A SCHOLARLY BOOK REPOSITORY
The Wandering Life is a poetic culmination of Yves Bonnefoy’s wanderings and characterizes the final twenty-five years of his work. Bonnefoy was an ardent traveler throughout his life, and his journeys in foreign countries left a profound imprint on his work. The time he spent in Italy, translating Shakespeare’s work in England, in universities in the United States, in India with Octavio Paz, and more, affected his poetry in discernible ways and inspired The Wandering Life. Interweaving verse and prose—vignettes that range from a few lines in length to several pages—this volume is a fitting capstone to Bonnefoy’s oeuvre and appears in English translation for the first time to mark the centenary of Yves Bonnefoy’s birth.
That may be bad news for me, but is it bad news for people in general? Does the fact that as much as fifty percent of our waking hours find us failing to focus on the task at hand represent a problem? Michael Corballis doesn’t think so, and with The Wandering Mind, he shows us why, rehabilitating woolgathering and revealing its incredibly useful effects. Drawing on the latest research from cognitive science and evolutionary biology, Corballis shows us how mind-wandering not only frees us from moment-to-moment drudgery, but also from the limitations of our immediate selves. Mind-wandering strengthens our imagination, fueling the flights of invention, storytelling, and empathy that underlie our shared humanity; furthermore, he explains, our tendency to wander back and forth through the timeline of our lives is fundamental to our very sense of ourselves as coherent, continuing personalities.
Full of unusual examples and surprising discoveries, The Wandering Mind mounts a vigorous defense of inattention—even as it never fails to hold the reader’s.
Drawing extensively on judicial and military records, Salvatore reveals the state’s files on individual prisoners and recruits to be surprisingly full of personal stories directly solicited from paysanos. While consistently attentive to the fragmented and mediated nature of these archival sources, he chronicles how peons and peasants spoke to power figures—judges, police officers, and military chiefs—about issues central to their lives and to the emerging nation. They described their families and their wanderings across the countryside in search of salaried work, memories and impressions of the civil wars, and involvement with the Federalist armies. Their lamentations about unpaid labor, disrespectful government officials, the meaning of poverty, and the dignity of work provide vital insights into the contested nature of the formation of the Argentine Confederation. Wandering Paysanos discloses a complex world until now obscured—that of rural Argentine subalterns confronting the state.
Radding describes this colonial mission not merely as an instance of Iberian expansion but as a site of cultural and political confrontation. This alternative vision of colonialism emphasizes the economic links between mission communities and Spanish mercantilist policies, the biological consequences of the Spanish policy of forced congregación, and the cultural and ecological displacements set in motion by the practices of discipline and surveillance established by the religious orders. Addressing wider issues pertaining to ethnic identities and to ecological and cultural borders, Radding’s analysis also underscores the parallel production of colonial and subaltern texts during the course of a 150-year struggle for power and survival.
In her readings of Spanish American and Brazilian fiction, Graff Zivin highlights inventions of Jewishness in which the concept is constructed as a rhetorical device. She argues that Jewishness functions as a wandering signifier that while not wholly empty, can be infused with meaning based on the demands of the textual project in question. Just as Jews in Latin America possess distinct histories relative to their European and North American counterparts, they also occupy different symbolic spaces in the cultural landscape. Graff Zivin suggests that in Latin American fiction, anxiety, desire, paranoia, attraction, and repulsion toward Jewishness are always either in tension with or representative of larger attitudes toward otherness, whether racial, sexual, religious, national, economic, or metaphysical. She concludes The Wandering Signifier with an inquiry into whether it is possible to ethically represent the other within the literary text, or whether the act of representation necessarily involves the objectification of the other.
The man who would become S. An-sky—ethnographer, war correspondent, author of the best-known Yiddish play, The Dybbuk—was born Shloyme-Zanvl Rapoport in 1863, in Russia’s Pale of Settlement. His journey from the streets of Vitebsk to the center of modern Yiddish and Hebrew theater, by way of St. Petersburg, Paris, and war-torn Austria-Hungry, was both extraordinary and in some ways typical: Marc Chagall, another child of Vitebsk, would make a similar transit a generation later. Like Chagall, An-sky was loyal to multiple, conflicting Jewish, Russian, and European identities. And like Chagall, An-sky made his physical and cultural transience manifest as he drew on Jewish folk culture to create art that defied nationality.
Leaving Vitebsk at seventeen, An-sky forged a number of apparently contradictory paths. A witness to peasant poverty, pogroms, and war, he tried to rescue the vestiges of disappearing communities even while fighting for reform. A loner addicted to reinventing himself—at times a Russian laborer, a radical orator, a Jewish activist, an ethnographer of Hasidism, a wartime relief worker—An-sky saw himself as a savior of the people’s culture and its artifacts. What united the disparate strands of his life was his eagerness to speak to and for as many people as possible, regardless of their language or national origin.
In this first full-length biography in English, Gabriella Safran, using Russian, Yiddish, Hebrew, and French sources, recreates this neglected protean figure who, with his passions, struggles, and art, anticipated the complicated identities of the European Jews who would follow him.
In this innovative study, Flora focuses on Inuit communities in Greenland and addresses a central puzzle: their alarmingly high suicide rate. She explores the deep connections between loneliness and modernity in the Arctic, tracing the history of Greenland and analyzing the social dynamics that shaped it. Flora’s thorough, sensitive engagement with the families that make up these communities uncovers the complex interplay between loneliness and a host of economic and environmental practices, including the widespread local tradition of hunting. Wandering Spirits offers a vivid portrait of a largely overlooked world, in all its fragility and nuance, while engaging with core anthropological concerns of kinship and the structure of social relations.
From the winner of the 2008 Nobel Prize for Literature, Wandering Star is the story of two young women, one uprooted by the Holocaust and the other by the founding of the state of Israel. Bearing witness to the boundless strength of the spirit, and based on his own experience as a child in World War II, J.M.G. Le Clézio chronicles the saga of a young girl, Esther, who, in a small mountain village north of Nice occupied by Italian forces, learns what it means to be Jewish in wartime Europe. A quiet young teenager, she suffers the loss of her beloved father and, with her mother, is forced to flee advancing German troops.
At war’s end, Esther and her mother make an arduous journey to Jerusalem, where their path crosses with a group of displaced refugees, including Nejma, a Palestinian girl whose story of life in the camps balances Esther’s own tale of suffering and survival. Esther and Nejma never meet again, but in their respective exiles, they are forever haunted by the memory of one another. Wandering Star is a powerful coming-of-age story and, as Le Figaro notes, truly “a luminous lesson in humanity.”
Fleeing a failed marriage and haunted by ghosts of his past, Luis Alberto Urrea jumped into his car and headed west. Driving cross-country with a cat named Rest Stop, Urrea wandered the West from one year’s spring through the next.
Hiking into aspen forests where leaves “shiver and tinkle like bells” and poking alongside creeks in the Rockies, he sought solace and wisdom. In the forested mountains he learned not only the names of trees—he learned how to live. As nature opened Urrea’s eyes, writing opened his heart. In journal entries that sparkle with discovery, Urrea ruminates on music, poetry, and the landscape. With wonder and spontaneity, he relates tales of marmots, geese, bears, and fellow travelers. He makes readers feel mountain air “so crisp you feel you could crunch it in your mouth” and reminds us all to experience the magic and healing of small gestures, ordinary people, and common creatures.
Urrea has been heralded as one of the most talented writers of his generation. In poems, novels, and nonfiction, he has explored issues of family, race, language, and poverty with candor, compassion, and often astonishing power. Wandering Time offers his most intimate work to date, a luminous account of his own search for healing and redemption.
Even as a fourth-generation Jewish Texan, S. L. Wisenberg has always felt the ghost of Europe dogging her steps, making her feel uneasy in her body and in the world. At age six, she’s sure that she hears Nazis at her bedroom window and knows that after they take her away, she’ll die without her asthma meds. In her late twenties, she infiltrates sorority rush at her alma mater, curious about whether she’ll get a bid now. Later in life, she makes her first and only trip to the mikvah while healing from a breast biopsy (benign this time), prompting an exploration of misogyny, shame, and woman-fear in rabbinical tradition.
With wit, verve, blood, scars, and a solid dose of self-deprecation, Wisenberg wanders across the expanse of continents and combs through history books and family records in her search for home and meaning. Her travels take her from Selma, Alabama, where her Eastern European Jewish ancestors once settled, to Vienna, where she tours Freud’s home and figures out what women really want, and she visits Auschwitz, which—disappointingly—leaves no emotional mark.
