaks, the massacre of Chinese miners in Rock Springs, Wyoming, and the increasingly destructive fire seasons in the West. Goh’s essays create a complex, varied, and sometimes contradictory story of people and landscapes, a tapestry of answers and questions.
Inspired by the fiftieth anniversary of the University of Utah’s American West Center, the oldest regional studies center in the United States, Western Lands, Western Voices explores the many dimensions of public history. This collection of thirteen essays is rooted in the real-world experiences of the authors and is the first volume to focus specifically on regional public history.
Contributors include tribal government officials, state and federal historians, independent scholars and historical consultants, and academics. Some are distinguished historians of the American West and others are emerging voices that will shape publicly engaged scholarship in the years to come. Among the issues they address are community history and public interpretation, tribal sovereignty, and the importance of historical research for land management. The volume will be indispensable to researchers and general readers interested in museum studies, Native American studies, and public lands history and policy.
A landmark work, this history of medical thought from antiquity through the Middle Ages reconstructs the slow transformations and sudden changes in theory and practice that marked the birth and early development of Western medicine.
Editor Mirko Grmek and his contributors adopt a synthetic, cross-disciplinary approach that conveys a complete and varied vision of our medical past, with attention to cultural, social, and economic forces as they have affected the historical flow of knowledge and the practice of medicine. The various chapters by an international group of scholars, isolate key ideas behind the history of medicine in the West: charity and aid for the sick; medical scholasticism; the concept of disease; intervention with surgery or drugs; and the regimen of health. Throughout, they highlight the links between socioeconomics in general, with a focus on the physician, and the scientific ideas, beliefs, and techniques behind prevailing medical practices. The result is a multifaceted history, unparalleled in its scope, of the myriad influences on the development of medical thought, and of the impact of that thought on other branches of knowledge and on human behavior across the centuries.
Veiled, secluded, submissive, oppressed—the "odalisque" image has held sway over Western representations of Muslim women since the Enlightenment of the eighteenth century. Yet during medieval and Renaissance times, European writers portrayed Muslim women in exactly the opposite way, as forceful queens of wanton and intimidating sexuality.
In this illuminating study, Mohja Kahf traces the process through which the "termagant" became an "odalisque" in Western representations of Muslim women. Drawing examples from medieval chanson de geste and romance, Renaissance drama, Enlightenment prose, and Romantic poetry, she links the changing images of Muslim women to changes in European relations with the Islamic world, as well as to changing gender dynamics within Western societies.
The most complete work published on the natural history of southwest Colorado's majestic mountain system, The Western San Juan Mountains: Their Geology, Ecology, and Human History is designed to be used while exploring the scenic 235-mile paved San Juan Skyway, which passes through Durango, Silverton, Ouray, Telluride, Dolores, and Cortez.
The Western San Juan Mountains covers the physical environment, the biological communities, the human history, and points of interest represented on milepost signs along the highway. Some of the many topics covered include: how the San Juan Mountains were formed; why the landscape is so rugged and picturesque; why the vegetation changes from the lowlands to the alpine heights; energy and mineral resources of the area; why these mountains intrigued early explorers; factors that influence the unpredictable weather; and the first-known inhabitants.
The contributions to this guide include Fort Lewis College geologists, biologists, archaeologists, historians, and other specialists. Together they have amassed more than one hundred years of study based not only on previous work but on their own research.
This generously illustrated guidebook is aimed at all those who wish to understand this intricate mountain system in much greater detail than provided by most picture books.
Western Stock Ranching was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Successful management of a stock ranch today requires a thorough, specialized knowledge of the land, the livestock, and the financial methods involved. This facts and figures study by an expert with long experience as a range economist deals with the working problems of sheep and cattle ranching and provides authoritative information on how to operate a ranch profitably.
The business of ranching is analyzed in terms of markets, prices and incomes, management standards and guides for production, financial planning and reports, production cost analysis, ranch appraisal, rangeland management, and procedures in the use of government lands. The various natural regions of the West are surveyed and the types of ranches found in each section are described.
