From the Yangtze to the Yellow River, China is traversed by great waterways, which have defined its politics and ways of life for centuries. Water has been so integral to China’s culture, economy, and growth and development that it provides a window on the whole sweep of Chinese history. In The Water Kingdom, renowned writer Philip Ball opens that window to offer an epic and powerful new way of thinking about Chinese civilization.

Water, Ball shows, is a key that unlocks much of Chinese culture. In The Water Kingdom, he takes us on a grand journey through China’s past and present, showing how the complexity and energy of the country and its history repeatedly come back to the challenges, opportunities, and inspiration provided by the waterways. Drawing on stories from travelers and explorers, poets and painters, bureaucrats and activists, all of whom have been influenced by an environment shaped and permeated by water, Ball explores how the ubiquitous relationship of the Chinese people to water has made it an enduring metaphor for philosophical thought and artistic expression. From the Han emperors to Mao, the ability to manage the waters ― to provide irrigation and defend against floods ― was a barometer of political legitimacy, often resulting in engineering works on a gigantic scale. It is a struggle that continues today, as the strain of economic growth on water resources may be the greatest threat to China’s future.

The Water Kingdom offers an unusual and fascinating history, uncovering just how much of China’s art, politics, and outlook have been defined by the links between humanity and nature.
 

Poetry and prose by Spanish women presented here in both English and Spanish.

A dazzling sampler, Water Lilies brings to light a rich and until now largely invisible version of Spanish literary history. These hard-to-find works, most translated for the first time, are printed on facing pages in Spanish and English and located within a critical, biographical, and historical overview.

Here are five centuries of writing by Spanish women, the unknown recovered from obscurity, the well-known seen as they rarely have been-in the context of a women’s literary history. Some of these writers, like Rosalía de Castro in “The Bluestockings” and Teresa de Cartagena in Wonder at the Work of God, question the relationship between the woman writer and the act of writing. Some, like the poet Carolina Coronado in “The Twin Geniuses: Sappho and Saint Teresa of Jesus,” overtly seek a literary tradition. Others, like Saint Teresa in her Life and Luisa Sigea in her poetry, provide touchstones for women in search of such a tradition.

Legends and stories of women’s friendships, the inconstancy of men, and the love of God; Spain’s first autobiographical text; secular and religious poetry from medieval through recent times; an excerpt from one of the few chivalresque novels written by a woman; a full-length Golden Age comedia: this is the wide range of works Water Lilies comprises. Brought together for the first time, the writers articulate their resistance to, and their complicity in, a literary history that, until now, has tried to exclude them.

 

Flooding in California. Drought and famine in the Horn of Africa. Massive fish kills in Texas and Australia. “Forever chemicals” in US drinking water. Similar headlines are sure to dominate the news in the years ahead. What is sometimes missing from the headlines, though, is an understanding that these diverse problems are related: manifestations of serious underlying stresses on our water systems. These stresses require sustained attention from water managers, scientists, policymakers, and the public, even after the headlines have faded. That attention, in turn, requires a shared understanding of how water systems function, the problems facing them, and the tools available to increase their resilience.

This text fills that need by providing the necessary knowledge base for understanding and managing complex water problems. It is geared primarily towards students in water management courses at the undergraduate and graduate levels but will also be a helpful resource for practicing water professionals who want to get new ideas or a broader view of the subject.  

Rather than focusing on one type of water problem (as many water books do), this text explores the entire gamut of water issues, from dams to desalination, from flooding to famine, from prior appropriation to pumped storage, from sanitation to stormwater. And rather than teaching from one disciplinary perspective (as many water books do), it looks at water problems through a variety of lenses: hydrology, climate science, ecology, and engineering, but also law, economics, history, and environmental justice. The result is a concise yet comprehensive introduction to one of the most critical and demanding challenges of our time: developing just and sustainable solutions to water management.

Water Mask is an adventurous memoir from Monica Devine, an itinerant therapist who travels to villages throughout Alaska and builds a life in this vast, captivating landscape. She traverses mountains, navigates sea ice with whalers, and whirls two thousand feet above tundra with a rookie bush pilot; she negotiates the death of her father, and the near-loss of her family’s cabin on the Copper River. Her journey is exhilarating—but not without reminders of the folly of romanticizing a northern landscape that both rejects and beguiles. Reflections on family, place, and culture are woven into a seductive tapestry of a life well-lived and well-loved.

As any scientist will tell you, there is no substance more vital than water. Our history is necessarily a history with water, whether we have irrigated our fields with it, cooled our machines, washed ourselves, drank it down deeply, or even worshipped it. In Water, Veronic Strang ladles through the rich history of our interaction with water, offering an accessible examination of the crucial properties that make water so unique alongside the complex story of our evolving relationship with it.
           
As Strang shows, our attitudes about water and the things that we rely on it for have changed dramatically over time. Once a mystical source of regenerative powers, it has since played various roles as our attitudes about hygiene, health, and disease have developed; as it has become useful to our industry; as agriculture has become ever more complex; and, of course, as we have learned to make money from it. Today water—who controls it, and how—is one of the largest issues facing our society, influencing everything from the welfare of the billions of people living on earth to the vitality of its natural habitats. Balancing history, science, and environmental and cultural studies, Strang offers an important, multi-faceted view of a critical resource. 

Based on recent archaeological interpretation, this standards-based resource enriches material covered in Native People of Wisconsin. Water Panthers, Bears, and Thunderbirds introduces young readers to effigy mound sites in five southern Wisconsin counties. Suggested activities encourage students to graph, compare, contrast, and analyze the ways these mound groups vary from county to county.

Nevada’s Newlands Project, completed in 1915, was the first federally subsidized water reclamation scheme in the U.S. Water Politics in Northern Nevada examines its construction and its many unintended consequences, including deterioration of water quality, destruction of vital wetlands, interruption of ecosystems, and pollution of waterways and ground water. The project also resulted in decades of litigation involving water allocation and the abatement of environmental, social, and economic problems. This book traces the long course of negotiation between competing users that resulted in the signing of the Truckee River Operating Agreement in 2008. It illustrates the challenges of sharing a scarce resource to meet diverse needs and of preserving the resource and the environment for future generations.