In 1797 in Vienna, Ida Pfeiffer was born into a world that should have been too small for her dreams. The daughter of an Austrian merchant, she made clear from an early age that she would not be bound by convention, dressing in boys’ clothing and playing sports. After her tutor introduced her to stories of faraway lands, she became determined to see the world first-hand. This determination led to a lifetime of travel—much of it alone—and made her one of the most famous women of the nineteenth century.
Pfeiffer faced many obstacles, not least expectations of her gender. She was a typical nineteenth century housewife with a husband and two sons. She was not wealthy nor well connected. Yet after the death of her husband, and once her sons were grown and settled, at the age of forty-one she set off on her first journey, not telling anyone the true extent of her travel plans. Between that trip and her death in 1858, she would barely pause for breath, circling the globe twice—the first woman to do so—and publishing numerous popular books about her travels. Usually traveling solo, Pfeiffer faced storms at sea, trackless deserts, plague, malaria, earthquakes, robbers, murderers, and other risks.
In Wanderlust, John Van Wyhe tells Pfeiffer’s story, with generous excerpts from her published accounts, tell of her involvement with spies, international intrigue, and more. The result is a compelling portrait of the remarkable life of a pioneer unjustly forgotten.
A poetic culture consists of a body of shared values and conventions that shape the composition and interpretation of poetry in a given historical period. This book on Wang Anshi (1021–1086) and Song poetic culture—the first of its kind in any Western language—brings into focus a cluster of issues that are central to the understanding of both the poet and his cultural milieu. These issues include the motivations and consequences of poetic contrarianism and the pursuit of novelty, the relationship between anthology compilation and canon formation, the entanglement of poetry with partisan politics, Buddhist orientations in poetic language, and the development of the notion of late style.
Though diverse in nature and scope, the issues all bear the stamp of the period as well as Wang Anshi’s distinct personality. Conceived of largely as a series of case studies, the book’s individual chapters may be read independently of each other, but together they form a varied, if only partial, mosaic of Wang Anshi’s work and its critical reception in the larger context of Song poetic culture.
In this first full-fledged intellectual biography of the brilliant and multifaceted Chinese scholar Wang Kuo-wei (1877–1927), Joey Bonner throws important new light on the range and course of ideas in early twentieth-century China. Coincidentally, she illuminates the nature of Wang’s intimate, thirty-year personal and professional association with the well-known Chinese scholar Lo Chen-yü (1866–1940) and provides a most comprehensive and compelling account of her biographee’s posthumously controversial career in the years following the 1911 Revolution.
Pursuing her subject across the whole spectrum of his many scholarly interests, Bonner critically examines Wang’s essays on German philosophy and philosophical aesthetics; his poetry, literary criticism, and aesthetic theory; and his works on ancient Chinese history, particularly of the Shang dynasty. Insightfully relating his strenuous intellectual search in the fields of philosophy, literature, and history to his very personal quest for truth, beauty, and virtue, Bonner shows in this finely crafted book how Wang’s unhappiness in later life as well as his suicide can be understood only within the context of his humanistic concerns in general and his extreme commitment in the postimperial period to the Confucian ethicoreligious tradition in particular. Without compromising the clearheaded critical detachment that characterizes her analysis of the intricacies of his thought, Bonner has produced a portrait of Wang Kuo-wei suffused with warmth and sympathetic respect.
Wangari Muta Maathai is one of Africa’s most celebrated female activists. Originally trained as a scientist in Kenya and abroad, Professor Maathai returned to her home country of Kenya with a renewed political consciousness. There, she began her long career as an activist, campaigning for environmental and social justice while speaking out against government corruption. In 2004, Maathai was awarded the Nobel Peace Prize for her leadership of the Green Belt Movement, a conservation effort that resulted in the restoration of African forests decimated during the colonial era.
In this biography, Tabitha Kanogo follows Wangari Maathai from her modest, rural Kenyan upbringing to her rise as a national figure campaigning for environmental and ecological conservation, sustainable development, democracy, human rights, gender equality, and the eradication of poverty until her death in 2011.
Based on years of observation at a large state university, Wannabe U tracks the dispiriting consequences of trading in traditional educational values for loyalty to the market. Aping their boardroom idols, the new corporate administrators at such universities wander from job to job and reductively view the students there as future workers in need of training. Obsessed with measurable successes, they stress auditing and accountability, which leads to policies of surveillance and control dubiously cloaked in the guise of scientific administration. In this eye-opening exposé of the modern university, Tuchman paints a candid portrait of the corporatization of higher education and its impact on students and faculty.
Like the best campus novelists, Tuchman entertains with her acidly witty observations of backstage power dynamics and faculty politics, but ultimately Wannabe U is a hard-hitting account of how higher education’s misguided pursuit of success fails us all.
Amy C. Wilkins’s intimate ethnography of these three subcultures reveals a complex tug-of-war between the demands of race, class, and gender in which transgressing in one realm often means conforming to expectations in another. Subcultures help young people, especially women, navigate these connecting territories by offering them different sexual strategies: wannabes cross racial lines, goths break taboos by becoming involved with multiple partners, and Christians forego romance to develop their bond with God. Avoiding sanctimonious hysteria over youth gone astray, Wilkins meets these kids on their own terms, and the result is a perceptive and provocative portrait of the structure of young lives.
Wanted Cultured Ladies Only! maps out the early culture of cinema stardom in India from its emergence in the silent era to the decade after Indian independence in the mid-twentieth century. Neepa Majumdar combines readings of specific films and stars with an analysis of the historical and cultural configurations that gave rise to distinctly Indian notions of celebrity. She argues that discussions of early cinematic stardom in India must be placed in the context of the general legitimizing discourse of colonial "improvement" that marked other civic and cultural spheres as well, and that "vernacular modernist" anxieties over the New Woman had limited resonance here. Rather, it was through emphatically nationalist discourses that Indian cinema found its model for modern female identities.
Considering questions of spectatorship, gossip, popularity, and the dominance of a star-based production system, Majumdar details the rise of film stars such as Sulochana, Fearless Nadia, Lata Mangeshkar, and Nargis
Wanted Dead or Alive presents the first-ever comprehensive look at how the American West has been depicted in popular culture. Following Richard Aquila's introduction, which examines the birth and growth of the pop culture West in the context of American history, noted experts explore developments in popular Western fiction, major forms of live Western entertainment, trends in Western movies and television shows, images of the West in popular music, and visual images of the West in popular art and advertising. For the reader on the trail of even more information, each section of the book concludes with suggestions for further reading.
A unique collection of more than 150 letters written to an Ohio serviceman during the American Civil War that offers glimpses of women’s lives as they waited, worked, and wrote from the Ohio home front. The letters reveal fascinating details of the lives of mostly young, single women—friends, acquaintances, love interests, and strangers who responded to one Union soldier’s advertisement for correspondents. Almost all of the women who responded to Lieutenant Edwin Lewis Lybarger’s lonely-hearts newspaper advertisement lived in Ohio and supported the Union. Lybarger carried the collection of letters throughout three years of military service, preserved them through his life, and left them to be discovered in an attic trunk more than a century after Lee’s surrender.
Women’s letter writing functioned as a form of “war work” that bolstered the spirits of enlisted men and “kinship work” that helped forge romantic relationships and sustain community bonds across the miles. While men’s letters and diaries abound in Civil War history, less readily available are comprehensive collections of letters from middle-class and rural women that survived the weathering of marches, camp life, and battles to emerge unscathed from men’s knapsacks at war’s end.
The collection is accompanied by a detailed editorial introduction that highlights significant themes in the letters. Together, they contribute to the still-unfolding historical knowledge concerning Northern women’s lives and experiences during this significant period in American history.
In alternate chapters, Olaus tells of his work as a field biologist for the old U.S. Bureau of Biological Survey and recounts stories of his studies of the elk and the other great animals of the West. And Mrs. Murie, from her side, describes their life together, on the trail, in the various camps, and nature adventures in that wilderness in all seasons. The book is replete with stories of Jackson Hole people, "pioneer poets," and the wild creatures that made their way into the Murie household. Olaus Murie's evocative pen-and-ink drawings illuminate each chapter, and four pages of photographs help complete the picture of what life was like in the wapiti wilderness.
In this original and provocative book, Nahed Artoul Zehr explores the theological underpinnings of al-Qaeda and related Islamic movements such as ISIS. She demonstrates how this marginal narrative transformed al-Qaeda from a relatively hierarchical and regional organization to a globalized, decentralized, and diffuse system of networks. She draws connections between religious ideas and strategy in her translation and analysis of leading theoretical and tactical jihad text, The Global Islamic Resistance Call, by Mustafa abu Mus’ ab al-Suri.
