How were indigenous social practices deemed queer and aberrant by colonial forces?
In Queering Colonial Natal, T.J. Tallie travels to colonial Natalestablished by the British in 1843, today South Africa’s KwaZulu-Natal provinceto show how settler regimes “queered” indigenous practices. Defining them as threats to the normative order they sought to impose, they did so by delimiting Zulu polygamy; restricting alcohol access, clothing, and even friendship; and assigning only Europeans to government schools.
Using queer and critical indigenous theory, this book critically assesses Natal (where settlers were to remain a minority) in the context of the global settler colonial project in the nineteenth century to yield a new and engaging synthesis. Tallie explores the settler colonial history of Natal’s white settlers and how they sought to establish laws and rules for both whites and Africans based on European mores of sexuality and gender. At the same time, colonial archives reveal that many African and Indian people challenged such civilizational claims.
Ultimately Tallie argues that the violent collisions between Africans, Indians, and Europeans in Natal shaped the conceptions of race and gender that bolstered each group’s claim to authority.
Perman's encounters with the spirits, the mediums who bring them back, and the accompanying rituals form the heart of his ethnographic account of how the Ndau experience ceremonial musicking. As Perman witnessed other ceremonies, he discovered that music and dancing shape the emotional lives of Ndau individuals by inviting them to experience life's milestones or cope with its misfortunes as a group. Signs of the Spirit explores the historical, spiritual, and social roots of ceremonial action and details how that action influences the Ndau's collective approach to their future. The result is a vivid ethnomusicological journey that delves into the immediacy of musical experience and the forces that transform ceremonial performance into emotions and community.
Based on the author’s fieldwork among the people of Zezuru, this study focuses on children as clients and as healers in training. In Reynolds’s ethnographic investigation of possession and healing, she pays particular attention to the way healers are identified and authenticated in communities, and how they are socialized in the use of medicinal plants, dreams, and ritual healing practices. Reynolds examines spiritual interpretation and remediation of children’s problems, including women’s roles in these activities, and the Zezuru concepts of trauma, evil, illness, and death. Because this study was undertaken just after the War of Liberation in Zimbabwe, it also documents the devastating effects of the war.
This study examines the social changes that took place in Southern Rhodesia after the arrival of the British South Africa Company in the 1890s. Summer’s work focuses on interactions among settlers, the officials of the British South America Company and the administration, missionaries, humanitarian groups in Britain, and the most vocal or noticeable groups of Africans. Through this period of military conquest and physical coercion, to the later attempts at segregationist social engineering, the ideals and justifications of Southern Rhodesians changed drastically. Native Policy, Native Education policies, and, eventually, segregationist Native Development policies changed and evolved as the white and black inhabitants of Southern Rhodesia (colonial Zimbabwe) struggled over the region’s social form and future.
Summers’s work complements a handful of other recent works reexamining the social history of colonial Zimbabwe and demonstrating how knowledge, perception, and ideologies interacted with the economic and political dimensions of the region’s past.
Zimbabwe’s President Robert Mugabe sharply divides opinion and embodies the contradictions of his country’s history and political culture. As a symbol of African liberation and a stalwart opponent of white rule, he was respected and revered by many. This heroic status contrasted sharply, in the eyes of his rivals and victims, with repeated cycles of gross human rights violations. Mugabe presided over the destruction of a vibrant society, capital flight, and mass emigration precipitated by the policies of his government, resulting in his demonic image in Western media.
This timely biography addresses the coup, led by some of Mugabe’s closest associates, that forced his resignation after thirty-seven years in power. Sue Onslow and Martin Plaut explain Mugabe’s formative experiences as a child and young man; his role as an admired Afro-nationalist leader in the struggle against white settler rule; and his evolution into a political manipulator and survivalist. They also address the emergence of political opposition to his leadership and the uneasy period of coalition government. Ultimately, they reveal the complexity of the man who stamped his personality on Zimbabwe’s first four decades of independence.