In northwestern Nevada, the waters of the Truckee, Carson, and Walker river systems are fought over by competing interests: agriculture, industry, Native Americans and newer residents, and environmentalists. Much of the conflict was caused by the Newlands Project, completed in 1915, the earliest federal water reclamation scheme. Diverting these waters destroyed vital wetlands, polluted groundwater, nearly annihilated the cui-ui and the Lahontan cutthroat trout, and threatened the existence of Pyramid Lake.

Water Politics in Northern Nevada examines the Newlands Project, its unintended consequences, and decades of litigation over the abatement of these problems and fair allocation of water. Negotiations and federal legislation brought about the Truckee River Operating Agreement in 2008. This revised edition brings the reader up to date on the implementation of the agreement, including ongoing efforts to preserve and enhance Pyramid Lake. The second edition now also includes a discussion of the Walker River basin, following a major project undertaken to address concerns about the health and viability of Walker Lake. The approaches taken to save these two desert treasures, Pyramid Lake and Walker Lake, are offered as models for resolving similar water-resource conflicts in the West.

Leah J. Wilds’s study is crucial reading for students and scholars of water politics and environmental issues, not just in Nevada but throughout the western United States.

Winner of the 2010 Donald Hall Prize in Poetry

In her third poetry collection, Quan Barry explores the universal image of war as evidenced in Afghanistan and Iraq as well as Vietnam, the country of her birth. In the long poem “meditations” Barry examines her own guilt in initially supporting the invasion of Iraq. Throughout the manuscript she investigates war and its aftermath by negotiating between geographically disparate landscapes—from the genocide in the Congo—to a series of pros poem “snapshots” of modern day Vietnam. Despite the gravity of war, Barry also turns her signature lyricism to other topics such as the beauty of Peru or the paintings of Ana Fernandez.

Water is a vital part of every ecosystem on the planet. It is a prerequisite for the basic function and productive efficiency of life on Earth. Today, approximately a third of the earth's population suffers because of water scarcity, and by the year 2025, this percentage is likely rise to two-thirds. Water Resources: Efficient, Sustainable and Equitable Use shows what conflicts this will entail, and provides a basis for possible solutions.

The world is on the brink of the greatest crisis it has ever faced: a spiraling lack of fresh water. Groundwater is drying up, even as water demands for food production, for energy, and for manufacturing are surging. Water is already emerging as a headline geopolitical issue—and worsening water security will soon have dire consequences in many parts of the global economic system.
Directed by UN Secretary General Ban Ki-Moon at the 2008 Davos Annual Meeting, the World Economic Forum assembled the world’s foremost group of public, private, non-governmental-organization and academic experts to examine the water crisis issue from all perspectives. The result of their work is this forecast—a stark, non-technical overview of where we will be by 2025 if we take a business-as-usual approach to (mis)managing our water resources. The findings are shocking. Perhaps equally stunning are the potential solutions and the recommendations that the group presents. All are included in this landmark publication.
 
Water Security contains compelling commentary from leading decision-makers, past and present. The commentary is supported by analysis from leading academics of how the world economy will be affected if world leaders cannot agree on solutions. The book suggests how business and politics need to manage the energy-food-water-climate axis as leaders negotiate the details of the climate regime that replace Kyoto Protocols.

Today, our societies face great challenges with water, both in terms of quantity and quality, but many of these challenges also existed at points in the past. Focusing on Asia, Water Societies and Technologies from the Past and Present seeks to highlight the issues that emerge or reemerge across different societies and periods and asks what they can tell us about water sustainability. Incorporating cutting-edge research and pioneering field surveys on past and present water management practices, the interdisciplinary contributors together identify how societies managed water resource challenges and utilized water in ways that allowed them to evolve, persist, or drastically alter their environment.
 

In the drought summer of 2001, a simmering conflict between agricultural and environmental interests in southern Oregon’s Upper Klamath Basin turned into a guerrilla war of protests, vandalism, and apocalyptic rhetoric when the federal Bureau of Reclamation shut down the headgates of the Klamath Project to conserve water needed by endangered species. This was the first time in U.S. history that the headgates of a federal irrigation project were closed—and irrigators denied the use of their state water rights—in favor of conservation. Farmers mounted a brief rebellion to keep the water flowing, but ultimately conceded defeat.
 
In Water War in the Klamath Basin, legal scholars Holly Doremus and A. Dan Tarlock examine the genesis of the crisis and its fallout, offering a comprehensive review of the event, the history leading up to it, and the lessons it holds for anyone seeking to understand conflicts over water use in the arid West. The authors focus primarily on the legal institutions that contributed to the conflict—what they call “the accretion of unintegrated resource management and environmental laws” that make environmental protection so challenging, especially in politically divided regions with a long-standing history of entitlement-based resource allocation.
 
Water War in the Klamath Basin explores common elements fundamental to natural resource conflicts that must be overcome if conflicts are to be resolved. It is a fascinating look at a topic of importance for anyone concerned with the management, use, and conservation of increasingly limited natural resources.

Today, native plants and water conservation are subjects of vital interest to cities, offices, homeowners, and agriculture alike, as all are affected by the growing shortage of water in the Intermountain region.

This comprehensive volume provides specific information about shrubs, trees, grasses, forbs, and cacti that are native to most states in the Intermountain West, and that can be used in landscaping to conserve water, reflect and preserve the region's landscape character, and help protect its ecological integrity. The book is an invaluable guide for the professional landscaper, horticulturist, and others in the Intermountain nursery industry, as well as for the student, general reader, gardener, and homeowner.