Just as importantly, she questions al-Qaeda’s understanding of the Islamic tradition on the use of force, arguing that it reflects a weak understanding of this tradition. More specifically, it is al-Qaeda’s (and related groups’) break with this tradition that is key to an al-Qaeda defeat.
Simultaneously, Zehr critiques the US military and policy establishment as it attempts to offer counter-narratives to the al-Qaeda phenomenon that emphasizes “good Muslims” versus “bad Muslims” in order to embrace a “moderate” form of Islam. According to Zehr, this approach is misguided: it is beyond the US government’s purview and expertise to make such theological claims about Islam. Better, she argues, to note the counter-narratives that are coming from within the Muslim community and other nongovernment institutions interested in moving this work forward.
By refocusing our attention on al-Qaeda’s narrative and the various ways thatit is being contested, the book provides an alternate lens from which to viewal-Qaeda and the al-Qaeda phenomenon for Islamic and US foreign policy scholars and students.
---Helmut Walser Smith, Vanderbilt University
"A marvelously original account of how the Kulturkampf emerged from the cultural, social, and gendered worlds of German liberalism. While not neglecting the 1870s, Gross's analysis directs historians' attention to the under-researched 1850s and 1860s-decades in which liberals' anti-Catholic arguments were formulated against a backdrop of religious revival, democratic innovation, national ambition, and the articulation of new roles for women in society, politics, and the church. The drama of these decades resonates in every chapter of Gross's fine study."
---James Retallack, University of Toronto
"Michael Gross has put the culture back into the Kulturkampf! Integrating social and political analysis with illuminating interpretations of visual and linguistic evidence, Gross explores the work of religious cleavage in defining German national identity. An emerging women's movement, liberal virtues, and Catholic difference come together to explain why, in a century of secularization, Germany's Catholics experienced a religious revival, and why its liberals responded with enmity and frustration. Vividly written and a pleasure to read, this groundbreaking study offers real surprises."
---Margaret Lavinia Anderson, University of California, Berkeley
An innovative study of the relationship between the two most significant, equally powerful, and irreconcilable movements in Germany, Catholicism and liberalism, in the decades following the 1848 Revolution.
After the defeat of liberalism in the Revolution of 1848, and in the face of the dramatic revival of popular Catholicism, German middle-class liberals used anti-Catholicism to orient themselves culturally in a new age. Michael B. Gross's study shows how anti-Catholicism and specifically the Kulturkampf, the campaign to break the power of the Catholic Church, were not simply attacks against the church nor were they merely an attempt to secure state autonomy. Gross shows that the liberal attack on Catholicism was actually a complex attempt to preserve moral, social, political, and sexual order during a period of dramatic pressures for change.
Gross argues that a culture of anti-Catholicism shaped the modern development of Germany including capitalist economics, industrial expansion, national unification, and gender roles. He demonstrates that images of priests, monks, nuns, and Catholics as medieval, backward, and sexually deviant asserted the liberal middle-class claim to social authority after the Revolution of 1848. He pays particular attention to the ways anti-Catholicism, Jesuitphobia, and antimonastic hysteria were laced with misogyny and expressed deeper fears of mass culture and democracy in the liberal imagination. In doing so, he identifies the moral, social, and cultural imperatives behind the Kulturkampf in the 1870s.
By offering a provocative reinterpretation of liberalism and its relationship to the German anti-Catholic movement, this work ultimately demonstrates that in Germany, liberalism itself contributed to a culture of intolerance that would prove to be a serious liability in the twentieth century. It will be of particular interest to students and scholars of culture, ideology, religion, and politics.
Halper goes on to show how this method of war is rapidly globalizing, as the major capitalist powers and corporations transform militaries, security agencies, and police forces into an effective instrument of global pacification. Simultaneously a deeply researched exposé and a clarion call, War Against the People is a bold attempt to shine the light on the daily injustices visited on a civilian population —and thus hasten their end.
An engaging collection of essays focusing on American veterans.
War and American Life is a book of essays and reflections by celebrated historian and former marine James Wright, who has been active as an advocate, teacher, and scholar. Featuring both previously published pieces and new essays, the book considers veterans in America and the ways in which our society needs better to understand who they are and what they have done on the nation’s behalf—and the responsibilities that follow this recognition.
Combining different disciplinary perspectives, War and Diplomacy argues that the key events that portended the beginning of the end of the multiethnic Ottoman Empire were the The Russo-Turkish War of 1877–1878 and the Treaty of Berlin. The essays in this volume analyze how the war and the treaty permanently transformed the political landscape both in the Balkans and in the Caucasus. The treaty marked the end of Ottoman hegemony in the Balkans by formally recognizing the independence or de facto sovereignty of Romania, Serbia, and Montenegro, and the autonomy of Bulgaria.
By introducing the unitary nation-state as the new organizing concept, the treaty planted the seeds of future conflict, from the Balkan Wars of 1912–1913 and the First World War to the recent civil wars and ethnic cleansing in former Yugoslavia. The magnitude of the defeat of the Ottoman Empire by Russia—and eventually by the other great powers—and the human, material, and territorial losses that followed proved fatal to the project of Muslim liberal reform and modernization that the Ottoman state had launched in the middle of the 19th century.
War and Diplomacy offers the first comparative examination of the treaty and its socio-political implications for the Balkans and the Caucasus by utilizing the theoretical tools and approaches of political science, sociology, history, and international relations. Representing the latest scholarship in the field of study, this volume documents the proceedings of a conference on the Treaty of Berlin that was held at the University of Utah in 2010. It provides an important contribution to understanding the historical background of these events.
War and Diplomacy documents the proceedings of the first of three conferences:
1878 Treaty of Berlin (in 2010)
Balkan Wars (in 2011)
World War I (in 2012)
Proceedings of the final two conferences will also be published by the University of Utah Press.
A massive undertaking, the antimalarial program was to biomedical research what the Manhattan Project was to the physical sciences.
A volume in the Critical Issues in Health and Medicine series, edited by Rima D. Apple and Janet Golden.
In this provocative study, Paul Atwood attempts to show Americans that their history is one of constant wars of aggression and imperial expansion.
In his long teaching career, Atwood has found that most students know virtually nothing about America's involvement in the wars of the 20th century, let alone those prior to World War I. War and Empire aims to correct this, clearly and persuasively explaining US actions in every major war since the declaration of independence. The book shows that, far from being dragged reluctantly into foreign entanglements, America's leaders have always picked its battles in order to increase their influence and power, with little regard for the American soldiers and 'enemy' civilians killed or made to suffer in the process.
This book is an eye-opening introduction to the American way of life for undergraduate students of American history, politics and international relations.
During the sengoku era—the period of "warring provinces" in fifteenth- and sixteenth-century Japan—warlords vied for supremacy and sought to expand their influence over the realm. Powerful religious institutions also asserted their military might by calling upon their adherents to do battle against forces that threatened their spiritual and secular interests.
The Honganji branch of Jodo Shinshu (True Pure Land Sect) Buddhism was one such powerhouse that exercised its military will by fanning violent uprisings of ikko ikki, loosely structured "leagues of one mind" made up of mostly commoners who banded together to fight for (or against) any number of causes—usually those advanced by the Honganji's Patriarch.
Carol Richmond Tsang delves into the complex and often contradictory relationship between these ikko leagues and the Honganji institution. Moving beyond the simplistic characterization of ikki as peasant uprisings, the author argues cogently for a fuller picture of ikko ikki as a force in medieval Japanese history. By exploring the political motivations and machinations of the Honganji and the diverse aims and allegiances of its ikko followers, Tsang complicates our understanding of ikko ikki as a multifaceted example of how religion and religious belief played out in a society in conflict.
Chapman examines the issues of truthfulness and realism that arise in depictions of war, whether in the supposed truth telling of war documentaries or Hollywood battle scenes that are “more realistic than the real thing.” The book considers films from the U. S., Britain, and Europe, and the national responses to cinematic depictions of particular conflicts. In case studies of such legendary works as Das Boot, Apocalypse Now, and All Quiet on the Western Front, the book parses their dominant narrative themes, ranging from war as a pointless tragedy to combat as an exciting and heroic adventure. But few films, Chapman contends, probe into the deeper ramifications of war—the psychological scars left on the soldier and civilians.