In addition to considering in detail everyday ranch problems, the author realistically discusses the long-range problems confronting western stock ranchers as a group. Photographs, tables, sample accounting forms, and actual case illustrations add greatly to the usefulness of the book.
Owners and operators of stock ranches, persons planning to enter the business, professional agriculturalists specializing in credit, marketing, or management, and teachers of courses in ranch management and economy will find this an invaluable reference or text.
The 2015 theme for Manifest West’s annual anthology is “Western Weird.” The works in this collection reflect both myths and suspected truths about the part of the United States we call “the West.” But this year’s edition focuses entirely on the tradition of the strange. To borrow from Jeff VanderMeer’s definition for speculative fiction’s “New Weird,” this volume creates a new parallel genre for work that subverts the traditional romanticized ideas about place, playing with clichés about the West in order to put these elements to discomfiting, rather than consoling, ends.
Topics included in this collection of poetry, fiction, and creative nonfiction range from the West’s numinous fascination with E.T., Bigfoot, and ghosts and its celebration of its indigenous fauna and deadly landscapes to its uncomfortable relationships with its own marginalized peoples and its unforgiving and sometimes violent traditions. The tone of these works ranges from light—even campy—to chilling, but all allow readers to gaze straight into the many faces of what makes the West a weird place.
For the first time in the series, this volume includes solicited work as well as open submissions, including a number of established and award-winning writers and serving its mission by giving voice to brand-new writers.
Western Weird is the fourth volume in Western Press Books’ literary anthology series, Manifest West. The press, affiliated with Western State Colorado University, annually produces one anthology focused on Western regional writing
Contributors:
Bredt Bredthauer, Bartholomew Brinkman, Amy Brunvand, George David Clark, Michael Luis Dauro, Carol V. Davis, Russell Davis, Joe DiBuduo, Michael Engelhard, Daniel Ervin, Mel Goldberg, R. S. Gwynn, Aline Kaplan, Don Kunz , Nate Liederbach, Ellaraine Lockie, Nathan Alling Long, Robert McBrearty, Teresa Milbrodt, Lance Nizami, William Notter, Marlene Olin, C. R. Resetarits, Kate Robinson, Michaela Roessner, David J. Rothman, Matt Schumacher, Renée Thompson, Wendy Videlock, Vivian Wagner, Kirby Wright
Since November 8, 1942, when American troops in Operation Torch first landed on the beaches of North Africa, almost a million Americans—military personnel and their dependents—have lived in Morocco. Their impact on the political and social evolution of Morocco has been significant, but historians and political scientists before this book had made little effort to chart its course or to assess its outcome.
The naval base at Port Lyautey in Morocco was the first foreign base captured by American troops in World War II, and United States objectives in Morocco continued to be primarily military. In 1942, as the price for French support against the Axis, the United States pledged its support for the restoration of the prewar French colonial empire. In 1950, faced with the threat of Soviet aggression, the United States negotiated an agreement with France and built four United States Air Force bases in Morocco without consultation with or notification of the Moroccan government.
In spite of its sterile diplomatic policy and both Communist and Moroccan nationalist demands for evacuation of United States military bases, the United States retained essential military facilities in Morocco for many years. Leon Blair concludes that American military personnel and their dependents favorably conditioned Moroccan public opinion. By their egalitarianism, humanitarianism, and evident interest, they reinforced the idealistic image of the United States that was held by the majority of Moroccans.
These Americans were neither individually nor collectively conscious agents in a campaign to modify Moroccan public opinion; they were simply a Western window in the Arab world, through which two civilizations might view one another. In the long run, they made a greater contribution in peace than in war.
Westminster Abbey is the most complex church in existence. National cathedral, coronation church, royal mausoleum, burial place of poets, resting place of the great and of the Unknown Warrior, former home of parliament, backdrop to the funeral of Diana, Princess of Wales—this rich and extraordinary building unites many functions.
Westminster Abbey is both an appreciation of an architectural masterpiece and an exploration of the building’s shifting meanings. We hear the voices of those who have described its forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made use of it, from medieval kings to modern prime ministers. In a highly original book, classicist and cultural historian Richard Jenkyns teaches us to look at this microcosm of history with new eyes.
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