Water Wise is both convenient and comprehensive. The heart of the book presents hundreds of species, devoting a full page to each, with a description of appearance, habitat, landscape use, and other comments. Color photographs illustrate each plant described. A reader-friendly introduction provides important background on the ecology of the Intermountain West, along with full descriptions of native plant habitats and associations.

An accessible resource of accurate native plant information for all readers, Water Wise will be indispensable to professional landscapers and amateurs alike.

Vermont is drying up. The normally lush, green countryside is in the grip of the worst drought in years: stunted cornstalks rasp in the hot July breeze, parched vegetable gardens wither and die, the Chittenden River shrinks to a trickle, and the drilling trucks are booked solid as one by one the wells give out. Patience Avery, known nationwide as a gifted "water witch," is having a busy summer, too. Using the tools of the dowser's trade -- divining sticks, metal rods, bobbers, and pendulums -- she can locate, among other things, aquifers deep within the earth. In the midst of this crisis, Scottie Winston lobbies for permits to expand Powder Peak, a local ski area that's his law firm's principal client. As part of the expansion, the resort seeks to draw water for snowmaking from the beleaguered Chittenden, despite opposition from environmentalists who fear that the already weakened river will be damaged beyond repair. What ensues in Chris Bohjalian's fourth novel is a struggle between conservation and development, rugged tradition versus inevitable progress. But it is also a tale of the clash between science and mystery, a chronicle of one man's transformation from cynic to believer. Vivid with the texture of New England ways, alive with characters both quirky and real, informed by the ongoing, real-life battles between environmentalism and economic expansion in Vermont, Water Witches is a story of ineffable forces, tenuous balances, "and perhaps something about our abilities as a people to heal and forgive and to love."

Despite advanced technology, the practice of water witching—using a forked stick to indicate an underground source of water—persists in both rural and urban areas. Water Witching U.S.A. is a lively look at "dowsing," full of personal accounts, historical background, and data from controlled experiments and a nationwide survey. This study includes a collection of photographs, drawings, and historical woodcuts showing the tools, techniques, and early instances of dowsing, as well as cross-sectional views contrasting the dowser's explanation of groundwater with the geologist's.

This working manual provides complete information on the technical aspects of designing, building, and maintaining waterwise landscapes in the Mountain West. Written particularly for professionals, including landscape designers, architects, contractors, and maintenance and irrigation specialists, it has an attractive, well-illustrated, user-friendly format that will make it useful as well to DIY homeowners and to educators, plant retailers, extension agents, and many others.

The manual is organized according to landscape principles that are adapted to the climate of the intermountain region. Beginning with planning and design, the topical principles proceed through soil preparation, appropriate plant selection, practicalities of turfgrass, use of mulch, and irrigation planning, winding up with landscape maintenance. Designed for onsite, handy use, the book is illustrated with color images of landscapes, plants, and materials. Tables, charts, diagrams, landscape plans, plant lists, checklists, and other graphic resources are scattered throughout the manual, which is written in an accessible but information-rich style. Water-Efficient Landscaping in the Intermountain West answers, more comprehensively than any other single book, the need for professional information that addresses both growing awareness of the necessity for water conservation and the desire for beautiful, healthy yards and properties.

While waterfalls have often been considered in terms of their picturesque qualities, their rich cultural background has been neglected. In Waterfall, Brian Hudson portrays these marvels in a new light. He explores the many myths and legends waterfalls have inspired in cultures ranging from Native American to Celtic and Indian, and how they have been depicted in art, literature, film, and music. He also examines their influence on architecture and landscape design, as manmade waterfalls begin to be a staple of parks, gardens, and backyard landscaping. Hudson also discusses the ecology of waterfalls and the conflict that arises from their importance as both a source of hydroelectric power and tourist attractions in many countries. As erosion takes its own toll, the additional environmental impacts of human exploitation could be devastating.

 

A superb addition to the library of any nature lover, this beautifully illustrated book provides a fascinating look at the history and value of these stunning cascades of water.

Waterfowl in Your Pocket is a welcome aid to identifying the many colorful and intriguing water birds of the midwestern states, from the Great Lakes west to the Dakotas, east to Ohio, and south to Kansas and Missouri. Illustrator Dana Gardner has created fourteen panels showing fifty-one species of ducks, geese, swans, grebes, pelicans, coots, cormorants, moorhens, and loons swimming and flying with complete plumage variations—dark phases, light phases, and juvenile and adult male and female forms in summer and winter. The text also includes length, common and scientific names, and frequency and distribution.
     Whether flying high overhead in the fall or swimming in a nearby lake in the summer, waterfowl are notoriously difficult to identify, and Gardner has worked hard to make this guide useful for beginning birders as well as those more experienced in the field. Keep binoculars and Waterfowl in Your Pocket in your car or backpack—or pocket!—during spring and fall migration and summer nesting season for help in identifying such captivating water birds as greater white-fronted geese and tundra swans during spring and fall migration, male wood ducks and mallards in breeding plumage, immature and female red-breasted mergansers and snow geese, and uncommon winter visitors such as eiders and scoters.

Detroit was the epicenter of the fur trade era, an unparalleled leader of shipbuilding for one hundred years, the Silicon Valley of the industrial age, and the unquestioned leader of the arsenal of democracy. This unique history depicts Detroit as a city of innovation, resilience, and leadership in responding to change, and examines the current sustainability paradigm shift to which Detroit is responding, pivoting as the city has done in the past to redefine itself and lead the nation and world down a more sustainable path. This book details the building of a new waterfront porch alongside the Detroit River called the Detroit RiverWalk to help revitalize the city and region and promote sustainability practices. It is a story of one of the largest, by scale, urban waterfront redevelopment projects in the United States, and gives hope and proves that Detroit and its metropolitan region have a bright future.