A study of remarkable breadth and scope, War and Film exposes the power of cinema in shaping our perceptions of violent conflict.
This volume examines the limits Islam, Judaism, and Christianity have set for the use of coercive violence. It probes the agreements and disagreements of these major religious traditions on pacifism (the abjurance of all force) and quietism (the avoidance of force unless certain stringent conditions are met).
The distinguished contributors examine the foundations for nonviolence in each religion, criticize the positions each religion has taken, address the inherent challenges nonviolence poses, and evaluate the difficulty of practicing nonviolence in a secular society. The concluding essay defines the common ground, isolates the points of conflict, and suggests avenues of further inquiry.
The most important contribution this volume makes is to demonstrate that no Western religious tradition provides a basis for the glorification of violence. Rather, each accepts warfare as a regretted necessity and sets strict limits on the use of force.
This work offers new insights for those interested in the ethics of warfare, peace studies, religious traditions, and international affairs.
This interdisciplinary volume stands as a critique of the standard discourse regarding the Balkan Wars and effectively questions many of the assumptions of prevailing modern nation-state histories, which have long privileged the ethno-religious dimensions present in the Balkans. The authors go to great lengths in demonstrating the fluidity of social, geographical, and cultural boundaries before 1912 and call into question the “nationalist watershed” notion that was artificially imposed by manipulative historiography and political machinations following the end of fighting in 1913.
War and Nationalism will be of interest to scholars looking to enrich their own understanding of an overshadowed historical event and will serve as a valuable contribution to courses on Ottoman and European history.
Paul Diehl and Gary Goertz identify 1166 rivalries since 1816. They label sixty-three of those as enduring rivalries. These include the competitions between the United States and Soviet Union, India and Pakistan, and Israel and her Arab neighbors. The authors explain how rivalries form, evolve, and end.
The first part of the book deals with how to conceptualize and measure rivalries and presents empirical patterns among rivalries in the period 1816-1992. The concepts derived from the study of rivalries are then used to reexamine two central pieces of international relations research, namely deterrence and "democratic peace" studies. The second half of the book builds an explanation of enduring rivalries based on a theory adapted from evolutionary biology, "punctuated equilibrium."
The study of international rivalries has become one of the centerpieces of behavioral research on international conflict. This book, by two of the scholars who pioneered such studies, is the first comprehensive treatment of the subject. It will become the standard reference for all future studies of rivalries.
Paul F. Diehl is Professor of Political Science and University Distinguished Teacher/Scholar, University of Illinois. He is the coeditor of Reconstructing Realpolitik and coauthor of Measuring the Correlates of War. Gary Goertz is Assistant Professor of Political Science, University of Arizona, and is the coauthor with Paul Diehl of Territorial Change and International Conflict.
In War and Peace:Ireland Since 1960, Christine Kinealy explores the political triumphs and travails in Ireland over the last five decades. War and Peace provides a thorough and up-to-date account of the unfolding of “The Troubles,” the three decades of violence and social unrest between the Catholic nationalists and the Protestant unionists. In addition, Kinealy examines the Republic of Ireland’s entry into the European Union in 1973, its often contentious relationship with England, and the changes in emigration during the period. Of additional interest to Kinealy is the effect of the women’s movement, which has given rise to the election of two female presidents, proving Ireland’s ability to accept and internalize change.
In order to understand the history of twentieth-century Europe, we must first appreciate and accept how different societies and cultures remember their national conflicts. We must also be aware of the ways that those memories evolve over time. In War and Public Memory: Case Studies in Twentieth-Century Europe, Messenger outlines the relevant history of war and its impact on different European nations and assesses how and where the memory of these conflicts emerges in political and public discourse and in the public sphere and public spaces of Europe.
The case studies presented emphasize the major wars fought on European soil as well as the violence perpetrated against civilian populations. Each chapter begins with a brief overview of the conflict and then proceeds with a study of how memory of that struggle has entered into public consciousness in different national societies. The focus throughout is on collective social, cultural, and public memory, and in particular how memory has emerged in public spaces throughout Europe, such as parks, museums, and memorial sites.
Messenger discusses memories of the First World War for both the victors and the vanquished as well as their successor states. Other events discussed include the Bolshevik Revolution and subsequent conflicts in the former Soviet Union, the Armenian genocide, the collapse of Yugoslavia, the legacy of the civil war in Spain, Germanys reckoning with its Nazi past, and the memory of occupation and the Holocaust in France and Poland.
Warfare in Europe contributed to the development of the modern state. In response to external conflict, state leaders raised armies and defended borders. The centralization of power, the development of bureaucracies, and the integration of economies all maximized revenue to support war. But how does a persistent external threat affect the development of a strong state? The “Garrison State” hypothesis argues that states that face a severe security threat will become autocracies. Conversely, the “Extraction School,” argues that warfare indirectly promotes the development of democratic institutions.
Execution of large-scale war requires the mobilization of resources and usually reluctant populations. In most cases, leaders must extend economic or political rights in exchange for resolving the crisis. Large-scale warfare thus expands political participation in the long run. The authors use empirical statistical modeling to show that war decreases rights in the short term, but the longer and bigger a war gets, the rights of the citizenry expand with the conflict. The authors test this argument through historical case studies—Imperial Russia, Austro-Hungarian Dual Monarchy, African Americans in World War I and II, and the Tirailleurs Senegalese in World War I—through the use of large-N statistical studies—Europe 1900–50 and Global 1893–2011—and survey data. The results identify when, where, and how war can lead to the expansion of political rights.
Success in war ultimately depends on the consolidation of political order. Nadia Schadlow argues that the steps needed to consolidate a new political order are not separate from war. They are instead an essential component of war and victory.
The challenge of governance operations did not start with the wars in Iraq and Afghanistan. The US Army’s involvement in the political and economic reconstruction of states has been central to all its armed conflicts from large-scale conventional wars to so-called irregular or counterinsurgency wars. Yet, US policymakers and military leaders have failed to institutionalize lessons on how to consolidate combat gains into desired political outcomes. War and the Art of Governance examines fifteen historical cases of US Army military interventions, from the Mexican War through the wars in Iraq and Afghanistan. Improving future outcomes will require US policymakers and military leaders to accept that plans, timelines, and resources must be shaped to reflect this reality before they intervene in a conflict, not after things go wrong.
Schadlow provides clear lessons for students and scholars of security studies and military history, as well as for policymakers and the military personnel who will be involved in the next foreign intervention.
For centuries liberal minded men have been horrified by the pain and waste of war. From Erasmus, who saw war above all as a product of stupidity, to the Marxists who see it as a matter of class conflict, they have produced social theories to account for its occurrence and have tried to devise means to end it.
Their prescriptions have been various. The central view of the Enlightenment was that wars would end when the ambitions of princes could be curbed by the sanity of ordinary men. At first the commercial classes seemed to be the new force that would produce this happy state, but by the end of the nineteenth century they themselves (the ‘capitalists’) were being stigmatized as the instigators of war.
Similarly, the nineteenth-century liberals at first believed that the rise of the new independent nation-states of Europe would lead to a permanent peace as the wishes of the masses (naturally peace-loving) were able to express themselves. Again, the supposed agents of peace were soon seen as a prime cause of wars.
Despite these contradictions there have been certain continuing themes in the search for a means to end wars, and one of the most enlightening things in this book is they way in which it is possible to see how these themes recur in subtly different forms in different periods of history. Professor Howard traces them from the renaissance to our own time, through the social, political and intellectual groups that gave birth to them.
Throughout the whole story runs the continuing contrast between those who hoped to find a single cause for the disease, leading to a lasting cure, and those who understood that, in Professor Howard’s words, ‘this was a task which needs to be tackled afresh every day of our lives’...
War and the State exposes the invalid arguments employed in the unproductive debate about Realism among international relations scholars, as well as the common fallacy of sharply distinguishing between conflict among states and conflict within them. As R. Harrison Wagner demonstrates, any understanding of international politics must be part of a more general study of the relationship between political order and organized violence everywhere--as it was in the intellectual tradition from which modern-day Realism was derived. War and the State draws on the insights from Wagner's distinguished career to create an elegantly crafted essay accessible to both students and scholars.
"Possibly the most important book on international relations theory since Kenneth Waltz's Theory of International Politics."
---James Fearon, Stanford University
"This is one of the best books on international relations theory I have read in a very long time. It is required reading for any student of modern IR theory. Once again, Wagner has shown himself to be one of the clearest thinkers in the field today."