Nachituti’s Gift challenges conventional theories of economic development with a compelling comparative case study of inland fisheries in Zambia and Congo from pre- to postcolonial times. Neoclassical development models conjure a simple, abstract progression from wealth held in people to money or commodities; instead, Gordon argues, primary social networks and oral charters like “Nachituti’s Gift” remained decisive long after the rise of intensive trade and market activities. Interweaving oral traditions, songs, and interviews as well as extensive archival research, Gordon’s lively tale is at once a subtle analysis of economic and social transformations, an insightful exercise in environmental history, and a revealing study of comparative politics.
According to the people of the Mueda plateau in northern Mozambique, sorcerers remake the world by asserting the authority of their own imaginative visions of it. While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery—for many of them, West’s efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In Ethnographic Sorcery, West explores the fascinating issues provoked by this equation.
A key theme of West’s research into sorcery is that one sorcerer’s claims can be challenged or reversed by other sorcerers. After West’s attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.
Confronting Leviathan describes Mozambique’s attempt to construct a socialist society in one African country on the back of an anti-colonial struggle for national independence. In explaining the failure of this effort the authors suggest reasons why the socialist vision of the ruling party, Frelimo, lacked resonance with Mozambican society. They also document in detail South Africa’s attempts to destabilize the country, even to the extent of sponsoring the Renamo insurgents. The dynamics of that insurgency and its roots in Mozambican society are examined as well as the process of negotiation that brought it to a close. Finally the authors analyze the more recent attempt to construct a liberal capitalist society in Mozambique. From their findings it appears that this may prove no easier than the construction of socialism.
In a beautifully crafted narrative that transports the reader from the salons of Europe to the shores of Tahiti, Harry Liebersohn examines the transformation of global knowledge during the great age of scientific exploration. He moves beyond the traditional focus on British and French travelers to include Germans, Russians, and some Americans, as well as the Tahitian, Hawaiian, and other Pacific islanders they encountered. Germany gets special attention because its travelers epitomized the era’s cosmopolitanism and its philosophers engaged most fully in a multicultural understanding of humanity.
Famous adventurers like Captain Cook make appearances, but it’s the observations of such naturalists as Philibert Commerson, George Forster, and Adelbert von Chamisso that helped most to generate a new understanding of these far-flung societies. These European travelers saw non-Europeans neither as “savages” nor as projections of colonial fantasies. Instead the explorers accumulated a rich storehouse of perceptions through negotiations with patrons at home, collaborators abroad, salon philosophers, and missionary rivals.
Liebersohn illuminates the transformative nature of human connections. He examines the expectations these servants of empire brought to the peoples they encountered, and acknowledges the effects of Oceanian behaviors, including unexpected notions of sexuality, on the Europeans. Equally important, he details the reception of these travelers upon their return home.
An unforgettable voyage filled with delightful characters, dramatic encounters, and rich cultural details, The Travelers’ World heralds a moment of intellectual preparation for the modern global era. We now travel effortlessly to distant places, but the questions about perception, truth, and knowledge that these intercontinental mediators faced still resonate.
During the nineteenth century, British and American settlers acquired a vast amount of land from indigenous people throughout the Pacific, but in no two places did they acquire it the same way. Stuart Banner tells the story of colonial settlement in Australia, New Zealand, Fiji, Tonga, Hawaii, California, Oregon, Washington, British Columbia, and Alaska. Today, indigenous people own much more land in some of these places than in others. And certain indigenous peoples benefit from treaty rights, while others do not. These variations are traceable to choices made more than a century ago—choices about whether indigenous people were the owners of their land and how that land was to be transferred to whites.
Banner argues that these differences were not due to any deliberate land policy created in London or Washington. Rather, the decisions were made locally by settlers and colonial officials and were based on factors peculiar to each colony, such as whether the local indigenous people were agriculturalists and what level of political organization they had attained. These differences loom very large now, perhaps even larger than they did in the nineteenth century, because they continue to influence the course of litigation and political struggle between indigenous people and whites over claims to land and other resources.