"During the nineteenth century, American and foreign travelers often found New Orleans a delightful, exotic stop on their journeys; few failed to marvel at the riverfront, the center of the city's economic activity. . . . But absent from the tourism industry's historical recollection is any reference to the immigrants or black migrants and their children who constituted the army of laborers along the riverfront and provided the essential human power to keep the cotton, sugar, and other goods flowing. . . . In examining one diverse group of workers--the 10,000 to 15,000 cotton screwmen, longshoremen, cotton and round freight teamsters, cotton yardmen, railroad freight handlers, and Mississippi River roustabouts--this book focuses primarily on the workplace and the labor movement that emerged along the waterfront."--From the preface

 

Waterhouses is about the places the people of Lagos have inhabited, imagined, and made home for the past two centuries. It asks what a house in Lagos is and explores how the answer to that question has been historically constructed and reconstructed in turn with the city’s changing landscapes. Written for historians of African and Atlantic history, scholars and practitioners of urbanism, and anyone looking to make sense of Africa’s most populous metropolis today, the book is an approachable history of how houses and water have formed modern Lagos. The book argues that in the coastlands from which Lagos rose, housing architectures were the single most important social, material, and political instruments for people hoping to contour the city’s landscapes—both its ecology and its image—and its historical course. The forms and meanings of houses in Lagos have shifted dramatically over time and in ways that reveal how power, house making, visual perception, and the environment are entangled in modern cities. The book’s chapters encompass six eras and six waterscapes: sandbars, canals, swamps, lagoons, oceans, and floods. These spaces guide the book’s exploration of how people saw and attempted to remake Lagos’s environs in a process that invariably involved housing architectures. At its core, Lagos is a city built through the materials, relations, and powers contained in the dry, solid, and hospitable spaces of homes, which have long been scarce and culturally celebrated resources in the city’s water-constricted setting. While shelter is integral to any city’s development, houses have been particularly important and sought after in Lagos because of the city’s land shortages and because of the societal influence and physical footprint of traditional Yoruba ilé (family compounds), in which activities were historically organized and centered. Through dozens of maps, photographs, and housing plans found in British and Nigerian archives, this book traces the relationship between Lagos’s residential spaces and its urban landscapes across the rise, fall, and aftermath of British colonization. By showing how Yoruba visions of home—though often forgotten or misunderstood today—coexisted with European notions, Waterhouses offers urban planners, policy makers, and architects ideas for how the definingly human act of inhabiting a place might be grounded in practices of continuous custodianship rather than extractive possession.

In Watering the Revolution Mikael D. Wolfe transforms our understanding of Mexican agrarian reform through an environmental and technological history of water management in the emblematic Laguna region. Drawing on extensive archival research in Mexico and the United States, Wolfe shows how during the long Mexican Revolution (1910-1940) engineers’ distribution of water paradoxically undermined land distribution. In so doing, he highlights the intrinsic tension engineers faced between the urgent need for water conservation and the imperative for development during the contentious modernization of the Laguna's existing flood irrigation method into one regulated by high dams, concrete-lined canals, and motorized groundwater pumps. This tension generally resolved in favor of development, which unintentionally diminished and contaminated the water supply while deepening existing rural social inequalities by dividing people into water haves and have-nots, regardless of their access to land. By uncovering the varied motivations behind the Mexican government’s decision to use invasive and damaging technologies despite knowing they were ecologically unsustainable, Wolfe tells a cautionary tale of the long-term consequences of short-sighted development policies.

Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.

A wide-ranging consideration of water’s plenitude and paucity—and of our relationship to its many forms

Water is quotidian, ubiquitous, precious, and precarious. With their roots in this element, the authors of Water’s Edge reflect on our natural environment: its forms, textures, and stewardship. Born from a colloquium organized by the editors at the Institute at Brown for Environment and Society, the anthology features a diverse group of writers and artists from half a dozen countries, from different fields of scholarship and practice: artists, biologists, geologists, poets, ecocritics, actors, and anthropologists. The contributors explore and celebrate water while reflecting on its disturbances and pollution, and their texts and art play with the boundaries by which we differentiate literary forms.

In the creative nonfiction, poetry, and visual art collected here, water moves from backdrop to subject. Ashley Dawson examines the effects of industrial farming on the health of local ecosystems and economies. Painter Kulvinder Kaur Dhew captures water’s brilliance and multifaceted reflections through a series of charcoal pieces that interlace the collection. Poet Arthur Sze describes the responsibility involved in the careful management of irrigation ditches in New Mexico. Rather than concentrating their thoughts into a singular, overwhelming argument, the authors circulate moments of apprehension, intimation, and felt experience. They are like tributaries, each carrying, in a distinctive style, exigent and often intimate reports concerning a substance upon which all living organisms depend.

Newly widowed Natalie Waters expects only nostalgia and solitude at her quiet, rustic cabin. But the wilderness conceals more than one perilous mystery. Where in Wisconsin’s Northwoods did the notorious gangster John Dillinger hide $210,000 following a violent FBI shootout? And why do the local timberwolves incite so much rage among Natalie’s neighbors?
    As predators circle and howl in the dark, Ginger, the bartender at the nearby Star Lake Saloon, draws Natalie deep into the secrets not only of Dillinger but of the ecologies of family, forest, and heart. With the reluctant support of her granddaughter and advice from a handsome wolf biologist, Natalie is forced to choose between adversity and adventure.
    Sara Rath continues her popular Northwoods saga in this affirming and often humorous tale of romance, betrayal, and danger.

In 2023, the Supreme Court made one of its most devastating rulings in environmental history. By narrowing the legal definition of ‘waters of the United States’ (WOTUS), the court opened the floodgates to unregulated pollution. But while tremendously consequential, the decision was also simply the latest in a long series of battles over WOTUS, and which rivers, streams, lakes, ponds, wetlands, and perhaps even farm fields were to be protected by the Clean Water Act of 1972.
 
Waters of the United States is an unprecedented exploration of this history—and its importance for today’s efforts to conserve a critical natural resource. The book not only examines how bodies of water are legally defined (and therefore protected), but who gets to decide on these definitions. The result is a fascinating look at the ongoing power struggle between the president and federal agencies, the courts, the states, and Congress, over water quality.
 