---Robert Powell, Robson Professor of Political Science, University of California, Berkeley
"Painting on a vast canvas, and tackling and integrating topics such as state formation, domestic politics, and international conflict, R. Harrison Wagner's War and the State offers many brilliant insights into the nature of international relations and international conflict. War and the State compellingly highlights the importance of constructing rigorous and valid theorizing and sets a high standard for all students of international relations. The field has much to gain if scholars follow the trail blazed by Wagner in this book."
---Hein Goemans, University of Rochester
R. Harrison Wagner is Professor of Government at the University of Texas.
This is a lively history of specific social, political, ad economic changes that all-out war brought to the home front in mid-America. Drawing from letters to the editor in local and state papers, from editorials, from personal interviews, and from the manuscript collections left by state political leaders, Calvin Smith brings into focus the impact of wartime not only upon agricultural and business economics but also upon particular social groups and the lives of individuals.
The war generated the beginnings of a rights revolution in black communities throughout the nation. The author takes a careful look at the resulting strain on relations between the state’s black and white citizens. No less important is the consideration of Japanese Americans from the West Coast who were relocated to camps in Arkansas, and of the Jehovah’s Witnesses who would not take part in the war effort either on the battlefield or at home.
War and Wartime Changes illuminates a fascinating and sometimes embarrassing segment of history which until now has not been presented in a single, cohesive work. The author details the unique experiences Arkansas had at this time as well as the patriotism its citizens felt for their country.
Here is the story for the historian, for every student of society and its ways, and for anyone who wants to understand or remember the patriotic fervor of Americans during World War II. Calvin Smith has created, with persistent and imaginative research, a rare admixture of nostalgia and solid scholarship.
The British Legion was one of the most remarkable regiments, not only of the American Revolution, but of any war. A corps made up of American Loyalists, it saw its first action in New York and then engaged in almost every battle in the Southern colonies. Led by a twenty-four-year-old libertine who purchased his commission to escape enormous gambling debts, the Legion gained notoriety for its ruthless tactics. Excelling in “special operations,” they frequently overwhelmed the Continental forces they fought, becoming the most feared British regiment of the war.
Banastre Tarleton and the Americans he led have always been characterized as brutal, immoral villains—most recently in the movie, The Patriot. But this study subverts our pre-conceived notions of patriotism. The men who filled the Legions ranks were not weak-willed collaborators or treacherous renegades, but free men as motivated by conscience as the Patriots they battled. Few were wealthy. None had a vested stake in the British Government. Each believed that in defending the Crown; they were upholding the rule of law and preserving individual liberty.
These men followed Banastre Tarleton clear across America for years, sacrificing not only their families and homes but, in many instances, their lives. Self-interest could not have persuaded them to do this. Patriotism and fidelity did. Relying on first-hand accounts—letters, diaries, and journals—War at Saber Point: Banastre Tarleton and the British Legion is the enthralling story of those forgotten Americans and the young Englishman who led them.
From Three at 4:43
And here comes my friend, limping on
his heavy boot, the heel come off. A cobbler's shop
appears, and I buy the black nails, the dwarf's hammer, glue and strapping.
I work hard on it, bending there
until he speaks and walks on.
But as he is dead, his voice and step
make no sound.
In his third book of poems, David Gewanter takes on wartime America, showing our personal costs and inextricable complicities. The constructs of our social lives, the conventions of our political values, the ambitions of our private fantasies—all these collide comically and tragically. Here, the far right marries the far left, and the sacred is undone by the profane. Gewanter's ironic vision pulls together details from science, history, philosophy, the disappearing dailies, and the emotional life of an engaged and singular mind into poems on the move with tense rhythms, rich correspondences, and daring hairpin turns. War Bird gives the lie to the shining moral complacencies of the homefront. Unsettling yet radiant, this collection is a book for troubled times, for what Whitman called, in “1861,” our “hurrying, crashing, sad, distracted year.”
Contributors consider a wide range of issues confronting present-day Guatemala: returning refugees, land reform, gang violence, neoliberal economic restructuring, indigenous and women's rights, complex race relations, the politics of memory, and the challenges of sustaining hope. From a sweeping account of Guatemalan elites' centuries-long use of violence to suppress dissent to studies of intimate experiences of complicity and contestation in richly drawn localities, War by Other Means provides a nuanced reckoning of the injustices that made genocide possible and the ongoing attempts to overcome them.
Contributors. Santiago Bastos, Jennifer Burrell, Manuela Camus, Matilde González-Izás, Jorge Ramón González Ponciano, Greg Grandin, Paul Kobrak, Deborah T. Levenson, Carlota McAllister, Diane M. Nelson, Elizabeth Oglesby, Luis Solano, Irmalicia Velásquez Nimatuj, Paula Worby
A Foreign Affairs Best Book of 2016
Today, nations increasingly carry out geopolitical combat through economic means. Policies governing everything from trade and investment to energy and exchange rates are wielded as tools to win diplomatic allies, punish adversaries, and coerce those in between. Not so in the United States, however. America still too often reaches for the gun over the purse to advance its interests abroad. The result is a playing field sharply tilting against the United States.
“Geoeconomics, the use of economic instruments to advance foreign policy goals, has long been a staple of great-power politics. In this impressive policy manifesto, Blackwill and Harris argue that in recent decades, the United States has tended to neglect this form of statecraft, while China, Russia, and other illiberal states have increasingly employed it to Washington’s disadvantage.”
—G. John Ikenberry, Foreign Affairs
“A readable and lucid primer…The book defines the extensive topic and opens readers’ eyes to its prevalence throughout history…[Presidential] candidates who care more about protecting American interests would be wise to heed the advice of War by Other Means and take our geoeconomic toolkit more seriously.
—Jordan Schneider, Weekly Standard
Marianna Torgovnick argues that we have lived, since the end of World War II, under the power of a war complex—a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during the war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11.
Showing how different events from World War II became prominent in American cultural memory while others went forgotten or remain hidden in plain sight, The War Complex moves deftly from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war. Thinking anew, then, about how we account for war to each other and ourselves, Torgovnick ultimately, and movingly, shows how these anxieties and fears have prepared us to think about September 11 and our current war in Iraq.
The risk that conflicts may escalate “out of control” is one of the greatest dangers confronting the world today. Experts are generally agreed that an atomic war would not come by sudden, all-out attack, because leaders everywhere know what retaliation they would face. The real danger is that some smaller conflict might grow larger and larger, at some point getting out of anyone’s control.
Despite its importance, escalation has received astonishingly little study by specialists. Now, in War: Controlling Escalation, Richard Smoke offers the first comprehensive, scientific examination of escalation processes and the first systematic attempt to find ways to control escalation. He examines in depth five major cases in modern history where escalation occupied center stage. Focusing on the question “How does escalation get out of control?” Smoke takes care to study not only factors at work in wars where this occurred, but also factors preventing it where this might have occurred but did not. The result is an all-inclusive analysis of how escalation processes work and what can be done to halt and control them. Throughout, the author maintains a pragmatic, operational focus, concluding with a set of practical “questions” that decision-makers can ask of their information in trying to keep escalation under control in future conflicts.
Was the Vietnam War unavoidable? Historians have long assumed that ideological views and the momentum of events made American intervention inevitable. By examining the role of McGeorge Bundy and the National Security Council, Andrew Preston demonstrates that policymakers escalated the conflict in Vietnam in the face of internal opposition, external pressures, and a continually failing strategy.
Bundy created the position of National Security Adviser as we know it today, with momentous consequences that continue to shape American foreign policy. Both today's presidential supremacy in foreign policy and the contemporary national security bureaucracy find their origins in Bundy's powers as the first National Security Adviser and in the ways in which he and his staff brought about American intervention in Vietnam. Presidents Kennedy and Johnson were not enthusiastic about waging a difficult war in pursuit of murky aims, but the NSC's bureaucratic dexterity and persuasive influence in the Oval Office skewed the debate in favor of the conflict.
In challenging the prevailing view of Bundy as a loyal but quietly doubting warrior, Preston also revises our understanding of what it meant--and means--to be a hawk or a dove. The War Council is an illuminating and compelling story with two inseparable themes: the acquisition and consolidation of power; and how that power is exercised.
War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images.
As a result of the global visual culture in which anyone may produce as well as consume public imagery, the wide variety of visual and documentary practices present realities that would otherwise be invisible or officially off-limits. In our digital era, the prohibition and control of images has become nearly impossible to maintain. Using carefully chosen case studies—such as Krzysztof Wodiczko’s video projections and public works in response to 9/11 and the wars in Iraq and Afghanistan, the performance works of Coco Fusco and Regina Galindo, and the practices of Israeli and Palestinian artists—Apel posits that contemporary war images serve as mediating agents in social relations and as a source of protection or refuge for those robbed of formal or state-sanctioned citizenship.