Possessing the Pacific is an original and broadly conceived study of how colonial struggles over land still shape the relations between whites and indigenous people throughout much of the world.
From August 1965 to February 1968, during his period of service in Australia, Ambassador Edward Clark traveled in that country as no other American and probably few Australians ever have. His wife, Anne Clark, traveled with him, then wrote her observations and impressions to friends and family in the United States.
Her letters, published for the first time in this volume, reveal the isolations and involvements as well as the opportunities and the pleasures of embassy life. The etiquette of official functions at times posed problems, as in the Clarks' first black-tie dinner with the Acting Governor General, where Mrs. Clark was supposed to curtsy. "Some Ambassadors feel strongly that the representative of the President of the United States should never bend his knee (or rather his wife's) to any man. Mrs. Battle, wife of our predecessor ... put the question directly to President Kennedy. His answer to her was, 'Curtsy you must, but keep a stiff upper knee.'"
Soon, Anne Clark realized that the routine of appearances and entertainments was constant: "I do not know when I will make peace with the schedule. I am a slave to the little black book that is my calendar."
In addition to the intricacies of embassy life, the Clarks encountered much that was unfamiliar—new people, almost a new language, new flowers, new animals—even a sky with its new moon upside down. But their warm hospitality and genuine interest in things Australian attracted friends throughout the continent. Figures from the government, the church, the diplomatic circle, and everyday life, plus well-known guests from home, all become known to the reader in this perceptive account of official life from the inside.
Australia holds a unique place in the global scheme of fandom. Much of the media consumed by Australian audiences originates from either the United States or the United Kingdom, yet several Australian productions have also attracted international fans in their own right. This first-ever academic study of Australian fandom explores the national popular culture scene through themes of localization and globalization.
The essays within reveal how Australian audiences often seek authentic imports and eagerly embrace different cultures, examining both Hollywood’s influence on Australian fandom and Australian fan reactions to non-Western content. By shining a spotlight on Australian fandom, this book not only provides an important case study for fan studies scholars, it also helps add nuance to a field whose current literature is predominantly U.S. and U.K. focused.Contributors: Kate Ames, Ahmet Atay, Jessica Carniel, Toija Cinque, Ian Dixon, Leigh Edmonds, Sharon Elkind, Jacqui Ewart, Lincoln Geraghty, Sarah Keith, Emerald L. King, Renee Middlemost
Three forces—dwindling British power, rising American influence, and nationalism in a variety of forms—have transformed Australia, New Zealand, and the adjacent islands since 1919. In this volume, some of the most distinguished scholars of the Pacific region assess these significant historical changes.
These essays deal with international relations, politics, changing social structures, and literature since World War I. The themes of the volume as a whole are social and humanistic; they concern the evolution of both a regional identity and separate national identities in the Southwest Pacific. The unique areal and thematic concentration of this book makes it essential reading for all those interested in the history, politics, and culture of the Pacific.
Val Colic-Peisker harnesses concepts and theories from sociology, anthropology, and political science to compare the vastly different experiences of two Croatian immigrant cohorts in the city of Perth, Western Australia. The populations explored represent an earlier group of working-class migrants arriving from communist Yugoslavia from the 1950s to 1970s and a later group of urban professionals arriving in the 1980s and 1990s as 'independent' or skills-based migrants. This latter group integrated into professional ranks but also used their Australian experience as a stepping stone in becoming part of a highly mobile global professional middle class.
Employing a refined theoretical analysis, this rich ethnography challenges the domination of the ethnic perspective in migration studies and the idea of ethnic community itself. It emphasizes the importance of class, focusing on the intersection of class, ethnicity, and gender in the process of migration, migrant incorporation, and transnationalism. In theorizing the connection of the two migrant cohorts with their native Croatia, the study introduces concepts of "ethnic" and "cosmopolitan" transnationalism as two distinctive experiences mediated by class.
Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique local art history, a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works’ inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society’s 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne.
With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies.
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