Waters of the United States offers the detailed analysis necessary for any lawyer or environmental advocate to understand the nuances of water policy, while spinning a compelling narrative for readers who have never cracked a law book. The unique mix of insights into environmental law, history, and politics is required reading for anyone who cares about the future of the nation’s water. 
 
 

The compelling and adventurous stories of seven pioneering scientists who were at the forefront of what we now call climate science.

From the glaciers of the Alps to the towering cumulonimbus clouds of the Caribbean and the unexpectedly chaotic flows of the North Atlantic, Waters of the World is a tour through 150 years of the history of a significant but underappreciated idea: that the Earth has a global climate system made up of interconnected parts, constantly changing on all scales of both time and space. A prerequisite for the discovery of global warming and climate change, this idea was forged by scientists studying water in its myriad forms. This is their story.

Linking the history of the planet with the lives of those who studied it, Sarah Dry follows the remarkable scientists who summited volcanic peaks to peer through an atmosphere’s worth of water vapor, cored mile-thick ice sheets to uncover the Earth’s ancient climate history, and flew inside storm clouds to understand how small changes in energy can produce both massive storms and the general circulation of the Earth’s atmosphere. Each toiled on his or her own corner of the planetary puzzle. Gradually, their cumulative discoveries coalesced into a unified working theory of our planet’s climate.

We now call this field climate science, and in recent years it has provoked great passions, anxieties, and warnings. But no less than the object of its study, the science of water and climate is—and always has been—evolving. By revealing the complexity of this history, Waters of the World delivers a better understanding of our planet’s climate at a time when we need it the most.

In June 2008, the rivers of eastern Iowa rose above their banks to create floods of epic proportions; their amazing size—flowing in places at a rate nearly double that of the previous record flood—and the rapidity of their rise ruined farmlands and displaced thousands of residents and hundreds of businesses. In Cedar Rapids, the waters inundated more than nine square miles of the downtown area; in Iowa City, where the flood was also the most destructive in history, the University of Iowa’s arts campus was destroyed. By providing a solid base of scientific and technical information presented with unusual clarity and a wealth of supporting illustrations, the contributors to this far-reaching book, many of whom dealt firsthand with the 2008 floods, provide a detailed roadmap of the causes and effects of future devastating floods.

 The twenty-five essays fall naturally into four sections. “Rising Rivers, Spreading Waters” begins by comparing the 2008 floods with the midwestern floods of 1993, moves on to trace community responses to the 2008 floods, and ends by illuminating techniques for forecasting floods and determining their size and frequency. “Why Here, Why Now?” searches for possible causes of the 2008 floods and of flooding in general: annual crops and urban landscapes, inflows into and releases from reservoirs, and climate change. “Flood Damages, Flood Costs, Flood Benefits” considers the complex mix of flood costs and effects, emphasizing damages to cities and farmlands as well as potential benefits to natural communities and archaeological sites. “Looking Back, Looking Forward” lays out approaches to managing the floods of the future that are sure to come.

 While the book draws most of its examples from one particular region, it explains flooding throughout a much larger region—the midwestern Corn Belt—and thus its sobering yet energizing lessons apply well beyond eastern Iowa. By examining the relationships among rivers, floodplains, weather, and modern society; by stressing matters of science and fact rather than social or policy issues; and by addressing multiple environmental problems and benefits, A Watershed Year informs and educates all those who experienced the 2008 floods and all those concerned with the larger causes of flooding.

Grappling with the shock of her grandmother’s suicide, mai c. doan undertook a writing project that might give voice to her loss as well as to grapple with memory, and the challenge of articulation and of documentation, in all of their contradictions and (im)possibilities. In the poems that comprise water/tongue, doan conjures visceral and intuitive elements of experience to articulate the gendered and intergenerational effects of violence, colonialism, and American empire. Breaking the silence surrounding these experiences, doan conjures a host of voices dispersed across time and space to better understand the pain that haunted her family—made tragically manifest in her grandmother’s death. Looking not only to elements of Vietnamese history and culture, but to the experience of migration and racism in the United States, this book charts a path for both understanding and resistance. Indeed, doan does not merely wish to unearth the past, but also to change the future. If we want to do so, she shows, we must commune with the voices of sufferers both past and present. doan demonstrates how even the form of a work of poetry can act as a subversion of what a reader expects from the motion of the act of reading a line of type or a page of text. doan disarms and unsettles the ways a reader is led to levels of comprehension, and thus disrupts what “comprehension” might mean, as the reader follows the flow of a work, providing an opportunity to sense, and to confront hierarchies that structure ordinary reading and writing. doan brings a reader to conscious appraisal of the hierarchies that affect us, and how these hierarchies can constrain our insights and our mobility. water/tongue is a critical read for anyone interested in the long effects of gendered and cultural violence, and the power of speech to forge new and empowering directions.

She likes tea, sews, draws on papers and is a self-taught master of tying and untying knots. But she is not a crafty woman of the DIY set: she is Wattana, an orangutan who lives in the Jardin des Plantes Zoo in Paris. And it is in Paris where Chris Herzfeld first encounters and becomes impressed by Wattana and her exceptional abilities with knots. In Wattana: An Orangutan in Paris Herzfeld tells not only Wattana’s fascinating story, but also the story of orangutans and other primates—including bonobos, chimpanzees, and gorillas—in captivity.

Offering a uniquely intimate look at the daily lives of captive great apes, Herzfeld uses Wattana’s life to trace the history of orangutans from their first arrival in Europe in 1776 to the inhabitants of the Zoo of Paris and other zoos today. She provides a close look at the habits, technical know-how, and skills of Wattana, who, remarkably, uses strings, paper rolls, rope, and even pieces of wood to make things.  And she thoughtfully explores how apes individually—and often with ingenuity—come to terms with and adapt to their captive environments and caretakers. Through these stories, Wattana sympathetically reveals the extraordinary psychology and distinctive personalities of great apes as well as the interconnections between animal and human lives, especially in zoos.