While never suggesting that documentary practices are objective translations of reality, Apel shows that they are powerful polemical tools both for legitimizing war and for making its devastating effects visible. In modern warfare and in the accompanying culture of war that capitalism produces as a permanent feature of modern society, she asserts that the contest of images is as critical as the war on the ground.
War has had a powerful impact on the film industry. But it is not only wars that affect films; films influence war-time behavior and incisively shape the way we think about the battles that have been waged.
In The War Film, Robert Eberwein brings together essays by scholars using a variety of critical approaches to explore this enduringly popular film genre. Contributors examine the narrative and aesthetic elements of war films from four perspectives: consideration of generic conventions in works such as All Quiet on the Western Front, Bataan, and The Thin Red Line; treatment of race in various war films, including Glory, Home of the Brave, Platoon,and Hamburger Hill; aspects of gender, masculinity and feminism in The Red Badge of Courage, Rambo, Dogfight, and Courage under Fire; and analysis of the impact of contemporary history on the production and reception of films such as The Life and Times of Rosie the Riveter, Saving Private Ryan, and We Were Soldiers.
Drawing attention to the dynamic interrelationships among politics, nationalism, history, gender, and film, this comprehensive anthology is bound to become a classroom favorite.
This book is an effort to explain how and why that upset was accomplished. Alternating with scene and summary, the narrative has pace and proportion. Battles fall into campaigns, and campaigns interpret strategy. Commanders are deftly characterized, and flashes of insight illuminate victories and defeats. There emerges a picture of American soldiers as tougher and more deeply motivated fighters than the uncommitted British and German professionals. The book also demonstrates how highly prized were the rights that the revolutionists sought to confirm or establish, and serves as a reminder today that some ideas are worth risking life for.
"What is most amazing about this excellent history is Prof. Peckham's ability to retell these . . . legendary events . . . in a way which enriches and absorbs the reader."—Robert Kirsch, Los Angeles Times
The events of September 11, 2001, forever changed the world as we knew it. In their wake, the quest for international order has prompted a reshuffling of global aims and priorities. In a fresh approach, Gilles Kepel focuses on the Middle East as a nexus of international disorder and decodes the complex language of war, propaganda, and terrorism that holds the region in its thrall.
The breakdown of the Israeli-Palestinian peace process in 2000 was the first turn in a downward spiral of violence and retribution. Meanwhile, a neo-conservative revolution in Washington unsettled U.S. Mideast policy, which traditionally rested on the twin pillars of Israeli security and access to Gulf oil. In Saudi Arabia and Afghanistan, a transformation of the radical Islamist doctrine of Bin Laden and Zawahiri relocated the arena of terrorist action from Muslim lands to the West; Islamist radicals proclaimed jihad against their enemies worldwide.
Kepel examines the impact of global terrorism and the ensuing military operations to stem its tide. He questions the United States' ability to address the Middle East challenge with Cold War rhetoric, while revealing the fault lines in terrorist ideology and tactics. Finally, he proposes the way out of the Middle East quagmire that triangulates the interests of Islamists, the West, and the Arab and Muslim ruling elites. Kepel delineates the conditions for the acceptance of Israel, for the democratization of Islamist and Arab societies, and for winning the minds and hearts of Muslims in the West.
This compelling ethnography explores the issue of cultural continuity and change as it has unfolded in the representative Guatemala Mayan town Santiago Atitlán. Drawing on multiple sources, Robert S. Carlsen argues that local Mayan culture survived the Spanish Conquest remarkably intact and continued to play a defining role for much of the following five centuries. He also shows how the twentieth-century consolidation of the Guatemalan state steadily eroded the capacity of the local Mayas to adapt to change and ultimately caused some factions to reject—even demonize—their own history and culture. At the same time, he explains how, after a decade of military occupation known as la violencia, Santiago Atitlán stood up in unity to the Guatemalan Army in 1990 and forced it to leave town.
This new edition looks at how Santiago Atitlán has fared since the expulsion of the army. Carlsen explains that, initially, there was hope that the renewed unity that had served the town so well would continue. He argues that such hopes have been undermined by multiple sources, often with bizarre outcomes. Among the factors he examines are the impact of transnational crime, particularly gangs with ties to Los Angeles; the rise of vigilantism and its relation to renewed religious factionalism; the related brutal murders of followers of the traditional Mayan religion; and the apocalyptic fervor underlying these events.
Buchanan’s fiery speech marked a high point in the culture wars, but as Andrew Hartman shows in this richly analytical history, their roots lay farther back, in the tumult of the 1960s—and their significance is much greater than generally assumed. Far more than a mere sideshow or shouting match, the culture wars, Hartman argues, were the very public face of America’s struggle over the unprecedented social changes of the period, as the cluster of social norms that had long governed American life began to give way to a new openness to different ideas, identities, and articulations of what it meant to be an American. The hot-button issues like abortion, affirmative action, art, censorship, feminism, and homosexuality that dominated politics in the period were symptoms of the larger struggle, as conservative Americans slowly began to acknowledge—if initially through rejection—many fundamental transformations of American life.
As an ever-more partisan but also an ever-more diverse and accepting America continues to find its way in a changing world, A War for the Soul of America reminds us of how we got here, and what all the shouting has really been about.
“As a guide to the late twentieth-century culture wars, Hartman is unrivalled. . . . Incisive portraits of individual players in the culture wars dramas. . . . Reading Hartman sometimes feels like debriefing with friends after a raucous night out, an experience punctuated by laughter, head-scratching, and moments of regret for the excesses involved.”—New Republic
This book is a fascinating examination of a subject that has enormous consequences but few initiates--the system of military combat simulations and their advocates in defense establishments. The scope and importance of this field may be hinted at each spring during budget debates, but until now no one has made a full public inquiry into the military studies, the analysis system, and the people behind these obscure enterprises.
How did war games come into vogue? Who designs the models that test and measure weapons capabilities--tests whose outcomes their supporters want to use to determine the allocation of millions of dollars, not to mention the deployment of U.S. armaments, around the globe? How are the potential uses of weapons studied when empirical testing is prohibitive or impossible? And what is the state of the war-gaming art and profession?
These are but a few of the crucial questions addressed and answered in this work. The authors interviewed and observed war-gaming professionals in depth, exploring the extent and status of gaming in the defense community and examining these in terms of purpose, means of production, operations, uses, benefits, and costs. Consequently, their book is not simply an analysis but a portrait of the profession. As such, it will serve not only as a blueprint for necessary improvements in the military area but also as the catalyst for future work in diverse areas, since the problems of largescale models examined in a war-game context are now being experienced in such newer fields as energy policy and urban planning.
This Quick Take considers how various war games and simulations shape the ways we imagine war. Paradoxically, these games grant us a sense of mastery and control as we strategize and scrutinize the enemy, yet also allow us the thrilling sense of being immersed in the carnage and chaos of battle. But as simulations of war become more integrated into both popular culture and military practice, how do they shape our apprehension of the traumatic realities of warfare?
Covering everything from chess to football, from Saving Private Ryan to American Sniper, and from Call of Duty to drone interfaces, War Games is an essential guide for anyone seeking to understand the militarization of American culture, offering a compact yet comprehensive look at how we play with images of war.
In the three years, eight months, and twenty days of the Khmer Rouge’s deadly reign over Cambodia, an estimated 1.7 million Cambodians perished as a result of forced labor, execution, starvation, and disease. Despite the passage of more than thirty years, two regime shifts, and a contested U.N. intervention, only one former Khmer Rouge official has been successfully tried and sentenced for crimes against humanity in an international court of law to date. It is against this background of war, genocide, and denied justice that Cathy J. Schlund-Vials explores the work of 1.5-generation Cambodian American artists and writers.
Drawing on what James Young labels “memory work”—the collected articulation of large-scale human loss—War, Genocide, and Justice investigates the remembrance work of Cambodian American cultural producers through film, memoir, and music. Schlund-Vials includes interviews with artists such as Anida Yoeu Ali, praCh Ly, Sambath Hy, and Socheata Poeuv. Alongside the enduring legacy of the Killing Fields and post-9/11 deportations of Cambodian American youth, artists potently reimagine alternative sites for memorialization, reclamation, and justice. Traversing borders, these artists generate forms of genocidal remembrance that combat amnesic politics and revise citizenship practices in the United States and Cambodia.
Engaged in politicized acts of resistance, individually produced and communally consumed, Cambodian American memory work represents a significant and previously unexamined site of Asian American critique.
The Role of Horses in Battle From Ancient Egypt to Modern Afghanistan
For more than four thousand years, the horse and rider have been an integral part of warfare. Armed with weapons and accessories ranging from a simple javelin to the hand-held laser designator, the horse and rider have fought from the steppes of central Asia to the plains of North America. Understanding the employment of the military horse is key to understanding the successes and the limitations of military operations and campaigns throughout history. Over the centuries, horses have been used to pull chariots, support armor-laden knights, move scouts rapidly over harsh terrain, and carry waves of tightly formed cavalry. In War Horse: A History of the Military Horse and Rider, Louis A. DiMarco discusses all of the uses of horses in battle, including the Greek, Persian, and Roman cavalry, the medieval knight and his mount, the horse warriors—Huns, Mongols, Arabs, and Cossacks—the mounted formations of Frederick the Great and Napoleon, and mounted unconventional fighters, such as American Indians, the Boers, and partisans during World War II. The book also covers the weapons and forces which were developed to oppose horsemen, including longbowmen, pike armies, cannon, muskets, and machine guns. The development of organizations and tactics are addressed beginning with those of the chariot armies and traced through the evolution of cavalry formations from Alexander the Great to the Red Army of World War II.
In addition, the author examines the training and equipping of the rider and details the types of horses used as military mounts at different points in history, the breeding systems that produced those horses, and the techniques used to train and control them. Finally, the book reviews the importance of the horse and rider to battle and military operations throughout history, and concludes with a survey of the current military use of horses. War Horse is a comprehensive look at this oldest and most important aspect of military history, the relationship between human and animal, a weapons system that has been central to warfare longer than any other.
"This account will be welcome to a large circle of readers. . . . The arduous nature of these campaigns deserves to be far more widely known, and this is just the book for the purpose--short, clear, and easy to read."--Journal of the African Society
The largest battles of World War I were fought in Europe, and it is there where most critical studies focus. The fate of the far-flung colonies of Germany, however, are what gave the war its global scope, with campaigns reaching from China to New Guinea and East to West Africa. While there are detailed accounts of most of these campaigns, The War in Africa and the Far East, 1914-17 is unique in providing a concise history of the entire series of military events in Africa and Asia, giving the reader a better idea of the relationship and chronology of these wide-ranging events. While Germany was stripped of all its overseas colonies, the change in power had unintended consequences, most importantly the rise of Japan in the Pacific, where former German colonies now stood at the territorial boundary between Japan and the United States.
Waged by Allied troops from Britain, Kenya, Zambia, Portugal, Japan, India, Netherlands, and other countries and led by such personalities as General Jan Christian Smuts, the theater of operations crossed modern-day Tanzania, Rwanda, Burundi, Togo, Cameroon, Namibia, New Guinea, Qingdau, the Bismarck Archipelago, and other Pacific Island chains. Originally published in 1918 using official dispatches and other sources, and presented here for the first time in paperback, completely retypeset and with the original maps and additional photographs, The War in Africa and the Far East is a compact overview of an important aspect of the First World War.
World War II posed a crisis for American culture: to defeat the enemy, Americans had to unite across the class, racial and ethnic boundaries that had long divided them. Exploring government censorship of war photography, the revision of immigration laws, Hollywood moviemaking, swing music, and popular magazines, these essays reveal the creation of a new national identity that was pluralistic, but also controlled and sanitized. Concentrating on the home front and the impact of the war on the lives of ordinary Americans, the contributors give us a rich portrayal of family life, sexuality, cultural images, and working-class life in addition to detailed consideration of African Americans, Latinos, and women who lived through the unsettling and rapidly altered circumstances of wartime America.
Since it sprang from obscurity to international headlines in 2004, the name “Darfur” has become synonymous with war, massacre, and humanitarian crisis. The crisis had, however, been brewing for far longer, its causes neglected by both scholars and Sudanese leaders.
War in Darfur and the Search for Peace is a series of essays by leading Sudanese and international specialists on Darfur, combining original research and analysis. The book provides in-depth analysis of the origins and dimensions of the conflict, including detailed accounts of the evolution of ethnic and religious identities, the breakdown of local administration, the emergence of Arab militia and resistance movements, and regional dimensions to the conflict.
The study also focuses on the search for peace, with contributions by those most closely engaged in local and international efforts to resolve the conflict. This includes documentation and analysis of the warring parties’ ideologies and agendas and how they have changed in the course of the conflict, and examination of the efforts made by Sudanese civil and political leaders, the African Union, and other international actors to bring the war to an end.
From Shiloh to Perryville
James Lee McDonough
A compelling new volume from the author of Shiloh—In Hell before Night and Chattanooga—A Death Grip on the Confederacy, this book explores the strategic importance of Kentucky for both sides in the Civil War and recounts the Confederacy's bold attempt to capture the Bluegrass State. In a narrative rich with quotations from the diaries, letters, and reminiscences of participants, James Lee McDonough brings to vigorous life an episode whose full significance has previously eluded students of the war.
In February of 1862, the fall of Fort Henry and Fort Donelson near the Tennessee-Kentucky border forced a Confederate retreat into northern Alabama. After the Southern forces failed that spring at Shiloh to throw back the Federal advance, the controversial General Braxton Bragg, newly promoted by Jefferson Davis, launched a countermovement that would sweep eastward to Chattanooga and then northwest through Middle Tennessee. Capturing Kentucky became the ultimate goal, which, if achieved, would lend the war a different complexion indeed.
Giving equal attention to the strategies of both sides, McDonough describes the ill-fated Union effort to capture Chattanooga with an advance through Alabama, the Confederate march across Tennessee, and the subsequent two-pronged invasion of Kentucky. He vividly recounts the fighting at Richmond, Munfordville, and Perryville, where the Confederate dream of controlling Kentucky finally ended.
The first book-length study of this key campaign in the Western Theater, War in Kentucky not only demonstrates the extent of its importance but supports the case that 1862 should be considered the decisive year of the war.
The author: James Lee McDonough, a native of Tennessee, is professor of history at Auburn University. Among his other books are Stones River—Bloody Winter in Tennessee and Five Tragic Hours: The Battle of Franklin, which he co-wrote with Thomas L. Connelly.
On the morning of September 8, 1756, a band of about three hundred volunteers of a newly created Pennsylvania militia led by Lt. Col. John Armstrong crept slowly through the western Pennsylvania brush. The night before they had reviewed a plan to quietly surround and attack the Lenape, or Delaware, Indian village of Kittanning. The Pennsylvanians had learned that several prominent Delaware who had led recent attacks on frontier settlements as well as a number of white prisoners were at the village. Seeking reprisal, Armstrong’s force successfully assaulted Kittanning, killing one of the Delaware they sought, but causing most to flee—along with their prisoners. Armstrong then ordered the village burned. The raid did not achieve all of its goals, but it did lead to the Indians relocating their villages further away from the frontier settlements. However, it was a major victory for those Pennsylvanians—including some Quaker legislators—who believed the colony must be able to defend itself from outside attack, whether from the French, Indians, or another colony.
In War in the Peaceable Kingdom: The Kittanning Raid of 1756, historian Brady J. Crytzer follows the two major threads that intertwined at Kittanning: the French and Indian War that began in the Pennsylvania frontier, and the bitter struggle between pacifist Quakers and those Quakers and others—most notably, Benjamin Franklin—who supported the need to take up arms. It was a transformational moment for the American colonies. Rather than having a large, pacifist Pennsylvania in the heart of British North America, the colony now joined the others in training soldiers for defense. Ironically, it would be Pennsylvania soldiers who, in the early days of the American Revolution, would be crucial to the survival of George Washington’s army.