Scientists predict that orangutans will disappear from the wild by 2030, and captive animals like Wattana may, as a result, provide our best chance to understand and appreciate their astonishing intelligence and abilities. Wattana, the accomplished maker of knots, is the hero of this poignant book, which will enthrall anyone curious about the lives of our primate cousins.
 

Detective stories should be examined from a literary point of view, with special attention to literary history and to materials and patterns from which the writers created their fictions. This book sheds new light into the fascinating field of detective fiction.

Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous mélange of Poe and Borges, both horrific and metaphysical. Here, as in "Moran's Mexico," and "Greenhouse," the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In "White Square" the representation of humans by dimly colored shapes confirms our feeling that something lies behind these words, while seeming to mock us with the futility of seeking it. Evenson's enigmatic names-Thurm, Bein, Hatcher, Burlun-placeable landscapes, and barren rooms all combine to create a semblance of conceptual abstraction, as though the material universe had come to exist inside someone's head.

Small wonder that Evenson's work has attracted so much attention among philosophers, literary critics, and other speculative intelligences, for it continuously projects a tantalizing absence, as though there were some key or code that, if only we knew it, would illuminate everything. However, the blade of discernment wavers, and we are left to our own groping interpretations.

In Waves of Decolonization, David Luis-Brown reveals how between the 1880s and the 1930s, writer-activists in Cuba, Mexico, and the United States developed narratives and theories of decolonization, of full freedom and equality in the shadow of empire. They did so decades before the decolonization of Africa and Asia in the mid-twentieth century. Analyzing the work of nationalist leaders, novelists, and social scientists, including W. E. B. Du Bois, José Martí, Claude McKay, Luis-Brown brings together an array of thinkers who linked local struggles against racial oppression and imperialism to similar struggles in other nations. With discourses and practices of hemispheric citizenship, writers in the Americas broadened conventional conceptions of rights to redress their loss under the expanding United States empire. In focusing on the transnational production of the national in the wake of U.S. imperialism, Luis-Brown emphasizes the need for expanding the linguistic and national boundaries of U.S. American culture and history.

Luis-Brown traces unfolding narratives of decolonization across a broad range of texts. He explores how Martí and Du Bois, known as the founders of Cuban and black nationalisms, came to develop anticolonial discourses that cut across racial and national divides. He illuminates how cross-fertilizations among the Harlem Renaissance, Mexican indigenismo, and Cuban negrismo in the 1920s contributed to broader efforts to keep pace with transformations unleashed by ongoing conflicts over imperialism, and he considers how those transformations were explored in novels by McKay of Jamaica, Jesús Masdeu of Cuba, and Miguel Ángel Menéndez of Mexico. Focusing on ethnography’s uneven contributions to decolonization, he investigates how Manuel Gamio, a Mexican anthropologist, and Zora Neale Hurston each adapted metropolitan social science for use by writers from the racialized periphery.

In Waves of Knowing Karin Amimoto Ingersoll marks a critical turn away from land-based geographies to center the ocean as place. Developing the concept of seascape epistemology, she articulates an indigenous Hawaiian way of knowing founded on a sensorial, intellectual, and embodied literacy of the ocean. As the source from which Kānaka Maoli (Native Hawaiians) draw their essence and identity, the sea is foundational to Kanaka epistemology and ontology. Analyzing oral histories, chants, artwork, poetry, and her experience as a surfer, Ingersoll shows how this connection to the sea has been crucial to resisting two centuries of colonialism, militarism, and tourism. In today's neocolonial context—where continued occupation and surf tourism marginalize indigenous Hawaiians—seascape epistemology as expressed by traditional cultural practices such as surfing, fishing, and navigating provides the tools for generating an alternative indigenous politics and ethics. In relocating Hawaiian identity back to the waves, currents, winds, and clouds, Ingersoll presents a theoretical alternative to land-centric viewpoints that still dominate studies of place-making and indigenous epistemology.

Radio sparked the massive upsurge of organized labor during the Great Depression. The powerful new medium became an important weapon in the ideological war between labor and business. Corporations used radio to sing the praises of individualism and consumerism, while unions emphasized equal rights, industrial democracy, and social justice. 

Elizabeth Fones-Wolf analyzes the battle to utilize, and control, the airwaves in radio's early era. Working chronologically, she explores the advent of local labor radio stations such as WCFL and WEVD, labor's campaigns against corporate censorship, and union experiments with early FM broadcasting. Using union archives and broadcast industry records, Fones-Wolf demonstrates radio's key role in organized labor's efforts to fight business's domination of political discourse throughout the 1930s, 1940s, and 1950s. She concludes with a look at how labor's virtual disappearance from today's media helps explain why unions have become so marginalized, and offers important historical lessons for revitalizing organized labor.

In Abyssinian poetry, the “wax” is the obvious meaning, the “gold” is the hidden meaning. In Wax and Gold, Donald N. Levine explores mid-to-late-twentieth-century Ethiopian society on the same two levels, using modern sociology and psychology to seek answers to the following questions: What is the nature of the traditional culture of the dominant ethnic group, the Amhara, and what are its enduring values? What aspects of modern culture interest this society and by what means has it sought to institutionalize them? How has tradition both facilitated and hampered Ethiopian efforts to modernize? Enriched by the use of Ethiopian literature and by Levine’s deep knowledge of and affection for the society of which he writes, Wax and Gold is both a scholarly and a personal work.

Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period.

The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship. 

"A sense of place can be a complicated matter," writes James McVey in the prologue to his new collection of essays, The Way Home. Based on twenty years of living and traveling in the West, the collection includes essays on river running, backcountry skiing, fly fishing, and backpacking—all describing various attempts to engage in meaningful contact with the elements of wild nature, and to have a deep firsthand knowledge of a place. With an essayists breadth McVey engages ecology, geology, anthropology, psychology, and history as well as his own personal outdoor experiences to peer into the particulars of living in as complicated a place as the West. While the essays function within the tradition of western nature writing, they transcend regional issues insofar as they maintain a broader philosophical context that accounts for such global concerns as mass extinction and climate change.