The Last Major Combat for American Troops in Germany During the Final Days of World War II
By April 1945, the last German counteroffensive in the west had been defeated, the vaunted Siegfried Line was no more, the Rhine River had been crossed, and major German cities were being bombed relentlessly. The war in Europe appeared to be in its final stages. As American and British armies overran central Germany, the Russians were smashing their way from the east toward Berlin. Optimism reigned up and down the Allied lines. But as the American Army’s 100th Infantry Division pushed along the west bank of the Neckar River across from bomb-shattered Heilbronn, resistance unexpectedly stiffened. In that 700-year-old city, a major industrial and communications center still operating for the benefit of the Nazi war machine, Hitler’s subordinates had battened down for a last-ditch stand. For sheer ferocity, it would exceed anything the now-battle-hardened Americans had experienced. Here, American troops faced a grueling campaign of house-to-house fighting, with Hitler Youth, Volkssturm militia, and an SS division attempting to stop the American advance at this critical sector of the European theater. Having been repeatedly targeted by Alllied aircraft, the city resembled a vast, Hellish ruin, and as American soldiers inched their way forward, they encountered booby traps, withering sniper fire, deadly Panzerfaust rounds, and a fanatical enemy. The nine-day battle for Heilbronn would be the last major combat for American troops in Europe. Within three weeks of their securing the city, Hitler would be dead and Germany defeated.
In War in the Ruins: The American Army’s Final Battle Against Nazi Germany, Edward G. Longacre recounts this neglected but essential chapter in the history of World War II, describing the 100th Division’s swift but grueling advance through the Vosges Mountains, their Rhine River crossing, the assault on the historic Maginot Line, and the ominous approach to Heilbronn. The author then describes the entire bitter battle and its aftermath, using private letters, journals, German and American action reports, and other primary source material, to establish War in the Ruins as an essential volume in the history of World War II in Europe.
In Nazi eyes, the Soviet Union was the “wild east,” a savage region ripe for exploitation, its subhuman inhabitants destined for extermination or helotry. An especially brutal dimension of the German army’s eastern war was its anti-partisan campaign. This conflict brought death and destruction to thousands of Soviet civilians, and has been held as a prime example of ordinary German soldiers participating in the Nazi regime’s annihilation policies.
Ben Shepherd enters the heated debate over the wartime behavior of the Wehrmacht in a detailed study of the motivation and conduct of its anti-partisan campaign in the Soviet Union. He investigates how anti-partisan warfare was conducted, not by the generals, but by the far more numerous, average Germans serving as officers in the field. What shaped their behavior was more complex than Nazi ideology alone. The influence of German society, as well as of party and army, together with officers’ grueling yet diverse experience of their environment and enemy, made them perceive the anti-partisan war in varied ways. Reactions ranged from extreme brutality to relative restraint; some sought less to terrorize the native population than to try to win it over. The emerging picture does not dilute the suffering the Wehrmacht’s eastern war inflicted. It shows, however, that properly judging ordinary Germans’ role in that war is more complicated than is indicated by either wholesale condemnation or wholesale exoneration.
This valuable study offers a nuanced discussion of the diversity of behaviors within the German army, as well as providing a compelling exploration of the war and counterinsurgency operations on the eastern front.
Originally published in German as Die Gesellschaft der Uberlebenden, The War in Their Minds examines hitherto unused source material—psychiatric medical files of soldiers—to make clear how difficult it was for the soldiers and their families to readjust to normal, everyday life. Goltermann allows these testimonies of violence, guilt, justification, and helplessness speak for themselves and sensitively explores how the pension claims of returning soldiers were to compete with the claims of the Holocaust victims to compensation.
In order to understand how the Great War affected the Xiberoan Basques’ perceptions of themselves, Ott contrasts the experiences of people in four different communities located within a fifteen-mile radius. The author also examines how the disruption during the interwar years affected intracommunity relations during the Occupation, the Liberation, and its aftermath. This narrative reveals the diverse ways in which Basques responded to civil war, world war, and displacement, and to one another.
The authors find such well-known theories as the balance of power and collective security systems inadequate to explain how conflict erupts in the international system. Their rigorous empirical analysis proves that the power-transition theory, hinging on economic, social, and political growth, is more accurate; it is the differential rate of growth of the two most powerful nations in the system—the dominant nation and the challenger—that destabilizes all members and precipitates world wars.
Predictions of who will win or lose a war, the authors find, depend not only on the power potential of a nation but on the capability of its political systems to mobilize its resources—the "political capacity indicator." After examining the aftermath of major conflicts, the authors identify national growth as the determining factor in a nation's recovery. With victory, national capabilities may increase or decrease; with defeat, losses can be enormous. Unexpectedly, however, in less than two decades, losers make up for their losses and all combatants find themselves where they would have been had no war occurred.
Finally, the authors address the question of nuclear arsenals. They find that these arsenals do not make the difference that is usually assumed. Nuclear weapons have not changed the structure of power on which international politics rests. Nor does the behavior of participants in nuclear confrontation meet the expectations set out in deterrence theory.
A masterpiece of prose and research, the definitive history of the struggle for Atlanta during the Civil War, an episode immortalized by the novel Gone with the Wind
Called “the greatest event of the Civil War” by New York diarist George Templeton Strong, the epic struggle for the city of Atlanta in the bloody summer of 1864 was a pivotal moment in American history. Union commander William Tecumseh Sherman’s relentless fight for the city secured the reelection of Abraham Lincoln, sealed the fate of the Southern Confederacy, and set a precedent for military campaigns that endures today. Its depiction in the novel and motion picture Gone with the Wind established the fight for Atlanta as an iconic episode in our nation’s most terrible war. In War Like the Thunderbolt: The Battle and Burning of Atlanta, award-winning author Russell S. Bonds takes the reader behind the lines and across the smoky battlefields of Peachtree Creek, Atlanta, Ezra Church, and Jonesboro, and into the lives of fascinating characters, both the famous and the forgotten, including the fiery and brilliant Sherman; General John Bell Hood, the Confederacy’s last hope to defend Atlanta; Benjamin Harrison, the diminutive young Indiana colonel who would rise to become President of the United States; Patrick Cleburne, the Irishmanturned- Southern officer; and ten-year-old diarist Carrie Berry, who bravely withstood and bore witness to the fall of the city. Here also is the dramatic story of the ordeal of Atlanta itself—the five-week artillery bombardment, the expulsion of its civilian population, and the infamous fire that followed. Based on new research in diaries, newspapers, previously unpublished letters, and other archival sources, War Like the Thunderbolt is a combination of captivating narrative and insightful military analysis—a stirring account of the battle and burning of the “Gate City of the South.”
Hoffman argues that in contemporary West Africa, space, sociality, and life itself are organized around making young men available for all manner of dangerous work. Drawing on his ethnographic research over the past nine years, as well as the anthropology of violence, interdisciplinary security studies, and contemporary critical theory, he maintains that the mobilization of West African men exemplifies a global trend in the outsourcing of warfare and security operations. A similar dynamic underlies the political economy of violence in Iraq, Afghanistan, and a growing number of postcolonial spaces. An experienced photojournalist, Hoffman integrates more than fifty of his photographs of young West Africans into The War Machines.
Evoking the landscapes and surroundings of war, as well as its effects on both US military service members and civilians in war-stricken countries, The War Makes Everyone Lonely is a challenging, nuanced look at the ways American violence is exported, enacted, and obscured by a writer poised to take his place in the long tradition of warrior-poets.
Japan has long wrestled with the memories and legacies of World War II. In the aftermath of defeat, war memory developed as an integral part of particular and divergent approaches to postwar democracy. In the last six decades, the demands placed upon postwar democracy have shifted considerably—from social protest through high economic growth to Japan’s relations in Asia—and the meanings of the war shifted with them.
This book unravels the political dynamics that governed the place of war memory in public life. Far from reconciling with the victims of Japanese imperialism, successive conservative administrations have left the memory of the war to representatives of special interests and citizen movements, all of whom used war memory to further their own interests.
Franziska Seraphim traces the activism of five prominent civic organizations to examine the ways in which diverse organized memories have secured legitimate niches within the public sphere. The history of these domestic conflicts—over the commemoration of the war dead, the manipulation of national symbols, the teaching of history, or the articulation of relations with China and Korea—is crucial to the current discourse about apology and reconciliation in East Asia, and provides essential context for the global debate on war memory.
"A balanced analysis of tactics and strategy, this book also summarizes succinctly and clearly recent scholarship on causes and describes briefly the war's military, economic, and political consequences. Coles has surveyed thoroughly the existing literature but arrives at a number of independent judgments. It is the best single-volume account of the war in all its aspects. In recounting sea battles, Coles puts aside the patriotic blinders that have for so long prevented a sensible understanding of American capabilities and strategic necessities; thus American naval victories are put in a proper perspective. And in dealing with land engagements, he has shunned the mocking and amused attitude which has so often passed for historical judgment. Undergraduates will be stimulated by the hints of modern parallels and will find useful the excellent annotated bibliography and simple maps."—Choice
Book-of-the-Month Club and History Book Club selections and received one of the two 1990 "Best Book Awards" from the American Military Institute.
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