The essays use backcountry experiences as occasions for reflection on such topics as nature and culture, conservation, and the human relation to the wild. They combine the naturalist’s commitment to landscape with the adventurer’s attention to technique and skill. The outdoor experiences function as ritualized activity, the purpose of which is to explore a specific relation with a place. As such, the essays consider certain nonrational ways of knowing the world, including a perception of aesthetics based on sensory participation with the more-than-human world. This gets to the heart of the essential connection in this work between its adventure themes and nature concerns--a connection very much concerned with issues of lifestyle and worldview. McVey describes his own journey in the West, traveling through the varying philosophical revelations wilderness presents—"a lifetime of questions"—finally landing on a conservation ethic, a feeling of home.

The fall of 1964 was an exciting time at the University of Iowa. Its fourteenth president, Howard Bowen, had just arrived, and on a sunny October afternoon he made his first speech to the faculty. This occasion was note worthy enough—former president Virgil Hancher had held the job for twenty-four years—to attract the attention of a professor of speech pathology who had previously confined his considerable energies to teaching and research. Bowen's vision of what the university could become was so intriguing, so compelling, that this professor wrote and offered to help him achieve his objectives in any way possible. This quixotic offer changed Duane Spriestersbach's life and becomes the starting point for his story of his years as a University of Iowa administrator.

Drawing upon his personal files, the university archives, and interviews with many faculty members and administrators, Spriestersbach has created both an institutional and a personal history of the university. Judged by any standard, these years were tumultuous ones for higher education. Economic pressures from the state legislature, issues surrounding grants from such agencies as the National Institutes of Health and the National Science Foundation, the civil rights movement, student and faculty protests during the Vietnam era, massive changes in the physical and administrative shape of the campus, and the computerization of all parts of campus life had far-reaching consequences. Spriestersbach was at the center of these events at the University of Iowa; his perspective is unique, refreshing, and educational.

Spriestersbach's account of the Vietnam years and of the evolution of computers at Iowa will be particularly interesting to readers. He reported to four presidents, served as acting president, managed hundreds of meetings both dramatic and mundane, and reacted to many administrative restructurings. In this story of his life at the University of Iowa, he reveals the truth behind these words from his 1964 letter to President Bowen: “I think I am an idealist, a person with imagination, and a guy in a hurry. I believe investigation will show that I am a person with competitive administrative and executive abilities.”

Anna Akhmatova is considered one of Russia’s greatest poets. Her life encompassed the turmoil of the Russian Revolution and the paranoia and persecution of the Stalinist era: her works embody the complexities of the age. At the same time, she was able to merge these complexities into a single, poetic voice to speak to the Russian people with whom she so closely and proudly identified.

Way of All the Earth contains short poems written between 1909 and 1964, selected from Evening, Rosary, White Flock, Plantain, Anno Domini, Reed, and The Seventh Book. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.

A hiking trail through majestic mountains. A raw, unpeopled wilderness stretching as far as the eye can see. These are the settings we associate with our most famous books about nature. But Gavin Van Horn isn’t most nature writers. He lives and works not in some perfectly remote cabin in the woods but in a city—a big city. And that city has offered him something even more valuable than solitude: a window onto the surprising attractiveness of cities to animals. What was once in his mind essentially a nature-free blank slate turns out to actually be a bustling place where millions of wild things roam. He came to realize that our own paths are crisscrossed by the tracks and flyways of endangered black-crowned night herons, Cooper’s hawks, brown bats, coyotes, opossums, white-tailed deer, and many others who thread their lives ably through our own.
           
With The Way of Coyote, Gavin Van Horn reveals the stupendous diversity of species that can flourish in urban landscapes like Chicago. That isn’t to say city living is without its challenges. Chicago has been altered dramatically over a relatively short timespan—its soils covered by concrete, its wetlands drained and refilled, its river diverted and made to flow in the opposite direction. The stories in The Way of Coyote occasionally lament lost abundance, but they also point toward incredible adaptability and resilience, such as that displayed by beavers plying the waters of human-constructed canals or peregrine falcons raising their young atop towering skyscrapers. Van Horn populates his stories with a remarkable range of urban wildlife and probes the philosophical and religious dimensions of what it means to coexist, drawing frequently from the wisdom of three unconventional guides—wildlife ecologist Aldo Leopold, Taoist philosopher Lao Tzu, and the North American trickster figure Coyote. Ultimately, Van Horn sees vast potential for a more vibrant collective of ecological citizens as we take our cues from landscapes past and present.

Part urban nature travelogue, part philosophical reflection on the role wildlife can play in waking us to a shared sense of place and fate, The Way of Coyote is a deeply personal journey that questions how we might best reconcile our own needs with the needs of other creatures in our shared urban habitats.
 

This acclaimed history of Portuguese and Brazilian slaving in the southern Atlantic is now available in paperback.
    With extraordinary skill, Joseph C. Miller explores the complex relationships among the separate economies of Africa, Europe, and the South Atlantic that collectively supported the slave trade. He places the grim history of the trade itself within the context of the rise of merchant capitalism in the eighteenth century. Throughout, Miller illuminates the experiences of the slaves themselves, reconstructing what can be known of their sufferings at the hands of their buyers and sellers.

A lyrical collection examines the quotidian beauty that surrounds us despite deep loss and climate crisis

The Way of the Earth is the fourth collection from award-winning poet Matthew Shenoda. In this, his most personal collection to date, he explores the temporal and fleeting nature of human life and the earth we inhabit. Through ruminations on the intersections of culture and ecology, the death of loved ones, and the growing inequities in our midst, Shenoda explores what it means to be a person both grounded to the earth and with a yearning beyond it. Memories of landscapes and histories echo throughout the sensations of the present: the sight of egrets wading in the marshes, the smell of the ocean, a child’s hand nestled in a warm palm. “Time never goes back,” Shenoda writes, “but the imagination must.”

In his debut short-fiction collection, The Way Things Always Happen Here, Kevin C. Stewart takes his readers to the scene of a heinous murder, to the home of an alcoholic single mother, to the 1960s election campaign of JFK through West Virginia, and off the side of the New River Gorge Bridge. In these eight stories set in fictional Oak County in southern West Virginia, and one novella set in the Arkansas Ozarks, Stewart gives us characters who all love and hate where they’re from.

An incisive and erudite survey of Machiavelli, the catastrophes of his times and ours, and his counsel for responding to an era of constant crises

"In common things are greater extensions of ourselves than we ever conceived of." "Life on earth springs from a collateral magic that we rarely consult," observes John Hay, naturalist, essayist, sage, and inveterate walker of byways. This collection from the 50-year long career of America's preeminent nature writer illustrates the full range of Hay's work. An elegant and lyrical stylist, he is, in Merrill's words, "the nature writer's writer, an illustrator of the Emersonian notion that 'the world is emblematic.'" And so Hay reveals the ubiquitous but often unnoticed emblems all around us. The mad, impossible rush of alewives flinging themselves upstream to mate, for example, represents "the drive to be, a common and terrible sending out, to which men are also bound in helplessness." In the migratory movements of the terns and the green turtles past his beloved Cape Cod Hay sees the mystery and magnificence of homing: "To know your direction and return through outer signs, is as new as it is ancient. We are still people of the planet, with all its original directions waiting in our being." Whether describing the rugosa or bayberry of a sand dune, the plight of stranded pilot whales, or a spider swinging on its gossamer, Hay encourages us to enlarge our inner universe by observing, appreciating, and preserving the outer one we so often ignore. As a result, he says, "we may find that we are being led onto traveled ways that were once invisible to us," and by recognizing our "deep alliance with natural forces we find a new depth in ourselves. This is the common ground for all living things."

This book traces the lives of the Snowdens, an African American family of musicians and farmers living in rural Knox County, Ohio. Howard L. Sacks and Judith Rose Sacks examine the Snowdens' musical and social exchanges with rural whites from the 1850s through the early 1920s and provide a detailed exploration of the claim that the Snowden family taught the song "Dixie" to Dan Emmett-–the white musician and blackface minstrel credited with writing the song. This edition features a new introduction in which the authors discuss the public response to this controversial claim, and present new information on the Snowdens' musical and social experiences.
 

The customary picture of the World War II era in California has been dominated by accounts of the Japanese American concentration camps, African Americans, and women on the home front.
 The Way We Really Were substantially enlivens this view, addressing topics that have been neglected or incompletely treated in the past to create a more rounded picture of the wartime situation at home.  Exploring the developments brought to fruition by the war and linking them to their roots in earlier decades, contributors address the diversity of the musical scene, which arose from a cross-pollination of styles brought by Okies, blacks, and Mexican migrants. They examine increased political involvement by women, Hollywood's response to the war, and the merging of business and labor interests in the Bay Area Council. They also reveal how wartime dynamics led to substantial environmental damage and lasting economic gains by industry. 
 The Way We Really Were examines significant wartime changes in the circumstances of immigrant groups that have been largely overlooked by historians. Among these are Italian Americans, heavily insular and pro-Fascist before the war and very pro-American and assimilationist after, and Chinese American men, who achieved new legitimacy and entitlement through military service. Also included is a look at cultural negotiation among multiple ethnic groups in the Golden State.   A valuable addition to the literature on California history, The War We Really Were provides an entree into new areas of scholarship and a fresh look at familiar ones.
 

Colorado Congressman Wayne N. Aspinall was variously dubbed the "Ruler of the Land," a "bridge between the old and new Wests," and the environmental movement's "most durable foe." The late David Brower, the notable Sierra Club leader, remarked that the environmental movement had seen "dream after dream dashed on the stony continents of Wayne Aspinall."

In Wayne Aspinall and the Shaping of the American West, Steven C. Schulte details a political career that encompassed some of the most crucial years in the development of the twentieth-century West. As chairman of the House Interior and Insular Affairs Committee from 1959 to 1973, Aspinall shaped the nation's reclamation, land, wilderness, and natural resource policies. His crusty and dtermined personality was at the enter of some of the key environmental battles of the twentieth century, including the Echo Park Dam fight, the struggle for the Wilderness Act, and the long controversy over the Central Arizona Project.

In Ways of Knowing, John V. Pickstone provides a new and accessible framework for understanding science, technology, and medicine (STM) in the West from the Renaissance to the present. Pickstone's approach has four key features. First, he synthesizes the long-term histories and philosophies of disciplines that are normally studied separately. Second, he dissects STM into specific ways of knowing—natural history, analysis, and experimentalism—with separate but interlinked elements. Third, he explores these ways of knowing as forms of work related to our various technologies for making, mending, and destroying. And finally, he relates scientific and technical knowledges to popular understandings and to politics.

Covering an incredibly wide range of subjects, from minerals and machines to patients and pharmaceuticals, and from experimental physics to genetic engineering, Pickstone's Ways of Knowing challenges the reader to reexamine traditional conceptualizations of the history, philosophy, and social studies of science, technology, and medicine.

Although craftspeople and artists often work with natural materials, the notion that making art can constitute a means of knowing nature is a novel one. This book, with contributions from historians of science, medicine, art, and material culture, shows that the histories of science and art are not simply histories of concepts or styles, but histories of the making and using of objects to understand the world. An examination of material practices makes it clear that the methods of the artisan represent a process of knowledge making that involves extensive experimentation and observation that parallel similar processes in the sciences. Ways of Making and Knowing offers a comprehensive and interdisciplinary history of the ways in which human beings have sought out, discovered, and preserved their own knowledge of the world around them; it has only been through material and human interaction with (and manipulation of) nature that we have come to understand it.